Knocking On Your Kind Hearts Quotes

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People always talk about realizing they’re in love during the happy moments, but I think you realize it in the bad ones. The ones that knock you off center, scaring you when they prove that no matter what kind of logic is in your head, it’s what’s in your heart that determines fucking everything.
Carola Lovering (Tell Me Lies)
Keep it always with you that laughter who knock at your door and say, 'May I come in?' is not the true laughter. No! he is a king, and he come when and how he like. He ask no person; he choose no time of suitability. He say, 'I am here.' ... Oh, friend John, it is a strange world, a sad world, a world full of miseries, and woes, and troubles; and yet when King Laugh come he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall - all dance together to the music that he make with that smileless mouth of him. And believe me, friend John, that he is good to come, and kind. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come; and, like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again; and we bear to go on with our labour, what it may be.
Bram Stoker (Dracula)
He brings me calm and I give him wild and in that mix we’re pretty fucking amazing together. Gray Ellison is a knock your panties off at fifty paces kind of stunning. I’m talking ‘make you a drooling mess’ level of attractive. Protect your ovaries, ladies. Gray Ellison is walking by. It’s ludicrous that a man like him actually exists in the human world to drive women out of their horny minds.
V. Theia (Manhattan Heart (From Manhattan #5))
She’d always assumed that falling in love would be like getting slammed into a brick wall. That you’d just be going along as usual and you’d get knocked on your ass and think, Gee, I guess I’m in love. But it hadn’t happened that way. It had just kind of snuck up on her before she’d realized it. It had happened one smile and one touch at a time. One look. One kiss. One pink cat collar. One pinch to the heart and one breathless anticipation after another until she was in so deep there was no denying it. No turning back before it was too late. No more lying about what she felt.
Rachel Gibson (Tangled Up In You (Truly Idaho, #2; Writer Friends, #3))
I scooted out of the laundry room and skipped down the hallway, arms flaying around my head like one of the hot pink puppets from the movie Labyrinth. “A scent and a sound, I’m lost and I’m found. And I’m hungry like the wolf. Something on a line, it’s discord and rhyme—whatever, whatever, la la la—Mouth is alive, all running inside, and I’m hungry like the—” Warmth spread down my neck. “It’s actually, ‘I howl and I whine. I’m after you,’ and not blah or whatever.” Startled by the deep voice, I shrieked and whipped around. My foot slipped on a section of well-cleaned wood and my butt smacked on the floor. “Holy crap,” I gasped, clutching my chest. “I think I’m having a heart attack.” “And I think you broke your butt.” Laughter filled Daemon’s voice. I remained sprawled across the narrow hallway, trying to catch my breath. “What the hell? Do you just walk into people’s houses?” “And listen to girls absolutely destroy a song in a matter of seconds? Well, yes, I make a habit out of it. Actually, I knocked several times, but I heard your…singing, and your door was unlocked.” He shrugged. “So I just let myself in.” “I can see that.” I stood, wincing. “Oh, man, maybe I did break my butt.” “I hope not. I’m kind of partial to your butt.” He flashed a smile. “Your face is pretty red. You sure you didn’t smack that on the way down?” I groaned. “I hate you.
Jennifer L. Armentrout
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in. "Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?" I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.” She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—” "Wait," I interrupted. "You broke into a classroom?" "Yeah, but that’s not the problem." Behind me, I heard a choking laugh from Ms. Terwilliger’s desk. "Go on," I said wearily. "Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her." "We?" I exclaimed. "Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.” I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said. As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.” "Oh no," she said nobly. "I didn’t want to be an inconvenience." Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to. I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me. "Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy." I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.” "Alleged?" He sounded indignant but strolled in anyways. I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake. "Oh," he said, seeing Angeline. "Hi." Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.” The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.” That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
No matter how a child joins your family, their presence changes all the rules; they move into your heart and build new rooms, knock down walls you never knew existed. This is why new parents crave reassurance more than anything else: We tell ourselves, and want others to tell us, that we’re going to be wonderful parents. That our children will be happy. That their suffering will be light—or at least, never of a kind we cannot help them through. We have to believe these things, promise ourselves we’ll meet every challenge, or we’d never be brave enough to begin.
Nicole Chung (All You Can Ever Know)
Seriously, though,” Kieran chuckled. “I can say, hand on heart, that I never thought Con would ever settle down, but when he met Em, she absolutely knocked him for six. Even before Danny warned him, on pain of death, to stay away from her, it was too late. One look at Con and anyone could see that he was so far gone for our little sunshine; it was love for life. Em, you really have no idea how much sunshine you bring into the life of everyone you touch. You are good and gentle, caring and kind, and the fact that you don’t see any of these things in yourself makes you more beautiful. There’s a great many men here tonight who love you like a sister and a daughter and as long as you have all of us, you will never want for anything. I look at you both together and I see hope. Hope that one day, we all might be fortunate enough to fall in love with someone who doesn’t want or need to change you, but who makes you want to be a better person. I wish you both a long and happy life together, but if it doesn’t work out, Em, you know where to find me. Ladies and gentlemen, please raise your glasses. May green be the grass you walk on. May blue be the skies that love you. May pure be the joys that surround you. May true be the hearts that love you.
R.J. Prescott (The Hurricane (The Hurricane, #1))
1 One went to the door of the Beloved and knocked. A voice asked: “Who is there?” He answered: “It is I.” The voice said: “There is no room here for me and thee.” The door was shut. After a year of solitude and deprivation this man returned to the door of the Beloved. He knocked. A voice from within asked: “Who is there?” The man said: “It is Thou.” The door was opened for him. 2 The minute I heard my first love story, I started looking for you, not knowing how blind that was. Lovers don’t finally meet somewhere, they’re in each other all along. 3 Love is from the infinite, and will remain until eternity. The seeker of love escapes the chains of birth and death. Tomorrow, when resurrection comes, The heart that is not in love will fail the test. 4 When your chest is free of your limiting ego, Then you will see the ageless Beloved. You can not see yourself without a mirror; Look at the Beloved, He is the brightest mirror. 5 Your love lifts my soul from the body to the sky And you lift me up out of the two worlds. I want your sun to reach my raindrops, So your heat can raise my soul upward like a cloud. 6 There is a candle in the heart of man, waiting to be kindled. In separation from the Friend, there is a cut waiting to be stitched. O, you who are ignorant of endurance and the burning fire of love– Love comes of its own free will, it can’t be learned in any school. 7 There are two kinds of intelligence: one acquired, as a child in school memorizes facts and concepts from books and from what the teacher says, collecting information from the traditional sciences as well as from the new sciences. With such intelligence you rise in the world. You get ranked ahead or behind others in regard to your competence in retaining information. You stroll with this intelligence in and out of fields of knowledge, getting always more marks on your preserving tablets. There is another kind of tablet, one already completed and preserved inside you. A spring overflowing its springbox. A freshness in the center of the chest. This other intelligence does not turn yellow or stagnate. It’s fluid, and it doesn’t move from outside to inside through conduits of plumbing-learning. This second knowing is a fountainhead from within you, moving out.
Jalal ad-Din Muhammad ar-Rumi
Let us spend one day as deliberately as Nature, and not be thrown off the track by every nutshell and mosquito's wing that falls on the rails. Let us rise early and fast, or break fast, gently and without perturbation; let company come and let company go, let the bells ring and the children cry, -- determined to make a day of it. Why should we knock under and go with the stream? Let us not be upset and overwhelmed in that terrible rapid and whirlpool called a dinner, situated in the meridian shallows. Weather this danger and you are safe, for the rest of the way is down hill. With unrelaxed nerves, with morning vigor, sail by it, looking another way, tied to the mast like Ulysses. If the engine whistles, let it whistle till it is hoarse for its pains. If the bell rings, why should we run? We will consider what kind of music they are like. Let us settle ourselves, and work and wedge our feet downward through the mud and slush of opinion, and prejudice, and tradition, and delusion, and appearance, that alluvion which covers the globe, through Paris and London, through New York and Boston and Concord, through church and state, through poetry and philosophy and religion, till we come to a hard bottom and rocks in place, which we can call reality, and say, This is, and no mistake; and then begin, having a point d'appui, below freshet and frost and fire, a place where you might found a wall or a state, or set a lamp-post safely, or perhaps a gauge, not a Nilometer, but a Realometer, that future ages might know how deep a freshet of shams and appearances had gathered from time to time. If you stand right fronting and face to face to a fact, you will see the sun glimmer on both its surfaces, as if it were a cimeter, and feel its sweet edge dividing you through the heart and marrow, and so you will happily conclude your mortal career. Be it life or death, we crave only reality. If we are really dying, let us hear the rattle in our throats and feel cold in the extremities; if we are alive, let us go about our business. Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things. I do not wish to be any more busy with my hands than is necessary. My head is hands and feet. I feel all my best faculties concentrated in it. My instinct tells me that my head is an organ for burrowing, as some creatures use their snout and fore-paws, and with it I would mine and burrow my way through these hills. I think that the richest vein is somewhere hereabouts; so by the divining rod and thin rising vapors I judge; and here I will begin to mine.
Henry David Thoreau (Walden)
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?" ... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Here I am, here to please, to knock on your heart, tug on your sleeve, and sir, do you have a moment to discuss your life goals? The state of the economy? The state that wants secession? The recession of hair, of tides? The ceasefire and the forest fire and the brand-new flavor of fire-roasted pretzels? The exegesis of today’s front-page headlines? The story of how the world will end, slash, how the world began, slash, what kind of world is this, anyway, slash, how ‘bout that certain team that plays that certain sport? How about the environment? The economy? The bathroom? As in, can I use yours? Do you like comedy? Would you perhaps consider a list of vintage novelties you played with as a child? A listicle of popsicles you ate as a child? The story of your inner child? The story of the baby and the bathwater? The story of the baby otter and the baby giraffe and their unlikely friendship? “Can you just skip the stories and give me the pamphlet?
Hilary Leichter (Temporary)
On this particular day her father, the vicar of a parish on the sea-swept outskirts of Lower Wessex, and a widower, was suffering from an attack of gout. After finishing her household supervision Elfride became restless, and several times left the room, ascended the staircase, and knocked at her father's chamber-door. 'Come in!' was always answered in a heart out-of-door voice from the inside. 'Papa,' she said on one occasion to the fine, red-faced, handsome man of forty, who, puffing and fizzing like a bursting bottle, lay on the bed wrapped in a dressing-gown, and every now and then enunciating, in spite of himself, about one letter of some word or words that were almost oaths; 'papa, will you not come downstairs this evening?' She spoke distinctly: he was rather deaf. 'Afraid not - eh-h-h! - very much afraid I shall not, Elfride. Piph-ph-ph! I can't bear even a handkerchief upon this deuced toe of mine, much less a stocking or slipper - piph-ph-ph! There 'tis again! No, I shan't get up till tomorrow.' 'Then I hope this London man won't come; for I don't know what I should do, papa.' 'Well, it would be awkward, certainly.' 'I should hardly think he would come today.' 'Why?' 'Because the wind blows so.' 'Wind! What ideas you have, Elfride! Who ever heard of wind stopping a man from doing his business? The idea of this toe of mine coming on so suddenly!... If he should come, you must send him up to me, I suppose, and then give him some food and put him to bed in some way. Dear me, what a nuisance all this is!' 'Must he have dinner?' 'Too heavy for a tired man at the end of a tedious journey.' 'Tea, then?' 'Not substantial enough.' 'High tea, then? There is cold fowl, rabbit-pie, some pasties, and things of that kind.' 'Yes, high tea.' 'Must I pour out his tea, papa?' 'Of course; you are the mistress of the house.' 'What! sit there all the time with a stranger, just as if I knew him, and not anybody to introduce us?' 'Nonsense, child, about introducing; you know better than that. A practical professional man, tired and hungry, who has been travelling ever since daylight this morning, will hardly be inclined to talk and air courtesies tonight. He wants food and shelter, and you must see that he has it, simply because I am suddenly laid up and cannot. There is nothing so dreadful in that, I hope? You get all kinds of stuff into your head from reading so many of those novels.
Thomas Hardy (A Pair of Blue Eyes)
They will eat him alive. On his current course, Henry will fail spectacularly.” My chest constricts so tight it feels like my bones may crack. Because she’s right. “He won’t.” “You don’t know that,” she swipes back. “I damn well do! I never would have abdicated otherwise.” “What?” “Don’t mistake me—I wouldn’t have married anyone but Olivia, and I would’ve waited a lifetime if I had to, until the laws were changed. But I didn’t because I knew in my heart and soul that Henry will not just be a good king, he will be better than I ever could’ve been.” For a moment I don’t breathe. I can’t. The shock of my brother’s words has knocked the air right out of my lungs. Granny’s too, if her whisper is any indication. “You truly believe that?” “Absolutely. And, frankly, I’m disheartened that you don’t.” “Henry has never been one to rise to the occasion,” she states plainly. “He’s never needed to,” my brother insists. “He’s never been asked—not once in his whole life. Until now. And he will not only rise to the occasion . . . he will soar beyond it.” The Queen’s voice is hushed, like she’s in prayer. “I want to believe that. More than I can say. Lend me a bit of your faith, Nicholas. Why are you so certain?” Nicholas’s voice is rough, tight with emotion. “Because . . . he’s just like Mum.” My eyes close when the words reach my ears. Burning and wet. There’s no greater compliment—not to me—not ever. But, Christ, look at me . . . it’s not even close to true. “He’s exactly like her. That way she had of knowing just what a person needed—whether it was strength or guidance, kindness or comfort or joy—and effortlessly giving it to them. The way people used to gravitate to her . . . at parties, the whole room would shift when she walked in . . . because everyone wanted to be nearer to her. She had a light, a talent, a gift—it doesn’t matter what it’s called—all that matters is that Henry has it too. He doesn’t see it in himself, but I do. I always have.” There’s a moment of quiet and I imagine Nicholas leaning in closer to the Queen. “The people would have followed me or Dad for the same reason they follow you—because we are dependable, solid. They trust our judgment; they know we would never let them down. But they will follow Henry because they love him. They’ll see in him their son, brother, best friend, and even if he mucks it up now, they will stick with him because they will want him to succeed. I would have been respected and admired, but Grandmother . . . he will be beloved. And if I have learned anything since the day Olivia came into my life, it’s that more than reasoning or duty, honor or tradition . . . love is stronger.
Emma Chase (Royally Matched (Royally, #2))
How dare I, Mrs. Reed? How dare I? Because it is the truth. You think I have no feelings, and that I can do without one bit of love or kindness; but I cannot live so: and you have no pity. I shall remember how you thrust me back—roughly and violently thrust me back—into the red-room, and locked me up there, to my dying day; though I was in agony; though I cried out, while suffocating with distress, ‘Have mercy! Have mercy, Aunt Reed!’ And that punishment you made me suffer because your wicked boy struck me—knocked me down for nothing. I will tell anybody who asks me questions, this exact tale. People think you a good woman, but you are bad, hard-hearted. You are deceitful!
Charlotte Brontë (Jane Eyre)
Of that first decade, Neil said I would have this recurring fantasy in which there would be a knock on the door, and I would go down, and there would be somebody wearing a suit – not an expensive suit, just the kind of suit that showed they had a job – and they would be holding a clipboard, and they'd have a paper on the clipboard, and I'd open the door and they'd say, „Hello, excuse me, I'm afraid I am here on official business. Are you Neil Gaiman?” And I would say yes. „Well, it says here that you are a writer and that you don't have to get up in the morning at any particular time, that you just write each day as much you want.” And I'd go „That's right.” "And that you enjoy writing. And it says here that all the books you want – they are just sent to you and you don't have to buy them. And films: it says here that you just go to see films. If you want to see them you just call up the person who runs the films." And I say, „Yes, that's right.” And that people like what you do and they give you money for just writing things down." And I'd say yes. And he'd say, „Well, I'm afraid we are on to you. We've caught up with you. And I'm afraid you are now going to have to go out and get a proper job.” At which point in my fantasy my heart would always sink, and I'd go, „Okay,” and I'd go and buy a cheap suit and I'd start applying to real jobs. Because once they've caught up with you, you can't argue with this: they've caught up with you. So that was the thing in my head.
Amy Cuddy (Presence: Bringing Your Boldest Self to Your Biggest Challenges)
I sprinkle some flour on the dough and roll it out with the heavy, wooden rolling pin. Once it’s the perfect size and thickness, I flip the rolling pin around and sing into the handle—American Idol style. “Calling Gloriaaaaaaaaaaaaaaaaaaa . . .” And then I turn around. “AHHHHHHHHHHHHHH!” Without thinking, I bend my arm and throw the rolling pin like a tomahawk . . . straight at the head of the guy who’s standing just inside the kitchen door. The guy I didn’t hear come in. The guy who catches the hurling rolling pin without flinching—one-handed and cool as a gorgeous cucumber—just an inch from his perfect face. He tilts his head to the left, looking around the rolling pin to meet my eyes with his soulful brown ones. “Nice toss.” Logan St. James. Bodyguard. Totally badass. Sexiest guy I have ever seen—and that includes books, movies and TV, foreign and domestic. He’s the perfect combo of boyishly could-go-to-my-school kind of handsome, mixed with dangerously hot and tantalizingly mysterious. If comic-book Superman, James Dean, Jason Bourne and some guy with the smoothest, most perfectly pitched, British-Scottish-esque, Wessconian-accented voice all melded together into one person, they would make Logan fucking St. James. And I just tried to clock him with a baking tool—while wearing my Rick and Morty pajama short-shorts, a Winnie-the-Pooh T-shirt I’ve had since I was eight and my SpongeBob SquarePants slippers. And no bra. Not that I have a whole lot going on upstairs, but still . . . “Christ on a saltine!” I grasp at my chest like an old woman with a pacemaker. Logan’s brow wrinkles. “Haven’t heard that one before.” Oh fuck—did he see me dancing? Did he see me leap? God, let me die now. I yank on my earbuds’ cord, popping them from my ears. “What the hell, dude?! Make some noise when you walk in—let a girl know she’s not alone. You could’ve given me a heart attack. And I could’ve killed you with my awesome ninja skills.” The corner of his mouth quirks. “No, you couldn’t.” He sets the rolling pin down on the counter. “I knocked on the kitchen door so I wouldn’t frighten you, but you were busy with your . . . performance.” Blood and heat rush to my face. And I want to melt into the floor and then all the way down to the Earth’s core.
Emma Chase (Royally Endowed (Royally, #3))
Maybe it wasn’t that job particularly; maybe it was just working for someone else. It’s so brutal and tiring, the way it can push you down and knock the heart out of you. It’s not getting up at a certain time and arriving at a certain place at a certain time and leaving at a certain time and coming back again at a certain time — it’s knowing that you have to. What’s worse is that, through age or job-experience or academic qualification or sheer good luck, one adult is in a position to order and insult and abuse and shout at another adult who isn’t in a position to reply in kind. It makes everyone a tin god. Everyone likes having slaves to beat, as they’re beaten themselves. And working on the grind wears you out. After a week of it you’re so tired that you use the weekend just to catch up on your rest before going back to another week of it.
Barry Graham (The Book of Man)
I am glad you are no relation of mine: I will never call you aunt again as long as I live. I will never come to see you when I am grown up; and if any one asks me how I liked you, and how you treated me, I will say the very thought of you makes me sick, and that you treated me with miserable cruelty.” “How dare you affirm that, Jane Eyre?” “How dare I, Mrs. Reed? How dare I? Because it is the truth. You think I have no feelings, and that I can do without one bit of love or kindness; but I cannot live so: and you have no pity. I shall remember how you thrust me back—roughly and violently thrust me back—into the red-room, and locked me up there, to my dying day; though I was in agony; though I cried out, while suffocating with distress, ‘Have mercy! Have mercy, Aunt Reed!’ And that punishment you made me suffer because your wicked boy struck me—knocked me down for nothing. I will tell anybody who asks me questions, this exact tale. People think you a good woman, but you are bad, hard-hearted. You are deceitful!
Charlotte Brontë (Jane Eyre)
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that's what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?"... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold.Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo
More than putting another man on the moon, more than a New Year’s resolution of yogurt and yoga, we need the opportunity to dance with really exquisite strangers. A slow dance between the couch and dinning room table, at the end of the party, while the person we love has gone to bring the car around because it’s begun to rain and would break their heart if any part of us got wet. A slow dance to bring the evening home, to knock it out of the park. Two people rocking back and forth like a buoy. Nothing extravagant. A little music. An empty bottle of whiskey. It’s a little like cheating. Your head resting on his shoulder, your breath moving up his neck. Your hands along her spine. Her hips unfolding like a cotton napkin and you begin to think about how all the stars in the sky are dead. The my body is talking to your body slow dance. The Unchained Melody, Stairway to Heaven, power-cord slow dance. All my life I’ve made mistakes. Small and cruel. I made my plans. I never arrived. I ate my food. I drank my wine. The slow dance doesn’t care. It’s all kindness like children before they turn four. Like being held in the arms of my brother. The slow dance of siblings. Two men in the middle of the room. When I dance with him, one of my great loves, he is absolutely human, and when he turns to dip me or I step on his foot because we are both leading, I know that one of us will die first and the other will suffer. The slow dance of what’s to come and the slow dance of insomnia pouring across the floor like bath water. When the woman I’m sleeping with stands naked in the bathroom, brushing her teeth, the slow dance of ritual is being spit into the sink. There is no one to save us because there is no need to be saved. I’ve hurt you. I’ve loved you. I’ve mowed the front yard. When the stranger wearing a shear white dress covered in a million beads comes toward me like an over-sexed chandelier suddenly come to life, I take her hand in mine. I spin her out and bring her in. This is the almond grove in the dark slow dance. It is what we should be doing right now. Scrapping for joy. The haiku and honey. The orange and orangutan slow dance.
Matthew Dickman
Ah, you don’t comprehend, friend John. Do not think that I am not sad, though I laugh. See, I have cried even when the laugh did choke me. But no more think that I am all sorry when I cry, for the laugh he come just the same. Keep it always with you that laughter who knock at your door and say, ‘May I come in?’ is not the true laughter. No! he is a king, and he come when and how he like. He ask no person; he choose no time of suitability. He say, ‘I am here.’ Behold, in example I grieve my heart out for that so sweet young girl; I give my blood for her, though I am old and worn; I give my time, my skill, my sleep; I let my other sufferers want that so she may have all. And yet I can laugh at her very grave—laugh when the clay from the spade of the sexton drop upon her coffin and say ‘Thud! thud!’ to my heart, till it send back the blood from my cheek. My heart bleed for that poor boy—that dear boy, so of the age of mine own boy had I been so blessed that he live, and with his hair and eyes the same. There, you know now why I love him so. And yet when he say things that touch my husband-heart to the quick, and make my father-heart yearn to him as to no other man—not even to you, friend John, for we are more level in experiences than father and son—yet even at such moment King Laugh he come to me and shout and bellow in my ear, ‘Here I am! here I am!’ till the blood come dance back and bring some of the sunshine that he carry with him to my cheek. Oh, friend John, it is a strange world, a sad world, a world full of miseries, and woes, and troubles; and yet when King Laugh come he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall—all dance together to the music that he make with that smileless mouth of him. And believe me, friend John, that he is good to come, and kind. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come; and, like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again; and we bear to go on with our labour, what it may be.
Bram Stoker
There was talk in the fields about the witch in the woods, but go see her? No one would dare. So I thought to myself I’d sneak out one night to see what I could find there.   I slipped from my straw, jumped over the gate, a candle alight in my hand. I went to the woods at the edge of the park as the moon fell down on this land.   I walked through the trees, so scared and alone, though with hope in the back of my mind. As I saw a small light and smoke rising high I wondered what I would find.   I walked up to a door but before I could knock, it opened with a creak and a squeak. There stood a woman all dressed in white; I felt completely unable to speak.   I sat on a chair by the side of a fire whilst she looked fondly at me. ‘Are you a witch?’ I asked her at last. And she said ‘I may possibly be.   But don’t be afraid I just prefer it out here Away from experienced minds. I live with my innocent, simple, sweet thoughts That are pure and gentle and kind.’   I was a little confused So I said to her now, ‘How do you even survive?’ She said to me softly ‘Just love, my young man, It is only on love that I thrive.’   ‘What can I do?’ I said to her now ‘So I can be just like you?’ ‘What, wearing a dress? Clad only in white? I’m sure you’d look better in blue!’   ‘No,’ I said, laughing, ‘To feel just like you Where everything seems so right.’ She thought for a while, And closed her deep eyes As the full moon shed its fair light.   ‘All I can say Is open your mind, The world is more than you know. Look deeper than deep, Be a dreamer, my boy, And give love wherever you go.   When others hurt you, Accept that it hurts, Have faith in the bad and the good. Walk with the soul And the eyes of a child You will always be safe in these woods.   As for the world That lies there outside, Remember the words that I’ve said. Keep them inside Your heart and your mind And by them may you be led.   Soon others will see There is no such thing As being too nice or too kind. And then one fine day, When more are like you, I can leave this sweet glory behind.’   So when I got home I thought of the woman That had entered my life that dark night. I will walk tall forever With the eyes of a child, To the blackness of life I’ll bring light.
Stuart Ayris (Tollesbury Time Forever)
Self-consciousness is the curse of the city and all that sophistication implies. It is the glimpse of oneself in a storefront window, the unbidden awareness of reactions on the faces of other people- the novelist’s world, not the poet’s. I’ve lived there. I remember what the city has to offer; human companionship, major league baseball, and a clatter of quickening stimulus like a rush from strong drugs that leaves you drained. I remember how you bide your time in the city, and think, if you stop to think, “next year, I’ll start living…next year I’ll start my life.” Innocence is a better world. Innocence sees that this is it, and finds it world enough, and time. Innocence is not the prerogative of infants and puppies, and far less of mountains and fixed stars, which have no prerogatives at all. It is not lost to us; the world is a better place than that. Like any other of the spirit’s good gifts, it is there if you want it, free for the asking, as has been stressed by stronger words than mine. It is possible to pursue innocence as hounds pursue hares; singlemindledly, driven by a kind of love, crashing over creeks, keening and lost in fields and forests, circling, vaulting over hedges and hills wide-eyed, giving loud tongue all unawares to the deepest, most incomprehensible longing, a root-flame in the heart, and that warbling chorus resounding back from the mountains, hurling itself from ridge to ridge over the valley, now faint, now clear ringing the air through which the hounds tear, open-mouthed, the echoes of their own wails dimly knocking in their lungs. What I call innocence is the spirit’s unselfconscious state at any moment of pure devotion to any object. It is at once a receptiveness and total concentration. One needn’t be, shouldn’t be reduced to a puppy. If you wish to tell me that the city offers galleries, I’ll pour you a drink and enjoy your company while it lasts; but I’ll bear with me to my grave those pure moments at the Tate (was it the Tate?) where I stood planted, open-mouthed, born, before that one particular canvas, that river, up to my neck, gasping, lost, receding into watercolor depth and depth to the vanishing point, buoyant, awed, and had to be literally hauled away. These are our few live seasons. Let us live them as purely as we can, in the present.
Annie Dillard (Pilgrim at Tinker Creek)
After midnight, I’ve set the cookies on the cooling rack and put on my cat pajamas, and I’m climbing into bed to read when there’s a knock at my window. I think it’s Chris, and I go to the window to check and see if I’ve locked it, but it’s not--it’s Peter! I push the window up. “Oh my God, Peter! What are you doing here?” I whisper, my heart pounding. “My dad’s home!” Peter climbs in. He’s wearing a navy beanie on his head and a thermal with a puffy vest. Taking off the hat, he grins and says, “Shh. You’re gonna wake him up.” I run to my door and lock it. “Peter! You can’t be in here!” I am equal parts panicky and excited. I don’t know if a boy has ever been in my room before, not since Josh, and that was ages ago. He’s already taking off his shoes. “Just let me stay for a few minutes.” I cross my arms because I’m not wearing a bra and say, “If it’s only a few minutes, why are you taking off your shoes?” He dodges this question. Plopping down on my bed, he says, “Hey, why aren’t you wearing your Amish bikini? It’s so hot.” I move to slap him upside the head, and he grabs my waist and hugs me to him. He buries his head in my stomach like a little boy. His voice muffled, he says, “I’m sorry all this is happening because of me.” I touch the top of his head; his hair feels soft and silky against my fingers. “It’s okay, Peter. I know it’s not your fault.” I glance at my moonbeam alarm clock. “You can stay for fifteen minutes, but then you have to go.” Peter nods and releases me. I sink down on the bed next to him and put my head on his shoulder. I hope the minutes go slow. “How was the party?” “Boring without you.” “Liar.” He laughs an easy kind of laugh. “What did you bake tonight?” “How do you know I baked?” Peter breathes me in. “You smell like sugar and butter.” “Chai sugar cookies with eggnog icing.” “Can I take some with me?” I nod, and we lean our backs against the wall. He slides his arm around me, safe and secure. “Twelve minutes left,” I say into his shoulder, and I feel rather than see him smile. “Then let’s make it good.” We start to kiss, and I’ve definitely never kissed a boy in my bed before. This is brand-new. I doubt I’ll ever be able to think of my bed the same way again. Between kisses he says, “How much time do I have left?” I glance over at my clock. “Seven minutes.” Maybe I should tack on an extra five… “Can we lie down, then?” he suggests. I shove him in the shoulder. “Peter!” “I just want to hold you for a little bit! If I was going to try to do more, I’d need more than seven minutes, trust me.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
What the devil was Davy doing up there with a marlinespike? That’s what I’d like to know. It’s a sailors duty.” She put her head in her hands. “I’m afraid that’s my fault, too. I’d been talking to him about moving up to the forecastle, and I…I think he wanted to impress me.” Gray choked on a laugh. “Well, of course he did. You ought to take care how you bat those eyelashes, sweetheart. One of these days, you’re likely to knock a man overboard.” The legs of her chair scraped the floor as she stood. The color returned to her cheeks. “If Davy was trying to impress me, it’s as much your fault as mine.” “How is that my fault?” Gray’s frustration came right back to a boil. He hated himself for growling at her, but he couldn’t seem to help it. “You’re the one who humiliated him in front of the crew, with all those questions. You goaded him into saying he…well, you know what he said.” “Yes, I know what he said.” Gray stepped toward her until only the table separated them. “I know what he said. And don’t pretend you didn’t enjoy it. Don’t pretend you don’t use those men to feed your vanity.” “My vanity? What would you know about feeding my vanity? You don’t so much as breathe in my direction. At least the sailors speak to me. And if that entire ‘Kind of the Sea’ display wasn’t one long exercise in feeding your own vanity, I’m sure I don’t know what is.” She jabbed one finger on the tabletop and lowered her voice. “Those men may flirt with me, but they worship you. You know it. You wanted to feel it. Bask in it. And you did so at Davy’s expense.” “At least I only teased the boy. I’m not the one poised to break his heart.” She blinked. “It’s only infatuation. He’s not really in love with me.” He pounded the table. “Of course the boy’s in love with you! They all are. You talk to them, you listen to their stories-even Wiggins’s prattling, God only knows why. You draw them little sketches, you make them paintings for Christmas. You remind them of everything they’ve left behind, everything they pray they’ll one day hold again. And you do it all looking like some sort of Botticelli goddess, surely the most beautiful thing they’ve ever laid eyes on. Damn it, how’s a man to keep from falling in love with you?” Silence. She stared at him. She blinked. Her lips parted, and she drew a quick breath. Say something, Gray silently pleaded. Anything. But she only stared at him. What the hell had he just said? Was it truly that bad? He frowned, reliving the past minute in his mind. Oh, God. Gray rubbed his face with one hand, then gave a sharp tug on his hair. It was that bad. Damn it to hell. If Joss were here, he’d have a good laugh at his expense.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
You needn’t have come to Hampshire in such a hurry.” “The threat of lawyers and Chancery Court impressed me with the need for haste,” he said darkly. Perhaps her telegram had been a bit dramatic. “I wasn’t really going to bring layers into it. I only wanted to gain your attention.” His reply was soft. “You always have my attention.” Kathleen wasn’t certain how to take his meaning. Before she could ask, the latch of the bathroom door clicked. The wood panels trembled as someone began to push his way in. Kathleen’s eyes flew open. She wedged her hands against the door, her nerves stinging in horror. A violent splash erupted behind her as Devon leaped from the bathtub and flattened a hand on the door to keep it from opening farther. His other hand slid around her to cover her mouth. That was unnecessary--Kathleen couldn’t have made a sound to save her life. She quivered in every limb at the feel of the large, steaming male at her back. “Sir?” came the valet’s puzzled voice. “Confound it, have you forgotten how to knock?” Devon demanded. “Don’t burst into a room unless it’s to tell me that the house is on fire.” Distantly Kathleen wondered if she might swoon. She was fairly certain that Lady Berwick would have expected it of her in such circumstances. Unfortunately her mind remained intractably awake. She swayed, her balance uncertain, and his body automatically compensated, hard muscles flexing to support her. He was pressed all along her, hot water seeping through the back of her riding habit. With every breath, she dew in the scents of soap and heat. Her heart faltered between every beat, too weak, too fast. Dizzily she focused on the large hand braced against the door. His skin was faintly tawny, the kind that would brown easily in the sun. One of his knuckles was scraped and raw--from lifting the carriage wheel, she guessed. The nails were short and scrupulously clean, but ink stains lingered in faint shadows on the sides of two fingers. “I beg your pardon, my lord,” the valet said. With an overdone respect that hinted at sarcasm, he added, “I’ve never known you to be modest before.” “I’m an aristocrat now,” Devon said. “We prefer not to flaunt our assets.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
All those songs I used to pretend to understand, all the angsty, heartbroken songs I had heard all my life, they suddenly made so much more sense. "Well, then she probably needs a giant coffee, a huge box of your creations, and some time to nurse her feelings in private, don't you think?" Brantley Dane, local hero, saves girl from sure death brought on by sheer mortification. That'd be his headline. "Come on, sweetheart," he said, moving behind me, casually touching my hip in the process, and going behind counter. "What's your poison? Judging by the situation, I am thinking something cold, mocha or caramel filled and absolutely towering with full fat whipped cream." That was exactly what I wanted. But, broken heart aside, I knew I couldn't let myself drown in sweets. Gaining twenty pounds wasn't going to help anything. There was absolutely no enthusiasm in my voice when I said, "Ah, actually, can I have a large black coffee with one sugar please?" "Not that I'm not turned on as all fuck by a woman who appreciates black coffee," he started, making me jerk back suddenly at the bluntness of that comment and the dose of profanity I wasn't accustomed to hearing in my sleepy hometown. "But if you're only one day into a break-up, you're allowed to have some full fat chocolate concoction to indulge a bit. I promise from here on out I won't make you anything even half as food-gasm-ing as this." He leaned across the counter, getting close enough that I could see golden flecks in his warm brown eyes. "Honey, not even if you beg," he added and, if I wasn't mistaken, there was absolutely some kind of sexually-charged edge to his words. "Say yes," he added, lips tipping up at one corner. "Alright, yes," I agreed, knowing I would love every last drop of whatever he made me and likely punish myself with an extra long run for it too. "Good girl," he said as he turned away. And there was not, was absolutely not some weird fluttering feeling in my belly at that. Nope. That would be completely insane. "Okay, I got you one of everything!" my mother said, coming up beside me and pressing the box into my hands. She even tied it with her signature (and expensive, something I had tried to talk her out of many times over the years when she was struggling financially) satin bow. I smiled at her, knowing that sometimes, there was nothing liked baked goods from your mother after a hard day. I was just lucky enough to have a mother who was a pastry chef. "Thanks, Mom," I said, the words heavy. I wasn't just thanking her for the sweets, but for letting me come home, for not asking questions, for not making it seem like even the slightest inconvenience. She gave me a smile that said she knew exactly what I meant. "You have nothing to thank me for." She meant that too. Coming from a family that, when they found out she was knocked up as a teen, had kicked her out and disowned her, she made it clear all my life that she was always there, no matter what I did with my life, no matter how high I soared, or how low I crashed. Her arms, her heart, and her door were always open for me. "Alright. A large mocha frappe with full fat milk, full fat whipped cream, and both a mocha and caramel drizzle. It's practically dessert masked as coffee," Brantley said, making my attention snap to where he was pushing what was an obnoxiously large frappe with whipped cream that was towering out of the dome that the pink and sage straw stuck out of. "Don't even think about it, sweetheart," he said, shaking his head as I reached for my wallet. "Thank you," I smiled, and found that it was a genuine one as I reached for it and, in a move that was maybe not brilliant on my part, took a sip. And proceeded to let out an almost porn-star worthy groan of pure, delicious pleasure. Judging by the way Brant's smile went a little wicked, his thoughts ran along the same lines as well.
Jessica Gadziala (Peace, Love, & Macarons)
Alis coughed from the shadows of the house, and I remembered to start walking, to look toward the dais- At Tamlin. The breath knocked from me, and it was an effort to keep going down the stairs, to keep going my knees from buckling. He was resplendent in a tunic of green and gold, a crown of burnished laurel leaves gleaming on his head. He'd loosened the grip on his glamour, letting that immortal light and beauty shine through- for me. My vision narrowed on him, on my High Lord, his wide eyes glistening as I stepped onto the soft grass, white rose petals scattered down it- And Red ones. Like drops of blood amongst the white, red petals had been sprayed across the path ahead. I forced my gaze up, to Tamlin, his shoulders back, head high. So unaware of the true extent of how broken and dark I was inside. How unfit I was to be clothed in white when my hands were so filthy. Everyone else was thinking it. They had to be. Every step was too fast, propelling me toward the dais and Tamlin. And toward Ianthe, clothed in dark blue robes tonight, beaming beneath the hood and silver crown. As if I were good- as if I hadn't murdered two of their kind. I was a murderer and a liar. A cluster of red petals loomed ahead- just like the Fae youth's blood had pooled at my feet. Ten steps from the dais, at the edge of that splatter of red, I slowed. Then stopped. Everyone was watching, exactly as they had when I'd nearly died, spectators to my torment. Tamlin extended a broad hand, brows narrowing slightly. My heart beat so fast, too fast. I was going to vomit. Right over those rose petals, right over the grass and ribbons trailing into the ailse from the chairs flanking it. And between my skin and bones, something thrummed and pounded, rising and pushing, lashing through my blood- So many eyes, too many eyes, pressed on me, witness to every crime I'd committed, every humiliation- I don't know why I'd even bothered to wear gloves, why I'd let Ianthe convince me. The fading sun was too hot, the garden too hedged in. As inescapable as the vow I was about to make, binding me to him forever, shackling him to my broken and weary soul. The thing inside me was roiling now, my body shaking with the building force of it as it hunted for a way out- Forever- I would never get better, never get free of myself, of the dungeon where I'd spent three months- 'Feyre,' Tamlin said, his hand steady, as he continued to reach for mine. The sun sank past the lip of the western garden wall; shadows pooled, chilling the air. If I turned away, they'd start talking, but I couldn't make the last few steps, couldn't, couldn't, couldn't- I was going to fall apart, right there, right then- and they'd see precisely how ruined I was. Help me, help me, help me, I begged someone, anyone. Begged Lucien, standing in the front row, his metal eye fixed on me. Begged Ianthe, face serene and patient and lovely within that hood. Save me- please, save me. Get me out. End this. Tamlin took a step toward me- concern shading those eyes. I retreated a step. No. Tamlin's mouth tightened. The crowd murmured. Silk streamers laden with globes of gold faelight twinkled into life above and around us. Ianthe said smoothly. 'Come, Bride and be joined with your true love. Come, Bride, and let good triumph at last.' Good. I was not good. I was nothing, and my soul, my eternal soul was damned- I tried to get my traitorous lungs to draw air so I could voice a word. No- no. But I didn't have to say it. Thunder crackled behind me, as if two boulders have been hurled against each other. People screamed, falling back, a few vanishing outright as darkness erupted. I whirled, and through the night drifting away like smoke on a wind, I found Rhysand straightening the lapels of his black jacket. 'Hello, Feyre darkling,' he purred.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Some relationships have to end ugly. It's not the way we want it to be, but sometimes it's the way it has to be. Sometimes there is no possibility of a kind farewell. There is too much water under the bridge, or one or both parties are incapable of resolution, or it's just one of those woundmate connections that is riddled with unfriendly fire. Whatever it is, don't beat yourself up if an ending gets ugly. Don't pile more suffering onto the open wound. Difficult endings are part of life. They just are. Instead, focus your energies on learning what you need to learn so you can manifest something healthier the next time. Our lives don't improve when we expect perfection. They improve when we graduate from the School of Heart Knocks, one lesson after another... after another.
Unknown Author 993
Routine was death of the worst kind, a slow, insidious stripping of soul. Rarely could I even bring myself to run the same route on subsequent days; more rarely did I run at the same time every day. Sometimes I'd venture out first thing in the morning, other times during midday, still others in the evening or at night. I wasn't made to fit the modern industrialized world; my natural rhythms ran contrary to the nine-to-five business cycle. And I didn't always find people the preferred company. Not that I was antisocial, but being by myself wasn't unpleasant. Running alone was something I relished most of my life, even more so as I'd become older. Most runners prefer to run alone, so these habits are not entirely aberrant. The world and its institutions engulf and suffocate us. We runners find our sanctuary in retreating to the roadways and trails, our sacred reprieve. The wonder isn't that we go; it's that we come back. Our daily outings become purgings and resurrections. We move through this world as spirits, the air and the ground and the sky above absorbing us into something grander, and we disappear from the unbearable heaviness of being. These moments of transcendence cleanse our soul and liberate us from the manufactured and superficial. For a brief, beautiful instant we are as a human is meant to be, free and unencumbered, and this restores us and makes us fresh once more. And then it's on to the follies of being a citizen, of being a useful and contributing member of society. Back to the fickleness and irrationality of human nature and the roller coaster of modern living, with its spirals and twists, letdowns and disappointments. As soon as there are people involved, things get complicated, and rarely do they go the way you want them to. Over a lifetime, nos greatly outnumber the yeses. But the strong endure. The lessons you learn from running translate to life. The runner has a strong body and a strong heart. You get knocked down, you pick yourself back up, dust off, and keep going, only to get knocked down again, only to pick yourself back up once more and continue on, arising one time greater than toppling. And in this persistent enduring you acquire endurance. Your permanence is established in this way because you do not unseat easily, you have what it takes to withstand setbacks. You may waver and misstep, but you never give up. No matter how daunting the obstacle, you forge onward and keep chipping away until that barrier is eventually obliterated and overcome. p97
Dean Karnazes (A Runner’s High: My Life in Motion)
Then what is it?” I questioned. “You promised you’d be honest with me. What is it do you want?” “Not something you’d be willing to give.” “Zeke, dammit, what are you after?” “You, Sash!” His voice raised at first and then he muttered under his breath, “I’m after you.” The hell was that supposed to mean. I abruptly stood and Zeke got off the couch with me. “What?” “Your mom, she was the one who brought me to you but it was you who made me want to stay, Sasha. I stayed, looking out for you, making sure you’re safe… because of you.” “Me?” My heart knocked and bashed against my ribs. “You stayed because of me?” “It was your goddamn smile that did it.” He reached the back of his neck and scratched just under his skull. “I can’t get over how beautiful it is.” “There is no way,” I told him. “You’ve been trying to make my life hell since you started working with me.” “Because it stopped me from getting too close to you.” “Why didn’t you want to?” “I’m a bad influence on girls like you.” “Girls like me?” Ha. “You mean the kind of girls that have their father killed just to get away from them?” I cried tears of guilt. My chin dipped to my chest. “I’m not perfect either, Zeke. You could have told me the truth.
Lizzie Lioness (Not Another Broken Heart)
What has put that look on your face, Sophie?” “What look?” She laid the child in the cradle where Vim had set it near the hearth. “Like you just lost your best friend.” “I was thinking of fostering Kit.” And just like that, she was blinking back tears. She tugged the blankets up around the baby, who immediately set about kicking them away. “Naughty baby,” she whispered. “You’ll catch a chill.” “Sophie?” A large male hand landed on her shoulder. “Sophie, look at me.” She shook her head and tried again to secure Kit’s blankets. “My dear, you are crying.” Another hand settled on the opposite shoulder, and now the kindness was palpable in his voice. Vim turned her gently into his embrace and wrapped both arms around her. It wasn’t a careful, tentative hug. It was a secure embrace. He wasn’t offering her a fleeting little squeeze to buck her up, he was holding her, his chin propped on her crown, the entire solid length of his body available to her for warmth and support. Which had the disastrous effect of turning a trickle of tears into a deluge. “I can’t keep him.” She managed four words around the lump in her throat. “To think of him being passed again into the keeping of strangers… I can’t…” “Hush.” He held a hanky up to her nose, one laden with the bergamot scent she already associated with him. For long minutes, Sophie struggled to regain her equilibrium while Vim stroked his hand slowly over her back. “Babies do this,” Vim said quietly. “They wear you out physically and pluck at your heartstrings and coo and babble and wend their way into your heart, and there’s nothing you can do stop it. Nobody is asking you to give the child up now.” “They won’t have to ask. In my position, I can’t be keeping somebody else’s castoff—” She stopped, hating the hysterical note that had crept into her voice and hating that she might have just prompted the man to whom she was clinging to ask her what exactly her position was. “Kit is not a castoff. He’s yours, and you’re keeping him. Maybe you will foster him elsewhere for a time, but he’ll always be yours too.” She didn’t quite follow the words rumbling out of him. She focused instead on the feel of his arms around her, offering support and security while she parted company temporarily with her dignity. “You are tired, and that baby has knocked you off your pins, Sophie Windham. You’re borrowing trouble if you try to sort out anything more complicated right now than what you’ll serve him for dinner.” She’d grown up with five brothers, and she’d watched her papa in action any number of times. She knew exactly what Vim was up to, but she took the bait anyway. “He loved the apples.” This time when Vim offered her his handkerchief, she took it, stepping back even as a final sigh shuddered through her. “He
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
He found her in the bathroom, wearing one of his huge T-shirts, and he caught her softly crying. It had been a very long time since he’d seen her tears, and it knocked the wind out of him. He couldn’t bear it. “Here, here,” he said, pulling her into his strong embrace. “You’re crying.” She wiped the tears off her cheeks and looked up at him. “It’s nothing,” she said. “I got my period again. I didn’t want it to come. I wanted to be pregnant.” “You weren’t even late,” he said, for he knew everything about her, about her body. You could set a watch by her. “Not even an hour late,” she said, and a big tear spilled over. “Is it a hard one?” he asked tenderly. “No, it’s nothing at all. Except, I thought maybe finally…” “Okay, it’s time,” he said, wiping away the tear. “You should talk to Mel. Maybe to John Stone. See if we should check something out.” “I get the impression that could be expensive.” “Don’t you worry about that,” he said. “Never mind money—this is about us being happy. We want a baby. We should do what we have to do. Right?” “John, I’m sorry—” “Why are you sorry? You’re not in this alone. Everything is both of us. Right?” “Month after month…” “Well, now we’re going to face it and ask for advice. We’ll get some help. No more crying.” But she dropped her head against his chest and wept anyway, and it tore his heart out. He couldn’t stand Paige to be in any kind of pain. He lived for her happiness; she was his world. His life. “Are you crying because you’re PMS-y?” he asked. “No. I don’t think so.” “Cramps? Want me to rub your back?” “No,” she said. “I feel fine. Really.” He lifted her chin and kissed her deeply. Lovingly. Lustfully. “Want me to make you feel a little better? I know how.” “That’s okay, John. There’s no need.” “You don’t have to be shy with me. There’s no part of your life, your body, that puts me off. I love every bit of you.” She sighed deeply. “I should just take a shower and crawl into bed. I’m feeling sorry for myself.” He
Robyn Carr (Whispering Rock (Virgin River, #3))
You are living proof that the darkness you endure only makes your light shine brighter. You are living proof that brokenness can be the foundation for becoming unbreakable. You are living proof that life gets better when you decide “this is the last time I’ll let someone treat me this way.” You are living proof that kindness and strength can coexist within the same heart. You are living proof that when you show up as your most vibrant self… you don’t lose anybody, they lose you. You are living proof that the toughest chapters of life can lead to the most beautiful stories of reinvention. You are living proof that your past does not define you, it refines you. You are living proof that no matter how many times you’ve been knocked down, you can bounce back stronger.
Case Kenny
Faced with the choice between loving me for my short lifetime and beginning an upward climb with the rich and beautiful Freyda, he had made the practical decision. I’d always known that Eric was a pragmatist. There was a quiet knock at the back door. Bill, checking on my well-being. I went out onto the porch and flung the door open, saying, “I just can’t talk . . .” Eric stood on the steps. The moonlight was kind to him, of course, gilding the blond mane and the handsome face. “What the fuck are you doing here?” I looked over his shoulder. Bill was nowhere in sight. “Now that I’m not your wife, I thought you and Freyda would be . . . consummating your new relationship.” “I told you not to pay attention to what happened,” he said. He took a small step forward. “I told you it meant nothing to me.” I didn’t invite him in. “Pretty hard to believe it meant nothing to your king. And Freyda.” “I can keep you,” he said, with absolute confidence. “I can work out a way. You may not be my wife in name, but you are in my heart.” I felt like a pancake that had just been flipped over on the griddle. I had to go through this again? I snapped. “Not just no, but hell no. Don’t you hear yourself? You’re lying to me and to yourself.” I wanted to smack his face so badly my hand hurt. “Sookie, you’re mine.” He was beginning to be angry. “I am not. You said that in front of everyone.” “But I told you, I came to you in the night and told you I would—” “You told me that you loved me as much as you were able,” I said, almost bouncing on the balls of my feet in agitation. “It seems pretty clear that you’re not able.” “Sookie, I would never have dismissed you like that, so publicly, if I hadn’t been sure you understood that the ceremony was for the benefit of the others.
Charlaine Harris (Dead Ever After (Sookie Stackhouse, #13))
So, why do we do it?” I decided at least to try and give the appearance of being in control. “I don’t know, I swear some of you English men use it to seek me out and be obsessive on my front doorstep. What do you think? Are you going to come knocking on my door?” “Well, I don’t know. I mean about the assumptions and the bullshit, not the door.” I thought it needed stressing, but immediately realised it was part of her game. “Perhaps it’s some kind of safety thing. If a stranger starts talking to you in the street, you have little by which to judge your safety. Here in a hotel lobby you have some sanctuary, but that doesn’t mean it’s safe. Not every hotel guest is in a foreign land, and I am sure not every Colombian is going to rob you, but I don’t know.” “It is prejudice, if you ask me,” she spat distastefully.
Mel Vil (The Heart Worm)
Some relationships have to end ugly. It's not the way we want it to be, but sometimes it's the way it has to be. Sometimes there is no possibility of a kind farewell. There is too much water under the bridge, or one or both parties are incapable of resolution, or it's just one of those woundmate connections that is riddled with unfriendly fire. Whatever it is, don't beat yourself up if an ending gets ugly. Don't pile more suffering onto the open wound. Difficult endings are part of life. They just are. Instead, focus your energies on learning what you need to learn so you can manifest something healthier the next time. Our lives don't improve when we expect perfection. They improve when we graduate from the School of Heart Knocks, one lesson after another... after another.
Open University
can hardly explain how it felt When you ripped me apart, Tore off my thick skin, Stomped on my heart. Your weapons were words, The most hurtful kind. They weren’t curses or insults; They were lies. You made me believe things That weren’t true, Doubt my own memories Before I thought to doubt you. When I said that you were wrong, Perhaps lying or forgetting, You looked at me like I was crazy, overreacting. Guilting me into thinking I was mistaken and petty, Caused me to go to bed Questioning my own reality. I would constantly wonder If I was mentally unstable, Would I die this way Or learn to see false from real? My memories changed As I trusted your experience. I tried to scrub myself of What I thought was delirium. In you, I finally believed, Although it took time; I decided to make you My eyes, ears, and guide. Sometime later, The truth knocked on our door. We had no choice but to answer it; There was no hiding anymore. I can still remember The way your face changed in front of me. I’ll never forget That nightmare of a memory. It soon become clear There was nothing wrong with me. I was right all along, But still I wondered, was I really? The doubt would kill me, Rip my brain to pieces And from this trauma, There was no healing. I can hardly explain how it felt, To be programmed to doubt myself. My tears, cuts, and bruises Were a cry for help, That no one heard. Perhaps I could have shouted louder, But I thought I was in the wrong. You don’t realize your weakness When you think you’re being strong. I still can’t believe there was a time You convinced me to believe in lies. Little did I know back then That it was all a gaslight.
Shai Kara (Hellfire: A Poetry Collection)
Knock and it will be opened to you. . . . Draw near to God. Knock—the door is closed, and you suffer from palpitation as you knock. “Cleanse your hands”—knock a bit louder, you begin to find you are dirty. “Purify your heart”—this is more personal still, you are desperately in earnest now—you will do anything. “Lament”—have you ever lamented before God at the state of your inner life? There is no strand of self-pity left, but a heartbreaking affliction of amazement to find you are the kind of person that you are. “Humble yourself”—it is a humbling business to knock at God’s door—you have to knock with the crucified thief. “To him who knocks, it will be opened.
Oswald Chambers (Prayer: A Holy Occupation)
I heard you have a date with Oliver, and from the looks of it, you definitely do. You’re sweating like a whore in church!” Rob says as soon as he sees me. I punch him in the shoulder. “No I’m not! Oh God, am I?” I head toward the bathroom and look at myself, realizing that he was exaggerating. But, damn. I am nervous. “Why am I so nervous about this? And where is Meep?” “She’s in the shower, and you’re nervous because this is your first date together. I mean, real date. Shenanigans don’t count.” He raises a blonde eyebrow and laughs when I glare at him. “I need a drink,” I announce, heading to the kitchen. “No, you don’t. You need to sit and relax and be still. You’re going to give me a heart attack!” “Stop being a pest,” I mutter, plopping down on the couch. “Okay, but on your date, do not sit like that. Nothing is more gross than a careless sitter in a dress.” My eyes widen, and I cross my legs, sitting upright. “Damn you. Maybe I should have worn jeans.” Robert laughs, throwing his head back. He looks so much like Mia when he does that. “I was joking! Geez, you really are nervous.” “Who’s nervous?” Mia asks, walking over to us. “Jitterbug over here is acting like a virgin going to prom,” Rob says, earning a laugh from me, and a look from Mia. “Way to lay it all out there,” I say. “She looks fine,” Mia says walking over to me. “It’s just Bean.” “Exactly. It’s just Bean . . . do I look okay?” Mia gives me a once-over and nods. “You look beautiful, like you do every other day, when you wear make-up and brush your hair and dress up.” “Meaning not like every other day?” “Well, you have to save beauty for special occasions, Chicken.” “Bitch,” I say, laughing until the knock on the door swallows my smile. “Ohh here he comes,” Rob starts singing like he was singing Man Eater, and I want to crawl into a hole and die. Mia swings the door open and whistles loudly. “Looks like somebody wants to get laid tonight,” she announces. And this time, for real, I want to crawl into a hole and die. I can feel my face burning as I walk to the door and tell Mia and Robert to shut up. Oliver is wearing dark jeans, black shoes, a gray button-down, and a fedora on his head. It’s simple and hot, and it matches the gray dress I’m wearing, so I have to laugh. “It’s like they’re meant to be!” Rob states loudly. “They match! This is too fucking cute! Mia! Get the camera!” “I hate you.” I say, looking at him. “I hate you.” I say, turning to Mia’s face, red from laughing. “I don’t hate you . . . yet.” I say, turning to Oliver, who gives me a slow, cocky half grin that makes me melt a little. “Please have her home by midnight, and make sure she lays off the vodka,” As Mia starts rattling off her list, she stops to look at my blushing face and bursts out laughing. “Awww . . . I’m sorry, Elle, this is so cute though. You haven’t been this nervous since you lost your virginity to Hunter Grayson.” She stops laughing and turns to Oliver with a serious face. “All jokes aside, if you hurt her again, I will fucking murder you, and I’m not talking about a nice quiet murder, I’m talking dick cut off, internal organs everywhere kind of murder. So please, be mindful of that.
Claire Contreras (Kaleidoscope Hearts (Hearts, #1))
There are very many women like me, you know,” she murmured as the morning approached, while she lay with her hair streaming across his neck and chest. “Women with my kind of upbringing, ones with older titles and nicer faces and figures.” She felt him smile against her cheek. “What are you trying to say? That you'd rather I'd married someone else?” “Of course not.” She tugged at a curl of his chest hair reprovingly. “It's just that I'm not the great prize you make me out to be. You could have gotten any woman that you had set your heart on.” “In my entire life, there's only been you. You're every dream and wish and want I've ever had.” His hand played gently in her hair. “Mind you, I don't always like feeling this damn happy… It's a bit like king of the mountain.” “Now that you've reached the top of the pile, you're afraid to be knocked off?” she asked perceptively. “Something like that.
Lisa Kleypas (Where Dreams Begin)
First comes interest. Passion begins with intrinsically enjoying what you do. Every gritty person I’ve studied can point to aspects of their work they enjoy less than others, and most have to put up with at least one or two chores they don’t enjoy at all. Nevertheless, they’re captivated by the endeavor as a whole. With enduring fascination and childlike curiosity, they practically shout out, “I love what I do!” Next comes the capacity to practice. One form of perseverance is the daily discipline of trying to do things better than we did yesterday. So, after you’ve discovered and developed interest in a particular area, you must devote yourself to the sort of focused, full-hearted, challenge-exceeding-skill practice that leads to mastery. You must zero in on your weaknesses, and you must do so over and over again, for hours a day, week after month after year. To be gritty is to resist complacency. “Whatever it takes, I want to improve!” is a refrain of all paragons of grit, no matter their particular interest, and no matter how excellent they already are. Third is purpose. What ripens passion is the conviction that your work matters. For most people, interest without purpose is nearly impossible to sustain for a lifetime. It is therefore imperative that you identify your work as both personally interesting and, at the same time, integrally connected to the well-being of others. For a few, a sense of purpose dawns early, but for many, the motivation to serve others heightens after the development of interest and years of disciplined practice. Regardless, fully mature exemplars of grit invariably tell me, “My work is important—both to me and to others.” And, finally, hope. Hope is a rising-to-the-occasion kind of perseverance. In this book, I discuss it after interest, practice, and purpose—but hope does not define the last stage of grit. It defines every stage. From the very beginning to the very end, it is inestimably important to learn to keep going even when things are difficult, even when we have doubts. At various points, in big ways and small, we get knocked down. If we stay down, grit loses. If we get up, grit prevails.
Angela Duckworth (Grit: The Power of Passion and Perseverance)