Knocked Loose Quotes

We've searched our database for all the quotes and captions related to Knocked Loose. Here they are! All 96 of them:

If he had his wits about him Bunny would surely keep his mouth shut; but now, with his subconscious mind knocked loose from its perch and flapping in the hollow corridors of his skull as erratically as a bat, there was no way to be sure of anything he might do.
Donna Tartt (The Secret History)
I assumed he had taken his bitch home to make sure she didn't need to see a dentist. I was pretty sure I'd knocked some shit loose.
Nicole Jacquelyn (Craving Constellations (The Aces, #1))
Alcohol does not a change a person’s fundamental value system. People’s personalities when intoxicated, even though somewhat altered, still bear some relationship to who they are when sober. When you are drunk you may behave in ways that are silly or embarrassing; you might be overly familiar or tactlessly honest, or perhaps careless or forgetful. But do you knock over little old ladies for a laugh? Probably not. Do you sexually assault the clerk at the convenience store? Unlikely. People’s conduct while intoxicated continues to be governed by their core foundation of beliefs and attitudes, even though there is some loosening of the structure. Alcohol encourages people to let loose what they have simmering below the surface. ABUSERS MAKE CONSCIOUS CHOICES EVEN WHILE INTOXICATED
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
So I'm over there in England, you know, trying to get news about the [L.A.] riots... and all these Brit people are trying to sympathize with me... 'Oh Bill, crime is horrible. Bill, if it's any consolation crime is horrible here, too.' ...Shutup. This is Hobbitown and I am Bilbo Hicks, Okay? This is a land of fairies and elves. You do not have crime like we have crime, but I appreciate you trying to be, you know, Diplomatic. You gotta see English crime. It's hilarious, you don't know if you're reading the front page or the comic section over there. I swear to God. I read an article - front page of the paper - one day, in England: 'Yesterday, some Hooligans knocked over a dustbin in Shafsbry.' Wooooo... 'The hooligans are loose! The hooligans are loose! What if they become roughians? I would hate to be a dustbin in Shafsbry tonight.
Bill Hicks
Possibilities I prefer movies. I prefer cats. I prefer the oaks along the Warta. I prefer Dickens to Dostoyevsky. I prefer myself liking people to myself loving mankind. I prefer keeping a needle and thread on hand, just in case. I prefer the color green. I prefer not to maintain that reason is to blame for everything. I prefer exceptions. I prefer to leave early. I prefer talking to doctors about something else. I prefer the old fine-lined illustrations. I prefer the absurdity of writing poems to the absurdity of not writing poems. I prefer, where love's concerned, nonspecific anniversaries that can be celebrated every day. I prefer moralists who promise me nothing. I prefer cunning kindness to the over-trustful kind. I prefer the earth in civvies. I prefer conquered to conquering countries. I prefer having some reservations. I prefer the hell of chaos to the hell of order. I prefer Grimms' fairy tales to the newspapers' front pages. I prefer leaves without flowers to flowers without leaves. I prefer dogs with uncropped tails. I prefer light eyes, since mine are dark. I prefer desk drawers. I prefer many things that I haven't mentioned here to many things I've also left unsaid. I prefer zeroes on the loose to those lined up behind a cipher. I prefer the time of insects to the time of stars. I prefer to knock on wood. I prefer not to ask how much longer and when. I prefer keeping in mind even the possibility that existence has its own reason for being.
Wisława Szymborska
Rule number one: wear loose clothing. No Problem. Rule number two: no alcohol for the next three days. Slight problem. I'll miss my evening glass of wine but figure I can go for three days without and compensate later. And the last rule: absolutely no coffee or tea or caffeine of any kind. Big problem. This rule hits me like a sucker punch and sure would have knocked me to the floor had I not been sitting there already. I'm eying the exits, plotting my escape. I knew enlightenment came at a price, but i had no idea the price was this steep. A sense of real panic sets in. How am I going to survive for the next seventy-two hours without a single cup of coffee?
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
The boat has become supreme isolation, chosen isolation, holding myself apart from the world, which I only dimly understand anyway. I can sit on the aft deck and never be surprised by anything again- no phone will ever ring, no one will knock that I haven't seen coming for a quarter mile. that I can go to sleep any night and wake up having broken loose- a failed knot, a line frayed, the anchor dragged- that I can drift out of sight of land makes a twisted sense, in line with my internal weather. When everything has proven tenuous one can either move toward permanence or toward impermanence. The boat's sublimely impermanent. Some mornings the fog's so thick that I exist only in a tight globe of clearing, beyond which is all foghorn and unknown.
Nick Flynn (Another Bullshit Night in Suck City)
his subconscious mind knocked loose from its perch and flapping in the hollow corridors of his skull as erratically as a bat
Donna Tartt (The Secret History)
but now, with his subconscious mind knocked loose from its perch and flapping in the hollow corridors of his skull as erratically as a bat, there was no way to be sure of anything he might do.
Donna Tartt (The Secret History)
Later they went outside, where a light rain was blowing in, mixed with salt spray feathering off the surf. Shasta wandered slowly down to the beach and through the wet sand, her nape in a curve she had learned, from times when back-turning came into it, the charm of. Doc followed the prints of her bare feet already collapsing into rain and shadow, as if in a fool's attempt to find his way back into a past that despite them both had gone on into the future it did. The surf, only now and then visible, was hammering at his spirit, knocking things loose, some to fall into the dark and be lost forever, some to edge into the fitful light of his attention whether he wanted to see them or not.
Thomas Pynchon (Inherent Vice)
Ku Klux" They took me out To some lonesome place. They said, "Do you believe In the great white race?" I said, "Mister, To tell you the truth, I'd believe in anything If you'd just turn me loose." The white man said, "Boy, Can it be You're a-standin' there A-sassin' me?" They hit me in the head And knocked me down. And then they kicked me On the ground. A klansman said, "Nigger, Look me in the face --- And tell me you believe in The great white race.
Langston Hughes
Snow speckled the black dragon’s wings and shoulders. Small chunks of ice were caught between her claws, and she shook her talons to knock them loose before stepping into the tunnel.
Tui T. Sutherland (Runaway (Wings of Fire: Winglets #4))
The Prologue to TERRITORY LOST "Of cats' first disobedience, and the height Of that forbidden tree whose doom'd ascent Brought man into the world to help us down And made us subject to his moods and whims, For though we may have knock'd an apple loose As we were carried safely to the ground, We never said to eat th'accursed thing, But yet with him were exiled from our place With loss of hosts of sweet celestial mice And toothsome baby birds of paradise, And so were sent to stray across the earth And suffer dogs, until some greater Cat Restore us, and regain the blissful yard, Sing, heavenly Mews, that on the ancient banks Of Egypt's sacred river didst inspire That pharaoh who first taught the sons of men To worship members of our feline breed: Instruct me in th'unfolding of my tale; Make fast my grasp upon my theme's dark threads That undistracted save by naps and snacks I may o'ercome our native reticence And justify the ways of cats to men.
Henry N. Beard (Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse)
The surf, only now and then visible, was hammering at his spirit, knocking things loose, some to fall into the dark and be lost forever, some to edge into the fitful light of his attention whether he wanted to see them or not.
Thomas Pynchon (Inherent Vice)
And, don't you see, the terror of the position was not in being knocked on the head - though I had a very lively sense of that danger, too - but in this, that I had to deal with a being to whom I could not appeal in the name of anything high or low. I had, even like the niggers, to invoke him - himself - his own exalted and incredible degradation. There was nothing either above or below him, and I knew it. He had kicked himself loose of the earth. Confound the man! he had kicked the very earth to pieces. He was alone, and I before him did not know whether I stood on the ground of floated in the air.
Joseph Conrad (Heart of Darkness)
Doc followed the prints of her bare feet already collapsing into rain and shadow, as if in a fool’s attempt to find his way back into a past that despite them both had gone on into the future it did. The surf, only now and then visible, was hammering at his spirit, knocking things loose, some to fall into the
Thomas Pynchon (Inherent Vice)
The trend toward narcissistic flair has been responsible in large part for smiting rock with the superstar virus, which revolves around the substituting of attitudes and flamboyant trappings, into which the audience can project their fantasies, for the simple desire to make music, get loose, knock the folks out or get ‘em up dancin.’ It’s not enough just to do those things anymore; what you must do instead if you want success on any large scale is figure a way of getting yourself associated in the audience’s mind with their pieties and their sense of “community,” i.e., ram it home that you’re one of THEM; or, alternately, deck and bake yourself into an image configuration so blatant or outrageous that you become a culture myth.
Lester Bangs (Psychotic Reactions and Carburetor Dung)
I reach for her. 'I'm so sorry I had to keep...' My words die on my tongue as she steps back, avoiding me. 'Not happening.' A world of hurt flashes in those hazel eyes, and I fucking wither. 'Just because I believe you and am willing to fight with you doesn't mean I'll trust you with my heart again. and I can't be with someone I don't trust.' Something in my chest crumples. 'I've never lied to you, Violet. Not once. I never will.' She walks over to the window and looks down, then slowly turns back to me. 'It's not even that you kept this from me. I get it. It's the ease with which you did it. The ease with which I let you into my hear and didn't get the same in return.' She shakes her head, and I see it there, the love, but it's masked behind defences I foolishly forced her to build. I love her. Of course I love her. But if I tell her now, she'll think I'm doing it for all the wrong reasons, and honestly, she'd be right. I'm not going to lose the only woman I've ever fallen for without a fight. 'You're right. I kept secrets,' I admit, pressing forward again, taking step after step until I'm less than a foot from her. I palm the glass on both sides of her head, loosely caging her in, but we both know she could walk away if she wanted. But she doesn't move. 'It took me a long time to trust you, a long time to realise I fell for you.' Someone knocks, I ignore it. 'Don't say that.' She lifts her chin, but I don't miss the way she glances at my mouth. 'I fell for you.' I lower my head and look straight into her gorgeous eyes. She might be rightfully pissed, but she sure as Malek isn't fickle. 'And you know what? You might not trust me anymore, but you still love me.' Her lips part, but she doesn't deny it. 'I gave you my trust for free once, and once is all you get.' She masks the hurt with a quick blink. Never again. Those eyes will never reflect hurt I've inflicted ever again. 'I fucked up by not telling you sooner, and I won't even try to justify my reasons. But now I'm trusting you with my life- with everyone's lives.' I've risked it all by just bringing her here instead of taking her body back to Basgiath. 'I'll tell you anything you want to know and everything you don't. I'll spend every single day of my life earning back your trust.' I'd forgotten what it felt like to be loved, really, truly, loved- it'd been so many years since Dad died. And mom... Not going there. But then Violet gave me those words, gave me her trust, her heart, and I remembered. I'll be damned if I don't fight to keep them. 'And if it's not possible?' 'You still love me. It's possible.' Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. 'I'm not afraid of hard work, especially not when I know just how sweet the rewards are.. I would rather lose this entire war than live without you, and if that means I have to prove myself, over and over, then I'll do it. You gave me your heart, and I'm keeping it.' She already owns mine, even if she doesn't realise it.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
The post knocks a chunk of granite loose, and the rock tumbles down the course, smacking every obstacle in its path until it crashes twenty feet in front of us. If there was ever a metaphor for my life, well... that's it.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Stumble on joy"--the phrase had knocked something loose in him. Joy: What did it feel like? Trying to remember, he was overcome by longing. He knew satisfaction, the exhilaration of success, contentment, and happiness to the extent he could identify it. But joy?
Amy Waldman (The Submission)
"Pounding steps approached in the night. Malachi appeared out of the black, shirtless and dripping despite the cool evening air. (He was out for a run and just returned.) His talesm seemed to glow when he caught sight of her, a low sliver light in the darkness. He said nothing, shooting Rhys a glare as he walked past them and into the house. 'Has he kissed you?' Rhys asked when Malachi was gone. 'Yes, on the island.' 'Was it more than fine?' (She had described Rhy's kiss as 'fine' previous to this scene.) Her breath left her body in a rush of memories. 'So much more than fine.' He nudged her shoulder with his own. 'Then don't be stubborn, go to him.' Fifteen minutes and another glass of wine later, Ava knocked on his door. Malachi opened it, holding a towel. He'd showered, and a few drops of water still clung to his tanned shoulders. He wore a pair of loose pants and a guarded expression. 'What do you want?' 'I kissed Rhys.' Now she knew she wasn't imagining it. The tattoos pulsed silver in the dim light of the hall. Ava forced her eyes back to Malachi's face which was locked down tight. Only a tic in his jaw told Ava her words have even been heard. His voice was low and thick with tension. 'Get that out of your system?' 'Felt a little like kissing my brother.' He dropped the towel and tugged her into the room.'This won't' "
Elizabeth Hunter (The Scribe (Irin Chronicles, #1))
It's time you got some of the home truths in you, Wendy. You don't seem to have internalized them, as the sociologists say. They're knocking around up in your head like a bunch of loose cueballs. You need to shoot them into the pockets. You need to understand that we are snowed in.
Stephen King (The Shining (The Shining, #1))
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?" ... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Now a kangaroo has short arms, so I’m figuring I’ll knock his ass out. They put gloves on me and I start jabbing away at him, but what I didn’t know is that a kangaroo has a loose jaw so when you hit them it doesn’t go to their brain and knock them out. I’m only jabbing at him, because who wants to hurt a kangaroo? But when I couldn’t’ get anywhere with him with my jab I let loose with an overhand right, a real haymaker. Down the kangaroo goes and I feel this hard whack on the back of my head where my old man used to whack me. I shake it off and go back to jabbing the kangaroo who’s hopping all over the place, and I’m trying to figure out who the S.O.B. was who clipped me from behind. You
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
He stared at my wet hair. "You been under that fucking waterfall again?" "Not today." I didn't get why it bothered him so much, unless maybe the thought it set a bad example for Nicki. "Why do you care?" He shrugged. "I don't. Knock your brains loose if you want." He blew out a huge cloud of smoke, which I thought was a pretty ironic thing to do while giving me a safety lecture.
Jennifer R. Hubbard (Try Not to Breathe)
The Poets Job There are only a handful of significant truths. It's the poets job to stick them in a slinky new dress, accessorize them with a knock-off handbag, 6 inch heels, whimsical costume jewelry, and set the bitch loose on the streets to pickup a reader. If it was a good poem, she'll scream like a freight train for him. If the poem sucked, he'll walk away with a genital wart and probably kick his dog.
Beryl Dov
He flowed up to the first wall, slid one leg over it, silent as a mouse. He lifted himself up, smooth as butter, keeping quiet, keeping low. His back foot caught on a set of loose stones, dragged them scraping with him. He grabbed at them, fumbled them, knocked over even more with his elbow and they clattered down loud around him. He stumbled onto his weak ankle, twisted it, squawked with pain, fell over and rolled through a patch of thistles.
Joe Abercrombie (Before They Are Hanged (The First Law, #2))
He flowed up to the first wall, slid one leg over it, silent as a mouse. He lifted himself up, smooth as butter, keeping quiet, keeping low. His back foot caught on a set of loose stones, dragged them scraping with him. He grabbed at them, fumbled them, knocked over even more with his elbow, and they clattered down loud around him. He stumbled onto his weak ankle, twisted it, squawked with pain, fell over, and rolled through a patch of thistles. “Shit,” he grunted,
Joe Abercrombie (Before They Are Hanged (The First Law, #2))
Violet had carefully chosen some long-hanging, loose-fitting basketball shorts to wear over her swimsuit, in hopes of keeping her injuries at least partially hidden. But it didn’t take long before one . . . and then two . . . and then at least twenty of her friends had noticed her bandages peeking out from beneath the swishing fabric, and she was forced to recount her morning accident. Jay loved hearing her tell the story, and every time he heard her talking about it, he would come over so that he could interject, and of course embellish, his role in the events. In his version, he was her champion, practically carrying her from the woods and performing near-miraculous medical feats to save her legs from complete amputation. Violet, and annoyingly every other girl within earshot, couldn’t help but giggle while he jokingly sang his own praises. Violet happened to walk up just in time to hear Jay recounting his version once more to a group of eager admirers. “Hero? I wouldn’t say hero . . .” he quipped. Violet rolled her eyes, turning to Grady Spencer, a friend of theirs from school. “Can you believe him?” Grady gave her a concerned look. “Seriously, are you okay, Violet? It sounds like it was pretty bad.” Violet was embarrassed that Jay’s exaggerations were actually dredging up real sympathy from others. “It’s fine,” she assured him, and when Grady didn’t look convinced, she added, “Really, I just tripped.” She reached out and shoved Jay. “Will you knock it off, hero? You’re making an ass out of yourself.
Kimberly Derting (The Body Finder (The Body Finder, #1))
It is with the coming of man that a vast hole seems to open in nature, a vast black whirlpool spinning faster and faster, consuming flesh, stones, soil, minerals, sucking down the lightning, wrenching power from the atom, until the ancient sounds of nature are drowned in the cacophony of something which is no longer nature, something instead which is loose and knocking at the world’s heart, something demonic and no longer planned—escaped, it may be—spewed out of nature, contending in a final giant’s game against its master.
Loren Eiseley (The Firmament of Time: A Library of America eBook Classic)
V frowned. There was only a hissing sound coming from the voice mail. But then a clatter had him yanking the phone away from his ear. Now Butch's voice, hard, loud: "Dematerialize. Dematerialize now." A scared male: "But-but-" "Now! For fuck's sake, get your ass out of here..." Sounds of muffled flapping. "Why are you doing this? You're just a human-" "I am so sick of hearing that. Leave!" There was a metallic shifting, a gun being reloaded. Butch's voice: "Oh,shit..." Then all hell broke loose. Gunshots, grunts, thuds. V leaped up from his desk so fast he knocked his chair over.
J.R. Ward
We knocked the head out of an empty hogshead and hoisted this hogshead to the flat roof of the chapel, where we clamped it down fast, poured in gunpowder till it lay loosely an inch deep on the bottom, then we stood up rockets in the hogshead as thick as they could loosely stand, all the different breeds of rockets there are; and they made a portly and imposing sheaf, I can tell you. We grounded the wire of a pocket electrical battery in that powder, we placed a whole magazine of Greek fire on each corner of the roof—blue on one corner, green on another, red on another, and purple on the last, and grounded a wire in each.
Mark Twain (A Connecticut Yankee in King Arthur's Court)
I walked home with a lighter step, for that night had knocked something loose in me, something long overdue to be knocked. At long last, I saw that group for what they were, with a few exceptions - a queer assortment of layabouts and late risers, most overdrawn at the bank or at least cutting into principal, only interested in who's going in the drawer at the Maidstone Club or their wedge on the fifteenth hole at Pebble Beach or dressing down the staff about a bit of shell in the lobster while shoveling canapés in. Jinx had done me a favor, freed me of any lingering allegiances to New York Society, snipped my fear of being on their bad side.
Martha Hall Kelly (Lilac Girls (Lilac Girls, #1))
V frowned. There was only a hissing sound coming from the voice mail. But then a clatter had him yanking the phone away from his ear. Now Butch's voice, hard, loud: "Dematerialize. Dematerialize now." A scared male: "But-but-" "Now! For fuck's sake, get your ass out of here..." Sounds of muffled flapping. "Why are you doing this? You're just a human-" "I am so sick of hearing that. Leave!" There was a metallic shifting, a gun being reloaded. Butch's voice: "Oh,shit..." Then all hell broke loose. Gunshots, grunts, thuds. V leaped up from his desk so fast he knocked his chair over. Only to realize that he was trapped inside by daylight.
J.R. Ward
He shook the nerves from his hand and touched the root again. Again it moved. The tiny fibers at the end came alive, reaching for him, twining around his fingertip. He looked around the hole, and he could now see tiny roots everywhere, pushing gently through the soil. The tree was growing right before his eyes. “You’re alive,” he whispered. Just then, he felt a sharp pain. The root had tightened, choking the tip of his finger. Kip jerked his hand back, trying to pull himself free—but the root would not let go. He pulled harder. “Ow!” he cried out as his hand finally came away. A gust of wind howled overhead. Kip looked up and saw leaves and loose dirt blowing into the hole, piling up around his feet. He tried to pull himself out of the hole, but a strong gust knocked him backward. Dirt and leaves poured down over his body, burying him. “Help!” Kip shouted, but he knew no one could hear him. Molly and the family were inside the house. Even Galileo was gone. More and more tiny roots came out of the soil, grasping at his legs, his arms, his neck. Kip screamed again, straining against the roots. His voice came back to him, muffled and small. He could barely move beneath the weight of dirt and leaves—a rustling, choking darkness. Kip twisted his body and felt something hard against his face—
Jonathan Auxier (The Night Gardener)
If you wait instead until what you are refusing to investigate comes a-knocking at your door, things will certainly not go so well for you. What you least want will inevitably happen—and when you are least prepared. What you least want to encounter will make itself manifest when you are weakest and it is strongest. And you will be defeated. Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity.164 (William Butler Yeats,” The Second Coming”) Why refuse to specify, when specifying the problem would enable its solution? Because to specify the problem is to admit that it exists. Because to specify the problem is to allow yourself to know what you want, say, from friend or lover—and then you will know, precisely and cleanly, when you don’t get it, and that will hurt, sharply and specifically. But you will learn something from that, and use what you learn in the future—and the alternative to that single sharp pain is the dull ache of continued hopelessness and vague failure and the sense that time, precious time, is slipping by. Why refuse to specify? Because while you are failing to
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
Alcohol does not change a person’s fundamental value system. People’s personalities when intoxicated, even though somewhat altered, still bear some relationship to who they are when sober. When you are drunk you may behave in ways that are silly or embarrassing; you might be overly familiar or tactlessly honest, or perhaps careless or forgetful. But do you knock over little old ladies for a laugh? Probably not. Do you sexually assault the clerk at the convenience store? Unlikely. People’s conduct while intoxicated continues to be governed by their core foundation of beliefs and attitudes, even though there is some loosening of the structure. Alcohol encourages people to let loose what they have simmering below the surface.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
Falling into this elaborate daydream about me and Heather Craven forever after. Imagining us as married professionals with our six towheaded children running loose in our suburbanite home as surrounded by a lush yard and fenced. Walking toward the door yelling, “Honey, I’m home!” and having Heather answer my call. Imagining the family dog jumping me, slobbering over in greeting and my laughing heartily as I was knocked to the ground. At one point getting so steeped in the fantasy that I actually found myself troubleshooting marital problems in advance, arguing with the fantasy love of my life before the dog grew on me over whether we should even have a dog; wasn’t six dependents enough? Losing the argument and then reluctantly accepting this new intrusion and competitor for Heather’s affections.
Tommy Walker (Monstrous: The Autobiography of a Serial Killer but for the Grace of God)
Oh, thank you! Thank you," she chirped, surprising him by bounding across the room and clasping him tight for a quick hug. His arms hung heavy and loose at his sides during her gentle siege. Rothbury had enchanted exotic opera singers into returning to his bed time and again. He had warmed coldhearted courtesans into confessing their undying love and he had seduced a number of beautiful, feisty women who were just as fickle in picking their lovers as he was. But Charlotte's hug unsettled him, knocked him off balance, one might say. He didn't want her to let go. But he wouldn't dare bring up his arms to hold her either. Without a doubt he knew if he indulged himself, all he felt, all he thought, would be exposed in the warmth of his embrace. And then there would be no turning back. He would be bared, revealed, humiliated.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
I'm sure we'll need some- oof!" She was never to finish the thoughts she was startled by a creature that came bounding swiftly around the side of the carriage. A glimpse of floppy ears and jolly brown eyes filled her vision before the enthusiastic canine pounced so eagerly that she toppled backward from her squatting position. She landed on her rump, the impact knocking her hat to the ground. A swath of hair came loose and slid over her face, while a young tan-and black retriever leapt around her as if he were on springs. She felt a huff of dog breath on at her ear and the swipe of a tongue on her cheek. "Ajax, no," she heard Ivo exclaim. Realizing what a mess she'd become, all in a matter of seconds, Pandora experienced a moment of despair, followed by resignation. Of course this would happen. Of course she would have to meet the duke and duchess after tumbling on the drive like a half-witted carnival performer. It was so dreadful that she began to giggle, while the dog nudged his head against hers. In the next moment, Pandora was lifted to her feet and caught firmly against a hard surface. The momentum threw her off balance, and she clung to St. Vincent dizzily. He kept her anchored securely against him with an arm around her back. "Down, idiot," St. Vincent commanded. The dog subsided, panting happily. "He must have slipped past the front door," Ivo said. St. Vincent smoothed Pandora's hair back from her face. "Are you hurt?" His gaze ran over her swiftly. "No... no." Helpless giggles kept bubbling up as her nervous tension released. She tried to smother the giddy sounds against his shoulder. "I was... trying so hard to be ladylike..." A brief chuckle escaped him, and his hand moved over her upper back in a calming circle. "I would imagine it's not easy to be ladylike in the midst of a dog mauling.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that's what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?"... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold.Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last. And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?" When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red. Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons. What a roaring.
Toni Morrison (Beloved (Beloved Trilogy, #1))
head no longer weeps and she seems to never tire, while Omeir has to rest every hour or so, fatigue sunk into his marrow, and sometimes as he walks he hears the creak of the wagons and the bellowing of animals, and senses Moonlight and Tree beside him, huge and docile beneath the beam of their yoke. By their fourth morning together, they grow dangerously hungry. Even the girl stumbles every few steps and he knows they cannot go much farther without food. At midday he spies dust rising behind them and they crouch off the road in a little brake of thorns and wait. First come two banner men, blades knocking against their saddles, the very image of conquerors returning. Then drivers with pack camels loaded with plunder: rolled carpets, bulging sacks, a torn Greek ensign. Behind the camels in loose double-file through the dust march twenty bound women and girls. One howls with grief while the others shuffle in silence, their hair uncovered, and their faces betray a wretchedness that makes Omeir look away. Behind the women a rawboned ox pulls a wagon crowded with marble statuary: the torsos of angels; a robed and curly headed philosopher with his nose flaked off; a single enormous
Anthony Doerr (Cloud Cuckoo Land)
house, already worrying my car might get stuck and what would happen if my car got stuck. From behind the storm clouds, the late afternoon sun arrived just in time to blind me as I slammed the door shut and walked toward the house, my gut cold. As I neared the front steps, a big momma possum shot out from under the porch, hissing at me. The thing unnerved me, that pointy white face and those black eyes looking like something that should already be dead. Plus momma possums are nasty bitches. It ran to the bushes, and I kicked the steps to make sure there weren’t more, then climbed them. My lopsided right foot swished around in my boot. A dreamcatcher hung near the door, dangling carved animal teeth and feathers. Just as the rain brings out the concrete smells of the city, it had summoned up the smell of soil and manure here. It smelled like home, which wasn’t right. A long, loose pause followed my knock on the door, and then quiet feet approached. Diondra opened the door, decidedly undead. She didn’t even look that different from the photos I’d seen. She’d ditched the spiral perm, but still wore her hair in loose dark waves, still wore thick black eyeliner that made her eyes look Easter-blue, like pieces of candy.
Gillian Flynn (Dark Places)
Honest to God, I hadn’t meant to start a bar fight. “So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big. He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?” I shrugged. “My mother was a religious woman.” “Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat. “I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket. “Just here to ask a question, that’s all. I don’t want trouble.” Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.” I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.” My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.” He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder. “Fine. What’s your question?” “Know anybody by the name of Matthias Gruber?” He didn’t even blink. “No.” “Ah. I see. Sorry to have wasted your time.” I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list. “Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.” I hung up and let out a slow breath. Only a couple things left to do. I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance. The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible. I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.” “Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster. The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.” I smiled back. “God bless you.” She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.
Kyoko M. (The Holy Dark (The Black Parade, #3))
Cyra,” Akos said again, quiet this time. “Akos,” Cyra answered, with just a touch of the gentleness he had seen in the stairwell. “He is no match for me.” The first time Akos ever saw Cyra fight--really fight--was in the training room in Noavek manor. She had gotten frustrated with him--she wasn’t a patient teacher, after all--and she had let loose more than usual, knocking him flat. Only fifteen seasons old at the time, but she had moved like an adult. And she only got better from there. In all his time training with her, he had never bested her. Not once. “I know,” he said. “But just in case, let’s distract him.” “Distract him,” Cyra repeated. “You’ll go into the amphitheater. You’ll challenge him,” Akos said. “And I’ll go to the prison. Badha and I, I mean. We’ll rescue Orieve Benesit--we’ll take away his triumph. And you’ll take away his life.” It sounded almost poetic, which was why he’d put it that way. But it was hard to think of poetry when Cyra’s fingers crept to her covered arm, like she was imagining the mark Ryzek would make there. Not that she would hesitate. But Cyra knew what those marks cost; she knew as well as anybody. “It’s settled, then,” Isae said, her voice cutting through the quiet. “Ryzek dies. Orieve lives. Justice is done.” Justice, revenge. It was too late to figure out the difference.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
Tom, will you let me love you in your restaurant? i will let you make me a sandwich of your invention and i will eat it and call it a carolyn sandwich. then you will kiss my lips and taste the mayonnaise and that is how you shall love me in my restaurant. Tom, will you come up to my empty beige apartment and help me set up my daybed? yes, and i will put the screws in loosely so that when we move on it, later, it will rock like a cradle and then you will know you are my baby Tom, I am sitting on my dirt bike on the deck. Will you come out from the kitchen and watch the people with me? yes, and then we will race to your bedroom. i will win and we will tangle up on your comforter while the sweat rains from your stomachs and foreheads. Tom, the stars are sitting in tonight like gumball gems in a little girl’s jewlery box. Later can we walk to the duck pond? yes, and we can even go the long way past the jungle gym. i will push you on the swing, but promise me you’ll hold tight. if you fall i might disappear. Tom, can we make a baby together? I want to be a big pregnant woman with a loved face and give you a squalling red daughter. no, but i will come inside you and you will be my daughter Tom, will you stay the night with me and sleep so close that we are one person, no, but i will lay down on your sheets and taste you. there will be feathers of you on my tongue and then I will never forget you Tom, when we are in line at the convenience store can I put my hands in your back pockets and my lips and nose in your baseball shirt and feel the crook of your shoulder blade? no, but later you can lay against me and almost touch me and when i go i will leave my shirt for you to sleep in so that always at night you will be pressed up against the thought of me. Tom, if I weep and want to wait until you need me will you promise that someday you will need me? no, but i will sit in silence while you rage. you can knock the chairs down any mountain. i will always be the same and you will always wait. Tom, will you climb on top of the dumpster and steal the sun for me? It’s just hanging there and I want it. no, it will burn my fingers. no one can have the sun: it’s on loan from god. but i will draw a picture of it and send it to you from richmond and then you can smooth out the paper and you will have a piece of me as well as the sun Tom, it’s so hot here, and I think I’m being born. Will you come back from Richmond and baptise me with sex and cool water? i will come back from richmond. i will smooth the damp spiky hairs from the back of your wet neck and then i will lick the salt off it. then i will leave Tom, Richmond is so far away. How will I know how you love me? i have left you. that is how you will know
Carolyn Creedon
Too anxious to sit still, she stood in the stirrups to stretch her legs, then moved her bottom back and forth in the saddle until she found a comfortable spot to settle. She dallied her reins loosely around the saddle horn and reached up to unbutton the top two buttons of her blouse, then leaned over and shook the cotton cloth back and forth to cool herself. Her Stetson hat came off next. She settled it on the saddle horn, so what little breeze there was could reach the sweat on her nape. “What the hell kind of strip show are you putting on?” Bay nearly fell out of the saddle at Owen’s angry outburst. She jerked upright, knocking her hat off the horn and onto the ground. Her horse saw the shadow when it fell, figured it for a dangerous, horse-eating jackrabbit, and shied violently toward Owen’s mount. His horse took exception to being bumped and kicked out with both hooves, striking Bay’s horse in the rump, which grabbed for the reins, but they fell loose from the horn, and she was helpless to restrain her mount when he began to run helter-skelter down the canyon, sunfishing and crowhopping. Bay was thrown up onto her mount’s neck, where she held on for dear life. She heard Owen galloping behind her and knew it was only a matter of time before he caught up to her. But a narrow passage was coming up, and there wasn’t room for both her and her horse. She was going to be scraped off. Unless she jumped first. From her precious perch, Bay stared down at the rocky soil racing past her nose and thought of all the movies she’d seen where cowboys leaped from their horses and got up and walked away. Surely it couldn’t be that difficult. In a moment, when they reached that narrow passage, the choice was going to be taken from her. Bay closed her eyes and launched herself as far as she could from her horse’s flashing hooves. And landed like a sack of wet cement. She skidded for maybe two feet along the rocky bed of the canyon. On her face. And her right hip. And her left hand. When she stopped, she lay there stunned for a moment, then gave a shaky laugh. “Oh, that was not at all like it is in the movies.
Joan Johnston (The Texan (Bitter Creek, #2))
Ryzek will be in a huge crowd of people, many of whom are his most ardent supporters and fiercest soldiers. What kind of ‘move’ do you suggest we make?” Cyra replied, “You said it yourself, didn’t you? Kill him.” “Oh, right!” Teka smacked the table, obviously annoyed. “Why didn’t I think of killing him? How simple!” Cyra rolled her eyes. “This time you won’t have to sneak into his house while he’s asleep. This time, I’ll challenge him to the arena.” Everybody got quiet again. For different reasons, Akos was sure. Cyra was a good fighter, everybody knew that, but no one knew how good Ryzek was--they hadn’t seen him in action. And then there was the matter of getting to a place where Cyra could actually challenge him. And getting him to do it instead of just arresting her. “Cyra,” Akos said. “He declared nemhalzak--he erased your status, your citizenship,” Teka said, talking over him. “He has no reason to honor your challenge.” “Of course he does.” Isae was frowning. “He could have gotten rid of her quietly when he learned she was a renegade, but he didn’t. He wanted her disgrace, and her death, to be public. That means he’s afraid of her, afraid she has power over Shotet. If she challenges hi in front of everyone, he won’t be able to back down. He’ll look like a coward.” “Cyra,” Akos said again, quiet this time. “Akos,” Cyra answered, with just a touch of the gentleness he had seen in the stairwell. “He is no match for me.” The first time Akos ever saw Cyra fight--really fight--was in the training room in Noavek manor. She had gotten frustrated with him--she wasn’t a patient teacher, after all--and she had let loose more than usual, knocking him flat. Only fifteen seasons old at the time, but she had moved like an adult. And she only got better from there. In all his time training with her, he had never bested her. Not once. “I know,” he said. “But just in case, let’s distract him.” “Distract him,” Cyra repeated. “You’ll go into the amphitheater. You’ll challenge him,” Akos said. “And I’ll go to the prison. Badha and I, I mean. We’ll rescue Orieve Benesit--we’ll take away his triumph. And you’ll take away his life.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
Slothrop is just settling down next to a girl in a prewar Worth frock and with a face like Tenniel’s Alice, same forehead, nose, hair, when from outside comes this most godawful clanking, snarling, crunching of wood, girls come running terrified out of the eucalyptus trees and into the house and right behind them what comes crashing now into the pallid lights of the garden but—why the Sherman Tank itself! headlights burning like the eyes of King Kong, treads spewing grass and pieces of flagstone as it manoeuvres around and comes to a halt. Its 75 mm cannon swivels until it’s pointing through the French windows right down into the room. “Antoine!” a young lady focusing in on the gigantic muzzle, “for heaven’s sake, not now. . . .” A hatch flies open and Tamara—Slothrop guesses: wasn’t Italo supposed to have the tank?—uh—emerges shrieking to denounce Raoul, Waxwing, Italo, Theophile, and the middleman on the opium deal. “But now,” she screams, “I have you all! One coup de foudre!” The hatch drops—oh, Jesus—there’s the sound of a 3-inch shell being loaded into its breech. Girls start to scream and make for the exits. Dopers are looking around, blinking, smiling, saying yes in a number of ways. Raoul tries to mount his horse and make his escape, but misses the saddle and slides all the way over, falling into a tub of black-market Jell-o, raspberry flavor, with whipped cream on top. “Aw, no . . .” Slothrop having about decided to make a flanking run for the tank when YYYBLAAANNNGGG! the cannon lets loose an enormous roar, flame shooting three feet into the room, shock wave driving eardrums in to middle of brain, blowing everybody against the far walls. A drape has caught fire. Slothrop, tripping over partygoers, can’t hear anything, knows his head hurts, keeps running through the smoke at the tank—leaps on, goes to undog the hatch and is nearly knocked off by Tamara popping up to holler at everybody again. After a struggle which shouldn’t be without its erotic moments, for Tamara is a swell enough looking twist with some fine moves, Slothrop manages to get her in a come-along and drag her down off of the tank. But loud noise and all, look—he doesn’t seem to have an erection. Hmm. This is a datum London never got, because nobody was looking. Turns out the projectile, a dud, has only torn holes in several walls, and demolished a large allegorical painting of Virtue and Vice in an unnatural act. Virtue had one of those dim faraway smiles. Vice was scratching his shaggy head, a little bewildered. The burning drape’s been put out with champagne. Raoul is in tears, thankful for his life, wringing Slothrop’s hands and kissing his cheeks, leaving trails of Jell-o wherever he touches. Tamara is escorted away by Raoul’s bodyguards. Slothrop has just disengaged himself and is wiping the Jell-o off of his suit when there is a heavy touch on his shoulder. “You were right. You are the man.” “That’s nothing.” Errol Flynn frisks his mustache. “I saved a dame from an octopus not so long ago, how about that?” “With one difference,” sez Blodgett Waxwing. “This really happened tonight. But that octopus didn’t.
Thomas Pynchon (Gravity's Rainbow)
Certainly no permission was asked of the owners. The dogs were simply shot. In some instances, the carcasses were thrown in piles and burnt. All this happened in view of their shocked owners. For the Nunavut perspectives of the dog slaughters, see the Qikiqtani Truth Commission Reports, which were commissioned by the Qikiqtani Inuit Association. The testimony of Inuit who watched the slaughter unfold is harrowing. Some men had come in from outpost camps and watched as their only means of transport, their only way to get back to their families, was destroyed before their eyes. Others said that they were preparing to go hunting, and their dogs were shot and killed as they stood harnessed to the sleds. Still others testified that the RCMP chased and shot loose dogs, even firing at those that had taken refuge under family homes. Some dogs were wounded and not killed, and their owners would beg the officials to track the animals down to put them out of their suffering. My own uncle Johnny eventually told me that he received a knock on his door, only to have someone of authority throw his new harnesses in his face and tell him, without remorse or apology, that he had just shot his dogs.
Sheila Watt-Cloutier (The Right to Be Cold)
Jack reached up to tuck a loose strand of hair behind her ear. The perfume was growing on him. “How are your blisters?” It didn’t work. “They sting,” said Jane shortly. “But I didn’t mind that. I didn’t mind any of it. As I would have told you if you had only listened.” Jack pressed his eyes shut. Somehow he had gone from being noble and wronged to just being wrong. He wasn’t quite sure how that had happened. “I thought you wanted a bath and a proper bed.” “There is,” said Jane dangerously, “a vast difference between wanting a proper bed and requiring coronets on my sheets. Did it ever occur to you that I didn’t care what sort of bed it was as long as you were in it?” The words rang through the small room. Jack’s throat felt sore, swollen. He couldn’t seem to force words out, even if there had been any words to say. Jane’s chest was rising and falling rapidly, her bosom swelling distractingly over the low neckline of her white gauze gown. “Jane—” Jack managed, but it was too late. Jane jerked away, knocking over a bag of meal in the process. “I don’t need another man to put me on a pedestal. I have enough of those already.” She wrenched open the door to the drilling ground, the sky flaming red and orange behind her. “Congratulations on a successful mission, Moonflower.” And the door slammed, taking with it Jane and the last of the light.
Lauren Willig (The Lure of the Moonflower (Pink Carnation, #12))
His knife cleared its sheath before he realized he had drawn it. He held the razor-sharp blade to her throat, his body atremble with the effort it took not to kill her. She had her eyes squeezed closed, awaiting death. Her fear clung to the air he breathed, so intense he could smell it, taste it. Yet she was biting his arm? Another tremor shook him. He wasn’t sure whose body convulsed, his with rage or hers with terror. And then realization hit him. She wanted him to kill her. The Comanches called it habbe we-ich-ket, seeking death. His little fledgling had found a way to fight back. As the truth dawned on him, he began to tremble even more, his knuckles turning white around the hilt of the knife. With one flick of his wrist, he could grant her wish and be forever free of her. Sweat beaded on his face and chest. His breath whined down the restricted passage of his windpipe. Slowly, the brittle tension flowed out of his body, bringing in its wake a muscle-draining wave of defeat. With great reluctance, he withdrew the knife from her throat. As if she sensed the ebb of his anger, she bit down harder, a final, valiant attempt to goad him into killing her. Maybe the tosi tivo weren’t so stupid, after all. He would be wise to remember that the blade of his temper had a double edge, one that could be turned against him. Steeling himself against the pain she was inflicting, Hunter stared down her, not quite sure how to get his arm away without knocking her loose with his fist. Suddenly it struck him how absurd the situation was--a Comanche warrior, kneeling over a white woman and doing nothing while she sank her teeth into him. Hunter, the fierce warrior and merciless killer, unable to control a girl half his size?
Catherine Anderson (Comanche Moon (Comanche, #1))
1. Shoot your loose, half-opened left hand straight along the power line at a chin-high spot on the bag. 2. But, as the relaxed left hand speeds toward the bag, suddenly close the hand with a convulsive, grabbing snap. Close it with such a terrific grab that when the second knuckle of the upright fist smashes into the bag, the fist and the arm and the shoulder will be "frozen" steel-hard by the terrific grabbing tension. That convulsive, freezing grab is the explosion. Try that long left jolt three or four times. Make certain each time that (1) you are completely relaxed before you step; (2) that your relaxed LEFT hand, in normal guarding position, is only half-closed; (3) that you make no preliminary movement with either your feet or your left hand. Do not draw back-or "cock"-the relaxed left hand in a preparatory movement that you hope will give the punch more zing. Don't do that! You'll not only telegraph the blow, but you'll slow up and weaken the punch. Now that you've got the feel of the stepping jolt, let's examine it in slow motion to see exactly what you did. First, the Falling Step launched your body-weight straight at the target at which your left toe was pointing. Secondly, your relaxed left hand shot out to relay that moving body-weight along the power line to the target before that moving weight could be relayed to the floor by your descending left foot. Thirdly, the convulsive, desperate grab in your explosion accomplished the following: (a) caused the powerful muscles of your back to give your left shoulder a slight surging whirl toward your own right, (b) psychologically "pulled" the moving body-weight into your arm with P. sudden lurch, (c) gave a lightning boost to the speed of your fist, (d) froze your fist, wrist, arm and shoulder along the power line at the instant your fist smashed into the target, and (e) caused terrific "follow-through" after the explosion. When the long, straight jolt crashes into a fellow's chin, the fist doesn't bounce off harmlessly, as it might in a light, medium-range left jab. No sir! The frozen solidity behind the jolt causes the explosion to shoot forward as the solid breech of a rifle forces a cartridge explosion to shoot the bullet forward. The bullet in a punch is your fist, with the combined power from your fast-moving weight and your convulsing muscles behind it-solidly. Your fist, exploded forward by the solid power behind it, has such terrific "follow-through" that it can snap back an opponent's head like that of a shot duck. It can smash his nose, knock out his teeth, break his jaw, stun him, floor him, knock him out.
Jack Dempsey (Toledo arts: championship fighting and agressive defence (Martial arts))
consultant in order to secure the desired property. “She thinks I’m too unapproachable. That I need to soften up and or get laid.” Marcus grinned. “That’s my kind of consultant. Think she’d go for someone like me?” “No.” Gage braced himself for Haddie Madison, the fifty-year-old image consultant he'd hired out of desperation. Pasting on his most congenial face, he greeted her with a forced smile. "What brings you out to the job site, Ms. Madison?" Her brows twisted. "Wow. That's the best you can do? I can see straight through that pathetic attempt at pleasantries. And, please, call me Haddie." Gage abandoned the fake smile. "Haddie. What are you doing here?" "You said you had a meeting with Mr. Langley today, in ten minutes, if I'm not mistaken." "Eight." She nodded. "I'm here for moral support and to observe your interaction with the man." Marcus coughed to hide his snort of laughter. Gage glared at him. "Get your crew busy on something, even if it's only cleaning up the work site." Marcus let loose his grin and clapped a hand to Gage's back, nearly knocking him over. "And that's why you're paid the big bucks, my friend." The site foreman strolled away whistling. Not a care in the
Elle James (The Billionaire Cinderella Test (Billionaire Online Dating #2))
English follows other languages down dark alleys, knocks them over, and goes rifling through their pockets looking for loose grammar.
Svartalf
At around six a.m., he gave up on trying to go back to sleep. He called Leo, whose first reply instead of good morning or hello was, “Haven’t you gone to bed yet?” “Actually, I am just getting up.” That silenced Leo for a moment. “Are you sick?” “No.” “You do realize it’s not even close to noon, right?” “I know what time it is,” Hayder snapped, getting irked. “It’s time for you to stop messing with me and bring me some clothes.” “Why would I do that? Where are you? Wait, don’t tell me you stayed with the girl last night.” “She’s mine. Where else would I be?” “Dude, you met her yesterday.” “Yeah, and?” “You. Met. Her. Yesterday.” Leo enunciated each word slowly. “I. Know,” Hayder mocked. “What is this hang-up everyone has with time? She keeps saying the same thing. Who cares? She’s the one.” “This is my fault,” Leo grumbled. “How do you figure that? Are you in charge of the fates and the decision on who belongs together?” “No, but I might have knocked some sense into you one too many times.” “Aren’t you just the comedian? But this is no joke. Arabella’s mine, and that’s that. Now would you bring me some clothes?” “What about Jeoff?” “What about Jeoff?” “You don’t think her brother might have an issue with you hooking up with his sister, who, by all accounts, is vulnerable right now.” “Hey, are you implying my Arabella has loose morals? I’ll have you know she turned me down. Would you believe she shoved me out of bed? Told me to go away?” Incredulity still filled him. It didn’t take super hearing to catch Leo’s snort of mirth. “Ha. In that case, maybe she is the one. You need a woman who can say no to you sometimes.” “You are not a nice omega, Leo.” “Nice is for pussies. Now, are you done whining, or should I come over there and really give you something to whine about?” Hayder rubbed his jaw. “No need.” “Are you sure? You know I’m always ready to help a pride member in need.” “All I need right now are some clothes.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
As they stood there together, Ekwefi's mind went back to the days when they were young. She had married Anene because OKonkwo was too poor then to marry. Two years after her marriage to Anene she could bear it no longer and she ran away to Okonkwo. It had been early in the morning. The moon was shining. She was going to the stream to fetch water. Okonkwo's house was on the way to the stream. She went in and knocked at his door and he came out. Even in those days he was not a man of many words. He just carried her into his bed and in the darkness began to feel around her waist for the loose end of her cloth.
Chinua Achebe
Whoa,” I murmured, trying to calm the animal enough to set it loose, not wanting it to come to harm. I gripped the reins, but the horse, its eyes wild with fear, snapped its head back, catching my hand in the leather strap, and I inhaled sharply from the sting. How long had the poor thing been out here? My senses on full alert, I glanced behind me at the busy street, weighing my options. Seeing no one, I hoisted up my skirt, and unsheathed the dagger I had kept. The instant I cut the reins, the horse bolted past me, almost knocking me over. Its owner would not be happy, but at least the animal would live to see another day. It wasn’t until someone clamped an arm around my waist, seizing the knife, that I realized I was no longer alone. So much for having reliable senses. “Well, aren’t you just incorrigible?” Imprisonment or execution was the punishment for bearing weapons in this new Hytanica. The dagger itself was a small loss, but I had to get away. I brought my elbow back, my mother’s reluctance to let me leave the house flashing like lightning in my brain. If I were arrested, killed, she would never forgive herself, even though she would bear no fault. “Empress, the bruises you’ve given me are too many to count!” I whirled around, dismayed that I had not succeeded in getting the Cokyrian to release me, at the same time recognizing the voice and the curse. Saadi pushed me against the side of the shop, leaning in so close to me that I could feel his breath upon my cheek, and his pale blue eyes stared me into submission. “I can’t call you a horse thief for what you just did,” he told me, glancing after the gelding. “At least, not a very good horse thief. But I can, and I must, bring you in for this little utensil of yours. Some niece of the captain you are.” “Are you going to take me to your sister?” I spat, and he grimaced, contemplating me for an instant before disregarding the barb. Gripping me by the upper arm, he hauled me toward the thoroughfare. “Come on. To the Bastion.” Though my question about Rava appeared to have had its intended effect, I was numb with fear. What if he did take me to her? Rava had been the one to order me lashed for my failed prank, she’d been the one to inflict punishment upon Steldor. It seemed no one could exert control over her, a thought that made me ill. The nearer we came to our destination, the more rapidly my heart beat, and by the time we reached the palace gates, I was again fighting Saadi. “Let…me…go!” I howled, unexpectedly pulling out of his grasp, but one of the Cokyrian sentries caught me, laughing at my plight. “Need some help, Saadi?” the burly man offered, shoving me back at my captor, who was rather slight in comparison to his comrade. “No,” Saadi grumbled and the sentry moved ahead to open the gates for us. As we passed through, the large man called, “Rava is at the city headquarters, minding the peacekeeping force. If you were looking for her, that is.” “I wasn’t.” Even though my circumstances were inarguably bleak, a wave of relief washed over me. She, at least, would not be the one to show me the error of my ways.
Cayla Kluver (Sacrifice (Legacy, #3))
Your dream will never let you rest, it will keep knocking at your mind's door instil imagination which will lead to a creative mind. Let loose your imagination and begin to create everything that's given to you before the foundations of the earth. Dream like never before.
Euginia Herlihy
How many times, she reflected ruefully, she had sought to understand a wounded wild creature. But it was another matter entirely to penetrate the mystery of a human being. Reaching Christopher’s door, she knocked softly. When there came no response, she let herself inside. To her surprise, the room brimmed with daylight, the late August sun illuminating tiny floating dust motes by the window. The air smelled like liquor and smoke and bath soap. A portable bath occupied one corner of the room, sodden footprints tracking across the carpet. Christopher reclined on the unmade bed, half propped on a haphazard stack of pillows, a bottle of brandy clasped negligently in his fingers. His incurious gaze moved to Beatri and held, his eyes becoming alert. He was clad in a pair of fawn-colored trousers, only partially fastened, and…nothing more. His body was a long golden arc on the bed, lean and complexly muscled. Scars marred the sun-browned skin in places…there was a ragged triangular shape where a bayonet had pierced his shoulder, a liberal scattering of marks from shrapnel, a small circular depression on his side that must have been caused by a bullet. Slowly Christopher levered himself upward and placed the bottle on the bedside table. Half leaning on the edge of the mattress, his bare feet braced on the floor, he regarded Beatrix without expression. The locks of his hair were still damp, darkened to antique gold. How broad his shoulders were, their sturdy slopes flowing into the powerful lines of his arms. “Why are you here?” His voice sounded rusty from disuse. Somehow Beatrix managed to drag her mesmerized gaze away from the glinting fleece on his chest. “I came to return Albert,” she said. “He appeared at Ramsay House today. He says you’ve been neglecting him. And that you haven’t taken him on any walks lately.” “Has he? I had no idea he was so loose-tongued.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Don’t stop on my account.” I shrieked at the sound of Apollo’s voice and jerked back, tripping over my feet. Aiden caught my arm, steadying me before I face-planted the floor. “Gods,” I muttered, placing a hand over my pounding heart. I’d been so caught up in Aiden I hadn’t even sensed Apollo’s presence. Apollo sat on the edge of the bed, head cocked to the side, one leg crossed over the other. His blond hair was loose, framing a face that was eerily perfect. Vibrant blue eyes stared back at me instead of the creepy all-white eyes of a god. I was surprised that he remembered how much they freaked me out. Aiden recovered first, moving to stand in front of me. He stiffened at the sound of Apollo’s amused chuckle. “How did you get in here?” “The wards on the house faded about three hours ago. Luckily, none of the other gods have realized that and, for the most part, they don’t want Alex dead.” And then he tacked on, “…right at this moment.” I looked at him blandly. “Good to know.” “Maybe next time you’d want to knock?” Aiden suggested, relaxing a fraction of an inch. Apollo’s shoulders lifted. “Where is the fun in that?” But he stood, his head inclining to the side. “We need to talk, but both of you look like you’ve been wrestling in mud.” “We’ve been training,” I pointed out. “Like you suggested.” If he was grateful that we’d actually followed instructions, it didn’t show. “I will be waiting downstairs. Try not to take ten years.” With that, he simply blinked out of existence. A moment later, I heard a startled yelp downstairs. Glad we weren’t the only ones he liked to do that to. I slumped against the wall. “I think he took a few years off my life.” Aiden’s brow arched. “I still think we need to put a bell on him.” My lips twitched. “And I still think that’s a good idea
Jennifer L. Armentrout (Apollyon (Covenant, #4))
Through a loose screen of trees, they spotted the edges of a neighboring town. Stretching up past the roofs of the buildings was a church steeple. “You see what I’m seeing?” Reese asked, pulling up beside him. John lifted the binoculars and adjusted the focus. “Looks like a church to me,” he replied. “Look where the cross used to be.” It had been knocked off. “It
William H. Weber (Last Stand: The Complete Four-Book Box Set (A Post-Apocalyptic, EMP-Survival Thriller))
Help me,” the girl pleaded softly. Sam knelt beside her. He recoiled in shock. “Bette?” The left side of Bouncing Bette’s face was covered in blood. There was a gash above her temple. She was panting, gasping, like she had collapsed after a marathon and was trying with her last ounce of energy to crawl across the finish line. “Bette, what happened?” “They’re trying to get me,” Bette cried, and clutched at Sam’s arm. The three dark figures advanced to the edge of the circle of light. One was clearly Orc. No one else was that big. Edilio and Quinn moved into the garage doorway. Sam disengaged from Bette and took up a position beside Edilio. “You want me to beat on you guys, I will!” Orc yelled. “What’s going on here?” Sam demanded. He narrowed his eyes and recognized the other two boys, a kid named Karl, a seventh grader from school, and Chaz, one of the Coates eighth graders. All three were armed with aluminum bats. “This isn’t your business,” Chaz said. “We’re dealing with something here.” “Dealing with what? Orc, did you hit Bette?” “She was breaking the rules,” Orc said. “You hit a girl, man?” Edilio said, outraged. “Shut up, wetback,” Orc said. “Where’s Howard?” Sam asked, just to stall while he tried to figure out what to do. He’d lost one fight to Orc already. Orc took the question as an insult. “I don’t need Howard to handle you, Sam.” Orc marched right up to Sam, stopped a foot away, and put his bat on his shoulder like he was ready to swing for a home run. Like a batter ready for the next fastball. Only this was closer to T-ball: Sam’s head was impossible to miss. “Move, Sam,” Orc ordered. “Okay, I’m not doing this again,” Quinn said. “Let him have her, Sam.” “Ain’t no ‘let me,’” Orc said. “I do what I want.” Sam noticed movement behind Orc. There were people coming down the street, twenty or more kids. Orc noticed it too, and glanced behind him. “They aren’t going to save you,” Orc said, and swung the bat hard. Sam ducked. The bat whooshed past his head, and Orc rotated halfway around, carried forward by the momentum. Sam was thrown off balance, but Edilio was ready. He let loose a roar and plowed headfirst into Orc. Edilio was maybe half Orc’s size, but Orc was knocked off his feet. He sprawled out on the concrete. Chaz went after Edilio, trying to pull him off Orc. The crowd of kids who had come running down the street surged forward. There were angry voices and threats, all aimed at Orc. They yelled, Sam noted, but no one exactly jumped into the unequal fight.
Michael Grant
What the hell is your problem?!” Carter looked a little sheepish, “I’m just looking out for you Blaze.” “You’re being an asshole!” “Well!” His arms shot out to the side, “I don’t think he’s good for you.” I was getting freaking tired of people telling me who is and isn’t good for me. I crossed my arms over my chest, wishing I would have put my shirt back on. “And why is that Jason?” His eye flashed with hurt, he knew I only used his first name when I was mad at him, “Because of what he does. You heard him, he fights for a living Blaze. And he was having a hell of a time trying not to hit me and I just met him.” “Because you were being incredibly rude! And you’re right, you two had just met. If you would have given him five seconds you would have seen how amazing he is. Instead, you continued to push every button you could find, and why did you have to keep calling me your girl. I’m not your anything and you know that.” “You’re my best friend Blaze.” He said softly. “And I thought you were mine, but my best friend wouldn’t have treated anyone the way you just did, especially my boyfriend.” I turned to walk away but he grabbed my arm. “Blaze I’m sorry. Please don’t walk away from me, I’ll make this up to you I swear.” Yanking my arm from his loose hold, I stepped closer to his body, even though I was much shorter than him, he still backed up, “Do you have any idea how much you’ve embarrassed me?” I put my hands on his chest and shoved him back, “When I told them about you, all I did was gush over how awesome you were and how much I missed you. Then you show up and treat them this way?” I looked down trying to get ahold of my emotions that were all over the place. I was embarrassed, angry and sad for the loss of the Carter I knew. Huffing sadly, I glanced back up at him, “Go back to base Carter and please don’t call me anymore. You shouldn’t have come to California.” He grabbed my hand when I turned away and pulled me back to his chest, wrapping his arms around me. “I’m so sorry Harper. I was being stupid, I just – I don’t know. I guess I felt threatened by them, you’re my best friend, and they were all looking at me like they wanted to protect you from me. It pissed me off, and I shouldn’t have let it. I’m really sorry.” I sighed and put my arms around his waist, “Because they would protect me in a second. It’s just the same as it was on base, Carter. These guys are really protective of me and Bree. That’s why I’m so comfortable with them, it’s like I went from one family of a bunch of brothers, to another.” “But you barely know them.” “Carter,” I laughed lightly, “how long had I known you before you knocked out a guy from a different unit that said something about my chest?” He shifted his weight not wanting to answer, so I continued, “About two hours. It’s the same.” “It’s not Blaze. I want to be the one to protect you. I don’t want anyone else to do my job.” “Oh my God. What is it with you guys? I don’t need anyone protecting me and I’m not your responsibility.” “I know you don’t,” he pulled back a bit and looked at my face, “there’s just something about you that makes guys go crazy wanting to take care of you.” I
Molly McAdams (Taking Chances (Taking Chances, #1))
Ever since he’d arrived that morning, he’d been aware of her every move. Her steps on the stairs, the creaking floor over his head, the quiet hush of running water in the kitchen. He was relieved when she left. And then the house felt empty. Too empty. He spent the whole time she was gone wondering where she was and when she was coming back. But then she returned, and he reverted to tracing her every movement. Up the stairs, then back down to answer Lover Boy’s call. He’d been glad she’d taken her conversation upstairs. It bugged him to hear her crooning to her fiancé. Then it bugged him that it bugged him. What was wrong with him? Maybe he’d whacked his head so hard he’d knocked a few marbles loose. He
Denise Hunter (Driftwood Lane (Nantucket, #4))
This is the basic position. It’s important to maintain your space. No noodle arms, got it?” “Got it.” She stiffened her arms, all the better to keep him at a distance. “Let’s go through the basic box step slow. I’ll count it off.” She drew in a breath and blew it out slowly through her mouth. “Five. Six. Seven. Eight. One-two-three. One—that was my foot.” “I know that was your foot.” She pulled her arms away and rubbed the back of her neck with her cold hand. She couldn’t think when he was so close. Didn’t like the way he made her feel, all agitated and nervous and awkward. Why was she doing this to herself? “Let’s try again.” “I don’t think I can do it.” “You’ll get it.” He took her in his arms. Meridith took another calming breath. Focus. He counted them off and took them slowly through the box step. This time she made it around without treading on him. “You got it. Again.” They repeated the box step a dozen more times, faltering a few times when she stepped on his foot or knocked him with her knee. “Again,” he said over and over each time she misstepped. When they were almost up to tempo, Meridith started feeling more confident. She could do this. One-two-three, one-two-three. She was doing this. “Straighten up, Quasimodo.” Did he have to be so rude? She shot him a glare. If it was posture he wanted, it was posture he’d get. She pulled herself up to her full five foot three. In her concentration on posture, her steps suffered, and she trod on his foot. He stopped. “Too much give in your arms. When they’re loose, I can’t lead you. You can’t feel where you need to go. Close your eyes.” “What?” “Close your eyes. Communication between partners is through subtle movements. I’m waiting.” She sighed hard but closed her eyes. Suddenly all the periphery details now took center stage. The feel of his fingers on her back, his thumb aligned under her arm. The roughness of his palm against hers. The manly smell of him. “Maintain resistance.” No problem there. “Your arms are like spaghetti, Meri.” “Meridith.” She stiffened her arms. Her mouth felt as dry as sand. She didn’t like that he could see her and she couldn’t see him. “Better. Let’s go through the box step again with your eyes closed. Feel me guiding you with my arms.” He counted them off, and they started around the box slowly. Her feet knew what to do by now, and he was right. She could feel him guiding her if she kept her arms rigid. They went around and around the square.
Denise Hunter (Driftwood Lane (Nantucket, #4))
He stared at her, gaping in shock and wounded male pride. “You mean, you purposely left my bonds loose?” “No need to look so downcast,” she said prettily, her eyes taunting, a playful smile flitting about her hard mouth. She tossed her head and turned to go. “You may be worthy of me, yet!” Gray lost his temper. “Like hell!” he thundered, and in a lightning-fast movement knocked the pistol aside, grabbed her by the shirt, yanked her up against his body, and crushed her in his arms. And then, he kissed her. Long and hard and without quarter. He had meant only to prove his mastery over her. What it was, and what it became, was much, much more.
Danelle Harmon (My Lady Pirate (Heroes of the Sea #3))
His muscles twitched in anticipation, but he moderated his steps, determined not to let his absolute weakness for the woman propel him into an unmanly display of emotion. Especially here, under her father’s scrutiny. She, on the other hand, began a jog. Then she broke into a skirt-lifting sprint—as she’d done outside the burning fort. Except this time, she was not running to Phillip, and the only object in flames was Totka’s throat as it burned with the effort to swallow. He braced himself to receive her all-out run, but when she loosed his name on a jagged cry, he dropped his bow, quiver, and decorum and hastened to meet her. She flew hard into his arms, laughing and crying at once, knocking the wind from his chest and the good sense from his brain. His rogue mouth went in search of hers. Despite her happy little murmurings and the sighs hot at his ear, he regained himself and angled away, pressing his cheek to hers, unable to draw her close enough. Her body was softer than he recalled, warmer, more eager. And Little Warrior was right—she smelled as sweet as honey. Nose buried in his shirt, she inhaled until her ribs strained against his hold. “Tell me you’ve come to take me home,” she said on a contented discharge of breath.
April W. Gardner (Beneath the Blackberry Moon: The Sacred Writings (Creek Country Saga #2))
Doc followed the prints of her bare feet already collapsing into rain and shadow, as if in a fool’s attempt to find his way back into a past that despite them both had gone on into the future it did. The surf, only now and then visible, was hammering at his spirit, knocking things loose, some to fall into the dark and be lost forever, some to edge into the fitful light of his attention whether he wanted to see them or not.
Thomas Pynchon
Where did “Midnight Rambler” come from? I don’t know. It was the old days trying to knock you on the back of the head. “Hey, don’t forget us, pal. Write a damn good blues. Write one that takes the form in another way, just for a bit.” “Midnight Rambler” is a Chicago blues. The chord sequence isn’t, but the sound is pure Chicago. I knew how the rhythm should go. It was in the tightness of the chord sequence, the D’s and the A’s and the E’s. It wasn’t a blues sequence, but it came out like heavy-duty blues. That’s one of the most original blues you’ll hear from the Stones. The title, the subject, was just one of those phrases taken out of sensationalist headlines that only exist for a day. You just happen to be looking at a newspaper, “Midnight Rambler on the loose again.” Oh, I’ll have him.
Keith Richards (Life)
Lifting my attention to his face, I freeze. His eyes are open. We stare at each other, his gaze hazy, unfocused, and slitted. Too alarmed to move, I watch as his lips twitch and a deep humming sound emanates from them. My brow furrows just as he jerks upward, his mouth aiming for my throat. His fangs catch my mask, knocking it down my face. I grab onto his shoulders to stop from falling on top of him, but his body braces to launch at me again. When I push off him, a scream swelling in my throat, his arm snaps the chain holding him to the bed. He strikes once more, and my back hits the podule wall while his hand catches my throat and squeezes, forcing me back toward him. I stumble into the solid wall of his chest. Hitching, knowing I’m about to die, I’m flooded by his earthy scent as his powerful muscles flex beneath me. I scream as I’m yanked away and gunfire erupts. Soldiers flood the area between us and I’m pushed farther back. A body is thrown across the shipping intake. I try to duck and flee when the hand on my arm tightens. “Lock the podule before he escapes!” Pierce drags me back into the chaos just as the alien breaks his arm loose from one of his restraints.
Naomi Lucas (Cottonmouth (Naga Brides #6))
His strokes were shallow and teasing. Then deep and soul-shattering. The unpredictable rhythm knocked the little sense I had in my head loose.
Shon . (Just Right: A Why Choose Romance (Bliss Peak Book 1))
pictures. She hadn’t run into Paul all day, and Ian told her he’d gone to the market in Cyangugu. At least they had a little space from each other, which was rare here. For the past week, they had been constantly running into each other everywhere. And the next day, when she was getting dressed, there was a funny knock on the pole that supported her tent. She looked out the flap as she zipped up her jeans. She was standing there barefoot, just as they had told her not to do, and her hair was hanging loosely and framed her face with blond silk as she saw who was out there. It was Paul. “Put your shoes on.” “I am.” “You’re going to get stung by something.” “Thanks for the warning.” It was still early and she was not in the mood to see him. He could see it on her face. “I was wondering if you wanted to go to Bujumbura for a couple of hours. We have to pick up some supplies there. You’d get some great pictures.” She hesitated, looking at him. He was right. It would be good for her story. But it was also a lot of Paul. She wasn’t sure which she wanted, the pictures, or time without him. In the end, she opted for her story. “Okay. Thanks for asking. When are you leaving?” “In ten minutes.” He grinned. He was glad she was going with him. He even liked it when she was rude to him, it reminded him of Serena. She had always been feisty, and normally India wasn’t. But it chafed her in a thousand ways to be in such close quarters with him, and most of them were still very painful. “I’ll hurry. Do I have time for coffee?” “We can wait a couple of minutes. This isn’t British Air.” “Thanks. I’ll meet you at the jeep.” “I’ll see you there,” he said, and then walked away with his head down. She had no idea what he was thinking. Probably about the supplies they were picking up, she told herself, as she picked up her camera, and hurried to the mess tent, which was a singularly appropriate name for it in this case. The food was the same every day. She knew she wouldn’t gain weight on this trip. And Paul hadn’t either. They were both thinner than they had been before, but for other reasons. She grabbed a cup of coffee and drank it quickly, and a handful of damp crackers that tasted like they’d been there forever, and ran to meet him. He was
Danielle Steel (Bittersweet)
I tugged at the collar of my shirt. It was a dark gray color, rolled up at the sleeves; worlds away from my usual football jersey or polo shirt. But I wanted tonight to be perfect which is why I’d called Flick asking her for some advice. Taking a deep breath, I knocked on Hailee’s door, praying to God she opened it and not her mom, or even worse Mr. Ford. It swung open and my heart skipped a beat. Hailee stood there in a denim skirt, a white t-shirt that scooped low on her chest, and wedged sneakers. Her dirty blonde hair was piled high on her head, her glasses keeping the loose strands off her face. It was simple, understated, but I’d never seen anything more beautiful. “Hey,” I finally said, finding my voice. “I got you these.” Thrusting the box of brownies at her, I rubbed the back of my neck. “Have you been speaking to Flick again?” Her brow quirked up. “Maybe.” I smiled. “She mentioned you liked them when I came by... but we didn’t get around to eating them.” Hailee’s cheeks flushed a deep shade of red, her eyes darkening. I leaned in, unable to resist the pull, and kissed her cheek. “I missed you.
L.A. Cotton (The Trouble with You (Rixon Raiders, #1))
Vero’s eyes crinkled with sympathy, as if the answer should have been obvious. Julian was on a road trip with his friends, drinking and cutting loose at the beach. And I was here, stalking my ex and buying batteries for power tools.
Elle Cosimano (Finlay Donovan Knocks 'Em Dead (Finlay Donovan, #2))
It doesn't matter," she finally said. "Fuck her all you want. Fuck her while the bunnies watch." He looked at her then, surprised. He hadn't realized she knew about the bunnies. Something shifted inside of her and knocked her anger loose. It felt good---really good---to be furious, to be in a murderous mood. She saw colors differently and her body temperature rose. In that moment, Jane couldn't feel anything else---not sadness or jealousy or doubt. Only full-throated rage and a rush of empathy for Left Eye Lopes, who she saw now had been deeply misunderstood. "Jane, come on," Mike said. They pulled up to the restaurant. They were supposed to go inside and discuss things, sit calmly and talk about their feelings. Jane put both of her hands on the dashboard as if she were bracing for impact and screamed, "Bunny fucker," so loudly that her chest hurt. Then she straightened up and said, "Take me home." Mike drove with caution, coming to complete stops and using his turn signal as if sudden movements would make things worse. He was scared of her and that made her happy. "Go pay Amy," she said. "And then put the kids to bed. I'm going for a walk." Mike sat there, his mouth open.
Jennifer Close (Marrying the Ketchups)
Glasses. He wore glasses. Thick, black frames that somehow made him look even sexier. Good God. How, though? “Low.” Renzo removed his glasses, a frown creasing his brow. He was always a punch to the face, a fist to the gut, the force of everything him knocking Low back onto his heels and stuttering his breath.
Avril Ashton (Loose Ends: The Complete Series)
Lucy comes from a long line of Cajun police officers and lunatics who have taught her an appreciation for the odder things in life. She doesn’t want to believe in the paranormal, but when fate knocks her in the head . . . sometimes you just have to say . . . maybe it’s all...
Loose (Lucinda Fontaine) from Black Hat Society
I’m posted behind a high-backed wing chair, with my wrists crossed over the top of it and my hands dangling like loose claws, staring a little tensely at the door. Then there’s the waiter’s characteristically deferential knock. But I say “Who is it?” anyway, before I go over to open it. He’s an elderly man. He’s been up here twice before, and by now I know the way he sounds. “Room service,” comes through in that high-pitched voice his old age has given him.
Cornell Woolrich (New York Blues)
She turned onto a quieter side street, listening for the sound of footfalls behind her. There was too much din from the tram bells and the hawkers on street corners, though, and she dared to take a shortcut through an alley. It was a strange, haphazard path that most vehicles couldn’t navigate without knocking a side mirror loose. A cobbled street where magic could still be felt when passing over certain thresholds or glancing at the shine of windows or stepping through a shadow that never faded, no matter how brilliant the sun burned overhead.
Rebecca Ross (Ruthless Vows (Letters of Enchantment, #2))
Ghost Wail Square by Stewart Stafford There's a place that canines shun, In The Witching Hour stark, Dogs wandering misty avenues, Flee from Pandora's Park. Nicknamed Ghost Wail Square, Once whispered as Harlot's Row, Twilight cobblestones flooded with blood, Extinguished collusion's glow. Blue bloodlust inflamed there, In scented carriages and filthy lanes, Carnivores at the butcher's block, As they scattered ill-gotten gains. At Devil's Hour, the horror peaks, Death rattle knocks on doors, As screams for mercy fill the air, No rescue missions for whores. A killer sheltered 'neath potent wings, A skittish stranger to the noose, Then sewn mouths shall speak, As festering skeletons slip loose. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
AMANDA: I said ridiculous ass! ELYOT [with great dignity]: Thank you. [There is a silence. AMANDA gets up, and turns the gramophone on] You'd better turn that off, I think. AMANDA [coldly]: Why? ELYOT: It's very late and it will annoy the people upstairs. AMANDA: There aren't any people upstairs. It's a photographer's studio. ELYOT: There are people downstairs, I suppose? AMANDA: They're away in Tunis. ELYOT: This is no time of the year for Tunis. [He turns the gramophone off.] AMANDA [icily]: Turn it on again, please. ELYOT: I'll do no such thing. AMANDA: Very well, if you insist on being boorish and idiotic. [She gets up and turns it on again.] ELYOT: Turn it off. It's driving me mad. AMANDA: You're far too temperamental. Try to control yourself. ELYOT: Turn it off. AMANDA: I won't. [ELYOT rushes at the gramophone. AMANDA tries to ward him off. They struggle silently for a moment, then the needle screeches across the record] There now, you've ruined the record. [She takes it off and scrutinizes it.] ELYOT: Good job, too. AMANDA: Disagreeable pig. ELYOT [suddenly stricken with remorse]: Amanda darling, Sollocks. AMANDA [furiously]: Sollocks yourself. [She breaks the record over his head.] ELYOT [staggering]: You spiteful little beast. [He slaps her face. She screams loudly and hurls herself sobbing with rage on to the sofa, with her face buried in the cushions.] AMANDA [wailing]: Oh, oh, oh- ELYOT: I'm sorry, I didn't mean it -- I'm sorry, darling, I swear I didn't mean it. AMANDA: Go away, go away, I hate you. [ELYOT kneels on the sofa and tries to pull her round to look at him.] ELYOT: Amanda -- listen -- listen -- AMANDA [turning suddenly, and fetching him a welt across the face]: Listen indeed; I'm sick and tired of listening to you, you damned sadistic bully. ELYOT [with great grandeur]: Thank you. [He stalks towards the door, in stately silence. AMANDA throws a cushion at him, which misses him and knocks down a lamp and a vase on the side table. ELYOT laughs falsely] A pretty display I must say. AMANDA [wildly]: Stop laughing like that. ELYOT [continuing]: Very amusing indeed. AMANDA [losing control]: Stop--stop--stop-- [She rushes at him, he grabs her hands and they sway about the room, until he manages to twist her round by the arms so that she faces him, closely, quivering with fury]--I hate you--do you hear? You're conceited, and overbearing, and utterly impossible! ELYOT [shouting her down]: You're a vile-tempered, loose-living; wicked little beast, and I never want to see you again so long as I live. [He flings her away from him, she staggers, and falls against a chair. They stand gasping at one another in silence for a moment.] AMANDA [very quietly]: This is the end, do you understand? The end, finally and forever.
Noël Coward (Private Lives: An Intimate Comedy in Three Acts)
I’m Lasandrhea Zaphina Kazari, Canaric wolf, Heir to Zahariss, protector of the lands. You, Darius Rikoth…” I pause, watching as his eyes flash black and his markings crawl further up his neck to just below his jaw. “You are Canaric wolf, Heir to Cazier, destroyer of the below.” And then I let loose a blast of power, shattering the barrier around me and knocking him back as everyone screams.
Kelly Cove (The Hidden Falling (The Hidden of Vrohkaria #1))
I left the old man, and now I’m heading back toward where I left everyone—but wait—I’m picking up the vibrations of a tremendous battle being fought. This fight is major! Powerful bending energy is being released, even buildings are crumbling! I have to follow these vibrations. . . . What is this place? An abandoned city? There’s Aang, Katara, and Sokka. They’re battling that powerful Firebender who was following us in the tank. And there’s that guy Zuko that Aang was telling me about, and—the old guy I just met? Something strange is going on here. . . . Okay. Turns out the Firebender is Princess Azula of the Fire Nation. And to my surprise, the old man I met in the woods is actually Zuko and Azula’s uncle Iroh; he’s fighting Azula. I can’t believe that cool, old guy is from the Fire Nation, and I can’t believe he’s related to the Fire Lord. . . . But I can’t think about that now. . . . Now it’s time to get in on the action and blast Princess Azula’s tights off. WHOOSH! I cut loose an Earthbending blast, knocking Azula off her feet. “I thought you guys could use a little help,” I called out to Aang and the others. “Thanks,” said Katara. Even SHE’S glad to see me. Time to corner the princess and see how tough she is, then. . . .
Michael Teitelbaum (The Earth Kingdom Chronicles: The Tale of Toph (Avatar: The Last Airbender))
sometimes we need chaos in our lives to create order. It is the winds of a storm that knocks the loose branches free from the trees, after all.
Sarah Noffke (The Exceptional Sophia Beaufont Omnibus Books 13-24 (Beaufont Boxed Sets Book 3))
You’ve come here from a different Earth.” His gaze snapped back to her face, and she could imagine what he was thinking. “There was a catastrophic impact event—an asteroid. The destruction knocked some of you loose from your own reality. Brought you to ours. We don’t know how or why.
Sharon Lynn Fisher (Echo 8)
Unfortunately for Jemma, all of this prevented me from doing what she probably wanted most: simply closing the bathroom door. It now swung all the way open, so that Jemma was still fully visible on the toilet when three more Secret Service agents came charging up the stairs. All of them had their weapons drawn, ready for action. Jemma screamed again, then kicked the bathroom door shut in their faces. The agents now shifted their attention to me, yanking me off the floor and shoving me up against the wall. Several pairs of hands roughly frisked me at once. I tried to explain what had happened, but the first Secret Service agent had knocked the wind out of me when she’d tackled me. All that came out was a wheeze of air. “Miss Stern?” the biggest of the agents called through the bathroom door. “Miss, is everything all right in there?” “No, everything isn’t all right!” Jemma yelled back. “That little pervert walked in on me!” “It was an accident,” I gasped. “She hadn’t locked the door.” “I shouldn’t have to lock the door in my own house!” Jemma cried. “This is the most secure building in the country! I wasn’t expecting a pervert to be on the loose here!” The Secret Service agents all looked at me accusingly. “I’m not a pervert,” I said quickly. “I’m a friend of Jason’s, here to hang out.” This didn’t seem to convince the agents of anything. “I wasn’t informed of any playdate today,” the big agent said. “It’s not a playdate,” I said quickly. “And it was kind of last-minute. Maybe they forgot to tell you.” “Or maybe you’re a pervert who snuck in here to see Jemma Stern on the toilet,” the agent replied suspiciously. The agent who’d tackled me was massaging her back where she’d been gouged by the stuffed eagle. She pounded on Jason’s door and said, “Jason, could you please come out here?” “I’m busy!” Jason shouted back. I figured he had certainly heard all the commotion in the hall but was willfully ignoring it. “It’s a matter of national security,” the wounded agent said. Jason groaned, and then the sound of his video game paused. His footsteps slowly thumped across the floor. “Could you all possibly handle this somewhere else?” Jemma asked through the bathroom door. “I could really use some privacy.” “We’re taking care of this as quickly as we can, miss,” the female agent informed her. “Feel free to go on with your business.” “You have got to be kidding me,” Jemma groaned.
Stuart Gibbs (Spy School Secret Service)
The curator came to see me. He held my arm and talked and talked. His tongue got loose and launched out of his mouth becoming an attack dog. Then it became a fish flapping and thrashing around the room. I ducked to avoid his engorged, bulking tongue. His body was a kite being pulled by the tongue. His form was lashed and twirled around as the tongue whipped the curator’s helpless body. At one point it thumped him against the wall, knocking him unconscious. The tongue also slumped, then flattened, and grew still.
Miranda Mellis (The Revisionist)
Turning her loose made us both feel good. We didn’t worry at all about how she would make out. Snakes can crawl into holes and take good care of themselves. With no regrets, we let her go. And go she did. In a flash she disappeared, fluttering into the underbrush like a striped hair ribbon. “Well, that’s the end of that,” Greta said. “Yep,” I agreed. Little did we know that it was only the beginning. Two days later, Russell knocked on Greta’s door and asked for his snake back. Since I wasn’t there at the time, Greta had to handle the situation by herself. What she told me about their conversation really annoyed me. “He said it was his snake, and he never intended to give it to us, only I had grabbed it away from him.” “Then why did he bring it here?” I asked. “He said he wanted to show it to us.” “Scare us with it is more like it. Well, it serves him right. He must have been surprised when we didn’t scare and you plucked it out of his hands.” We both laughed at the memory of that. “Anyway, when I told him that we didn’t have it, he was furious. You should have seen his face.” “Good! Did you tell him that he was dumb to think the snake was blind?” “No. He was mad enough.
Hope Ryden (Backyard Rescue)
Equation: mv In English: Mass times velocity The special part: It has a specific direction assigned to it. Mass and velocity are multiplied together to get the magnitude of the momentum, so a large 200-pound man jogging 5 miles per hour (mph) (200 * 5 = 1000) and a petite 100-pound woman running 10 mph (100 * 10 = 1000) will each hit you with the same momentum and knock you back just as hard. The only difference between mass and velocity when it comes to momentum is that the velocity is what gives momentum its direction. This means if you tackle someone, the direction of the momentum you transfer to your opponent is the same as the direction you were running before the tackle. This may seem like a trivial statement at first, but the directional component of momentum is the key to redirecting and controlling an otherwise unstoppable blow. A high-momentum strike, or “push” strike, has the ability to move your opponent, or parts of your opponent, and that is an incredibly powerful tool to have in a fight. If your opponent is rigid, light on his feet, or if you strike him near his center of mass, a high-momentum strike can push him back, knock him off balance, push the air out of his lungs, or even send him to the floor if the stars are aligned properly. If your opponent is loose, a high-momentum strike to the hands can move them away from his face and leave him open. Whether he is loose or stiff, a high-momentum strike to the chin can make your opponent’s head rotate quickly about the base of his skull, resulting in a knockout.
Jason Thalken (Fight Like a Physicist: The Incredible Science Behind Martial Arts (Martial Science))
did ya ever cry Black man, did ya ever cry til you knocked all over? - Haiku
Sonia Sanchez (Shake Loose My Skin: New and Selected Poems)
He sat and smoked deliberately, as if he were finished with his recital. I directed him to tonight’s activities. “Tell me about tonight, Jeff. What happened?” He sat up again and appeared eager to tell me. “Well, Pat, it’s weird. I was out of Halcion, but I still wanted to be with someone warm and alive. I went to the mall downtown and started drinking at a pub on the third floor. I met the guy there; we had a few beers together and talked. I figured that he was a willing prospect, so I offered him fifty bucks to come back to my apartment and let me take some pictures of him in the nude. He agreed. I figured I’d ply him with booze until he passed out and then I would kill him, but this guy could really drink. I was getting drunk and knew that if I wanted him, I would have to try something else. I asked him to let me take some bondage pictures of him, thinking that if I could handcuff him behind his back, he would be mine. Then I could knock him out by hitting him over the head or something, I don’t know. I was drunk and not thinking straight. Anyway, I got one cuff on him but he wouldn’t let me cuff his other hand. I got mad and tried to force his other arm behind his back and into the handcuffs. We began to struggle, nothing big, just some wrestling around on the floor. Even though he was a little guy, I couldn’t get the best of him, so I grabbed the knife to stab him, but he got loose and ran out the door. “I was too drunk to chase him. What else could I do? I don’t really remember what happened next. I think I passed out for a while until I heard a knock at the door. It was two big policemen and they were asking for the handcuff key. I could see the little Black guy behind them. He had the one cuff on and said that he didn’t want to prosecute—he just wanted the cuffs off. I fumbled around but couldn’t find the damn key. The cops were getting impatient waiting at the door, so they entered and began to look around. I think one of them found my Polaroids and said something to his partner. The fat cop walked over to the refrigerator and started to open it, and I knew this was it, so I tried to stop him. I’m not sure what happened next; I just know that I got the shit beat out of me. I tried to fight back but it didn’t seem to faze them, and now here I am with you, Pat.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
And so the catastrophe of 1929–33 did to the certainties of laissez-faire economics what science did to nineteenth-century religion and what the slaughter of World War I did to old-fashioned patriotism: it knocked out the props. “Everything nailed down is coming loose,” people used to say back then: The Depression made business leaders into laughingstocks and transformed economic orthodoxy into so many fairy tales.
Thomas Frank (Pity the Billionaire: The Hard-Times Swindle and the Unlikely Comeback of the Right)
They sat with it in silence for a while. Bosch ran it all through once more and couldn't knock it down. It was only case theory but it held together. It worked, but it didn't mean that it was the way it had happened. Every case had unanswered questions and loose ends when it came to motives and actions. Bosch always though that if you started with the assumption that murder is an unreasonable action, then how could there ever be a fully reasonable explanation for it? It was that understanding that kept him from watching and being able to enjoy films and television shows about detectives. He found them unrealistic in their delivery of what the general audience wanted: all of the answers.
Michael Connelly (The Burning Room (Harry Bosch, #17; Harry Bosch Universe, #27))
Einstein described a beam of light as a stream of little particles, each with an energy equal to Planck’s constant multiplied by the frequency of the light wave (the same rule used for Planck’s “oscillators”). Each photon (the name now given to these particles of light) has a fixed amount of energy it can provide, depending on the frequency; and some minimum amount of energy is required to knock an electron loose. If the energy of a single photon is more than the minimum needed, the electron will be knocked loose, and carry the rest of the photon’s energy with it. The higher the frequency, the higher the single photon energy and the more energy the electrons have when they leave, exactly as the experiments show. If the energy of a single photon is lower than the minimum energy for knocking an electron out, nothing happens, explaining the lack of electrons at low frequencies.* Describing light as a particle was a hugely controversial idea in 1905, as it overturned a hundred years’ worth of physics and requires a very different view of light. Rather than a continuous wave, like water poured into a dog’s bowl, light has to be thought of as a stream of discrete particles, like a scoop of kibble poured into a bowl. And yet each of those particles still has a frequency associated with it, and somehow they add up to give an interference pattern, just like a wave.
Chad Orzel (How to Teach Quantum Physics to Your Dog)