Knives Out 3 Quotes

You want to know about voting. I'm here to tell you about voting. Imagine you're locked in a huge underground night-club filled with sinners, whores, freaks and unnameable things that rape pitbulls for fun. And you ain't allowed out until you all vote on what you're going to do tonight. You like to put your feet up and watch "Republican Party Reservation". They like to have sex with normal people using knives, guns, and brand new sexual organs you did not even know existed. So you vote for television, and everyone else, as far as your eye can see, votes to fuck you with switchblades. That's voting. You're welcome.

Zhi yin. Jem had told her once that it meant understanding music, and also a bond that went deeper than friendship. Jem played, and he played the years of Will's life as he had seen them. He played two little boys in the training room, one showing the other how to throw knives, and he played the ritual of parabatai: the fire and the vows and burning runes. He played two young men running through the streets of London in the dark, stopping to lean up against a wall and laugh together. He played the day in the library when he and Will had jested with Tessa about ducks, and he played the train to Yorkshire on which Jem had said that parabatai were meant to love each other as they loved their own souls. He played that love, and he played their love for Tessa, and hers for them, and he played Will saying, In your eyes I have always found grace. He played the too few times he had seen them since he had joined the Brotherhood- the brief meetings at the Institute; the time when Will had been bitten by a Shax demon and nearly died, and Jem had come from the Silent City and sat with him all night, risking discovery and punishment. And he played the birth of their first son, and the protection ceremony that had been carried out on the child in the Silent City. Will would have no other Silent Brother but Jem perform it. And Jem played the way he had covered his scarred face with his hands and turned away when he'd found out the child's name was James. He played of love and loss and years of silence, words unsaid and vows unspoken, and all the spaces between his heart and theirs; and when he was done, and he'd set the violin back in its box, Will's eyes were closed, but Tessa's were full of tears. Jem set down his bow, and came toward the bed, drawing back his hood, so she could see his closed eyes and his scarred face. And he had sat down beside them on the bed, and taken Will's hand, the one that Tessa was not holding, and both Will and Tessa heard Jem's voice in their minds. I take your hand, brother, so that you may go in peace. Will had opened the blue eyes that had never lost their color over all the passing years, and looked at Jem and then Tessa, and smiled, and died, with Tessa's head on his shoulder and his hand in Jem's.

Kate?” I have a superior reaction time. That was why although I shot out of my chair, jumped onto my desk, and attempted to stab the intruder into my office in the throat, I stopped the blade two inches before it touched Andrea’s neck. Because she was my best friend, and sticking knives into your best friend’s windpipe was generally considered to be a social faux pas. Andrea stared at the black blade of the throwing dagger. “That was great,” she said. “What will you do for a dollar?

In Italy you learned cunning, but in Antwerp, flexibility. And besides, the shopping! Just step out of your door and you can get a diamond or a broom, you can get knives, candlesticks and keys, ironwork to suit the expert eye. They make soap and glass, they cure fish and they deal in alum and promissory notes. You can buy pepper and ginger, aniseed and cumin, saffron and rice, almonds and figs; you can buy vats and pots, combs and mirrors, cotton and silk, aloes and myrrh.

As we saw in chapter 3, one way the early modern Europeans used Odyssean self-control was to keep sharp knives out of reach at the dinner table.

Sixers pour in from every edge of the bridge. We humans back into the center as they lumber toward us. I have my knives out, but they might as well be toothpicks pointed at an army of grizzlies. “Penryn!” I look up to see Raffe watching me with anguish in his eyes as his Watchers hold him at a safe distance from us.

When Philippa had first demanded his help in eluding Kate and travelling to St Mary’s, he had indignantly refused. He was there now because he had discovered, to his astonishment, that she was desperate, and perfectly capable of going without him. Why she had got it into her young head she must see this man Crawford, Cheese-wame didn’t know. But after pointing out bitterly that (a) he would lose his job; (b) the rogues in the Debatable would kill them, (c) that she would catch her death of cold and (d) that Kate would never speak to either of them again, he went, his belt filled with knives and her belongings as well as his own in the two saddlebags behind his powerful thighs, while Philippa rode sedately beside him on her smaller horse, green with excitement, with her father’s pistol tied to her waist like a ship’s log and banging against her thin knees.

But we’re not outnumbered!” a voice called out from behind the soldiers. Lampton and his soldiers turned toward the voice and they saw it wasn’t alone. Slowly emerging from behind the Charming Palace and from the streets surrounding the capital were hundreds and hundreds of civilians. The men and women carried pots and pans, pitchforks and hoes, rolling pins and knives, scissors and shears, mops and buckets. They were bakers and farmers, locksmiths and seamstresses, teachers and butchers, maids and butlers—and they all had come to stand proudly with the soldiers of their kingdom. “What’s going on?” Xanthous asked the civilians. “We’ve come to join the fight!” a farmer declared, and all the men and women of his party cheered. “This is our home, too!” a seamstress yelled. “We won’t let our kingdom fall into the hands of anyone else but our king and queen,” a butcher shouted.

Once the man vacates the room, Genova motions toward the table between us. "Gun." I hold up my hands. "I don't have one." His brow furrows. "You came unarmed?" "I never carry a gun," I say, "but that doesn't mean I'm unarmed." Everything's a weapon if you look at it the right way. "Knives, then." "None of those, either." "Then what do you got?" "Not much." I consider it for a moment. "Some spare change, a peppermint, my wallet... oh, and I've got a pen in my pocket." He looks at me with disbelief. "A pen." Reaching into my pocket, I pull out a simple black ballpoint ink pen. Probably cost a dollar. "You gonna kill somebody with that?" he asks. I shrug, setting it on the table. "You never know.

The heartwood," Rob murmured, looking at me. "You wanted to marry me in the heart of Major Oak." I beamed at him grateful that he understood. "And Scar," he whispered. I leaned in close. "Are you wearing knives to our wedding?" Nodding, I laughed, telling him, "I was going to get you here one way or another, Hood." He laughed, a bright, merry sound. Standing in the heart of the tree, he reached again for my hand, fingers sliding over mine. Touching his hand, a rope of lightening lashed round my fingers, like it seared us together. Now, and for always. His fingers moved on mine, rubbing over my hand before capturing it tight and turning me to the priest. The priest looked over his shoulder, watching as the sun began to dip. He led us in prayer, he asked me to speak the same words I'd spoken not long past to Gisbourne, but that whole thing felt like a bad dream, like I were waking and it were fading and gone for good. "Lady Scarlet." he asked me with a smile, "known to some as Lady Marian of Huntingdon, will thou have this lord to thy wedded husband, will thou love him and honour him, keep him and obey him, in health and in sickness, as a wife should a husband, forsaking all others on account of him, so long as ye both shall live?" I looked at Robin, tears burning in my eyes. "I will," I promised. "I will, always." Rob's face were beaming back at me, his ocean eyes shimmering bright. The priest smiled. "Robin of Locksley, will thou have this lady to thy wedded wife, will thou love her and honor her, keep her and guard her, in health and in sickness, as a husband should a wife, forsaking all others on account of her, so long as ye both shall live?" the priest asked. "Yes," Rob said. "I will." "You have the rings?" the priest asked Rob. "I do," I told the priest, taking two rings from where Bess had tied them to my dress. I'd sent Godfrey out to buy them at market without Rob knowing. "I knew you weren't planning on this," I told him. Rob just grinned like a fool at me, taking the ring I handed him to put on my finger. Laughs bubbled up inside of me, and I felt like I were smiling so wide something were stuck in my cheeks and holding me open. More shy and proud than I thought I'd be, I said. "I take you as me wedded husband, Robin. And thereto I plight my troth." I pushed the ring onto his finger. He took my half hand in one of his, but the other- holding the ring- went into his pocket. "I may not have known I would marry you today Scar," he said. "But I did know I would marry you." He showed me a ring, a large ruby set in delicate gold. "This," he said to me, "was my mother's. It's the last thing I have of hers, and when I met you and loved you and realized your name was the exact colour of the stone- " He swallowed, and cleared his throat, looking at me with the blue eyes that shot right through me. "This was meant to be Scarlet. I was always meant to love you. To marry you." The priest coughed. "Say the words, my son, and you will marry her." Rob grinned and I laughed, and Rob stepped closer, cradling my hand. "I take you as my wedded wife, Scarlet. And thereto I plight my troth." He slipped the ring on my finger and it fit. "Receive the Holy Spirit," the priest said, and kissed Robin on the cheek. Rob's happy grin turned a touch wolflike as he turned back to me, hauling me against him and angling his mouth over mine. I wrapped my arms around him and my head spun- I couldn't tell if we were spinning, if I were dizzy, if my feet were on the ground anymore at all, but all I knew, all I cared for, were him, his mouth against mine, and letting the moment we became man and wife spin into eternity.

He'd pick up a block of wood and stare at it for a long time until he could see what kind of rat in what kind of pose was lurking inside. It took a long while before he could see the figure, but once that happened, all he had to do was pull the rat out of the block with his knives. He often used to say that: 'I'm going to pull the rat out.' And the rats he pulled out looked as if they might start moving at any moment. He kept on freeing these imaginary rats that were locked up in their blocks of wood.

On the bright side,” he went on, gesturing to the massive quantities of alcohol they had laid out on the table for their lackeys, “You get to drink loads of expensive whiskey, instead.” “I don’t like whiskey,” Tyson told him.  “I like steak knives.” “Poddite,” Slade sighed. Tyson squinted at him.  “What?” “Poddite,” Slade said, carefully arranging his plastic cutlery.  “It means that your uninspired tastes mark you as one of the mindless ranks of pod-people that mechanically wander this earth, doing whatever their television or personal devices tell them to, like drinking piss because it’s been marketed as ‘refreshing.’” 

Um, no. The thought of handling a gun terrifies me." Sam burst out laughing. "What's so funny?" "You." "What?" Sam snorted. "You're scared of a gun, but you love karate, even when it wipes you out. You're a walking contradiction, girl." "Guns kill people, Sam." "No, people kill people. Guns are just a vehicle for those types. So are knives. And ropes. And even plastic bags. And yep, even martial arts." "I'm not going to kill anybody. Stop being morbid." Sam snorted again, "I didn't say you were. I was just pointing out that people associate guns with violence but not martial arts. Both can be just as deadly." "True. Guess I never thought about it that way.

Gentlemen, this is Travec the Dacian, who is here on business similar to our own. Travec, you see here Este the Sweet, who claims to be the last true Roman. His weapon is a bow so small and fragile that it seems a toy, while his arrows are little more than slivers; still, he can sling them away with great speed and put out a man’s eye at fifty yards without rising from his chair. Next is Galgus, who is Daut and clever with knives. Yonder sits Kegan from Godelia; he favours a set of curious weapons, among others, the steel whip. I myself am a poor lost dove; I survive the ferocities of life only through the pity and forbearance of my fellows.’ ‘You are a notable group,’ said Travec. ‘I am privileged to be associated with you.

I select the right practice gun, the one about the size of a pistol, but bulkier, and offer it to Caleb. Tris’s fingers slide between mine. Everything comes easily this morning, every smile and every laugh, every word and every motion. If we succeed in what we attempt tonight, tomorrow Chicago will be safe, the Bureau will be forever changed, and Tris and I will be able to build a new life for ourselves somewhere. Maybe it will even be a place where I trade my guns and knives for more productive tools, screwdrivers and nails and shovels. This morning I feel like I could be so fortunate. I could. “It doesn’t shoot real bullets,” I say, “but it seems like they designed it so it would be as close as possible to one of the guns you’ll be using. It feels real, anyway.” Caleb holds the gun with just his fingertips, like he’s afraid it will shatter in his hands. I laugh. “First lesson: Don’t be afraid of it. Grab it. You’ve held one before, remember? You got us out of the Amity compound with that shot.” “That was just lucky,” Caleb says, turning the gun over and over to see it from every angle. His tongue pushes into his cheek like he’s solving a problem. “Not the result of skill.” “Lucky is better than unlucky,” I say. “We can work on skill now.” I glance at Tris. She grins at me, then leans in to whisper something to Christina. “Are you here to help or what, Stiff?” I say. I hear myself speaking in the voice I cultivated as an initiation instructor, but this time I use it in jest. “You could use some practice with that right arm, if I recall correctly. You too, Christina.” Tris makes a face at me, then she and Christina cross the room to get their own weapons. “Okay, now face the target and turn the safety off,” I say. There is a target across the room, more sophisticated, than the wooden-board target in the Dauntless training rooms. It has three rings in three different colors, green, yellow, and red, so it’s easier to tell where the bullets it. “Let me see how you would naturally shoot.” He lifts up the gun with one hand, squares off his feet and shoulders to the target like he’s about to lift something heavy, and fires. The gun jerks back and up, firing the bullet near the ceiling. I cover my mouth with my hand to disguise my smile. “There’s no need to giggle,” Caleb says irritably. “Book learning doesn’t teach you everything, does it?” Christina says. “You have to hold it with both hands. It doesn’t look as cool, but neither does attacking the ceiling.” “I wasn’t trying to look cool!” Christina stands, her legs slightly uneven, and lifts both arms. She stares the target for a moment, then fires. The training bullet hits the outer circle of the target and bounces off, rolling on the floor. It leaves a circle of light on the target, marking the impact site. I wish I’d had this technology during initiation training. “Oh, good,” I say. “You hit the air around your target’s body. How useful.” “I’m a little rusty,” Christina admits, grinning.

What was it you uglified them for--I mean, what they call uglified?” “Well, they wouldn’t do what they were told. Their work is to mind the garden and raise food--not for me, as they imagine, but for themselves. They wouldn’t do it at all if I didn’t make them. And of course for a garden you want water. There is a beautiful spring about half a mile away up the hill. And from that spring there flows a stream which comes right past the garden. All I asked them to do was to take their water from the stream instead of trudging up to the spring with their buckets two or three times a day and tiring themselves out besides spilling half of it on the way back. But they wouldn’t see it. In the end they refused point blank.” “Are they as stupid as all that?” asked Lucy. The Magician sighed. “You wouldn’t believe the troubles I’ve had with them. A few months ago they were all for washing up the plates and knives before dinner: they said it saved time afterward. I’ve caught them planting boiled potatoes to save cooking them when they were dug up. One day the cat got into the dairy and twenty of them were at work moving all the milk out; no one thought of moving the cat.

I'm sorry.' It was those two words that shattered me. Shattered me in a way I didn't know I could still be broken, a rending of every tether and leash. Stay with the High Lord. The Suriel's last warning. Stay... and live to see everything righted. A lie. A lie, as Rhys had lied to me. Stay with the High Lord. Stay. For there... the torn scraps of the mating bond. Floating on a phantom wind inside me. I grasped at them- tugged at them, as if he'd answer. Stay. Stay, stay, stay. I clung to those scraps and remnants, clawing at the voice that lurked beyond. Stay. I looked up at Tarquin, lip curling back from my teeth. Looked at Helion. And Thesan. And Beon and Kallias, Viviane weeping at his side. And I snarkled, 'Bring him back.' Blank faces. I screamed at them, 'BRING HIM BACK.' Nothing. 'You did it for me,' I said, breathing hard. 'Now do it for him.' 'You were human,' Helion said carefully. 'It is not the same-' 'I don't care. Do it.' When they didn't move, I rallied the dregs of my power, readying to rip into their minds and force them, not caring what rules or laws it broke. I wouldn't care, only if- Tarquin stepped forward. He slowly extended his hand toward me. 'For what he gave,' Tarquin said quietly. 'Today and for many years before.' And as the seed of light appeared in his palm... I began crying again. Watched it drop onto Rhys's bare throat and vanish onto the skin beneath, an echo of light flaring once. Helion stepped forward. That kernel of light in his hand flickered as it fell onto Rhys's skin. Then Kallias. And Thesan. Until only Beron stood there. Mor drew her sword and laid it on his throat. He jerked, having not seen her move. 'I do not mind making one more kill today,' she said. Beron gave her a withering glare, but shoved off the sword and strode forward. He practically chucked that fleck of light onto Rhys. I didn't care about that, either. I didn't know the spell, the power it came from. But I was High Lady. I held out my palm. Willing the spark of life to appear. Nothing happened. I took a steadying breath, remembering how it had looked. 'Tell me how,' I growled to no one. Thesan coughed and stepped forward. Explaining the core of power and on and on and I didn't care, but I listened, until- There. Small as a sunflower seed, it appeared in my palm. A bit of me- my life. I laid it gently on Rhys's blood-crusted throat. And I realised, just as he appeared, what was missing. Tamlin stood there, summoned by either the death of a fellow High Lord or one of the others around me. He was splattered in mud and gore, his new bandolier of knives mostly empty. He studied Rhys, lifeless before me. Studied all of us- the palms still out. There was no kindness on his face. No mercy. 'Please,' was all I said to him. Then Tamlin glanced between us- me and my mate. His face did not change. 'Please,' I wept. 'I will- I will give you anything-' Something shifted in his eyes at that. But not kindness. No emotion at all. I laid my head on Rhysand's chest, listening for any kind of heartbeat through that armour. 'Anything,' I breathed to no one in particular. 'Anything.' Steps scuffed on the rocky ground. I braced myself for another set of hands trying to pull me away, and dug my fingers in harder. The steps remained behind me for long enough that I looked. Tamlin stood there. Staring down at me. Those green eyes swimming with some emotion I couldn't place. 'Be happy, Feyre,' he said quietly. And dropped that final kernel of light onto Rhysand.

1. His back is full of knives. Notes are brittle around the blades. 2. He sleeps face down every night in a chalk outline of himself. 3. He has difficulties with metal detectors. 4. At birthday parties, someone might politely ask, may I borrow one of those knives to slice this chocolate cake? 5. He likes to stand with his back to walls. At restaurants, he likes the corner tables. 6. There is a detective who calls to ask him about the brittle notes. Also: a biographer, a woman who'd like to film a documentary, a curator of a museum, his mother. I can't read them, he says. They're on my back. 7. It would be a mistake for anyone to assume he wants the knives removed. 8. Most of the brittle notes are illegible. One of them, even, is written in French. 9. Every Halloween, he goes as a victim of a brutal stabbing. Once he tried going as a whale, but it was a hassle explaining away the knives. 10. He always wears the same bloody suit. 11. When he walks, he sounds like a tree still full of dead leaves holding on. 12. It is ok for children to count on his knives, but not to climb on them. 13. He saw his own shadow in a park. He moved his body to make the knives reach other people's shadows. He did it all evening. In the shadows, his knives looked like soft outstretched arms. 14. His back is running out of space. 15. On a trip to Paris, he fell in love and ended up staying for a few years. He got a job performing on the street with the country's best mimes. 16. The knives are what hold him together. It is the notes that are slowly killing him. 17. He is difficult to hold when he cries. 18. He will be very old when he dies and the Doctor will say, he was obviously stabbed, brutally and repeatedly. I'm sorry, the Doctor will say to a person in the room, but he's not going to make it.

STRAWBERRY SHORTBREAD BAR COOKIES Preheat oven to 350 degrees F., rack in the middle position.   Hannah’s 1st Note: These are really easy and fast to make. Almost everyone loves them, including Baby Bethie, and they’re not even chocolate! 3 cups all purpose flour (pack it down in the cup when you measure it) ¾ cup powdered (confectioner’s) sugar (don’t sift un- less it’s got big lumps) 1 and ½ cups salted butter, softened (3 sticks, 12 ounces, ¾ pound) 1 can (21 ounces) strawberry pie filling (I used Comstock)*** *** - If you can’t find strawberry pie filling, you can use another berry filling, like raspberry, or blueberry. You can also use pie fillings of larger fruits like peach, apple, or whatever. If you do that, cut the fruit pieces into smaller pieces so that each bar cookie will have some. I just put my apple or peach pie filling in the food processor with the steel blade and zoop it up just short of being pureed. I’m not sure about using lemon pie filling. I haven’t tried that yet. FIRST STEP: Mix the flour and the powdered sugar together in a medium-sized bowl. Cut in the softened butter with a two knives or a pastry cutter until the resulting mixture resembles bread crumbs or coarse corn meal. (You can also do this in a food processor using cold butter cut into chunks that you layer between the powdered sugar and flour mixture and process with the steel blade, using an on-and-off pulsing motion.) Spread HALF of this mixture (approximately 3 cups will be fine) into a greased (or sprayed with Pam or another nonstick cooking spray) 9-inch by 13-inch pan. (That’s a standard size rectangular cake pan.) Bake at 350 degrees F. for 12 to 15 minutes, or until the edges are just beginning to turn golden brown. Remove the pan to a wire rack or a cold burner on the stove, but DON’T TURN OFF THE OVEN! Let the crust cool for 5 minutes. SECOND STEP: Spread the pie filling over the top of the crust you just baked. Sprinkle the crust with the other half of the crust mixture you saved. Try to do this as evenly as possible. Don’t worry about little gaps in the topping. It will spread out and fill in a bit as it bakes. Gently press the top crust down with the flat blade of a metal spatula. Bake the cookie bars at 350 degrees F. for another 30 to 35 minutes, or until the top is lightly golden. Turn off the oven and remove the pan to a wire rack or a cold burner to cool completely. When the bars are completely cool, cover the pan with foil and refrigerate them until you’re ready to cut them. (Chilling them makes them easier to cut.) When you’re ready to serve them, cut the Strawberry Shortbread Bar Cookies into brownie-sized pieces, arrange them on a pretty platter, and if you like, sprinkle the top with extra powdered sugar.

This Country's Going to Hell gritty acoustic outlaw country [Verse] Once we had a land, wide and proud, Where freedom's song rang out loud. One nation under a heavenly light, But now it’s fading, lost in the night. [Verse 2] Factories closed, fields go bare, Main Street’s dying in the evening air. God was once our guiding hand, Now it's time we take a stand. [Chorus] This country’s going to hell, Where did we go wrong, who can tell? Let’s put God back in this land, We, the people, must take a stand. [Verse 3] Empty churches, echoing halls, The rise begins when a nation falls. Lest we forget what once made us great, Let’s pray before it’s too late. [Bridge] Bring back the days of honor and trust, When faith in the Lord was more than just dust. We’ve strayed too far, lost our way, Together we can reclaim that day. [Verse 4] Heroes fought, gave their lives, For freedom that’s now on the edge of knives. We need more than slogans and deals, It's soul and spirit that heals.

I watch in awe of Sevro as he bounds up onto the railing, arms wide, embracing his army. Beneath, Cassius dangles and dies and the crowd beneath makes a game of seeing who can launch themselves high enough to pull his feet. None succeed. “My name is Sevro au Barca,” my friend cries out. “I am Ares!” He thumps his chest. “I have killed forty-four Golds. Fifteen Obsidian. One hundred and thirteen Grays with my razor.” The crowd roars in approval, even the Obsidians. “Jove knows who else with ships, railguns, and pulseFists. With nukes, knives, sharp sticks…” He trails off dramatically. They slam their feet. He beats his chest again. “I am Ares! I am a murderer too!” He puts his hands on his hips. “And what do we do to murderers?” This time no one answers. He never expected them to. He grabs the cable from the neck of one of the kneeling Golds, wraps it around his own neck, and looking to Sefi with a demented little smile, winks and backflips off the railing.

Late in November, he suddenly appeared at Fort Lyon with the 3rd Colorado and other units and announced his intention to attack Black Kettle. Several officers remonstrated, declaring that the Cheyennes had been led to understand that they were prisoners of war. Chivington responded, as one of the protesters recalled, that “he believed it to be right and honorable to use any means under God’s heaven to kill Indians that would kill women and children, and ‘damn any man that was in sympathy with Indians.’“ On November 29, 1864, Chivington methodically deployed his command, about 700 strong with four howitzers, around Black Kettle’s village. The chief, shouting reassurances to his alarmed people, ran up an American flag and a white flag over his tepee. Then the troops opened fire and charged. The Indians fled in panic in all directions. Only one pocket of resistance formed, and that was speedily eliminated. Chivington had made clear his wish that prisoners not be taken, and a massacre followed as the soldiers indiscriminately shot down men, women, and children. Interpreter John Smith later testified: “They were scalped, their brains knocked out; the men used their knives, ripped open women, clubbed little children, knocked them in the head with their guns, beat their brains out, mutilated their bodies in every sense of the word.” Two hundred Cheyennes, two-thirds of them women and children, perished. Nine chiefs died, but Black Kettle made good his escape. As

ORANGE, HONEY, AND THYME BISCUITS Hands-on: 23 min. Total: 36 min. Bake biscuits up to a day ahead, and keep in a sealed zip-top plastic bag. 2 ⁄ 3 cup nonfat buttermilk 2 tablespoons clover honey 2 teaspoons chopped fresh thyme 2 teaspoons grated orange rind 10 ounces spelt four (about 2 cups) 5 teaspoons baking powder 1 ⁄ 4 teaspoon kosher salt 1 5 1 ⁄ 2 tablespoons chilled butter, cut into small pieces cooking spray 1. Preheat oven to 425°. 2. Combine the frst 4 ingredients in a small bowl, stirring with a whisk. 3. Weigh or lightly spoon four into dry measuring cups; level with a knife. Combine four, baking powder, and salt in a medium bowl, stirring with a whisk. Cut in butter with a pastry blender or 2 knives until mixture resembles coarse meal. Add buttermilk mixture to four mixture, stirring just until moist. Turn dough out onto a lightly foured surface; pat into a 7 1 ⁄ 2-inch square; cut into 12 rectangles. Place dough on a foil-lined baking sheet coated with cooking spray. Bake at 425° for 13 minutes or until lightly browned on edges and bottom. SErVES 12 (serving size: 1 biscuit) CalOriES 162; FaT 6.1g (sat 3.3g, mono 1.4g, poly 0.2g); prOTEiN 4g; CarB 22g; FiBEr 3g; CHOl 14mg; irON 1mg; SODiUM 330mg; CalC 61mg

Before we dive into specific examples, let’s first look at a simple, four-step, codified breakdown for a typical infomercial pitch: 1. The Problem: Here’s the problem you’re experiencing today, based on your status quo state or the solution you’re already using. This is where the tension is created. Where they “cut you” and get you to see you are bleeding (as we discussed in chapter 4)! In some cases, this pain might be top of mind, or it might be hidden, latent, or even something you may not think about all that often. This is also a perfect place to call out the enemy you identified earlier in this chapter. For example, if this were an infomercial for a set of space-aged kitchen knives that never need sharpening, the narrative might begin with a poor fool trying to cut a red, ripe tomato with an old, dull knife. As the grainy black-and-white footage rolls, the unsuspecting subject squashes the tomato with their sub-par knife, sending seeds and tomato flesh flying in all directions (and ruining the white suit they were wearing for some reason). Tension is created as the viewer starts to see themselves as the subject or hero of this story. 2. The Ideal Solution: Here’s the ideal solution to the problem. While not always top of mind, people often know the solutions to problems but see them as requiring too much effort and cost. In other words, spending money or investing time doing something our hero doesn’t want to do can usually solve the problem. This is where that solution is positioned. For example, the ideal solution to our dull knife problem is to go to a fancy kitchen store and purchase some top-of-the-line Japanese hand-forged steel knives. In a business context, many problems can be solved by throwing tons of time, money, and both human and technical resources at a them. 3. The Problem with That Ideal Solution: This is what makes that ideal solution difficult or less desirable. Here, you are creating contrast between where your hero is today and where they need to get to—a large gap they need to overcome. In doing this you are positioning the ideal solution as something they don’t want to or can’t make happen. For example, you could go to the kitchen store and buy those fancy knives, but they cost hundreds of dollars that you would rather not spend. The same goes for the massive business resource splurge suggested in the previous step. 4. Enter Our Solution: The stunning climax! Here’s how investing in our product, service, or solution can help you overcome the problem and pain you’re experiencing, while at the same time circumventing the challenges associated with the ideal solution.

The M1A3 Abrams was a man-killer. Colonel J. “Lonesome” Jones thanked the good Lord that he had never had to face anything like it. The models that preceded it, the A1 and A2, were primarily designed to engage huge fleets of Soviet tanks on the plains of Europe. They were magnificent tank busters, but proved to be less adept at the sort of close urban combat that was the bread and butter of the U.S. Army in the first two decades of the twenty-first century. In the alleyways of Damascus and Algiers, along the ancient cobbled lanes of Samara, Al Hudaydah, and Aden, the armored behemoths often found themselves penned in, unable to maneuver or even to see what they were supposed to kill. They fell victim to car bombs and Molotovs and homemade mines. Jones had won his Medal of Honor rescuing the crew of one that had been disabled by a jihadi suicide squad in the Syrian capital. The A3 was developed in response to attacks just like that one, which had become increasingly more succesful. It was still capable of killing a Chinese battle tank, but it was fitted out with a very different enemy in mind. Anyone, like Jones, who was familiar with the clean, classic lines of the earlier Abrams would have found the A3 less aesthetically pleasing. The low-profile turret now bristled with 40 mm grenade launchers, an M134 7.62 mm minigun, and either a small secondary turret for twin 50s, or a single Tenix-ADI 30 mm chain gun. The 120 mm canon remained, but it was now rifled like the British Challenger’s gun. But anyone, like Jones, who’d ever had to fight in a high-intensity urban scenario couldn’t give a shit about the A3’s aesthetics. They just said their prayers in thanks to the designers. The tanks typically loaded out with a heavy emphasis on high-impact, soft-kill ammunition such as the canistered “beehive” rounds, Improved Conventional Bomblets, White Phos’, thermobaric, and flame-gel capsules. Reduced propellant charges meant that they could be fired near friendly troops without danger of having a gun blast disable or even kill them. An augmented long-range laser-guided kinetic spike could engage hard targets out to six thousand meters. The A3 boasted dozens of tweaks, many of them suggested by crew members who had gained their knowledge the hard way. So the tank commander now enjoyed an independent thermal and LLAMPS viewer. Three-hundred-sixty-degree visibility came via a network of hardened battle-cams. A secondary fuel cell generator allowed the tank to idle without guzzling JP-8 jet fuel. Wafered armor incorporated monobonded carbon sheathing and reactive matrix skirts, as well as the traditional mix of depleted uranium and Chobam ceramics. Unlike the tank crew that Jones had rescued from a screaming mob in a Damascus marketplace, the men and women inside the A3 could fight off hordes of foot soldiers armed with RPGs, satchel charges, and rusty knives—for the “finishing work” when the tank had been stopped and cracked open to give access to its occupants.

We’ve all been fed love off knives.” “No shit,” I muttered, and the rest said some variation of it in agreement. “But that doesn’t mean I don’t want to figure it out.

Theo’s been teaching me to shoot.” Jules allowed her hoodie and coat to drop back into place, covering the gun. “He said I’m a natural.” “She’s a good shot,” Theo said without looking away from the display. He picked up several folding knives and handed them out. Even though Otto already had his, he accepted another. He had a feeling that it would be a good time to carry a spare. Unfolding her knife, Grace examined it before closing it again and slipping it into her pocket. “I’m not. I’m terrible. Hugh, tell Otto how terrible I am at shooting.” There was an underlying tension to her voice, to all their voices, that told Otto they were eaten up with worry for Sarah. Grace’s attempt at joking sounded forced, and he knew she was trying to distract them from the dangers they were all facing. “She’s bad,” Hugh agreed. “I’m not getting better, either,” Grace admitted. “Every time we go to the range, I get fewer and fewer holes in the target. It’s a little annoying, especially with Straight-Shooter McGee over there.” She jerked her thumb at Jules, who gave a tight smile.

No elaborate stories of monsters and quicksand and lightning and having to cross rivers of hot lava by jumping on the heads of ravenous lava earwigs the size of cows, with pincers made out of giant steel knives?

Think about it. Look at what it took for intelligence to emerge in Nature. Today is Monday. If the 3.8 billion years life has thrived on Earth equated to 38 days, then for over a month all we had around here were microbes. “Complex, multicellular life arose last Wednesday. Dinosaurs came in on Friday. Sometime this morning, around 1am, a meteor struck and the best part of an entire phylogenetic clade was pushed to extinction. Those few avian dinosaurs that did survive went on to supply us with deep fried chicken and scrambled eggs.” I can’t help but smile at Avika’s compressed take on the history of life on Earth. “Mammals have been around at least since Sunday, but they were little more than rodents most of the time. That rock from space cleared out vast swathes of the ecosystem, and mammals rushed to fill the gap. “Every multicellular creature has some degree of intelligence, or at least instinct, but it wasn’t until some point in the last hour that the wisest of men, Homo sapiens arose, and yet even then, intelligence was little more than a desperate struggle for survival. “For the last seven minutes, or roughly two hundred thousand years, our intelligence extended little further than chipping at rocks to make stone knives. “In the last thirty seconds, we’ve been on a bender. We’ve built pyramids, sailed the oceans and landed on the Moon!” I say, “So your point is, human intelligence is the pinnacle of evolution?” “Oh, no. Not at all. There’s plenty of intelligence in the animal kingdom, especially among mammals, birds and cephalopods, but it took 3.8 billion years before intelligence could exploit its own ingenuity and blossom in its own right. “If all our intellectual accomplishments are the result of the last thirty seconds, then perhaps creating artificial intelligence isn’t quite as easy as busting out some Perl scripts.” I

Word has been spread to our accomplices within the city, London has armed the villagers and all are waiting for our signal.” Koranis stooped to hoist up a canvas bag, which he dropped on the rickety table before us. “The rockets,” he said, pulling a long, slender tube from the bag. “The King of Sarterad had to send all the way to Alidovia for these--they only arrived yesterday. Prop them up facing skyward, light the wick at the bottom and we have our signal.” He tossed the strange tube he held to Steldor, then removed two more from the bag for Galen and Temerson. “Set them off as planned, in the designated areas of the city, and be ready,” Cannan ordered. “I’ll certainly have to be,” said a new voice--one with an accent. We all leaped backward to face the cellar stairs, where we could hear methodical footsteps descending. Knives had appeared in the hands of the men around me; they were small, but they would be effective. The Cokyrian commander emerged into the torchlight, calm and unarmed. “Oh, good Lord,” King Adrik breathed, but everyone else stood silently, rigidly, their eyes assessing the enemy. Addressing the captain, Narian declared, “This stops now.” Cannan clenched his jaw and I slipped behind Steldor, hoping he could protect me. Maybe if I hid…but there was nowhere to conceal myself. I certainly had a knack for stumbling into the most compromising and dangerous of situations. I hadn’t been involved in this at all, but was sure to be sentenced for it now. Taking a breath, I forced myself to step into the open. After all, I had wanted to be here. And if I had to die, I stood in good company. “What is it you think you know?” Steldor demanded, but Narian ignored him, speaking only to Cannan. “You have the ability to be the voice of reason here. Don’t let these men walk to their deaths.” “Should I have them die by execution instead?” the captain ground out, but Narian did not flinch, continuing to stare at him, steely conviction in his eyes. “I’m alone, Cannan. I’ve been following your movements and the movements of your men since Shaselle was caught with that dagger, and I haven’t said a word to the High Priestess, to my comrades, not even to Alera. I’m giving you a chance to walk away, to live. Don’t be a fool--take it.” Cannan tucked his knife into the shaft of his boot, then cast his eyes over Steldor, Galen, Adrik and Koranis. All resolutely met his gaze. “I don’t see fear in this room, Narian,” he said, shaking his head. “Do what you must, as will we.

I combined this principle with some basic concepts of guerrilla warfare I’d picked up from The Life of Geronimo. So when the Black Knives would come out in force, we’d circle behind and murder wounded in their camps. When they’d send out single-pack scouting parties, at least one entire pack, sometimes two or three if they weren’t too far apart, would vanish . . . and be found later as skinned corpses, missing their scent glands. If they posted pickets, we killed the pickets. If they picketed whole packs, well . . . Ogrilloi bunch up when threatened. It’s instinctive. So when spooky noises would start coming from the darkness, they’d drift together—then one swipe of the bladewand . . . We’d drag the bodies around before we skinned them and piled them up, to make it look to the Black Knives like we’d been able to kill the pack because we’d caught them spread too far apart. Get it?

You might also remember cubing Retreat from the Boedecken and the story behind the Tear of Pan chasell, and when you get to Purthin’s Ford, you start mining griffinstones. But not for money. For power. And when you find out about this Smoke Hunt business—that some enterprising ogrilloi have managed to find a way to tap into the Outside Power that was both the dil T’llan and the onetime God of the Black Knives—you discover that animating the Smoke Hunters draws enough energy off the Outside Power that you can force open the dil. Well and good. You can get to Earth. But you don’t go to Earth . . . because you’re smart enough to know you’re sitting on the only working gate between Earth and Home.