Knot Forever Quotes

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By late afternoon I lie with my head in Peeta’s lap making a crown of flowers while he fiddles with my hair claiming he is practicing knots. After awhile his hands go still. “What?” I ask. “I wish I could freeze this moment, right here, right now, and live in it forever,” he says. Usually this sort of comment, the kind that hints his undying love for me, makes me feel guilty and awful. But I’m so relaxed and beyond worrying about a future I’ll never have, I just let the word slip out. “Okay,” I say. I can hear the smile in his voice. “Then you’ll allow it?” “I’ll allow it.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Hearts set about finding other hearts the moment they are born, and between them, they weave nets so frightfully strong and tight that you end up bound forever in hopeless knots, even to the shadow of a beast you knew and loved long ago.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
I didn't understand how someone could be both God and the devil. How the same person could destroy you and save you. When everything I was, good and bad, was knotted with threads of his making, how was I supposed to know whether to love or hate him?
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
I didn’t know how I could live with that knowledge, without it eating me up, without it poisoning every happy memory I had of growing up. Without it ruining everything Beck and I had. I didn’t understand how someone could be both God and the devil. How the same person could destroy you and save you. When everything I was, good and bad, was knotted with threads of his making, how was I supposed to know whether to love or hate him?
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
Ara?" She jerked her face up. "Huh? Where were we?" But his expression had grown serious, the lesson forgotten. He interlaced his fingers and said, "We are bound." "Bound?" He collected a piece of rope, knotting it. "Oh, you mean bound?" He gave a nod, then drew in the sand. An infinity symbol? "Clever demon, how did you know that...?" He was gazing at her with a question in his eyes. "Bound forever?" And somehow she met his gaze and lied, "Yes, demon. Bound forever." As if to make her feel guiltier, he gathered her into his arms, cupping her face against his broad chest. His voice a deep rumble, he said, "Carrow is Malkom's." She wanted to sob. "Yes?" "Yes," she answered, wishing that it could be so simple between them. Demon meets girl. Girl might be falling for demon.
Kresley Cole (Demon from the Dark (Immortals After Dark, #9))
The old Amy, the girl of the big laugh and the easy ways, literally shed herself, a pile of skin and soul on the floor, and stepped this new, brittle, bitter Amy ... a razor-wire knot daring me to unloop her, and I was not up to the job with my thick, numb, nervous fingers. Country fingers. Flyover fingers untrained in the intricate, dangerous work of 'solving Amy'. When I'd hold up the bloody stumps, she'd sigh and turn to her secret mental notebooks on which she tallied all my deficiencies, forever noting disappointments, frailties, shortcomings.
Gillian Flynn (Gone Girl)
He didn't touch me. He could have—he had the perfect reason to—but he didn't. Instead he bent to collect my papers before the breeze could whisk them away. Instead he picked up my satchel from the sidewalk and asked if I was okay. Instead he stood between me and the busy street while I brushed the dirt from my palms and tried to swallow the knot of frustration stuck in my throat. Instead he just waited. I had the strange thought that he would wait forever.
Nina Lane (Arouse (Spiral of Bliss, #1))
An ending and a beginning now knotted up forever. He expected the hues of the world to change to reflect that, but the earth and heavens remained the same muted shades, and there was no tremble of anger from the trees. No weeping whisper of wind. No siren wailed in the distance. The woods were just the woods, and the dirt was just the dirt.
Sarah Pinborough (Behind Her Eyes)
There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-
George Saunders (Lincoln in the Bardo)
I designed this and had it made especially for you. The trefoil is the symbol of immortality: a beginning without an end, like our life together. The hearts represent my love for you. Forever love. Unending like the knot they form. I chose opals instead of diamonds, because opals are warm living stones, each color a birth stone, yours being the center of this ring just like you are the center of our family. “I know the inscription isn’t original, but the meaning behind the words is. I wrote those words for the wife I dreamed of. And here you are. With My Last Breath.
Julieanne Reeves (Razing Kayne (Walking a Thin Blue Line, #1))
What can he know except what he sees while staring at that young woman grasping knotted silk as if she was born to be draped in it: a beauty incomprehensible and ferocious, strong enough to break through bone and settle into a heart and split it forever.
Maaza Mengiste (The Shadow King)
God, it would never go away, this anger, this rage that was like the ceaseless movement of the spring winds through the desert, this knot in his guts, this splinter in his heart that shot a pain through him that eventually found its way into his lungs, then out of his mouth and into the open air, the sound making the whole world turn away from him. It would never go away, never, never, and there would never be any peace. [...] Maybe he had it all wrong, maybe he wasn't a victim at all, not at all, because he had decided that this was the only thing that would ever be truly his, and so he clung to it, would cling to it forever.
Benjamin Alire Sáenz (In Perfect Light)
Looking back over sixty-odd years, life is like a piece of string with knots in it, the knots being those moments that live in the mind forever, and the intervals being hazy, half-recalled
George MacDonald Fraser (Quartered Safe Out Here: A Harrowing Tale of World War II)
The Amy of today was abrasive enough to want to hurt, sometimes. I speak specifically of the Amy of today, who was only remotely like the woman I fell in love with. It had been an awful fairy-tale reverse transformation. Over just a few years, the old Amy, the girl of the big laugh and the east ways, literally shed herself, a pile of skin and soul on the floor, and out stepped this new, brittle, bitter Amy. My wife was no longer my wife but a razor-wire knot daring me to unloop her, and I was not up to the job with my thick, numb, nervous fingers. Country fingers. Flyover fingers untrained in the intricate, dangerous work of solving Amy. When I'd hold up the bloody stumps, she'd sigh and turn to her secret mental notebook on which she tallied all my deficiencies, forever noting disappointments, frailties, shortcomings. My old Amy, damn, she was fun. She was fun. She made me laugh. I'd forgotten that. And she laughed, From the bottom of her throat, from right behind that small finger-shaped hollow, which is the best place to laugh from. She released her grievances like handfuls of birdseed: They are there, and they are gone.
Gillian Flynn (Gone Girl)
Emma felt frightened, apprehensive, yes, but also elated and excited, her feelings all tumbled and mixed together like a stew of varied ingredients tossed into the same pot. She was aware of the blood coursing through her veins, the beat of her heart, the breath in her lungs. Was aware, too, of that clenched knot that hung in the pit of her stomach. This was what it was to be alive, to be at the edge, facing survival eye to eye, knowing, KNOWING, you would win.
Helen Hollick (The Forever Queen (Saxon #2))
I didn’t understand how someone could be both God and the devil. How the same person could destroy you and save you. When everything I was, good and bad, was knotted with threads of his making, how was I supposed to know whether to love or hate him?
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
In the bush he taught the knots I use to tie my blanket to my saddle Ds also the way I stand to use a carpenter's plane and the trick of catching fish with a bush fly and a strip of greenhide these things are like the dark marks made in the rings of great trees locked forever in my daily self.
Peter Carey
War did that to people. It took practical strangers and tied them together in knots of steel.
Lucy Lennox (Wilde Love (Forever Wilde #6))
If a cord is severed, you may tie it together again. But the knot in the middle, shall forever remain.
Zohreh Ghahremani (Moon Daughter)
People who’ve been hurt often think they have some sort of right to go around hurting other people,” said Sumi. “They think trauma’s a toy to keep handing down forever. But the fact that someone hurt you and tied you up in knots doesn’t give you the right to do it to anybody else. I’m a formerly dead girl made of gingerbread and hope, and even I can see that.
Seanan McGuire (Mislaid in Parts Half-Known (Wayward Children, #9))
Blood is the tie that binds. The knot in your soul that says no matter where you go or what you do, there’s someone in this God-forsaken, shithole-hell-of-a-world you’re forever connected to.
Penelope Douglas (Hideaway (Devil's Night, #2))
the dew-sprangled lawn and the silk of Andrew's hair knotted in his fist, the gross patch of drool spreading on his chest, watching the sun come up and thinking fierce as devotion 'this is mine forever' until sleep sucked him under again
Lee Mandelo (Summer Sons)
What can he [Ettore Navarra] know except what he sees while staring at that young woman [Hirut] grasping knotted red silk as if she were born to be draped in it: a beauty incomprehensible and ferocious, strong enough to break through bone and settle into a heart and split it forever.
Maaza Mengiste (The Shadow King)
May this knot remain forever tied, and may your hands always hold one another. Hold tightly during the storms of life, and be gentle as they nurture one another. I summon the spirits of the four quarters of our world, that this binding may be blessed by the powers of all creation. So let it be, amen.
Charlie N. Holmberg (Boy of Chaotic Making (Whimbrel House, #3))
No one bothers us. By late afternoon, I lie with my head on Peeta’s lap, making a crown of flowers while he fiddles with my hair, claiming he’s practicing his knots. After a while, his hands go still. “What?” I ask. “I wish I could freeze this moment, right here, right now, and live in it forever,” he says.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
It take it Priss has you tied up in knots?” There wasn’t much point in denying it. And maybe admitting things to Dare would help him get them under control. “I want her.” “No shit. Tell me something I don’t know.” Trace had trusted Dare forever, as a good friend, a partner in business and as an honorable man. He knew Dare had uncanny instincts and deadly skills. But he thought he had covered his reaction to Priss. “Damn.” Trace ran a hand through his hair. “Do you think Molly and Chris picked up on it, too?” After a short sound that might have been a stifled laugh, Dare said, “They’re neither blind, deaf, or stupid. So . . . yeah. I’m betting they noticed.” Trace frowned. With a shake of his head, Dare dismissed his concern. “It’s not a big deal, Trace. Don’t sweat it.” The mild, even amused reaction to his predicament surprised Trace. “She’s off-limits.” “You think so?” Dare looked down at the dappling of sunshine through tree limbs, then back at Trace. “Why’s that?” “What do you mean, why’s that? Hell, Dare, I barely know the woman.” “You knew her well enough to take her picture.” If Dare smiled, he was going to flatten him. Period.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
There’s a reason the human body is conditioned to love, and it’s so we don’t have to walk around this planet alone. So we don’t have to face the trials and tribulations of our journey in the dark, but rather in the light from the guidance of the ones we love. Goals and dreams come and go, but love, that lasts forever. Don’t lose it because you’re too worried about what might happen to your goals.
Meghan Quinn (Untying the Knot)
Though I'm not sure, I thought I saw women dressed in black, with her head and face covered by a black veil, duck behind a tree as we approached the road and parked car. Hiding so we wouldn't see her. But I caught a glimpse, enough to reveal the rope of lustrous pearls she wore. Pearls that were there for a thin white hand to lift and nervously, out of long habit, twist and untwist into a knot. Only one women I knew did that--and she was the perfect one to wear black, and should run to hide! Forever hide! Color all her days black! Every last one!
V.C. Andrews
Betty Knot was sitting on the porch now with her old mongrel dog. Both of them fast and peacefully asleep in the shade, almost comically so, the widow leaning in her rocker with her mouth open wide and the old dog sprawled at her feet. And seeing them there made him smile and then unexpectedly saddened him with a sudden forceful clarity. It was as though he had looked behind the scene on the porch across the street into some terrible scene in the future. Because they each were all the other had in the world by way of comfort and it was possible for him to understand in that moment the cruel eventuality that was blooming there. They were both so damn old. He sensed a sort of fate about them and sensed too that it would descend upon them soon, that soon either the woman would lose the dog or the dog would lose the woman and they had been together since the dog was a pup. When death came to one the other would be left alone, no familiar hand to pat the dog or cool wet nose to nuzzle the hand, and there would be no consoling either dog or woman, something fragile lost forever in some awful rending.
Jack Ketchum (The Lost)
The openness from the baths lingered. Laurent, whose tangle of overthinking usually only disappeared at the moment of climax, had his defences down in the quiet. Damen could hear his soft exhalations of breath; once or twice, a sound passed his lips that he didn’t seem to be aware of. Time unslid the knot of any last ribbon of tension, letting it slip, letting him go further and further into his own pleasure. Their bodies tangled together, touches blending and blurring. Damen gave himself over to the feeling of Laurent in his arms. It was an age before he put his hand between Laurent’s legs, and felt his legs part. When he finally slid inside, it felt like time had stopped in the small, intimate space between them, after a sweet forever of deep kisses, of opening Laurent up with oiled fingers. He didn’t move but stayed where he was, in breathless silence. Everything felt connected, open. Their movements were more like nudges than thrusts, their bodies pushing together without the long, sliding separation of withdrawal. He could feel Laurent drawing closer and closer to his climax, not, as it was sometimes, like he was pushing past the gnarl of his own barriers, but hotly, inevitably. The thrust were longer now, Damen’s body moving to seek out its own gratification. He heard a choked off sound as Laurent dissolved under him, and Damen was lost to the feel of it, the hot, liquid pleasure of fucking, the closeness, near as a heartbeat. His own body pulsed and flared, an interval of flooding pleasure, and it almost didn’t seem to end but to transform into the sweet, heavy feel of his limbs entangled with Laurent’s, pleasure still between them, the throbs of it ebbing. For
C.S. Pacat (The Summer Palace (Captive Prince, #3.5; Captive Prince Short Stories, #2))
I'm really going to miss you," I blurted out. "We all are." I braced myself for a biting, sarcastic reply. Instead, she suddenly stepped forward and wrapped her arms around me. So tight, it didn't really feel like a hug, more like a death grip, like I was the last raft on a dark and stormy ocean. I let her hold on. I breathed in the smell of her knotted curls. Vanilla and chewing gum. I felt the rise and fall of her chest. The small buds of her breasts though her baggy jumper. I wished that we could stay like that forever. That she wouldn't ever tear herself away.
C.J. Tudor
Marthe Away (She Is Away)" All night I lay awake beside you, Leaning on my elbow, watching your Sleeping face, that face whose purity Never ceases to astonish me. I could not sleep. But I did not want Sleep nor miss it. Against my body, Your body lay like a warm soft star. How many nights I have waked and watched You, in how many places. Who knows? This night might be the last one of all. As on so many nights, once more I Drank from your sleeping flesh the deep still Communion I am not always strong Enough to take from you waking, the peace of love. Foggy lights moved over the ceiling Of our room, so like the rooms of France And Italy, rooms of honeymoon, And gave your face an ever changing Speech, the secret communication Of untellable love. I knew then, As your secret spoke, my secret self, The blind bird, hardly visible in An endless web of lies. And I knew The web too, its every knot and strand, The hidden crippled bird, the terrible web. Towards the end of the night, as trucks rumbled In the streets, you stirred, cuddled to me, And spoke my name. Your voice was the voice Of a girl who had never known loss Of love, betrayal, mistrust, or lie. And later you turned again and clutched My hand and pressed it to your body. Now I know surely and forever, However much I have blotted our Waking love, its memory is still there. And I know the web, the net, The blind and crippled bird. For then, for One brief instant it was not blind, nor Trapped, not crippled. For one heart beat the Heart was free and moved itself. O love, I who am lost and damned with words, Whose words are a business and an art, I have no words. These words, this poem, this Is all confusion and ignorance. But I know that coached by your sweet heart, My heart beat one free beat and sent Through all my flesh the blood of truth.
Kenneth Rexroth (The Complete Poems)
BLUE HEAVENS It could make a person dizzy, those spinning, circling heavens filled with knots of stars, swirling blue stars approaching, blue-shadow stars fading away. It’s a mayhem of reeling, a scattering blue dust of star clouds circling the circling centers of spiraling galaxies wheeling forever toward no known horizon. Someone, immersed in the deep beauty of these blue celestials, could get lost while waiting for hands to deliver perhaps an orange, perhaps an apple, scarlet or gold, a sprig of green, a blossom, pink dogwood, spring plum. Inspired by “Golden Horn” Tondino The Museum of Fine Arts, Houston, Texas
Pattiann Rogers (Holy Heathen Rhapsody (Penguin Poets))
Like, Well, there you go. Or, It is what it is. And, Well, what can you do? I suppose these one-offs are less idiotic than they seem on the surface. They're all a way of saying the same thing, that shit happens and you have to deal with it. You can try to ignore it, wait for it to go away. Maybe that works, but sometimes the knot won't untie itself and your attention is required. A thing you never expected, could not have predicted, suddenly becomes the foremost event in your life and no amount of wishing it away will work. In some cases, the event is small and the ramifications manageable. In my case, it affected everything. Forever.
Matthew Iden (A Reason to Live)
Now are you truly my Brothers and Sisters, having tasted the sap of my veins here in the shadow of almighty Helgrind. Blood calls to blood, and if ever your Family should need help, do then what you can for the Church and for others who acknowledge the power of our Dread Lord.… To affirm and reaffirm our fealty to the Triumvirate, recite with me the Nine Oaths.… By Gorm, Ilda, and Fell Angvara, we vow to perform homage at least thrice a month, in the hour before dusk, and then to make an offering of ourselves to appease the eternal hunger of our Great and Terrible Lord.… We vow to observe the strictures as they are presented in the book of Tosk.… We vow to always carry our Bregnir on our bodies and to forever abstain from the twelve of twelves and the touch of a many-knotted rope, lest it corrupt …
Christopher Paolini (Brisingr (The Inheritance Cycle, #3))
I wanted to rip him apart limb by limb with my teeth and fingers turned into claws. I wanted to hold his lion’s heart in my hands too tightly and feel it beat and throb for me, against me. I wanted to disassemble him, piece by bloody piece, to satisfy my burning passion, my crushing rage at the changes he’d wrought on my life and me. But then…I wanted to sit crossed-legged in the middle of the mess, smooth my claws turned fingers over the jagged edges of him and put him back together again. I wanted to trace the outline of each of his limbs, knot together his muscles and slot his bones into their joints. I wanted to sew myself into every atom of his DNA and live there forever, intrinsically tied to him so that if any force tried to tear me away like I knew they would, they’d have to kill him to separate us. It was a gruesome way to love someone, but it was the way I felt about Lionel Danner and I knew that would never change.
Giana Darling (Good Gone Bad (The Fallen Men, #3))
The roof. We order a bunch of food, grab some blankets, and head up to the roof for a picnic. A daylong picnic in the flower garden that tinkles with wind chimes. We eat. We lie in the sun. I snap off hanging vines and use my newfound knowledge from training to practice knots and weave nets. Peeta sketches me. We make up a game with the force field that surrounds the roof — one of us throws an apple into it and the other person has to catch it. No one bothers us. By late afternoon, I lie with my head on Peeta’s lap, making a crown of flowers while he fiddles with my hair, claiming he’s practicing his knots. After a while, his hands go still. “What?” I ask. “I wish I could freeze this moment, right here, right now, and live in it forever,” he says. Usually this sort of comment, the kind that hints of his undying love for me, makes me feel guilty and awful. But I feel so warm and relaxed and beyond worrying about a future I’ll never have, I just let the word slip out. “Okay.” I can hear the smile in his voice. “Then you’ll allow it?
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Mark Silk apparently had imagined that he was going to have his father around to hate forever. To hate and hate and hate and hate, and then perhaps, in his own good time, after the scenes of accusation had reached their crescendo and he had flogged Coleman to within an inch of his life with his knot of filial grievance, to forgive. He thought Coleman was going to stay here till the whole play could be performed, as though he and Coleman had been set down not in life but on the southern hillside of the Athenian acropolis, in an outdoor theater sacred to Dionysus, where, before the eyes of ten thousand spectators, the dramatic unities were once rigorously observed and the great cathartic cycle was enacted annually. The human desire for a beginning, a middle, and an end—and an end appropriate in magnitude to that beginning and middle—is realized nowhere so thoroughly as in the plays that Coleman taught at Athena College. But outside the classical tragedy of the fifth century B.C., the expectation of completion, let alone of a just and perfect consummation, is a foolish illusion for an adult to hold.
Philip Roth (The Human Stain (The American Trilogy, #3))
I got that part. I’m thinking.” But how could I free the cow serpent when she (I decided it was probably a “she”) panicked at the sight of a blade? It was like she’d seen swords before and knew how dangerous they were. “All right,” I told the hippocampi. “I need all of you to push exactly the way I tell you.” First we started with the boat. It wasn’t easy, but with the strength of three horsepower, we managed to shift the wreckage so it was no longer threatening to collapse on the baby cow serpent. Then I went to work on the net, untangling it section by section, getting lead weights and fishing hooks straightened out, yanking out knots around the cow serpent’s hooves. It took forever—I mean, it was worse than the time I’d had to untangle all my video game controller wires. The whole time, I kept talking to the cow fish, telling her everything was okay while she mooed and moaned. “It’s okay, Bessie,” I said. Don’t ask me why I started calling her that. It just seemed like a good cow name. “Good cow. Nice cow.” Finally, the net came off and the cow serpent zipped through the water and did a happy somersault. The hippocampi whinnied with joy. Thank you, lord!
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
Because,' he said, 'I sometimes have a queer feeling with regard to you, especially when you are near me, as now; it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situation in the corresponding quarter of your little frame. And if that boisterous channel, and two hundred miles or so of land, come broad between us, I am afraid that cord of communion will be snapped; and the nI've a nervous notion I should take to bleeding inwardly. As for you, you'd forget me.' 'That I never would, sir; you know -,' impossible to proceed. [...] The vehemence of emotion, stirred by grief and love within me, was claiming mastery, and struggling for full sway and asserting a right to predominate - to overcome, to live, rise, and reign at last; yes, and to speak. 'I grieve to leave Thornfield; I love Thornfield; I love it, because I have lived in it a full and delightful life, momentarily at least. I have not been trampled on. I have not been petrified. I have not been buried with inferior minds, and excluded from every glimpse of communion with what is bright, and energetic, and high. I have talked, face to face, with what I reverence; with what I delight in, with an origin, a vigorous, and expanded mind. I have known you, Mr. Rochester; and it strikes me with terror and anguish to feel I absolutely must be torn from you forever. I see the necessity of departure; and it is like looking on the necessity of death.' 'Where do you see the necessity?' he asked, suddenly. 'Where? You, sir, have placed it before me.' 'In what shape?' 'In the shape of Miss Ingram; a noble and beautiful woman, your bride.' 'My bride! What bride? I have no bride!' 'But you will have.' 'Yes; I will! I will!' He set his teeth. 'Then I must go; you have said it yourself.' 'No; you must stay! I swear it, and the oath shall be kept.' 'I tell you I must go!' I retorted, roused to something like passion. 'Do you think I can stay to become nothing to you? Do you think I am an automation? a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! I have as much soul as you, and full as much heart! And if God had gifted me with some beauty, and much wealth, I should have made it hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh; it is my spirit that addresses your spirits; just as if both had passed through the grace, and we stood at God's feel, equal - as we are!' 'As we are!' repeated Mr. Rochester - 'so,' he added, including me in his arms, gathering me to his breast, pressing his lips on my lips; 'so, Jane!' 'Yes, so, sir,' I rejoined; 'and yet not so; for you are a married man, or as good as a married man, and we'd to one inferior to you - to one with whom you have no sympathy - whom I do not believe you truly love; for I have seen and heard you sneer at her. I would scorn such a union; therefore I am better than you - let me go!' 'Where, Jane? to Ireland?' 'Yes - to Ireland. I have spoke my mind, and can go anywhere now.' 'Jane, be still; don't struggle so, like a wild, frantic bird that is tending its own plumage in its desperation.' 'I am no bird; and no net ensnares me; I am a free human being, with an independent will; which I now exert to leave you.' Another effort set me at liberty, and I stood erect before him. 'And your will shall decide your destiny,' he said; 'I offer you my hand, my heart, and a share of all my possessions.' 'You play a farce, which I merely taught at.' 'I ask you to pass through life at my side - to be my second self, and best earthly companion.' [...] 'Do you doubt me, Jane?' 'Entirely.' 'You have no faith in me?' 'Not a whit.
Charlotte Brontë (Jane Eyre)
We’ve known his family forever. He doesn’t seem to care about the scandal in ours, and he’s an excellent shot-“ “That would certainly be at the top of my list of requirements for a husband,” Minerva broke in, eyes twinkling. “’Must be able to hit a bull’s-eye at fifty paces.’” “Fifty paces? Are you mad? It would have to be a hundred at least.” Her sister burst into laughter. “Forgive me for not knowing what constitutes sufficient marksmanship for your prospective mate.” Her gaze grew calculating. “I heart that Jackson is a very good shot. Gabe said he beat everyone today, even you.” “Don’t remind me,” Celia grumbled. “Gabe also said he won a kiss from you.” “Yes, and he gave me a peck on the forehead,” Celia said, still annoyed by that. “As if I were some…some little girl.” “Perhaps he was just trying to be polite.” Celia sighed. “Probably. I didn’t kiss you “properly” today because I was afraid if I did I might not stop. “The thing is…” Celia bit her lower lip and wondered just how much she should reveal to her sister. But she had to discuss this with someone, and she knew she could trust Minerva. Her sister had never betrayed a confidence. “That wasn’t the first time Jackson kissed me. Nor the last.” Minerva nearly choked on her chocolate. “Good Lord, Celia, don’t say such things when I’m drinking something hot!” Carefully she set her cup on the bedside table. “He kissed you?” She seized Celia’s free hand. “More than once?” Celia nodded. Her sister cast her eyes heavenward. “And yet you’re debating whether to enter into a marriage of convenience with Lyons.” Then she looked alarmed. “You did want the man to kiss you, right?” “Of course I wanted-“ She caught herself. “He didn’t force me, if that’s what you’re asking. But neither has Jackson…I mean, Mr. Pinter…offered me anything important.” “He hasn’t mentioned marriage?” “No.” Concern crossed Minerva’s face. “And love? What of that?” “That neither.” She set her own cup on the table, then dragged a blanket up to her chin. “He’s just kissed me. A lot.” Minerva left the bed to pace in front of the fireplace. “With men, that’s how it starts sometimes. They desire a woman first. Love comes later.” Unless they were drumming up desire for a woman for some other reason, the way Ned had. “Sometimes all they feel for a woman is desire,” Celia pointed out. “Sometimes love never enters into it. Like Papa with his females.” “Mr. Pinter doesn’t strike me as that sort.” “Well, he didn’t strike me as having an ounce of passion until he started kissing me.” Minerva shot her a sly glance. “How is his kissing?” Heat rose in her cheeks. “It’s very…er…inspiring.” Much better than Ned’s, to be sure. “That’s rather important in a husband,” Minerva said dryly. “And what of the duke? Has he kissed you?” “Once. It was…not so inspiring.” She leaned forward. “But he’s offering marriage, and Jackson hasn’t even hinted at it.” “You shouldn’t settle for a marriage of convenience. Especially if you prefer Jackson.” I don’t believe in marriages of convenience. Given your family’s history, I would think that you wouldn’t, either. Celia balled the blanket into a knot. That was easy for Jackson to say-he didn’t have a scheming grandmother breathing down his neck. For that matter, neither did Minerva.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
My dreams took me many places. Sometimes I would be in a pirogue with my father, deep in the Atchafalaya swamp, the fog thick in the black trees, and just as the sun broke on the earth’s rim, I’d troll my Mepps spinner next to the cypress stumps and a largemouth bass would sock into it and burst from the quiet water, rattling with green-gold light. But tonight I dreamed of Hueys flying low over jungle canopy and milky-brown rivers. In the dream they made no sound. They looked like insects against the lavender sky, and as they drew closer I could see the door-gunners firing into the trees. The down-drafts from the helicopter blades churned the treetops into a frenzy, and the machine-gun bullets blew water out of the rivers, raked through empty fishing villages, danced in geometrical lines across dikes and rice paddies. But there was no sound and there were no people down below. I saw a door-gunner’s face, and it was stretched tight with fear, whipped with wind, throbbing with the action of the gun. I could see only one of his eyes—squinted, cordite-bitten, liquid with the reflected images of dead water buffalo in the heat, smoking villages, and glassy countryside, where the people had scurried into the earth like mice. His hands were swollen and red, his finger wrapped in a knot around the trigger, the flying brass cartridge casings kaleidoscopic in the light. There were no people to shoot at anymore, but no matter—his charter was clear. He was forever wedded and addicted to this piece of earth that he’d helped make desolate, this land that was his drug and nemesis. The silence in the dream was like a scream.
James Lee Burke (Heaven's Prisoners (Dave Robicheaux, #2))
So, let me get this right.” He braked at a traffic light and yanked at the edges of his bow tie, reefing the knot undone, leaving the tails flapping open. “You’re pissed at me because my friends don’t think you’re just some kind of fuck buddy?
Amy Andrews (Playing With Forever (Sydney Smoke Rugby, #4))
You are my woman. We are one, forever with no horizon.” “Oh, Hunter, it isn’t that easy. I’m leaving,” she whispered in a quavery voice. “You can’t watch me every second.” “It is forbidden for a woman to leave her husband.” “So is our love.” Hunter’s guts knotted. He couldn’t blame her for wanting to leave. Oh, yes, he understood. He even sympathized, but not so much that he was willing to let her go. She was reeling with shock right now. Later, when she calmed down, perhaps she would see things differently. Regardless, he needed time to think, to decide what to do, to somehow make things right between them. He loved her too much to lose her. Far too much. Hoping to discourage her, he growled, “If you flee, this Comanche will follow you. Anyone who tries to keep you from me will die. Think long and hard on this. I paid a fine bride price. You are my woman. What is mine, I keep.
Catherine Anderson (Comanche Moon (Comanche, #1))
Now they were married, even in the eyes of her people. For forever. The thought panicked her as she pushed her dress down her hips and stood to step out of it. She would have to go through this disgusting ritual not just once, but thousands of times. Now she wished she hadn’t tricked him into promising he would take only one wife. Plural marriage might have its benefits. With several wives he might lose track of her in the shuffle and never bother with her… Watching Loretta, Hunter swallowed an amused chuckle. She looked like a little field mouse about to be eaten by a great hawk. Her blue eyes were enormous and brilliant with fear. A flush crept up her pale neck, as pink as-- His gaze dropped to her chemise. Through the thin muslin, he could see the shadowy peaks of her nipples. His belly knotted with longing. Cactus blossoms and moonbeams. Perhaps she was right to feel like a small creature about to be devoured. He yearned to possess her, to suckle her breasts, to nibble tantalizing paths along her thighs, to find the sensitive places on her body and tease them with his tongue and light caresses from his fingertips until her passion peaked. As she struggled with the ribbon sash that held up her petticoat, her hands growing more tremulous by the second, Hunter’s amusement changed to a tenderness that nearly overwhelmed him. Though painfully afraid, she was going to honor her promise and give herself to him. His throat tightened, nearly closing off his breath.
Catherine Anderson (Comanche Moon (Comanche, #1))
you cant fake forever,who you are not, the real you is a beggar to untie the knot and retie again when the real you is out and the fake you is in the box that you wanted to forget because the real you is in and the fake you is out making you insecure with every little doubt.
Marie
She could feel his breath on her neck, the heat of him. Her legs were stuck to the floor. The dress hung on her, open. She turned around slowly. It was like losing her free will again, only this time, instead of not being able to feel anything, she could feel it all - too much - not enough - she wanted more. His hands were painful flames on her skin; his lips were longing; his eyes were the place you go before sleep - smoke and dreams and escape. 'Attis,' she exhaled and he lowered himself towards her. The kiss was slow and sweet and agonizing, like one of his magical symbols, turning her molten in his arms; beneath, a fire roared, a heat Anna had never known, a heat that only grew against the impossible softness of his lips. She grabbed at the collar of his shirt as his hands pressed against her back. She wanted to sink into him forever, for every last knot inside of her to come undone. She felt her dress fall of her shoulders...
Cari Thomas (Threadneedle (The Language of Magic, #1))
Mom!” I shout. “Mom! Dad!” I reach my mother and come to a stop, my feet sliding in the gravel. Gently, gently, I hug her. She’s thin and I see, no, I feel, against my cheek, that she’s suffered some terrible burn down the side of her face and over her neck. The skin is bandaged in places and shiny in others and she’s in my arms. She’s thin and fragile and she’s in my arms. My mother. My dad puts his arms around the two of us and Alex wriggles into the middle and we’re all laughing and crying. We’re in a big knot. A knot of Grieders. A cluster. A group. A family. My dad kisses the back of my head and Alex’s grin is a mile wide. I’ve never seen Alex so happy and I know I never will see him happier. He did it. He reunited us. * * * In a moment, Astrid will make her way down the drive and I will introduce my parents to my son and my (someday soon) wife. But right now I just let my mom cling to me. “My sweet boy,” she says. “I thought I lost you forever.” I hold my mother, taking care to be gentle, and I tell her I love her.
Emmy Laybourne (The Monument 14 Trilogy: Monument 14, Sky on Fire, and Savage Drift (Monument 14 Series))
Their history would always be intertwined like a snarled knot of Devil's Snare. Fraught with tension, it stretched back from that fateful moment that they both received their Hogwarts letters and wrapped around them with a quiet grip. Forever entangled, their paths and choices continued to twist around each other until they were inexplicably linked. There was no changing it, no way to remove it completely, but there was something else. Something better. Acceptance.
Ambpersand (Contradictions)
Their history would always be intertwined like a snarled knot of Devil's Snare. Fraught with tension, it stretched back from that fateful moment that they both received their Hogwarts letters and wrapped around them with a quiet grip. Forever entangled, their paths and choices continued to twist around each other until they were inexplicably linked. There was no changing it, no way to remove it completely, but there was something else. Something better. Acceptance
Ambpersand (Contradictions)
Rage formed a tight, burning knot in my chest. I wanted to scream at him. Wildly. Violently. My anxiety wasn't fascination. And Dad's condescending tone fueled my unhinged anger. I wasn't acting out for attention. Not now. Not ever. I thought about death when all I wanted was live normally, free of its shadow and awful finality of it. The forever of it. The decay. My mom and dad and me and everyone we'd ever meet burned to ash or rotting in the ground forever and ever and ever.
Maria Ingrande Mora (The Immeasurable Depth of You)
Life is a body ripe for viruses. To be flesh and blood is problematic, I thought. To be stuck in your skin, to be merely entrails in a skin and then, having given your skin up to medicine, to no longer have that skin to yourself, to be forever hidden away behind a body, and the functional extremities of the heart, neurons, and immune system in which it begins and ends, like a knot that cannot be undone, binding us to a plot larger than ourselves–a plot where we are bound to our own body as others are bound to their bodies.
Brandon W. Teigland (Metapatterning for Disconnection)
Breaks in a second, forever Broken peices can't be put together The cracks never disappear The knots are always visible Your words are imprinted forever The hurt just doesn't go away Broken hearts take forever to heal.
N.Rehman
I heard her sing Cleopatra at the King’s Theatre in the Haymarket. Da tempeste il legno infranto. Forty years ago now. I had roses sent to her dressing room. She gave me the two ribbons she had used to tie up her hair, red ribbons.” His voice had risen in the excitement of these reminiscences. For some reason he had fixed his eyes on Kemp. “Sir, I tied them together and knotted them round my testicles. For years I put them on with my clothes. I wore them till they rotted away.” “Egad, sir, rotted away, did they?” The major cast a droll look round the table. “Nothing lasts forever,” he said.
Barry Unsworth (The Quality of Mercy)
Violent men deserve violent ends, and I’m just the bastard to give it to them.
Evelyn Flood (Knot Forever)
To be hanged He was in his cell, Wondering about heaven and hell, Because he was the one due to be hanged, And throughout the night by old demons he was flanked and fanged, He remembered everything, his every act, That had turned him into the man whose conscience was never intact, A victim of many vagaries and a flippant attitude, Always surrounded by them in multitude, But tonight, his last night, when he could dream, when he could imagine, Think of a new hope maybe; and think of a new short battle that he could still win, Because tomorrow by the afternoon he shall be dangling on the noose, Which is already beginning to form a grip around his neck, though loose, He imagined and conversed with his own mind, And there he picked moments of happiness, whichever he could find, And waited for the sun’s rays to enter his dark cell, Where desires, wishes and hopes died and fell, In their midst he held on to few moments of happiness, just a few, To help him walk upto the noose and invent a form courage, totally new, The sun’s rays gradually gathered in his dark cell and brightened it slowly, As he looked at the walls hopelessly, but thoughtfully, He looked perturbed but not demented or lost, He knew it was the end of everything, his walk upto the gallows to be his steps last, But he appeared to struggle with the invisible frost, That had frozen his feelings and cast him in an emotional world where he was lost, He was despondent, yes he was, you can say that, But the man in him had not died yet, he had not allowed that, So he walked with careful but slow steps towards the final knot that would seal everything for him, And push him into the world where there will be nothing and noone except him, For that is the tragedy of dying, you die alone, with no one but you, But he had held on to his moments of happiness, as he approached the hangman, he asked him to do what he ought to do, The look between the two, the one dying and the one to end life forever, was strange, It was like a rose looking at its own scent, but looking at it, it felt it belonged to a different range, Of emotions, of senses, of feelings, of every thought, and as the he let go of his moments of happiness, The hangman covered his face and hanged him for the sake of justice, and then entered the moment of emotional stillness, For he had executed a man whose body dangled on the rope, A sight with which the hangman could not cope, He turned his face around and then forced himself to be the hangman he is always meant to be, Whereas the man who was just now hanged remained hanging forever in his memories, there now forever to be, And in the dark cell where the sun’s rays still try to find him, The man hangs on like the strange scent of the rose, in faint smells of the corners less bright and more dim!
Javid Ahmad Tak (They Loved in 2075!)
Every so often night plays these little tricks. A knot of air pushes quietly through the darkness, and a feeling that has converged in some far-off place tumbles down like a falling star and lands just in front of you, and then you wake up. Two people live the same dream. All this takes place in the space of a single night, and the feeling only lasts until morning. The next morning it gets lost in the light, and you’re no longer even sure it happened. But nights like this are long. They continue forever, glittering like a jewel.
Banana Yoshimoto (Goodbye Tsugumi)
CLAIRE I don’t know when I started to hate my husband. I didn’t always. When we tied the knot over ten years ago, we held hands and I swore I would love him forever. Until death did us part. And I meant it. I meant it with every fiber of my being. I genuinely believed I would be married to Noah Matchett for the rest of my life. I fantasized about the two of us growing old together—holding hands while sitting in matching rocking chairs in a retirement home. And when the minister declared us husband and wife, I patted myself on the back for choosing the right guy. I’m not sure what happened between then and now. But I can’t stand the guy anymore. “Where’s my UChicago shirt, Claire?” Noah is hunched over the top drawer of his dresser, his eyebrows bunched together as his hazel eyes stare down into the contents of the drawer. He clears his throat, which is what he always does when he’s concentrating hard on something. I used to find it cute and endearing. Now I find it irritating. Nails on a chalkboard irritating. “I don’t know.” I grab a couple of shirts out of my own dresser drawer and shove them into the brown luggage gaping open on our bed. “It’s not in the drawer?” He looks up from the drawer and purses his lips. “If it were in the drawer, why would I be asking you about it?
Freida McFadden (One by One)
Knotting happily in the family room. I thought maybe I’d go out for a pack of
Lucy Lennox (Hudson's Luck (Forever Wilde, #4))
Ma patched you up the best she could and got you dressed and in bed. I told her not to bother curling your hair, but she did it anyway. Made it easier for her to look at that knot at the back of your head.” He reached up and flipped one of my striped cotton curlers with his fingers. “Looks cute, though. Very John Philip Sousa.” At first I thought he meant I looked like the heavily bearded composer on the cover of one of Pops’ old records, the guy who wrote all those patriotic marches the marching bands play during parades, but I shot him a playful glare when I got the reference. The red, white, and blue rag curlers. “Oh yes, I know, very Stars and Stripes Forever.
M.G. Buehrlen (The 57 Lives of Alex Wayfare (Alex Wayfare, #1))
And so on that stormy autumn evening Sophie Le Patourel took the lives of William and Marianne and Marguerite and knotted them together forever.
Elizabeth Goudge (Green Dolphin Street)
People who've been hurt often think they have some sort of right to go around hurting people," said Sumi. "They think trauma's a top to keep handing down forever. But the fact that someone hurt you and tied you up in knots doesn't give you the right to do it to anybody else.
Seanan McGuire (Mislaid in Parts Half-Known (Wayward Children, #9))
Be careful not to fall in love with his beautiful soul," She gently whispered a serious warning to her heart. "That kind of knot gets tighter the harder you pull, making it impossible to ever untie.
Samantha Woodbeck (Words of a Feather: A Collection of Poetry and Prose)
Every part of me was wholeheartedly in with this girl. It felt like she had been in my life forever. Like I’d never known anything other than Shannon. She was my first love, and she was scary as fuck to me. Being with her was an obsession that threatened to consume me daily. I had to work my ass off to keep my head in check, but remembering to keep my feet on the ground and my head out of the clouds was easier said than done when I had a girl that knocked me on my ass with one glance. She wrapped me up in childish, illogical, irrational knots, with a new one attaching itself to my heart with every day that passed. I was completely losing control, and that was a problem for me. My feelings for her were a serious issue because they were too strong to rein in, too much to take, and too reeking of permanence. In other words, I was royally fucking screwed.
Chloe Walsh (Keeping 13 (Boys of Tommen #2))