Knitting Sunday Quotes

Quite. But Hedy has inherited her mother's skills as a seamstress. Very good. Tell her to come and see me. If you can't sew, can you knit? A little. Although I made my father a pair of socks once and he said he would only wear them on Sundays because they were so holey. One of the volunteers snorted with laughter.

According to her views,” her niece later recalled, “little girls were to be taught to move very gently, to speak softly and prettily, to say ‘yes, ma’am’ and ‘no, ma’am,’ never to tear their clothes, to sew, to knit at regular hours, to go to church on Sunday and make all the responses, and to come home and be catechised.” Harriet

Camera You want this instant: nearly spring, both of us walking, wind blowing walking sunlight knitting the leaves before our eyes the wind empty as Sunday rain drying in the wormy sidewalk puddles the vestiges of night on our lightscratched eyelids, our breezy fingers you want to have it and so you arrange us: in front of a church, for perspective, you make me stop walking and compose me on the lawn; you insist that the clouds stop moving the wind stop swaying the church on its boggy foundations the sun hold still in the sky for your organized instant. Camera man how can I love your glass eye? Wherever you partly are now, look again at your souvenir, your glossy square of paper before it dissolves completely: it is the last of autumn the leaves have unravelled the pile of muddy rubble in the foreground, is the church the clothes I wore are scattered over the lawn my coat flaps in a bare tree there has been a hurricane that small black speck travelling towards the horizon at almost the speed of light is me

The bell over the front door chimed, and I caught my breath as Simon walked in. After all this time, we hadn’t interacted much outside of Faire. (Unless you counted one pretty significant interaction in his bedroom the night before last. I for one counted the hell out of it.) He looked like a strange amalgamation of his identities: the crisply ironed shirt and immaculate jeans of Simon Graham, but with the longer hair and face-framing beard of Captain Blackthorne. The juxtaposition was . . . well, I squirmed a little and fought the urge to hop the counter and wrinkle that shirt in the best possible way. Simon stopped short inside the doorway when he saw me, and Chris nudged me with her shoulder. “Now, I know for a fact you can handle him.” While my face flamed with mortification and Simon’s eyebrows knit in confusion, she snickered at her own joke and walked out of the store with a wave. Simon held the door for her, then turned back to me. “Hey.” “Hey.” I dropped my head to the counter and let the cool glass soothe my forehead. “God, it’s like working for my mother.” “What was that about?” I shook my head as I stood back up. “She knows.  Apparently, the whole town does.” “Knows?” After a beat his expression cleared and his eyes widened. “About us?” “Yeah.” I bit the inside of my cheek and waited for his reaction. “Huh.” He looked over his shoulder in the direction Chris had gone, as if he could still see her. “Well, if Chris knows, that’s as good as taking an ad out in the paper.” He tilted his head, thinking. “Do people still do that?” “Do what?” “Take ads out in the paper. Do people still even read the paper?” “I . . . I guess?” I was a little confused by the direction the conversation had gone, but now that he mentioned it I was curious too. “I mean, my mother does. The Sunday paper has coupons, you know.” Coupons that she still clipped and sent once a week to April and me, inside greeting cards where the coupons fell out like oversized confetti when we opened them. He considered that. “Seems like a dying thing, though. So will the idiom change? Should we start saying things like ‘posting it online’?” “‘Create a banner ad’?” I suggested, leaning my elbows on the counter. “See, I like that better.” He mirrored my pose and he was  close, so close to me that my heart pounded. I was no match for his smile. “Close to the original idiom, and it implies the same thing—spending money to make an announcement.” I allowed myself a second to be lost in his smile before I laughed. “Good God. Once an English teacher, always an English teacher.

My bedroom looked very different the morning of my eighteenth birthday. It looked lonely. I opened my eyes just as the sun started creeping through the window, and I stared at the white chest of drawers that had greeted me every morning since I could remember. Maybe it’s stupid to think that a piece of furniture had feelings, but then again, I’m the same girl who kept my tattered old baby doll dressed in a sweater and knitted cap so she wouldn’t get cold sitting on the top shelf of my closet. And this morning that chest of drawers was looking sad. All the photographs and trophies and silly knickknacks that had blanketed the top and told my life story better than any words ever could were gone, packed in brown cardboard boxes and neatly stacked in the cellar. Even my pretty pink walls were bare. Mama picked that color after I was born, and I’ve never wanted to change it. Ruthis Morgan used to try to convince me that my walls should be painted some other color. ‘Pink’s just not your color, Catherine Grace. You know as well as I do that there’s not a speck of pink on the football field.’ There was nothing she could say that was going to change my mind of the color on my walls. If I had I would have lost another piece of my mama. And I wasn’t letting go of any piece of her, pink or not. Daddy insisted on replacing my tired, worn curtains a while back, but I threw such a fit that he spent a good seven weeks looking for the very same fabric, little bitsy pink flowers on a white -and-pink-checkered background. He finally found a few yards in some textile mill down in South Carolina. I told him there were a few things in life that should never be allowed to change, and my curtains were one of them. So many other things were never going to stay the same, and this morning was one of them. I’d been praying for this day for as long as I could remember, and now that it was here, all I wanted to do was crawl under my covers and pretend it was any other day. . . . I know that this would be the last morning I would wake up in this bed as a Sunday-school-going, dishwashing, tomato-watering member of this family. I knew this would be the last morning I would wake up in the same bed where I had calculated God only knows how many algebra problems, the same bed I had hid under playing hide-and-seek with Martha Ann, and the same bed I had lain on and cried myself to sleep too many nights after Mama died. I wasn’t sure how I was going to make it through the day considering I was having such a hard time just saying good-bye to my bed.

Reconstructing family life amid the chaos of the cotton revolution was no easy matter. Under the best of circumstances, the slave family on the frontier was extraordinarily unstable because the frontier plantation was extraordinarily unstable. For every aspiring master who climbed into the planter class, dozens failed because of undercapitalization, unproductive land, insect infestation, bad weather, or sheer incompetence. Others, discouraged by low prices and disdainful of the primitive conditions, simply gave up and returned home. Those who succeeded often did so only after they had failed numerous times. Each failure or near-failure caused slaves to be sold, shattering families and scattering husbands and wives, parents and children. Success, moreover, was no guarantee of security for slaves. Disease and violence struck down some of the most successful planters. Not even longevity assured stability, as many successful planters looked west for still greater challenges. Whatever the source, the chronic volatility of the plantation took its toll on the domestic life of slaves. Despite these difficulties, the family became the center of slave life in the interior, as it was on the seaboard. From the slaves' perspective, the most important role they played was not that of field hand or mechanic but husband or wife, son or daughter - the precise opposite of their owners' calculation. As in Virginia and the Carolinas, the family became the locus of socialization, education, governance, and vocational training. Slave families guided courting patterns, marriage rituals, child-rearing practices, and the division of domestic labor in Alabama, Mississippi, and beyond. Sally Anne Chambers, who grew up in Louisiana, recalled how slaves turned to the business of family on Saturdays and Sundays. 'De women do dey own washing den. De menfolks tend to de gardens round dey own house. Dey raise some cotton and sell it to massa and git li'l money dat way.' As Sally Anne Chambers's memories reveal, the reconstructed slave family was more than a source of affection. It was a demanding institution that defined responsibilities and enforced obligations, even as it provided a source of succor. Parents taught their children that a careless word in the presence of the master or mistress could spell disaster. Children and the elderly, not yet or no longer laboring in the masters' fields, often worked in the slaves' gardens and grounds, as did new arrivals who might be placed in the household of an established family. Charles Ball, sold south from Maryland, was accepted into his new family but only when he agreed to contribute all of his overwork 'earnings into the family stock.' The 'family stock' reveals how the slaves' economy undergirded the slave family in the southern interior, just as it had on the seaboard. As slaves gained access to gardens and grounds, overwork, or the sale of handicraft, they began trading independently and accumulating property. The material linkages of sellers and buyers - the bartering of goods and labor among themselves - began to knit slaves together into working groups that were often based on familial connections. Before long, systems of ownership and inheritance emerged, joining men and women together on a foundation of need as well as affection.

Gertrudis could knit five sweaters in three days, ride horseback for hours, bake pastries for all the charity bazaars, take a painting class, dance flamenco, sing rancheras, feed lunch to seventy invited guests on a Sunday, and fall in love with total impunity with three different men every Monday.

Where Do I Begin,” Shirley Bassey; “Swing Life Away,” Rise Against; “I’ve Got a Crush on You,” Frank Sinatra; “My Best Friend’s Girl,” The Cars; “Mr. Brightside,” The Killers; “What Sarah Said,” Death Cab for Cutie; “The Scientist,” Coldplay; “Everlong,” Foo Fighters; “Wild Horses,” The Sundays; “One Love,” U2; “Criminal,” Fiona Apple; “Bleeding Love,” Leona Lewis; “Again,” Janet Jackson; “I Think That She Knows,” Justin Timberlake; “Let’s Get it On,” Marvin Gaye; “Let’s Stay Together,” Al Green; “Save the Last Dance for Me,” The Drifters.

God knows what I'm going to tell Dad. December 15th is s Sunday, maybe I'll tell him I'm going to church. He'll take that better than the knitting.

God knows what I'm going to tell Dad. December 15th is s Sunday, maybe I'll tell him I'm going to church. He'll take that better than the knitting.

Although invisible to Church and State, it was women who knitted the country together, and in Faha, on Sunday morning after mass, you could see the needles.