“
Now there is a final reason I think that Jesus says, "Love your enemies." It is this: that love has within it a redemptive power. And there is a power there that eventually transforms individuals. Just keep being friendly to that person. Just keep loving them, and they can’t stand it too long. Oh, they react in many ways in the beginning. They react with guilt feelings, and sometimes they’ll hate you a little more at that transition period, but just keep loving them. And by the power of your love they will break down under the load. That’s love, you see. It is redemptive, and this is why Jesus says love. There’s something about love that builds up and is creative. There is something about hate that tears down and is destructive. So love your enemies. (from "Loving Your Enemies")
”
”
Martin Luther King Jr. (A Knock at Midnight: Inspiration from the Great Sermons of Reverend Martin Luther King, Jr.)
“
You gave me the key to your heart, my love, then why did you make me knock?
”
”
Lord Byron
“
Don't knock masturbation. It's sex with someone you love.
”
”
Woody Allen (Standup Comic)
“
God has not been trying an experiment on my faith or love in order to find out their quality. He knew it already. It was I who didn't. In this trial He makes us occupy the dock, the witness box, and the bench all at once. He always knew that my temple was a house of cards. His only way of making me realize the fact was to knock it down.
”
”
C.S. Lewis (A Grief Observed)
“
Your first kiss is destiny knocking.
”
”
Alice Sebold (The Lovely Bones)
“
I don't let anyone touch me," I finally said.
Why not?"
Why not? Because I was tired of men. Hanging in doorways, standing too close, their smell of beer or fifteen-year-old whiskey. Men who didn't come to the emergency room with you, men who left on Christmas Eve. Men who slammed the security gates, who made you love them then changed their minds. Forests of boys, their ragged shrubs full of eyes following you, grabbing your breasts, waving their money, eyes already knocking you down, taking what they felt was theirs. (...) It was a play and I knew how it ended, I didn't want to audition for any of the roles. It was no game, no casual thrill. It was three-bullet Russian roulette.
”
”
Janet Fitch (White Oleander)
“
I’m always soft for you, that’s the problem. You could come knocking on my door five years from now and I would open my arms wider and say ‘come here, it’s been too long, it felt like home with you.
”
”
Azra T.
“
I have so much love for you, I could fill rooms with it. Buildings. You’re surrounded by it wherever you go, you walk through it, breathe it...it’s in your lungs, and under your tongue, and between your fingers and toes...” His mouth moved passionately over hers, urging her lips apart. It was a kiss to level mountains and shake stars from the sky. It was a kiss to make angels faint and demons weep...a passionate, demanding, soul-searing kiss that nearly knocked the earth off its axis. Or at least that was how Poppy felt about it.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
The major problem of life is learning how to handle the costly interruptions. The door that slams shut, the plan that got sidetracked, the marriage that failed. Or that lovely poem that didn't get written because someone knocked on the door.
”
”
Martin Luther King Jr.
“
You could be knocked down a peg or two.”
… “Baby, I’m so far up the latter there aren’t any pegs under me to be knocked down.
“Wow,” she said. “That’s a new one.”
“You loved it.
”
”
Jennifer L. Armentrout (Origin (Lux, #4))
“
You don't have to knock anyone off their game to win yours. It doesn’t build you up to tear others down.
”
”
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
“
The love a parent feels for a child is strange. There is a starting point to our love for everyone else, but not this person. This one we have always loved, we loved them before they even existed. No matter how well prepared they are, all moms and dads experience a moment of total shock, when the tidal wave of feelings first washed through them, knocking them off their feet. It's incomprehensible because there's nothing to compare it to. It's like trying to describe sand between your toes or snowflakes on your tongue to someone who's lived their whole life in a dark room. It sends the soul flying.
”
”
Fredrik Backman (Beartown (Beartown, #1))
“
There was a magic about the sea. People were drawn to it. People wanted to love by it, swim in it, play in it, look at it. It was a living thing that as as unpredictable as a great stage actor: it could be calm and welcoming, opening its arms to embrace it's audience one moment, but then could explode with its stormy tempers, flinging people around, wanting them out, attacking coastlines, breaking down islands. It had a playful side too, as it enjoyed the crowd, tossed the children about, knocked lilos over, tipped over windsurfers, occasionally gave sailors helping hands; all done with a secret little chuckle
”
”
Cecelia Ahern (The Gift)
“
I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
”
”
Penelope Douglas (Bully (Fall Away, #1))
“
The first wave of homesickness caught Connie by surprise. She had not heard or felt its approach until it hit her hard, knocking her to the ground.
”
”
Sheena Billett (From Manchester to the Arctic: Nurse Sanders embarks on an adventure that will change her life)
“
For some people, life is the process of knocking through walls to get out. For others, it is the building of walls.
”
”
Simon Van Booy (The Secret Lives of People in Love)
“
I won’t give up on you; even if I have to knock all the doors around the world to find you.
”
”
M.F. Moonzajer
“
Me plus you. (Imma tell you one time) Me plus you. (Imma tell you one time)
Me plus you. (Imma tell you one time)
One time.
When I met ya girl my heart when knock (knock knock)
Now them butterflies in my stomach won't stop (stop stop)
Even love is a struggle and it's all we got.
So we gun keep keep climbing to the mountain top.
'Cause your world, is my world, and my breath is your breath, and my heart is yours...
”
”
Justin Bieber
“
There came one and knocked at the door of the Beloved.
And a voice answered and said, 'Who is there?'
The lover replied, 'It is I.'
'Go hence,' returned the voice;
'there is no room within for thee and me.'
Then came the lover a second time and knocked and again the voice demanded,
'Who is there?'
He answered, 'It is thou.'
'Enter,' said the voice, 'for I am within.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Way of the Sufi (Compass))
“
I used to love the ocean.
Everything about her.
Her coral reefs, her white caps, her roaring waves, the rocks they lap, her pirate legends and mermaid tails,
Treasures lost and treasures held...
And ALL
Of her fish
In the sea.
Yes, I used to love the ocean,
Everything about her.
The way she would sing me to sleep as I lay in my bed
then wake me with a force
That I soon came to dread.
Her fables, her lies, her misleading eyes,
I'd drain her dry
If I cared enough to.
I used to love the ocean,
Everything about her.
Her coral reefs, her white caps, her roaring waves, the rocks they lap, her pirate legends and mermaid tails, treasures lost and treasures held.
And ALL
Of her fish
In the sea.
Well, if you've ever tried navigating your sailboat through her stormy seas, you would realize that her white caps
are your enemies. If you've ever tried swimming ashore when your leg gets a cramp and you just had a huge meal of In-n-Out burgers that's weighing you down, and her roaring waves are knocking the wind out of you, filling your lungs with water as you flail your arms, trying to get someone's attention, but your
friends
just
wave
back at you?
And if you've ever grown up with dreams in your head about life, and how one of these days you would pirate your own ship and have your own crew and that all of the mermaids
would love
only
you?
Well, you would realize...
Like I eventually realized...
That all the good things about her?
All the beautiful?
It's not real.
It's fake.
So you keep your ocean,
I'll take the Lake.
”
”
Colleen Hoover
“
[Tyson] looked him over with that massive baby-brown eye. “You are not dead. I like it when you are not dead.”
Ella fluttered to the ground and began preening her feathers. “Ella found a dog,” she announced. “A large dog. And a Cyclops.” Was she blushing?
Before Percy could decide, his black mastiff pounced on him, knocking Percy to the ground and barking so loudly that even Arion backed up. “Hey, Mrs. O'Leary,” Percy said. “Yeah, I love you, too, girl. Good dog.”
Hazel squeaked. “You have a hellhound named Mrs. O'Leary?”
“Long story.
”
”
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
“
Cookie dropped her purse and tried to catch it midair. In the process, she knocked over a vase. When she lunged for the vase, she slipped on the tile and overturned an entire table. A lovely handblown piece of glass flew in my direction, and all I could think as I caught it was, Really? Again? We were going to have to practice muscle control.
”
”
Darynda Jones (Second Grave on the Left (Charley Davidson, #2))
“
I never dated a girl like her, and she's probably never dated a guy like me. But sometimes you don't know what you're looking for until it's already knocked you flat on your back.
”
”
Cora Carmack (Faking It (Losing It, #2))
“
Tonight I want to stand on the side of a cliff and look down, dare the wind to gust and knock me off. Everyone thinks that falling to your death is the worst thing that can happen. But that’s a lie. The worst thing is to be alive for no reason.
”
”
Tammara Webber (Good For You (Between the Lines, #3))
“
I can't remember a day when I didn't love you. I loved you the day I practically knocked you out with a snowball. I loved you when I flattened the tires on your bike so I could walk you home.. So don't tell me I don't love you- Just don't tell me that.
”
”
Rachel Gibson
“
I don’t know what it is, but he makes me want to knock down all the walls I’ve put up and let him inside. And it scares the shit out of me.
”
”
Kandi Steiner (Tag Chaser (Chasers, #1))
“
This faith transforms the whirlwind of despair into a warm and reviving breeze of hope. The words of a motto which a generation ago were commonly found on the wall in the homes of devout persons need to be etched on our hearts:
Fear knocked at the door.
Faith answered.
There was no one there.
”
”
Martin Luther King Jr. (Strength to Love)
“
Christians. They’re determined to rid the land of any who worship the Horned One. Murdering all the druids, burning the temples, sometimes whole villages, and knocking over the standing stones.”
The Lady’s face hardened. “This god of peace and love certainly likes to bathe the land in blood.
”
”
Brom (The Child Thief)
“
Hadley grabs the laminated safety instructions from the seat pocket in front of her and frowns at the cartoon men and women who seem weirdly delighted to be bailing out of a series of cartoon planes. Beside her, Oliver stifles a laugh, and she glances up again.
“What?”
“I’ve just never seen anyone actually read one of those things before,”
“Well,” she says, “then you’re very lucky to be sitting next to me.”
“Just in general?”
She grins. “Well, particularly in case of an emergency.”
“Right,” he says. “I feel incredibly safe. When I’m knocked unconscious by my tray table during some sort of emergency landing, I can’t wait to see all five-foot-nothing of you carry me out of here.
”
”
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
“
The only thing needed is to be in love with someone else. Because you can search for love and still can’t find it, it knocks you unexpectedly and without warning.
”
”
Raz Mihal (Just Love Her)
“
You are the only person who can build emotional barriers, but you're also the only person who can topple them. Other people can't knock down the walls you've built, no matter how much they love you. You have to tear them down yourself because there's something worth seeing on the other side.
”
”
Emery Lord (Open Road Summer)
“
When an old person dies,” Kent said, “even if that person is wonderful, he or she is still somewhat ready, and so are the people who loved them. They’re like old trees, whose roots have loosened in the ground. They fall gently. But when someone like your aunt Sylvie dies—before her time—her roots get pulled out and the ground is ripped up. Everyone nearby is in danger of being knocked over.
”
”
Ann Napolitano (Hello Beautiful)
“
I remember Lena's expression when he knocked on the door; and how Alex had looked at her when she finally let him into the storeroom. I remember exactly what he was wearing, too, and the mess of his hair, the sneakers with their blue-tinged laces. His right shoe was untied. He didn't notice.
He didn't notice anything but Lena.
”
”
Lauren Oliver (Requiem (Delirium, #3))
“
I don't believe for a minute-that we wouldn't have become friends somehow-that an unexploded bomb wouldn't have gone off and blown us both into the same crater, or that God himself wouldn't have come along and knocked our heads together in a flash of green sunlight. But it wouldn't have been likely.
”
”
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
“
A small shift in the gravity between us and suddenly all my stars are out of alignment, planets knocked from their orbits, and I'm left stumbling, without map or heading, through the bewildering territory of being in love with your best friend.
”
”
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
“
You survived by seizing every tiny drop of love you could find anywhere, and milking it, relishing it, for all it was worth. And as you grew up, you sought love, anywhere you could find it, whether it was a teacher or a coach or a friend or a friend's parents. You sought those tiny droplets of love, basking in them when you found them. They sustained you. For all these years, you've lived under the illusion that somehow, you made it because you were tough enough to overpower the abuse, the hatred, the hard knocks of life. But really you made it because love is so powerful that tiny little doses of it are enough to overcome the pain of the worst things life can dish out. Toughness was a faulty coping mechanism you devised to get by. But, in reality, it has been your ability to never give up, to keep seeking love, and your resourcefulness to make that love last long enough to sustain you. That is what has gotten you by.
”
”
Rachel Reiland (Get Me Out of Here: My Recovery from Borderline Personality Disorder)
“
To all the ships at sea, and all the ports of call. To my family and to all friends and strangers. This is a message, and a prayer. The message is that my travels taught me a great truth. I already had what everyone is searching for and few ever find. The one person in the world who I was born to love forever. A person, like me, of the outer banks and the blue Atlantic mystery. A person rich in simple treasures. Self-made. Self-taught. A harbor where I am forever home. And no wind, or trouble or even a little death can knock down this house. The prayer is that everyone in the world can know this kind of love and be healed by it. If my prayer is heard, there will be an erasing of all guilt and all regret and an end to all anger. Please, God. Amen.
”
”
Nicholas Sparks (Message in a Bottle)
“
The only cure to all this madness; is too dream, far and wide, if possibility doesn't knock, create a damn door. If the shoe doesn't fit, don't make it. If the journey your travelling seems to far fetched and wild beyond your imagination; continue on it, great things come to the risk takers. And last but not least, live today; here, right now, you'll thank your future self for it later.
”
”
Nikki Rowe
“
Love was selfish, wasn't it? It made honest men want things they had no right to. It cocooned one from the rest of the world, erased time itself, knocked away reason. It made you live in defiance of the inevitable. It made you want another's mind, body; it made you feel as if you deserved to own their heart, and carve out a place in it.
”
”
Alexandra Bracken (Passenger (Passenger, #1))
“
You gave me the key of your heart, my love;
Then why did you make me knock?
”
”
Rupert Brooke (The Collected Poems)
“
Love is universal migraine,
A bright stain on the vision
Blotting out reason.
Symptoms of true love
Are leanness, jealousy,
Laggard dawns;
Are omens and nightmares -
Listening for a knock,
Waiting for a sign:
For a touch of her fingers
In a darkened room,
For a searching look.
Take courage, lover!
Could you endure such pain
At any hand but hers?
”
”
Robert Graves
“
As long as you've done your best, making mistakes doesn't matter. You and I are human; we will mess up. What counts is learning from your mistakes and getting back up when life has knocked you down.
”
”
Shawn Johnson (Winning Balance: What I've Learned So Far about Love, Faith, and Living Your Dreams)
“
I wonder if it is possible to have two boyfriends. I mean, times are changing. Relationships are more complicated. In France men always have mistresses and wives and so on. Henri probably has two girlfriends. He would laugh if you told him you just had one. He would say, 'C'est tres, tres tragique.'
”
”
Louise Rennison (Knocked Out by My Nunga-Nungas (Confessions of Georgia Nicolson, #3))
“
Batter my heart, three-person'd God ; for you
As yet but knock ; breathe, shine, and seek to mend ;
That I may rise, and stand, o'erthrow me, and bend
Your force, to break, blow, burn, and make me new.
I, like an usurp'd town, to another due,
Labour to admit you, but O, to no end.
Reason, your viceroy in me, me should defend,
But is captived, and proves weak or untrue.
Yet dearly I love you, and would be loved fain,
But am betroth'd unto your enemy ;
Divorce me, untie, or break that knot again,
Take me to you, imprison me, for I,
Except you enthrall me, never shall be free,
Nor ever chaste, except you ravish me.
”
”
John Donne
“
Somewhere
someone
thinks they love
someone else
exactly like
I
love you.
Somewhere
someone shakes
from the ripple
of a thousand butterflies
inside a
single stomach.
Somewhere
someone
is packing their
bags
to see the world
with someone
else.
Somewhere
someone
is reaching through
the most
terrifying few
feet of space
to hold the
hand
of someone
else.
Somewhere
someone
is watching
someone else’s
chest
rise and fall
with the
breath
of slumber.
Somewhere
someone
is pouring
ink like blood
onto pages
fighting
to say the truth
that has
no words.
Somewhere
someone
is waiting
patient
but exhausted
to just
be
with someone
else.
Somewhere
someone
is opening
their eyes
to a sunrise
in someplace
they have never
seen.
Somewhere
someone
is pulling out
the petals
twisting the
apple stem
picking up
the heads up penny
rubbing the
rabbits foot
knocking on
wood
throwing
coins into
fountains
hunting for
the only clover
with only 4 leaves
skipping over
the cracks
snapping the
wishbone
crossing their
fingers
blowing out
the candles
sending dandelion
seeds into the
air
ushering eyelashes
off their thumbs
finding the first
star
and waiting for
11:11 on
their clock
to spend their
wishes
on someone
else.
Somewhere
someone
is saying
goodbye
but somewhere
someone else
is saying
hello.
Somewhere
someone
is sharing their first
or their last
kiss
with their
or no longer their
someone
else.
Somewhere
someone
is wondering
if how they feel
is how the other
they
feels about them
and if both theys
could ever become
a they
together.
Somewhere
someone
is the decoder ring
to all of
the great mysteries
of life
for someone
else.
Somewhere
someone
is the treasure map.
Somewhere
someone
thinks they love
someone else
exactly like
I
love you.
Somewhere
someone
is wrong.
”
”
Tyler Knott Gregson
“
What are you doing following me around the back streets of London, you little idiot?” Will demanded, giving her arm a light shake.
Cecily’s eyes narrowed. “This morning it was cariad (note: Welsh endearment, like ‘darling’ or ‘love’), now it’s idiot.”
“Oh, you’re using a Glamour rune. There’s one thing to declare, you are not afraid of anything when you live in the country. But this is London.”
“I’m not afraid of London,” Cecily said defiantly.
Will leaned closer, almost hissing in her ear *and said something very complicated in Welsh*
She laughed. “No, it wouldn’t do you any good to tell me to go home. You are my brother, and I want to go with you.”
Will blinked at her words.
You are my brother, and I want to go with you.
It was the sort of thing he was used to hearing Jem say.
Although Cecily was unlike Jem in every other conceivable possible way, she did share one quality with him. Stubbornness. When Cecily said she wanted something, it did not express an idle desire, but an iron determination.
“Do you even care where I’m going?” he said. “What if I were going to hell?”
“I’ve always wanted to see hell,” Cecily said. “Doesn’t everyone?”
“Most of us spend our time trying to stay out of it, Cecily. I’m going to an ifrit den, if you must know, to purchase drugs from vile, dissolute criminals. They may clap eyes on you, and decide to sell you.”
“Wouldn’t you stop them?”
“I suppose it would depend on whether they cut me a part of the profit.”
She shook her head. “Jem is your parabatai,” she said. “He is your brother, given to you by the Clave, but I am your sister by blood. Why would you do anything for him, but you only want me to go home?”
“How do you know the drugs are for Jem?” Will said.
“I’m not an idiot, Will.”
“No, more’s the pity. Jem- Jem is like the better part of me. I would not expect you to understand. I owe him. I owe him this.”
“So what am I?” Cecily said.
Will exhaled, too desperate to check himself. “You are my weakness.”
“And Tessa is your heart,” she said, not angrily, but thoughtfully. “I am not fooled. As I told you, I’m not an idiot. And more’s the pity for you, although I suppose we all want things we can’t have.”
“Oh,” said Will, “and what do you want?”
“I want you to come home.” A strand of black hair was stuck to her cheek by the dampness, and Will fought the urge to pull her cloak closer about her, to make her safe as he had when she was a child.
“The Institute is my home,” Will sighed, and leaned his head against the stone wall. “I can’t stand out her arguing with you all evening, Cecily. If you’re determined to follow me into hell, I can’t stop you.”
“Finally,” she said provingly. “You’ve seen sense. I knew you would, you’re related to me.”
Will fought the urge to shake her.
“Are you ready?”
She nodded, and he raised his hand to knock on the door.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
The cord pulled taut and she rebounded, flying back up before falling again. As her velocity slowed, she opened her eyes and found herself dangling at the end of the cord, about five feet above Jace. He was grinning.
"Nice," he said. "As graceful as a falling snowflake."
"Was I screaming?" She asked, genuinely curious. "You know, on the way down."
He nodded. "Thankfully no one's home, or they would have assumed I was murdering you."
"Ha. You can't even reach me." She kicked out a leg and spun lazily in midair.
Jace's eyes glinted. "Want to bet?"
Clary knew that expression. "No," she said quickly. "Whatever you're going to do-"
But he'd already done it. When Jace moved fast, his individual movements were almost invisible. She saw his hand go to his belt, and then something flashed in the air. She heard the sound of parting fabric as the cord above her head was sheared through. Released, she fell freely, too surprised to scream- directly into Jace's arms. The force knocked him backward, and they sprawled together onto one of the padded floor mats, Clary on top of him. He grinned up at her.
"Now," he said, "that was much better. You didn't scream at all."
"I didn't get the chance." She was breathless, and not just from the impact of the fall. Being sprawled on top of Jace, feeling his body against hers, made her hands shake and her heart beat faster.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
If I learned anything these past few months, it's that life sucks, Daniel. It sucks. It's mean, it's vicious, and it's unapologetic. It's dark and cruel. But then, sometimes, it's so beautiful that it knocks all of that darkness out of your system with the light.
”
”
Brittainy C. Cherry (Loving Mr. Daniels)
“
you call me to tell me you miss me
i turn to face the front door of the house
waiting for a knock
days later you call to say you need me
but still aren't here
the dandelions on the lawn
are rolling their eyes in disappointment
the grass has declared you yesterday's news
what do i care
if you love me
or miss me
or need me
when you aren't doing anything about it
if i'm not the love of your life
i'll be the greatest loss instead
”
”
Rupi Kaur (The Sun and Her Flowers)
“
I love the way you smile at me... knocks me on my arse.
”
”
Amy Harmon (A Different Blue)
“
If you're too happy about anything, fate usually gives you a good sock in the jaw and knocks you down.
”
”
Madeleine L'Engle (The Joys of Love)
“
out of the arms...
out of the arms of one love
and into the arms of another
I have been saved from dying on the cross
by a lady who smokes pot
writes songs and stories,
and is much kinder than the last,
much much kinder,
and the sex is just as good or better.
it isn't pleasant to be put on the cross and left there,
it is much more pleasant to forget a love which didn't
work
as all love
finally
doesn't work...
it is much more pleasant to make love
along the shore in Del Mar
in room 42, and afterwards
sitting up in bed
drinking good wine, talking and touching
smoking
listening to the waves...
I have died too many times
believing and waiting, waiting
in a room
staring at a cracked ceiling
waiting for the phone, a letter, a knock, a sound...
going wild inside
while she danced with strangers in nightclubs...
out of the arms of one love
and into the arms of another
it's not pleasant to die on the cross,
it's much more pleasant to hear your name whispered in the dark.
”
”
Charles Bukowski (Burning in Water, Drowning in Flame)
“
Millions of books written on every conceivable subject by all these great minds and in the end, none of them knows anything more about the big questions of life than I do … I read Socrates. This guy knocked off little Greek boys. What the Hell’s he got to teach me? And Nietzsche, with his theory of eternal recurrence. He said that the life we lived we’re gonna live over again the exact same way for eternity. Great. That means I’ll have to sit through the Ice Capades again. It’s not worth it. And Freud, another great pessimist. I was in analysis for years and nothing happened. My poor analyst got so frustrated, the guy finally put in a salad bar. Maybe the poets are right. Maybe love is the only answer.
”
”
Woody Allen
“
But he would understand,” he said dazedly. “If we explained it to him. If we told him…he would understand.”
She made her voice as cold as she could. As calm. “Told him what?”
Will only looked at her. There had been light in his eyes on the stairs… And it was going now, fading like the last breath of someone dying. She felt as if she were watching the life bleed out of Will Herondale.
“Jem would forgive me,” Will said, but there was hopelessness in his face, his voice, already. He had given up, Tessa thought. “He would,” she said, “He would never stay angry at you, Will; he loves you too well for that. I do not even think he would hold anger toward me. But this morning he told me he thought he would die without ever loving anyone as his father loved his mother, without ever being loved like that in return. Do you want me to go down the hallway and knock on his door and take that away from him? And would you love me still, if I did?”
“Then…please, Tessa, don’t tell him what I just told you…”
“I will tell no one,” she said. “I swear it…
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
It was a kiss to level mountains and shake stars from the sky. It was a kiss to make angels faint and demons weep...a passionate, demanding, soul-searing kiss that nearly knocked the earth off its axis.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
You knocked out Ben McCrary?' he asked, eyes wide.
'It was an accident,' I said again. 'I threw the ball harder than I meant to.'
Dex burst into laughter. 'Oh my God, that is the greatest thing I've heard all week. You are my new hero.'
Squinting at me, he leaned in and said, 'Serious, I might actually be in love with you now. Would it be awkward if we made out?
”
”
Rachel Hawkins (School Spirits (Hex Hall, #4))
Louise Rennison (Knocked Out by My Nunga-Nungas (Confessions of Georgia Nicolson, #3))
“
You are not a small star, you are a reflection of the entire cosmos. Can you hear the big bang in your heart? Eighty times a minute God knocks on the doors of your chest, to remind you that He has never left, and that He is closer to you than the jugular vein in your neck (50:16).
”
”
A. Helwa (Secrets of Divine Love: A Spiritual Journey into the Heart of Islam (Studying Qur'an & Hadith Book 2))
“
But grief still has to be worked through. It is like walking through water. Sometimes there are little waves lapping about my feet. Sometimes there is an enormous breaker that knocks me down. Sometimes there is a sudden and fierce squall. But I know that many waters cannot quench love, neither can the floods drown it.
”
”
Madeleine L'Engle (Two-Part Invention: The Story of a Marriage (Crosswicks Journals, #4))
“
How can I love you and not be afraid? You’re my life, Eve, my heart. You’re asking, you’re wondering if I ever worry, if I ever fear, that one day Peabody or Feeney, your commander—a cop who’s become a friend—will knock on my door? Of course I do.
”
”
J.D. Robb (Promises in Death (In Death, #28))
“
You are here, alive and awake and for whatever reasons you have fought your battles, it's time to start focusing on what strengths pulled you up when the entire world had knocked you down.
That's where the virtue in self grows.
”
”
Nikki Rowe
“
Love should be unpredictable. I want it to hit me and like, knock me on my ass. And I don’t want it to take me years to realize that’s what I was feeling. I think two to three months is plenty of time, if not sooner.
”
”
J. Daniels (When I Fall (Alabama Summer, #3))
“
Rooney dropped to her knees. ‘Georgia, I am never going to stop being your friend. And I don’t mean that in the boring average meaning of ‘friend’ where we stop talking regularly when we’re twenty-five because we’ve both met nice young men and gone off to have babies, and only get to meet up twice a year. I mean I’m going to pester you to buy a house next door to me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for dinner because you know I can’t fucking cook to save my life, and if I’ve got kids and a spouse, they’ll probably come round with me, because otherwise they’ll be living on chicken nuggets and chips. I mean I’m going to be the one bringing you soup when you text me that you’re sick and can’t get out of bed and ferrying you to the doctor’s even when you don’t want to go because you feel guilty about using the NHS when you just have a stomach bug. I mean we’re gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it. I mean I’m going to be here, annoying you, until we’re old ladies, sitting in the same care home, talking about putting on a Shakespeare because we’re all old and bored as shit.
”
”
Alice Oseman (Loveless)
“
People always talk about realizing they’re in love during the happy moments, but I think you realize it in the bad ones. The ones that knock you off center, scaring you when they prove that no matter what kind of logic is in your head, it’s what’s in your heart that determines fucking everything.
”
”
Carola Lovering (Tell Me Lies)
“
The door knocker's a knocking fist, or it's meant to be, but it makes him think of a punch in the gob.
”
”
Lesley Glaister (A Particular Man)
“
—What do the children say?
—There's a thing the children say.
—What do the children say?
—They say: Will you always love me?
—Always.
—Will you always remember me?
—Always.
—Will you remember me a year from now?
—Yes, I will.
—Will you remember me two years from now?
—Yes, I will.
—Will you remember me five years from now?
—Yes, I will.
—Knock knock.
—Who's there?
—You see?
("Great Days," Forty Stories)
”
”
Donald Barthelme
“
It’s weirding me out, to be honest. Is this the moment you break the ultimate boyfriend illusion and tell me you knocked up my cousin while we were on a break?
”
”
Colleen Hoover (November 9)
“
The public loves to create a hero....Sometimes I think they do it for the sheer joy of knocking him down from the highest peak. Like a child who builds a house of blocks and then destroys it with one vicious kick.
”
”
Grace Metalious (Peyton Place (Peyton Place, #1))
“
But if it is love, real love, then I want them to find each other. Because I believe that love is an overwhelming, all-consuming force, and when it's genuine you can't really ignore it. No matter how long it takes. It knocks down your door by force. It keeps you awake at night. It plagues your thoughts and burn your soul. If it is love, they won't need me at all. By telling my daughter that the man of her dreams loves her too, would I not be getting in the way? Meddling with fate?
”
”
Jessica Thompson (This is a Love Story)
“
Wake up one morning with a man you had thought you'd spend your life with, and realize, a rock in your gut, that you don't even like him. Spend a weepy afternoon in his bathroom, not coming out when he knocks. You can no longer trust your affections. People and places you think you love may be people and places you hate.
”
”
Lorrie Moore (Self-Help)
“
Please," he whispered. His voice was low but clear. "Don't hurt me anymore."
Attolia recoiled. Once, as a child, she'd thrown her slipper in a rage and had knocked an amphora of oil from its pedestal. The amphora had been a favorite of hers. It had smashed, and the scent of the hair oil inside had lingered for days. She remembered the scent still, though she didn't know what in the stinking cell had brought it to mind.
”
”
Megan Whalen Turner (The Queen of Attolia (The Queen's Thief, #2))
“
Heartbroken men are like wild animals, running around with hysteria in their eyes, desperately trying to knock the dents out of their egos.
”
”
Jessica Thompson (This is a Love Story)
“
This was no peck on the lips. This was a real first kiss, a movie-star-knock-her-socks-off-fireworks-light-up-the-sky kind of kiss.
A girl could live to be a hundred and never forget that kiss.
”
”
Carol Fragale Brill (Peace by Piece)
“
Cancer seems a high price to pay for an innocuous-looking habit. You get into smoking and you are robbed of the last 25 years of your life. Some cocky souls will say, 'Ah yes, but they are the worst 25 years.' Nobody feels like that in a cancer ward. There are no cocky souls in a cancer ward. But there's a lot of pain, not just of the excruciating physical kind that they shoot you full of morphine to smother. There are a lot of tears. All round. It is hard to say goodbye to the people you love. And it's scary. Cancer wards have a way of knocking the cockiness out of you. And for what? Another cigarette?
”
”
Tony Parsons
“
If you try to find a replacement, you'll be sadly disappointed, I can't be replaced. I'm the only man in all the world who possesses the right combination of qualities for you.You can turn your Ballister stare upon me all you like, but you can't petrify me. You can knock me about to your heart's content without worrying about doing any damage. You can perpetrate any sort of outrage your wicked mind conceives and be sure I'll join in, with a will. You're a troublemaker, Lydia. A Ballister devil. Nothing less than a Mallory hellion would ever suit you."
- Vere Mallory -
”
”
Loretta Chase (The Last Hellion (Scoundrels, #4))
“
It’s funny how you can hear a song your whole life and it’s just words and music. And then one day that same song can take on a whole new meaning and knock the breath out of you.
”
”
Hilarie Burton Morgan (The Rural Diaries: Love, Livestock, and Big Life Lessons Down on Mischief Farm)
“
Yes, I agree with Tennyson, who wrote, “ ’Tis better to have loved and lost than never to have loved at all.” But heartbreak knocks the wind out of you, and the feelings of loss and longing can make getting out of bed a monumental task. Learning to trust and lean in to love again can feel impossible.
”
”
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
“
Be brave. Even if you're not, pretend to be. No one can tell the difference. Don't allow the phone to interrupt important moments. It's there for your convenience, not the callers. Don't be afraid to go out on a limb. That's where the fruit is. Don't burn bridges. You'll be surprised how many times you have to cross the same river. Don't forget, a person's greatest emotional need is to feel appreciated. Don't major in minor things. Don't say you don't have enough time. You have exactly the same number of hours per day that were given to Pasteur, Michaelangelo, Mother Teresa, Helen Keller, Leonardo Da Vinci, Thomas Jefferson, and Albert Einstein. Don't spread yourself too thin. Learn to say no politely and quickly. Don't use time or words carelessly. Neither can be retrieved. Don't waste time grieving over past mistakes Learn from them and move on. Every person needs to have their moment in the sun, when they raise their arms in victory, knowing that on this day, at his hour, they were at their very best. Get your priorities straight. No one ever said on his death bed, 'Gee, if I'd only spent more time at the office'. Give people a second chance, but not a third. Judge your success by the degree that you're enjoying peace, health and love. Learn to listen. Opportunity sometimes knocks very softly. Leave everything a little better than you found it. Live your life as an exclamation, not an explanation. Loosen up. Relax. Except for rare life and death matters, nothing is as important as it first seems. Never cut what can be untied. Never overestimate your power to change others. Never underestimate your power to change yourself. Remember that overnight success usually takes about fifteen years. Remember that winners do what losers don't want to do. Seek opportunity, not security. A boat in harbor is safe, but in time its bottom will rot out. Spend less time worrying who's right, more time deciding what's right. Stop blaming others. Take responsibility for every area of your life. Success is getting what you want. Happiness is liking what you get. The importance of winning is not what we get from it, but what we become because of it. When facing a difficult task, act as though it's impossible to fail.
”
”
Jackson H. Brown Jr.
“
His arm pulled her a little off balance, and paradoxically it steadied her at the same time. That was what Charles did to her heart, too. He knocked it off balance into what felt like the right position, a safe place that was still exciting, exhilarating, and terrifying.
”
”
Patricia Briggs (Dead Heat (Alpha & Omega, #4))
“
I searched everywhere for love.
I knocked on every door
and turned over every stone.
But it was only until I returned home
that I found love
waiting for me.
”
”
Kamand Kojouri
“
Love, when it came and knocked on my door, was going to be enough.
And that unknown author who'd written that if you had fame, it was not enough, and if you had wealth as well, it was still not enough, and if you had fame, wealth, and also love ... still it was not enough - boy, did I feel sorry for him.
”
”
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
“
I HAVE DIED TOO MANY TIMES
BELIEVING AND WAITING, WAITING
IN A ROOM
STARING AT A CRACKED CEILING
WAITING FOR THE PHONE, A LETTER, A KNOCK, A SOUND…
GOING WILD INSIDE
WHILE SHE DANCED WITH STRANGERS IN NIGHTCLUBS…
OUT OF THE ARMS OF ONE LOVE
AND INTO THE ARMS OF ANOTHER
”
”
Charles Bukowski
“
Startled, I accidently knock over my inkwell. A black tsunami of ink sprawls out across the page, engulfing the tiny village of my words. They are swept away into the midnight sea. Gone forever. I am bereft.
”
”
Danger Slater (Love Me)
“
It is not depression or anxiety that truly hurts us. It is our active resistance against these states of mind and body. If you wake up with low energy, hopeless thoughts, and a lack of motivation - that is a signal from you to you. That is a sure sign that something in your mind or in your life is making you sick, and you must attend to that signal. But what do most people do? They hate their depressed feelings. They think "Why me?" They push them down. They take a pill. And so, the feelings return again and again, knocking at your door with a message while you turn up all the noise in your cave, refusing to hear the knocks. Madness. Open the door. Invite in depression. Invite anxiety. Invite self-hatred. Invite shame. Hear their message. Give them a hug. Accept their tirades as exaggerated mistruths typical of any upset person. Love your darkness and you shall know your light.
”
”
Vironika Tugaleva
“
For all these years, you’ve lived under the illusion that, somehow, you made it because you were tough enough to overpower the abuse, the hatred, the hard knocks of life. But really you made it because love is so powerful that tiny little doses of it are enough to overcome the pain of the worst things life can dish out. Toughness was a faulty coping mechanism you devised to get by. But, in reality, it has been your ability to never give up, to keep seeking love, and your resourcefulness to make that love last long enough to sustain you. That’s what has gotten you by
”
”
Rachel Reiland (Get Me Out of Here: My Recovery from Borderline Personality Disorder)
“
I love you," I tell him again. "I see that," he laughs, kissing me. "Simple words would have sufficed. You didn't need to knock me down with it." I giggle. "Shut up and kiss me.
”
”
Courtney Cole (If You Stay (Beautifully Broken, #1))
“
Harry wanted to knock a few teeth out of the artificially straightened set, but he resisted the urge.
”
”
Marilyn Dalla Valle (Westwind Secrets)
“
You chose love like a belief, a faith, a place, a box for one's heart to knock against like a spook in the house.
”
”
Lorrie Moore (Like Life)
“
Knock, Knock."
"Who's there?"
"Olive."
"Olive who?"
"Olive...ooh. I love you, too," he said, figuring it out. "You can tell me that one anytime you like." He folded her into his arms.
”
”
Jean Ferris (Twice Upon a Marigold (Upon a Marigold, #2))
“
If it weren’t for love, the suffering we experience wouldn’t be worth it. If it weren’t for the suffering, we wouldn’t cherish the good things life gives us. Sometimes it’ll seem as though life only knocks you down, but you have to learn to pick yourself up and fight back.
”
”
Claire Contreras (There is No Light in Darkness (Darkness, #1))
“
It is remarkable how much courage it takes to kiss someone, even when you are almost certain that person would very mush like to be kissed by you. Doubt will knock you from the sky every time.
”
”
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
“
Beauty, midnight, vision dies:
Let the winds of dawn that blow
Softly round your dreaming head
Such a day of welcome show
Eye and knocking heart may bless,
Find our mortal world enough;
Noons of dryness find you fed
By the involuntary powers,
Nights of insult let you pass
Watched by every human love.
”
”
W.H. Auden
“
Do you ever get the feeling that when you show someone your affection for them, you are assaulting them? Like you should probably leave them alone? Your affection, no matter how sincere, does not necessarily mean a damn thing to the person you are giving it to. Love can corner you. When you intrude on someone with your affection, you might find yourself trying to knock a strong door down with your shoulder. Either you break the door or you break yourself. Something almost always gets broken. In my mind it runs like this:
I’m going to like you, whether you like it or not. I’ll wear you down until you relent and swallow this big lie I have for you. Don’t move. Don’t live. I love you.
”
”
Henry Rollins (The First Five (Henry Rollins))
“
No, you love to confuse me and drive me crazy. You don't really love me. You don't know what love is."
"Yeah, I think I do." His brows lowered, and he took a step toward her. "I have loved you my whole life, Delaney. I can't remember a day when I didn't love you. I loved you the day I practically knocked you out with a snowball. I loved you when I flattened the tires on your bike so I could walk you home. I loved you when I saw you hiding behind the sunglasses at the Value Rite, and I loved you when you loved that loser son of a bitch Tommy Markham. I never forgot the smell of your hair or the texture of your skin the night I laid you on the hood of my car at Angel Beach. So don't tell me I don't love you. Don't tell me--" His voice shook and he pointed a finger at her. "Just don't tell me that.
”
”
Rachel Gibson (Truly Madly Yours (Truly, Idaho, #1))
“
I don’t want to be the anchor around his feet. I want to be the sky. I want to be the colorful weird name.
”
”
Pella Grace (Knock Love Out (A Very Sexy Romance))
“
If you think anything I did, I did to make her love me, then you don't know anything about her and me. I'm her cavalier, dipshit! I'd kill for her! I'd die for her! I did die for her. I'd do anything she needed, anything at all, before she even knew she needed it. I'm her sword, you pasty-faced Coronabeth-looking knock-off.
”
”
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
“
You, God, who live next door--
If at times, through the long night, I trouble you
with my urgent knocking--
this is why: I hear you breathe so seldom.
I know you're all alone in that room.
If you should be thirsty, there's no one
to get you a glass of water.
I wait listening, always. Just give me a sign!
I'm right here...
Sen komşu tanrı,
Uzun geceler bazen,
Kapına vura vura uyandırıyorsam seni
Solumanı seyrek duyduğumdandır...
Bilirim, yalnızsın odanda.
Sana birşey gerekse kimse yok,
Bir yudum su versin aradığında.
Hep dinlerim, yeter ki bir ses edin,
Öyle yakınım sana...
”
”
Rainer Maria Rilke (Rilke's Book of Hours: Love Poems to God)
“
A small shift in the gravity between us and suddenly all my stars are out of alignment, planets knocked from their orbits, and I’m left stumbling, without map or heading, through the bewildering territory of being in love with your best friend.
”
”
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
“
Time is ungovernable, but grief presents us with a choice: what do we do with the savage energies of bereavement? What do we do with the memory - or in the memory - of the beloved? Some commemorate love with statuary, but behavior, too, is a memorial, as is a well-lived life. In death, there is always the promise of hope. The key is opening, rather than numbing, ourselves to pain. Above all, we must show our children how to celebrate existence in all its beauty, and how to get up after life has knocked us down, time and again. Half-dead, we stand. And together, we salute love. Because in the end, that's all that matters. How hard we loved, and how hard we tried.
”
”
Antonella Gambotto-Burke (The Eclipse: A Memoir of Suicide)
“
Say whatever is in your heart,” Violet said. Her lips
twisted wryly. “And if that doesn’t work, I suggest that
you take a book and knock him over the head with it.”
Hyacinth blinked, then blinked again. “I beg your pardon.”
“I didn’t say that,” Violet said quickly.
Hyacinth felt herself smile. “I’m rather certain you
did.”
“Do you think?” Violet murmured, concealing her own
smile with her teacup.
“A large book,” Hyacinth queried, “or small?”
“Large, I think, don’t you?”
Hyacinth nodded. “Have we The Complete Works of
Shakespeare in the library?”
Violet’s lips twitched. “I believe that we do.”
Something began to bubble in Hyacinth’s chest. Something
very close to laughter. And it felt so good to feel it
again.
“I love you, Mother,” she said, suddenly consumed by
the need to say it aloud. “I just wanted you to know that.”
“I know, darling,” Violet said, and her eyes were shining
brightly. “I love you, too.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
She sits in the driveway, freezing, for thirty-six minutes. Arguing with herself. Because she thinks she's in love with him too. And there are two ways she can be a fool in love right now. She chooses the harder one. And knocks on the door.
”
”
Lisa McMann (Wake (Wake, #1))
“
I am glad you are no relation of mine. I will never call you aunt again as long as I live. I will never come to visit you when I am grown up; and if any one asks me how I liked you, and how you treated me, I will say the very thought of you makes me sick, and that you treated me with miserable cruelty. . . . You think I have no feelings, and that I can do without one bit of love or kindness; but I cannot live so: and you have no pity. I shall remember how you thrust me back . . . into the red-room. . . . And that punishment you made me suffer because your wicked boy struck me—knocked me down for nothing. I will tell anybody who asks me questions this exact tale. ’Ere I had finished this reply, my soul began to expand, to exult, with the strangest sense of freedom, of triumph, I ever felt. It seemed as if an invisible bond had burst, and that I had struggled out into unhoped-for liberty. . . .
”
”
Charlotte Brontë (Jane Eyre)
“
I have studied many times
The marble which was chiseled for me—
A boat with a furled sail at rest in a harbor.
In truth it pictures not my destination
But my life.
For love was offered me and I shrank from its disillusionment;
Sorrow knocked at my door, but I was afraid;
Ambition called to me, but I dreaded the chances.
Yet all the while I hungered for meaning in my life.
And now I know that we must lift the sail
And catch the winds of destiny
Wherever they drive the boat.
To put meaning in one’s life may end in madness,
But life without meaning is the torture
Of restlessness and vague desire—
It is a boat longing for the sea and yet afraid.
”
”
Edgar Lee Masters
“
Well, now,' the latter replied pensively, 'they're people like any other people...they love money, but that has always been so...Mankind loves money, whatever it's made of -leather, paper, bronze, gold. Well, they're light-minded...well, what of it...mercy sometimes knocks at their hearts...ordinary people...In general, reminiscent of the former ones...only the housing problem has corrupted them...' Chapter 12
”
”
Mikhail Bulgakov (The Master and Margarita)
“
He had only began to process his confusion when Captain al-Khoury seized him by the arm.
Tariq knocked away the arrogant boy's hand. "What - "
"Do you still love her?" He spoke in a urgent whisper.
"That's none of your business."
"Answer me, you fool. Do you?"
Tariq clenched his teeth, returning the captain of the Royal Guard's fierce glare.
"Always."
"Then make sure she never comes back.
”
”
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
“
Samson's tapping feet come closer, but again he pauses and knocks on a door. I don't mind. The pauses make it better. They make me wonder whether he's going to come to me, like the anticipation before a kiss. Will he or won't he?
But this is not a love story.
”
”
Eliza Crewe (Cracked (Soul Eaters, #1))
“
Everything's going to be fine. Sooner or later you're going to find someone who knocks you right off your feet. Someone who makes you feel alive. Someone who kisses you and makes your knees weak. Relationships are complicated enough as it is. It's not worth settling for anything less.
”
”
Lindsey Kelk (The Single Girl's To-Do List)
“
I'm not going to do it. I'm not going to wish for a perfect life. the things that knock you down in life are tests, forcing you to make a choice between giving in and remaining on the ground or wiping the dirt off and standing up even taller than you did before you were knocked down. I'm choosing to stand up taller. I'll probably get knocked down a few more times before this life is through with me, but I can guarantee you I'll never stay on the ground.
”
”
Colleen Hoover (Hopeless (Hopeless, #1))
“
GUIL: It [Hamlet's madness] really boils down to symptoms. Pregnant replies, mystic allusions, mistaken identities, arguing his father is his mother, that sort of thing; intimations of suicide, forgoing of exercise, loss of mirth, hints of claustrophobia not to say delusions of imprisonment; invocations of camels, chameleons, capons, whales, weasels, hawks, handsaws -- riddles, quibbles and evasions; amnesia, paranoia, myopia; day-dreaming, hallucinations; stabbing his elders, abusing his parents, insulting his lover, and appearing hatless in public -- knock-kneed, droop-stockinged and sighing like a love-sick schoolboy, which at his age is coming on a bit strong.
ROS: And talking to himself.
GUIL: And talking to himself.
”
”
Tom Stoppard (Rosencrantz and Guildenstern Are Dead)
“
You said you wanted an in-your-face, overjoyed kind of love that knocks you backwards.” He takes a beat. “But our love is that and better. Our love is headstrong. It never yields, never dies. And when it knocks you backwards, it pulls you upright again.
”
”
Krista Ritchie (Alphas Like Us (Like Us, #3))
“
JERRY: Look at the way you're looking at me. I can't wait for you. I'm bowled over, I'm totally knocked out, you dazzle me, you jewel, my jewel, I can't ever sleep again, no, listen, it's the truth, I won't walk, I'll be a cripple, I'll descend, I'll diminish, into total paralysis, my life is in your hands, that's what you're banishing me to, a state of catatonia, do you know the state of catatonia? do you? do you? the state of...where the reigning prince is the prince of emptiness, the prince of absence, the prince of desolation. I love you.
EMMA: My husband is at the other side of that door.
JERRY: Everyone knows. The world knows. It knows. But they'll never know, they'll never know, they're in a different world. I adore you. I'm madly in love with you. I can't believe that what anyone is at this moment saying has ever happened has ever happened. Nothing has ever happened. Nothing. Your eyes kill me. I'm lost. You're wonderful.
”
”
Harold Pinter (Betrayal)
“
<…>Tate fell silent.
Ty didn't.
"Since the day I was released, you knocked yourself out. You had my back, you took care of Lexie when we had our thing then you did what you could to help me sort that. It's important to me that you know I'm grateful. I've been tryin' to figure out how I can show how much but, keep thinkin' on it, nothin' comes to mind and I know why. I get it. You're a man who has everything so there is nothing I can hand you that you want or need. And I get that because I am now that same man. So the only thing I can give you are words and, my guess is, that'll be enough. If it isn't, you name it and it's yours."
"Friends do what I did for friends," Tate returned.
"No they don't, Tate. You did what you did for me because you're you. That's what I'm talkin' about."
Tate ws silent a moment then he said, "Well then, you guessed right. Words are enough."
Ty nodded.
Tate tipped his head to the side and asked jokingly, "We done with the near-midnight in the middle of fuckin' nowhere heart-to-heart?"
Ty didn't feel like joking and answered, "No."
"Then what -?"
"Love you, man," Ty interrupted quietly.
"Learned the hard way not to delay in expressing that sentiment so I'm not gonna delay. You call me brother and I got one who's blood who don't mean shit to me and today, all this shit done, rejoicing and reflecting, it hit me that I got two who aren't blood but who do mean something. And you're one of those two."
"Ty-" Tate murmured.
"I will never forget, until I die, what you did for me and my wife and until that day I will never stop bein' grateful."
"Fuck man," Tate whispered.
"Now, do those words work so you get what you did mean to me?"
Silence then, "Yeah, they work."
"Good, then now we're done with our near-midnight, middle of fuckin' nowhere heart-to-heart," Ty declared, turned, opened the door to the Viper and started folding in.
He stopped with his ass nearly to the seat and looked up over the door when Tate called his name.
"I don't have a blood brother," Tate said. "But you should know there's a reason I call you that."<…>
”
”
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
“
As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.
And down by the brimming river
I heard a lover sing
Under an arch of the railway:
"Love has no ending.
"I'll love you, dear, I'll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street,
"I'll love till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.
"The years shall run like rabbits,
For in my arms I hold
The Flower of the Ages,
And the first love of the world."
But all the clocks in the city
Began to whirr and chime:
"O let not Time deceive you,
You cannot conquer Time.
"In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.
"In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
Tomorrow or today.
"Into many a green valley
Drifts the appalling snow;
Time breaks the threaded dances
And the diver's brilliant bow.
"O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare in the basin
And wonder what you've missed.
"The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the teacup opens
A lane to the land of the dead.
"Where the beggars raffle the banknotes
And the Giant is enchanting to Jack,
And the Lily-white Boy is a Roarer,
And Jill goes down on her back.
"O look, look in the mirror,
O look in your distress;
Life remains a blessing
Although you cannot bless.
"O stand, stand at the window
As the tears scald and start;
You shall love your crooked neighbor
With all your crooked heart."
It was late, late in the evening,
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on.
”
”
W.H. Auden
“
In our society the most common traumas in women and children occur at the hands of their parents or intimate partners. Child abuse, molestation, and domestic violence all are inflicted by people who are supposed to love you. That knocks out the most important protection against being traumatized: being sheltered by the people you love. If the people whom you naturally turn to for care and protection terrify or reject you, you learn to shut down and to ignore what you feel.
”
”
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
“
Today, love came knocking at my window. To share with dad such a confusing, yet wonderful occasion would be great. Still, I keep this to myself. Who knows? In the future maybe dad and I can share more than silence but not until dad allows love to knock for me at the front door.
”
”
Anthony Paull (Outtakes of A Walking Mistake)
“
Do not be afraid to color outside the lines. Take risks and do not be afraid to fail. Know that when the world knocks you down, the best revenge is to get up and continue forging ahead.Do not be afraid to be different or to stand up for what's right. Never quiet your voice to make someone else feel comfortable. No one remembers the person that fits in. It's the one who stands out that people will not be able to forget.
”
”
Nancy Arroyo Ruffin (Letters to My Daughter: A collection of short stories and poems about Love, Pride, and Identity)
“
Possibilities
I prefer movies.
I prefer cats.
I prefer the oaks along the Warta.
I prefer Dickens to Dostoyevsky.
I prefer myself liking people
to myself loving mankind.
I prefer keeping a needle and thread on hand, just in case.
I prefer the color green.
I prefer not to maintain
that reason is to blame for everything.
I prefer exceptions.
I prefer to leave early.
I prefer talking to doctors about something else.
I prefer the old fine-lined illustrations.
I prefer the absurdity of writing poems
to the absurdity of not writing poems.
I prefer, where love's concerned, nonspecific anniversaries
that can be celebrated every day.
I prefer moralists
who promise me nothing.
I prefer cunning kindness to the over-trustful kind.
I prefer the earth in civvies.
I prefer conquered to conquering countries.
I prefer having some reservations.
I prefer the hell of chaos to the hell of order.
I prefer Grimms' fairy tales to the newspapers' front pages.
I prefer leaves without flowers to flowers without leaves.
I prefer dogs with uncropped tails.
I prefer light eyes, since mine are dark.
I prefer desk drawers.
I prefer many things that I haven't mentioned here
to many things I've also left unsaid.
I prefer zeroes on the loose
to those lined up behind a cipher.
I prefer the time of insects to the time of stars.
I prefer to knock on wood.
I prefer not to ask how much longer and when.
I prefer keeping in mind even the possibility
that existence has its own reason for being.
”
”
Wisława Szymborska
“
When James opens the door, no one's there. He blinks, poking his head out and peering around, but the street is quiet, and the stars are shining. He waits for something, anything, but there's nothing. No sign of anyone being there at all.
Perhaps it was the echo of a knock from another life, but in this one, James shrugs, shuts the door, and goes back inside to the love that's waiting on him inside.
”
”
Zeppazariel
“
When the side effects knock you down, find the strength to get up, because you are a soldier. You’ve paid your dues, and nobody can hurt you because your foundation is solid.
You are not broken down anymore. The Grim Reaper cannot steal your joy. You are no longer its victim. You are victorious, feeling good and living free! The ‘treatment’ gave you a turbocharge to find a cure. The cure is to love yourself more and to put yourself first.
”
”
Charlena E. Jackson
“
The door to Blay's room opened wide without a knock, a hello, a hey-are-you-decent.
Qhuinn stood in between the jambs, breathing hard, like he’d run down the hall of statues.
Sh**, had Layla lost the pregnancy after all?
Those mismatched eyes searched around. “You by yourself?”
Why the hell would— Oh, Saxton. Right. “Yes—”
The male took three strides forward, reached up . . . and kissed the ever-loving crap out of Blay.
The kiss was the kind that you remembered all your life, the connection forged with such totality that everything from the feel of the body against your own, to the warm slid of another’s lips on yours, to the power as well as the control, was etched into your mind...
”
”
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
“
If everyone had the luxury to pursue a life of exactly what they love, we would all be ranked as visionary and brilliant. … If you got to spend every day of your life doing what you love, you can’t help but be the best in the world at that. And you get to smile every day for doing so. And you’ll be working at it almost to the exclusion of personal hygiene, and your friends are knocking on your door, saying, “Don’t you need a vacation?!,” and you don’t even know what the word “vacation” means because what you’re doing is what you want to do and a vacation from that is anything but a vacation — that’s the state of mind of somebody who’s doing what others might call visionary and brilliant.
”
”
Neil deGrasse Tyson
“
Who are these people sharing the street with me? What is going on in their worlds, inside their heads? Are they in love? If so, is it the kind that Mum and Dad have? Based on having things in common, like raspberry picking and a love of dogs, and Shakespeare, and long country walks? Or is it the knock-you-out, eat-you-up, set-you-on-fire kind of love that I have longed for-and avoided-all my life?
”
”
Alison Larkin (The English American)
“
A comfort zone can be a mental state:Belief in God is a lot of peoples's comfort zone. Dont get me wrong, I'm not knocking faith; I just dont think you should have it because it makes you feel safe. I think you should have it because you do. Because somewhere deep inside you, you know beyond equivocating that something greater, wiser and infinitely more loving than we're capable of understanding has a vested interested in the universe, in the way things turn out. Because you can feel that, as much as the forces of darkness might try to gain the upper hand, there is an Upper Hand.
”
”
Karen Marie Moning (Faefever (Fever, #3))
“
Do you see this glass?” he asked. “I love this glass. It holds the water admirably. When the sun shines on it, it reflects the light beautifully. When I tap it, it has a lovely ring. Yet for me, this glass is already broken. When the wind knocks it over or my elbow knocks it off the shelf and it falls to the ground and shatters, I say, ‘Of course.’ But when I understand that this glass is already broken, every minute with it is precious.
”
”
Frank Ostaseski (The Five Invitations: Discovering What Death Can Teach Us About Living Fully)
“
God does not want our faith kept in mothballs, so He sometimes allows trials and testing to come into our lives; the unexpected hardships and heartbreaks that rock us in places we never thought we'd face as a child of God. And it's in those defining moments that we knock off the cobwebs of our everyday faith and face life with a new and improved one that's empowered by God Himself.
”
”
Ron Lambros (All My Love, Jesus: Personal Reminders From the Heart of God)
“
His daughters watched in the rain. The prettiest, shyest one hid far back in the field to watch and she had good reason because she was absolutely the most beautiful girl Dean and I ever saw in all our lives. She was about sixteen, and had Plains complexion like wild roses, and the bluest eyes, the most lovely hair, and the modesty and quickness of a wild antelope. At every look from us she flinched. She stood there with the immense winds that blew clear down from Saskatchewan knocking her hair about her lovely head like shrouds, living curls of them. She blushed and blushed... 'Oh a girl like that scares me,' I said. 'I'd give up everything and throw myself on her mercy and if she didn't want me I'd just as simply go and throw myself off the edge of the world'.
”
”
Jack Kerouac
“
You stubborn bastard. Take it from someone who knows firsthand, there’s a lot to be said for forgiveness. Grudges seldom hurt anyone except the one bearing them. (Acheron)
And there’s a lot to be said for knocking enemies upside their heads and cracking skulls open. (Urian)
To everything there is a season, and tonight ours is to stand together or lose everything. I’m not fighting for Stryker or to save your sister. I’m fighting to protect the ones I love. The ones who will suffer most if War isn’t stopped. (Acheron)
”
”
Sherrilyn Kenyon (One Silent Night (Dark-Hunter, #15))
“
Of the not very many ways known of shedding one's body, falling, falling, falling is the supreme method, but you have to select your sill or ledge very carefully so as not to hurt yourself or others. Jumping from a high bridge is not recommended even if you cannot swim, for wind and water abound in weird contingencies, and tragedy ought not to culminate in a record dive or a policeman's promotion. If you rent a cell in the luminous waffle, room 1915 or 1959, in a tall business centre hotel browing the star dust, and pull up the window, and gently - not fall, not jump - but roll out as you should for air comfort, there is always the chance of knocking clean through into your own hell a pacific noctambulator walking his dog; in this respect a back room might be safer, especially if giving on the roof of an old tenacious normal house far below where a cat may be trusted to flash out of the way. Another popular take-off is a mountaintop with a sheer drop of say 500 meters but you must find it, because you will be surprised how easy it is to miscalculate your deflection offset, and have some hidden projection, some fool of a crag, rush forth to catch you, causing you to bounce off it into the brush, thwarted, mangled and unnecessarily alive. The ideal drop is from an aircraft, your muscles relaxed, your pilot puzzled, your packed parachute shuffled off, cast off, shrugged off - farewell, shootka (little chute)! Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green seesaw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.
”
”
Vladimir Nabokov (Pale Fire)
“
If there’s one thing we all need to stop doing, it’s waiting around for someone else to show up and change our lives. Just be the person you’ve been waiting for. Live your life as if you are the love of it. Because that’s the only thing you know for sure – that through every triumph, every failure, every fear and every gain that you will ever experience until the day you die, you are going to be present. You are going to be the person who shows up to accept your rewards. You are going to be the person who holds your own hand when you’re broken. You are going to be the person who gets yourself up off the floor every time you get knocked down and if those things are not love-of-your-life qualities, I don’t know what are.
”
”
Heidi Priebe (This Is Me Letting You Go)
“
If we go to the depths of anything, we will begin to knock upon something substantial, “real,” and with a timeless quality to it. We will move from the starter kit of “belief” to an actual inner knowing. This is most especially true if we have ever (1) loved deeply, (2) accompanied someone through the mystery of dying, (3) or stood in genuine life-changing awe before mystery, time, or beauty.
”
”
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
“
We have babies because we want them to love us, to make us important, but the only make us tired and fat and stinking of spit up because they're babies, not saviors. Their fathers leave us, sick of crap and sour milk, sweatpants and tears.
But the babies still need all of us, only there isn't anything left to give because we based our worth on the lowlifes who knocked us up and around.
So our babies end up screwed up and screwed with because not we're single again, too, so we're bringing home guys who secretly like pink satin baby skin more than our silvery stretch marks. We don't see what we should see because having anyone is till supposedly better than being alone.
”
”
Laura Wiess (Such a Pretty Girl)
“
How funny you are today New York
like Ginger Rogers in Swingtime
and St. Bridget’s steeple leaning a little to the left
here I have just jumped out of a bed full of V-days
(I got tired of D-days) and blue you there still
accepts me foolish and free
all I want is a room up there
and you in it
and even the traffic halt so thick is a way
for people to rub up against each other
and when their surgical appliances lock
they stay together
for the rest of the day (what a day)
I go by to check a slide and I say
that painting’s not so blue
where’s Lana Turner
she’s out eating
and Garbo’s backstage at the Met
everyone’s taking their coat off
so they can show a rib-cage to the rib-watchers
and the park’s full of dancers with their tights and shoes
in little bags
who are often mistaken for worker-outers at the West Side Y
why not
the Pittsburgh Pirates shout because they won
and in a sense we’re all winning
we’re alive
the apartment was vacated by a gay couple
who moved to the country for fun
they moved a day too soon
even the stabbings are helping the population explosion
though in the wrong country
and all those liars have left the UN
the Seagram Building’s no longer rivalled in interest
not that we need liquor (we just like it)
and the little box is out on the sidewalk
next to the delicatessen
so the old man can sit on it and drink beer
and get knocked off it by his wife later in the day
while the sun is still shining
oh god it’s wonderful
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much
”
”
Frank O'Hara
“
To me, my Christian faith is all about being held, comforted, forgiven, strengthened, and loved--yet somehow that message gets lost on most of us, and we tend only to remember the religious nutters or the God of endless school assemblies. This is no one's fault, it is just life. Our job is to stay open and gentle, so we can hear the knocking on the door of our heart when it comes. The irony is that I never meet anyone who doesn't want to be loved or held or forgiven. Yet I meet a lot of folk who hate religion. And I so sympathize. But so did Jesus. In fact, He didn't just sympathize, He went much further. It seems more like this Jesus came to destroy religion and to bring life.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Mal. I never really fit in the way that you did. I never really belonged anywhere.”
“You belonged with me,” he said quietly.
“No, Mal. Not really. Not for a long time.”
He looked at me then, and his eyes were deep blue in the twilight. “Did you miss me, Alina? Did you miss me when you were gone?”
“Every day,” I said honestly.
“I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I’d catch myself walking around to find you, not for any reason, just out of habit, because I’d seen something that I wanted to tell you about or because I wanted to hear your voice. And then I’d realize that you weren’t there anymore, and every time, every single time, it was like having the wind knocked out of me. I’ve risked my life for you. I’ve walked half the length of Ravka for you, and I’d do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don’t tell me we don’t belong together,” he said fiercely. He was very close now, and my heart was suddenly hammering in my chest. “I’m sorry it took me so long to see you, Alina. But I see you now.
”
”
Leigh Bardugo (Shadow and Bone (Shadow and Bone, #1))
“
Once you have a handle on loving yourself, you can practice sharing that love with others. You’ve probably been taught to reserve the language of love for when you’re feeling overwhelmingly tender and passionate, and only for those who have made huge commitments to you. We recommend instead learning to recognize and acknowledge all the sweet feelings that make life worthwhile even when they don’t knock you over—and, moreover, learning to communicate those feelings to the people who inspire them.
”
”
Dossie Easton (The Ethical Slut: A Guide to Infinite Sexual Possibilities)
“
Find a man that will watch over you. Don’t settle for men who only have one thing in mind. If he doesn’t like to eat, something is wrong with him,” she says, which makes me laugh. “He needs to put you before himself—always,” she would tell me. “He needs to love you more than you love him.” That one confuses me a bit, but I don’t ask...
“You mustn’t be afraid of love, Blake. No matter what you go through in life, don’t be afraid to love. Loving is the only thing that keeps us sane. If it weren’t for love, the suffering we experience wouldn’t be worth it. If it weren’t for the suffering, we wouldn’t cherish the good things life gives us. Sometimes it’ll seem as though life only knocks you down, but you have to learn to pick yourself up and fight back. I love you, Blake. I will always love you even when I’m no longer here to tell you,” Aunt Shelley breathes weakly.”
Excerpt From: Contreras, Claire. “There Is No Light in Darkness.” Claire Contreras, 2013-01-10T00:00:00+00:00. iBooks.
This material may be protected by copyright.
”
”
Claire Contreras (There is No Light in Darkness (Darkness, #1))
“
CUSTOMER: I’d love to write a book.
BOOKSELLER: Then you should write one.
CUSTOMER: I really don’t have the time.
BOOKSELLER: I’m sure you could make time.
CUSTOMER: No, you don’t get it; I really don’t have the time. I had my fortune read on Monday, and the fortune teller lady said that I’m going to get knocked down by a bus next week. She said that it’ll probably kill me
BOOKSELLER: ... Oh. Well, er, that doesn’t sound very nice.
CUSTOMER: No, it doesn’t, does it? It’s really annoying, too, ’cause I’d booked a holiday for next month, and I was really looking forward to it.
”
”
Jen Campbell (More Weird Things Customers Say in Bookshops)
“
I must have been in the car for a long time because eventually my sister found me there. I was chain-smoking cigarettes and crying still. My sister knocked on the window. I rolled it down. She looked at me with this curious expression. Then, her curiosity turned to anger.
"Charlie, are you smoking?!"
She was so mad. I can't tell you how mad she was.
"I can't believe you're smoking!"
That's when I stopped crying. And started laughing. Because of all the things she could have said right after she got out of there, she picked my smoking. And she got angry about it. And I knew if my sister was angry, then her face wouldn't be that different. And she would be okay.
"I'm going to tell Mom and Dad, you know?"
"No, you're not." God, I couldn't stop laughing.
When my sister thought about it for a second, I think she figured out why she wouldn't tell Mom or Dad. It's like she suddenly remembered where we were and what had just happened and how crazy our whole conversation was considering at all. Then, she started laughing.
But the laughing made her feel sick, so I had to get out of the car and help her into the backseat. I had already set up the pillow and the blanket for her because we figured it was probably best for her to sleep it off a little in the car before we went home.
Just before she feel asleep, she said, "Well, it you're going to smoke, crack the window at least."
Which made me start laughing again.
"Charlie, smoking. I can't believe it."
Which made me laugh harder, and I said, "I love you."
And my sister said, "I love you too. Just stop it with the laughing already.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
Next to fat babies, midgets are my favorite things to hold. I love them so much, and I want to help them to do adult things like drive cars, Jet-Ski, and lip-synch. I’m in awe of their little limbs, their large craniums, and their medicine-ball asses. I love the little baby steps they take while shifting their weight from side to side, and the fact that when you knock one over accidentally, he flails like a turtle on its back that can’t get up right away.
”
”
Chelsea Handler
“
For each of you to receive revelation unique to your own needs and responsibilities, certain guidelines prevail. The Lord asks you to develop 'faith, hope, charity and love, with an eye single to the glory of God.' Then with your firm 'faith, virtue, knowledge, temperance, patience, brotherly kindness, godliness, charity, humility, [and] diligence,' you may ask, and you will receive; you may knock, and it will be opened unto you (D&C 4:5–6; emphasis added).
”
”
Russell M. Nelson
“
I showed up rich while feeling poor I didn’t knock but they opened the door Throwing stones, they pierce my eye Leave tiny cracks all down my spine We were royalty without a throne Our castle didn’t feel like home Echoes of “I love you” in the halls Our words absorbed into the walls I checked us in so we couldn’t leave Thought maybe time would make me believe If I took us back to the starting line We’d never cross the finish line My hands may not be red But my heart, it feels the bleed If my soul had a neon sign It would read No Vacancy If my soul had a neon sign It would read No Vacancy
”
”
Colleen Hoover (Layla)
“
She is the only one who knows
of the Coldness: a feeling that comes sometimes when I’m
lying in bed, a black, empty feeling that knocks my breath
away and leaves me gasping as though I’ve just been
thrown in icy water. On nights like that—although it is wrong
and illegal—I think of those strange and terrible words, I
love you, and wonder what they would taste like in my
mouth, try to recall their lilting rhythm on my mother’s
tongue.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
He rolled his eyes and took my hand. His hand was hard and calloused, tough with muscle and old scars.
The night settled around us like a blanket. I could hear the water lapping against the dock. We were totally alone.
“You’re . . . ,” he began, and I waited, heart throbbing in my throat. “Such a pain,” he concluded.
“What?” I asked, just as his head swooped in and his mouth touched mine. I tried to speak, but one of
Fang’s hands held the back of my head, and he kept his lips pressed against me, kissing me softly but with a Fanglike determination.
Oh, jeez, I thought distractedly. Jeez, this is Fang, and me, and . . . Fang tilted his head to kiss me more deeply, and I felt totally lightheaded. Then I remembered to breathe through my nose, and the fog cleared a tiny bit. Somehow we were pressed together, Fang’s arms around me now, sliding under my
wings, his hands flat against my back.
It was incredible. I loved it. I loved him.
It was a total disaster.
Gasping, I pulled back. “I, uh—,” I began oh so coherently, and then I jumped up, almost knocking him
over, and raced down the dock. I took off, flying fast, like a rocket.
”
”
James Patterson (The Final Warning (Maximum Ride, #4))
“
Come out, come out, little Harry!" she called in her mock-baby voice, which echoed off the polished wooden floors. "What did you come after me for, then? I thought you were here to avenge my dear cousin!"
"I am!" shouted Harry, and a score of ghostly Harrys seemed to chorus I am! I am! I am! all around the room.
"Aaaaaah... did you love him, little baby Potter?"
Hatred rose in Harry such as he had never known before. He flung himself out from behind the fountain and bellowed "Crucio!"
Bellatrix screamed. The spell had knocked her off her feet, but she did not writhe and shriek with the pain as Neville had -- she was already on her feet again, breathless, no longer laughing. Harry dodged behind the garden fountain again -- her counterspell hit the head of the handsome wizard, which was blown off and landed twenty feet away, gouging long scratches into the wooden floor.
"Never used an Unforgivable Curse before, have you, boy?" she yelled. She had abandoned her baby voice now. "You need to mean them, Potter! You need to really want to cause pain -- to enjoy it -- righteous anger won't hurt me for long -- I'll show you how it is done, shall I? I'll give you a lesson--!
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Do not write. I am sad, and want my light put out.
Summers in your absence are as dark as a room.
I have closed my arms again. They must do without.
To knock at my heart is like knocking at a tomb.
Do not write!
Do not write. Let us learn to die, as best we may.
Did I love you? Ask God. Ask yourself. Do you know?
To hear that you love me, when you are far away,
Is like hearing from heaven and never to go.
Do not write!
Do not write. I fear you. I fear to remember,
For memory holds the voice I have often heard.
To the one who cannot drink, do not show water,
The beloved one's picture in the handwritten word.
Do not write!
Do not write those gentle words that I dare not see,
It seems that your voice is spreading them on my heart,
Across your smile, on fire, they appear to me,
It seems that a kiss is printing them on my heart.
Do not write!
”
”
Louis Simpson
“
The truth is that Percy has always been important to me, long before I fell so hard for him there was an audible crash. It's only lately that his knee bumping mine under a narrow pub table leaves me fumbling for words. A small shift in the gravity between us and suddenly all my stars are out of alignment, planets knocked from their orbits, and I’m left stumbling, without map or heading, through the bewildering territory of being in love with your best friend.
”
”
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
“
acronym, n.
I remember the first time you signed an email with SWAK. I didn’t know what it meant. It sounded violent, like a slap connecting. SWAK! Batman knocking down the Riddler. SWAK! Cries of “Liar! Liar!” Tears. SWAK! So I wrote back: SWAK? And the next time you wrote, ten minutes later, you explained.
I loved the ridiculous image I got from that, of you leaning over your laptop, touching your lips gently to the screen, sealing your words to me before turning them into electricity. Now every time you SWAK me, the echo of that electricity remains.
”
”
David Levithan (The Lover's Dictionary)
“
Let's take the gauntlet and make goodness attractive in this so-called next millennium. That's the real job that we have. I'm not talking about Pollyanna-ish kind of stuff. I'm talking about down-to-Earth actual goodness. People caring for each other in a myriad of ways rather than people knocking each other off all the time...What changes the world? The only thing that ever really changes the world is when somebody gets the idea that love can abound and can be shared.
”
”
Fred Rogers (Mister Rogers - Won't You Be My Neighbor (MUSICTIVITY))
“
She thought she'd get out clean, but the foyer monitor blinked on as she reached for her jacket. "Going somewhere, Lieutenant?"
"Jesus, Roarke, why not just knock me over the head with a blunt instrument. Keeping tabs on me?"
"As often as possible. Wear your coat if you're going out. That jacket isn't warm enough for this weather."
"I'm just going into Central for a couple of hours."
"Wear the coat," he repeated, "and the gloves in the pocket. I'm sending one of the four-wheels around."
She opened her mouth, but he'd already vanished. "Nag, nag, nag," she muttered, then nearly jolted when he swam back on-screen.
"I love you, too," he said easily, and she heard his chuckle as the image faded again.
”
”
J.D. Robb (Conspiracy in Death (In Death, #8))
“
At Evensong one night, while Holly played at sax and Mrs. Bethel Utemeyer joined in, I saw him: Holiday, racing past a fluffy white Samoyed. He had lived to a ripe old age on earth and slept at my father's feet after my mother left, never wanting to let him out of his sight... I waited for him to sniff me out, anxious to know if here, on the other side, I would still be the little girl he slept beside. I did not have to wait long: he was so happy to see me, he knocked me down.
”
”
Alice Sebold (The Lovely Bones)
“
This election is about the past vs. the future. It's about whether we settle for the same divisions and distractions and drama that passes for politics today or whether we reach for a politics of common sense and innovation, a politics of shared sacrifice and shared prosperity. There are those who will continue to tell us that we can't do this, that we can't have what we're looking for, that we can't have what we want, that we're peddling false hopes. But here is what I know. I know that when people say we can't overcome all the big money and influence in Washington, I think of that elderly woman who sent me a contribution the other day, an envelope that had a money order for $3.01 along with a verse of scripture tucked inside the envelope. So don't tell us change isn't possible. That woman knows change is possible. When I hear the cynical talk that blacks and whites and Latinos can't join together and work together, I'm reminded of the Latino brothers and sisters I organized with and stood with and fought with side by side for jobs and justice on the streets of Chicago. So don't tell us change can't happen. When I hear that we'll never overcome the racial divide in our politics, I think about that Republican woman who used to work for Strom Thurmond, who is now devoted to educating inner city-children and who went out into the streets of South Carolina and knocked on doors for this campaign. Don't tell me we can't change. Yes, we can. Yes, we can change. Yes, we can.
Yes, we can heal this nation. Yes, we can seize our future. And as we leave this great state with a new wind at our backs and we take this journey across this great country, a country we love, with the message we carry from the plains of Iowa to the hills of New Hampshire, from the Nevada desert to the South Carolina coast, the same message we had when we were up and when we were down, that out of many, we are one; that while we breathe, we will hope.
And where we are met with cynicism and doubt and fear and those who tell us that we can't, we will respond with that timeless creed that sums up the spirit of the American people in three simple words -- yes, we can.
”
”
Barack Obama
“
Once upon a time, there was a bird. He was adorned with two perfect wings and with glossy, colorful, marvelous feathers.
One day, a woman saw this bird and fell in love with him.
She invited the bird to fly with her, and the two travelled across the sky in perfect harmony. She admired and venerated and celebrated that bird.
But then she thought: He might want to visit far-off mountains!
And she was afraid, afraid that she would never feel the same way about any other bird.
And she thought: “I’m going to set a trap. The next time the bird appears, he will never leave again.”
The bird, who was also in love, returned the following day, fell into the trap and was put in a cage.
She looked at the bird every day. There he was, the object of her passion, and she showed him to her friends, who said: “Now you have everything you could possibly want.”
However, a strange transformation began to take place: now that she had the bird and no longer needed to woo him, she began to lose interest.
The bird, unable to fly and express the true meaning of his life, began to waste away and his feathers to lose their gloss; he grew ugly; and the woman no longer paid him any attention, except by feeding him and cleaning out his cage.
One day, the bird died. The woman felt terribly sad and spent all her time thinking about him. But she did not remember the cage, she thought only of the day when she had seen him for the first time, flying contentedly amongst the clouds.
If she had looked more deeply into herself, she would have realized that what had thrilled her about the bird was his freedom, the energy of his wings in motion, not his physical body.
Without the bird, her life too lost all meaning, and Death came knocking at her door.
“Why have you come?” she asked Death.
“So that you can fly once more with him across the sky,” Death replied.
“If you had allowed him to come and go, you would have loved and admired him ever more; alas, you now need me in order to find him again.
”
”
Paulo Coelho (Eleven Minutes)
“
So that you will hear me
my words
sometimes grow thin
as the tracks of the gulls on the beaches.
Necklace, drunken bell
for your hands smooth as grapes.
And I watch my words from a long way off.
They are more yours than mine.
They climb on my old suffering like ivy.
It climbs the same way on damp walls.
You are to blame for this cruel sport.
They are fleeing from my dark lair.
You fill everything, you fill everything.
Before you they peopled the solitude that you occupy,
and they are more used to my sadness than you are.
Now I want them to say what I want to say to you
to make you hear as I want you to hear me.
The wind of anguish still hauls on them as usual.
Sometimes hurricanes of dreams still knock them over.
You listen to other voices in my painful voice.
Lament of old mouths, blood of old supplications.
Love me, companion. Don't forsake me. Follow me.
Follow me, companion, on this wave of anguish.
But my words become stained with your love.
You occupy everything, you occupy everything.
I am making them into an endless necklace
for your white hands, smooth as grapes.
”
”
Pablo Neruda (Twenty Love Poems and a Song of Despair)
“
When Allah (swt) decrees that a door in your life is to be opened, no matter how hard you try to close it, no matter how far you run away from it, it will remain open until you walk through. When Allah (swt) decrees that a door is to be closed, no matter how many times you knock on that door, try to break it down, or cry on your knees in front of it, begging it to open again, it will never be opened. Grieve in front of that closed door if you must. Stand there for a time and look at it. Hold your hands over your heart and press down to calm it's quickened pained rhythm. Then know- know beyond the shadow of a doubt, know in your heart of hearts- that when you trust Allah and move forward, he will open a more beautiful door for you. You will walk through it and perhaps you will even praise him for having closed the past door you loved so much. He is Al-Fattah, the Opener. May the doors He opens for us always lead us back to him.
”
”
Asmaa Hussein (A Temporary Gift: Reflections on Love, Loss and Healing)
“
When I was extremely young and shockingly stupid, I thought you weren't supposed to ever get angry at anybody you cared about (lest you suspect I'm exaggerating the "shockingly stupid" part, I also thought Mount Rushmore was a natural phenomenon). I honestly believed that people who were truly in love would never dream of having a good, old-fashioned, knock-down, drag-out fight. I guess when you're the type of girl who walks around thinking that the wind just sort of sculpted Teddy Roosevelt into the side of a mountain, the concept of a fairy-tale relationship makes total sense.
”
”
Lisa Kogan (Someone Will Be with You Shortly: Notes from a Perfectly Imperfect Life)
“
I would let her...have adventures. I would let her...choose her path. It would be hard...it was hard...but I would do it. Oh, not completely, of course. Some things have to go on. Cleaning one's teeth, arithmetic. But Maia fell in love with the Amazon. It happens. THe place was for her - and the people. Of course there was some danger, but there is danger everywhere. Two years ago, in this school, there was an outbreak of typhus, and three girls died. CHildren are knocked down and killed by horses every week, here in these streets--" She broke off, gathering her thoughts. "When she was traveling and exploring...and finding her songs, Maia wasn't just happy, she was...herself. I think something broke in Maia when her parents died, and out there it healed. Perhaps I'm mad--and the professor too-- but I think children must lead big lives...if it is in them to do so.
”
”
Eva Ibbotson (Journey to the River Sea)
“
You know those afternoons," he asks, drawing a shaking breath, "where you’re just going along, doing fine, and then afternoon comes and it feels like you’ve just got the wind knocked out of you and everything is wrong?" He sighs and slowly pushes himself so he’s sitting upright. His shoulders are slumped. "That’s all," he says. "It’s just one of those afternoons."
We are silent for a minute. Then he lies back down on the couch.
I should say I love him. I should say it will be all right. But it won’t.
I walk down the hall to my bedroom. I lie down on my side and stare at the wall, the blue-flowered wallpaper next to my nose. Despite my best efforts, I start to cry.
I know those afternoons.
”
”
Marya Hornbacher (Madness: A Bipolar Life)
“
A dozen or more boats on the lake swung their rosy and moon–like lanterns low on the water, that reflected as from a fire. In the distance, the steamer twanged and thrummed and washed with her faintly–splashing paddles, trailing her strings of coloured lights, and occasionally lighting up the whole scene luridly with an effusion of fireworks, Roman candles and sheafs of stars and other simple effects, illuminating the surface of the water, and showing the boats creeping round, low down. Then the lovely darkness fell again, the lanterns and the little threaded lights glimmered softly, there was a muffled knocking of oars and a waving of music.
Gudrun paddled almost imperceptibly. Gerald could see, not far ahead, the rich blue and the rose globes of Ursula’s lanterns swaying softly cheek to cheek as Birkin rowed, and iridescent, evanescent gleams chasing in the wake. He was aware, too, of his own delicately coloured lights casting their softness behind him.
”
”
D.H. Lawrence (Women in Love)
“
After I changed a crew, I would watch them scrabbling and crying in the sty, falling over each other, stupid with their horror. They hated it all, their newly voluptuous flesh, their delicate split trotters, their swollen bellies dragging in the earth’s muck. It was a humiliation, a debasement. They were sick with longing for their hands, those appendages men use to mitigate the world. Come, I would say to them, it’s not that bad. You should appreciate a pig’s advantages. Mud-slick and swift, they are hard to catch. Low to the ground, they cannot easily be knocked over. They are not like dogs, they do not need your love. They can thrive anywhere, on anything, scraps and trash. They look witless and dull, which lulls their enemies, but they are clever. They will remember your face. They never listened. The truth is, men make terrible pigs.
”
”
Madeline Miller (Circe)
“
I am conscious that knowing me has caused you pain, and grief, and I hope that one day when you are less angry with me and less upset you will see not just that I could only have done the thing that I did, but also that this will help you live a really good life, a better life, than if you hadn’t met me.....
....You're going to feel uncomfortable in your new world for a bit. It always does feel strange to be knocked out of your comfort zone. But I hope you feel a bit exhilarated too...
....there is a hunger in you, Clark. A fearlessness. You just buried it, like most people do....
....I'm not really telling you to jump off tall buildings, or swim with whales or anything (although I would secretly love to think you were), but to live boldly. Push yourself. Don't settle. Wear those stripy leggings with pride. And if you insist on settling down with some ridiculous bloke, make sure some of this is squirreled away somewhere. Knowing you still have possibilities is a luxury. Knowing I might have given them to you has alleviated something for me.....
....Don't think of me too often. I don't want to think of you getting all maudlin. Just live well.
Just live.
”
”
Jojo Moyes (Me Before You (Me Before You, #1))
“
If you're anything like me,
You bite your nails,
And laugh when you're nervous.
You promise people the world,
because that's what they want from you.
You like giving them what they want...
But darling, you need to stop,
If you're anything like me,
You knock on wood every time you make plans.
You cross your fingers, hold your breath,
Wish on lucky numbers and eyelashes
Your superstitions were the lone survivors of the shipwreck.
Rest In Peace, to your naive bravado...
If life gets too good now,
Darling, it scares you.
If you're anything like me,
You never wanted to lock your door,
Your secret garden gate or your diary drawer
Didn't want to face the you you don't know anymore
For fear she was much better before...
But Darling, now you have to.
If you're anything like me,
There's a justice system in your head
For names you'll never speak again,
And you make your ruthless rulings.
Each new enemy turns to steel
They become the bars that confine you,
In your own little golden prison cell...
But Darling, there is where you meet yourself.
If you're anything like me
You've grown to hate your pride
To love your thighs
And no amount of friends at 25
Will fill the empty seats
At the lunch tables of your past
The teams that picked you last...
But Darling, you keep trying.
If you're anything like me,
You couldn't recognize the face of your love
Until they stripped you of your shiny paint
Threw your victory flag away
And you saw the ones who wanted you anyway...
Darling, later on you will thank your stars
for that frightful day.
If you're anything like me,
I'm sorry.
But Darling, it's going to be okay.
”
”
Taylor Swift
“
No matter what I do, I really do love you Celaena."
The word hit her like a stone to the head. He'd never said that word to her before. Ever.
A long silence fell between them.
Arobynn's neck shifted as he swallowed. "I do the things that I do because I'm sacred ... and because I don't know how to express what I feel." He said it so quietly that she barely heard it. "I did all of those things because I was angry with you for picking Sam."
Arobynn's carefully cultivated mask fell, and the wound she'd given him flickered in those magnificent eyes. "Stay with me," he whispered. "Stay in Rifthold."
She swallowed, and found it particularly hard to do so. "I'm going."
"No," he said softly. "Don't go."
No.
That was what she'd said to him that night he'd beaten her, in the moment before he'd struck her, when she thought he was going to hurt Sam instead. And then he'd beaten her so badly she'd been knocked unconscious. Then he'd beaten Sam, too.
Don't.
That was what Ansel had said to her in the desert when Celaena had pressed the sword into the back of her neck, when the agony of Ansel's betrayal had been almost enough to make Celaena kill the girl she'd called a friend. But that betrayal had paled in comparison to what Arobynn had done to her when he'd tricked her into killing Doneval, a man who could have freed countless slaves.
He was using word as chains to bind her again. He'd had so many chances over the year to tell her that he loved her--he'd known how much she craved those words. But he hadn't spoken them until he needed to use them as weapons.
And now that she had Sam, Sam who said those words without expecting anything in return, Sam who loved her for reasons she still didn't understand...
Celaena tilted her head to the side, the only warning she gave that she was still ready to attack him.
"Get out of my house.
”
”
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
“
In the hall, Tina whisper hisses, "Retreat! Retreat!" The sounds of heels clip clopping follows before...
stumble crash bang
Mimi laughs her ass off and says, "We have a man down! I repeat. We are a man down!"
Lola laughs hard and yells out, "We're so bad at this! Best mission ever!
The sound of giggles and heels approach my room. I put an arm under my head to elevate it. I want to see what these goofballs are doing. Tina's first through the door and looks sheepish while rubbing her elbow. That is until she see Nat, Helena and Nina all sitting on my bed. Then she yells out, "Pajama party!" And literally throws herself on to my bed, hurt elbow forgotten. She belly flops onto my stomach, My body jolts upwards, the wind is knocked out of me and I groan. Tina looks up at me with wide eyes. She rushed out, "Ash, honey! I'm so sorry!" Then she rubs what she thinks is my stomach. Only its my cock.
Removing her hands from me, I tell her,
"Tina, I don't think Nik would like you in my bed rubbing my junk.
”
”
Belle Aurora (Love Thy Neighbour (Friend-Zoned, #2))
“
Her face screws up in disgust and she steps forward. "You're a fool, Miller Hart. He'll never let you walk away."
He explodes.
"I love her!" he roars, knocking every person back in the room. "I fucking love her!" Tears burst from my eyes and I fall into his side. He immediately grabs me and pulls me close. "I love her. I love everything she stands for and I love how much she loves me. It's more than you love me. It's more than any of you claim to love me! It's pure and light. It's made me feel. It's made me want more. If any fucker tries to take her away from me, I'll fucking kill them." Pulling up for a second, he gathers a long breath. "Slowly," he adds, shaking beside me, clinging to me tightly, like he's afraid someone will try right now. "I don't care what he says. I don't care what he thinks he can do to me. It'll be him sleeping with one eye open, Sophia, not me. So tell him. Fucking run to him and confirm what he already knows. I don't want to fuck for living anymore. Tell him I don't want to line his pockets anymore. You're not holding me to ransom. Miller Hart is out of the game. The Special One has quit!" He withdraws and takes a few moments to suck in another calming gulp of air, while everyone looks at him, shocked. Including me. "I love her. Go to him. Tell him I love her. Tell him I'm Olivia's now. And tell him if he even thinks about touching a hair on her precious head, it'll be the last thing he ever does.
”
”
Jodi Ellen Malpas (One Night Unveiled (One Night, #3))
“
Panic always comes to me in the same way. First, I get a knot in the pit of my stomach that turns to nausea, then a fluttery breathlessness that no amount of deep breathing can cure. But what causes my fear is different every day, I never know what will set me off. It could be a kiss from my husband, or the lingering look of sadness in his eyes when he draws back. Sometimes I know he's already grieving for me, missing me even while I'm still here. Worse yet is Marah's quiet acceptance of everything I say. I would give anything for another of our old knock-down drag-out fights. That's one of the first things I'd say to you now, Marah: Those fights were real life. You were struggling to break free of being my daughter but unsure of how to be yourself, while I was afraid to let you go. It's the circle of love. I only wish I'd recognized it then. Your grandmother told me I'd know you were sorry for those years before you did, and she was right. I know you regret some of the things you said to me, as I regret my own words. None of that matters, though. I want you to know that. I love you and I know you love me.
”
”
Kristin Hannah (Firefly Lane (Firefly Lane, #1))
“
The door to Blay's room opened wide without a knock, a hello, a hey-are-you-decent.
Qhuinn stood in between the jambs, breathing hard, like he’d run down the hall of statues.
Sh**, had Layla lost the pregnancy after all?
Those mismatched eyes searched around. “You by yourself?”
Why the hell would— Oh, Saxton. Right. “Yes—”
The male took three strides forward, reached up . . . and kissed the ever-loving crap out of Blay.
The kiss was the kind that you remembered all your life, the connection forged with such totality that everything from the feel of the body against your own, to the warm slid of another’s lips on yours, to the power as well as the control, was etched into your mind...
Lover at Last, MS pg. 449
”
”
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
“
There is a sweetness in being the sole source, the autocratic and irresponsible cause of the greatest joy and profoundest pain to another, and I was like wax in Zinaïda's hands; though, indeed, I was not the only one in love with her. All the men who visited the house were crazy over her, and she kept them all in leading-strings at her feet. It amused her to arouse their hopes and then their fears, to turn them round her finger (she used to call it knocking their heads together), while they never dreamed of offering resistance and eagerly submitted to her. About her whole being, so full of life and beauty, there was a peculiarly bewitching mixture of slyness and carelessness, of artificiality and simplicity, of composure and frolicsomeness; about everything she did or said, about every action of hers, there clung a delicate, fine charm, in which an individual power was manifest at work. And her face was ever changing, working too; it expressed, almost at the same time, irony, dreaminess, and passion. Various emotions, delicate and quick-changing as the shadows of clouds on a sunny day of wind, chased one another continually over her lips and eyes.
”
”
Ivan Turgenev (First Love)
“
The heroin flowing through me, I thought about the last time I saw my father alive. He was drunk and overweight in a restaurant in Beverly Hills, and curling into myself on the bed I thought: What if I had done something that day? I had just sat passively in a restaurant booth as the midday light filled the half-empty dining room, pondering a decision. The decision was: should you disarm him? That was the word I remember: disarm. Should you tell him something that might not be the truth but would get the desired reaction? And what was I going to convince him of, even though it was a lie? Did it matter? Whatever it was, it would constitute a new beginning. The immediate line: You’re my father and I love you. I remember staring at the white tablecloth as I contemplated saying this. Could I actually do it? I didn’t believe it, and it wasn’t true, but I wanted it to be. For one moment, as my father ordered another vodka (it was two in the afternoon; this was his fourth) and started ranting about my mother and the slump in California real estate and how “your sisters” never called him, I realized it could actually happen, and that by saying this I would save him. I suddenly saw a future with my father. But the check came along with the drink and I was knocked out of my reverie by an argument he wanted to start and I simply stood up and walked away from the booth without looking back at him or saying goodbye and then I was standing in sunlight. Loosening my tie as a parking valet pulled up to the curb in the cream-colored 450 SL. I half smiled at the memory, for thinking that I could just let go of the damage that a father can do to a son. I never spoke to him again.
”
”
Bret Easton Ellis (Lunar Park (Vintage Contemporaries))
“
The hard part is that I lost myself. In the midst of life happening all around me, I lost the ability to be okay, I lost the ability to trust. I lost the ability to love myself, and when that happens, you lose everything. And when the one person in the entire world who loves you unconditionally is gone, then you start wondering who will love you? And then when you start wondering, you get scared that you have to even ask that question. But since you have already asked yourself that, you can’t ignore it. Who will love you now? Who could possibly love everything about you, now that the only person in the world who could, is gone? Hell, you don’t even love yourself. Why would someone else? And then when you realize that, the relationship you’re in seems pointless. Because you start believing that they won’t ever be able to withstand your problems and craziness. And then that snowballs to even more insecurities and fear, and you feel trapped in this broken body that can’t ever be healed. And then you feel lost, torn, broken, unfixable, damaged, and like nothing in the entire world could ever possibly be okay again. Because you know from the past, that even when everything seems okay, another devastating blow comes around again and knocks you back down. So you feel even smaller, even weaker. By that point you’re at the bottom, you’re looking up in tears, ready to scream for help. But you’re not sure who’s going to be there, and if the person who does show up, is going to be the person you need, the person who’s going to pick you up, and help you heal. And then you realize again, that you lost yourself. That in the midst of life happening all around you, you lost ability to be okay.
”
”
Sabrina K
“
Four brothers,” Daphne said, shoving the wicket into the ground, “provide quite a marvelous education.”
“The things you must have learned,” Kate said, quite impressed. “Can you give a man a black eye? Knock him to the ground?”
Daphne grinned wickedly. “Ask my husband.”
“Ask me what?” the duke called out from where he and Colin were placing a wicket on a tree root on the opposite side of the tree.
“Nothing,” the duchess called out innocently. “I’ve also learned,” she whispered to Kate, “when it’s best just to keep one’s mouth shut. Men are much easier to manage once you understand a few basic facts about their nature.”
“Which are?” Kate prompted.
Daphne leaned forward and whispered behind her cupped hand, “They’re not as smart as we are, they’re not as intuitive as we are, and they certainly don’t need to know about fifty percent of what we do.”
She looked around. “He didn’t hear that, did he?”
Simon stepped out from behind the tree. “Every word.”
Kate choked on a laugh as Daphne jumped a foot.
“But it’s true,” Daphne said archly.
Simon crossed his arms. “I’ll let you think so.” He turned to Kate. “I’ve learned a thing or two about women over the years.”
“Really?” Kate asked, fascinated.
He nodded and leaned in, as if imparting a grave state secret. “They’re much easier to manage if one allows them to believe that they are smarter and more intuitive than men. And,” he added with a superior glance at his wife, “our lives are much more peaceful if we pretend that we’re only aware of about fifty percent of what they do.”
Colin approached, swinging a mallet in a low arc. “Are they having a spat?” he asked Kate.
“A discussion,” Daphne corrected.
“God save me from such discussions,” Colin muttered.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
How about you get on my back? So in a way you’re not being carried – you’re riding me.” I paused and then winked.
Kat stared.
“What?” I laughed, and her eyes immediately narrowed.
“You should see yourself right now. Like a kitten – that’s what I keep telling you. Your hackles are raised.”
Her eyes rolled as she shuffled behind me. “You should conserve your energy and stop talking.”
“Ouch.”
“You’ll get over it.” She placed her hands on my shoulders. “Besides, you could be knocked down a peg or two.”
...
“Baby, I’m so far up the ladder there aren’t any pegs under me to be knocked down.”
“Wow”, she said. “That’s a new one.”
“You loved it.” .. “Hold on, Kitten. I’m going to start to glow just a little, and we’re going to go fast.”
“I like when you glow. It’s like having my own personal flashlight.”
I grinned. “Glad I can be of assistance.”
She patted my chest. “Giddy up.
”
”
Jennifer L. Armentrout (Origin (Lux, #4))
“
My arms broke free from my control. My left hand reached for his face, his hair, to wind my fingers in it.
My right hand was faster, was not mine.
Melanie's fist punched his jaw, knocked his face away from mine with a blunt, low sound. Flesh against flesh, hard and angry.
The force of it was not enough to move him far, but he scrambled away from me the instant our lips were no longer connected, gaping with horrorstruck eyes at my horrorstruck expression.
I stared down at the still-clenched fist, as repulsed as if I'd found a scorpion growing on the end of my arm. A gasp of revulsion choked its way out of my throat. I grabbed the right wrist with my left hand, desperate to keep Melanie from using my body for violence again.
I glanced up at Jared. He was staring at the fist I restrained, too, the horror fading, surprise taking its place. In that second, his expression was entirely defenseless. I could easily read his thoughts as they moved across his unlocked face.
This was not what he had expected. And he's had expectations; that was plain to see. This had been a test. A test he'd thought he was prepared to evaluate. But he'd been surprised.
Did that mean pass or fail?
The pain in my chest was not a surprise. I already knew that a breaking heart was more than an exaggeration.
In a flight-or-fight situation, I never had a choice; it would always be flight for me. Because Jared was between me and the darkness of the tunnel exit, I wheeled and threw myself into the box-packed hole.
I was sobbing because it had been a test, and, stupid, stupid, stupid, emotional creature that I was, I wanted it to be real.
Melanie was writhing in agony inside me, and it was hard to make sense of the double pain. I felt as thought I was dying because it wasn't real; she felt as though she was dying because, to her, it had felt real enough. In all that she'd lost since the end of the world, so long ago, she'd never before felt betrayed.
'No one's betrayed you, stupid,' I railed at her.
'How could he? How?' she ranted, ignoring me.
We sobbed beyond control.
One word snapped us back from the edge of hysteria.
From the mouth of the hole, Jared's low, rough voice - broken and strangely childlike - asked, "Mel?"
"Mel?" he asked again, the hope he didn't want to feel colouring his tone.
My breath caught in another sob, an aftershock.
"You know that was for you, Mel. You know that. Not for h- it. You know I wasn't kissing it."
"If you're in there, Mel..." He paused.
Melanie hated the "if". A sob burst up through my lungs and I gasped for air.
"I love you," Jared said. "Even if you're not there, if you can't hear me, I love you.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
Lord Cut-Glass, in his kitchen full of time, squats down alone to a dogdish, marked Fido, of peppery fish-scraps and listens to the voices of his sixty-six clocks, one for each year of his loony age, and watches, with love, their black-and-white moony loudlipped faces tocking the earth away: slow clocks, quick clocks, pendulumed heart-knocks, china, alarm, grandfather, cuckoo; clocks shaped like Noah's whirring Ark, clocks that bicker in marble ships, clocks in the wombs of glass women, hourglass chimers, tu-wit-tuwoo clocks, clocks that pluck tunes, Vesuvius clocks all black bells and lava, Niagara clocks that cataract their ticks, old time weeping clocks with ebony beards, clocks with no hands for ever drumming out time
without ever knowing what time it is. His sixty-six singers are all set at different hours. Lord Cut-Glass lives in a house and a life at siege. Any minute or dark day now, the unknown enemy will loot and savage downhill, but they will not catch him napping. Sixty-six different times in his fish-slimy kitchen ping, strike, tick, chime, and tock.
”
”
Dylan Thomas (Under Milk Wood)
“
The two men sat silent for a little, and then Lord Peter said:
"D'you like your job?"
The detective considered the question, and replied:
"Yes—yes, I do. I know it to be useful, and I am fitted to it. I do it quite well—not with inspiration, perhaps, but sufficiently well to take a pride in it. It is full of variety and it forces one to keep up to the mark and not get slack. And there's a future to it. Yes, I like it. Why?"
"Oh, nothing," said Peter. "It's a hobby to me, you see. I took it up when the bottom of things was rather knocked out for me, because it was so damned exciting, and the worst of it is, I enjoy it—up to a point. If it was all on paper I'd enjoy every bit of it. I love the beginning of a job—when one doesn't know any of the people and it's just exciting and amusing. But if it comes to really running down a live person and getting him hanged, or even quodded, poor devil, there don't seem as if there was any excuse for me buttin' in, since I don't have to make my livin' by it. And I feel as if I oughtn't ever to find it amusin'. But I do.
”
”
Dorothy L. Sayers (Whose Body? (Lord Peter Wimsey, #1))
“
Who is Aslan?” asked Susan.
“Aslan?” said Mr. Beaver, “Why, don’t you know? He’s the King. He’s the Lord of the whole wood, but not often here, you understand. Never in my time or my father’s time. But the word has reached us that he has come back. He is in Narnia at this moment. He’ll settle the White Queen all right. It is he, not you, that will save Mr. Tumnus.”
“She won’t turn him into stone too?” said Edmund.
“Lord love you, Son of Adam, what a simple thing to say!” answered Mr. Beaver with a great laugh. “Turn him into stone? If she can stand on her two feet and look him in the face it’ll be the most she can do and more than I expect of her. No, no. He’ll put all to rights, as it says in an old rhyme in these parts:
Wrong will be right, when Aslan comes in sight,
At the sound of his roar, sorrows will be no more,
When he bares his teeth, winter meets its death
And when he shakes his mane, we shall have spring again.
You’ll understand when you see him.”
“But shall we see him?” asked Susan.
“Why, Daughter of Eve, that’s what I brought you here for. I’m to lead you where you shall meet him,” said Mr. Beaver.
“Is--is he a man?” asked Lucy.
“Aslan a man!” said Mr. Beaver sternly. “Certainly not. I tell you he is the King of the wood and the son of the great Emperor-Beyond-the-Sea. Don’t you know who is the King of Beasts? Aslan is a lion--the Lion, the great Lion.”
“Ooh!” said Susan, “I’d thought he was a man. Is he--quite safe? I shall feel rather nervous about meeting a lion.”
“That you will, dearie, and no mistake,” said Mrs. Beaver. “If there’s anyone who can appear before Aslan without their knees knocking, they’re either braver than most or else just silly.”
“Then he isn’t safe?” said Lucy.
“Safe?” said Mr. Beaver. “Don’t you hear what Mrs. Beaver tells you? Who said anything about safe? ’Course he isn’t safe. But he’s good. He’s the King, I tell you.
”
”
C.S. Lewis (The Chronicles of Narnia The Lion, the Witch & the Wardrobe)
“
Tatiana turns to him, looks up at him, and smiles. “Do you know what a happy ending is to a Russian?” she says. “When the hero, at the end of his own story, finally learns the reason for his suffering.” Taking another swig of Coke, Alexander says, “Your jokes are getting so lame.” He knocks into her with his stretched-out leg. She takes hold of his hand. “What?” he asks. “Nothing, soldier,” says Tatiana. He is thinking of sailboats in distant oceans, the desert from dimmest childhood, the ghost of fortune, the girl on the bench. When he saw her, he saw something new. He saw it because he wanted to see it, because he wanted to change his life. He stepped off the curb and out of the deadfall. To cross the street. To follow her. And she will give your life meaning, she will save you. Yes, yes—to cross. “We’ll meet again in Lvov, my love and I ...” Tatiana hums, eating her ice cream, in our Leningrad, in jasmine June, near Fontanka, the Neva, the Summer Garden, where we are forever young.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
There is a saturation of books on Amazon due to a sudden get-rich-quick surge in "everyone can be authors" seminars similar to the house flipping ones in the early 2000s which led to the housing bubble and an economic slowdown in the U.S. To distinguish quality books from those get-rich-quick ones, look at the author's track record - worldwide recognition as books that garnered credible awards, authors who speak at book industry events, authors who speak at schools, authors whose books are reference materials and reading sources at school and libraries. Get-rich books have a system to get over 500 reviews quickly, manipulates the Kindle Unlimited algorithm, and encourage collusion in the marketplace to knock out rivals. Be wary of trolls who are utilized to knock down the rankings of rival's books too. Once people have heard there is money to be made as a self-published author, just like house flipping, a cottage industry has risen to take advantage of it and turn book publishing into a get rich scheme, which is a shame for all the book publishers and authors, like me, who had published for the love of books, to write to help society, and for the love of literature. Kailin Gow, Parents and Books
”
”
Kailin Gow
“
A house that lacks, seemingly, mistress and master,
With doors that none but the wind ever closes,
Its floor all littered with glass and with plaster;
It stands in a garden of old-fashioned roses.
I pass by that way in the gloaming with Mary;
'I wonder,' I say, 'who the owner of those is.'
'Oh, no one you know,' she answers me airy,
'But one we must ask if we want any roses.'
So we must join hands in the dew coming coldly
There in the hush of the wood that reposes,
And turn and go up to the open door boldly,
And knock to the echoes as beggars for roses.
'Pray, are you within there, Mistress Who-were-you?'
'Tis Mary that speaks and our errand discloses.
'Pray, are you within there? Bestir you, bestir you!
'Tis summer again; there's two come for roses.
'A word with you, that of the singer recalling--
Old Herrick: a saying that every maid knows is
A flower unplucked is but left to the falling,
And nothing is gained by not gathering roses.'
We do not loosen our hands' intertwining
(Not caring so very much what she supposes),
There when she comes on us mistily shining
And grants us by silence the boon of her roses.
”
”
Robert Frost
“
Someone knocked on the back door. He push back the chair and had to pause. The wolf was angry that someone had breached his sanctuary. Not even his pack had been brave enough the past few days to approch him in his home.
By the time he stalked into the kitchen, he had it mostly under control. He jerked open the back door and expect to see one of his wolves. But it was Mercy.
She didn't look cheerful—but then, she seldom did when she had to come over and talk to him. She was tough and independent and not at all happy to have him interfere in any way with that independence. It had been a long time since someone had bossed him around the way she did—and he liked it. More than a wolf who'd been Alpha for twenty years ought to like it.
She smelled of burnt car oil, Jasmine from the shampoo she'd been using that month, and chocolate. Or maybe that last was the cookies on the plate she handed him.
"Here," she said stiffly. And he realize it was shyness in the corner of her mouth. "Chocolate usually helps me regain my balance when life kicks me in the teeth."
She didn't wait for him to say anything, just turned around and walked back to her house.
He took the cookies back to the office with him. After a few minutes, he ate one. Chocolate, thick and dark, spread across his tongue, it's bitterness alleviated by a sinfull amount of brown sugar and vanilla. He'd forgotten to eat and hadn't realized it.
But it wasn't the chocolate or the food that made him feel better. It was Mercy's kindness to someone she viewed as her enemy. And right at that moment, he realized something. She would never love him for what she could do for her.
He ate another cookie before getting up to make himself dinner.
”
”
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
“
You've won," Jack said softly. He looked at Mimi with such fiery hatred that she almost cowered at his words. But she was no weakling. She was Azrael, and Azrael did not cower, not even to Abbadon.
"I've won nothing," Mimi replied coldly. "Please remember that almost all of the Elders are dead, that the
Dark Prince is ascendant, and what is left of the Conclave is being led by a broken man who used to be the strongest of us all. And yet all you seem to care about, my darling, is that you no longer get to play with your little love toy."
Instead of answering her, Jack flew across the room and slapped her hard across the face, sending her
crashing to the floor. But before he could wield another blow, Mimi leaped up and slammed him against the window, knocking him completely out of breath.
"Is this what you want?" she hissed as she lifted him up by his shirt collar, his face turning a ghastly shade of red.
"Don't let me destroy you," he sneered.
"Just try, my sweet."
Jack twisted out of her grasp and flipped her over, kicking her down the length of the room. She sprung up with her hands clenched, her nails sharp as claws, and fangs bared. They met halfway in the air, and Jack put a hand on her throat and began to squeeze. But she scratched at his eyes and wrenched her body so that she was rolling on top of him, her sword at his throat, with the upper hand.
SUBMIT. Mimi sent.
NEVER.
”
”
Melissa de la Cruz
“
I can text in complete sentences. Oh, yeah, it’s a skill.” He smiled, proud of his accomplishments. “And, thanks to my mom being a competitive dancer as a teen, I know how to do the Lindy hop and the jitterbug.”
I sat bolt upright, and Akinli rolled his eyes.
“I swear, if you tell me you can jitterbug, I’m going to . . . I don’t even know. Set something on fire. No one can dance like that.”
I pursed my lips and dusted off my shoulder, a thing I’d seen Elizabeth do when she was bragging.
As if he was accepting a challenge, he shrugged off his backpack and stood, holding out a hand for me.
I took it and positioned myself in front of him as he shook his head, grinning.
“All right, we’ll take this slow. Five, six, seven, eight.”
In unison, we rock stepped and triple stepped, falling into the rhythm in our head. After a minute, he got brave and swung me around, lining me up for those peppy kicks I loved so much.
People walked by, pointing and laughing, but it was one of those moments when I knew we weren’t being mocked; we were being envied.
We stepped on each other’s toes more than once, and after he accidentally knocked his head into my shoulder, he threw his hands up.
“Unbelievable,” he said, almost as if he was complaining. “I can’t wait to tell my mom this. She’s gonna think I’m lying. All those years dancing in the kitchen thinking I was special, and then I run across a master.
”
”
Kiera Cass (The Siren)
“
I wonder, for example, if the twins’ piano training had given them the Tomaini brand of dexterity with hand jobs? Could a non-musician learn it? Could I?
Children stumble through these most critical acts with no real help from the elders who are so anxious to teach them everything else. We were given rules and taboos for the toilet, the sneeze, the eating of an artichoke. Papa taught us all a particular brush stroke for cleaning our teeth, a special angle for the pen in our hand, the exact words for greeting elders, with fine-tuned distinctions for male, female, show folk, customers, or tradesmen. The twins and Arty were taught to design an act, whether it lasted three minutes or thirty, to tease, coax, and startle a crowd, to build to crescendo and then disappear in the instant of climax. From what I have come to understand of life, this show skill, this talk-’em, sock-’em, knock-’em-flat information, is as close as we got to that ultimate mystery. I throw death aside. Death is not mysterious. We all understand death far too well and spend chunks of life resisting, ignoring, or explaining away that knowledge.
But this real mystery I have never touched, never scratched. I’ve seen the tigers with their jaws wide, their fangs buried in each other’s throats, and their shadowed hides sizzling, tip to tip. I’ve seen the young norms tangled and gasping in the shadows between booths. I suspect that, even if I had begun as a norm, the saw-toothed yearning that whirls in me would bend me and spin me colorless, shrink me, scorch every hair from my body, and all invisibly so only my red eyes would blink out glimpses of the furnace thing inside. In fact, I smell the stench of longing so clearly in the streets that I’m surprised there are not hundreds exactly like me on every corner.
”
”
Katherine Dunn (Geek Love)
“
I made it three days before the text messages started one afternoon while I was trying to finish warming up before our afternoon session. I had gotten to the LC later than usual and had gone straight to the training room, praising Jesus that I’d decided to change my clothes before leaving the diner once I’d seen what time it was and had remembered lunchtime traffic was a real thing. I was in the middle of stretching my hips when my phone beeped from where I’d left it on top of my bag. I took it out and snickered immediately at the message after taking my time with it.
Jojo: WHAT THE FUCK JASMINE
I didn’t need to ask what my brother was what-the-fucking over. It had only been a matter of time. It was really hard to keep a secret in my family, and the only reason why my mom and Ben—who was the only person other than her who knew—had kept their mouths closed was because they had both agreed it would be more fun to piss off my siblings by not saying anything and letting them find out the hard way I was going to be competing again.
Life was all about the little things.
So, I’d slipped my phone back into my bag and kept stretching, not bothering to respond because it would just make him more mad.
Twenty minutes later, while I was still busy stretching, I pulled my phone out and wasn’t surprised more messages appeared.
Jojo: WHY WOULD YOU NOT TELL ME
Jojo: HOW COULD YOU DO THIS TO ME
Jojo: DID THE REST OF YOU KEEP THIS FROM ME
Tali: What happened? What did she not tell you?
Tali: OH MY GOD, Jasmine, did you get knocked up?
Tali: I swear, if you got knocked up, I’m going to beat the hell out of you. We talked about contraception when you hit puberty.
Sebastian: Jasmine’s pregnant?
Rubes: She’s not pregnant.
Rubes: What happened, Jojo?
Jojo: MOM DID YOU KNOW ABOUT THIS
Tali: Would you just tell us what you’re talking about?
Jojo: JASMINE IS SKATING WITH IVAN LUKOV
Jojo: And I found out by going on Picturegram. Someone at the rink posted a picture of them in one of the training rooms. They were doing lifts.
Jojo: JASMINE I SWEAR TO GOD YOU BETTER EXPLAIN EVERYTHING RIGHT NOW
Tali: ARE YOU KIDDING ME? IS THIS TRUE?
Tali: JASMINE
Tali: JASMINE
Tali: JASMINE
Jojo: I’m going on Lukov’s website right now to confirm this
Rubes: I just called Mom but she isn’t answering the phone
Tali: She knew about this. WHO ELSE KNEW?
Sebastian: I didn’t. And quit texting Jas’s name over and over again. It’s annoying. She’s skating again. Good job, Jas. Happy for you.
Jojo: ^^ You’re such a vibe kill
Sebastian: No, I’m just not flipping my shit because she got a new partner.
Jojo: SHE DIDN’T TELL US FIRST THO. What is the point of being related if we didn’t get the scoop before everybody else?
Jojo: I FOUND OUT ON PICTUREGRAM
Sebastian: She doesn’t like you. I wouldn’t tell you either.
Tali: I can’t find anything about it online.
Jojo: JASMINE
Tali: JASMINE
Jojo: JASMINE
Tali: JASMINE
Tali: Tell us everything or I’m coming over to Mom’s today.
Sebastian: You’re annoying. Muting this until I get out of work.
Jojo: Party pooper
Tali: Party pooper
Jojo: Jinx
Tali: Jinx
Sebastian: Annoying
...
I typed out a reply, because knowing them, if I didn’t, the next time I looked at my phone, I’d have an endless column of JASMINE on there until they heard from me.
That didn’t mean my response had to be what they wanted.
Me: Who is Ivan Lukov?
”
”
Mariana Zapata (From Lukov with Love)
“
Church is messed up. I know that. People, including me, have been hurt by it. But as my United Church of Christ pastor friend Heather says, “Church isn’t perfect. It’s practice.” Among God’s people, those who have been knocked on their asses by the grace of God, we practice giving and receiving the undeserved. And receiving grace is basically the best shitty feeling in the world. I don’t want to need it. Preferably I could just do it all and be it all and never mess up. That may be what I would prefer, but it is never what I need. I need to be broken apart and put back into a different shape by that merging of things human and divine, which is really screwing up and receiving grace and love and forgiveness rather than receiving what I really deserve. I need the very thing that I will do everything I can to avoid needing. The sting of grace is not unlike the sting of being loved well, because when we are loved well, it is inextricably linked to all the times we have not been loved well, all the times we ourselves have not loved others well, and all the things we’ve done or not done that feel like evidence against our worthiness.
”
”
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
“
10 facts about abusive relationships (what i wish i'd known)
1. it's not always loud. it's not always obvious. the poison doesn't always hit you like a gunshot. sometimes, it seeps in quietly, slowly. sometimes, you don't even know it was ever there until months after.
2. love is not draining. love is not tiring. this is not how it is supposed to be.
3. apologies are like band-aids, when what you really need is stitches– they don't actually fix anything long-term. soon enough, you'll be bleeding again, but they will never give you what you really need.
4. this is not your fault. you did not turn them into this. this is how they are, how they've always been. you can't blame yourself.
5. there will be less good days than bad days but the good days will be so amazing that it will feel like everything is better than it actually is. your mind is playing tricks on itself and your heart is trying to convince itself that it made the right choice.
6. they do not love you. they can not love you. this is not love.
7. you're not wrong for wanting to run, so do it. listen to what your gut is telling you.
8. you will let them come back again and again before you realize that they only change long enough for you to let them in one more time.
9. it's okay to be selfish and leave. there is never any crime in putting yourself first. when they tell you otherwise, don't believe them. don't let them tear you down. they want to knock you off your feet so that they can keep you on the ground.
10. after, you will look back on this regretting all the chances given, all the time wasted. you will think about what you know now, and what you would do differently if given the chance. part of you will say that you would never have even given them the time of the day, but another part of you, the larger one, will say that even after everything, you wouldn't have changed a thing. and as much as it will bother you, eventually, you will realize that that is the part that is right. because as much as it hurts, as much as you wish you'd never felt that pain, it has taught you something. it has helped you grow. they brought you something that you would have never gotten from somebody else. at the end of the day, you will accept that even now, you wouldn't go about it differently at all.
”
”
Catarine Hancock (how the words come)
“
She pushed and elbowed and knocked and strained to catch him, and finally, she did, reaching out for his hand--adoring the fact that neither of them wore gloves, loving the way their skin came together, the way his brought wonderful heat in a lush, irresistible current.
He felt it too.
She knew it because he stopped the instant they touched, turning to face her, grey eyes wild as Devonshire rain. She knew it because he whispered her name, aching and beautiful and soft enough for only her to hear.
And she it because his free hand rose, captured her jaw and titled her face up to him even as he leaned down and stole her lips and breath and thought in a kiss that she would never in her lifetime forget.
The was like food and drink, like sleep, like breath. She needed it with the same elemental desire and she cared not a bit that all of London was watching. Yes, she was masked, but it did not matter. She would have stripped to her chemise for this kiss. To her skin.
Their fingers still intertwined, he wrapped their arms behind her back and pulled her to him, claiming her mouth with lips and tongue and teeth, marking her with one long luscious kiss that went on and on until she thought she might die from the pleasure of it. Her free hand was in his hair then, tangling in the soft locks, loving their silky promise.
She was lost, claimed and fairly consumed by the intensity of the kiss, and for the first time in her life, Pippa gave herself up to emotion, pouring every bit of her desire and her passion and her fear and her need into this moment This caress.
This man.
This man, who was everything she had never allowed herself to dream she would find.
This man, who made her believe in friendship. In partnership..
In love
”
”
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
“
My heart has been broken a million times by the same hand, yet I would let it happen a million times again if it meant it was by you.
I was weaker than I thought / my heart sagging like the stems of uncut, unkempt flowers because of the sunlight you held in your faraway heart / Maybe you weren't mine to love / I think I'm falling
The wallpaper above her bed frame was glued in my brain the way it was glued against her walls / I got so close to running my fingers against it / I wish I felt the confidence to tell you the truth, as strongly as I felt stubborn to hide it
Do you hear that? That's my heart knocking against my chest at the sight of you / I've never heard anything more terrifying / how could you provide me air and suffocate me at the same time?
Blue hydrangeas, pink tulips, red bleeding hearts / it's all you ever loved, but never yourself / I never understood why anyone spoke poorly of the color brown, it was a dream on you
And that kiss... I think about it all the time / was it wrong of me to think of you when you were never mine? / I feel lucky to have had you, but dismayed to know what life is like without you
Don't worry if the flowers pass, I'll be right there to plant you more / and when the soil grows old, I'll comfort it in the chaos of the storm
Am I a ghost in your story? / because you look at me with conviction when I don't even know the crime I committed
Burden me with your secrets / so I can carry the weight you're so fearful of letting go
To be close to you was to be haunted by what I couldn't have and to be reminded of how much I truly wanted you / and I'd be lying if I said I never thought about where my hands would take me across your body
Midnights and daydreaming hours of retracing steps to how we possibly got here / how did I ever let time pass this long without seeing you? / my heart was so full of our memories that painted my body like a scrapbook
I tried to stop loving you, but along the way, you found your way into the sound of my laugh, the style of my writing, and the threads of my clothes / I would've gone down on my knees just to hear you say yes
Neck stiff, legs weak, eyes set on what we could've looked like if you hadn't left / 'moving on' was a broken record that I never had the strength to lift the needle off of / If hearts were meant to love then why did mine feel so empty? / and suddenly, I fell
Glances, gazes, eyes following places they shouldn't have seen / intimacy was to be seen by you; free falling was to be touched by you / there was no such thing as a crowded room where you stood
She lives in between the pinks and yellows of the world / where a beautiful color is unknown to others / and when she speaks, I become a bee enthralled in a field of daisies
”
”
Liana Cincotti (Picking Daisies on Sundays (Picking Daisies on Sundays, #1))
“
I reach for her. 'I'm so sorry I had to keep...' My words die on my tongue as she steps back, avoiding me.
'Not happening.' A world of hurt flashes in those hazel eyes, and I fucking wither. 'Just because I believe you and am willing to fight with you doesn't mean I'll trust you with my heart again. and I can't be with someone I don't trust.'
Something in my chest crumples. 'I've never lied to you, Violet. Not once. I never will.'
She walks over to the window and looks down, then slowly turns back to me. 'It's not even that you kept this from me. I get it. It's the ease with which you did it. The ease with which I let you into my hear and didn't get the same in return.' She shakes her head, and I see it there, the love, but it's masked behind defences I foolishly forced her to build.
I love her. Of course I love her. But if I tell her now, she'll think I'm doing it for all the wrong reasons, and honestly, she'd be right.
I'm not going to lose the only woman I've ever fallen for without a fight. 'You're right. I kept secrets,' I admit, pressing forward again, taking step after step until I'm less than a foot from her. I palm the glass on both sides of her head, loosely caging her in, but we both know she could walk away if she wanted. But she doesn't move. 'It took me a long time to trust you, a long time to realise I fell for you.'
Someone knocks, I ignore it.
'Don't say that.' She lifts her chin, but I don't miss the way she glances at my mouth.
'I fell for you.' I lower my head and look straight into her gorgeous eyes. She might be rightfully pissed, but she sure as Malek isn't fickle. 'And you know what? You might not trust me anymore, but you still love me.'
Her lips part, but she doesn't deny it. 'I gave you my trust for free once, and once is all you get.' She masks the hurt with a quick blink.
Never again. Those eyes will never reflect hurt I've inflicted ever again.
'I fucked up by not telling you sooner, and I won't even try to justify my reasons. But now I'm trusting you with my life- with everyone's lives.' I've risked it all by just bringing her here instead of taking her body back to Basgiath. 'I'll tell you anything you want to know and everything you don't. I'll spend every single day of my life earning back your trust.'
I'd forgotten what it felt like to be loved, really, truly, loved- it'd been so many years since Dad died. And mom... Not going there. But then Violet gave me those words, gave me her trust, her heart, and I remembered. I'll be damned if I don't fight to keep them.
'And if it's not possible?'
'You still love me. It's possible.' Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. 'I'm not afraid of hard work, especially not when I know just how sweet the rewards are.. I would rather lose this entire war than live without you, and if that means I have to prove myself, over and over, then I'll do it. You gave me your heart, and I'm keeping it.' She already owns mine, even if she doesn't realise it.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
To-day all our novels and newspapers will be found to be swarming with numberless allusions to the popular character called a Cave-Man. He seems to be quite familiar to us, not only as a public character but as a private character. His psychology is seriously taken into account in psychological fiction and psychological medicine. So far as I can understand, his chief occupation in life was knocking his wife about, or treating women in general with what is, I believe, known in the world of the film as 'rough stuff.' I have never happeend to come upon the evidence for this idea; and I do not know on what primitive diaries or prehistoric divorce-reports it is founded. Nor, as I have explained elsewhere, have I ever been able to see the probability of it, even considered a priori. We are always told without any explanation or authority that primitive man waved a club and knocked the woman down before he carried her off. But on every animal analogy, it would seem an almost morbid modesty and reluctance, on the part of the lady, always to insist on being knocked down before consenting to be carried off. And I repeat that I can never comprehend why, when the male was so very rude, the female should have been so very refined. The cave-man may have been a brute, but there is no reason why he should have been more brutal than the brutes. And the loves of the giraffes and the river romances of the hippopotami are affected without any of this preliminary fracas or shindy.
”
”
G.K. Chesterton (The Everlasting Man)
“
1
One went to the door of the Beloved and knocked.
A voice asked: “Who is there?” He answered: “It is I.”
The voice said: “There is no room here for me and thee.”
The door was shut.
After a year of solitude and deprivation
this man returned to the door of the Beloved.
He knocked.
A voice from within asked: “Who is there?”
The man said: “It is Thou.”
The door was opened for him.
2
The minute I heard my first love story,
I started looking for you, not knowing
how blind that was.
Lovers don’t finally meet somewhere,
they’re in each other all along.
3
Love is from the infinite, and will remain until eternity.
The seeker of love escapes the chains of birth and death.
Tomorrow, when resurrection comes,
The heart that is not in love will fail the test.
4
When your chest is free of your limiting ego,
Then you will see the ageless Beloved.
You can not see yourself without a mirror;
Look at the Beloved, He is the brightest mirror.
5
Your love lifts my soul from the body to the sky
And you lift me up out of the two worlds.
I want your sun to reach my raindrops,
So your heat can raise my soul upward like a cloud.
6
There is a candle in the heart of man, waiting to be kindled.
In separation from the Friend, there is a cut waiting to be
stitched.
O, you who are ignorant of endurance and the burning
fire of love–
Love comes of its own free will, it can’t be learned
in any school.
7
There are two kinds of intelligence: one acquired,
as a child in school memorizes facts and concepts
from books and from what the teacher says,
collecting information from the traditional sciences
as well as from the new sciences.
With such intelligence you rise in the world.
You get ranked ahead or behind others
in regard to your competence in retaining
information. You stroll with this intelligence
in and out of fields of knowledge, getting always more
marks on your preserving tablets.
There is another kind of tablet, one
already completed and preserved inside you.
A spring overflowing its springbox. A freshness
in the center of the chest. This other intelligence
does not turn yellow or stagnate. It’s fluid,
and it doesn’t move from outside to inside
through conduits of plumbing-learning.
This second knowing is a fountainhead
from within you, moving out.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
There, I saw Adam messing around with a container of tic tacs. I had found the source of the cinnamon taste of his kisses. He looked up.
"Want one?" he offered.
"Sure, thanks," I replied. He proceeded to knock exactly one tic tac into his palm and hand it to me. "Are you sure you can spare this?" I asked solemnly.
"How many did you want?"
"Well, more than one. Who gives somebody one tic tac? Would it kill to be a little more generous? some psychologist somewhere probably has some theory about one tic tac givers and fear of commitment."
"Fear of commitment, my ass. You should be committed, you loon. If you were intended to have more than one tic tac, they would have just made tic tacs bigger. This is regulation sized tic tac, and it should be more than enough to satisfy your breath freshening needs," he said, sounding affronted.
"A tic tac is not merely a breath freshener, it is a candy," I pointed out, voice rising in anger. Who was he calling a loon? "And they make them small on purpose, so you'll think you're getting more, and so you'll run out faster when someone asks for one, and you will give them a few!"
"Why would someone ask for A tic tac when they really wanted several tic tacs? What does that say about their psychology?! Why not be honest from the get-go about what you want?!" he shouted back at me.
" I didn't ask for one! You offered me one, God damn it!"
"And as for your other points, it is primarily a breath freshener, and maybe you should alert the media about your great tic tac size conspiracy!"
"I can't believe we're fighting about motherfucking tic tacs!" I screamed and the two of us glowered each other across my desk for several seconds before smiles slowly appeared on both of our faces.
"Want to have make-up sex?" he asked.
"Yeah, let's go," I said, getting up and heading for the bedroom.
”
”
N.M. Silber (Legal Briefs (Lawyers in Love, #3))
“
Again I waited - oh, but for a brief interval: I presently distinguished an extraordinary shuffling and stamping of feet on the staircase, on the floors, on the carpets; a sound not only of boots and' human shoes, but tapping of crutches, of crutches of wood, and knocking of iron crutches which clanged like cymbals. And behold, I perceived, all at once, on the door sill, an armchair, my large reading chair, which came waddling out. Right into the garden it went, followed by others, the chairs of my drawing room, then the comfortable settee, crawling like crocodiles on their short legs; next, all my chairs bounding like goats,and the small footstools which followed like rabbits.
Oh, what a hideous surprise! I stepped back behind the shrubs, where I stayed, crouched and watching this procession of my furniture; for out they all came, one behind the other, quickly or slowly according to their form and weight. My piano - my large grand piano - passed at a canter like a horse, with a faint murmur of music from within; the smallest objects crawled on the gravel like ants - brushes, glasses and cups glistening in the rays of the moon with phosphorescence like glowworms. The curtains, tablecloths and, draperies wriggled along, with their feelers in the puddles like the cuttle-fish in the sea. Suddenly I beheld my pet bureau, a rare specimen of the last century, and which contained all my correspondence, all my love letters, the whole history of my heart, an old history of how much I have suffered!
And within, besides, were, above all, certain photographs! ("Who Knows?")
”
”
Guy de Maupassant (Ghostly By Gaslight)
“
Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.
”
”
Joyce Cary (The Horse's Mouth)
“
HOW CAN A GOOD GOD SEND PEOPLE TO HELL? This question assumes that God sends people to hell against their will. But this is not the case. God desires everyone to be saved (see 2 Peter 3:9). Those who are not saved do not will to be saved. Jesus said, “O Jerusalem, Jerusalem, you who kill the prophets and stone those sent to you, how often I have longed to gather your children together, as a hen gathers her chicks under her wings, but you were not willing” (Matthew 23:37). As C. S. Lewis put it, “The door of hell is locked on the inside.” All who go there choose to do so. Lewis added: “There are only two kinds of people in the end: those who say to God, ‘Thy will be done,’ and those to whom God says, in the end, ‘Thy will be done.’ All that are in hell, choose it.” Lewis believed “without that self-choice there could be no hell. No soul that seriously and constantly desires joy will ever miss it. Those who seek find. To those who knock it is opened.”5 Furthermore, heaven would be hell for those who are not fitted for it. For heaven is a place of constant praise and worship of God (Revelation 4–5). But for unbelievers who do not enjoy one hour of worship a week on earth, it would be hell to force them to do this forever in heaven! Hear Lewis again: “I would pay any price to be able to say truthfully ‘All will be saved.’ But my reason retorts, ‘Without their will, or with it?’ If I say ‘Without their will,’ I at once perceive a contradiction; how can the supreme voluntary act of self-surrender be involuntary? If I say ‘With their will,’ my reason replies ‘How if they will not give in?’”6 God is just and he must punish sin (Habakkuk 1:13; Revelation 20:11–15). But he is also love (1 John 4:16), and his love cannot force others to love him. Love cannot work coercively but only persuasively. Forced love is a contradiction in terms. Hence, God’s love demands that there be a hell where persons who do not wish to love him can experience the great divorce when God says to them, “Thy will be done!
”
”
Ravi Zacharias (Who Made God?: And Answers to Over 100 Other Tough Questions of Faith)
“
Gustavo Tiberius speaking."
“It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.”
“It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.”
“Oh boy, there’s the Grumpy Gus I know. You miss me?”
Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.”
“Really.”
“Yes.”
“Gus.”
“Casey.”
“I miss you.”
“I miss you too,” Gus mumbled into the phone, blushing fiercely.
“Yeah? How much?”
Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.”
“I know what you mean,” Casey said. “The guys were saying the same thing about me.”
Gus smiled. “How embarrassing for you.”
“Completely. You have no idea.”
“They’re going to get you packed up this week?”
“Ah, yeah. Sure. Something like that.”
“Casey.”
“Yes, Gustavo.”
“You’re being cagey.”
“I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.”
Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?”
There was a knock on the window to the Emporium. Gus looked up.
Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen.
Casey wiggled his eyebrows at Gus. “Hey, man.”
“Hi,” Gus croaked.
“Come over here, but stay on the phone, okay?”
Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal.
Gus went to the window, and Casey smiled that lazy smile.
He said, “Hi.”
Gus said, “Hi.”
“So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?”
“I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close.
The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.”
Gus didn’t even try to stop the eye roll. “Oh my god.”
“Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.”
“What did?”
Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?”
“Yeah?”
“I’m going to ask you a question, okay?”
Gustavo’s throat felt very dry. “Okay.”
“What was the Oscar winner for Best Song in 1984?”
Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to—
And then he could barely breathe.
Casey’s smile wobbled a little bit. “Okay?”
Gus blinked the burn away. He nodded as best he could.
And Casey said, “Yeah, man. I love you too.”
Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.
”
”
T.J. Klune (How to Be a Normal Person (How to Be, #1))
“
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms."
My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff.
"No,Nate," we say.
He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut.
Condoms.Oh my God, how humiliating.
St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that?
We reach the landing,and St. Clair scratches his head. "Er..."
"So..."
"I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully.
"Yeah.Me too.I'm going to...get ready for bed,too."
"See you in a minute?"
I swell with relief. "Up there or down here?"
"Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him.
Like I'd even know how.
St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing.
"Room service," he says.
My mind goes...blank. "Ha ha," I say weakly.
He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something.
After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says.
"It's okay."
"..."
"..."
"Anna?"
"Yeah?"
"Thanks for letting me sleep here again. Last night..."
The pressure inside my chest is torturous. What? What what what?
"I haven't slept that well in ages."
The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
It’s your fault that I’ve been reduced to such behavior,” he continued. “I assure you, I myself find it appalling that the only pleasure I obtain these days is chasing after you like an adolescent lordling with a housemaid.”
“Did you chase after the housemaids when you were a boy?”
“Good God, of course not. How could you ask such a thing?” Sebastian looked indignant. Just as she felt a twinge of guilt and began to apologize, he said smugly, “They chased after me.”
Evie raised a cue stick as if to crown him with it.
He caught her wrist easily in one hand and pried the stick from her fingers. “Easy, firebrand. You’ll knock out the few wits I have left—and then of what use would I be to you?”
“You would be purely ornamental,” Evie replied, giggling.
“Ah, well, I suppose there’s some value in that. God help me if I should ever lose my looks.”
“I wouldn’t mind.”
He gave her a quizzical smile. “What?”
“If…” Evie paused, suddenly embarrassed. “If anything happened to your looks…if you became…less handsome. Your appearance wouldn’t matter to me. I would still…” She paused and finished hesitantly, “…want you as my husband.”
Sebastian’s smile faded slowly. He gave her a long, intent stare, her wrist still clasped in his hand. Something strange crossed his expression…an undefinable emotion wrought of heat and vulnerability. When he answered, his voice was strained from the effort to sound cavalier. “Without a doubt, you’re the first one who’s ever said that to me. I hope you won’t be such a pea goose as to endow me with characteristics that I don’t have.”
“No, you’re endowed enough as it is,” Evie replied, before the double meaning of the statement occurred to her. She burned a brilliant scarlet. “Th-that is…I didn’t mean…”
But Sebastian was laughing quietly, the odd tension passing, and he pulled her against him. As she responded to him eagerly, his amusement dissolved like sugar in hot liquid. He kissed her longer, harder, his breath striking her cheek in rapid drives.
“Evie,” he whispered, “you’re so warm, so lovely…oh, hell. I’ve got two months, thirteen days and six hours before I can take you to my bed. Little she-devil. This is going to be the death of me.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
I have something for you,” she said as she pulled his leather gloves from the sleeve of her prison tunic.
He stared at them. “How—”
“I got them from the discarded clothes. Before I made the climb.”
“Six stories in the dark.”
She nodded. She wasn’t going to wait for thanks. Not for the climb, or the gloves, or for anything ever again.
He pulled the gloves on slowly, and she watched his pale, vulnerable hands disappear beneath the leather. They were trickster hands—long, graceful fingers made for prying open locks, hiding coins, making things vanish.
“When we get back to Ketterdam, I’m taking my share, and I’m leaving the Dregs.”
He looked away. “You should. You were always too good for the Barrel.”
It was time to go. “Saints’ speed, Kaz.”
Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…”
She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow.
She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself.
“If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?”
His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough.
She dropped her hand. He took a deep breath.
Kaz had said he didn’t want her prayers and she wouldn’t speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I would choose you." The words were out before he thought better of them, and there was no way to pull them back.
Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully.
"As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters.
And a fine general you are.
There could be no better leader.
You may be prickly, but that what Ravka needs.
So many easy replies.
Instead he said, "As my queen."
He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far.
"Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets."
"I do trust you more than myself sometimes- and I think very highly of myself."
Hadn't she said there was no one else she'd choose to have her back in a fight?
But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines.
"I would make you my queen because I want you. I want you all the time."
She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision."
He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you."
Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop.
"I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day."
She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm.
Then she pulled back her hand, cradling her fingers as if they'd been singed.
"You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs."
"And if you're the queen I want?"
...
She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon."
Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung.
"Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?"
Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
Girls aside, the other thing I found in the last few years of being at school, was a quiet, but strong Christian faith – and this touched me profoundly, setting up a relationship or faith that has followed me ever since.
I am so grateful for this. It has provided me with a real anchor to my life and has been the secret strength to so many great adventures since.
But it came to me very simply one day at school, aged only sixteen.
As a young kid, I had always found that a faith in God was so natural. It was a simple comfort to me: unquestioning and personal.
But once I went to school and was forced to sit through somewhere in the region of nine hundred dry, Latin-liturgical, chapel services, listening to stereotypical churchy people droning on, I just thought that I had got the whole faith deal wrong.
Maybe God wasn’t intimate and personal but was much more like chapel was … tedious, judgemental, boring and irrelevant.
The irony was that if chapel was all of those things, a real faith is the opposite. But somehow, and without much thought, I had thrown the beautiful out with the boring. If church stinks, then faith must do, too.
The precious, natural, instinctive faith I had known when I was younger was tossed out with this newly found delusion that because I was growing up, it was time to ‘believe’ like a grown-up.
I mean, what does a child know about faith?
It took a low point at school, when my godfather, Stephen, died, to shake me into searching a bit harder to re-find this faith I had once known.
Life is like that. Sometimes it takes a jolt to make us sit and remember who and what we are really about.
Stephen had been my father’s best friend in the world. And he was like a second father to me. He came on all our family holidays, and spent almost every weekend down with us in the Isle of Wight in the summer, sailing with Dad and me. He died very suddenly and without warning, of a heart attack in Johannesburg.
I was devastated.
I remember sitting up a tree one night at school on my own, and praying the simplest, most heartfelt prayer of my life.
‘Please, God, comfort me.’
Blow me down … He did.
My journey ever since has been trying to make sure I don’t let life or vicars or church over-complicate that simple faith I had found. And the more of the Christian faith I discover, the more I realize that, at heart, it is simple. (What a relief it has been in later life to find that there are some great church communities out there, with honest, loving friendships that help me with all of this stuff.)
To me, my Christian faith is all about being held, comforted, forgiven, strengthened and loved – yet somehow that message gets lost on most of us, and we tend only to remember the religious nutters or the God of endless school assemblies.
This is no one’s fault, it is just life. Our job is to stay open and gentle, so we can hear the knocking on the door of our heart when it comes.
The irony is that I never meet anyone who doesn’t want to be loved or held or forgiven. Yet I meet a lot of folk who hate religion. And I so sympathize. But so did Jesus. In fact, He didn’t just sympathize, He went much further. It seems more like this Jesus came to destroy religion and to bring life.
This really is the heart of what I found as a young teenager: Christ comes to make us free, to bring us life in all its fullness. He is there to forgive us where we have messed up (and who hasn’t), and to be the backbone in our being.
Faith in Christ has been the great empowering presence in my life, helping me walk strong when so often I feel so weak. It is no wonder I felt I had stumbled on something remarkable that night up that tree.
I had found a calling for my life.
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Bear Grylls (Mud, Sweat and Tears)