“
But kissing Locke never felt the way that kissing Cardan does, like taking a dare to run over knives, like an adrenaline strike of lightning, like the moment when you've swum too far out in the sea and there is no going back, only cold black water closing over your head.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
Yeah, well," I say, "I left Abnegation because I wasn't selfless enough, no matter how hard I tried to be."
"That's not entirely true." He smiles at me. "That girl who let someone throw knives at her to spare a friend, who hit my dad with a belt to protect me-that selfless girl, that's not you?"...
"You've been paying close attention, haven't you?"
"I like to observe people/"
"Maybe you were cut out for Candor, Four, because you're a terrible liar.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Suddenly a pair of searchlights lanced out from the frigate. They swept across the dark expanse - bright knives slicing the night into pieces.
”
”
Scott Westerfeld (Leviathan (Leviathan, #1))
“
We boarded the plane after boxing our stakes and knives and taking them to a FedEx carrier, airport security being so strict nowadays. In the section marked 'contents', Bones filled out 'Tofu'. God, but he had a sick sense of humor sometimes.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
I like you, Jase Ballenger,” I said softly. “I think if you weren’t a thief, we might be friends.”
“And if you didn’t whisk out knives and threaten to cut pretty necks, I think we might be friends too.”
I wrinkled my nose. “Oh, how obsessed you are with your pretty neck.”
His hands tightened on my wrists. He pulled me close, his teeth nipping at my neck and between kisses, he whispered, “It is not my neck I am obsessed with, Kazi of Brightmist.
”
”
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
“
There was a loud scraping noise as five chairs slid backward. The men rose as a unit. And started coming for her. She looked to the faces of the two she knew, but their grave expressions weren't encouraging. And then the knives came out. With a metallic whoosh, five black daggers were unsheathed. She backed up frantically, hands in front of herself. She slammed into a wall and was about to scream for Wrath when the men dropped down on bended knees in a circle around her. In a single movement, as if they'd been choreographed, they buried the daggers into the floor at her feet and bowed their heads. The great whoomp of sound as steel met wood seemed both a pledge and a battle cry. The handles of the knives vibrated. The rap music continued to pound. They seemed to be waiting for some kind of response from her.
"Umm. Thank you," she said.
The men's heads lifted. Etched into the harsh planes of their faces was total reverence. Even the scarred one had a respectful expression. And then Wrath came in with a squeeze bottle of Hershey's syrup.
"Bacon's on the way." He smiled. "Hey, they like you."
"And thank God for that," she murmured, looking down at the daggers.
”
”
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
“
What words he did unsheathe turned out to be knives, glinting and edged and unpleasant to have stuck into you.
”
”
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy #1))
“
Inej,” Wylan called from one of the rolling bins. “These are our clothes.”
He reached in and, one after the other, pulled out Inej’s little leather slippers.
Her face broke into a dazzling smile. Finally, a bit of luck. Kaz didn’t have his cane. Jesper didn’t have his guns. And Inej didn’t have her knives. But at least she had those magic slippers.
“What do you say, Wraith? Can you make the climb?”
“I can.”
Jesper took the shoes from Wylan. “If I didn’t think these might be crawling with disease, I would kiss them and then you.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I am yours,” she whispered. The words cut like knives, barely out of her mouth before he stole them, sealing them with his own lips.
”
”
Kiersten White (And I Darken (The Conqueror's Saga, #1))
“
Nina Zenik, as soon as I figure out where you’ve put my knives, we’re going to have words.”
“The first ones had better be Thank you, oh great Nina, for dedicating every waking moment of this miserable journey to saving my sorry life.”
Jesper expected Inej to laugh and was startled when she took Nina’s face between her hands and said, “Thank you for keeping me in this world when fate seemed determined to drag me to the next. I owe you a life debt.”
Nina blushed deeply. “I was teasing, Inej.” She paused. “I think we’ve both had enough of debts.”
“This is one I’m glad to bear.”
“Okay, okay. When we’re back in Ketterdam, take me out for waffles.”
Now Inej did laugh. She dropped her hands and appeared to speculate. “Dessert for a life? I’m not sure that seems equitable.”
“I expect really good waffles.”
“I know just the place,” said Jesper. “They have this apple syrup—”
“You’re not invited
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Alex probably brings his dates sharp knives as gifts, in case she'll need one when she's out on a date with him.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
A woman who goes around wearing a knife is obviously looking for trouble." She reached deep into her pocket and brought out a long, slender piece of metal, glittering all along one edge. "However a woman who carries a knife is ready for trouble. Generally speaking, it's easier to appear harmless. It's less trouble all around.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Several people toss and turn in their sleep, startled by the lines of the newspapers in their dreams, knives out, lights out, lights out, knives out!
”
”
H.C. Artmann (Contemporary Surrealist Prose Volume 1)
“
I would have come for you. And if I couldn’t walk, I’d crawl to you, and no matter how broken we were, we’d fight our way out together-knives drawn, pistols blazing. Because that’s what we do. We never stop fighting.” - Kaz Brekker
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
He could still see the dragon just fine. It was about sixty feet long, snout to tail, its body made of interlocking bronze plates. Its claws were the size of butcher knives, and its mouth was lined with hundreds of dagger-sharp metal teeth. Steam came out of its nostrils. It snarled like a chain saw cutting through a tree.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
The war drums pound out a beat like that of the human heart. The terrible, awful sound of living, that one first learns to love and tremble at when floating in the womb.
”
”
Anna Smith Spark (The Court of Broken Knives (Empires of Dust, #1))
“
Do not bend,” Nina snapped. “Do not leap. Do not move abruptly. If you don’t promise to take it easy, I’ll slow your heart and keep you in a coma until I can be sure you’ve recovered fully.” “Nina Zenik, as soon as I figure out where you’ve put my knives, we’re going to have words.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Say you are mine.” He trailed his lips down her neck. She arched into him, digging her fingers into his back.
“I am yours,” she whispered. The words cut like knives, barely out of her mouth before he stole them, sealing them with his own lips.
”
”
Kiersten White (And I Darken (The Conqueror's Saga, #1))
“
I left Abnegation because I wasn't selfless enough,no matter how hard I tried to be."
"That's not entirely true." He smiles at me. "That girl who let someone throw knives at her to spare a friend,who hit my dad with a belt to protect me-that selfless girl,that's not you?"
He's figured out more about me than I have. And even though it seems impossible that he could feel something for me,given all that I'm not...maybe it isn't.I frown at him. "You've been paying close attention,haven't you?"
"I like to observe people."
"Maybe you were cut out for Candor, Four, because you're a terrible liar."
He puts his hand on the rock next to him, his fingers lining up with mine. I look down at our hands. He has long, narrow fingers. Hands made for mine, deft movements.Not Dauntless hands, which should be thick and tough and ready to break things.
"Fine." He leans his face closer to mine, his eyes focusing on my chin, and my lips,and my nose. "I watched you because I like you." He says it plainly, boldly, and his eyes flick up to mine. "And don't call me 'Four," okay? It's nice to hear my name again."
Just like that,he has finally declared himself, and I don't know how to respond. My cheeks warm,and all I can think to say is, "But you're older than I am...Tobias."
He smiles at me. "Yes,that whopping two-year gap really is insurmountable, isn't it?"
"I'm not trying to be self-deprecating," I say, "I just don't get it. I'm younger. I'm not pretty.I-"
He laughs,a deep laugh that sounds like it came from deep inside him, and touches his lips to my temple.
"Don't pretend," I say breathily. "You know I'm not. I'm not ugly,but I am certainly not pretty."
"Fine.You're not pretty.So?" He kisses my cheek. "I like how you look. You're deadly smart.You're brave. And even though you found out about Marcus..." His voice softens. "You aren't giving me that look.Like I'm a kicked puppy or something."
"Well," I say. "You're not."
For a second his dark eyes are on mine, and he's quiet. Then he touches my face and leans in close, brushing my lips with his.The river roars and I feel its spray on my ankles.He grins and presses his mouth to mine.
I tense up at first,unsure of myself, so when he pulls away,I'm sure I did something wrong,or badly.But he takes my face in his hands,his figners strong against my skin,and kisses me again, firmer this time, more certain. I wrap an arm around him,sliding my hand up his nack and into his short hair.
For a few minutes we kiss,deep in the chasm,with the roar of water all around us. And when we rise,hand in hand, I realize that if we had both chosen differently,we might have ended up doing the same thing, in a safer place, in gray clothes instead of black ones.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Last night they came again. The soldiers had set up a defense perimeter, but there were simply too many—they must have come by the hundreds of thousands, a huge swarm that blotted out the stars. Three soldiers killed, as well as Cole. He was standing right in front of me; they actually lifted him off his feet before they bored through him like hot knives through butter. There was barely enough of him left to bury.
”
”
Justin Cronin (The Passage (The Passage, #1))
“
Inej!” Jesper crowed. “You’re not dead!”
She smiled faintly. “No more than anyone.”
“If you’re spouting depressing Suli wisdom, then you must be feeling better.”
“Don’t just stand there,” Nina groused. “Help me get these things on her feet.”
“If you would just let me—” Inej began.
“Do not bend,” Nina snapped. “Do not leap. Do not move abruptly. If you don’t promise to take it easy, I’ll slow your heart and keep you in a coma until I can be sure you’ve recovered fully.”
“Nina Zenik, as soon as I figure out where you’ve put my knives, we’re going to have words.”
“The first ones had better be Thank you, oh great Nina, for dedicating every waking moment of this miserable journey to saving my sorry life.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I would have come for you. And if I couldn’t walk, I’d crawl to you, and no matter how broken we were, we’d fight our way out together-knives drawn, pistols blazing. Because that’s what we do. We never stop fighting.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Hmm,” she said noncommittally, pretending to examine one of her knives, determined to ignore that grin. Kaz was not a giddy boy smiling and making future plans with her. He was a dangerous player who was always working an angle. Always, she reminded herself firmly. Inej kept her eyes averted, shuffling a stack of papers into a pile on the desk as Kaz stripped out of his vest and shirt. She wasn’t sure if she was flattered or insulted that he didn’t seem to give a second thought to her presence.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
The forge and dove shall break the cage. Wasn’t that the prophecy line? That meant Piper and he would have to figure out how to break into that magic rock prison, assuming they could find it. Then they’d unleash Hera’s rage, causing a lot of death. Well, that sounded fun! Leo had seen Tía Callida in action; she liked knives, snakes, and putting babies in roaring fires. Yeah, definitely let’s unleash her rage. Great idea. Festus kept flying. The wind got colder, and below them snowy forests seemed to go on forever. Leo didn’t know exactly where Quebec was. He’d told Festus to take them to the palace of Boreas, and Festus kept going north. Hopefully, the dragon knew the way, and they wouldn’t end up at the North Pole. “Why don’t you get some sleep?” Piper said in his ear. “You were up all night.” Leo wanted to protest, but the word sleep sounded really good. “You won’t let me fall off?” Piper patted his shoulder. “Trust me, Valdez. Beautiful people never lie.” “Right,” he muttered. He leaned forward against the warm bronze of the dragon’s neck, and closed his eyes.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
the thought of another guy in there with her had sent me straight to kill-him-with-knives.
”
”
Navessa Allen (Lights Out (Into Darkness, #1))
“
Knives Out. Radiohead.
”
”
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
“
My five Upstart sons are all bloody and brave
I’ve got one on the gallows, and two in the grave
One is your prisoner, and none is your slave
“Pish,” said Gormalin. “That’s a war song!”
I’ve got one in the hills that you never have met
And though he is young, he will murder you yet
For the hour is coming you’ll answer your debt
“That song’s illegal!” he protested, and right he was. It’s the very song that got Kellan na Falth hanged. “You can’t sing about men killing men since the Goblin Wars! Especially not a song against a proper king of Holt, even an old, bad king!”
Now, of course, I joined in.
My five Upstart sons have declared against you
Their tongues are as black as their promise is true
And they’ll call you to answer whatever you do!
No Coldfoot guard was going to be left out of an illegal Galtish rebel song, so Malk picked up the next verse with us, his strong, confident baritone suddenly making the whole insurrection seem credible.
The crown you so love sits but light on your head
The castle you stole has a cold, stony bed
And though I am old, I will yet see you dead
You’ve hundreds of men with long swords and long knives
But you’ve lain with near half of their fair Galtish wives
And none of them love you to lay down their lives
Abandon your tower and open your gate
No silver-bought army can alter your fate
If all my five perish, my neighbor has eight
Our ten thousand sons have declared against you
Their tongues are as black as their promise is true
And they’re coming, they’re coming, whatever you do
”
”
Christopher Buehlman (The Blacktongue Thief (Blacktongue, #1))
“
Back on the Black Veil, he'd told her they would fight their way out. Knives drawn, pistols blazing. Because that's what we do. She would fight for him, but she could not heal him. She would not waste her life trying.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
He went to the kitchen and grabbed the bottle of Jack Daniels from the top of the refrigerator.
'Ah, my last surviving friend,' he said to no one at all.
He unscrewed the cap, and put the bottle to his lips. Better to drink until a blackout, than to remember thoughts like knives that cut him from the inside out, and bled him dry.
”
”
Sean M. Thompson (Soul Survivors Hometown Tales Vol. 1)
“
extreme zombie fighting” kit. Tactical boots and tacticals. Firefighting bunker gear. Nomex head cover tucked under the collar of the bunker gear. Full face respirator. Helmet with integrated visor. Body armor with integral MOLLE. Knee, elbow and shin guards. Nitrile gloves. Tactical gloves. Rubber gloves. Assault pack with hydration unit. Saiga shotgun on friction strap rig. A .45 USP in tactical fast-draw holster. Two .45 USP in chest holsters. Fourteen Saiga ten-round 12-gauge magazines plus one in the weapon. Nine pistol magazines in holster plus three in weapons. Kukri in waist sheath. Machete in over-shoulder sheath, right. Halligan tool in over-shoulder sheath, left. Tactical knife in chest sheath. Tactical knife in waist sheath. Bowie knife in thigh sheath. Calf tactical knife times two. A few clasp knives dangling in various places. There was the head of a teddy bear peeking out of her assault pack.
”
”
John Ringo (Under a Graveyard Sky (Black Tide Rising, #1))
“
Nina Zenik, as soon as I figure out where you’ve put my knives, we’re going to have words.”
“The first ones had better be Thank you, go great Nina, for dedicating every waking moment of this miserable journey to saving my sorry life.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
The blond's booming voice was well-educated British, but his outfit didn't match it. His hair was the only normal thing about him--close cropped and without noticeable style. But his T-shirt was crossed with enough ammunition to take out a platoon, and he had a tool belt slung low on his hips that, along with a strap across his back, looked like it carried one of every type of handheld weapon on the market. I recognized a machete, two knives, a sawed-off shotgun, a crossbow, two handguns--one strapped to his thigh--and a couple of honest-to-God grenades. There were other things I couldn't identify, including a row of cork-topped bottles along the front of the belt. The getup, sort of mad scientist meets Rambo, would have made me smile, except that I believe in showing respect for someone carrying that much hardware.
”
”
Karen Chance (Touch the Dark (Cassandra Palmer, #1))
“
Careful now,” said Barron when she reached the tavern steps. She hadn’t heard him come out. “Someone might think you’ve got a heart under all that brass.” “No heart,” said Lila, pulling aside her cloak to reveal the holstered pistol and one of her knives. “Just these.
”
”
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
“
Do not bend,” Nina snapped. “Do not leap. Do not move abruptly. If you don’t promise to take it easy, I’ll slow your heart and keep you in a coma until I can be sure you’ve recovered fully.”
“Nina Zenik, as soon as I figure out where you’ve put my knives, we’re going to have words.”
“The first ones had better be "Thank you, oh great Nina, for dedicating every waking moment of this miserable journey to saving my sorry life.”
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Hold him,” he told Jesper and the Fjerdan. Kaz flicked his coat sleeve, and an oyster shucking knife appeared in his hand. At any given time he had at least two knives stashed somewhere in his clothes. He didn’t even count this one, really—a tidy, wicked little blade. He made a neat slash across Oomen’s eye—from brow to cheekbone—and before Oomen could draw breath to cry out, he made a second cut in the opposite direction, a nearly perfect X. Now Oomen was screaming. Kaz wiped the knife clean, returned it to his sleeve, and drove his gloved fingers into Oomen’s eye socket. He shrieked and twitched as Kaz yanked out his eyeball, its base trailing a bloody root. Blood gushed over his face. Kaz
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
And if i couldn't walk, i'd crawl to you, and we'd fight our way out together. Knives drawn, Pistols blazing. Because that's what we do. We never stop fighting.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I would have come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together-knives drawn, pistols blazing. Because that's what we do. We never stop fighting.- Kaz Brekker
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Bet you wish you could throw that blade, don't you?' he taunts, knowing I won't break a rule when it can hurt someone in the matches going on around us.
'Bet you wish you didn't know what it feels like to dig out one of my knives, don't you?' I retort.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
...kissing Locke never felt the way that kissing Cardan does, like taking a dare to run over knives, live an adrenaline strike of lightning, like the moment when you've swum too far out in the sea and there is no going back, only cold black water closing over your head.
Cardan's cruel mouth is surprisingly soft, and for a long moment after our lips touch, he's still as a statue. His eyes close, lashes brushing my cheek. I shudder, as you're supposed to when someone walks over your grave. Then his hands come up, gentle as they glide over my arms. If I didn't know better, I'd say his touch was reverent, but I do know better. HIs hands are moving slowly because he is trying to stop himself. He doesn't want this. He doesn't want to want this.
He tastes like sour wine.
I can feel the moment he gives in and gives up, pulling me to him despite the threat of the knife. He kisses me hard, with a kind of devouring desperation, fingers digging in to my hair. Our mouths slide together, teeth over lips over tongues. Desire hits me like a kick to the stomach. It's like fighting, except what we're fighting for is to crawl inside each other's skin.
That's the moment when terror seizes me. What kind of insane revenge is there in exulting in his revulsion? And worse, far worse, I like this. I like everything about kissing him- the familiar buzz of fear, the knowledge I am punishing him, the proof he wants me.
The knife in my hand is useless. I throw it at the desk, barely registering as the point sinks in to the wood. He pulls back from me at the sound, startled. HIs mouth is pink, his eyes dark. He sees the knife and barks out a startled laugh.
Which is enough to make me stagger back. I want to mock him, to show up his weakness without revealing mine, but I don't trust my face not to show too much.
'Is that what you imagined?' I ask, and am relieved to find that my voice sounds harsh.
'No,' he said tonelessly.
'Tell me,' I say.
He shakes his head, somewhere chagrined. 'Unless you're really going to stab me, I think I won't. And I might not tell you even if you were going to stab me.'
I get up on Dain's desk to put some distance between us. My skin feels too tight, and the room seems suddenly too small. He almost made me laugh there.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
Finn heaves a heavy sigh. “We were all equipped with low-damage bombs, knives, and suicide capsules, though we weren’t planning on having to use any of it. But we discreetly wore our leather armor and had our masks as a precaution in case we needed to fight our way out. And that’s exactly what it came to. An Imperial was the first to set off one of our bombs, not knowing what it was, and that’s when the ballroom broke out into chaos. We tried to escape, but Elites started fighting us, and all we could do was try to fight our way out.” He pauses, swallowing his sorrow. “In the end, we all used the bombs while those who were caught used the suicide capsules.” Leena’s pretty face is pinched with grief, her next words hollow. “Our secrets are too valuable to lose, and they were too loyal to divulge them. They knew they would lose their lives anyway.
”
”
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
“
Morfyd pulled out the only other chair and sat across from Annwyl. “I have heard much about your brother. It amazes me you still live.”
Annwyl began to eat the hearty stew, desperately trying not to think too hard about what kind of meat it contained.
“It amazes me as well. Daily.”
“But you saved many people. Released many from his dungeons.”
Annwyl shrugged silently as she wondered whether that was gristle she currently chewed on.
“No one else would challenge him. No man would step forward to face him,” Morfyd pushed.
“Well, he’s my brother. He used to set fire to my hair and throw knives at my head. Facing him in combat was inevitable.”
“But you lived under his roof until two years ago. We’ve all heard the stories about life on Garbhán Isle.”
“My brother had other concerns after my father died. He wanted to make sure everyone feared him. He didn’t have time to worry about his bastard sister.”
“Why didn’t he marry you off? He could have forged an alliance with one of the bigger kingdoms.” Annwyl briefly thought of Lord Hamish of Madron Province and how close she came to being his bride. The thought chilled her.
“He tried. But the nobles kept changing their minds.”
“And did you help them with that?”
She held up her thumb and forefinger, a little bit apart.
“Just a little.
”
”
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
“
I look at Max beside me, swimming in his anarchy trench coat. I stare at his face. The knives and the wolf have fallen away like so much costume makeup. His features no longer shift, no longer recall transcendent moments or former lovers. His face is simply my face. Undisguised at last. Familiar as mud. Punched in with grief. Rage. Suddenly, I want to kill him. This thing I made out of hate and love and air and one fucking animal.
”
”
Mona Awad (Bunny (Bunny, #1))
“
Obstetricians also doubted the female intellectual capacity to grasp the anatomy and physiology of childbirth, and suggested that they could not therefore be trained. But the root fear was – guess what? – you’ve got it, but no prizes for quickness: money. Most doctors charged a routine one guinea for a delivery. The word got around that trained midwives would undercut them by delivering babies for half a guinea! The knives were out.
”
”
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
“
He'd pick up a block of wood and stare at it for a long time until he could see what kind of rat in what kind of pose was lurking inside. It took a long while before he could see the figure, but once that happened, all he had to do was pull the rat out of the block with his knives. He often used to say that: 'I'm going to pull the rat out.' And the rats he pulled out looked as if they might start moving at any moment. He kept on freeing these imaginary rats that were locked up in their blocks of wood.
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
Without her coat, the frozen rock felt like knives beneath her nightgown. Knives that would peel her skin right off. A sob of pain bubbled up out of Rebecca's chest as she slowly sat up on the ledge. 'W-what did you do that for?' she cried, each breath frosting before her. With only her nightgown to protect her, the cold was almost unbearable. The frozen air made her lungs ache with the effort of breathing, and she couldn't prevent herself from shivering so violently that her bones to seemed to rattle inside her body.
”
”
Alex Bell (Frozen Charlotte (Frozen Charlotte, #1))
“
Nina Zenik, as soon as I figure out where you've put my knives, we're going to have words."
"The first ones had better be Thank you, oh great Nina, for dedicating every waking moment of this miserable journey to saving my sorry life.
Jesper expected Inej to laugh and was startled when she took Nina's face between her hands and said, "Thank you for keeping me in this world when fate seemed determined to drag me to the next. I owe you a life debt."
Nina blushed deeply. "I was teasing, Inej." She paused. "I think we've both had enough of debts.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
You have to imagine what it was like to be on the receiving end of vicious antagonism: sneering, contempt, ridicule, slights about one’s intelligence, integrity and motives. In those days, women even ran the risk of dismissal for their opinions. And this treatment came from other women, as well as men. In fact, “in-fighting” between various schools of nurses who had some sort of training in midwifery was particularly nasty. One eminent lady – the matron of St Bartholomew’s Hospital – branded the aspiring midwives as “anachronisms, who would in the future be regarded as historical curiosities”. The medical opposition seems to have arisen mainly from the fact that “women are striving to interfere too much in every department of life”.* Obstetricians also doubted the female intellectual capacity to grasp the anatomy and physiology of childbirth, and suggested that they could not therefore be trained. But the root fear was – guess what? – you’ve got it, but no prizes for quickness: money. Most doctors charged a routine one guinea for a delivery. The word got around that trained midwives would undercut them by delivering babies for half a guinea! The knives were out.
”
”
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
“
Gentlemen, this is Travec the Dacian, who is here on business similar to our own. Travec, you see here Este the Sweet, who claims to be the last true Roman. His weapon is a bow so small and fragile that it seems a toy, while his arrows are little more than slivers; still, he can sling them away with great speed and put out a man’s eye at fifty yards without rising from his chair. Next is Galgus, who is Daut and clever with knives. Yonder sits Kegan from Godelia; he favours a set of curious weapons, among others, the steel whip. I myself am a poor lost dove; I survive the ferocities of life only through the pity and forbearance of my fellows.’ ‘You are a notable group,’ said Travec. ‘I am privileged to be associated with you.
”
”
Jack Vance (The Complete Lyonesse (Lyonesse, #1, #2 and #3))
“
In 1846 Easter fell on the same date in the Latin and Greek Orthodox calendars, so the holy shrines were much more crowded than usual, and the mood was very tense. The two religious communities had long been arguing about who should have first right to carry out their Good Friday rituals on the altar of Calvary inside the Church of the Holy Sepulchre, the spot where the cross of Jesus was supposed to have been inserted in the rock. During recent years the rivalry between the Latins and the Greeks had reached such fever pitch that Mehmet Pasha, the Ottoman governor of Jerusalem, had been forced to position soldiers inside and outside the church to preserve order. But even this had not prevented fights from breaking out. On this Good Friday the Latin priests arrived with their white linen altar-cloth to find that the Greeks had got there first with their silk embroidered cloth. The Catholics demanded to see the Greeks’ firman, their decree from the Sultan in Constantinople, empowering them to place their silk cloth on the altar first. The Greeks demanded to see the Latins’ firman allowing them to remove it. A fight broke out between the priests, who were quickly joined by monks and pilgrims on either side. Soon the whole church was a battlefield. The rival groups of worshippers fought not only with their fists, but with crucifixes, candlesticks, chalices, lamps and incense-burners, and even bits of wood which they tore from the sacred shrines. The fighting continued with knives and pistols smuggled into the Holy Sepulchre by worshippers of either side. By the time the church was cleared by Mehmet Pasha’s guards, more than forty people lay dead on the floor.1
”
”
Orlando Figes (The Crimean War: A Hisory)
“
Rosie flicks out her second knife and takes aim. It spins out of her hand like a star, straight at the Alpha’s chest. But the Alpha knocks it away easily. He raises a clawed hand at my sister and I feel a scream erupting in my throat, recognizing the motion from seven years ago. The swing will take my sister’s eye. I storm through the still-transforming Fenris, swinging my hatchet as if I’m hacking at tree limbs. Rosie’s eyes widen in horror as the Alpha’s claws being to descend. I grit my teeth and force my body forward, now ignoring the other wolves, desperate to reach her.
A roaring scream, all human but as fierce as any Fenris howl, echoes through the parking lot. My head snaps to see its source: Silas is running toward Rosie, hunting knives in one hand, axe aloft in the other. His eyes burn brighter than any hellfire. He swings out just as the Alpha’s claws are about to reach Rosie’s face, knocking the monster out of the way.
”
”
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
“
You know, one time I saw Tiger down at the water hole: he had the biggest testicles of any animal, and the sharpest claws, and two front teeth as long as knives and as sharp as blades. And I said to him, Brother Tiger, you go for a swim, I’ll look after your balls for you. He was so proud of his balls. So he got into the water hole for a swim, and I put his balls on, and left him my own little spider balls. And then, you know what I did? I ran away, fast as my legs would take me
“I didn’t stop till I got to the next town, And I saw Old Monkey there. You lookin’ mighty fine, Anansi, said Old Monkey. I said to him, You know what they all singin’ in the town over there? What are they singin’? he asks me. They singin’ the funniest song, I told him. Then I did a dance, and I sings,
Tiger’s balls, yeah,
I ate Tiger’s balls
Now ain’t nobody gonna stop me ever at all
Nobody put me up against the big black wall
’Cos I ate that Tiger’s testimonials
I ate Tiger’s balls.
“Old Monkey he laughs fit to bust, holding his side and shakin’, and stampin’, then he starts singin’ Tiger’s balls, I ate Tiger’s balls, snappin’ his fingers, spinnin’ around on his two feet. That’s a fine song, he says, I’m goin’ to sing it to all my friends. You do that, I tell him, and I head back to the water hole.
“There’s Tiger, down by the water hole, walkin’ up and down, with his tail switchin’ and swishin’ and his ears and the fur on his neck up as far as they can go, and he’s snappin’ at every insect comes by with his huge old saber teeth, and his eyes flashin’ orange fire. He looks mean and scary and big, but danglin’ between his legs, there’s the littlest balls in the littlest blackest most wrinkledy ball-sack you ever did see.
“Hey, Anansi, he says, when he sees me. You were supposed to be guarding my balls while I went swimming. But when I got out of the swimming hole, there was nothing on the side of the bank but these little black shriveled-up good-for-nothing spider balls I’m wearing.
“I done my best, I tells him, but it was those monkeys, they come by and eat your balls all up, and when I tell them off, then they pulled off my own little balls. And I was so ashamed I ran away.
“You a liar, Anansi, says Tiger. I’m going to eat your liver. But then he hears the monkeys coming from their town to the water hole. A dozen happy monkeys, boppin’ down the path, clickin’ their fingers and singin’ as loud as they could sing,
Tiger’s balls, yeah,
I ate Tiger’s balls
Now ain’t nobody gonna stop me ever at all
Nobody put me up against the big black wall
’Cos I ate that Tiger’s testimonials
I ate Tiger’s balls.
“And Tiger, he growls, and he roars and he’s off into the forest after them, and the monkeys screech and head for the highest trees. And I scratch my nice new big balls, and damn they felt good hangin’ between my skinny legs, and I walk on home. And even today, Tiger keeps chasin’ monkeys. So you all remember: just because you’re small, doesn’t mean you got no power.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
As people turned away, Kestrel saw a clear path to Irex, tall and black-clad in the center of the space marked for the duel. He smiled at her, and Kestrel was so thrown out of herself that she didn’t know her father had arrived until she felt his hand on her shoulder.
He was dusty and smelled of horse. “Father,” she said, and would have tucked herself into his arms.
He checked her. “This isn’t the time.”
She flushed.
“General Trajan,” Ronan said cheerfully. “So glad you could come. Benix, do I see the Raul twins over there, in the front, closest to the dueling ground? No, you blind bat. There, right next to Lady Faris. Why don’t we watch the match with them? You, too, Jess. We need your feminine presence so we can pretend that we’re only interested in the twins because you’d like to chat about feathered hats.”
Jess squeezed Kestrel’s hand, and the three of them would have left immediately had the general not stopped them. “Thank you,” he said.
Kestrel’s friends dropped their merry act, which Jess wasn’t performing well anyway. The general focused on Ronan, sizing him up like he would a new recruit. Then he did something rare. He gave a nod of approval. The corner of Ronan’s mouth lifted in a small, worried smile as he led the others away.
Kestrel’s father faced her squarely. When she bit her lip, he said, “Now is not the time to show any weakness.”
“I know.”
He checked the straps on her forearms, at her hips, and against her calves, tugging the leather that secured six small knives to her body. “Keep your distance from Irex,” he said, his voice low, though the people nearest to them had withdrawn to give some privacy--a deference to the general. “Your best bet is to keep this to a contest of thrown knives. You can dodge his, throw your own, and might even get first blood. Make him empty his sheaths. If you both lose all six Needles, the duel is a draw.” He straightened her jacket. “Don’t let this turn into hand-to-hand combat.”
The general had sat next to her at the spring tournament. He had seen Irex fight and directly afterward had tried to enlist him in the military.
“I want you to be at the front of the crowd,” Kestrel said.
“I wouldn’t be anywhere else.” A small crease appeared between her father’s brows. “Don’t let him get close.”
Kestrel nodded, though she had no intention of taking his advice.
She walked through the throngs of people to meet Irex.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
The cane is just not going to cut it. I shared with some of my colleagues that these brothers live in neighborhoods where they are getting whapped with a piece of stick all night, stabbed with knives, and pegged with screwdrivers that have been sharpened down, and they are leaking blood. When you come to a fella without even interviewing him, without sitting him down to find out why you did what you did, your only interest is caning him, because you are burned out and frustrated yourself. You say to him, ‘Bend over, you are getting six.’ And the boy grits his teeth, skin up his face, takes those six cuts, and he is gone. But have you really been effective? Caning him is no big deal, because he’s probably ducking bullets at night. He has a lot more things on his mind than that. On the other hand, we can further send our delinquent students into damnation by telling them they are no body and all we want to do is punish, punish, punish.
Here at R.M. Bailey, we have been trying a lot of different things. But at the end of the day, nothing that we do is better than the voice itself. Nothing is better than talking to the child, listening, developing trust, developing a friendship. Feel free to come to me anytime if something is bothering you, because I was your age once before. Charles chuck Mackey, former vice principal and coach of the R. M. Bailey Pacers school.
”
”
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
“
1. His back is full of knives. Notes are brittle around the blades.
2. He sleeps face down every night in a chalk outline of himself.
3. He has difficulties with metal detectors.
4. At birthday parties, someone might politely ask, may I borrow one of those knives to slice this chocolate cake?
5. He likes to stand with his back to walls. At restaurants, he likes the corner tables.
6. There is a detective who calls to ask him about the brittle notes. Also: a biographer, a woman who'd like to film a documentary, a curator of a museum, his mother. I can't read them, he says. They're on my back.
7. It would be a mistake for anyone to assume he wants the knives removed.
8. Most of the brittle notes are illegible. One of them, even, is written in French.
9. Every Halloween, he goes as a victim of a brutal stabbing. Once he tried going as a whale, but it was a hassle explaining away the knives.
10. He always wears the same bloody suit.
11. When he walks, he sounds like a tree still full of dead leaves holding on.
12. It is ok for children to count on his knives, but not to climb on them.
13. He saw his own shadow in a park. He moved his body to make the knives reach other people's shadows. He did it all evening. In the shadows, his knives looked like soft outstretched arms.
14. His back is running out of space.
15. On a trip to Paris, he fell in love and ended up staying for a few years. He got a job performing on the street with the country's best mimes.
16. The knives are what hold him together. It is the notes that are slowly killing him.
17. He is difficult to hold when he cries.
18. He will be very old when he dies and the Doctor will say, he was obviously stabbed, brutally and repeatedly. I'm sorry, the Doctor will say to a person in the room, but he's not going to make it.
”
”
Zachary Schomburg (The Man Suit)
“
I’m sorry, Rosie,” Silas says when he sees the sadness in my eyes. I shake my head, trying to brush the look away, but Silas isn’t easily deterred. He hesitates, then leans on the counter beside me, moving slowly as if he needs verification that each move is acceptable, wanted.
“Hey,” he says, resting two fingers on my arm. It starts as a friendly gesture. I press my lips together as he slides his palm up my arm and around his shoulders. Silas paused, and though I’m not certain, I think he realizes that the touch is far more friendly as well—a thought that makes me dizzy but practically forces me to move my own hand to the small of his back. I close my eyes and inhale, and I feel Silas’s breath on my forehead, hear his relaxed heartbeats. His lips are so close to me, I could easily tilt my head back and kiss him if I were braver. It’s hard to not sigh, like the exhausted breath is building up in my chest and I’m holding it back, though more than anything I want to release it, to truly hold myself against him—
Scarlett’s shower cuts off. Silas snatches his arm away and I lean back up, head swirling from the quick change.
“Um . . . right,” Silas says, looking startled. He looks at me. “Okay, back to studying Potentials, wolves, important stuff . . .” He shakes his head as if he’s casting away a mental fog.
I bite my lip. I want to get out of here—I need to get out of here, or the thumping desire for Silas is going to consume me. There’s no way Scarlett won’t figure it out if I can’t escape and get my mind off him. It’s just for a little while—I can go get groceries or something. Silas will help her research. We can’t keep paying for Chinese food. I meet Silas’s eyes, dashes of sky color in the monotone apartment.
“I’ll be back,” I say, then dart for the door.
“Wait!” he whispers sharply. He lunges toward the couch and tosses me the belt with my knives on it. “Just in case.” I catch it with one hand and swing it around my waist. Silas gives me a sly smile—does he know the affect that smile has on me?
”
”
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
“
STRAWBERRY SHORTBREAD BAR COOKIES Preheat oven to 350 degrees F., rack in the middle position. Hannah’s 1st Note: These are really easy and fast to make. Almost everyone loves them, including Baby Bethie, and they’re not even chocolate! 3 cups all purpose flour (pack it down in the cup when you measure it) ¾ cup powdered (confectioner’s) sugar (don’t sift un- less it’s got big lumps) 1 and ½ cups salted butter, softened (3 sticks, 12 ounces, ¾ pound) 1 can (21 ounces) strawberry pie filling (I used Comstock)*** *** - If you can’t find strawberry pie filling, you can use another berry filling, like raspberry, or blueberry. You can also use pie fillings of larger fruits like peach, apple, or whatever. If you do that, cut the fruit pieces into smaller pieces so that each bar cookie will have some. I just put my apple or peach pie filling in the food processor with the steel blade and zoop it up just short of being pureed. I’m not sure about using lemon pie filling. I haven’t tried that yet. FIRST STEP: Mix the flour and the powdered sugar together in a medium-sized bowl. Cut in the softened butter with a two knives or a pastry cutter until the resulting mixture resembles bread crumbs or coarse corn meal. (You can also do this in a food processor using cold butter cut into chunks that you layer between the powdered sugar and flour mixture and process with the steel blade, using an on-and-off pulsing motion.) Spread HALF of this mixture (approximately 3 cups will be fine) into a greased (or sprayed with Pam or another nonstick cooking spray) 9-inch by 13-inch pan. (That’s a standard size rectangular cake pan.) Bake at 350 degrees F. for 12 to 15 minutes, or until the edges are just beginning to turn golden brown. Remove the pan to a wire rack or a cold burner on the stove, but DON’T TURN OFF THE OVEN! Let the crust cool for 5 minutes. SECOND STEP: Spread the pie filling over the top of the crust you just baked. Sprinkle the crust with the other half of the crust mixture you saved. Try to do this as evenly as possible. Don’t worry about little gaps in the topping. It will spread out and fill in a bit as it bakes. Gently press the top crust down with the flat blade of a metal spatula. Bake the cookie bars at 350 degrees F. for another 30 to 35 minutes, or until the top is lightly golden. Turn off the oven and remove the pan to a wire rack or a cold burner to cool completely. When the bars are completely cool, cover the pan with foil and refrigerate them until you’re ready to cut them. (Chilling them makes them easier to cut.) When you’re ready to serve them, cut the Strawberry Shortbread Bar Cookies into brownie-sized pieces, arrange them on a pretty platter, and if you like, sprinkle the top with extra powdered sugar.
”
”
Joanne Fluke (Devil's Food Cake Murder (Hannah Swensen, #14))
“
Another child, one with a mouse-like face and a mop of dirty blond hair, raised his hand but didn’t wait for me to call on him. “Do you make guns?” “No,” I said, drawing out the word. “I make things like swords, knives, and axes.” “Why don’t you make guns?” the dirty-blond-haired child asked. “I can make guns,” I corrected, my exaggerated smile faltering. “So why don’t you?” Sam piped up. “I think what Sam means,” the teacher interrupted, “is why do we need blacksmiths still in today’s society?” “No,” Sam said sharply. He stuck his hands in his pockets, looking cocky and self-assured. “That’s not what I mean. I want to know why he doesn’t make guns.” “Because they are lazy and inelegant weapons,” I answered honestly. “Also, they’re a bitch to construct.” The students gasped in unison at my word choice. I didn’t mean to use that particular cuss word. It just sort of slipped out. I plastered on my fake smile. “I’m sorry about that,” I said, making my voice all fluffy and light. I pulled out the tool I had been working on before the class arrived. “Who wants to make a hotdog poker?
”
”
Simon Archer (Forge of the Gods (Forge of the Gods, #1))
“
1. Don’t buy stocks that are hitting 52-week lows. We have already discussed this point, but it bears repeating, simply because so many new traders lose a lot of money trying to catch the proverbial “falling knife.” In spite of what everyone will tell you, you are almost always much better off buying a stock that is hitting 52-week highs than one hitting 52-week lows. Has a company that you own just reported some really bad news? If so, remember that there is never just one cockroach. Bad news comes in clusters. Many investors recently learned this the hard way with General Electric, which just kept reporting one bad thing after another, causing the stock to crash from 30 to 7. There is no such thing as a “safe stock.” Even a blue chip stock can go down a lot if it loses its competitive advantage or the company makes bad decisions. A cascade of bad news can often cause a stock to trend down or gap down repeatedly. If you own a stock that does this, it is often better to get out and wait a few months (or years) to reenter. Again, there is never just one cockroach. Never buy a stock after you have seen the first cockroach. When a stock goes down a lot, it can affect the company's fundamentals as well. Employee and management morale will deteriorate, the best employees may leave the company, and it may become more difficult for the company to raise money by selling shares or issuing debt. Conversely, when a stock goes up a lot, it can improve the company's fundamentals. Employee and management morale will be high, everyone at the company will want to work harder, it will be easier to recruit new talent, and it will become easier for the company to raise money by issuing stock or debt. If you stick to stocks that are trading above their 200-day moving averages, or that are hitting 52-week highs, you will do much better than trying to catch falling knives.
”
”
Matthew R. Kratter (A Beginner's Guide to the Stock Market)
“
to release his bed, and there was probably an alcove behind it with storage, maybe some traps to keep out unwanted visitors. At least, that’s the way Leo would’ve designed it. A fire pole came down from the second floor, even though the cabin didn’t appear to have a second floor from the outside. A circular staircase led down into some kind of basement. The walls were lined with every kind of power tool Leo could imagine, plus a huge assortment of knives, swords, and other implements of destruction. A large workbench overflowed with scrap metal—screws, bolts, washers, nails, rivets, and a million other machine parts. Leo had a strong urge to shovel them all into his coat pockets. He loved that kind of stuff. But he’d need a hundred more coats to fit it all. Looking around, he could almost imagine he was back in his mom’s machine shop. Not the weapons, maybe—but the tools, the piles of scrap, the smell of grease and metal and hot engines. She would’ve loved this place. He pushed that thought away. He didn’t like painful memories. Keep moving—that was his motto. Don’t
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
Of course, plans had been useless on Plansheddy and pretty much anywhere else in space. They tended to get thrashed and spit out like a wool sweater spending four hours at excessively high temperatures in a dryer filled with rusty knives. So yeah, a new plan wasn’t going to cut it. Only raw, violent action would.
”
”
Anthony J. Melchiorri (Sunken Spaceship (Sunken Spaceship #1))
“
HE HAD BEEN trained in a hidden monastery by the ninjas of Xi’en. He had studied yoga and meditation under an Avrantic guru. His strength, stamina and ability to withstand pain were legendary. He was as silent as a shadow of a black cat in the night, as deadly as a cobra’s fang. He moved like a panther, taut and sinuous. He could climb up rock-faces with his bare hands and stay underwater for hours without breathing. His skill and luck at love and cards was legendary, and he had almost beaten the Civilian at chess once.
He was wondering what to wear.
When in doubt, Black is the answer, the dance teacher in Ektara had said.
He dressed, swiftly. It had been a long time since he had worn the original costume. Black silk clothes, padded boots. The cloth around the face, with slits for his eyes. The fire-resistant Xi’en lava-worm black silk cape. Of course, disguises and camouflage were fun, and often necessary, but this was his favourite.
He strapped on his Necessity Belt. He had been all around the world and seen many beautiful things, but this was the finest example of vaman craftsmanship he had ever seen. He opened a trunk under his bed and started thinking about his assignment. His fingers, trained by years of practice, began sliding things into the right pockets on his belt.
Into the little sheaths went the darts, the crossbow bolts and the blackened throwing knives. With practiced ease his fingers found the little pouches, side by side, one after the other, for the wires, the brass knuckles, the vial of oil, the sachet of poisonous powder and the shuriken, the little blackened poisoned-tipped discs the ninjas used. On his back was the slim bag that contained a little black chalk, his stamp and his emergency scarab. If he was killed or captured, it would fly to the Civilian. The message inside said Killed or captured. Sorry.
He slung a pouch over his shoulder. It contained his blowpipes, ropes, strangling cords and cloth-covered grappling hooks. Over his other shoulder went the light and specially constructed crossbow. The flat bag filled with what he called his ‘special effects’ went on his back.
He felt a little naked.
He strapped on little black daggers in sheaths to his left arm and outer thighs. He tapped his left foot thrice on the floor and felt the blade slide to the front of the boot. He tapped again and it slid back to the heel. (...)
He slipped on his gloves. Finally, he picked up the sheath that contained his first love. It was the one love he’d always been faithful to, the long, curved, deadly and beautiful Artaxerxian dagger that glittered and shone even in the candlelight as he pulled it out and held it lovingly. It was the only weapon he had never blackened.
The Silver Dagger.
He attached it to the Necessity Belt.
Now he was dressed to kill.
”
”
Samit Basu (The Simoqin Prophecies (GameWorld Trilogy, #1))
“
James had wavered in and out of consciousness for the first two days after his visit to Belial's realm. Sometimes he dreamed of the demon world and woke up yelling, reaching for a weapon that wasn't there. His knives might not have been beside him, but Matthew always was.
[...] On the first night of their return from Highgate, Matthew had dragged a pile of bedding into James's room, rolled himself up in it, and gone to sleep. No one tried to make him leave - when Tessa brought soup and tea to James, she brought some for Matthew, too. When Will came and brought card games to while away the time, Matthew played as well, and usually lost.
Not that others weren't kind as well. When Anna brought James a stylish new necktie to cheer him, she brought one for Matthew. When Lucie smuggled in midnight tarts from the kitchen, there were extras for Matthew. It was possible, as a result, that Matthew was never going home.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
It wasn’t only him. All three of the North brothers took me in. Josh taught me how to throw knives even though Liam nearly killed him for it. I’m weirdly good at them. Turns out the upper body strength and nimble fingers you cultivate playing violin translates well to six inches of stainless steel. I can hit the painted targets almost as well as a soldier. It was the youngest North brother who drove to the convenience store to buy maxi pads because I started bleeding when Liam was on an overnight trip. It was my first period. Even if Daddy had been alive, I don’t know how he would have handled that. Probably one of his aides would have taught me. Instead Elijah knocked at the bathroom door, grim-faced as he answered my questions—how long would it last and why did it happen.
”
”
Skye Warren (Overture (North Security, #1))
“
When you remove the haze of fear, the monsters in your life seem so much smaller. And abusive pricks are actually dealt with quite simply if you have the motivation to do it. Turns out, they bleed as easily as you do. Just make sure to keep your knives sharp.
”
”
Willow Prescott (Shades of Red (Sharp Edges Duet, #1))
“
I'm to take Becca Collins out dancing and try to get a glimpse of her inner workings?'
'Don't be crude.' She sniffed and, dare I say it, blushed a little. 'I trust you to use your best judgment. Don't do anything you aren't comfortable with.'
'You realize I used to dress up like a showgirl and have knives thrown at my face. My threshold for uncomfortable is pretty high.
”
”
Stephen Spotswood (Fortune Favors the Dead (Pentecost and Parker, #1))
“
Alxine carved them all portions, serving them elegantly on beds of thin oat porridge flavoured with rotten onion. It tasted debatably worse than the beer. ‘Gods, imagine living out here, drinking donkey piss and eating rancid goat’s dick every day of your life,’ he said cheerfully. ‘At least we’ve got violent death to look forward to in a few days’ time.
”
”
Anna Smith Spark (The Court of Broken Knives (Empires of Dust, #1))
“
Julian looked at her sharply, his grey eyes like steel knives cutting through to the bone. ‘Do you think I do not know what it is to mourn a loved one? Do you think in a hundred and fifty years I’ve not lost anybody close to me?
”
”
Ashlee Nicole Bye (Out of the Shadows (Shadowlands #1))
“
Not that traditional princess behavior was like Isabelle at all. Isabelle with her whip and boots and knives would chop anyone who tried to pen her up in a tower into pieces, build a bridge out of the remains, and walk carelessly to freedom, her hair looking fabulous the entire time.
”
”
Cassandra Clare (City of Bones / City of Ashes / City of Glass / City of Fallen Angels / City of Lost Souls (The Mortal Instruments, #1-5))
“
Colin is standing on our front stoop with a dozen red roses in his hand.
“For you,” he says, surprising me.
Wow! I’m feeling stupid for thinking about Alex so much this past week. I hug Colin and give him a kiss, a real one on the lips.
“Let me put these in water,” I say, stepping back.
I hum happily as I walk to the kitchen, smelling their sweet fragrance. Putting water in a vase, I wonder if Alex ever brought his girlfriend flowers. Alex probably brings his dates sharp knives as gifts, in case she’ll need one when she’s out on a date with him.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
Your family swims in gold. You've got a face so pretty, you're considerably better looking than most women I've met. You're clever, and can just about use a sword. You killed a bloody dragon, for gods sake. And yet last night I had to drag you unconscious and covered in vomit out of the most depressing hole I've ever had the misfortune to set foot in, after near drowning yourself in something that burned holes in the table-top. You're serving as a foot soldier in a rough mercenary troop a month's wages away from being brigands, on what's probably a suicide mission. You're about to be whipped for misconduct after stealing Company money. From the smell of you, at some point last night you pissed yourself. As far as I can see, you've fucked your life up more thoroughly and absolutely than anyone I've ever met.
”
”
Anna Smith Spark (The Court of Broken Knives (Empires of Dust, #1))
“
Next to the office was a closed door. “This room,” Gabriel stood at the door hesitantly, “is where we keep our collection of weapons so,” Gabriel turned the knob, “don’t freak out or anything.”
Gabriel pushed the door open and Scarlet’s eyes took in a giant wall covered in deadly-looking arsenal. Knives, axes, swords, arrows, and many other tools lined the great wall.
And some of them looked rather used.
She started to freak out. “Uh…why do you have so many?”
Were they gearing up for battle?
Gabriel shrugged. “It’s a hobby. It’s more Tristan’s thing than mine, though.”
Figures.
“What, no guns?” Scarlet asked, looking around.
“Guns are for losers,” Gabriel said.
“And,” Scarlet looked at the nearest weapon with a crooked smile, “bloodstained battle axes are for winners?”
Gabriel cocked his head and smiled at her. “Exactly
”
”
Chelsea Fine (Anew (The Archers of Avalon, #1))
“
assortment of knives he’d lined up on the glossy Victorian dressing table, gone. A folded piece of paper was placed in the middle of the dresser, leaning against a tarnished silver candle stick. Her name was written on it in untidy script, scratchy and blotchy from Lachlan not knowing how to deal with a ballpoint pen. With a catch in her throat, she picked up the paper but didn’t unfold it. She just couldn’t, not right now. She had to find him. This letter was not goodbye. Instead she folded it over again and put it into her front pocket, brushing the wrapped book stuffed into
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Sarah Woodbury (The Big Book Of Time Travel Romance (Includes: After Cilmeri, #0.5; Lost Highlander, #1; The McKinnon Legends, #1; Out of Time, #1; Time Walkers, #1))
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ORANGE, HONEY, AND THYME BISCUITS Hands-on: 23 min. Total: 36 min. Bake biscuits up to a day ahead, and keep in a sealed zip-top plastic bag. 2 ⁄ 3 cup nonfat buttermilk 2 tablespoons clover honey 2 teaspoons chopped fresh thyme 2 teaspoons grated orange rind 10 ounces spelt four (about 2 cups) 5 teaspoons baking powder 1 ⁄ 4 teaspoon kosher salt 1 5 1 ⁄ 2 tablespoons chilled butter, cut into small pieces cooking spray 1. Preheat oven to 425°. 2. Combine the frst 4 ingredients in a small bowl, stirring with a whisk. 3. Weigh or lightly spoon four into dry measuring cups; level with a knife. Combine four, baking powder, and salt in a medium bowl, stirring with a whisk. Cut in butter with a pastry blender or 2 knives until mixture resembles coarse meal. Add buttermilk mixture to four mixture, stirring just until moist. Turn dough out onto a lightly foured surface; pat into a 7 1 ⁄ 2-inch square; cut into 12 rectangles. Place dough on a foil-lined baking sheet coated with cooking spray. Bake at 425° for 13 minutes or until lightly browned on edges and bottom. SErVES 12 (serving size: 1 biscuit) CalOriES 162; FaT 6.1g (sat 3.3g, mono 1.4g, poly 0.2g); prOTEiN 4g; CarB 22g; FiBEr 3g; CHOl 14mg; irON 1mg; SODiUM 330mg; CalC 61mg
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Anonymous
“
Before we dive into specific examples, let’s first look at a simple, four-step, codified breakdown for a typical infomercial pitch: 1. The Problem: Here’s the problem you’re experiencing today, based on your status quo state or the solution you’re already using. This is where the tension is created. Where they “cut you” and get you to see you are bleeding (as we discussed in chapter 4)! In some cases, this pain might be top of mind, or it might be hidden, latent, or even something you may not think about all that often. This is also a perfect place to call out the enemy you identified earlier in this chapter. For example, if this were an infomercial for a set of space-aged kitchen knives that never need sharpening, the narrative might begin with a poor fool trying to cut a red, ripe tomato with an old, dull knife. As the grainy black-and-white footage rolls, the unsuspecting subject squashes the tomato with their sub-par knife, sending seeds and tomato flesh flying in all directions (and ruining the white suit they were wearing for some reason). Tension is created as the viewer starts to see themselves as the subject or hero of this story. 2. The Ideal Solution: Here’s the ideal solution to the problem. While not always top of mind, people often know the solutions to problems but see them as requiring too much effort and cost. In other words, spending money or investing time doing something our hero doesn’t want to do can usually solve the problem. This is where that solution is positioned. For example, the ideal solution to our dull knife problem is to go to a fancy kitchen store and purchase some top-of-the-line Japanese hand-forged steel knives. In a business context, many problems can be solved by throwing tons of time, money, and both human and technical resources at a them. 3. The Problem with That Ideal Solution: This is what makes that ideal solution difficult or less desirable. Here, you are creating contrast between where your hero is today and where they need to get to—a large gap they need to overcome. In doing this you are positioning the ideal solution as something they don’t want to or can’t make happen. For example, you could go to the kitchen store and buy those fancy knives, but they cost hundreds of dollars that you would rather not spend. The same goes for the massive business resource splurge suggested in the previous step. 4. Enter Our Solution: The stunning climax! Here’s how investing in our product, service, or solution can help you overcome the problem and pain you’re experiencing, while at the same time circumventing the challenges associated with the ideal solution.
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David Priemer (Sell the Way You Buy: A Modern Approach To Sales That Actually Works (Even On You!))
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The M1A3 Abrams was a man-killer. Colonel J. “Lonesome” Jones thanked the good Lord that he had never had to face anything like it. The models that preceded it, the A1 and A2, were primarily designed to engage huge fleets of Soviet tanks on the plains of Europe. They were magnificent tank busters, but proved to be less adept at the sort of close urban combat that was the bread and butter of the U.S. Army in the first two decades of the twenty-first century. In the alleyways of Damascus and Algiers, along the ancient cobbled lanes of Samara, Al Hudaydah, and Aden, the armored behemoths often found themselves penned in, unable to maneuver or even to see what they were supposed to kill. They fell victim to car bombs and Molotovs and homemade mines. Jones had won his Medal of Honor rescuing the crew of one that had been disabled by a jihadi suicide squad in the Syrian capital. The A3 was developed in response to attacks just like that one, which had become increasingly more succesful. It was still capable of killing a Chinese battle tank, but it was fitted out with a very different enemy in mind. Anyone, like Jones, who was familiar with the clean, classic lines of the earlier Abrams would have found the A3 less aesthetically pleasing. The low-profile turret now bristled with 40 mm grenade launchers, an M134 7.62 mm minigun, and either a small secondary turret for twin 50s, or a single Tenix-ADI 30 mm chain gun. The 120 mm canon remained, but it was now rifled like the British Challenger’s gun. But anyone, like Jones, who’d ever had to fight in a high-intensity urban scenario couldn’t give a shit about the A3’s aesthetics. They just said their prayers in thanks to the designers. The tanks typically loaded out with a heavy emphasis on high-impact, soft-kill ammunition such as the canistered “beehive” rounds, Improved Conventional Bomblets, White Phos’, thermobaric, and flame-gel capsules. Reduced propellant charges meant that they could be fired near friendly troops without danger of having a gun blast disable or even kill them. An augmented long-range laser-guided kinetic spike could engage hard targets out to six thousand meters. The A3 boasted dozens of tweaks, many of them suggested by crew members who had gained their knowledge the hard way. So the tank commander now enjoyed an independent thermal and LLAMPS viewer. Three-hundred-sixty-degree visibility came via a network of hardened battle-cams. A secondary fuel cell generator allowed the tank to idle without guzzling JP-8 jet fuel. Wafered armor incorporated monobonded carbon sheathing and reactive matrix skirts, as well as the traditional mix of depleted uranium and Chobam ceramics. Unlike the tank crew that Jones had rescued from a screaming mob in a Damascus marketplace, the men and women inside the A3 could fight off hordes of foot soldiers armed with RPGs, satchel charges, and rusty knives—for the “finishing work” when the tank had been stopped and cracked open to give access to its occupants.
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John Birmingham (Designated Targets (Axis of Time, #2))
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I don’t have a lot of experience with kisses. There was Locke, and before him, no one. But kissing Locke never felt the way that kissing Cardan does, like taking a dare to run over knives, like an adrenaline strike of lightning, like the moment when you’ve swum too far out in the sea and there is no going back, only cold black water closing over your head.
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Holly Black (The Cruel Prince (The Folk of the Air, #1))
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A breeze announced his arrival- and I turned from the table toward the long hall, to the open glass doors to the garden.
I'd forgotten how huge he was in this form- forgotten the curled horns and lupine face, the bearlike body that moved with feline fluidity. His green eyes glowed in the darkness, fixing on me, and as the doors snicked shut behind him, the clicking of claws on marble filled the hall. I stood still- not daring to flinch, to move a muscle.
He limped slightly. And in the moonlight, dark, shining stains were left in his wake.
He continued toward me, stealing the air from the entire hell. He was so big that the space felt cramped, like a cage. The scrape of claw, a huff of uneven breathing, the dripping of blood.
Between one step and the next, he changed forms, and I squeezed my eyes shut at the blinding flash. When at last my eyes adjusted to the returning darkness, he was standing in front of me.
Standing, but- not quite there. No sign of the baldric, or his knives. His clothes were in shreds- long, vicious slashes that made me wonder how he wasn't gutted and dead. BUt the muscled skin peered out beneath his shirt was smooth, unharmed.
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Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
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And here I thought you were shy.” “I am,” I say, nodding. “Especially with strangers. Tongue-tied and awkward, too. That doesn’t mean I’m a pushover. I live most of my life in my head, but the knives come out when necessary.
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J.T. Geissinger (Beautifully Cruel (Beautifully Cruel, #1))
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Think about it. Look at what it took for intelligence to emerge in Nature. Today is Monday. If the 3.8 billion years life has thrived on Earth equated to 38 days, then for over a month all we had around here were microbes. “Complex, multicellular life arose last Wednesday. Dinosaurs came in on Friday. Sometime this morning, around 1am, a meteor struck and the best part of an entire phylogenetic clade was pushed to extinction. Those few avian dinosaurs that did survive went on to supply us with deep fried chicken and scrambled eggs.” I can’t help but smile at Avika’s compressed take on the history of life on Earth. “Mammals have been around at least since Sunday, but they were little more than rodents most of the time. That rock from space cleared out vast swathes of the ecosystem, and mammals rushed to fill the gap. “Every multicellular creature has some degree of intelligence, or at least instinct, but it wasn’t until some point in the last hour that the wisest of men, Homo sapiens arose, and yet even then, intelligence was little more than a desperate struggle for survival. “For the last seven minutes, or roughly two hundred thousand years, our intelligence extended little further than chipping at rocks to make stone knives. “In the last thirty seconds, we’ve been on a bender. We’ve built pyramids, sailed the oceans and landed on the Moon!” I say, “So your point is, human intelligence is the pinnacle of evolution?” “Oh, no. Not at all. There’s plenty of intelligence in the animal kingdom, especially among mammals, birds and cephalopods, but it took 3.8 billion years before intelligence could exploit its own ingenuity and blossom in its own right. “If all our intellectual accomplishments are the result of the last thirty seconds, then perhaps creating artificial intelligence isn’t quite as easy as busting out some Perl scripts.” I
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Peter Cawdron (Hello World)
“
I would have come for you. And if I couldn't walk, I'd crawl to you. And no matter how broken we were, we'd fight our way out together- knives drawn, pistols blazing. Because that's what we do. We never stop fighting.
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Leigh Bardugo (Six of Crows (Six of Crows, #1))
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A few more steps and you’ll be in the bedroom. I’m going to lay you down and try to get your wet clothes off.”
She sounded dispassionate, as if he wasn’t a man at all. She didn’t seem embarrassed by the thought of removing his clothes, but then she was a diver and he knew they often had to strip with other divers around them. He didn’t mind that she wasn’t embarrassed, but it vaguely bothered him that she didn’t see him as a man. With his head pounding so hard and his chest so tight, he wasn’t certain of anything, so he dismissed the notion as idiotic.
The moment he stretched out on the bed, he closed his eyes and let her work. She found his knife in one boot and his holdout gun in the other. There was another knife strapped to his leg. Another gun in his belt. A third one in a harness. Another knife and three small daggers in loops at his belt. She didn’t say a word but her breathing changed. She inhaled several times quite sharply. That made him want to smile too. She found his throwing stars and the two throwing knives, but she missed the garrotes sewn into his clothing.
“What are you? Some kind of assassin?”
He didn’t answer. She was tugging his clothing off of him, and he knew the instant she saw him as a man. Her hands stilled and she made a single sound, a low note he couldn’t quite interpret. He opened his eyes and caught her looking, her eyes enormous and beautiful, the lashes fanning the sweep of her high cheekbone. She looked up at him and he felt a physical jolt.
She cleared her throat and tugged on his jeans. “Lift up.
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Christine Feehan (Water Bound (Sea Haven/Sisters of the Heart, #1))
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Karna ambled out of the strong room armed with sword, knives, serrated boomerangs and minibombs. He tied a black bandana over his head to keep his hair off his face and blend in with the dark-skulled foe. Activating the Soul Catcher, he grinned fiercely at his three amigos. “Mauja, Mauja,” he growled. “It’s time to tango.
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Falguni Kothari (Soul Warrior (The Age of Kali, #1))
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Yeah, well,” I say, “I left Abnegation because I wasn’t selfless enough, no matter how hard I tried to be.” “That’s not entirely true.” He smiles at me. “That girl who let someone throw knives at her to spare a friend, who hit my dad with a belt to protect me—that selfless girl, that’s not you?” He’s figured out more about me than I have.
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Veronica Roth (Divergent (Divergent, #1))
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Big as a cart horse. Deep fetid marsh rot snot shit filth green. Traced out in scar tissue like embroidered cloth. Wings black and white and silver, heavy and vicious as blades. The Stink of it came choking. Fire and ash. Hot metal. Fear. Joy. Pain. There are dragons in the desert, said the old maps of the empire, and they had laughed and said no, no, not that close to great cities, if there ever were dragons there they are gone like the memory of a dream. Its teeth closed ripping on Gulius's arm, huge, jagged; its eyes were like knives as it twisted away with the arm hanging bloody in its mouth. It spat blood and slime and roared out flame again, reared up beating its wings. Men fell back screaming, armor scorched and molten, melted into burned melted flesh. The smell of roasting meat surrounded them. Better than steak. Gulius was lying somehow still alive, staring at the hole where his right arm had been. The dragons front legs came down smash onto his body. Plume of blood. Gulius disappeared. Little smudge of red on the green. A grating shriek as its claws scrabbled over hot stones. Screaming. Screaming. Beating wings. The stream rose up boiling. Two men were in the stream trying to douse burning flesh and the boiling water was in their faces and they were screaming too. Everything hot and boiling and burning, dry wind and dry earth and dry fire and dry hot scales, the whole great lizard body scorching like a furnace, roaring hot burning killing demon death thing.
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Anna Smith Spark (The Court of Broken Knives (Empires of Dust, #1))
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Blood! Oh blood! Oh blood and killing! He struck his sword out with his sword and a man fell before him, cut open, gutted like a fish. A stink of shit.
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Anna Smith Spark (The Court of Broken Knives (Empires of Dust, #1))
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There was a loud scraping noise as five chairs slid backward. The men rose as a unit. And started coming for her. She looked to the faces of the two she knew, but their grave expressions weren’t encouraging. And then the knives came out. With a metallic whoosh, five black daggers were unsheathed. She backed up frantically, hands in front of herself. She slammed into a wall and was about to scream for Wrath when the men dropped down on bended knees in a circle around her. In a single movement, as if they’d been choreographed, they buried the daggers into the floor at her feet and bowed their heads. The great whoomp of sound as steel met wood seemed both a pledge and a battle cry. The handles of the knives vibrated. The rap music continued to pound. They seemed to be waiting for some kind of response from her. “Umm. Thank you,” she said. The men’s heads lifted. Etched into the harsh planes of their faces was total reverence. Even the scarred one had a respectful expression. And then Wrath came in with a squeeze bottle of Hershey’s syrup. “Bacon’s on the way.” He smiled. “Hey, they like you.” “And thank God for that,” she murmured, looking down at the daggers.
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J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
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I have a theory that selflessness and bravery aren’t all that different.” I look up at the Pit, rising high above us. From here I can see just a small slice of night sky. “All your life you’ve been training to forget yourself, so when you’re in danger, it becomes your first instinct. I could belong in Abnegation just as easily.”
“Yeah, well. I left Abnegation because I wasn’t selfless enough, no matter how hard I tried to be.”
“That’s not entirely true,” I say with a smile. “That girl who let someone throw knives at her to spare a friend, who hit my dad with a belt to protect me--that selfless girl, that’s not you?”
In this light, she looks like she comes from another world, her eyes rendered so pale they almost seem to glow in the dark.
“You’ve been paying close attention, haven’t you?” she asks, like she just read my mind. But she’s not talking about me looking at her face.
“I like to observe people,” I say slyly.
“Maybe you were cut out for Candor, Four, because you’re a terrible liar.
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Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
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I left Abnegation because I wasn’t selfless enough, no matter how hard I tried to be.”
“That’s not entirely true,” I say with a smile. “That girl who let someone throw knives at her to spare a friend, who hit my dad with a belt to protect me--that selfless girl, that’s not you?”
In this light, she looks like she comes from another world, her eyes rendered so pale they almost seem to glow in the dark.
“You’ve been paying close attention, haven’t you?” she asks, like she just read my mind. But she’s not talking about me looking at her face.
“I like to observe people,” I say slyly.
“Maybe you were cut out for Candor, Four, because you’re a terrible liar.”
I set my hand down next to hers and lean closer. “Fine.” Her long, narrow nose is no longer swollen from the attack, and neither is her mouth. She has a nice mouth. “I watched you because I like you. And…don’t call me ‘Four,’ okay? It’s…nice. To hear my name again.”
She looks momentarily bewildered.
“But you’re older than I am…Tobias.”
It sounds so good when she says it. Like it’s nothing to be ashamed of.
“Yes, that whopping two-year gap really is insurmountable, isn’t it?
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Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
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Mehmed shook his head. “He is with my father. I saw him but once. He commands a small group directly under the sultan.”
“Then it could be anyone. I am no favorite of your father’s, or of Halil Pasha’s, or any number of men. My absence would not be mourned.”
“I would mourn it. Every moment of every day.”
“Did you?”
Mehmed’s eyes were heavy with longing. “I did.”
She turned away. “I was going to leave.”
He pulled her close, burying his face in her hair. “I forbid it.”
“You can forbid me nothing.” But it sounded hollow and forced when she said it. She had spent the last week knowing exactly her value without him. It was a stolen horse, a single loyal friend, and a bleak and difficult future.
He moved from her hair to her ear, trailing his lips along it. Her body responded despite her resolve to be angry, to punish him.
He still wanted her. And she knew now what a fleeting and precious thing it was for a woman to be wanted in any way that made her important. She had been ready to run when she had lost this, but now…
She would never admit it to Nicolae, could barely admit it to herself, but she would stay for Mehmed. She would stay for the way she felt when his mouth or eyes were on her. And she would stay for the power it gave her.
His lips found hers, and she kissed him back with a determined ferocity. She touched him everywhere, his face, his hair, his shoulders, his hands, because he was here, and he was alive, and it was the first time that a man she loved had come back for her. She did not have to lose the life she had built here, the threads of safety and power she had. She had not lost him.
“Say you are mine.” He trailed his lips down her neck. She arched into him, digging her fingers into his back.
“I am yours,” she whispered. The words cut like knives, barely out of her mouth before he stole them, sealing them with his own lips.
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Kiersten White (And I Darken (The Conqueror's Saga, #1))
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The boy from District 1 has several knives, two spare spearheads, a flashlight, a small leather pouch, a first-aid kit, a full bottle of water, and a pack of dried fruit. A pack of dried fruit! Out of all he might have chosen from. To me, this is a sign of extreme arrogance.
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Suzanne Collins, The Hunger Games
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The horses were actually another set of problems. Slate was used to simply handing the reins to a stableboy or the farmer’s son and walking off. Apparently, there was a lot more to keeping horses around than that. You had to take their tack off and rub them down and check their hooves and their legs and feed them and water them and make sure they were tied to something where they’d be comfortable and not break their necks trying to run in the middle of the night. And then you had to rub the tack down, and fix bits and put oil on other bits, and by the time you were done, over an hour had elapsed when you weren’t eating and weren’t sleeping and weren’t getting any closer to your goal at all. Then in the morning you had to get up and do it all over again, pulling saddles on and bridles and shoving things in horses’ mouths and tightening straps and then the horses would puff their bellies out so that you didn’t tighten it very tight, except that if you fell for that, Brenner generally slid off the horse an hour later, and there’d be a lot of swearing and brandishing of knives. Mules were worse. Mules were like horses who could plan.
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T. Kingfisher (Clockwork Boys (Clocktaur War, #1))