“
In the construction of houses, choice of woods is made. Straight un-knotted timber of good appearance is used for the revealed pillars, straight timber with small defects is used for the inner pillars. Timbers of the finest appearance, even if a little weak, is used for the thresholds, lintels, doors, and sliding doors, and so on. Good strong timber, though it be gnarled and knotted, can always be used discreetly in construction.
”
”
Miyamoto Musashi (The Book of Five Rings: Miyamoto Musashi)
“
When I was little, my friends would gush over wedding gowns and honeymoons. But I saw too many people flush decades together down the toilet over money or kids or meaningless flings. My own parents chose to stay married, which I think is rather funny, since they show about as much affection for each other as pit bulls in a ring. Tying the knot means slipping a noose around love and choking it to death.
”
”
Ellen Hopkins (Perfect (Impulse, #2))
“
A king is a king, but a bard is the heart and soul of the people; he is their life in song, and the lamp which guides their steps along the paths of destiny. A bard is the essential spirit of the clan; he is the linking ring, the golden cord which unites the manifold ages of the clan, binding all that is past with all that is yet to come.
”
”
Stephen R. Lawhead (The Endless Knot (The Song of Albion, #3))
“
The boat has become supreme isolation, chosen isolation, holding myself apart from the world, which I only dimly understand anyway. I can sit on the aft deck and never be surprised by anything again- no phone will ever ring, no one will knock that I haven't seen coming for a quarter mile. that I can go to sleep any night and wake up having broken loose- a failed knot, a line frayed, the anchor dragged- that I can drift out of sight of land makes a twisted sense, in line with my internal weather. When everything has proven tenuous one can either move toward permanence or toward impermanence. The boat's sublimely impermanent. Some mornings the fog's so thick that I exist only in a tight globe of clearing, beyond which is all foghorn and unknown.
”
”
Nick Flynn (Another Bullshit Night in Suck City)
“
I designed this and had it made especially for you. The trefoil is the symbol of immortality: a beginning without an end, like our life together. The hearts represent my love for you. Forever love. Unending like the knot they form. I chose opals instead of diamonds, because opals are warm living stones, each color a birth stone, yours being the center of this ring just like you are the center of our family. “I know the inscription isn’t original, but the meaning behind the words is. I wrote those words for the wife I dreamed of. And here you are. With My Last Breath.
”
”
Julieanne Reeves (Razing Kayne (Walking a Thin Blue Line, #1))
“
I don’t want anyone else. I don’t need anyone else. It’s you I think about. It’s you I want in my goddamn bed. It’s you I want wearing my ring.” His lips skim my ear. “You’re all I’ve ever wanted, Myla.
”
”
Meghan Quinn (Untying the Knot)
“
When she had arranged her household affairs, she came to the library and bade me follow her. Then, with the mirror still swinging against her knees, she led me through the garden and the wilderness down to a misty wood. It being autumn, the trees were tinted gloriously in dusky bars of colouring. The rowan, with his amber leaves and scarlet berries, stood before the brown black-spotted sycamore; the silver beech flaunted his golden coins against my poverty; firs, green and fawn-hued, slumbered in hazy gossamer. No bird carolled, although the sun was hot. Marina noted the absence of sound, and without prelude of any kind began to sing from the ballad of the Witch Mother: about the nine enchanted knots, and the trouble-comb in the lady's knotted hair, and the master-kid that ran beneath her couch. Every drop of my blood froze in dread, for whilst she sang her face took on the majesty of one who traffics with infernal powers. As the shade of the trees fell over her, and we passed intermittently out of the light, I saw that her eyes glittered like rings of sapphires.
("The Basilisk")
”
”
R. Murray Gilchrist (Terror by Gaslight: More Victorian Tales of Terror)
“
In the bush he taught the knots I use to tie my blanket to my saddle Ds also the way I stand to use a carpenter's plane and the trick of catching fish with a bush fly and a strip of greenhide these things are like the dark marks made in the rings of great trees locked forever in my daily self.
”
”
Peter Carey
“
Finding her voice at last, she asked, “What dreams are you having, sir?”
“I dreamt I was in a spring field and a woman stands in the shadows just at the edge of the nearby forest. I haven’t yet seen her face, only her long beautiful hair. I always wake too soon.” He reached up to touch the hawk touchstone around his throat as he described his dream, rubbing it absently between his fingers.
Lily lowered her lashes to hide her astonishment. “When you see someone in a dream but cannot see their face, it means you haven’t met them yet,” she explained.
“Then perhaps I’ll dream of her again tonight and this time I’ll see her face.” He smiled, reaching across the table to take her left hand and lift it to his lips. “My name is Ian Kelly, and it would give me the greatest pleasure to know yours.”
“Lily Evans. Around here I go by Raven.” She raised a shoulder, indicating the gypsy tent.
“Lily--indeed, a most beautiful name. Now tell me,” he stared pointedly at her hand, “I see no ring that another has claimed you as his, so my confidence is strengthened. Look at your cards again, milady, and tell me if you see me in your future…
”
”
Shannon MacLeod (The Celtic Knot: Suit of Cups (Arcana Love Vol. 1))
“
Our marriage began
with knots and fangs;
vows inked on skin.
Black venom stained
our fingers, twinned
snakes strangling
the marriage vein
in Celtic macramé –
cocksure monogamy.
We became one,
me and the gun,
the serpent reeling
itself from the needle.
I had few firsts left;
marriage a wild west
for the hedonist.
Snakes unspooled
like figure-eights,
symbols of eternity.
Acrimony, alimony;
Leave the moaning
to adults. We children
will be wiser
wed, inoculated –
these hickeys,
homeopathy.
”
”
Jalina Mhyana (Dreaming in Night Vision: A Story in Vignettes)
“
I had less control over my thoughts than I'd have liked. The little ring hung around my neck, under my gown, where nobody could see it. When I was alone, I took it out sometimes, wondering how he had judged the size, with nothing but my swollen, knotted fingers to go by. Wondering if my hands would ever be as they once were, small, white, and fine. By the time that happened, if it ever did, I would be long gone from here. I would have left behind both husband and wedding ring. It mattered little whether the size were right or no. Yet, when I thought this, I found my hand closing around the ring as if I did not want to let it go. It's mine, something inside me would say.
”
”
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
“
Taut, merry, nervous, expertly mounted, exquisitely clothed, haughty in their bright youth, the chevaliers of France poured from the disheveled clearing. Sunlit, all that morning, they spanned the glittering woods: diamond on diamond, grey on grey, riches on riches; bough and limb indistinguishable; skirts and meadows sewn in the same silks; skulls in antique fantasy knotted with rhizome and leafy with fern frond. Webs, manes, beards, spun the same smokelike filament; rime flashed; jewels sparked, red and fat, on rosebush and ring. Earth and animals wore the same livery. Jazerained in its berries, the oak tree matched their pearls, and paired their brilliant-sewn housings with low mosses underfoot, freshets winking half-ice in the pile.
”
”
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
“
you are an exit wound
the extra shot of tequila
the tangled knot of hair that has to be cut out
you are the cell phone ringing in a hushed theatre
pebble wedged in the sole of a boot
the bloody hangnail
you are, just this once
you are flip flops in a thunderstorm
the boy’s lost erection
a pen gone dry
you are my father’s nightmare
my mother’s mirage
you are a manic high
which is to say:
you are a bad idea
you are herpes despite the condom
you are, I know better
you are pieces of cork floating in the wine glass
you are the morning after
whose name I can’t remember
still in my bed
the hole in my rain boots
vibrator with no batteries
you are, shut up and kiss me
you are naked wearing socks
mascara bleeding down laughing cheeks
you are the wrong guy buying me a drink
you are the typo in an otherwise brilliant novel
sweetalk into unprotected sex
the married coworker
my stubbed toe
you are not new or uncommon
not brilliant or beautiful
you are a bad idea
rock star in the back seat of a taxi
burned popcorn
top shelf, at half price
you are everything I want
you are a poem I cannot write
a word I cannot translate
you are an exit wound
a name I cannot bring myself
to say aloud
”
”
Jeanann Verlee
“
I left no ring with her. What means this lady?
Fortune forbid my outside have not charmed her.
She made good view of me; indeed, so much
That, as methought, her eyes had lost her tongue,
For she did speak in starts distractedly.
She loves me sure; the cunning of her passion
Invites me in this churlish messenger.
None of my lord's ring? Why, he sent her none.
I am the man. If it be so, as 'tis,
Poor lady, she were better love a dream.
Disguise, I see thou art a wickedness
Wherein the pregnant enemy does much.
How easy is it for the proper false
In women's waxen hearts to set their forms!
Alas, our frailty is the cause, not we,
For such as we are made of, such we be.
How will this fadge? My master loves her dearly;
And I (poor monster) fond as much on him;
And she (mistaken) seems to dote on me.
What will become of this? As I am man,
My state is desperate for my master's love.
As I am woman (now alas the day!),
What thriftless sighs shall poor Olivia breathe?
O Time, thou must untangle this, not I;
It is too hard a knot for me t' untie.
”
”
William Shakespeare
“
Still lying on the ground, half tingly, half stunned, I held my left hand in front of my face and lightly spread my fingers, examining what Marlboro Man had given me that morning. I couldn’t have chosen a more beautiful ring, or a ring that was a more fitting symbol of my relationship with Marlboro Man. It was unadorned, uncontrived, consisting only of a delicate gold band and a lovely diamond that stood up high--almost proudly--on its supportive prongs. It was a ring chosen by a man who, from day one, had always let me know exactly how he felt. The ring was a perfect extension of that: strong, straightforward, solid, direct. I liked seeing it on my finger. I felt good knowing it was there.
My stomach, though, was in knots. I was engaged. Engaged. I was ill-prepared for how weird it felt. Why hadn’t I ever heard of this strange sensation before? Why hadn’t anyone told me? I felt simultaneously grown up, excited, shocked, scared, matronly, weird, and happy--a strange combination for a weekday morning. I was engaged--holy moly. My other hand picked up the receiver of the phone, and without thinking, I dialed my little sister.
“Hi,” I said when Betsy picked up the phone. It hadn’t been ten minutes since we’d hung up from our last conversation.
“Hey,” she replied.
“Uh, I just wanted to tell you”--my heart began to race--“that I’m, like…engaged.”
What seemed like hours of silence passed.
“Bullcrap,” Betsy finally exclaimed. Then she repeated: “Bullcrap.”
“Not bullcrap,” I answered. “He just asked me to marry him. I’m engaged, Bets!”
“What?” Betsy shrieked. “Oh my God…” Her voice began to crack. Seconds later, she was crying.
A lump formed in my throat, too. I immediately understood where her tears were coming from. I felt it all, too. It was bittersweet. Things would change. Tears welled up in my eyes. My nose began to sting.
“Don’t cry, you butthead.” I laughed through my tears.
She laughed it off, too, sobbing harder, totally unable to suppress the tears. “Can I be your maid of honor?”
This was too much for me. “I can’t talk anymore,” I managed to squeak through my lips. I hung up on Betsy and lay there, blubbering on my floor.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Trixie was shivering, huddled in the crease made by the wall and the shower stall.
"Baby," he said, coming down on one knee. "Are you sick?"
But then Trixie turned in slow motion, as if he were the last person she'd ever expected to see. Her eyes were empty, ringed with mascara. She was wearing something black and sheer that was ripped at the shoulder.
"Oh, Daddy," she said, and started to cry.
"Trixie, what happened?"
She opened her mouth to speak, but then pressed her lips together and shook her head.
"You can tell me," Daniel said, gathering her into his arms as if she were small again.
Her hands were knotted together between them, like a heart that had broken its bounds. "Daddy," she whispered. "He raped me.
”
”
Jodi Picoult (The Tenth Circle)
“
Then Marco Polo spoke: “Your chessboard, sire, is inlaid with two woods: ebony and maple. The square on which your enlightened gaze is fixed was cut from the ring of a trunk that grew in a year of drought: you see how its fibers are arranged? Here a barely hinted knot can be made out: a bud tried to burgeon on a premature spring day, but the night’s frost forced it to desist.
”
”
Italo Calvino (Invisible Cities)
“
These (Shakespeare, Milton, and Victor Hugo) not only knit and knot the logical texture of the style with all the dexterity and strength of prose; they not only fill up the pattern of the verse with infinite variety and sober wit; but they give us, besides, a rare and special pleasure, by the art, comparable to that of counterpoint, with which they follow at the same time, and now contrast, and now combine, the double pattern of the texture and the verse. Here the sounding line concludes; a little further on, the well-knit sentence; and yet a little further, and both will reach their solution on the same ringing syllable. The best that can be offered by the best writer of prose is to show us the development of the idea and the stylistic pattern proceed hand in hand, sometimes by an obvious and triumphant effort, sometimes with a great air of ease and nature. The writer of verse, by virtue of conquering another difficulty, delights us with a new series of triumphs. He follows three purposes where his rival followed only two; and the change is of precisely the same nature as that from melody to harmony.
-ON SOME TECHNICAL ELEMENTS OF STYLE IN LITERATURE
”
”
Robert Louis Stevenson (Essays in the Art of Writing)
“
AIDS orphans, and while she was there, she felt alive and full of purpose for the first time in years. When she returned, her fiancé wasn’t all that interested in hearing about it. All the things her friends had been saying for years clicked into place, and a few weeks later, she gave back the ring. She’s literally like a new person these days, full of bright energy, hope, clarity. And those things are worth a whole lot more than a diamond from the wrong man, even if he’s a really good man, like this one was. Twenty-five is also a great time to start counseling, if you haven’t already, and it might be a good round two of counseling if it’s been awhile. You might have just enough space from your parents to start digging around your childhood a little bit. Unravel the knots that keep you from living a healthy whole life, and do it now, before any more time passes. Twenty-five is the perfect time to get involved in a church that you love, no matter how different it is from the one you were a part of growing up. Be patient and prayerful, and
”
”
Shauna Niequist (Bittersweet: Thoughts on Change, Grace, and Learning the Hard Way)
“
Are those chocolate chip?'' Cole reaches her first and claims one.
''Oh, my godness.'' Nana sets the tray aside and coos the guy. ''Cole, dear, you have a boulder-size knot on your jaw.''
''River did it.'' Cole smirks at the guy. ''And he insulted my mom. And my dad.''
''River Marks.'' Nana shakes her head, as if her heart is acually breaking. ''How could you be so rough? And so insensitive!''
River glares at Cole before bowing his head. ''I'm sorry, Nana.''
''The human body is like a flower. Treat it well, and it will bloom.'' She approaches the ring and extends two cookies. River and I accept with eager thanks. ''Let's be kind to each other and keep our punches away from the face and groin.'' ''Yes, ma'am,'' we say in unison. Then of course, we devour the offering as if we've never tasted sugar.
''Good, good.'' She brushes the crumbs from her fingers. ''I'll leave you kids to your practice.'' She kisses Ali, then Cole, and leaves.
''Are you a rose?'' River sneers at Cole. ''Or a lilly?''
''Orchid. And your jealousy is showing.'' Cole responds.
”
”
Gena Showalter (A Mad Zombie Party (White Rabbit Chronicles, #4))
“
Having the Having"
I tie knots in the strings of my spirit
to remember. They are not pictures
of what was. Not accounts of dusk
amid the olive trees and that odor.
The walking back was the arriving.
For that there are three knots
and a space and another two
close together. They do not imitate
the inside of her body, nor her clean
mouth. They cannot describe, but they
can prevent remembering it wrong.
The knots recall. The knots
are blazons marking the trail
back to what we own and imperfectly
forget. Back to a bell ringing
far off, and the sweet summer darkening.
All but a little of it blurs and leaks
away, but that little is most of it,
even damaged. Two more knots
and then just straight string.
”
”
Jack Gilbert (Refusing Heaven: Poems)
“
I was just settling into the salons of Austenian Bath when Gabriel muttered, "This is strange."
I looked up to see him pulling a long blue-gray thread from between the nearly translucent pages. My jaw dropped, and I was kneeling on the chaise in a flash. "Is the binding coming loose? No, don't pull it! I can take it to my book doctor tomorrow night."
"Stop hyperventilating, sweetheart. I think it's a bookmark," he said, pulling on the thread until he stretched it to my hand. "Here."
I wound the thread around my finger. "What passage was it marking?"
He scanned the page and lifted an eye. "It's an Edward and Jane scene. I know how you love those. Edward's saying, 'I sometimes have a queer feeling with regard to you---especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame.'"
I was so caught up in watching his lips as they formed the words that I barely noticed the sudden tension on the fiber wound around my finger. I realized now that Gabriel had slipped a ring onto the thread and was sliding it toward me. I watched as the respectable diamond twinkled in the light of the oil lamp.
"I'm not Edward, " Gabriel promised. "I'm not afraid the thread will break and leave me bleeding. Our thread's already been tested. And it will hold up. I'm asking you to make the link permanent. Please, marry me.
”
”
Molly Harper (Nice Girls Don't Bite Their Neighbors (Jane Jameson, #4))
“
I was a cottage maiden
Hardened by sun and air,
Contented with my cottage mates,
Not mindful I was fair.
Why did a great lord find me out,
And praise my flaxen hair?
Why did a great lord find me out
To fill my heart with care?
He lured me to his palace home—
Woe's me for joy thereof— 10
To lead a shameless shameful life,
His plaything and his love.
He wore me like a silken knot,
He changed me like a glove;
So now I moan, an unclean thing,
Who might have been a dove.
O Lady Kate, my cousin Kate,
You grew more fair than I:
He saw you at your father's gate,
Chose you, and cast me by. 20
He watched your steps along the lane,
Your work among the rye;
He lifted you from mean estate
To sit with him on high.
Because you were so good and pure
He bound you with his ring:
The neighbours call you good and pure,
Call me an outcast thing.
Even so I sit and howl in dust,
You sit in gold and sing: 30
Now which of us has tenderer heart?
You had the stronger wing.
O cousin Kate, my love was true,
Your love was writ in sand:
If he had fooled not me but you,
If you stood where I stand,
He'd not have won me with his love
Nor bought me with his land;
I would have spit into his face
And not have taken his hand. 40
Yet I've a gift you have not got,
And seem not like to get:
For all your clothes and wedding-ring
I've little doubt you fret.
My fair-haired son, my shame, my pride,
Cling closer, closer yet:
Your father would give lands for one
To wear his coronet.
”
”
Christina Rossetti (Goblin Market and Other Poems (Dover Thrift Editions: Poetry))
“
He saw two stars collapse against one another and a nova form; it flared up and then, as he watched, it began to die out. He saw it turn from a furiously blazing ring into a dim core of dead iron and then he saw it cool into darkness. More stars cooled with it; he saw the force of entropy, the method of the Destroyer of Forms, retract the stars into dull reddish coals and then into dust-like silence. A shroud of thermal energy hung uniformly over the world,
over this strange and little world for which he had no love or use.
It's dying, he realized. The universe. The thermal haze spread on and on until it became only a disturbance, nothing more; the sky glowed weakly with it and then flickered. Even the uniform thermal disbursement was expiring. How strange and goddamn awful, he thought. He got to his feet, moved a step toward the door.
And there, on his feet, he died.
They found him an hour later. Seth Morley stood with his wife at the far end of the knot of people jammed into the small room and said to himself, "to keep him from helping with the prayer". "The same force that shut down the transmitter," Ignatz Thugg said. "They knew; they knew if he phrased the prayer it would go through. Even without the relay." He looked gray and frightened. All of them did, Seth Morley noticed. Their faces, in the light of the room, had a leaden, stone-like cast. Like, he thought, thousand-year-old idols.
Time, he thought, is shutting down around us. It is as if the future is gone, for all of us.
”
”
Philip K. Dick (A Maze of Death)
“
So much strain and muscular labor involved in absorbing food. I’m exhausted just watching it. But above all there is speech, incessant speaking, where the inflated edges of the tube are stretched and contracted, knotted and unknotted, ripped open or pressed shut, flued and drummed, hammered and gnawed. Licked. That tube has two ends. To the far end goes all ignominy, and to the fore end all the glory, hymns of praise. Her lips were lovely. The swollen ring at one end of the tube, fastened to rings and riggings of muscle. All these sounds. It’s exhausting. I notice the upper jaw doesn’t move at all, only the lower. You see the skull so clearly I wonder people don’t think of death whenever they witness speech, or speak themselves, feeling that hinge flap up and down, and even back and forth a bit—how can it go back and forth? Is the socket that loose, or is it something else, like a leather hinge, like a book binding?
”
”
Michael Cisco (The Narrator)
“
His body was racked with movement and in the semi-darkness he looked like some kind of fairy-tale goblin engaged in a flurry of hocus-pocus. In the harsh spotlight that lit up the rostrum his face was fascinatingly ugly and had a ghastly pallor, ringed as it was by his waving hair. Every little shift in the orchestra was reflected in his sensitive features: one moment he would be dampening something down, which would knot the skin round his eyes into grim folds accompanied by a lifting of his nose; the next moment he would be smiling in confluence with the sweet strains of the orchestra, radiating his approval and enjoyment, so that it was a case of both devils and angels crossing his visage in turn. Lightning flashed from his spectacle lenses with each sharp movement of his head, and from behind the lenses his eyes shone forth, watchful, assertive and demanding attention - every inch of his frame was simultaneously both an instrument of command and a means of expression.
”
”
Jens Malte Fischer (Gustav Mahler)
“
She picked up a piece that looked like the arm of the chair, gasping as she turned it over. “Scorch marks,” she whispered. The wood slipped from her hand as the nightmares took over. You’re safe, Fitz transmitted, filling her mind with a soft thread of warmth. Their thumb rings snapped together as he pulled her gently away from the pile of wood. “I told you this would be a bad idea,” Mr. Forkle said, kicking a broken board into the wall. “I’m fine,” Sophie promised. “I just . . . need to get out of this room.” Fitz helped her wobble back to the hall and she sank to the floor, putting her head between her knees to stop the spinning. Want me to carry you out? Fitz offered. NO! The thought was so loud he jumped. Sorry. I . . . I don’t want to be carried out of here again, like some helpless little girl. No one would ever call you helpless. But I get what you mean. Is there anything I can do? You’re here. He tightened his hold on her hands. “Are we ready to go?” Mr. Forkle asked. Sophie closed her eyes, focusing on tying the threads of panic away with her other emotions. The knot in her chest swelled so huge, it felt like it was pressing on her heart. But after a few slow breaths, she could bear it. “There’s still more to the hideout, isn’t there?” she asked. “Only the old entrance,” Mr. Forkle said. “But it’s nothing worth seeing. Just an empty room with a collapsed tunnel.
”
”
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
“
Pots hung from the ceiling beams, between the festoons of braided garlic, the hams, the salsicce, bunches of mountain herbs for medicine, strings of dried porcini, necklaces of dried apple rings in winter, chains of dried figs. The smell of onions, of hot lard and smoldering oak wood, of cinnamon and pepper, always seemed to hang in the air. The larder was full of meat at all times, needless to say: not small pieces, but huge joints and sides of beef and lamb, which Mamma and Carenza could never hope to use just for our household, and which were quietly passed on to the monks of Santa Croce so that they could feed the poor. Carenza made salami with fennel seeds and garlic, prosciutto, pancetta. Sometimes the air in the larder was so salty that it stung your nostrils, and sometimes it reeked of spoiled blood from the garlands of hares, rabbits, quail, thrushes and countless other creatures that would arrive, bloody and limp, from Papa's personal game dealer.
Next to the larder, a door led out to our courtyard, which Mamma had kept filled with herbs. An ancient rosemary bush took up most of one side, and the air in summer was always full of bees. Sage, thyme, various kinds of mint, oregano, rocket, hyssop, lovage and basil grew in Mamma's collection of old terra-cotta pots. A fig tree was slowly pulling down the wall, and a tenacious, knotted olive tree had been struggling for years in the sunniest corner.
”
”
Philip Kazan (Appetite)
“
himself out. He was out cold for quite a while, apparently. Jimmy had to slap his cheeks a few times before he came round. Other than a blinding headache he was as right as rain. Unfortunately.’ Ted added with feeling. Poppy looked at the streaks of dried blood that were caked to Cloud’s flanks and wondered what had gone on in the back of that lorry. She laid her cheek gently against Cloud’s as Ted continued. ‘Blackstone decided last night to send the pony to the sales. He wasn’t prepared to throw good money after bad, Jimmy said. Cloud here was one of the last lots of the afternoon. Bella recognised him as soon as he came into the ring. And the rest you know. Right, shall we unload him now?’ Poppy pulled the quick release knot and led Cloud slowly down the ramp and around the back of the house to the stables. As she passed the kitchen window she saw Charlie watching her, a huge grin on his face. Her heart was threatening to burst as she undid the bolts of Chester’s stable. The donkey looked up and hee-hawed loudly when he saw his old friend. Cloud limped straight over and they nuzzled each other affectionately.
”
”
Amanda Wills (The Lost Pony of Riverdale (The Riverdale Pony Stories, #1))
“
I’ll walk around, Jim thought, but I won’t have a good time. Whatever was in the Coke was helping his headache and the knot in his stomach, the ringing in his ears was also gone. He walked around for a while watching everyone; then he saw the Ayatollah, he was sitting with three other religious men who he recognized as local imams. He found a spot where he could watch them and leaned against the wall. After a few minutes one of the black women approached the Ayatollah’s table and asked if they wanted anything. For some reason they found the question funny because they all laughed. Then, as the woman started to walk away, the Ayatollah put his arm around her and pulled her into his lap. They all laughed again when she put her arm around his neck and pushed her large breasts into his face. The Ayatollah was clearly enjoying the attention the woman was paying him.
”
”
John F. Simpson (The Book in the Wall)
“
Steve drove the next morning as we made the turn for the Burdekin River. The single-lane dirt road, as small as it was, ended there--but we had another two or three hours of four-wheel driving to go. We navigated through deep ravines carved by the area’s repeated cyclone-fed floods, occasionally balancing on three wheels.
“Hang out the window, will you?” Steve shouted as we maneuvered around the edge of a forty-foot drop. “I need to you to help counterbalance the truck.”
You’ve got to be kidding me, I thought. But there I was, hanging off the side of the bull bar while Steve threaded his way over the eroding track.
As we pounded and slammed our way deep into the bush, Steve talked about the area’s Aborigines. He pointed out a butte where European colonists massacred a host of the Aboriginal population in Victorian times. The landscape was alive to him, not only with human history, but with the complex interrelatedness of plants, animals, and the environment. He pointed out giant 150-year-old eucalypts, habitats for insectivorous bats, parrots, and brush-tailed possums.
After hours of bone-jarring terrain, we reached the Burdekin, a beautiful river making its way through the tea trees. It was a breathtaking place. We set up camp--by which I mean Steve did--at a fork in the river, where huge black boulders stood exposed in the middle of the water.
I tried to help, but I felt completely out of my depth. He unpacked the boat and the motor, got it tied and moored on the river, rolled out the swags, and lined up containers of fuel, water, and food.
Then he started stringing tarps. What a gift Steve had for setting up camp. He had done it countless times before, month in and month out, all by himself, with only Sui for company. I watched him secure ropes, tie knots, and stretch canvas like he was expecting that we’d have to withstand a cyclone. It was hot, more than a hundred degrees Fahrenheit, but Steve didn’t seem to notice.
Sui found a little shallow place at the edge of the river and immediately plopped herself in. I saw Steve look over at her as if calculating her chances of being snatched by a croc. Crocodiles are the ultimate camouflage attack predators, striking from the water’s edge.
There would never be “down time” for Steve. No time to sit down and unwind. We were off in an instant. We grabbed Sui, jumped in the boat, and headed upstream. White Burdekin ducks startled up in front of our boat, their dark neck-rings revealed as they flew over us. Cormorants dried their feathers on the mid-river boulders, wings fully open. It was magical and unspoiled, as if we were the first people ever to travel there.
”
”
Terri Irwin (Steve & Me)
“
Taking her hands in his, he sank down to kneel before her. “I know we already are engaged, but I never went about it properly. Lydia Price, would you do me the great honor of becoming my wife?” Gasps permeated the room as Vincent reached into his pocket with his other hand and pulled out a small jewel case. He flicked the box open to reveal a golden ring filigreed with Celtic knots and adorned with a large diamond surrounded by a rainbow of other jewels. Lydia’s heart lodged in her throat even as unmitigated happiness warmed her body. “When?” The word escaped aloud before she was aware. “Now.” From another pocket in his waistcoat, Vincent withdrew a small sheaf of papers. “I have with me a marriage contract and a special license. I’ve also managed to procure a parson at this late hour.” Everyone’s gazes flew to the stranger, whose identity was now revealed. The parson yawned as if in emphasis of the inconvenience. All eyes shifted to Lydia, awaiting her reply. Her knees quaked beneath her gown, threatening to give out and topple her. “Please, Lydia,” he said achingly. “I cannot bear another night of you not being mine.” “Yes.” The word escaped her lips past the joy swelling within. As if afraid she’d change her mind, Vincent quickly slipped the elaborate ring on her third finger and rose to his feet, retaining his grip on her hand. “You’ve made me the happiest of men,” he replied.
”
”
Brooklyn Ann (One Bite Per Night (Scandals with Bite, #2))
“
Descender Rings—These small metal rings are also borrowed from the climbing and rappelling community. Originally used to facilitate the recovery of rope on a rappel, you can use two descender rings together to adjust the length of long webbing between tree and hammock. Weave the webbing strap through both rings and then back through the top one. Descender rings require a safety knot (half hitch) to prevent the webbing from slipping.
”
”
Derek Hansen (The Ultimate Hang)
“
Know what we should do, Willie? We should do what Milton did; put the snow back.”
Willie groaned. “I didn’t get much sleep last night.”
“Come on, Willie. We can’t let that mean old lady get away with cheating us.”
Willie took a deep breath. “Okay,” he said. “Okay.”
It didn’t take long, mostly because before they’d shoveled half the snow back on the walk, the door flew open and Mrs. Lima demanded to know what they were doing.
“You didn’t want us to do your walk, so we’re putting it back the way it was,” Jackson said.
“Fresh-mouth kid!” the woman snapped. “What’s your last name?”
“You can call my father,” Jackson said. “He’s a policeman and he doesn’t like people who cheat.”
The door slammed hard. Mrs. Lima was stronger than she looked. A minute later it opened again and there she was with two dollars in her hand. “Now I want you to shovel the walk,” she said.
“The price has gone up a dollar,” Jackson said.
Willie gulped. Mrs. Lima didn’t say a word. She paid the extra dollar and shut the door. When they’d cleaned off the walk for the second time, they left. Willie waved at the window from which she was watching them, but she didn’t wave back.
“Think she’s going to call our parents?” Jackson asked.
“I don’t know. Probably she’ll call mine,” Willie said. “My dad’s already mad at me and Booboo.” He could feel the tangled knot of worry growing in his chest.
“But we didn’t do anything wrong to that lady.”
“Maybe not, but she’s an adult.”
“Yeah, I see what you mean,” Jackson said.
Willie invited him to come in to play, but Jackson said he’d better get home. He gave Willie the extra dollar and told him he could pay the fifty cents when he had the change. “Or you can keep it,” Jackson said. “I mean, you’re the one’s in trouble.”
“Thanks, Jackson,” Willie said gratefully. He and Jackson gave each other a high five.
The phone was already ringing when Willie walked into the house. “Yes,” he heard his father’s voice answering in the kitchen.
Willie pulled off his jacket and boots in the hall. He had no doubt it was Mrs. Lima calling to complain.
”
”
C.S. Adler (Willie, the Frog Prince)
“
Her pussy is my Super Bowl, and I want that ring. So fucking bad.
”
”
Trilina Pucci (Knot So Lucky (Destination Love, #1))
“
THERE IS ONE mirror in my house. It is behind a sliding panel in the hallway upstairs. Our faction allows me to stand in front of it on the second day of every third month, the day my mother cuts my hair. I sit on the stool and my mother stands behind me with the scissors, trimming. The strands fall on the floor in a dull, blond ring. When she finishes, she pulls my hair away from my face and twists it into a knot. I note how calm she looks and how focused she is. She is well-practiced in the art of losing herself. I can’t say the same of myself. I sneak a look at my reflection when she isn’t paying attention—not for the sake of vanity, but out of curiosity. A lot can happen to a person’s appearance in three months. In my reflection, I see a narrow face, wide, round eyes, and a long, thin nose—I still look like a little girl, though sometime in the last few months I turned sixteen. The other factions celebrate birthdays, but we don’t. It would be self-indulgent. “There,” she says when she pins the knot in place. Her eyes catch mine in the mirror. It is too late to look away, but instead of scolding me, she smiles at our reflection. I frown a little. Why doesn’t she reprimand me for staring at myself? “So today is the day,” she says. “Yes,” I reply. “Are you nervous?” I stare into my own eyes for a moment. Today is the day of the aptitude test that will show me which of the five factions I belong in. And tomorrow, at the Choosing Ceremony, I will decide on a faction; I will decide the rest of my life; I will decide to stay with my family or abandon them. “No,” I say. “The tests don’t have to change our choices.” “Right.” She smiles. “Let’s go eat breakfast.” “Thank you. For cutting my hair.” She kisses my cheek and slides the panel over the mirror. I think my mother could be beautiful, in a different world.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
There was a ring at the door. He did not answer. They would go away, and he would be alone again with his grief, his impotent anger, and his undusted possessions.
”
”
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
“
I wish you were going home with me tomorrow.” “I know.” She nearly added Me too, then realized she didn’t. Where would that leave the children? Stephen turned her hand over and ran his thumb across the ring. The wind tugged her hair. A lone seagull cried overhead, floating on the wind, almost stationary. “There was a part of me that hoped you would,” he said. “You know I can’t.” Hadn’t they been through this before? “It won’t be much longer. School will be out in a little over a month. And if the Goldmans buy the property, that’ll expedite things.” “And then what?” “The property would close thirty days from the signing. Maybe you could come for another visit between now and then.” “That’s not what I mean, Meridith.” She knew he referred to the children coming home with her, to their being a family, and she wished so desperately the day had gone better. “Today was a bad day. They’re not normally so quarrelsome, and Ben’s vomiting . . .” The memory was such a horrific end to the day, it was almost funny. She felt a laugh bubbling up inside. “Well, you have to keep your sense of humor around here, that’s for sure.” “I don’t find it funny in the least.” The bubble of laughter burst, unfulfilled. “I appreciate that you want to give them a chance. I’m just trying to say it isn’t always like this.” He looked at her, his eyes intent with purpose. “I didn’t come to bond with the kids, Meridith. I came to remind you what we have together.” He pressed another kiss to her palm. “I love you. I want to spend the rest of my life with you.” Her breath caught, but not because he’d repeated the words he’d spoken when he’d proposed. The other words made a far stronger impression. I didn’t come to bond with the kids. She’d misread the reason for his visit. She’d taken her own wish and transferred it onto him. “We have plans, good ones,” he said. “Save for a home in Lindenwood Park while we focus on our careers for three to five years. By then we’ll have enough to buy that dream home and start a family.” Meridith knotted the quilt material in her fist with the daffodil, clutching the stem against her chest. “I already have a family, Stephen.” His face fell. “They’re not your kids, Meridith. And they’re not mine.” “They’re my siblings. And they have no one else.” “That wasn’t our plan when I asked you to marry me. When you said yes.” “Life doesn’t always go according to plan, Stephen. Things happen. Change happens. I didn’t ask for this.” “I didn’t either. And I’m asking you to put me first. To put us first.” His grip tightened on her hand. “I love you. The future I want for us doesn’t include someone else’s children.” Meridith eased away from him, pulled her hand from his, and stood, even as he tightened his grip. If Stephen’s future didn’t include her siblings, then it didn’t include her either. She
”
”
Denise Hunter (Driftwood Lane (Nantucket, #4))
“
I wish you were going home with me tomorrow.” “I know.” She nearly added Me too, then realized she didn’t. Where would that leave the children? Stephen turned her hand over and ran his thumb across the ring. The wind tugged her hair. A lone seagull cried overhead, floating on the wind, almost stationary. “There was a part of me that hoped you would,” he said. “You know I can’t.” Hadn’t they been through this before? “It won’t be much longer. School will be out in a little over a month. And if the Goldmans buy the property, that’ll expedite things.” “And then what?” “The property would close thirty days from the signing. Maybe you could come for another visit between now and then.” “That’s not what I mean, Meridith.” She knew he referred to the children coming home with her, to their being a family, and she wished so desperately the day had gone better. “Today was a bad day. They’re not normally so quarrelsome, and Ben’s vomiting . . .” The memory was such a horrific end to the day, it was almost funny. She felt a laugh bubbling up inside. “Well, you have to keep your sense of humor around here, that’s for sure.” “I don’t find it funny in the least.” The bubble of laughter burst, unfulfilled. “I appreciate that you want to give them a chance. I’m just trying to say it isn’t always like this.” He looked at her, his eyes intent with purpose. “I didn’t come to bond with the kids, Meridith. I came to remind you what we have together.” He pressed another kiss to her palm. “I love you. I want to spend the rest of my life with you.” Her breath caught, but not because he’d repeated the words he’d spoken when he’d proposed. The other words made a far stronger impression. I didn’t come to bond with the kids. She’d misread the reason for his visit. She’d taken her own wish and transferred it onto him. “We have plans, good ones,” he said. “Save for a home in Lindenwood Park while we focus on our careers for three to five years. By then we’ll have enough to buy that dream home and start a family.” Meridith knotted the quilt material in her fist with the daffodil, clutching the stem against her chest. “I already have a family, Stephen.” His face fell. “They’re not your kids, Meridith. And they’re not mine.” “They’re my siblings. And they have no one else.” “That wasn’t our plan when I asked you to marry me. When you said yes.” “Life doesn’t always go according to plan, Stephen. Things happen. Change happens. I didn’t ask for this.” “I didn’t either. And I’m asking you to put me first. To put us first.” His grip tightened on her hand. “I love you. The future I want for us doesn’t include someone else’s children.” Meridith
”
”
Denise Hunter (Driftwood Lane (Nantucket, #4))
“
She wore cosmetics tonight, more than he had ever seen on her before. Perhaps she had, in the past, dusted her nose with rice powder, but he had never seen her wear rouge. Indeed, when he bent over her hand in salutation, he caught a whiff of the beet juice used to color the powder for cheeks and lard for lips. Her smile was small and halted rather abruptly. Pain flashed through her eyes, though it was quickly doused. His gaze focused on her right cheek again. Was it swollen? Without question—and the rouge did not quite cover an edge of bruising. As the rest of the party moved to the furniture, a few of the knots smoothed out within him, though a couple of different ones took up residence. He did not release her hand. “Would you take a turn about the room with me, Miss Reeves?” “Very well, sir.” She sounded far from enthusiastic and moved to his right side. Undoubtedly so that hers was turned away from him. “I trust you passed a pleasant afternoon?” He kept his gaze upon her as he led her to the edge of the chamber so that they might walk its perimeter as far from their families as possible. In a low voice he said, “More pleasant than yours, from the looks of it. What is wrong with your cheek, Miss Reeves?” She turned wide eyes on him, filled with outrage and a grain of amusement. “Mr. Lane, perhaps you are yet unaccustomed to seeing ladies wearing paint, but I assure you, ’tis the height of fashion. I resent being told it looks wrong.” He may have been tempted to smile, had it not been a matter of her welfare. “It is not the rouge to which I refer, Miss Reeves, as you well know.” “In which case I have no idea…
”
”
Roseanna M. White (Ring of Secrets (The Culper Ring, #1))
“
Taking her hands in his, he sank down to kneel before her. “I know we already are engaged, but I never went about it properly. Lydia Price, would you do me the great honor of becoming my wife?” Gasps permeated the room as Vincent reached into his pocket with his other hand and pulled out a small jewel case. He flicked the box open to reveal a golden ring filigreed with Celtic knots and adorned with a large diamond surrounded by a rainbow of other jewels. Lydia’s heart lodged in her throat even as unmitigated happiness warmed her body. “When?” The word escaped aloud before she was aware. “Now.” From another pocket in his waistcoat, Vincent withdrew a small sheaf of papers. “I have with me a marriage contract and a special license. I’ve also managed to procure a parson at this late hour.” Everyone’s gazes flew to the stranger, whose identity was now revealed. The parson yawned as if in emphasis of the inconvenience. All eyes shifted to Lydia, awaiting her reply. Her knees quaked beneath her gown, threatening to give out and topple her. “Please, Lydia,” he said achingly. “I cannot bear another night of you not being mine.” “Yes.
”
”
Brooklyn Ann (One Bite Per Night (Scandals with Bite, #2))
“
The window glass was covered with thick layer of intricate frosty swirls – an amazing wonderful knit with no knots or tangles. Land,
”
”
Vasily Petrovich Kuznetsov (The Ring of Nine)
“
Ad – Add Ail – Ale Air – Heir Are - R Ate - Eight Aye - Eye - I B B – Be - Bee Base - Bass Bi – Buy - By – Bye Bite - Byte Boar - Bore Board - Bored C C – Sea - See Capital – Capitol Chord – Cord Coarse - Course Core - Corps Creak – Creek Cue – Q - Queue D Dam - Damn Dawg – Dog Days – Daze Dew – Do – Due Die – Dye Dual - Duel E Earn – Urn Elicit – Illicit Elude - Illude Ex – X F Fat – Phat Faze - Phase Feat - Feet Find – Fined Flea – Flee Forth - Fourth G Gait – Gate Genes – Jeans Gnawed - Nod Grate – Great H Hair - Hare Heal - Heel Hear - Here Heard - Herd Hi - High Higher – Hire Hoarse - Horse Hour - Our I Idle - Idol Ill – Ill In – Inn Inc – Ink IV – Ivy J Juggler - Jugular K Knead - Need Knew - New Knight - Night Knot – Naught - Not Know - No Knows - Nose L Lead – Led Lie - Lie Light – Lite Loan - Lone M Mach – Mock Made - Maid Mane – Main Meat - Meet Might - Mite Mouse - Mouth N Naval - Navel None - Nun O Oar - Or – Ore One - Won P Paced – Paste Pail – Pale Pair - Pear Peace - Piece Peak - Peek Peer - Pier Pray - Prey Q Quarts - Quartz R Rain - Reign Rap - Wrap Read - Red Real - Reel Right - Write Ring - Wring S Scene - Seen Seas – Sees - Seize Sole – Soul Some - Sum Son - Sun Steal – Steel Suite - Sweet T T - Tee Tail – Tale Team – Teem Their – There - They’re Thyme - Time To – Too - Two U U - You V Vale - Veil Vain – Vane - Vein Vary – Very Verses - Versus W Waive - Wave Ware – Wear - Where Wait - Weight Waist - Waste Which - Witch Why – Y Wood - Would X Y Yoke - Yolk Yore - Your – You’re Z
”
”
Gio Willimas (Hip Hop Rhyming Dictionary: The Extensive Hip Hop & Rap Rhyming Dictionary for Rappers, Mcs,Poets,Slam Artist and lyricists: Hip Hop & Rap Rhyming Dictionary And General Rhyming Dictionary)
“
You are being nonsensical, Benjamin. Why are you wearing those clothes?” “Because I did not want my pocket picked, today of all days.” His tone was sober enough that she glanced over at him in puzzlement. “I don’t understand.” “I’m carrying valuables for my lady.” He withdrew a little box from an inside pocket, and Maggie’s heart started trotting around nervously in her rib cage. “Benjamin, what are you about?” “Come.” He took her by the wrist and led her to a low stone wall circling a fountain. “I want to do this properly.” Foreboding mixed with an odd, sentimental thrill as Maggie seated herself on the stone wall. Benjamin took the place beside her, his expression still somber. He flipped open the box, withdrew a gorgeous emerald ring, and tucked the box out of sight again. “With this ring, I plight thee my troth, Maggie Windham.” She watched, dumbstruck, while he took her hand and slid the ring onto the appropriate finger. It was the stone she had picked out—she was almost sure of it—but the setting was nothing she recognized. “You should not be doing this.” She stared at the golden love knot crafted into the setting, stared at it until a teardrop splattered onto the back of her hand. “Oh, Benjamin, this is foolishness. We are not engaged, not truly.” He folded her into his embrace, resting his cheek against her temple. “It has been two weeks, Maggie, or nearly so. I think we are truly engaged.” She shook her head and tried to draw back, but he did not let her go. “I am not with child.” “Your menses have started then?” And still he did not let her go, but damn him, he understood her well enough to make a direct inquiry. “Not yet, but they will. I can feel it.” She would will it to happen, of that she was certain. No woman could conceive a child with this much tension and anxiety swirling in her vitals. “Then we’re still engaged.” “Must you be so stubborn?” He let her go and pulled back far enough to aim a look at her that asked silent, pointed questions about who was being stubborn with whom. “I got a ring for myself, too,” he said. “It’s not fashionable, but my parents observed this custom, and I noted yours do, as well.” “You don’t miss much of anything, do you?” He passed her a gold band that would have been plain, except it was chased with a swirling, interlocking pattern reminiscent of the love knot. “You don’t have to say the words, Maggie, but if you’d oblige me?” He held out his hand, and Maggie felt her heart—already fractured into a hundred sharp, miserable pieces—splinter further. Wordlessly, she took the ring from him and slid it onto the fourth finger of his left hand. “This is not a real engagement, Benjamin Portmaine. I wish it could be, but it cannot.” He kissed her, a sweet, gentle, heartrendingly tender pressing of his lips over hers. “It’s real to me, Maggie Windham. In this moment, sitting here with you, I am betrothed to the only woman I’ve ever wanted for my countess, my wife, and my love.” She
”
”
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
“
was launched forward into Queen Elvia’s mind, seeing it all through her eyes once more and feeling Tory’s soul joining mine. My palm tingled painfully where it still lay against the gleaming surface of the fallen star. The brightness made me wince, my eyes hurting and a ringing growing in my ears. I screamed as it intensified, begging to be spared, unsure if I had angered it somehow. But then a part of the star cracked off in my palm, a tremendous blast of magic cutting it clean from the star itself. The light faded and I found a rough, unhewn piece of the star lying in my palm that hummed with unimaginable power, so beautiful it left me speechless. “Wield my heart, and you will win your war. But when it is done, you will return my heart to me, and use it for one final cast, as only a Fae can.” “What cast?” I breathed, fear knotting in my chest as a terrible sense of foreboding washed over me. “You will breathe life into my heart when it is returned to me. You will offer me the power to take the form of a Fae and walk among the world.” My throat thickened at the idea of that, the thought of a star living on earth seeming wholly unnatural. But power was licking at my fingers hungrily, and while the heart of the star was clutched in my fist, I couldn’t deny the temptation of it. I could win my war, and pass this gift down to my children. “If you do not return my heart, there will be dire consequences,” the star warned, and my body trembled with the omen of devastation that laced its words. “How long?” I asked. “Until it must be returned?” “A hundred years, no more. Buy you and your child the glory you crave, then have one of your bloodline offer me what I seek.” I nodded, relief setting in at knowing I could claim this power for so long. “I will make sure it is returned. And the promise is kept,” I vowed, and a snap of power struck me in the chest, binding me body and soul to that promise, leaving me breathless as it sank into my very blood. “Then it is done,” the star hissed. “Thank you,” I breathed, and those words leaving my lips set the earth quaking and the sky singing. No, not singing. That beautiful, haunting noise that hovered on the edges of my hearing was screams, the stars above trying to defy what had been done, what this star had offered me going against all nature of its kind and mine.
”
”
Caroline Peckham (Sorrow and Starlight (Zodiac Academy, #8))
“
I should get this ring back to you.”
“Take it as a promise ring.”
“Promise?”
“Promise that I’m doing my damn best to make you fall madly in love with me.
”
”
Kendall Hale (Knot Really Engaged (Happily Ever Mishaps, #2))
“
Hey, doll face…”
“Haidyn?” I yank the phone from Kashton’s hands and look at the screen to see it’s a video. He’s sitting on my couch, dressed in nothing but a pair of jeans. The phone is propped up against something on the coffee table.
I place my hand over my mouth to hold in my sob at the sight of him. This was last night…when I saw my phone on the coffee table when he stood in front of the floor-to-ceiling windows in my living room.
“This isn’t how I wanted to tell you goodbye. But in our life, we rarely get what we want.” A soft smile tugs at his lips. “You were my exception.”
He bows his head, his right hand twirling his wedding ring around his finger as he looks at it. “I knew that you were too good for me the moment I first saw you. That I’d never live up to the man you’d deserve. So I let you go…but when you were placed back in my life, I couldn’t stop myself.” He looks back at the phone and gives a soft smile.
Back in his life?
“I’ve done a lot of unforgivable shit in my life, but the best thing I ever did was make you my wife. I wish I could have done it differently. You deserved so much more than what I gave you. I should have gotten down on one knee and begged you to spend the rest of your life with me. I should have told you how much you changed me. That you showed me what being alive truly felt like. I always felt like I was missing something…my life was boring. Same thing over and over. And then you walked into my life with that amazing smile and when I looked into your eyes—I saw a future that I never thought existed…not for a man like me, anyway.”
A lump forms in my throat, and I blink to clear the tears from my eyes so I can see him on the screen.
“I knew you’d never give a man like me the chance at forever. So I forced your hand. I had to have Adam help me.” I look up at Adam, and his green eyes are already on mine. Blinking the fresh tears away, I drop mine back to the phone. “Because I knew that’d be the only way I’d ever get you. And I just couldn’t pass up the opportunity to be your husband.” He looks away from the camera as if he can’t look at me, and my chest tightens.
How dare he leave me this memory? Why break my heart twice? When I found him in the living room and asked if he regretted marrying me…he had just left me this video. He knew then exactly what he was going to do.
His blue eyes come back to the screen, meeting mine once again. “I’m sorry I couldn’t give you the forever you deserved, doll face. But I promise I gave you all I had left to offer.”
The knot grows in my throat, and I can’t hold back the sob anymore as I remember what he said when I told him I chose to be with him forever. To some, forever is only a matter of seconds.
“Please know that I loved you more than anything in this world…and when I walk out this door, I’m leaving a piece of myself behind with you because nothing short of forever would have been enough." He smiles, and I try to catch my breath. "You'll be safe at Carnage and my brothers will protect you." He leans forward and picks up the phone before speaking. "I love you, Charlotte.
”
”
Shantel Tessier (Madness (L.O.R.D.S., #6))
“
Yet there were, in fact, nearly two hundred women and children still on board the Titanic. More than half of them were waiting in the third-class public rooms and corridors or on the decks near the stern. At 1:30 a.m. the gates on the stairs up from third class had been opened for women but many had chosen to remain with their men. Father Thomas Byles circulated among the third-class passengers, hearing confessions and reciting the rosary with them. At 2:00 a.m. the gates were opened for third-class men as well as women, and many more steerage passengers soon crowded the boat deck. As he began loading Collapsible D on the port side, Lightoller was forced to pull his revolver to clear a crowd of what he called “dagoes” out of the boat. He then formed a cordon of crewmen to prevent a rush on the boat. As small knots of steerage women were escorted across the deck toward the last boat, there were still a few women from first class on board as well. Archibald Gracie was shocked to see Caroline Brown and Edith Evans standing by the starboard railing. He had escorted Evans and the three Lamson sisters to the staircase landing below the boat deck over an hour ago and had then gone in search of his other “unprotected” ward, Helen Candee, but discovered that she had already gone up on deck. Caroline Brown began to explain to Gracie how they had become separated from the others, but he and Jim Smith simply hustled them both toward the ring of men surrounding Collapsible D. Once they were let through, Edith Evans said to Caroline Brown, “You go first. You are married and have children.” Brown was then lifted into the lifeboat, but when Evans went to follow, she was unable to clamber over the railing in her tapered skirt. “Never mind,” she called out to Brown, “I will go on a later boat,” and turned and hurried away down the deck. Evans had earlier told Archibald Gracie that she had been told by a fortune-teller to beware of water and that she now knew she would be drowned. Gracie had dismissed this as superstition but Edith Evans would become one of only four women from first class to perish.
”
”
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
“
Well . . . because.” Hot and sweaty all of a sudden, I loosened the knot in my tie. “I want to be engaged.” “To me?” “Yes.” I cleared my throat. “To you.” “But . . . you didn’t even propose.” “Yes, I did.” “No, you didn’t. You just showed me the ring.” “Oh. I guess I should propose, then.” But first, I stuck two fingers in the collar of my white dress shirt and tugged. “So will you marry me?
”
”
Melanie Harlow (Call Me Crazy (Bellamy Creek, #3))
“
RELAX AND LET ME LEAD YOU through this day. I have everything under control: My control. You tend to peer anxiously into the day that is before you, trying to figure out what to do and when. Meanwhile, the phone or the doorbell rings, and you have to reshuffle your plans. All that planning ties you up in knots and distracts you from Me. Attentiveness to Me is not only for your quiet time, but for all your time. As you look to Me, I show you what to do now and next. Vast quantities of time and energy are wasted in obsessive planning. When you let Me direct your steps, you are set free to enjoy Me and to find what I have prepared for you this day.
”
”
Sarah Young (Jesus Calling Morning and Evening, with Scripture References: Yearlong Guide to Inner Peace and Spiritual Growth (A 365-Day Devotional) (Jesus Calling®))
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He could not swear, ride a horse, wear a ring (unless open and hollow) or any knot at his belt or on his head, touch a dog, a horse, a she-goat, fermented flour or raw flesh, ivy or broad beans, or pass under the shoots of vines stretched overhead, stay away from home three nights in a row, or leave the house without his headdress, which was cut from the white skin of a victim sacrificed to Jupiter and topped by an olive wood wand enveloped in woollen thread (filum), to which the flamen perhaps owed his name. He must never go where a dead person was being burnt, or touch a corpse. The feet of his bed had to be smeared with mud, and no one but he had the right to sleep in it. His nail clippings and hair cuttings had to be buried at the foot of a 'lucky' tree (dear to the gods, and fruit-bearing). A thick woollen cloak (laena) woven by his wife distinguished him when he sacrificed. If he lost his wife (the flaminica), he lost his priesthood, which was matrimonial.
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Robert Turcan (The Gods of Ancient Rome: Religion in Everyday Life from Archaic to Imperial Times)
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Tarleton made a noise like an elephant with a knot in its trunk. “I would never have taken you for a dandy, Malvern.” The censuring tone seemed slightly hypocritical for a man wearing seven rings—all set with different stones.
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Alexis Hall (Something Fabulous (Something Fabulous, #1))
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About “Arresting the Shadow” (一、陰をおさゆると云) “Arresting the shadow” (yin) means to carefully observe your enemy in order to know if his mind is overly engaged and where it is lacking. Pointing your sword when his mind is preoccupied and diverting his attention, then arresting the shadow of the area that is lacking will upset his rhythm and victory will be for the taking. Even so, it is crucial that you do not leave your mind on the shadow and forget to strike. You must work this out.22 (19) About “Shifting the Shadow” (一、影を動かすと云事) This shadow is that of yang. When the enemy pulls his sword back and assumes a front-on stance,23 suppress his sword with your mind and make your body empty. As soon the enemy encroaches, unleash with your sword. This will surely make him move. When he does, it is easy to win. This method did not exist before. Do not allow the mind to become fixed as you strike at protruding parts of his body. Ponder this carefully.24 (20) About “Detaching the Bowstring” (一、弦をはづすと云事) “Detaching the bowstring” is employed when your mind and the enemy’s are tightly connected [with a bowstring]. In such a situation, you must promptly detach [the string] with your body, sword, legs and mind. Detaching is most effective when the enemy least expects it. This should be explored. (21) About the “Small Comb” Teaching (一、小櫛のおしへの事) The spirit of the “small comb” is to untangle knots. Hold a comb in your mind and use it to slash threads in the enemy’s web of entanglement. Entangling with threads and pulling strings are similar. Pulling is stronger, however, as entanglement is a tactic executed with a weaker mind. This should be considered judiciously.
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Alexander Bennett (The Complete Musashi: The Book of Five Rings and Other Works)
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...Tell it, I pray thee.
And let me cow'ring stand, and be my touch
The valley's ice: there is a pleasure in it.
Yea, when the cold blood shoots through every vein;
When every pore upon my shrunken skin
A knotted knoll becomes, and to mine ears
Strange inward sounds awake, and to mine eyes
Rush stranger tears, there is a joy in fear.
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Joanna Baillie (Orra)
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With hearts strangely lightened they now rested again, but not for long. They were not going quick enough for Gollum. By his reckoning it was nearly thirty leagues from the Morannon to the Cross-roads above Osgiliath, and he hoped to cover that distance in four journeys. So soon they struggled on once more, until the dawn began to spread slowly in the wide grey solitude. They had then walked almost eight leagues, and the hobbits could not have gone any further, even if they had dared. The growing light revealed to them a land already less barren and ruinous. The mountains still loomed up ominously on their left, but near at hand they could see the southward road, now bearing away from the black roots of the hills and slanting westwards. Beyond it were slopes covered with sombre trees like dark clouds, but all about them lay a tumbled heathland, grown with ling and broom and cornel, and other shrubs that they did not know. Here and there they saw knots of tall pine-trees. The hearts of the hobbits rose again a little in spite of weariness: the air was fresh and fragrant, and it reminded them of
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J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
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Oh, she says gravely, when a bell chimes or a phone rings, we simply take the opportunity to switch off and abandon all our plans and emotions - all our thoughts about other people and ourselves.
Abandon all our human perceptions? I ask indignantly. In that case, what’s left for us?
No, she says with a shake of the head, I only mean our conception of the world.
I like the way she pronounces the word ‘conception’ in her Dutch accent, as if it were hot and she might burn her lips on it.
I wish I could speak a foreign language as fluently as you do, I tell her. Please say ‘conception’ again. Explain it to me. What’s the difference between my perceptions and my conceptions?
Resolutely, she makes for a cafe beneath some plane trees whose leaves are casting decorative shadows on the white tablecloths. She sits down and regards me sceptically, as if gauging whether I’m bright enough to merit an answer. Most of the time, she says, we form an opinion about things without really perceiving them.
She points to an elderly woman waddling across the square laden down with plastic bags. For instance, she goes on, I look at that woman and I think, How bow-legged she is, and that skirt! A ghastly colour and far too short for her. No one should wear short skirts at that age. Are my own legs still good enough for short skirts? I used to have a blue skirt myself. Where is it, I wonder? I wish I was wearing that blue skirt myself. Where is it, I wonder? I wish I was wearing that blue skirt right now. But if I looked like that woman there... She props her head on her hands and regard me with a twinkle in her eye.
I laugh.
I haven’t really ‘perceived’ the woman, she says, I’ve merely pondered on skirts and legs and the ageing process. I’m a prisoner of my own ideas - my conceptions, in other words. See what I mean?
I say yes, but I’d say yes to a whole host of things when she looks at me that way. A waitress of Franka’s age takes our order. She’s wearing a white crocheted sweater over her enormous breasts and a white apron tightly knotted around her prominent little tummy. Her platform-soled sandals, which are reminiscent of hoofs, give her a clumsy, foal-like appearance.
Now it’s your turn, says Antje.
French teenager, I say. Probably bullied into passing up an apprenticeship and working in her parents’ cafe. Dreams of being a beautician.
No, Antje protests, that won’t do. You must say what’s really going through your head.
I hesitate.
Come on, do.
I sigh.
Please, she says.
OK, but I take no responsibility for my thoughts.
Deal!
Sexy little mam’selle, I say. Great boobs, probably an easy lay, wouldn’t refuse a few francs for a new sweater. She’d be bound to feel good and holler Maintenant, viens! That song of Jane Birkin’s, haven’t heard it for years. I wonder what Jane Birkin’s doing these days. She used to be the woman of my dreams. Still, I’m sure that girl doesn’t like German men, and besides, I could easily be her father, I’ve got a daughter her age. I wonder what my daughter’s doing at this moment...
I dry up. Phew, I say. Sorry, that was my head, not me.
Antje nods contentedly. She leans back so her plaits dangle over the back of the chair. Nothing torments us worse than our heads, she says, closing her eyes. You’ve got to hand it to the Buddhists, they’ve got the knack of switching off. It’s simply wonderful.
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Doris Dörrie (Where Do We Go From Here?)
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Any Woman
I am the pillars of the house;
The keystone of the arch am I.
Take me away, and roof and wall
Would fall to ruin me utterly.
I am the fire upon the hearth,
I am the light of the good sun,
I am the heat that warms the earth,
Which else were colder than a stone.
At me the children warm their hands;
I am their light of love alive.
Without me cold the hearthstone stands,
Nor could the precious children thrive.
I am the twist that holds together
The children in its sacred ring,
Their knot of love, from whose close tether
No lost child goes a-wandering.
I am the house from floor to roof,
I deck the walls, the board I spread;
I spin the curtains, warp and woof,
And shake the down to be their bed.
I am their wall against all danger,
Their door against the wind and snow,
Thou Whom a woman laid in a manger,
Take me not till the children grow!
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Katherine Tynan
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In the aftermath of his sizzling four-game summer league run, Bryant expected to join the team and immediately emerge as a superstar. Only, well, he did something extraordinarily stupid. Because Bryant was young and dumb and a 24/7 hoops junkie, on the afternoon of September 2 he visited the famed pickup courts of Venice Beach to get in a few runs. After leaping at the hoop to tip-dunk the ball, he fell toward the pavement and tried to catch himself with his left wrist. His 200-pound body landed atop his arms, and moments later he saw three knots bulging below his hand. The wrist was broken—and Jerry West was dumbfounded. He greeted the news of the malady with stunned silence, responding to Gary Vitti, the team’s trainer, with a blank stare. “He was doing what?” West asked. “Playing basketball at Venice,” Vitti explained. “Wait,” West said. “Wait, wait. Wait. What?” It would be one of the last times the Lakers didn’t include a NO PICKUP BASKETBALL clause in the contract of a rookie signee.
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Jeff Pearlman (Three-Ring Circus: Kobe, Shaq, Phil, and the Crazy Years of the Lakers Dynasty)
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The Lakers regained possession with 11.3 seconds left and the score knotted at 89. During a time-out, Harris looked around the huddle and decided that the man to have the basketball in his hands would be the untested, undeserving, untrustworthy Kobe Bryant.
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Jeff Pearlman (Three-Ring Circus: Kobe, Shaq, Phil, and the Crazy Years of the Lakers Dynasty)
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Carl Erskine, the famous baseball pitcher, said that bad thinking got him into more spots than bad pitching. As quoted in Norman Vincent Peale’s Faith Made Them Champions, he said: “One sermon has helped me overcome pressure better than the advice of any coach. Its substance was that, like a squirrel hoarding chestnuts, we should store up our moments of happiness and triumph so that in a crisis we can draw upon these memories for help and inspiration. As a kid I used to fish at the bend of a little country stream just outside my home town. I can vividly remember this spot in the middle of a big, green pasture surrounded by tall, cool trees. Whenever tension builds up both on or off the ball field now, I concentrate on this relaxing scene, and the knots inside me loosen up.” Gene Tunney told how concentrating on the wrong “facts” almost caused him to lose his first fight with Jack Dempsey. He awoke one night from a nightmare. “The vision was of myself, bleeding, mauled and helpless, sinking to the canvas and being counted out. I couldn’t stop trembling. Right there I had already lost that ring match which meant everything to me—the championship. . . . What could I do about this terror? I could guess the cause. I had been thinking about the fight in the wrong way. I had been reading the newspapers, and all they had said was how Tunney would lose. Through the newspapers I was losing the battle in my own mind. “Part of the solution was obvious. Stop reading the papers. Stop thinking of the Dempsey menace, Jack’s killing punch and ferocity of attack. I simply had to close the doors of my mind to destructive thoughts—and divert my thinking to other things.
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Maxwell Maltz (Psycho-Cybernetics: Updated and Expanded (The Psycho-Cybernetics Series))
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choice (2 in no. ) I used 1.5mm diameter transparent acrylic beads 5. Key ring 6. Fabric Glue/ sewing needle and thread Abbreviations Used: Ch - Chain Slp st - Slip stitch Sc - Single Crochet Sc Inc - Single Crochet Increase (2 Single crochet in same stitch) Dc - Double Crochet Shell - 2 Dc, 2Ch, 2Dc in same stitch Method: Round 4 (32 Sc) - Slp st in 1 st Ch to form a ring/ circle - Round 1 (20 Sc) o Ch1 o 4 Sc (Start from the same Ch in which you did Ch 1) o Sc Inc o 2 Sc o Sc Inc o 4 Sc o Sc Inc o 2 Sc o Sc Inc o Slp st to join (Slp st in Ch1 of beginning of the round) - Round 2 (24 Sc) o Ch 1 o 6 Sc (Start from the same stitch in which you did Ch 1) o Sc Inc o 2 Sc o Sc Inc o 6 Sc o Sc Inc o 2 Sc o Sc Inc o Slp st to join (Slp st in Ch1 of beginning of the round) - Round 3 (28 Sc) o Ch1 o 8 Sc (Start from the same stitch in which you did Ch 1) o Sc Inc o 2 Sc o Sc Inc o 8 Sc o Sc Inc o 2 Sc o Sc Inc o Slp st to join (Slp st in Ch1 of beginning of the round) - - Tie a slip knot - Ch 16 o Ch1 Page 1 of 2
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Anonymous
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Then Marco Polo spoke: “Your chessboard, sire, is inlaid with two woods: ebony and maple. The square on which your enlightened gaze is fixed was cut from the ring of a trunk that grew in a year of drought: you see how its fibers are arranged? Here a barely hinted knot can be made out: a bud tried to burgeon on a premature spring day, but the night’s frost forced it to desist.” Until then the Great Khan had not realized that the foreigner knew how to express himself fluently in his language, but it was not this fluency that amazed him.
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Anonymous
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really don’t want to want to touch him. “You.” He reaches out and runs his fingers through my long blond hair, his many rings glinting between the strands. “On your knees. In my bed.” He catches my left hand, and I watch dazedly as he lifts it and strokes my knuckles. “My ring on your finger.” He gives a slow grin that has my stomach tying itself in knots. “I want everything, Tatiana. Absolutely fucking everything.
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Katee Robert (A Worthy Opponent (Wicked Villains, #3))