Knob Creek Quotes

The label for Knob Creek bourbon might state “Distilled and Bottled by Knob Creek Distillery, Clermont, Kentucky,” making it seem like a freestanding outfit, but it is made at the same plant as many other brands made by Jim Beam. “Knob Creek Distillery” is simply what’s called an assumed business name, otherwise known as a DBA, which is the legal shorthand for “doing business as,” and is a method that can be used to make one company seem like many. But drinkers who sleuth out the origins of most brands will find their whiskey traced back to one of just a few places.

Lincoln was born on a Kentucky farm called Sinking Spring, which, a neighbor explained, was “uneven” and “disagreeable to work for farming.”82 At age two, his family moved to Knob Creek, named after the steep hills called “knobs” that surrounded it, and made the ravine dark and subject to flooding.

However, what America does possess in abundance is a legacy of colorful names. A mere sampling: Chocolate Bayou, Dime Box, Ding Dong, and Lick Skillet, Texas; Sweet Gum Head, Louisiana; Whynot, Mississippi; Zzyzx Springs, California; Coldass Creek, Stiffknee Knob, and Rabbit Shuffle, North Carolina; Scratch Ankle, Alabama; Fertile, Minnesota; Climax, Michigan; Intercourse, Pennsylvania; Breakabeen, New York; What Cheer, Iowa; Bear Wallow, Mud Lick, Minnie Mousie, Eighty-Eight, and Bug, Kentucky; Dull, Only, Peeled Chestnut, Defeated, and Nameless, Tennessee; Cozy Corners, Wisconsin; Humptulips, Washington; Hog Heaven, Idaho; Ninety-Six, South Carolina; Potato Neck, Maryland; Why, Arizona; Dead Bastard Peak, Crazy Woman Creek, and the unsurpassable Maggie’s Nipples, Wyoming.

A wind rose, quickening; it seemed at the same instant invade my nostrils and vibrate my gut. No, I’ve gone through this a million times, beauty is not a hoax. Come on, I say, to the creek, surprise me; and it does, with each new drop. Beauty is real. I would never deny it; the appalling thing is that I forget it. Waste and extravagance go together up and down the banks, all along the intricate fringe of the spirit’s free incursions into time. On either side of me the creek snared and kept the sky’s distant lights, shed them into shifting substance and bore them speckled down. This Tinker Creek! It was low today, and clear. On the still side of the island the water held pellucid as a pane, a gloss on runes of sandstone, shale, and snail-inscribed clay silt; on the faster side it hosted a blind profusion of curved and pitched surfaces, flecks of shadow and tatters of sky. These are the waters of beauty and mystery, issuing from a gap in the granite world; they fill the lodes in my cells with a light like petaled water, and they churn in my lungs mighty and frigid. And these are also the waters of separation: they purify, acrid and laving, and they cut me off. I am spattered with a sop of ashes, burnt bone knobs, and blood; I range wild-eyed, flying over fields and plundering the woods, no longer fit for company.

The mountains—Tinker and Brushy, McAfee’s Knob and Dead Man—are a passive mystery, the oldest of all. Theirs is the one simple mystery of creation from nothing, of matter itself, anything at all, the given. Mountains are giant, restful, absorbent. You can heave your spirit into a mountain and the mountain will keep it, folded, and not throw it back as some creeks will. The creeks are the world with all its stimulus and beauty; I live there. But the mountains are home.