Knitting For Babies Quotes

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Here she was, a women who could bolt-load a crossbow in under a second, put half a dozen long arrows in the air in fewer than five, blade a target dead through the sweet spot at six meters, on the run, on an off day; and yet knitting a pair of baby booties seemed completely beyond her power.
Justin Cronin (The Passage (The Passage, #1))
It is with eight lengthy legs we use to catch food, balance and knit a beautiful silk bed, but as babies we had lost our bones and skin, and hence our legs we had shed.
Jasmine Jean (Whimsy Girl)
It turns out that knitting isn't about the yarn or the softness or needing a hat (although we really can't argue with these secondary motivators). It's really about this: Knitting is a magic trick. In this day and age, in a world where science and technology take more and more wonder and work out of our lives , and our planet is quickly becoming a place running out of magic, a knitter takes silly, useless string, mundane sticks, waves her hands around (many, many times...nobody said this was fast magic), and turns one thing into another: string into a hat, string into a sweater, string into a blanket for a baby. It really is a very reliable magic.
Stephanie Pearl-McPhee
He doesn’t seem quiet to me, and he looks like he’d be a playboy, impregnating all the local girls with Viking babies.
Penny Reid (Beauty and the Mustache (Knitting in the City, #4; Winston Brothers, #0))
Seeing a patter doesn't mean you know how to put it all together. Take baby steps: don't focus on the folks whose skills are far beyond your own. When you're new to something-or you haven't tried it in a while-it can feel impossibly hard to get it right. Every misstep feels like a reason to quit. You envy everyone else who seems to know what they're doing. What keeps you going? The belief that one day you'll also be like that: Elegant. Capable. Confident. Experienced. And you can be. All you need now is enthusiasm. A little bravery. And-always-a sense of humor.
Kate Jacobs (Knit Two (Friday Night Knitting Club, #2))
I feel like it's compulsory to play "Amazing Grace" during a Christian funeral. It's the only way to make sure everyone leaves sobbing like a baby.
Penny Reid (Beauty and the Mustache (Knitting in the City, #4; Winston Brothers, #0))
Each of us is made in the image of God. We are told He individually forms us, knitting us, to borrow from the verse you just read. He determines what color of eyes we’ll have, when we’ll say our first and last words, and when we’ll take our first and final steps. A baby is a human being even in the womb, milady.
Madisyn Carlin (Shattered Revelation (The Shattered Lands, #1.5))
We wanted to see the baby!” Hope cries. “Yeah. The whole point is for you to bring Jamie so we can coo over her. I’m almost done with the booties.” Carin pulls out a mess of yarn that looks nothing like a shoe or even a sock. “What is that thing?” I lay down the menu to get a better view of the object she’s holding up. It’s kind of like the wool equivalent of Logan’s horrifying teddy bear. “It’s a sock. Is it too big or too small?” She stretches it out and I vaguely see something shiplike in the mess. “It’s…are you sure that’s a sock?” Hope giggles behind her menu. Carin scowls at me. “Have you ever tried knitting? It’s hard as fuck, thank you very much.
Elle Kennedy (The Goal (Off-Campus, #4))
She believed in public service; she felt she had to roll up her sleeves and do something useful for the war effort. She organized a Comfort Circle, which collected money through rummage sales. This was spent on small boxes containing tobacco and candies, which were sent off to the trenches. She threw open Avilion for these functions, which (said Reenie) was hard on the floors. In addition to the rummage sales, every Tuesday afternoon her group knitted for the troops, in the drawing room -- washcloths for the beginners, scarves for the intermediates, balaclavas and gloves for the experts. Soon another battalion of recruits was added, on Thursdays -- older, less literate women from south of the Jogues who could knit in their sleep. These made baby garments for the Armenians, said to be starving, and for something called Overseas Refugees. After two hours of knitting, a frugal tea was served in the dining room, with Tristan and Iseult looking wanly down.
Margaret Atwood (The Blind Assassin)
I didn't sleep all night, thinking. I thought about you, about those puppy eyes you give me, when you fake your sadness to make me smile-- and that upper lip of yours that brings life to all of my senses. I thought about your laughter when you get tickled, and that soft mellow place near your arm pit that I wish could be knit into a pillow for me to hug all night long. I thought about your stomach, your soft and sensitive stomach, scared like a baby kitten under the pouring rain. And I remembered the feeling of protection that comes washing over me when I get a glimpse of it, the feeling of covering it with the layers of my very own skin. I remembered your head when it rests on my heart, a rock sheltering itself on the verdure of infinity. I remembered your silky black hair, and how I never imagined that hair curls so thin could twirl, in the way they do, the rigid core of my existence.
Malak El Halabi
home, it’s different. I mean yes, you want money and a job, but there’s a hundred other things you do for getting by, especially older people and farmers with the crops, tomato gardens and such. Hunting and fishing, plus all the woman things, making quilts and clothes. Whether big or small, you’ve always got the place you’re living on. I’ve known people to raise a beef in the yard behind their rented trailer. I was getting the picture now on why June’s doom castle had freaked me out. Having some ground to stand on, that’s our whole basis. It’s the bags of summer squash and shelly beans everybody gives you from their gardens, and on from there. The porch rockers where the mammaws get together and knit baby clothes for the pregnant high school girls. Sandwiches the church ladies pack for the hungrier kids to take home on weekends.
Barbara Kingsolver (Demon Copperhead)
Another toast to Alex. May he live long and prosper, and have lots of prospering, long-living babies!” Elizabeth raised her glass; all the toasts she’d led so far had been Star Trek related, and this was the second live-long-and-prosper toast, which was how I knew it was time to cut her off.
Penny Reid (Love Hacked (Knitting in the City, #3))
A child as awkward as I required an explanation. My father suggested that while God was busy knitting me together in my mother’s womb, he’d become distracted and mistakenly endowed me with gifts destined for some poor baby boy. I don’t know if he realized how affronting this must have been to God, at whose feet he laid the blunder.
Sue Monk Kidd (The Book of Longings)
The back of my neck breaks out in a sweat, and I’m getting nervous. Why is he just standing there, staring at me? “What do you want?” I press, my tone curt. He opens his mouth but then closes it swallowing. “Pike, Jesus—” “The day you left,” he blurts out, and I stop. I wait, listening as a look of fear crosses his eyes. “The house was so empty,” he continues. “Like a quiet that was never there before. I couldn’t hear your footsteps upstairs or your hairdryer or anticipate you walking into a room. You were gone. Everything was…” he drops his eyes, “gone.” A ball lodges in my throat, and I feel tears threaten, but I tense my jaw, refusing to let it out. “But I could still feel you,” he whispers. “You were still everywhere. The container of cookies in the fridge, the backsplash you picked out, the way you put all my pictures back in the wrong spot after you dusted my bookshelves.” He smiles to himself. “But I couldn’t rearrange them, because you were the last to touch them, and I wanted everything the way you had it.” My chin trembles, and I fold my arms over my chest, hiding my balled fists under my arms. He pauses and then goes on. “Nothing would ever go back to the way it was before you came into my house. I didn’t want it to.” He shakes his head. “I went to work, and I came home, and I stayed there every night and all weekend, every weekend, because that’s where we were together. That’s where I could still feel you.” He steps closer, dropping his voice. “That’s where I could wrap myself up in you and hang on to every last thread in that house that proved you were mine for just a little while.” His tone grows thick, and I see his eyes water. “I really thought I was doing what was best,” he says, knitting his brow. “I thought I was taking advantage of you, because you’re young and beautiful and so happy and hopeful despite everything you’d been through. You made me feel like the world was a big place again.” My breathing shakes, and I don’t know what to do. I hate that he’s here. I hate that I love that he’s here. I hate him. “I couldn’t steal your life from you and keep you to myself, you know?” he explains. “But then I realized that you’re not happy or hopeful or making me feel good because you’re young. You are those things and you’re capable of those things, because you’re a good person. It’s who you are.” A tear spills over, gliding down my cheek. “Baby,” he whispers, his hands shaking. “I hope you love me, because I love you like crazy, and I’m going to want you the rest of my life. I tried to stay away, because I thought it was the right thing, but I fucking can’t. I need you, and I love you. This doesn’t happen twice, and I’m not going to be stupid again. I promise.” My chin trembles, and something lodges in my throat, and I try to hold it in, but I can’t. My face cracks, and I break down, turning away from him. The tears come like a goddamn waterfall, and I hate him. I fucking hate him. His arms are around me in a second, and he hugs me from behind, burying his face in my neck. “I’m sorry I took so long,” he whispers in my ear.
Penelope Douglas (Birthday Girl)
When Mary Anne first started knitting, the sound reminded me of soft rain on a cozy night. After awhile, it was like mice skittering on a tile floor. Now I was thinking about skeleton bones rattling in a grave.
Ann M. Martin (BSC in the USA (The Baby-Sitters Club Super Special, #14))
The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.
Margaret Atwood (Morning In The Burned House: Poems)
She was never coming back, she no longer knew what knitting was, but wrapping up her scores of needles, her thousand patterns, a baby’s half-finished yellow shawl, to give them all away to strangers was to banish her from the living.
Ian McEwan (Saturday)
Somehow, one of the women found time to knit a jacket for Shadow which, combined with the other gifts, left me unaccountable flustered---given my companion's size, it would have taken her hours. Bambleby and I entertained ourselves at the cottage by coaxing a recalcitrant Shadow into his new raiment, which was patterned with flowers and equipped with a jaunty hood. The dog hung his head in abject embarrassment until his tormentors deigned to relieve him of this woolen pillory, and he spent the next hour pointedly ignoring me.
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
I am on a lonely road and I am traveling Traveling, traveling, traveling Looking for something, what can it be Oh I hate you some, I hate you some, I love you some Oh I love you when I forget about me I want to be strong I want to laugh along I want to belong to the living Alive, alive, I want to get up and jive I want to wreck my stockings in some juke box dive Do you want - do you want - do you want to dance with me baby Do you want to take a chance On maybe finding some sweet romance with me baby Well, come on All I really really want our love to do Is to bring out the best in me and in you too All I really really want our love to do Is to bring out the best in me and in you I want to talk to you, I want to shampoo you I want to renew you again and again Applause, applause - Life is our cause When I think of your kisses my mind see-saws Do you see - do you see - do you see how you hurt me baby So I hurt you too Then we both get so blue. I am on a lonely road and I am traveling Looking for the key to set me free Oh the jealousy, the greed is the unraveling It's the unraveling And it undoes all the joy that could be I want to have fun, I want to shine like the sun I want to be the one that you want to see I want to knit you a sweater Want to write you a love letter I want to make you feel better I want to make you feel free I want to make you feel free
Joni Mitchell (Blue)
She climbed down the cliffs after tying her sweater loosely around her waist. Down below she could see nothing but jagged rocks and waves. She was creful, but I watched her feet more than the view she saw- I worried about her slipping. My mother's desire to reach those waves, touch her feet to another ocean on the other side of the country, was all she was thinking of- the pure baptismal goal of it. Whoosh and you can start over again. Or was life more like the horrible game in gym that has you running from one side of an enclosed space to another, picking up and setting down wooden blocks without end? She was thinking reach the waves, the waves, the waves, and I was watching her navigate the rocks, and when we heard her we did so together- looking up in shock. It was a baby on the beach. In among the rocks was a sandy cove, my mother now saw, and crawling across the sand on a blanket was a baby in knitted pink cap and singlet and boots. She was alone on the blanket with a stuffed white toy- my mother thought a lamb. With their backs to my mother as she descended were a group of adults-very official and frantic-looking- wearing black and navy with cool slants to their hats and boots. Then my wildlife photographer's eye saw the tripods and silver circles rimmed by wire, which, when a young man moved them left or right, bounced light off or on the baby on her blanket. My mother started laughing, but only one assistant turned to notice her up among the rocks; everyone else was too busy. This was an ad for something. I imagined, but what? New fresh infant girls to replace your own? As my mother laughed and I watched her face light up, I also saw it fall into strange lines. She saw the waves behind the girl child and how both beautiful and intoxicating they were- they could sweep up so softly and remove this gril from the beach. All the stylish people could chase after her, but she would drown in a moment- no one, not even a mother who had every nerve attuned to anticipate disaster, could have saved her if the waves leapt up, if life went on as usual and freak accidents peppered a calm shore.
Alice Sebold (The Lovely Bones)
HYGGE TIP: GET KNITTING Why might someone have a knitting needle laying around? Because knitting is extremely hygge. It is a sign of “everything is safe”–it has a certain grandma vibe to it—and even the sound of knitting is hygge. Knitting also brings calmness to the situation and atmosphere. In fact, one of my friends is currently studying to be a midwife. She and her class were told by one of the professors that they should take up knitting because it would have a calming effect on people in the room when the babies were being delivered. Most of the students in the class were knitting during the next class. Oh, and of course, there are bonus hygge points for socks and scarves you’ve knitted yourself.
Meik Wiking (The Little Book of Hygge: Danish Secrets to Happy Living)
They were striking the set of a play, humble, one-handed domestic drama, without permission from the cast. They started in what she called her sewing room—his old room. She was never coming back, she no longer knew what knitting was, but wrapping up her scores of needles, her thousand patterns, a baby’s half-finished yellow shawl, to give them all away to strangers was to banish her from the living. They worked quickly, almost in a frenzy. She’s not dead, Henry kept telling himself. But her life, all lives, seemed tenuous when he saw how quickly, with what ease, all the trappings, all the fine details of a lifetime could be packed and scattered, or junked. Objects became junk as soon as they were separated from their owner and their pasts—without her, her old tea cosy was repellent, with its faded farmhouse motif and pale brown stains on cheap fabric, and stuffing that was pathetically thin. As the shelves and drawers emptied, and the boxes and bags filled, he saw that no one owned anything really. It’s all rented, or borrowed. Our possessions will outlast us, we’ll desert them in the end. They worked all day, and put out twenty-three bags for the dustmen.
Ian McEwan (Saturday)
As you take the stairs down, away from the scanning department, you feel the notion, the idea of the child leaving you with each step. You feel its fingers loosening, disentangling themselves from yours. You sense its corporeality disintegrating, becoming mist. Gone is the child with blond or dark or auburn hair; gone is the person they might have been, the children they themselves might have had. Gone is that particular coded mix of your and your husband’s genes. Gone is the little brother or sister you pictured for your son. Gone is the knitted rabbit, wrapped and ready in tissue paper, pushed to the back of a cupboard, because you cannot bring yourself to throw it out or give it away. Gone are your plans for and expectations of the next year of your life. Instead of a baby, there will be no baby.
Maggie O'Farrell (I Am, I Am, I Am: Seventeen Brushes with Death)
The human mind is stimulated by change, motivated by meeting the challenge of novelty or threat or pleasure, rewarded with the sensations of being instrumental in altering environments, and will persevere in this as long as there is some degree of perceivable progress. People turn to knitting baby booties, doing crossword puzzles, collecting rare coins; they may even make an effort to understand E=mc2 or to study the genetic adaptations of cacti, but in all cases, they need to see some fruit of their labors.
Michael D. O'Brien (Voyage to Alpha Centauri)
It is believed that as the cells are being knitted together to form a new human life, before there are language and words, memories are formed of the time in utero. Whether it was a good experience or a bad one, whether the mother was overjoyed or contemplating abortion, the baby picks up those feelings. They remain with us inside our bodies in the form of physical memory. It is becoming common knowledge that babies in the womb respond to music, light and sound, so it makes sense that a baby would also respond to its mother's stresses and joys.
Zara Phillips (Mother Me)
Did you have any yourself?" she said. "Just one." Harold thought of David, but it was too much to explain. He saw the boy as a toddler and how his face darkened in sunshine like a ripe nut. He wanted to describe the soft dimples of flesh at his knees, and the way he walked in his first pair of shoes, staring down, as if unable to credit they were still attached to his feet. He thought of him lying in hit cot, his fingers so appallingly small and perfect over his wool blanket. You could look at them and fear they might dissolve beneath your touch. Mothering had come so naturally to Maureen. It was as if another woman had been waiting inside her all along, ready to slip out. She knew how to swing her body so that a baby slept; how to soften her voice; how to curl her hand to support his head. She knew what temperature the water should be in his bath, and when he needed to nap, and how to knit him blue wool socks. He had no idea she knew these things and he had watched with awe, like a spectator from the shadows. It both deepened his love for her and lifted her apart, so that just at the moment when he thought their marriage would intensify, it seemed to lose its way, or at least set them in different places. He peered at his baby son, with his solemn eyes, and felt consumed with fear. What if he was hungry? What if he was unhappy? What if other boys hit him when he went to school? There was so much to protect him from, Harold was overwhelmed. He wondered if other men had found the new responsibility of parenting as terrifying, or whether it had been a fault that was only in himself. It was different these days. You saw men pushing buggies and feeding babies with no worries at all.
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
I’m practicing my crocheting at the dinner table, sweat soaking my shapeless shift. Though I’ve grown unspeakably huge, Dr. Krause has assured me there’s only one baby in there. I am so large that it is difficult to cook, but I still prepare all the meals for Stan and Dorothy. “You’re very good at that.” It’s Dorothy. I don’t know how long she’s been watching me knit. She steps behind me and pulls sticky hair from my neck. I shiver at the human touch. She begins twisting the short bits into tufts. “Catherine says you’re pretending.” My needles click. “Pretending what?
Jess Lourey (Bloodline)
he was an eager love slave of his son. God went out of His way to comment on the strength of this affection. And it is not hard to understand. The baby represented everything sacred to his father's heart: the promises of God, the covenants, the hopes of the years and the long messianic dream. As he watched him grow from babyhood to young manhood the heart of the old man was knit closer and closer with the life of his son, till at last the relationship bordered upon the perilous. It was then that God stepped in to save both father and son from the consequences of an uncleansed love.
A.W. Tozer (The Pursuit of God)
strength of this affection. And it is not hard to understand. The baby represented everything sacred to his father's heart: the promises of God, the covenants, the hopes of the years and the long messianic dream. As he watched him grow from babyhood to young manhood the heart of the old man was knit closer and closer with the life of his son, till at last the relationship bordered upon the perilous. It was then that God stepped in to save both father and son from the consequences of an uncleansed love. "Take now thy son," said God to Abraham, "thine only son Isaac, whom thou lovest, and get thee into the land of Moriah; and offer him there for a burnt-offering upon one of the mountains which I will
A.W. Tozer (The Pursuit of God)
The sharpie uniform is perhaps the most unlikely fashion statement you will ever see, a Frankenstein’s monster of baby-doll plucked eyebrows, skinhead-meets-mullet hair, 1970s fat ties and just a hint of bovver boy. Clothes worn too tight and too small. Kerry had prepared a shopping list: • bluebird earrings • three-inch Mary Jane corkie platform shoes • treads (shoes made using recycled tyres for the sole with suede thonging for the upper) • Lee canvas jeans • beachcombers • short white bobby socks • ribbed tights • a short, flared, preferably panelled skirt • satin baggies • a striped Golden Breed t-shirt or a KrestKnit polo shirt • a tight coral necklace from the surf shop • a Conti brand striped cardigan • blue metallic eye shadow from a small pot or a crayon
Magda Szubanski (Reckoning: A powerful memoir from an Australian icon)
although the mission seemed doomed to fail, the four angels might succeed. He prayed also for Dallas Garner, the baby whose life hung in the balance. And for a generation who might never find redemption otherwise. FOUR EMPTY CHAIRS faced each other at the center of the adjacent room. Jag took the lead as they entered the space and shut the door behind them. Windows lined the walls, flooding the place with light and peace. When they were seated, Jag studied his peers. “Are you surprised?” Beck leaned back. Rays of sunshine streamed through the windows and flashed in his green eyes. He breathed deep, clearly bewildered. “Shocked.” “It’s true, we know the humans better.” Ember ran her hand over her long, golden-red hair. Concern knit itself into her expression. “But if they suspect us, it could alter their choices. We must be so very discreet.” Jag nodded. “Discretion will be key.” He planted his elbows on his knees, leaning closer to the others.
Karen Kingsbury (Brush of Wings (Angels Walking, #3))
The bookstore is owned by septuagenarian nudist Paul Winer, who has skin like burnished leather and wanders the aisles in nothing but a knit codpiece. When it’s cold, he dons a sweater. Paul can afford to keep his bookstore going because, technically, it isn’t a permanent structure, and that keeps the taxes down. It has no real walls—just a ramada roof above a concrete slab. Tarps span the space between them. Shipping containers and a trailer are annexes. Trailer Life magazine called it “the ultimate in Quartzsite architecture.” In an earlier career Paul toured as Sweet Pie, a nude boogie-woogie pianist known for his sing-along anthem “Fuck ’Em If They Can’t Take a Joke,” and he still performs spontaneously on a baby grand near the front of the shop, not far from a discreetly covered adult book section. There’s a Christian section, too, but it’s in the back and Paul usually has to help people find it. “They follow my bare ass to the Bible,” he declares.
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
Nobody ever talked about what a struggle this all was. I could see why women used to die in childbirth. They didn't catch some kind of microbe, or even hemorrhage. They just gave up. They knew that if they didn't die, they'd be going through it again the next year, and the next. I couldn't understand how a woman might just stop trying, like a tired swimmer, let her head go under, the water fill her lungs. I slowly massaged Yvonne's neck, her shoulders, I wouldn't let her go under. She sucked ice through threadbare white terry. If my mother were here, she'd have made Melinda meek cough up the drugs, sure enough. "Mamacita, ay," Yvonne wailed. I didn't know why she would call her mother. She hated her mother. She hadn't seen her in six years, since the day she locked Yvonne and her brother and sisters in their apartment in Burbank to go out and party, and never came back. Yvonne said she let her boyfriends run a train on her when she was eleven. I didn't even know what that meant. Gang bang, she said. And still she called out, Mama. It wasn't just Yvonne. All down the ward, they called for their mothers. ... I held onto Yvonne's hands, and I imagined my mother, seventeen years ago, giving birth to me. Did she call for her mother?...I thought of her mother, the one picture I had, the little I knew. Karin Thorvald, who may or may not have been a distant relation of King Olaf of Norway, classical actress and drunk, who could recite Shakespeare by heart while feeding the chickens and who drowned in the cow pond when my mother was thirteen. I couldn't imagine her calling out for anyone. But then I realized, they didn't mean their own mothers. Not those weak women, those victims. Drug addicts, shopaholics, cookie bakers. They didn't mean the women who let them down, who failed to help them into womanhood, women who let their boyfriends run a train on them. Bingers and purgers, women smiling into mirrors, women in girdles, women in barstools. Not those women with their complaints and their magazines, controlling women, women who asked, what's in it for me? Not the women who watched TV while they made dinner, women who dyed their hair blond behind closed doors trying to look twenty-three. They didn't mean the mothers washing dishes wishing they'd never married, the ones in the ER, saying they fell down the stairs, not the ones in prison saying loneliness is the human condition, get used to it. They wanted the real mother, the blood mother, the great womb, mother of a fierce compassion, a woman large enough to hold all the pain, to carry it away. What we needed was someone who bled, someone deep and rich as a field, a wide-hipped mother, awesome, immense, women like huge soft couches, mothers coursing with blood, mothers big enough, wide enough, for us to hide in, to sink down to the bottom of, mothers who would breathe for is when we could not breathe anymore, who would fight for us, who would kill for us, die for us. Yvonne was sitting up, holding her breath, eyes bulging out. It was the thing she should not do. "Breathe," I said in her ear. "Please, Yvonne, try." She tried to breathe, a couple of shallow inhalations, but it hurt too much. She flopped back on the narrow bed, too tired to go on. All she could do was grip my hand and cry. And I thought of the way the baby was linked to her, as she was linked to her mother, and her mother, all the way back, insider and inside, knit into a chain of disaster that brought her to this bed, this day. And not only her. I wondered what my own inheritance was going to be. "I wish I was dead," Yvonne said into the pillowcase with the flowers I'd brought from home. The baby came four hours later. A girl, born 5:32 PM.
Janet Fitch (White Oleander)
When I wake up in the night and cannot go to sleep again," remarked Susan, who was knitting and reading at the same time, "I pass the moments by torturing the Kaiser to death. Last night I fried him in boiling oil and a great comfort it was to me, remembering those Belgian babies.
L.M. Montgomery
My bedroom looked very different the morning of my eighteenth birthday. It looked lonely. I opened my eyes just as the sun started creeping through the window, and I stared at the white chest of drawers that had greeted me every morning since I could remember. Maybe it’s stupid to think that a piece of furniture had feelings, but then again, I’m the same girl who kept my tattered old baby doll dressed in a sweater and knitted cap so she wouldn’t get cold sitting on the top shelf of my closet. And this morning that chest of drawers was looking sad. All the photographs and trophies and silly knickknacks that had blanketed the top and told my life story better than any words ever could were gone, packed in brown cardboard boxes and neatly stacked in the cellar. Even my pretty pink walls were bare. Mama picked that color after I was born, and I’ve never wanted to change it. Ruthis Morgan used to try to convince me that my walls should be painted some other color. ‘Pink’s just not your color, Catherine Grace. You know as well as I do that there’s not a speck of pink on the football field.’ There was nothing she could say that was going to change my mind of the color on my walls. If I had I would have lost another piece of my mama. And I wasn’t letting go of any piece of her, pink or not. Daddy insisted on replacing my tired, worn curtains a while back, but I threw such a fit that he spent a good seven weeks looking for the very same fabric, little bitsy pink flowers on a white -and-pink-checkered background. He finally found a few yards in some textile mill down in South Carolina. I told him there were a few things in life that should never be allowed to change, and my curtains were one of them. So many other things were never going to stay the same, and this morning was one of them. I’d been praying for this day for as long as I could remember, and now that it was here, all I wanted to do was crawl under my covers and pretend it was any other day. . . . I know that this would be the last morning I would wake up in this bed as a Sunday-school-going, dishwashing, tomato-watering member of this family. I knew this would be the last morning I would wake up in the same bed where I had calculated God only knows how many algebra problems, the same bed I had hid under playing hide-and-seek with Martha Ann, and the same bed I had lain on and cried myself to sleep too many nights after Mama died. I wasn’t sure how I was going to make it through the day considering I was having such a hard time just saying good-bye to my bed.
Susan Gregg Gilmore (Looking for Salvation at the Dairy Queen)
Isn’t it funny when your friends have babies? You have this tight knit group – people you’ve carefully selected over the course of your lifetime, who you like and want to spend your time with – and then one of them has a baby and you no longer have that choice. This tiny new person is an automatic part of your gang and you better hope they’re cool, because even if they’re not, they’re one of you now.
Lucy Vine (Hot Mess)
Lucia's abuela chortled, and her mother gave him a playful smack on the arm. But he could see both were pleased. They flanked him as if to escort him to the table. But before they could herd him in that direction, he politely asked permission to give Sanchia the present he'd brought. Identical curious looks sprang into each of the women's eyes, and they stepped back, but crowded behind him to watch the show. Pepe wove through the press of people to kneel before Sanchia and held out the dolly, wrapped in the colorful knitted blanket. Since receiving it, he hadn't peeled back the covering to see Senora Thompson's handiwork, and he was almost as curious as the child. With one finger, the girl traced a line of yellow yarn knitted into the blanket, as if she'd never seen anything so sunny. She looked up at her sister for permission to open the present. At Lucia's nod and encouraging smile, she slowly unwrapped the bundle. The baby lay in splendor, wearing a pink gown and a matching cap and booties. Wonder brightened the little girl's thin, solemn face. She whispered in Lucia's ear, too softly for Pepe to hear. But Lucia's gentle, "Si Sanchia" made her grab the doll to her chest and rock her back and forth.
Debra Holland (Montana Sky Christmas (Montana Sky, #3.1))
Come to Mama, baby girl.” Sandra kissed my forehead and held me in a tight embrace; lest I forget her profession as a psychiatrist, she soothed me with a coaxing voice. “Now, you don’t need to talk about it until you’re ready. We are here to support you and love you.” She took a deep breath and then, lest I forget she was Sandra the Texan, she continued. “And when you’re ready to cut his balls off, I will provide the knife.” Dimly,
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
It’s a girl,” I heard Marlboro Man tell his mom. Nurses dabbed my bottom with gauze. “Ree did great,” he continued. “The baby’s fine.” The doctor opened up a suture kit. I took a few deep breaths, staring at the baby’s striped knit cap, placed on her head by one of the nurses. Marlboro Man spoke quietly to his parents, answering their questions and providing them with details about when we’d gone to the hospital and how it had all gone. I drifted in and out of listening to him talk; I was too busy trying to assimilate what had just happened to me. Then, toward the end of the conversation, I heard him ask his mother a question. “So…what do you do with girls?” he said. His mother knew the answer, of course. Though she hadn’t had any girls of her own, she herself had been the oldest child of a rancher and had grown up being her father’s primary ranch hand throughout her childhood years. She knew better than anyone “what you do with girls” on a working ranch. “The same thing you do with boys,” she answered. I chuckled softly when Marlboro Man relayed his mom’s sentiments. For the first time in our relationship, he was the one in a foreign land.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Dan : "Greg was whistling. Whistling ! And giving their little gnome a bath. Cutest fucking baby I've ever seen.
Penny Reid (Dating-ish (Knitting in the City, #6))
Don’t save it for later. Wear the scarf now. Craw’ll knit for you. He’ll knit until his fingers shrivel, and when he can’t knit, I’ll knit, and Ariadne’s baby’ll knit. But don’t save love because it’s ‘too special’ to wear. You wear love every day, and it’ll never wear out.” Oh, he believed that. With every touch of his father’s hand to his mother’s face, he believed that about love.
Amy Lane (Blackbird Knitting in a Bunny's Lair (Granby Knitting #4))
All running and playing beneath the heavy heat of the sun, children filled the park while their mothers—women cradling purring babies with pinched cheeks and sore bellies—sat on knitted picnic blankets along the sides, sipping on bubbling white wine and eating salted crackers with softened slices of warm cheese, watching their daughters prance and swirl with light dresses billowing around their boyish hips, plastic dolls tucked to their sides as squealing giggles ripped from glossed lips, reminiscing of a time when they were so ignorantly blissful, stupidly innocent, unaware that one day, such a thing would be turned sour, like the sticky juice of peaches whose pits were filled with squirming maggots. So unaware of the void that had been left in the center of the Town, gaping and cold.
Kate Winborne (Blossom)
And Ariadne was crying. “You get that,” she said, her voice thick. “How come you can get that for my baby, but you can’t get it for you?
Amy Lane (Blackbird Knitting in a Bunny's Lair (Granby Knitting #4))
But my throat’s tight as hell, and all I can get out is, “I’m sorry, baby.” A frown knits her brows together. “For what?” “For what I’m about to do.” Heart pounding, I slip my hand into my pocket. “Because you know making sure that you have choices is my number one priority. But I’m not giving you a choice now.” The confusion creasing her brow smooths into utter astonishment when I hold up the ring between us. The diamond’s sparkle gleams in the sudden tears pooling in her eyes. I begin speaking, fear and hope crashing together in every gruff word. “You can choose winter, summer, spring, or fall. You can choose a big wedding or a small. You can choose to invite thousands of people, or just our family. You can choose to do it here, or the church down the road, or in a fucking castle in Transylvania. You can choose between a honeymoon in Paris or hiking up Everest or a road trip or a month holed up in a flea-bitten hotel.” Filled with emotion, my voice roughens to pure gravel. “The only thing you can’t choose is your answer. It’s yes.
Kati Wilde (Going Nowhere Fast)
But my throat’s tight as hell, and all I can get out is, “I’m sorry, baby.” A frown knits her brows together. “For what?” “For what I’m about to do.” Heart pounding, I slip my hand into my pocket. “Because you know making sure that you have choices is my number one priority. But I’m not giving you a choice now.” The confusion creasing her brow smooths into utter astonishment when I hold up the ring between us. The diamond’s sparkle gleams in the sudden tears pooling in her eyes. I begin speaking, fear and hope crashing together in every gruff word. “You can choose winter, summer, spring, or fall. You can choose a big wedding or a small. You can choose to invite thousands of people, or just our family. You can choose to do it here, or the church down the road, or in a fucking castle in Transylvania. You can choose between a honeymoon in Paris or hiking up Everest or a road trip or a month holed up in a flea-bitten hotel.” Filled with emotion, my voice roughens to pure gravel. “The only thing you can’t choose is your answer. It’s yes.
Kati Wilde (Going Nowhere Fast)
There’s other things I think I’d be good at too if I got the chance,” I hurried on, tossing my fake hook away. “Like water skiing, rollerblading, wearing a fez respectfully and coolly, saving animals from bush fires, knitting clothes for cats, eating a pint of ice cream in under fifteen minutes, making Moscow Mules, riding horses backwards while yodelling, guessing the sex of people’s babies before they’re born and if they’re going to grow up to be assholes, writing books about psychos in a magical prison for Fae who are all ruled by the stars and the zodiac and the lead character would be this badass werewolf girl who wants to break out a hot, tattooed incubus with a pierced dick and-
Caroline Peckham (The Death Club (Dead Men Walking, #1))
I don’t know how to take care of a chicken.” The dust-wife’s angular face drew into tight triangles. “It’s a chicken. Didn’t they teach you at the convent?” “No! Chickens were someone else’s problem. I knit bandages and helped deliver babies.” She wedged her foot in the door to keep from being left in the hall in care of the chick. “Babies happen occasionally. Chickens happen all the time.” The dust-wife plucked the chick out of Marra’s fingers, shaking her head. As the door was closing in her face, Marra heard, “I know you aren’t broody, demon, but you’re going to make an exception or so help me…
T. Kingfisher (Nettle & Bone)
God is knitting your precious baby together, Megan. He is weaving together her body, mind, and spirit to make her a whole being, a child created especially for you by our loving heavenly Father.
Sharon Gillenwater (Megan's Hero (The Callahans of Texas #3))
Livia’s song flows from my lips easily. I have known her since she was a baby. I held her, cuddled her, loved her. I sing of her strength. I sing of the sweetness and humor that I know still live within her, despite the horrors she has endured. I feel her body strengthening, her blood regenerating. But as I knit her back together, something is not right. I move down from her heart to her belly. My consciousness flinches back. The baby. He—and my sister is right, it is a he—sleeps now. But there is something wrong with him. His heartbeat, which instinct tells me should sound like the gentle, swift thud of a bird’s wings, is too slow. His still-developing mind too sluggish. He slips away from us. Skies, what is the child’s song? I do not know him. I know nothing about him except that he is part Marcus and part Livia and that he is our only chance for a unified Empire. “What do you want him to be?” the Nightbringer asks. At his voice, I jump, so deep in healing that I forgot he was here. “A warrior? A leader? A diplomat? His ruh, his spirit, is within, but it is not yet formed. If you wish him to live, then you must shape him from what is there—his blood, his family. But know that in doing so, you will be bound to him and his purpose forever. You will never be able to extricate yourself.” “He is family,” I whisper. “My nephew. I wouldn’t want to extricate myself from him.” I hum, searching for his song. Do I want him to be like me? Like Elias? Certainly not like Marcus. I want him to be an Aquilla. And I want him to be a Martial. So I sing my sister Livia into him—her kindness and laughter. I sing him my father’s conviction and prudence. My mother’s thoughtfulness and intelligence. I sing him Hannah’s fire. Of his father, I sing only one thing: his strength and skill in battle—one quick word, sharp and strong and clear—Marcus if the world had not ruined him. If he had not allowed himself to be ruined. But there is something missing. I feel it. This child will one day be Emperor. He needs something deeply rooted, something that will sustain him when nothing else will: a love of his people. The thought appears in my head as if it’s been planted there. So I sing him my own love, the love I learned in the streets of Navium, in fighting for my people, in them fighting for me. The love I learned in the infirmary, healing children and telling them not to fear. His heart begins to beat in time again; his body strengthens. I feel him give my sister an almighty kick, and, relieved, I withdraw.
Sabaa Tahir (A Reaper at the Gates (An Ember in the Ashes, #3))
Mothering had come so naturally to Maureen. It was as if another woman had been waiting inside her all along, ready to slip out. She knew how to swing her body so that a baby slept; how to soften her voice; how to curl her hand to support his head. She knew what temperature the water should be in his bath, and when he needed to nap, and how to knit him blue wool socks. He had no idea she knew these things and he had watched with awe, like a spectator from the shadows. It both deepened his love for her and lifted her apart, so that just at the moment when he thought their marriage would intensify, it seemed to lose its way, or at least set them in different places.
Rachel Joyce
Hello, ladies, I’m your uncle Devlin. Has Westhaven scared you witless with his fuming and fretting?” This fellow looked to be great fun, with a nice smile and kind green eyes. “Mama and Papa didn’t say anything about getting uncles for Christmas,” Amanda observed, but she was smiling back at the big uncle. The biggest uncle—they were all as tall as Papa. “Well, that’s because we’re a surprise,” the other dark-haired fellow said. “I’m your uncle Valentine, and we have an entire gaggle of aunties waiting out in the coach to spoil you rotten. Westhaven here is just out of sorts because Father Christmas gave him a headache for being naughty yesterday.” “I was not naughty.” The other two uncles thought this was quite funny, judging by their smiles. “There’s your problem,” said Uncle Devlin. “I’m thinking it’s a fine day for a pair of ladies to join their aunts for a ride in the traveling coach.” Uncle Gayle—it didn’t seem fair to call him by the same name as Fleur’s puppy—appeared to consider this. “For what purpose?” “To keep the peace. Emmie and I never haul out our big guns around the children,” said Uncle Devlin, which made no sense. “Do you like to play soldiers?” Fleur asked. Amanda appeared intrigued by the notion. She was forever galloping up hills and charging down banisters in pursuit of the French. Uncle Devlin’s brows knitted—he had wonderful dark eyebrows, much like Papa’s. “As a matter of fact, on occasion, if I’ve been an exceedingly good fellow, my daughter lets me join her in a game of soldiers.” “I’m not exactly unfamiliar with the business myself,” said Uncle Valentine. “I excel at the lightning charge and have been known to take even the occasional doll prisoner.” “Missus Wolverhampton would not like being a prisoner,” Fleur said, though Uncle Valentine was teasing—wasn’t he?” “Perhaps you gentlemen can arrange an assignation to play soldiers with our nieces on some other day,” Westhaven said. He sounded like his teeth hurt, which Fleur knew might be from the seasonal hazard of eating too much candy. “You can play too,” Fleur allowed, because it was Christmas, and one ought to be kind to uncles who strayed into one’s nursery. “We’ll let you be Wellington,” Amanda added, getting into the spirit of the day. “Which leaves me to be Blucher’s mercenaries,” Uncle Devlin said, “saving the day as usual.” “Oh, that’s brilliant.” Uncle Valentine wasn’t smiling now. “Leave your baby brother to be the infernal French again, will you? See if I write a waltz for your daughter’s come out, St. Just.” Uncle Gayle wasn’t frowning quite so mightily. In fact, he looked like he wanted to smile but was too grown-up to allow it. “Perhaps you ladies will gather up a few soldiers and fetch a doll or two. We’re going on a short journey to find your mama and papa, so we can all share Christmas with them.” Fleur noticed his slip, and clearly, Amanda had too—but it was the same slip Amanda had made earlier, and one Fleur was perfectly happy to let everybody make. Uncle Gayle had referred to their papa’s new wife not as their stepmama, but as their mama. What a fine thing that would be, if for Christmas they got a mama again for really and truly. Amanda fetched their dolls, Fleur grabbed their favorite storybook, and the uncles herded them from the nursery, all three grown men arguing about whose turn it was to be the blasted French. ***
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
With her toddler playing on the floor by her feet, his widow now nursed her new baby on the porch of her homeplace, attended by comforting women who sat with their knitting and embroidery and spoke only of happy things.
Lois Lowry (Messenger (The Giver, #3))
Benefits of Going Green The benefits of going green are sometimes not similar to obvious right away. For some people, because of this that going green can be so difficult. They have to see immediate or near immediate results of their green efforts. Unfortunately, some benefits take a while and dedication. Now and dedication can be a good thing about going green in itself. When we become more commited to an environmentally friendly lifestyle we study that lifestyle, the aspects of the life-style that is effective on our behalf and then we study new tips that make the lifestyle much better to create. Other merits of going green can be found especially zones of green lifestyles. Benefits of Going Green at Home Going green at your home is among the few places that green lifestyle benefits are shown quickly or in the next short space of time. The first home benefit that many individuals who go green see, is a drop in utility bills and spending. As people commence to make subtle and full blown changes in the volume of energy they use and the manner they make use of it, the utility bills will drop. This benefit shows itself within the first three billing cycles no matter the effective changes. Spending also reduces. The spending pattern of green lifestyles shows a spending reduction because of switching from disposable items to reusable items, pricey chemical items for DIY natural options and swapping out appliances for higher energy levels effiencent models. Simply not only are the advantages observed in healthier lifestyle options, but on top of that they are seen in healthier financial options. Benefits to Going Green at Work Going green at work is problematic to implement and hard to see immediate results from. However, the avantages of going green in the workplace might be incredibly financially beneficial regarding the business. A clear benefit for businesses going green that is the alleviates clutter and increased organization. By utilizing green techniques in your business such as cloud storage, going paperless and energy usage techniques a business will save many dollars each month. This is a clear benefit, but the additional advantage is increased business. Consumers, businesses and sales professionals love aligning themselves with green businesses. It shows an ecological awareness and connection and it has verified that the green business cares about the approach to life of their total clients. The green business logo and concept means the advantage of a higher customer base and increased sales. Advantages and benefits of Going Green within the Community Community advantages and benefits of going green are the explanation as to why many individuals begin contribution in the green movement. Community efforts do take time and effort to develop. Recycling centers, landscaping endeavors and urban gardening projects take community efforts and dedication. These projects can build wonderful benefits regarding the community. Initially the advantages will show in areas similar to a decrease in waste, increased organic gardening options and recycling endeavors to diminish waste in landfills. Eventually the avantages of going green locally can present a residential district bonding, closer knit communities and environmental benefits which will reach to reduced air pollution. There can also be an increase in local food production and local companies booming which helps the regional economy. There are numerous other benefits of going green. These benefits might be comprehensive and might change the thought of how communities, states and personal lifestyles are changed.
Green Living
She lives here now, Mom. With me. And it won’t be long before you can meet her, but there’s one more thing. During that short time we knew each other in Grants Pass, we had a little…ah, a little…blessing, that’s what it was. We had a blessing. Well, actually a couple of blessings. On the way. Soon.” Dead silence answered him. “It came as a shock to poor Abby at first, and I admit—I was pretty surprised, but we’re very happy about it. Happy and excited.” Silence. It stretched out. “Mom? Twins. We know one is a boy, but the other one is hiding.” Again, a vacuum. Then he heard his mother shriek, “Edward! Come here! Cameron got some girl pregnant!” “Mom! Just have a little sip of that wine!” “I think it’s going to take something a little stronger! Twins? You got some girl pregnant with twins?” He couldn’t help it—he laughed. “Mom,” he said. “She’s not some girl—she’s not a girl. Her name is Abby and she’s thirty-one.” “Cameron, how in the world—” “Now, Mother, I’m not going to explain. You’ll just have to trust me, I’ve never been careless and neither has Abby. So—here’s the deal. She’s probably going to go early, though the babies are due the second of July. Anytime, Mom. Abby wants to have her mother come as soon as they’re delivered, so I hope you can be a little patient. Twins is a pretty big—” “Cameron! Are you married?” “Not yet, Mom. Even though we’re in this together, completely, we just haven’t had time to get married. That will come—we’ll take care of the details. No point in rushing it now. Besides, we’re not going to be fooling anybody, including the great-grandmothers and great-aunt Jean, by rushing into it right now. They’re nearly here.” “Dear God in heaven,” his mother said. And in the background he could hear his father, Ed, saying, “What? What? What?” “I’ll call you the moment they’re born. Tomorrow, when I’m at the clinic, I’ll get Mel to take a picture of me and Abby and e-mail it to you. By then you will have calmed down.” “But, Cameron,” she said, “you haven’t given me time to knit anything!” He laughed again. “Well, get started. Abby’s really ready to unload. She just has to make it a couple more weeks to be completely safe.” “Oh, dear God in heaven,” she muttered.
Robyn Carr (Paradise Valley)
She shifted again, leaning her weight onto one thigh and then the other as the baby offered its own counterbalance. She moved her hands inside her coat and grasped her belly, the way she might hold a child’s face between her hands to silence tears, or to ask, What is it, what’s wrong? She stroked her sides, the loose knit of the cotton sweater she had confiscated from her husband’s closet ten years ago, when she was pregnant with Michael and could bear only cotton or silk against her skin. She felt the baby ripple under her fingers. She felt a heel—surely it was a heel here on her left side—press against her skin and then dart away, going under, before she could quite gauge its shape. It was possible it had something to do with the ocean, all this activity. Something to do with the salt scent of it on the air and on the wind. The tug of some ancient memory—didn’t they say life began in the sea—or maybe some dawning hope that the what-do-you-call-it, the fluid the baby now floated in (which someone had told her was also precisely as salty as the ocean), was a tributary, not merely a pool.
Alice McDermott (After This)
Ollie’s dad sold people solar panels. He liked it fine. But what he really loved was making things. Ollie had never seen his hands still, not since she was a baby. In the long summer afternoons, he built birdhouses or furniture; in the evenings he cooked or knitted or showed her how to make plates out of clay.
Katherine Arden (Small Spaces (Small Spaces, #1))
I heard she married some hunter, well, they all marry hunters, so did I, ha! You’re just as foolish I expect, young girls are, some lad catches your eye and there’s your whole life gone, snap, a lap full of babies and grandbabies and it’s all over, you’re an old woman knitting at the hearth and that’s it, that’s it!’ I could not wait to get out of there. She shrank my whole life to the size of a poppy seed, and ate it.
Betsy James (Listening at the Gate (The Seeker Chronicles, #3))
It shouldn’t have been sexy, but knowing he used those capable, nimble fingers to knit blankets for itty bitty babies made my ovaries want to burst like Jiffy Pop.
Amelia Simone (Ms. Temptation)
It's something I'm seeing everywhere in Vietnam; what makes its food so good, its people so endearing and impressive: pride. It's everywhere. From top to bottom, everyone seems be doing the absolute best they can with what they have, improvising, repairing, innovating. It's a spirit revealed in every noodle stall, every leaky sampan, every swept and combed dirt porch and green rice paddy. You see it in the mud-packed dikes and levees of their centuries-old irrigation system, every monkey bridge, restored shoe, tire turned sandal, literless urban street, patched roof, and swaddled baby in brightly colored hand-knit cap. Think what you want about Vietnam and about communism and about whatever it was that really happened there all those years ago. Ignore, if you care to, the obvious - that the country is, and was always, primarily about family, village, province, and then country - that ideology is a luxury few can afford. You cannot help but be impressed and blown away by the hard work, the attention to detail, the care taken in every facet of daily life, no matter how mundane, no matter how difficult the circumstances. Spend some time in the Mekong Delta and you'll understand how a nation of farmers could beat the largest and most powerful military presence on the planet. Just watch the women in the rice paddies, bent at the waist for eight, ten hours a day, yanking bundles of rice from knee-deep water, then moving them, replanting them. Take a while to examine the interlocked system of stone-age irrigation, unchanged for hundreds and hundreds of years, the level of cooperation necessary among neighbors simply to scratch out a living, and you'll get the idea.
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
Having some ground to stand on, that’s our whole basis. It’s the bags of summer squash and shelly beans everybody gives you from their gardens, and on from there. The porch rockers where the mammaws get together and knit baby clothes for the pregnant high school girls. Sandwiches the church ladies pack for the hungrier kids to take home on weekends. Honestly, I would call us the juice economy. Or I guess used to be, up until everybody started getting wrecked on the newer product. We did not save our juice, we would give it to each and all we meet, because we’re going to need some of that back before long, along with the free advice and power tools. Covered dishes for a funeral, porch music for a wedding, extra hands for getting the tobacco in.
Barbara Kingsolver (Demon Copperhead)
James was teaching me how to knit baby clothes, but I didn’t get on very well when he wasn’t there, but I did manage two vests that resembled badly made porridge.
Barbara Comyns
Chance pulled a frayed blanket from the back of the couch and wrapped it around his shoulders. His grandmother had knitted it for him as a baby present, and the blanket had sat for years untouched on the windowsill of his childhood bedroom. Now it might just be his most prized possession.
Matthew FitzSimmons (Chance (Constance, #2))
Nobody saw them coming, and instead of giving his usual warning bark Smoker went out on the road to meet them. Zhaanat carried the baby, not laced onto a cradle board, but folded into the web of silvery knitting, hanging in the folds of the baby blanket like a sack of sugar. Patrice walked alongside her, wearing cuffed jeans, saddle shoes, and a green sweater. Zhaanat wore green too, the dark calico dress with tiny golden flowers. They knocked on Thomas’s door and Rose opened it
Louise Erdrich (The Night Watchman)
Her father left school to join the navy in World War II and worked as a tool grinder and machine specialist at a knitting factory for twenty years—till it was bought by outsiders who closed it down. He lost his pension.
Sy Montgomery (Birdology: Adventures with a Pack of Hens, a Peck of Pigeons, Cantankerous Crows, Fierce Falcons, Hip Hop Parrots, Baby Hummingbirds, and One Murderously Big Living Dinosaur)
As our physical evolution (big brain + small hips = earlier baby) made child-rearing increasingly difficult, our species evolved stronger familial bonds in response. A closely knit, helpful, supportive family increased our offspring’s survival chances – hence the genes for putting up with caring about relations were selected for.
Sara Pascoe (Sex Power Money)
To set the scene: Madzy Brender à Brandis was a young mother with two small children, trying to survive through years of hardship and danger – and some unexpected pleasures. In May 1942, after her husband was suddenly taken prisoner and sent to a German camp, she began writing a diary to record the details of her life – for her husband to read when he returned, if he returned. She called it “this faithful book.” Here are some passages: 28 October 1944 [when the electricity was cut off because of lack of fuel for the generating plants]: “We have to use the daylight to its utmost, and we figure this out already in the morning. [At the end of the afternoon] We flew faster and faster to use the last bits of daylight, lay the table, lay everything ready so that at 5:30 we could eat in the dusk until we couldn’t find our mouths any more. Blackout and one candle, finished eating and washed the dishes. Read to children in pyjamas and then they to bed. Then unraveled a knitted baby blanket [so that the yarn could be used to knit other things] and at 9:00 blew out the candle and continued by moonlight. But now I’m going to bed, tired but satisfied with my efforts, though very sad about all the misery.” 1 November 1944 [after a threat of having the house demolished]: “Well, our house is still standing. I filled a laundry bag with many things, and everything is standing ready [in case there was a need to evacuate]. Because there is much flying again. At one moment an Allied fighter plane flew over very low; just then three German soldiers were walking past our house and one, “as a joke,” shot his gun at the plane. Tje! What a scare we had!” 24 December 1944 [addressing her husband, still in the camp]: “The whole house is in wonderful peace and I’m sitting by the fire, which gives me just enough light to write this. [The upper door of the small heater, when opened, gave a bit of light.] My Dicks, I don’t have to tell you how very much I miss you on this evening. It is a gnawing sense of longing. But beyond that there is a sorrow in me, a despair about everything, that pervades my whole being. Besides that, however, I’ve already for days seen the light of Christ coming closer and in these days that gives me hope. So does the waxing moon, the hard frost, the bright sun – in a word, all the light in nature after that endless series of misty, rainy, dark days. And so I sit close to my unsteady little light, that constantly abandons me, and think of you. It’s as though you are very close to me. I’m so grateful for everything that I have: your love, the two children, and everything around me.” 12 February 1945 [during the “Hunger Winter” of 1944-45, after one of her trips to forage for food]: “Today I went to Rika in Renswoude: 1¼ hours cycling there, 2½ hours walking back pushing a broken-down bicycle and with 25 pounds of rye [the whole grain, not flour] through streaming rain, while there was constant booming of artillery and bombing in the distance.
Marianne Brandis (This Faithful Book: A Diary from World War Two in the Netherlands)
Alone at last, Rina stood up, stretched, and glanced at her watch again. Her own boys were still at the Computer Club. Steve would walk them home to a waiting baby-sitter so there was no need to rush. She could take her time. Removing her shoes, she rubbed her feet, slipped them into knitted socks and shuffled along the gleaming white tile. Loaded down with a bucket full of soapy water, a handful of rags, and a pail of supplies, she entered the hallway leading to the two bathrooms.
Faye Kellerman (The Ritual Bath (Peter Decker/Rina Lazarus #1))
This was her flaw as a parent, she thought later: she had never truly gotten rid of a single maternal worry. They were all in the closet, with the minuscule footed pajamas and hand-knit baby hats, and every day Laura took them out, unfolded them, tried to put them to use.
Elizabeth McCracken (Thunderstruck & Other Stories)