“
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting –
over and over announcing your place
in the family of things.
”
”
Mary Oliver
“
Thanksgiving is no time for amateur hour in the kitchen, but we were subjected to this Gong Show on a yearly basis. Aunt Kathy went knee deep in her preparations where others would have surrendered.
”
”
Author Harold Phifer (Surviving Chaos: How I Found Peace at A Beach Bar)
“
No. No!” he says.
“I . . .” He looks wildly around the room. For inspiration? For divine intervention? I don’t know.
“You can’t go. Ana, I love you!”
“I love you, too, Christian, it’s just—”
“No . . . no!” he says in desperation and puts both hands on his head. “Christian . . .”
“No,” he breathes, his eyes wide with panic, and suddenly he drops to his knees in front of me, head bowed, long-fingered hands spread out on his thighs. He takes a deep breath and doesn’t move. What?
“Christian, what are you doing?”
He continues to stare down, not looking at me.
“Christian! What are you doing?”
My voice is high-pitched. He doesn’t move.
“Christian, look at me!” I command in panic. His head sweeps up without hesitation, and he regards me passively with his cool gray gaze—he’s almost serene . . . expectant.
Holy Fuck . . . Christian. The submissive.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
She let her head fall back upon Marius' knees and her eyelids closed. He thought that poor soul had gone. Eponine lay motionless; but just when Marius supposed her for ever asleep, she slowly opened her eyes in which the gloomy deepness of death appeared, and said to him with an accent the sweetness on which already seemed to come from another world:
"And then, do you know, Monsieur Marius, I believe I was a little in love with you."
She essayed to smile again and expired.
”
”
Victor Hugo (Les Misérables)
“
One second, he was in my mouth, my tongue flicking over the broad head of him; the next, his hands were on my waist and I flipped onto my front. He nudged my legs apart with his knees, spreading me as he gripped my hips, tugging them up, up before he sheathed himself deep in me with a single stroke.
I moaned into the pillow at every glorious inch of him, rising onto my forearms as my fingers grappled into the sheets.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Ian stood above me, his chest heaving with exertion and fury. For a second he turned away and put the door back in place with one swift wrench. And then he was glowering again.
I took a deep breath and rolled up onto my knees, holding my hands out, palms up, wishing that some magic would appear in them. Something I could give him, something I could say. But my hands were empty.
"You. Are. Not. Leaving. Me." His eyes blazed - burning brighter than I had ever seen them, blue fires.
"Ian," I whispered. "You have to see that... that I can't stay. You must se that."
"No!" he shouted at me.
I cringed back, and, abruptly, Ian crumpled forward, falling to his knees, falling into me. He buried his head in my stomach, and his arms locked around my waist. He was shaking, shaking hard, and loud, desperate sobs were breaking out of his chest.
"No, Ian, no," I begged. This was so much worse than his anger. "Don't, please. Please, don't."
"Wanda," he moaned.
"Ian, please. Don't feel this way. Don't. I'm so sorry. Please."
I was crying too, shaking too, though that might have been him shaking me.
"You can't leave."
"I have to, I have to," I sobbed.
And then we cried wordlessly for a long time.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
2. WHAT I AM NOT
My brother and I used to play a game. I'd point to a chair. "THIS IS NOT A CHAIR," I'd say. Bird would point to the table. "THIS IS NOT A TABLE." "THIS IS NOT A WALL," I'd say. "THAT IS NOT A CEILING." We'd go on like that. "IT IS NOT RAINING OUT." "MY SHOE IS NOT UNTIED!" Bird would yell. I'd point to my elbow. "THIS IS NOT A SCRAPE." Bird would lift his knee. "THIS IS ALSO NOT A SCRAPE!" "THAT IS NOT A KETTLE!" "NOT A CUP!" "NOT A SPOON!" "NOT DIRTY DISHES!" We denied whole rooms, years, weathers. Once, at the peak of our shouting, Bird took a deep breath. At the top of his lungs, he shrieked: "I! HAVE NOT! BEEN! UNHAPPY! MY WHOLE! LIFE!" "But you're only seven," I said.
”
”
Nicole Krauss
“
You can't always expect people to apply your wisdom when they didn't use wisdom before they found themselves knee deep in their version of justice.
”
”
Shannon L. Alder
“
I'm the last one in the dark, until- suddenly- it happens. St. Clair removes something from his pocket. And then he gets down on one knee.
Anna's entire body lights with shock and joy and love. She nods a vigorous yes. St. Clair places the ring on her finger. He stands, she throws her arms around him, and they kiss. He spins her in a circle. They kiss again. Deep, hungry, long. And then he turns to us and waves- with the biggest smile I've ever seen- clearly aware that we've been standing here the whole time.
”
”
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
“
We stand there, knee deep in the water, holding hands. The silence is thunderous with words we don't speak. I feel his presence beside me like it's an extension of my own body, tall and strong and so, so beautiful. But I can't look at him. Right now, it hurts too damn much.
”
”
Nicole Christie (Falling for the Ghost of You)
“
I have loved in life and I have been loved.
I have drunk the bowl of poison from the hands of love as nectar,
and have been raised above life's joy and sorrow.
My heart, aflame in love, set afire every heart that came in touch with it.
My heart has been rent and joined again;
My heart has been broken and again made whole;
My heart has been wounded and healed again;
A thousand deaths my heart has died, and thanks be to love, it lives yet.
I went through hell and saw there love's raging fire,
and I entered heaven illumined with the light of love.
I wept in love and made all weep with me;
I mourned in love and pierced the hearts of men;
And when my fiery glance fell on the rocks, the rocks burst forth as volcanoes.
The whole world sank in the flood caused by my one tear;
With my deep sigh the earth trembled, and when I cried aloud the name of my beloved,
I shook the throne of God in heaven.
I bowed my head low in humility, and on my knees I begged of love,
"Disclose to me, I pray thee, O love, thy secret."
She took me gently by my arms and lifted me above the earth, and spoke softly in my ear,
"My dear one, thou thyself art love, art lover,
and thyself art the beloved whom thou hast adored.
”
”
Hazrat Inayat Khan (The Dance of the Soul: Gayan, Vadan, Nirtan (Sufi Sayings))
“
He felt as if he’d dived into a deep, clear lake and discovered it was a shallow, knee-deep pond. What did you do? Well, you stood up. You rinsed your mud-caked knees and pulled your feet out of the muck. And you were more cautious after that. You knew, from then on, that the world was a smaller place than you’d expected.
”
”
Celeste Ng (Little Fires Everywhere)
“
<…>It was an arms crushing me to his body, heads slanting, mouths opened, tongues invading, toes curling, knees weakening, bones dissolving, deep, wet, hungry, carnal kiss. It seemed to last forever but that forever was not near long enough.<…>
”
”
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
“
There was a story going around about the Special Olympics. For the hundred-yard dash, there were nine contestants, all of them so-called physically or mentally disabled. All nine of them assembled at the starting line and, at the sound of the gun, they took off. But one little boy didn't get very far. He stumbled and fell and hurt his knee and began to cry. The other eight children heard the boy crying. They slowed down, turned around, and ran back to him--every one of them ran back to him. The little boy got up, and he and the rest of the runners linked their arms together and joyfully walked to the finish line.
They all finished the race at the same time. And when they did, everyone in the stadium stood up and clapped and whistled and cheered for a long, long time. And you know why? Because deep down we know that what matters in this life is more than winning for ourselves. What really matters is helping others win, too, even if it means slowing down and changing our course now and then.
”
”
Fred Rogers
“
Harry?" Bob asked. "Are your feet wet? And can you see the pyramids?"
I blinked. "What?"
"Earth to Dresden," Bob said. "You are standing knee-deep in de Nile.
”
”
Jim Butcher (Dead Beat (The Dresden Files, #7))
“
Never assume. Never make plans. Keep doing the press-ups and deep knee bends: you'll need all your strength and flexibility when your life suddenly implodes. Maybe it won't — some people do lead enchanted lives — but odds are that it will. Some time.
”
”
Robin McKinley
“
The look of experience suited him, especially because somewhere deep in those eyes, there still lurked a dangerous invitation to play. He had a quality of masculine confidence that was a thousand times more potent than mere handsomeness. Perfect goodlooks could leave you cold, but this kind of sexy charisma went straight to your knees. -Haven Travis
”
”
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
“
In a traditional German toilet, the hole into which shit disappears after we flush is right at the front, so that shit is first laid out for us to sniff and inspect for traces of illness. In the typical French toilet, on the contrary, the hole is at the back, i.e. shit is supposed to disappear as quickly as possible. Finally, the American (Anglo-Saxon) toilet presents a synthesis, a mediation between these opposites: the toilet basin is full of water, so that the shit floats in it, visible, but not to be inspected. [...] It is clear that none of these versions can be accounted for in purely utilitarian terms: each involves a certain ideological perception of how the subject should relate to excrement. Hegel was among the first to see in the geographical triad of Germany, France and England an expression of three different existential attitudes: reflective thoroughness (German), revolutionary hastiness (French), utilitarian pragmatism (English). In political terms, this triad can be read as German conservatism, French revolutionary radicalism and English liberalism. [...] The point about toilets is that they enable us not only to discern this triad in the most intimate domain, but also to identify its underlying mechanism in the three different attitudes towards excremental excess: an ambiguous contemplative fascination; a wish to get rid of it as fast as possible; a pragmatic decision to treat it as ordinary and dispose of it in an appropriate way. It is easy for an academic at a round table to claim that we live in a post-ideological universe, but the moment he visits the lavatory after the heated discussion, he is again knee-deep in ideology.
”
”
Slavoj Žižek (The Plague of Fantasies (Wo Es War Series))
“
I mustered all my strength, drew back, and swung.
The sword's blade hit the side of her neck, hard and deep. She gave a horrible, sickening cry, a shriek that made my skin crawl. She tried to move toward me. I pulled back and hit again. Her hands clutched at her throat, and her knees gave way. I struck and struck, the sword digging in deeper into her neck each time. Cutting off someone's head was harder than I thought it would be. The old, dull sword probably wasn't helping.
But finally, I gained enough sense to realize she wasn't moving. Her head lay there, detached from her body, her dead eyes looking up at me as though she couldn't believe what had happened. That made two of us.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
my sweet old etcetera
aunt lucy during the recent
war could and what
is more did tell you just
what everybody was fighting
for,
my sister
isabel created hundreds
(and
hundreds) of socks not to
mention shirts fleaproof earwarmers
etcetera wristers etcetera, my
mother hoped that
i would die etcetera
bravely of course my father used
to become hoarse talking about how it was
a privilege and if only he
could meanwhile my
self etcetera lay quietly
in the deep mud et
cetera
(dreaming,
et
cetera, of
Your smile
eyes knees and of your Etcetera)
”
”
E.E. Cummings
“
I didn't feel physically sick. But mentally. My mind was twisting in so many ways. (...) We once saw a documentary on migraines. One of the men interviewed used to fall on his knees and bang his head against the floor, over and over during attacks. This diverted the pain from deep inside his brain, where he couldn't reach it, to a pain outside that he had control over.
”
”
Jay Asher (Thirteen Reasons Why)
“
If I had a nickel for every time I'd wished I possessed the power to alter another person's mind, I'd be knee deep in nickels.
”
”
Mayandree Michel (Betrayal (The Descendants, #1))
“
He pulled away abruptly - self-preservation required it - and pressed his brow to hers, breathing deep. "You remember one thing. You decide you want to get married, it's going to be me."
Briony watched him stalk outside, slamming the kitchen door behind him. Both eyebrows raised, she turned to Ken.
Close your mouth, honey. That's just Jack trying to be romantic and failing miserably. Don't let him get away with that shit either. If he's going to ask you, make him do it all they way. You know - down on one knee, looking stupid."
Briony nearly choked. "That's just mean, Ken."
He leaned close to her. "If you do it, Briony, tell me first so I can videotape it. I could blackmail him for the rest of his life.
”
”
Christine Feehan (Conspiracy Game (GhostWalkers, #4))
“
I fell back into my favorite chair and tucked my hands between my knees to stop them from shaking. I sucked in a deep breath, held it, and marveled at my own transformation into a ridiculous ninny.
”
”
Tess Oliver (Camille (Camille, #1))
“
Let the bullshitters have their bullshit. You and me, we have lives to live. And once you open your mouth to respond to their bullshit--well, that's when you're knee-deep in it.
”
”
Daniel Clausen (The Ghosts of Nagasaki)
“
Because sometimes all we need is somebody to sit in silence with.
”
”
Jolene Perry (Knee Deep)
“
Get on your knees. I want you to feel me so deep that the belt is of little consequence when it comes to breathing.
”
”
Alaska Angelini (Slade (Captive to the Dark, #1))
“
If everyone could just live near the ocean, I think we'd all be happier. It's hard to be down about anything knee deep in the sand.
”
”
Crystal Woods (Write like no one is reading 2)
“
And now-now I didn't know where that put me. Knee-deep in trouble seemed like a good place to start.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
The sky was electric blue above the trees but the yard felt dark. Stephanie went to the edge of the lawn and sat her forehead on her knees. The grass and soil were still warm from the day. She wanted to cry but she couldn't. The feeling was too deep.
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
If I marry: He must be so tall that when he is on his knees, as one has said he reaches all the way to heaven. His shoulders must be broad enough to bear the burden of a family. His lips must be strong enough to smile, firm enough to say no, and tender enough to kiss. Love must be so deep that it takes its stand in Christ and so wide that it takes the whole lost world in. He must be active enough to save souls. He must be big enough to be gentle and great enough to be thoughtful. His arms must be strong enough to carry a little child.
”
”
Ruth Bell
“
Meanwhile myself
et
cetera
lay quietly
in the deep mud et
cetera
(dreaming,
et
cetera, of
your smile
eyes knees and of your Etcetera.)
”
”
E.E. Cummings
“
Wild Geese"
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting -
over and over announcing your place
in the family of things.
”
”
Mary Oliver (Dream Work)
“
I was not happy. I was knee deep in freak out mode.
”
”
Jennifer L. Armentrout (Bitter Sweet Love (The Dark Elements, #0.5))
“
Live. And Live Well.
BREATHE. Breathe in and Breathe deeply.
Be PRESENT. Do
not be past. Do not be future. Be now.
On a crystal clear, breezy 70 degree day,
roll down the windows and
FEEL the wind against your skin. Feel the warmth of
the sun.
If you run, then allow those first few breaths on a cool Autumn day to
FREEZE your lungs and do not just be alarmed, be ALIVE.
Get knee-deep in a novel
and LOSE track of time.
If you bike, pedal HARDER and if you crash then crash
well.
Feel the SATISFACTION of a job well done-a paper well-written, a project
thoroughly completed, a play well-performed.
If you must wipe the snot from your
3-year old's nose, don't be disgusted if the Kleenex didn't catch it all
because soon he'll be wiping his own.
If you've recently experienced loss, then
GRIEVE. And Grieve well.
At the table with friends and family, LAUGH.
If you're
eating and laughing at the same time, then might as well laugh until you puke.
And if you eat, then SMELL.
The aromas are not impediments to your day. Steak on
the grill, coffee beans freshly ground, cookies in the oven.
And TASTE.
Taste every ounce of flavor.
Taste every ounce of friendship.
Taste every ounce of Life.
Because-it-is-most-definitely-a-Gift.
”
”
Kyle Lake
“
So, so you made a lot of mistakes
Walked down the road a little sideways
Cracked a rib when you hit the wall
Yeah, you've had a pocket full of regrets
Pull you down faster than a sunset
Hey, it happens to us all
When the cold hard rain just won't quit
And you can't see your way out of it
You find your faith has been lost and shaken
You take back what's been taken
Get on your knees and dig down deep
You can do what you think is impossible
Keep on believing, don't give in
It'll come and make you whole again
It always will, it always does
Love is unstoppable
”
”
Rascal Flatts
“
Please don't follow in my footsteps. I'm already knee-deep in them, and am sinking rapidly...
”
”
Tony James Slater
“
You don't want me to feel obligated? Well, I'm sorry, Lily. I am here
because I feel obligated." He brought her hand to his chest, pressing her
palm flat against his rapidly thumping pulse. "I'm obligated by my heart. It's
decided you're essential to my existence, you see. And it's threatening to go out on labor strike if I don't make you mine this very day. So yes. I am here on bended knee, acting from a deep, undeniable sense of obligation. I am, quite simply, yours." He swallowed hard. "If you'll have me.
”
”
Tessa Dare (Three Nights with a Scoundrel (Stud Club, #3))
“
The wolf blood, Arya remembered now. I'll be as strong as Robb, I said I would. She took a deep breath, then lifted the broomstick in both hands and brought down across her knee. It broke with a loud crack, and she threw the pieces aside. 'I am a direwolf, and done with the wooden teeth.
”
”
George R.R. Martin
“
Blinking hard, she watched two Toltec nobles disembark from the aircraft and rush up the steps. One of them argued with the priest who had
proclaimed her death sentence. The taller of the two, wearing what she
dimly registered as the uniform of the Generals Council, demanded the
keys to her shackles.
Securing them, he walked behind the post. A curious mixture of anticipation and confusion filled Helen. Although she did not know him, a tenuous sense of hope stirred deep within her simply because he was there with her.
She turned her head from side to side, trying to watch him as he
worked to free her. “Who are you, my lord? Why are you here?”
“You sent me a lecture not long ago about your duty as a healer,
Lieutenant,” he replied, on one knee behind her to unlock the manacles
around her ankles. “I am your father.
”
”
Candace L. Talmadge (Stoneslayer: Book One Scandal)
“
Hey". Meghan's fingers on my arm nearly made me jump out of my skin. She smiled up at me, though her eyes were puzzled. "You seem awfully nervous this morning. Is something wrong?"
Now or never, Ash. I took a deep breath. "No", I replied, turning to her, "Nothing's wrong, but I did want to ask you something. Come here a moment."
Taking both her hands, I backed away to the middle of the floor, to an open space in front of the curtains. She followed, still wearing a bemused expression, and I paused a moment to gather my thoughts. "I don't...know how it's done in your world", I began, as she tilted her head at me. "I've seen it before...but, I'm not sure how to ask. It never really comes up in the Winter Court."
Meghan blinked, frowning slightly. "What do you mean?"
"I know my role here," I continued. "Whatever happens, I'm still your knight, and nothing will change that. You are queen of this realm, and I have no desire to rule. That said, fighting your enemies, standing with you no matter what comes at us. But I'm no longer satisfied with just being your knight and protector. I want something more". I stopped and took a deep breath, then slowly released her hands, stepped back and sank to one knee. "What I'm trying to ask is...Meghan Chase, will you do me the honor of marrying me?
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
Maximoff.” His deep voice pitches me from a fantasy.
I lift my eyes.
He smiles.
“What?” I combat.
Farrow bends a knee. “Are you thinking about the philosophical meaning of the world or are you thinking about fucking me in the ass?
”
”
Krista Ritchie (Damaged Like Us (Like Us, #1))
“
From a memory deep inside her, so faint it only held sounds and slips of color, a tiny, three-year-old Azalea wailed, "Papa."
"Papa," said Azalea to the lifeless form of the King. The word was so forgein, it choked her throat. "Papa... you can't leave us, Papa... It would be very...out of order-"
Bramble knelt opposite her, grasping the King's bandaged hand.
"She's-she's right, Papa," Bramble stuttered. "We have...rules..."
Clover fell to her knees and pressed her handkerchief to his chest. Blood soaked through.
"Papa," she whispered.
The girls knelt around the King, their skirts spead out like forlorn blossoms, swallowing , and whispering one word.
"Papa."
"Papa."
"Papa.
”
”
Heather Dixon Wallwork (Entwined)
“
He grabbed my calves and yanked them apart, then pushed them up so my knees were bent. He put a knee to the bed and moved forward, releasing one of my calves, his hand wrapped around his cock and I felt his weight begin to hit me.
“You come with me inside you, Ace,” he gritted and then he was inside me, filling me, beautiful.
At the feel of him, so hard, making me so full, my back left the bed again. “Tate.”
He moved, driving deep, fast, hard. Our mouths attached, our tongues clashed. His hand went between us and he touched me and that was it. It hit me like a rocket and I combusted, my world exploding, taking me with it and I loved every nanosecond.
”
”
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
“
What’s an oxy, I’d asked. That November it was still a shiny new thing. OxyContin, God’s gift for the laid-off deep-hole man with his back and neck bones grinding like bags of gravel. For the bent-over lady pulling double shifts at Dollar General with her shot knees and ADHD grandkids to raise by herself. For every football player with some of this or that torn up, and the whole world riding on his getting back in the game. This was our deliverance. The tree was shaken and yes, we did eat of the apple.
”
”
Barbara Kingsolver (Demon Copperhead)
“
The brambles and the thorns grew thick and thicker in a ticking thicket of bickering crickets. Farther along and stronger, bonged the gongs of a throng of frogs, green and vivid on their lily pads. From the sky came the crying of flies, and the pilgrims leaped over a bleating sheep creeping knee-deep in a sleepy stream, in which swift and slippery snakes slid and slithered silkily, whispering sinful secrets.
”
”
James Thurber (The 13 Clocks)
“
The child, screaming for refuge, senses how feeble a shelter the twig hut of grown-up awareness is. They claim strength, these parents, and complete sanctuary. The weeping earth itself knows how desperate is the child's need for exactly that sanctuary. How deep and sticky is the darkness of childhood, how rigid the blades of infant evil, which is unadulterated, unrestrained by the convenient cushions of age and its civilizing anesthesia.
Grownups can deal with scraped knees, dropped ice-cream cones, and lost dollies, but if they suspected the real reasons we cry they would fling us out of their arms in horrified revulsion. Yet we are small and as terrified as we are terrifying in our ferocious appetites.
”
”
Katherine Dunn
“
It is, I suppose, the common grief of children at having to protect their parents from reality. It is bitter for the young to see what awful innocence adults grow into, that terrible vulnerability that must be sheltered from the rodent mire of childhood.
Can we blame the child for resenting the fantasy of largeness? Big, soft arms and deep voices in the dark saying, "Tell Papa, tell Mama, and we'll make it right." The child, screaming for refuge, senses how feeble a shelter the twig hut of grown-up awareness is. They claim strength, these parents, and complete sanctuary. The weeping earth itself knows how desperate is the child's need for exactly that sanctuary. How deep and sticky is the darkness of childhood, how rigid the blades of infant evil, which is unadulterated, unrestrained by the convenient cushions of age and its civilizing anesthesia.
Grownups can deal with scraped knees, dropped ice-cream cones, and lost dollies, but if they suspected the real reasons we cry they would fling us out of their arms in horrified revulsion. Yet we are small and as terrified as we are terrifying in our ferocious appetites.
We need that warm adult stupidity. Even knowing the illusion, we cry and hide in their laps, speaking only of defiled lollipops or lost bears, and getting lollipop or a toy bear'd worth of comfort. We make do with it rather than face alone the cavernous reaches of our skull for which there is no remedy, no safety, no comfort at all. We survive until, by sheer stamina, we escape into the dim innocence of our own adulthood and its forgetfulness.
”
”
Katherine Dunn (Geek Love)
“
Then the boat turned towards me, and stayed its pace, and floated slowly by within my hand's reach, yet I durst not handle it. It waded deep, as if it were heavily burdened, and it seemed to me as it passed under my gaze that it was almost filled with clear water, from which came the light; and lapped in the water a warrior lay asleep.
A broken sword was on his knee. I saw many wounds on him. it was Boromir, my brother, dead. I knew his gear, his sword, his beloved face. One thing only I missed: his horn. One thing only I knew not: a fair belt, as it were of linked golden leaves, about his waist.
Boromir! I cried. Where is thy horn? Whither goest thou? O Boromir! But he was gone. The boat turned into the stream and passed glimmering on into the night. Dreamlike it was, and yet no dream, for there was no waking.
”
”
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
“
I willed myself to stay awake, but the rain was so soft and the room was so warm and his voice was so deep and his knee was so snug that I slept.
”
”
Harper Lee (To Kill a Mockingbird)
“
Ren frowned as he surveyed the madness they were knee-deep in. “Why are you under such heavy fire?”
Nick gave him a droll stare. “Oh, I don’t know. But we’re really enjoying it. Fear has such a wonderfully romantic scent to it that they ought to turn it into cologne and deodorant. Eau de Ew. Let’s all just take a minute, and bask in it.
”
”
Sherrilyn Kenyon (Time Untime (Dark-Hunter, #21))
“
It's killing me not to do everything in my power to beg you to be with me. To wait for me, because I'm waiting for you. Waiting to tell you over and over how much I still love you...
”
”
Jolene Perry (Knee Deep)
“
Youth is not a time of life; it is a state of mind; it is not a matter of rosy cheeks, red lips and supple knees; it is a matter of the will, a quality of the imagination, a vigor of the emotions; it is the freshness of the deep springs of life.
Youth means a tempermental predominance of courage over timidity of the appetite, for adventure over the love of ease. This often exists in a man of 60 more than a boy of 20. Nobody grows old merely by a number of years. We grow old by deserting our ideals.
Years may wrinkle the skin, but to give up enthusiasm wrinkles the soul. Worry, fear, self-distrust bows the heart and turns the spirits back to dust.
Whether 60 or 16, there is in every human being's heart the lure of wonder, the unfailing childlike appetite of what's next and the joy of the game of living. In the center of your heart and my heart there is a wireless station: so long as it receives messages of beauty, hope, cheer, courage and power from men and from the Infinite, so long are you young.
When the aerials are down, and your spirit is covered with snows of cynicism and the ice of pessimism, then you are grown old, even at 20, but as long as your aerials are up, to catch waves of optimism, there is hope you may die young at 80.
”
”
Samuel Ullman
“
I think a father’s job, when it’s done best, is to get down on both knees, lean over his children’s lives, and whisper, ‘Where do you want to go?’ Every day God invites us on the same kind of adventure. It’s not a trip where He sends us a rigid itinerary, He simply invites us. God asks what it is He’s made us to love, what it is that captures our attention, what feeds that deep indescribable need of our souls to experience the richness of the world He made. And then, leaning over us, He whispers, ‘Let’s go do THAT together.
”
”
Bob Goff
“
The difference between a self-induced orgasm and an orgasm given by a man is like comparing a rainy day and a rainstorm. Rain was a sure thing, you knew exactly what you were going to get: a clean and crisp, both sweet and refreshing experience. But rainstorms were unpredictable, they were riddled with surprises, messy and wet; they were something you had no control over.
Rainstorms brought you to your knees, soaking you in uncontrollable need, lightning flashing before your eyes while you dug your fingers deep into the earth, trying to hold on; unable to tell which was louder...the thunder roaring in your ears or the pounding of your heart.
”
”
Madeline Sheehan (Unbeautifully (Undeniable, #2))
“
Venus of Eryx, from her mountain throne,
Saw Hades and clasped her swift-winged son, and said:
'Cupid, my child, my warrior, my power,
Take those sure shafts with which you conquer all,
And shoot your speedy arrows to the heart
Of the great god to whom the last lot fell
When the three realms were drawn. Your mastery
Subdues the gods of heaven and even Jove,
Subdues the ocean's deities and him,
Even him, who rules the ocean's deities.
Why should Hell lag behind? Why not there too
Extend your mother's empire and your own....?
Then Cupid, guided by his mother, opened
His quiver of all his thousand arrows
Selected one, the sharpest and the surest,
The arrow most obedient to the bow,
And bent the pliant horn against his knee
And shot the barbed shaft deep in Pluto's heart.
”
”
Ovid (Metamorphoses)
“
I'm not supposed to date you, Jenny."
"That's what you said before."
He leaned forward, his elbows on his knees. "I didn't think this was going to be a problem. I mean, I'm pretty good at not letting someone become important to me. I have to be if I want to make it to L.A."
"I understand."
He laughed. "How nice of you to understand, since you're the one making it a struggle for me! It would be so easy to make you important.
”
”
Elizabeth Chandler (No Time to Die & The Deep End of Fear (Dark Secrets, #3-4))
“
I say, I don’t think the human frame is very thoughtfully constructed for this sleuthhound business. If one could go on all fours, or had eyes in ones knees, it would be a lot more practical’… ‘What luck! Here’s a deep, damp ditch on the other side, which I shall now proceed to fall into.’ A slithering crash proclaimed that he had carried out his intention.
”
”
Dorothy L. Sayers (Clouds of Witness (Lord Peter Wimsey, #2))
“
It is better to die, than dive heart-first, into a pool of love, only knee-high deep.
”
”
Anthony Liccione
“
I'm knee-deep in my peak "Hallmark Sad Man Cinderwhatever" era.
”
”
Brynne Weaver (Scythe & Sparrow (The Ruinous Love Trilogy, #3))
“
We ran like young wild furies,
where angels feared to tread.
The woods were dark and deep.
Before us demons fled.
We checked Coke bottle bottoms
to see how far was far.
Our worlds of magic wonder
were never reached by car.
We loved our dogs like brothers,
our bikes like rocket ships.
We were going to the stars,
to Mars we'd make round trips.
We swung on vines like Tarzan,
and flashed Zorro's keen blade.
We were James Bond in his Aston,
we were Hercules unchained.
We looked upon the future
and we saw a distant land,
where our folks were always ageless,
and time was shifting sand.
We filled up life with living,
with grins, scabbed knees, and noise.
In glass I see an older man,
but this book's for the boys.
”
”
Robert McCammon
“
The problem is that when you change Romeo and Juliet’s story it ends up like that ridiculous Taylor Swift song. And that’s not what people love about Romeo and Juliet.
”
”
Jolene Perry (Knee Deep)
“
I generally don’t care what we watch because we can be like this, snuggled together in his room, which is my favorite thing in the world to do.
”
”
Jolene Perry (Knee Deep)
“
Without wiping away the tears, taking a deep breath, or even bending his knees—he leaped. For now he knew what Shalimar knew: If you surrendered to the wind, you could ride it.
”
”
Toni Morrison (Song of Solomon)
“
Just how deep do you believe? Can you get up off your knees?
”
”
Trent Reznor
“
We were knee deep in a river of crap,and I was wearing metaphorical flip-flops.
-Jason
”
”
Elisa Ludwig (Coin Heist)
“
Several yards away – closer to the cathedral’s legendary carved doorways – Anna and St. Clair are standing on top of Point Zéro. It’s been hand-brushed clear of its dusting of snow. Point Zéro is the bronze marker, a star, which designates the official centre of France. There are at least two superstitions about it. One is that anyone who stands on the star will return to France. The other is that you can use it to make a wish.
“Wait for it,” Josh says.
Lola stands straighter, excited. “No!”
“Yes,” Cricket says.
I’m the last one in the dark, until – suddenly – it happens. St. Clair removes something from his pocket. And then he gets down on one knee.
Anna’s entire body lights with shock and joy and love. She nods a vigorous yes. St. Clair places the ring on her finger. He stands, she throws her arms around him, and they kiss. He spins her in a circle. They kiss again. Deep, hungry, long. And then he turns to us and waves – with the biggest smile I’ve ever seen – clearly aware that we’ve been standing here the whole time.
”
”
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
“
The revelation that we have everything we need in life to make us happy but simply lack the conscious awareness to appreciate it can be as refreshing as lemonade on a hot afternoon. Or it can be as startling as cold water being thrown in our face. How many of us go through our days parched and empty, thirsting after happiness, when we’re really standing knee-deep in the river of abundance?
”
”
Sarah Ban Breathnach (Simple Abundance: A Daybook of Comfort of Joy)
“
Mistake:the unshoveled snow was knee-deep.I kept right on wading through it. "This is because I'm a good person," I assured Doofus. "I am going to heaven,though hopefully not by way of the convent.
”
”
Jennifer Echols (The Ex Games)
“
I am no woman. I am a neuter.
I am a child, a page-boy, and a bold decision,
I am a laughing glimpse of a burning sun
I am a net for all voracious fish,
I am a toast to every woman’s honor,
I am a step toward chance and disaster,
I am a leap in freedom and the self
I am the blood’s whisper in a man’s ear,
I am the soul’s shiver, the flesh’s longing and denial,
I am an entry sign to new paradises
I am a flame, seeking and jolly,
I am a water, deep, but daring up to the knees,
I am fire and water, in sincere context, on free term
”
”
Edith Södergran
“
Audrey’s head spun. “You puked in the alley? Wow. You must really like him.”
“Oh, God. Don’t say that.” Victoria bent her head over her knees and took slow, deep breaths.
“The vomiting seems to be her way of expressing her feelings toward Ford,” Rachel told Audrey.
“Aw. And they say romance is dead.”
”
”
Julie James (Suddenly One Summer (FBI/US Attorney, #6))
“
[Stephanie] "This won't be so bad," I said to her, making an effort at convincing myself. "How about your blanket? We could wrap him up in the blanket. Then we could pick him up without actually touching him."
"I suppose that'd be all right," Lula said. "We could give it a try"
I spread the blanket on the ground beside Elliot Harp, took a deep breath, hooked my fingers around his belt and rolled him onto the blanket. I jumped back, squeezed my eyes closed tight and exhaled. No matter how much violent death I saw, I would never get used to it. "I'm gonna definitely have the runs," Lula said. "I can feel it coming on."
"Forget about the runs and help me with this body!" Lula grabbed hold of the head end of the blanket, and I grabbed hold of the foot end. Harp had full rigor and wouldn't bend, so we put him in the trunk headfirst with his legs sticking out. We carefully closed the lid on Harp's knees and secured the lid with a piece of rope Lula had in her trunk.
"Hold on," Lula said, pulling a red flowered scarf from her coat pocket, tying the scarf on Harp's foot like a flag. "Don't want to get a ticket. I hear the police are real picky about having things sticking out of your trunk."
Especially dead guys.
”
”
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
“
I’m so fucking knee-deep, obsessively and passionately, crucial about forever in love with you.
”
”
Pamela Ann (Blasphemous (Torn, #3))
“
How am I supposed to go to sleep with weirdness between us?
”
”
Jolene Perry (Knee Deep)
“
Luke smells like coconut and sandalwood; all things that bring me straight back to the beach house Mom and Dad rent every year.
”
”
Jolene Perry (Knee Deep)
“
In war, as in farming, you sometimes had to step in and get knee-deep in the muck.
”
”
Robert Jordan (Towers of Midnight (The Wheel of Time, #13))
“
You have done well," Grandfather said. "We thank you."
"We were afraid sometimes," Jetsam replied.
"Good." Grandfather's eyes smiled. "That means you had the courage to keep trying.
”
”
Sheila Moon (Knee-Deep in Thunder)
“
I was only crying because I had just realized—knee-deep in Red (Taylor’s Version)—that Taylor Swift will, one day, stop making music, and I’ll no longer have a soundtrack to my life.
”
”
Becka Mack (Fall with Me (Playing for Keeps, #4))
“
Sometimes I think of all the times in this sweet life when I must have missed the affection I was being given. A friend calls this “standing knee-deep in the river and dying of thirst.
”
”
Robert Fulghum (It Was On Fire When I Lay Down On It)
“
The old man
must have stopped our car
two dozen times to climb out
and gather into his hands
the small toads blinded
by our lights and leaping,
live drops of rain.
The rain was falling,
a mist about his white hair
and I kept saying
You can’t save them all
accept it, get back in
wev’e got places to go.
But, leathery hands full
of wet brown life
knee deep in summer
roadside grass,
he just smiled and said
They have places to go too.
”
”
Joseph Bruchac
“
[S]ome score of members of the High Court of Chancery bar ought to be --- as here they are --- mistily engaged in one of the ten thousand stages of an endless cause, tripping one another up on slippery precedents, groping knee-deep in technicalities, running their goat-hair and horse-hair warded heads against walls of words, and making a pretence of equity with serious faces ....
”
”
Charles Dickens (Bleak House)
“
The sun glistened on a drop of water as it fell from his hand to his knee. David wiped it off, but it left no tidemark: there was no more dirt to rub away. He took a deep breath and shivered. He was David. Everything else was washed away, the camp, its smell, its touch--and now he was David, his own master, free--free as long as he could remain so.
”
”
Anne Holm (I Am David)
“
Eyes closed a knee in his back hand at his neck forcing his face into the floor of the elevator rough under his cheek smell of vomit and matted fur "God don't hurt me" struggles against indignity his pajamas pulled down around his knees a needle sunk deep into his thigh twists moans and all of it loose like water flowing salt tickles inner edges of his eyes into his mouth twists onto his back arms over his head raw wails of anguish break off in pieces hurt his ears "Baby it's okay" Leo is over him lifts coaxing "Let's get up off the floor huh?" arm around his waist sags heavy his wrist aches where Leo holds him dragged along the watery dark he rolls off Leo's shoulder to the bed eyes closed hands folded in prayer between his legs can't look "God don't hurt me. Please.
”
”
Judith Guest
“
What I feel for Sulli is cemented so deep inside my unholy soul.
The world will have to bring me to my knees to take her away from me.
”
”
Krista Ritchie (Fearless Like Us (Like Us, #9))
“
He leaned forward suddenly, moved his knees so they parted mine. “Come over,” he said. “I want to suffer you.
”
”
Holly Brickley (Deep Cuts)
“
Red is all right, I thought to myself. Wherever and whatever he is or will be, he is all right. It is I who must be made well. There's a hole inside me that will have to be filled up. And an aching that will have to grow less.
”
”
Sheila Moon (Knee-Deep in Thunder)
“
Her heart pounded as the door lifted and Hunter got out dressed in faded jeans, a gray and black v-neck sweater, and a black leather jacket, the man was drop-dead stunning.
And that deadly stagger of his made her weak in the knees. "Oh baby," she heard Tammy whisper as he came around the car.
Hunter stopped in front of Amanda and raked a hungry look over her body. "Hi, luscious," he said in that deep, evocative voice. "Sorry I'm late."
Before Amanda knew what he was doing, he pulled her into his arms and gave her a sizzling hot kiss. Her body burned in response to his tongue tasting hers as he fisted his hands against her back. Then, he dipped down and picked her up in his arms.
"Hunter!" she gasped as he carried her effortlessly toward the car.
He gave her that devilish tight-lipped smile. His midnight eyes were warm and alive with humor and hunger. With the toe of his boot, he opened the passenger-side door and set her inside. He retrieved her briefcase and purse from the sidewalk where she had dropped them and handed them to her. Then, he turned and gave a knowing smile to Cliff. "You really have to love a woman who lives to see you naked.
”
”
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
“
Water, wind and birdsong were the echoes in this quiet place of a great chiming symphony that was surging around the world. Knee-deep in grasses and moon daisies, Stella stood and listened, swaying a little as the flowers and trees were swaying, her spirit voice singing loudly, though her lips were still, and every pulse in her body beating its hammer strokes in time to the song.
”
”
Elizabeth Goudge (Gentian Hill)
“
The sky was murky and deep, like quicksand. There was a young man parcelled up in barbed wire, like a crown of thorns. I untangled him and carried him out. High above the earth, we sank together, to our knees. It was just another day, 1918.
”
”
Markus Zusak (The Book Thief)
“
Come to the woods, for here is rest. There is no repose like that of the green deep woods. Here grow the wallflower and the violet. The squirrel will come and sit upon your knee, the logcock will wake you in the morning. Sleep in forgetfulness of all ill. Of all the upness accessible to mortals, there is no upness comparable to the mountains.
”
”
John Muir (The Writings of John Muir V: Mountains of California II)
“
Come on home. The poppies are all grown knee-deep by now.
Blossoms all have fallen, and the pollen ruins the plow.
Peonies nod in the breeze,
and while they wetly bow
with hydrocephalitic listlessness,
ants mop up their brow.
And everything with wings is restless, aimless, drunk and dour;
butterflies and birds collide at hot, ungodly hours.
And my clay-colored motherlessness rangily reclines —
Come on home, now! All my bones are dolorous with vines.
”
”
Joanna Newsom
“
He sank to his knees.
"I don't know how to handle this. I don't know what you want from me. Quoi tu veux," he murmured, over and over, until the whirring noise slowed and his fingers curled deep into the mud.
~Remy
”
”
Sydney Croft (Riding the Storm (ACRO, #1))
“
Perhaps it started when, at the age of ten, I picked up a starfish by one of its arms…and soon found myself holding a single wiggling appendage. At the time, I didn’t know that starfish arms could regenerate. I believed I was a murderer. I fell to my knees and bellowed with horror. (CURSE YE, FORMIDABLE MIGHT! SUCH INNOCENCE…DESTROYED! DOES THIS MEAN I CAN PERMANENTLY SKIP GYM?)
”
”
Rick Riordan (Daughter of the Deep)
“
The farm brook ran down from the mountain in a straight line for the fold then swerved to the west to go its way down into the marshes. There were two knee-high falls in it and two pools, knee-deep. At the bottom there was shingle, pebbles and sand. It ran in many curves. Each curve had its own tone, but not one of them was dull; the brook was merry and music-loving, like youth, but yet with various strings, and it played its music without thought of any audience and did not care though no one heard for a hundred years, like the true poet.
”
”
Halldór Laxness (Independent People)
“
When he got on the bus, she was already sitting in their seat- but sitting in his spot, against the wall. He was too embarrassed to say anything. He sat down next to her and let his hands hand between his knees ...
Which mean she really had to reach for his wrist, to pull his hand into hers. She wrapped her fingers around his and touched his palm with her thumb.
Her fingers were trembling.
Park shifted in his seat and turned his back to the aisle.
'Okay?' she whispered.
He nodded, taking a deep breath. They both stared down at their hands.
Jesus.
”
”
Rainbow Rowell (Eleanor & Park)
“
Are you all right,” he whispered, his lips brushing the tips of my spiky hair. Granted, I knew he was only being discreet so as to save poor Hillary from being reamed again, but my knees didn’t know the difference. They betrayed me, buckling under his hot breath on my ear and the deep whisper that tickled my senses.
”
”
Gwenn Wright (Filter (The Von Strassenberg Saga, #1))
“
I wonder where we are going," I said.
"Wherever the way is going," Exi replied calmly.
"But where do you suppose the way is going?"
"Wherever we go."
"That doesn't really make sense, does it?"
"Oh, yes. Quite good sense."
"Why?"
"Do you know any method by which you can go way and your path another? Not the path, but your path?"
"Well-" I hesitated. "Well, if you put it that way, I guess not. But what about crossroads? Couldn't you choose the wrong one?"
"I suppose you could. However, if it was the wrong way you chose, it would still be your way, wouldn't it?"
"Yes," I answered, "yes, it probably would.
”
”
Sheila Moon (Knee-Deep in Thunder)
“
I seriously doubt that some slave ship ancestor, in those idle moments between being raped and beaten, was standing knee-deep in their own feces rationalizing that, in the end, the generations of murder, unbearable pain and suffering, mental anguish, and rampant disease will all be worth it because someday my great-great-great-great-grandson will have Wi-Fi, no matter how slow and intermittent the signal is.
”
”
Paul Beatty (The Sellout)
“
When he settles back onto his knee, he wipes a tear away from his own eyes. “Sherry, until I met you I didn’t know what life was. I had no clue that I wasn’t even alive. It’s like you came along and woke up my soul." He's looking straight at her as he talks. He doesn't sound nervous at all, like he's determined to prove to her how serious he is. He takes a deep breath and then continues. "I’ll never be able to give you everything you deserve, but I’ll definitely spend the rest of my life trying.”
He pulls the ring out of the box and slides it on her finger. “I’m not asking you to marry me, Sherry. I’m telling you to marry me, because I can’t live without you.”
Sherry wraps her arms around his neck and they hold onto one another and cry. “Okay,” she finally says. When they begin to kiss, his hand reaches over and turns off the camera.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
What exactly do you think we’re trying to do here?” Deep demanded. “You think we want to fuck you?”
His rough words made Kat’s stomach clench. “I sure as hell hope not for your sake,” she said evenly. “You try it and I’ll knee both of you so hard you’ll be wearing your balls for bowties.”
“Bravely spoken, little Kat.” Deep had the nerve to sound amused. “But that isn’t what this is about at all. We just need to heal you.
”
”
Evangeline Anderson (Sought (Brides of the Kindred, #3))
“
Knee-deep in the cosmic overwhelm, I’m stricken
by the ricochet wonder of it all: the plain
everythingness of everything, in cahoots
with the everythingness of everything else.
- From Diffraction (for Carl Sagan)
”
”
Diane Ackerman
“
Isia stepped forward. "Yes, sir. I know." Holding his fine brilliant wings above his body, he stood in front of us with his luminous lidless eyes full upon us. "I'm sorry to leave you. We've shared a lot together, and you have loved me even when I was ugly. But we'll see each other. Good-bye.
”
”
Sheila Moon (Knee-Deep in Thunder)
“
Braith opened her eyes and screamed at what hovered above her, “Gods! Death comes for me!”
The horrifying face of death curled its lip at her and growled, “Well, that’s charmin’.” Death sat back in its chair, hands resting on its knees. “This face is not me fault, ya know?” Death looked off, thought a moment. Its finger traced one of the deep gouges across its jaw. “This one actually is kind of me fault.” She pointed at the other side of her face, where part of her chin was missing. “And this one. A bit of barney at the pub.”
...
“That was not death,” he whispered. “That was our Great-Aunt Brigida.”
“Brigida? Brigida the Foul?” He nodded. “I thought she was dead.”
Addolgar shook his head and whispered, “She just won’t die.
”
”
G.A. Aiken (A Tale of Two Dragons (Dragon Kin, #0.2))
“
Flinging himself from his horse, he made, in his rage, as if he would breast the flood. Standing knee-deep in water he hurled at the faithless woman all the insults that have ever been the lot of her sex. Faithless, mutable, fickle, he called her; devil, adulteress, deceiver; and the swirling waters took his words, and tossed at his feet a broken pot and a little straw.
”
”
Virginia Woolf
“
You’d rather be here than in Africa. The trump card all narrow-minded nativists play. If you put a cupcake to my head, of course, I’d rather be here than any place in Africa, though I hear Johannesburg ain’t that bad and the surf on the Cape Verdean beaches is incredible. However, I’m not so selfish as to believe that my relative happiness, including, but not limited to, twenty-four-hour access to chili burgers, Blu-ray, and Aeron office chairs is worth generations of suffering. I seriously doubt that some slave ship ancestor, in those idle moments between being raped and beaten, was standing knee-deep in their own feces rationalizing that, in the end, the generations of murder, unbearable pain and suffering, mental anguish, and rampant disease will all be worth it because someday my great-great-great-great-grandson will have Wi-Fi, no matter how slow and intermittent the signal is.
”
”
Paul Beatty (The Sellout)
“
When his mouth was on hers, when he could feel her about to shatter yet again, he plunged into her, knocking her over the edge with that first rough stroke.
And still he thought: More.
Even as she shuddered, he shoved her knees up and went deeper inside her. His vision blurred, but through the red haze of lust he could see her eyes. Deep, dark, glazed like glass to throw his own reflection back at him.
"I'm inside you." He panted it out as he pushed them both to madness. "Everything I am. Body, heart, mind."
She struggled through layers of pleasure to say the one thing he needed. Her hands wrapped around his wrists to hold the beat of his blood. "Let go. I'll stay with you."
He pressed his face to her hair, let both heart and mind go, and let body rule them both.
”
”
J.D. Robb (Betrayal in Death (In Death, #12))
“
They pulled the wet saddles off the horses and hobbled them and walked off in separate directions through the chaparral to stand spraddle legged clutching their knees and vomiting. The browsing horses jerked their heads up. It was no sound they’d ever heard before. In the grey twilight those retchings seemed to echo like the calls of some rude provisional species loosed upon that waste. A thing smirking deep in the eyes of grace itself like a gorgon in an autumn pool.
”
”
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
“
But those sparkling blue shallows- so enticing at first glance- had not yet graded off into depths, so that sometimes I got the disconcerting sensation of wading around in knee-high waters hoping to step into a drop-off, a place deep enough to swim.
”
”
Donna Tartt (The Goldfinch)
“
When you bluff, your left eyebrow twitches. It hasn’t twitched all night. Besides, I already told you I’m going to get you there safely. No need for games now."
I pulled back indignantly. "My left eyebrow does not twitch."
Jude studied me with an idle smile, as if calculating the wisdom of saying more. "When you’re amused, your mouth takes on a mischievous curl." he went on, as if proving his point. "When you’re angry, you press your lips together and three tiny lines jump out between your eyebrows."
I rolled onto my knees and planted my hands squarely on my hips. "Anything else?" I asked hotly.
He thumbed his nose, struggling not to grin. "When you kiss, you make a purring noise deep in your throat. It’s so faint, I have to be touching you to hear it."
Now I turned bright red.
"We should kiss again and see what other observations I make," he suggested.
”
”
Becca Fitzpatrick (Black Ice)
“
I see you, flawed and humble and road weary and proud and still in spite of the deep ache, somehow sure you’ve done all you can.
I see all you feel but cannot speak. I see the way the words grow and swell, expanding your chest and pressing against the confines in your throat until they form the most unbearable pain, and the air around you so heavy with the weight of words unsaid.
I see the way your chest caves in and your shoulders curl around and your arms hold your knees so tight that you circle in upon yourself.
I see how in spite of this you are expanding, even though others wish you small and in spite of your own efforts to keep peace. I see that you are a wild thing, not meant for containment.
”
”
Jeanette LeBlanc
“
I thought love was supposed to be weak knees and butterflies in your stomach and a terrible longing that could never be quenched."
Eeny shook her head, chuckled, came over and embraced me. "No, child", she said gently, patting my back. "That's romance. Romance is build on doubt. Love is solid. Constant. If you're not careful, you might mistake it for bein' boring because it's so reliable. Love is warm and deep and comfortable, just right, so you float in peacefully without ever being scalded or frozen, like a perfect, relaxing bubble bath.
”
”
J.T. Geissinger (Burn for You (Slow Burn, #1))
“
Close to the road a cow would stand knee-deep in the mist, with horns damp enough to have a pearly shine in the starlight, and it would look at the black blur we were as we went whirling into the blazing corridor of light which we could never quite get into for it would be always splitting the dark just in front of us. The cow would stand there knee-deep in the mist and look at the black blur and the blaze and then, not turning his head, at the place where the black blur and blaze had been, with the remote, massive, unvindictive indifference of God-All-Mighty or Fate or me, if I were standing there knee-deep in the mist, and the blur and the blaze whizzed past and withered on off between the fields and the patches of woods.
”
”
Robert Penn Warren (All the King's Men)
“
Because I've had a change of heart."
Im off the car before I know whats happened, caged between the cold metal hood and Nicholas. There is no room to dodge around him, nowhere to go. My senses reel, overpowered by him, collapsing into his touch to mend us perfectly together. His dark stare glitters with fear and fury, and something else that takes me another half second to translate. Need. Deep and burning. If I weren't pinned, my knees would buckle.
He places his hand over my thumping, traitorous heart, commanding every nerve ending, every single desire. I am wide, wide awake. He shudders an exhile and his face descends so close that I think it must end with a kiss, which is why I close my eyes.
"Your heart is mine," he says.
”
”
Sarah Hogle (You Deserve Each Other (You Deserve Each Other, #1))
“
Since you can’t respond yet and since you have no claws left, I will take this moment to remind you that you thought eating the demon fruit would be a bad idea. It was not. To which I say—” He drew a deep breath. “—I told you so.”
“Fool,” muttered the vetala.
I snarled and with one last burst of strength, swiped my paw behind Vikram’s knees and sent him tumbling. He gasped.
“I will,” he wheezed, rolling onto his stomach, “take your silence as a form of agreement.
”
”
Roshani Chokshi (A Crown of Wishes (The Star-Touched Queen, #2))
“
Today is the winter solstice. The planet tilts just so to its star, lists and holds circling in a fixed tension between veering and longing, and spins helpless, exalted, in and out of that fleet blazing touch. Last night Orion vaulted and spread all over the sky, pagan and lunatic, his shoulder and knee on fire, his sword three suns at the ready-for what?
I won’t see this year again, not again so innocent; and longing wrapped round my throat like a scarf. “For the Heavenly Father desires that we should see,” says Ruysbroeck, “and that is why He is ever saying to our inmost spirit one deep unfathomable word and nothing else.” But what is the word? Is this mystery or coyness? A cast-iron bell hung from the arch of my rib cage; when I stirred, it rang, or it tolled, a long syllable pulsing ripples up my lungs and down the gritty sap inside my bones, and I couldn’t make it out; I felt the voiced vowel like a sigh or a note but I couldn’t catch the consonant that shaped it into sense.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
The average gym junkie today is all about appearance, not ability. Flash, not function. These men may have big, artificially pumped up limbs, but all that the size is in the muscle tissue; their
tendons and joints are weak . Ask the average muscleman to do a deep one-leg squat-ass-to-floor-style-and his knee ligaments would probably snap in two. What strength most bodybuilders do have, they cannot use in a coordinated way; if you asked them to walk on their hands they'd fall flat on their faces.
”
”
Paul Wade (Convict Conditioning: How to Bust Free of All Weakness Using the Lost Secrets of Supreme Survival Strength)
“
He stepped close to her; she could feel his breath on her neck. “Eve, you make me not want to die.”
She turned to see his face. “I didn’t want to be this, and now it’s all I am.”
He put his hands on her cheeks. The look on his face did her in. He was kind, caring, and mourning her losses. Tears wet his cheeks. Eve felt a very deep sob choke her. If he was mourning, so could she.
He pulled her into his arms. “Cry. It’s okay. Cry.”
Eve felt her knees give. He caught her and carried her to his couch. He petted her hair and let her empty her pain and guilt onto his chest. He kissed the top of her head. For the first time, his actions toward her seemed to have no sexual intent whatsoever.
Eve let go of a rope she’d clung to for too long. And she fell. She fell right into him. Wrong or right, she gave up judging. Her lips found his, and he kissed her gently, not demanding any more than she was willing to offer.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
Very good, brother. I am impressed. You have gotten stronger, but you are not strong enough.” Brother? The word made Mina’s knees weak with relief. It couldn’t be—could it? He said he would never come. That he couldn’t come. She couldn’t help herself; she yelled out his name. “Jared!” The giant’s head turned to her, his eyes looking very human and every ounce Jared. He had one hand over a deep wound in his side, and he was slowly falling to his knees. She heard him call out her name—“Meehna!”—and then he fell forward onto the marble. But when he finally crashed into the ground, he was completely human and injured.
”
”
Chanda Hahn (Fable (An Unfortunate Fairy Tale, #3))
“
They took turns looking deep, deep into the universe: Saturn like a knee that had been dipped in iodine, Neptune like a peach covered in mold, Jupiter like a half sucked jawbreaker, Mercury like a large shooter marble, galaxies like crushed candy, galaxies like the suds from a bubble bath blown off the palm of your hand.
”
”
Heather O'Neill (The Lonely Hearts Hotel)
“
One soldier in the Ypres Salient, at Messines, Belgium, wrote of the frustration of the trench stalemate. “We are still in our old positions, and keep annoying the English and French. The weather is miserable and we often spend days on end knee-deep in water and, what is more, under heavy fire. We are greatly looking forward to a brief respite. Let’s hope that soon afterwards the whole front will start moving forward. Things can’t go on like this for ever.” The author was a German infantryman of Austrian descent named Adolf Hitler.
”
”
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
“
You want religion?” Finn pushed back a lock of my hair. “Then I’ll get on my knees and worship you for the rest of my life. You want to save someone? You’ve already done it. You saved me. You want heaven?” His hand skated up the back of my skirt. I shivered. His deep voice hummed in my ear. “I’ll take you there right now.
”
”
T.M. Frazier (The Outliers (The Outskirts Duet, #2))
“
She seemed to him, as he now thought of her, to have in herself deep wells and knee-deep meadows of happiness, rivers of freshness, enchanted gardens of leisure, which he could not enter but could have spoiled. She was one of those other people--like Pearson, like Denniston, like the Dimbles--who could enjoy things for their own sake.
”
”
C.S. Lewis (That Hideous Strength)
“
Oh, Aslan,” said King Peter, dropping on one knee and raising the Lion’s heavy paw to his face, “I’m so glad. And I’m so sorry. I’ve been leading them wrong ever since we started and especially yesterday morning.” “My dear son,” said Aslan. Then he turned and welcomed Edmund. “Well done,” were his words. Then, after an awful pause, the deep voice said, “Susan.” Susan made no answer but the others thought she was crying. “You have listened to fears, child,” said Aslan. “Come, let me breathe on you. Forget them. Are you brave again?” “A little, Aslan,” said Susan.
”
”
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #4))
“
She opens her eyes.
“Adelina?” she whispers, blinking. And all I can see before me is the little sister who used to braid my hair, who sang to me and whimpered under the stairs, who bandaged my broken finger and came to me when the thunder rolled outside. She is my sister, always, even in death, even beyond.
My heart twists again as I think of what I am doing, and I choke back a sob. Oh, Magiano. I will miss all the days we will never have, all the moments we will never share. Forgive me, forgive me, forgive me.
I open my mouth. I mean to tell my sister I’m sorry, sorry I couldn’t save her in the mountains, sorry I didn’t listen to her, I didn’t tell her more often that I loved her. I am ready to say a thousand words.
But I say none of them. Instead, I say, “The deal is done.”
A faint glow encircles Violetta. The pillar vanishes. She sucks in a deep gasp of air, then falls to her knees. She is alive.
”
”
Marie Lu (The Midnight Star (The Young Elites, #3))
“
As soon as our lips met, I was glad I had my back against the door. My knees were in definite danger of failing me. Archer wrapped his arms around my waist and held me tighter as I clutched the front of his shirt and poured all that I’d been feeling for the past few weeks into the kiss-the despair I’d felt when I’d thought he was dead, the relief I felt now, pressed between him and the cellar door.
When we finally parted, I rested my forehead on his collarbone and took deep breaths. It was a few moments before I was capable of speech. “I though you said we’d do this ‘later.’”
He kissed my temple. “It’s been like, twenty minutes. That counts as later.”
Chuckling, I raised my head to look at him. “I kind of missed you.”
Even though it was dark, I could see him smile. “I kind of missed you, too.”
“I should probably get upstairs now.”
“You probably should,” he murmured, lowering his mouth to mine.
By the time I finally made it up to Jenna’s and my room, I was practically skipping.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
For what we need to know, of course, is not just that God exists, not just that beyond the steely brightness of the stars there is a cosmic intelligence of some kind that keeps the whole show going, but that there is a God right here in the thick of our day-by-day lives who may not be writing messages about himself in the stars but who in one way or another is trying to get messages through our blindness as we move around down here knee-deep in the fragrant muck and misery and marvel of the world.
”
”
Frederick Buechner (Secrets in the Dark: A Life in Sermons)
“
Maggie held a pail of river water. She knew the well water would be too sweet. The river would have a bit of salt in it, and any healing comes first through hurt before it makes it to peace. That was a terrible thing, she knew. Yet there was nothing truer. She knew it was why so many people saw no point, didn’t have the resolve to make it through, and got stuck. A sucking mud. The sinking kind. There were a lot of people there. Knee-deep. Some submerged. Some clawing their way to solid ground. How few would make it.
”
”
Robert Jones Jr. (The Prophets)
“
I am a child of Alban’s earth Her ancient bones brought me to birth Her crags and islands built me strong My heart beats to her deep wild song. I am the wife with bairn on knee I am the fisherman at sea I am the piper on the strand I am the warrior, sword in hand. White Lady shield me with your fire Lord of the North my heart inspire Hag of the Isles my secrets keep Master of Shadows guard my sleep. I am the mountain, I am the sky I am the song that will not die I am the heather, I am the sea My spirit is forever free.
”
”
Juliet Marillier (Shadowfell (Shadowfell #1))
“
The kiss was deep and thorough and utterly possessive. It claimed her lips and rendered her knees weak. His hands cupped her face, his fingertips coming to rest on her temples, his thumbs stroking her cheekbones. His tongue delved into her mouth, seeking hers. Finding it, mating with it. She wanted to stop him, she knew she should—it was insane to let him kiss her like this—but the second the notion of pulling away entered her mind it was washed away by the waves of desire and need Nick’s kiss sent surging through her.
”
”
Lexxie Couper (Love's Rhythm (Heart of Fame, #1))
“
Of a new-era’d nation that looked out for Uno, of a one-time World Policeman that was now going to retire and have its blue uniform deep-dry-cleaned and placed in storage in triple-thick plastic dry-cleaning bags and hang up its cuffs to spend some quality domestic time raking its lawn and cleaning its refrigerator and dandling its freshly bathed kids on its neatly pressed mufti-pants’ knee.
”
”
David Foster Wallace (Infinite Jest)
“
Pat-a-cake, pat-a-cake, baker’s man . . .” Evie chanted as she played with Stephen in the Challons’ private railway carriage. They occupied one side of a deep upholstered settee, with Sebastian lounging in the other corner. The baby clapped his tiny hands along with his grandmother, his rapt gaze fastened on her face. “Make me a cake as fast as you can . . .”
The nursery rhyme concluded, and Evie cheerfully began again. “Pat-a-cake, pat-a-cake—”
“My sweet,” Sebastian interrupted, “we’ve been involved in the manufacture of cakes ever since we set foot on the train. For my sanity, I beg you to choose another game.”
“Stephen,” Evie asked her grandson, “do you want to play peekaboo?”
“No,” came the baby’s grave answer.
“Do you want to play ‘beckoning the chickens?’”
“No.”
Evie’s impish gaze flickered to her husband before she asked the child, “Do you want to play horsie with Gramps?”
“Yes!”
Sebastian grinned ruefully and reached for the boy. “I knew I should have kept quiet.” He sat Stephen on his knee and began to bounce him, making him squeal with delight.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
Now let me tell you something.
I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers.
I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously.
I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten.
I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends.
I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes.
I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things.
But—
All this I did without you. This was my loss.
All this I want to do with you. This will be my gain.
All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.
”
”
Gerald Durrell
“
She communicated in what ways she could – sweet whines of happiness and wet kisses. She knew him. She knew him. He knelt in the grass, still pouring his attention onto her. She received every ounce of it in a way only a dog can, its unconditional love contained in every breath and every heartbeat.
And Luke was struck precisely at that moment at his capacity to feel so moved by the simple act of affection for this sweet animal. He swallowed hard. It wasn’t easy to let himself feel it, the gentle tug from a place deeply buried. And in the grass on his knees, he found himself releasing the sadness long held hostage in that deep place. Tears spilled over, finally uncontained. The dog stretched its snout through the rails and found his wet cheeks with its tongue. He did not retreat, but let her clean the tears from his face.
”
”
Dorothy Gravelle (Paradox Love)
“
He watched him turn, his throat racked by forces pulling him in different directions. Part of him wanted to grab him by the neck, force him to his knees, and caress the skin off him while covering his face with frenzied kisses. But, God, part of him wanted to bite him. To fill his lips with the boy’s moans and tears before extracting more from him, until the boy was so disgusted that he’d never want to touch Charles again.
Because that was what terrified Charles more than anything else: Dorian’s touch. And what his hands might uncover deep in his soul.
”
”
Valentina C. Brin (Rise of a Nobleman (Possession, #1))
“
there is a photograph of zugibe and one of his volunteers in the aforementioned sindon article. zugibe is dressed in a knee-length white lab coat and is shown adjusting one of the vital sign leads affixed to the man's chest. the cross reaches almost to the ceiling, towering over zugibe and his bank of medical monitors. the volunteer is naked except for a pair of gym shorts and a hearty mustache. he wears the unconcerned, mildly zoned-out expression of a person waiting at a bus stop. neither man appears to have been self-conscious about being photographed this way. i think that when you get yourself down deep into a project like this, you lose sight of how odd you must appear to the rest of the world.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
It always gave Wolf a peculiar thrill thus to tighten his grip upon his stick, thus to wrap himself more closely in his faded overcoat. Objects of this kind played a queer part in his secret life-illusion. His stick was like a plough-handle, a ship's runner, a gun, a spade, a sword, a spear. His threadbare overcoat was like a medieval jerkin, like a monk's habit, like a classic toga! It gave him a primeval delight merely to move one foot in front of the other, merely to prod the ground with his stick, merely to feel the flapping of his coat about his knees, when this mood predominated. It always associated itself with his consciousness of the historic continuity---so incredibly charged with marvels of dreamy fancy---of human beings moving to and fro across the earth. It associated itself, too, with his deep, obstinate quarrel with modern inventions, with modern machinery....
”
”
John Cowper Powys (Wolf Solent)
“
The white saucer like some full moon descends
At last from the clouds of the table above;
She sighs and dreams and thrills and glows,
Transfigured with love.
She nestles over the shining rim,
Buries her chin in the creamy sea;
Her tail hangs loose; each drowsy paw
Is doubled under each bending knee.
A long, dim ecstasy holds her life;
Her world is an infinite shapeless white,
Till her tongue has curled the last holy drop,
Then she sinks back into the night,
Draws and dips her body to heap
Her sleepy nerves in the great arm-chair,
Lies defeated and buried deep
Three or four hours unconscious there.
”
”
Harold Monro (Collected poems;)
“
Jamie, who had insisted on walking most of the way to spare the horse, was a disreputable sight indeed, hose stained to the knees with reddish dust, spare shirt torn by brambles and a week’s growth of beard bristling fiercely from cheek and jaw. His hair had grown long enough in the last months to reach his shoulders. Usually clubbed into a queue or laced back, it was free now, thick and unruly, with small bits of leaf and stick caught in the disordered coppery locks. Face burned a deep ruddy bronze, boots cracked from walking, dirk and sword thrust through his belt, he looked a wild Highlander indeed.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
Speaking truth to bullshit and practicing civility start with knowing ourselves and knowing the behaviors and issues that both push into our own BS or get in the way of being civil. If we go back to BRAVING and our trust checklist, these situations require a keen eye on: 1. Boundaries. What’s okay in a discussion and what’s not? How do you set a boundary when you realize you’re knee-deep in BS? 2. Reliability. Bullshitting is the abandonment of reliability. It’s hard to trust or be trusted when we BS too often. 3. Accountability. How do we hold ourself and others accountable for less BS and more honest debate? Less off-loading of emotion and more civility? 4. Vault. Civility honors confidentiality. BS ignores truth and opens the door to violations of confidentiality. 5. Integrity. How do we stay in our integrity when confronted with BS, and how do we stop in the midst of our own emotional moment to say, “You know what, I’m not sure this conversation is productive” or “I need to learn more about this issue”? 6. Nonjudgment. How do we stay out of judgment toward ourselves when the right thing to do is say, “I actually don’t know much about this. Tell me what you know and why it’s important to you.” How do we not go into “winner/loser” mode and instead see an opportunity for connection when someone says to us, “I don’t know anything about that issue”? 7. Generosity. What’s the most generous assumption we can make about the people around us? What boundaries have to be in place for us to be kinder and more tolerant? I know that the practice of speaking truth to bullshit while being civil feels like a paradox, but both are profoundly important parts of true belonging.
”
”
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
“
You’re not answering my question. It’s getting irritating.”
“Okay, serious answer. Ready? Here we go.” Nora took a deep breath. She didn’t want to talk about this stuff with Marie-Laure, but as long as she stayed interesting, as long as she stayed entertaining, she stayed alive. “I get off on submitting to Søren. I don’t know how or why. I can’t explain any more than you can explain why you like Irish breakfast tea instead of English breakfast or whatever you’re drinking. It’s a personal taste. I liked it. He’s the most beautiful man on earth, he’s got an inner drive and power that I’m drawn to, he can scare the shit out of someone with a glance, he can put someone on their knees with a word, he can see into your soul if you make the mistake of looking into his eyes. And it is a mistake because you will never want to look away again no matter how bare and naked he lays your most private self. I knelt at his feet because I felt like that’s where I belonged. And no, not because I was so unworthy of him, but because he was so utterly worthy of my devotion.”
A noble speech and a true one, Nora decided as her words settled into the room. True, yes, but not the whole truth. Might as well spill it all.
“Oh,” she added a moment later. “And me submitting to pain gets him rock hard and the man fucks like a freight train when in the right mood. Not that you would know anything about that.
”
”
Tiffany Reisz (The Mistress (The Original Sinners, #4))
“
When you're and only child in a family with an only parent, you look at other, bigger families with envy. Mary Alice had a family with a station wagon, a split-level house, and a pool.
But then I looked up and saw Mary Alice's toes, as she stood at the edged of the diving board. Her second toe lay on top of her big toe on each foot. I had never seen such a thing. I wondered if Mary Alice's toes would ever prevent her from doing the things she wanted to do in life.
"Look, y'all!" she said, forming her perfect body into a perfect swan's dive. I decided then that any time I got frustrated with my overall situation in life, mad or jealous of knee socks or a pink canopy bed in a pink room, I'd take a deep breath and think about Mary Alice's toes. At least I didn't have Mary Alice's toes.
”
”
Margaret McMullan
“
Going somewhere?” Tamlin asked. His voice was not entirely of this world.
I suppressed a shudder. “Midnight snack,” I said, and I was keenly aware of every movement, every breath I took as I neared him.
His bare chest was painted with whorls of dark blue woad, and from the smudges in the paint, I knew exactly where he’d been touched. I tried not to notice that they descended past his muscled midriff.
I was about to pass him when he grabbed me, so fast that I didn’t see anything until he had me pinned against the wall. The cookie dropped from my hand as he grasped my wrists. “I smelled you,” he breathed, his painted chest rising and falling so close to mine. “I searched for you, and you weren’t there.”
He reeked of magic. When I looked into his eyes, remnants of power flickered there. No kindness, none of the wry humor and gentle reprimands. The Tamlin I knew was gone.
“Let go,” I said as evenly as I could, but his claws punched out, imbedding in the wood above my hands. Still riding the magic, he was half-wild.
“You drove me mad,” he growled, and the sound trembled down my neck, along my breasts until they ached. “I searched for you, and you weren’t there. When I didn’t find you,” he said, bringing his face closer to mine, until we shared breath, “it made me pick another.”
I couldn’t escape. I wasn’t entirely sure that I wanted to.
“She asked me not to be gentle with her, either,” he snarled, his teeth bright in the moonlight. He brought his lips to my ear. “I would have been gentle with you, though.” I shuddered as I closed my eyes. Every inch of my body went taut as his words echoed through me. “I would have had you moaning my name throughout it all. And I would have taken a very, very long time, Feyre.” He said my name like a caress, and his hot breath tickled my ear. My back arched slightly.
He ripped his claws free from the wall, and my knees buckled as he let go. I grasped the wall to keep from sinking to the floor, to keep from grabbing him—to strike or caress, I didn’t know. I opened my eyes. He still smiled—smiled like an animal.
“Why should I want someone’s leftovers?” I said, making to push him away. He grabbed my hands again and bit my neck.
I cried out as his teeth clamped onto the tender spot where my neck met my shoulder. I couldn’t move—couldn’t think, and my world narrowed to the feeling of his lips and teeth against my skin. He didn’t pierce my flesh, but rather bit to keep me pinned. The push of his body against mine, the hard and the soft, made me see red—see lightning, made me grind my hips against his. I should hate him—hate him for his stupid ritual, for the female he’d been with tonight …
His bite lightened, and his tongue caressed the places his teeth had been. He didn’t move—he just remained in that spot, kissing my neck. Intently, territorially, lazily. Heat pounded between my legs, and as he ground his body against me, against every aching spot, a moan slipped past my lips.
He jerked away. The air was bitingly cold against my freed skin, and I panted as he stared at me. “Don’t ever disobey me again,” he said, his voice a deep purr that ricocheted through me, awakening everything and lulling it into complicity.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Baldini stood up. He opened the jalousie and his body was bathed to the knees in the sunset, caught fire like a burnt-out torch glimmering low. He saw the deep red rim of the sun behind the Louvre and the softer fire across the slate roofs of the city. On the river shining like gold below him, the ships had disappeared. And a wind must have come up, for gusts were serrating the surface, and it glittered now here, now there, moving ever closer, as if a giant hand were scattering millions of louis-d’or over the water. For a moment it seemed the direction of the river had changed: it was flowing toward Baldini, a shimmering flood of pure gold.
”
”
Patrick Süskind (Perfume: The Story of a Murderer)
“
Henry hooked his legs on the branch and flipped over gingerly, until he was hanging upside-down, grinning at Vlad. Then Henry's grin slipped. He fell to the ground several feet below with a thump, crying out as his body made impact. Vlad shimmied down the tree as fast as he could. "Henry ! Are you okay?" Henry sat up, clutching his wounded knee. He looked very much like he was going to start crying any second. A small, thin line of blood oozed from the scrape on his knee. Vlad's tiny fangs shot from his gums. Henry's eyes went wide, his injury all but forgotten. "What are those?" Vlad's small shoulders sank. He'd let his dad down. "They're my fangs." "Vlad, are you a vampire or something?" Henry's eyes were big, and Vlad was certain he saw fear in them. Not as much fear as when Henry had been falling from the tree, but close. He took a deep breath, glancing at the house. Then he sat down in front of Henry and said, "Yeah, Henry. I'm a vampire. But it's a secret. A very, very, very big secret and you can't tell anyone ever.
”
”
Heather Brewer (Eleventh Grade Burns (The Chronicles of Vladimir Tod, #4))
“
You know, sleeping outdoors isn’t all bad. You get to stare up at the stars and cool breezes ruffle your fur after a hot day. The grass smells sweet and,” he made eye contact with me, “so does your hair.”
I blushed and grumbled, “Well, I’m glad someone enjoyed it.”
He smiled smugly and said, “I did.”
I had a quick flash of him as a man snuggled up next to me in the forest, imagined him resting his head on my lap while I stroked his hair, and decided to focus on the matter at hand.
“Well, listen, Ren, you’re changing the subject. I don’t appreciate the way you manipulated me into being here. Mr. Kadam should’ve told me at the circus.”
He shook his head. “We didn’t think you’d believe his story. He made up the trip to the tiger reserve to get you to India. We figured once you were here, I could change into a man and clarify everything.”
I admitted, “You’re probably right. If you had changed to a man there, I don’t think I would have come”
“Why did you come?”
“I wanted to spend more time with…you. You know, the tiger. I would have missed him. I mean you.” I blushed.
He grinned lopsidedly. “I would have missed you too.”
I wrung the hem of my shirt between my hands.
Misreading my thoughts, he said, “Kelsey. I’m truly sorry for the deception. If there’d been any other way-“
I looked up. He hung his head in a way that reminded me of the tiger. The frustration and awkwardness I felt about him dissipated. My instincts told me that I should believe him and help him. The strong emotional connection that drew me to the tiger tugged at my heart even more powerfully with the man. I felt pity for him and his situation.
Softly, I asked, “When will you change into a tiger?”
“Soon.”
“Does it hurt?”
“Not as much as it used to.”
“Do you understand me when you are a tiger? Can I still speak to you?”
“Yes, I’ll still be able to hear and understand you.”
I took a deep breath. “Okay. I’ll stay here with you until the shaman comes back. I still have a lot of questions for you though.”
“I know. I’ll try to answer them as best I can, but you’ll have to save them for tomorrow when I’ll be able to speak with you again. We can stay here for the night. The shaman should be back around dusk.”
“Ren?”
“Yes?”
“The jungle frightens me, and this situation frightens me.”
He let go of the apron string and looked into my eyes. “I know.”
“Ren?”
“Yes?”
“Don’t…leave me, okay?”
His face softened into a tender expression, and his mouth turned up in a sincere smile. “Asambhava. I won’t.”
I felt myself responding to his smile with one of my own when a shadow fell across his face. He clenched his fists and tightened his jaw. I saw a tremor pass through his body, and the chair fell forward as he collapsed to the ground on his hands and knees. I stood to reach out to him and was amazed to see his body morph back into the tiger form I knew so well. Ren the tiger shook himself, then approached my outstretched hand and rubbed his head against it.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Handicap,’ she said eventually, like it was a diagnosis. ‘This girl grew up in that deep, deep patriarchy which trembles in the presence of the Mighty Vagina.’ The Bunsens caught their breaths at the V word, but Kana did not pause. ‘A patriarchy that cannot make up its mind whether to fall on its knees in worship of the gateway into the world or to flee the crisis, the orgasmic paroxysms.’ ‘Watch it, Kana, that kind of mwenkanonkano is radical.’ ‘Any mwenkanonkano is radical. Talk about equality and men fall in epileptic fits.
”
”
Jennifer Nansubuga Makumbi (The First Woman)
“
The small eyes, buried in epicanthic folds, shifted. A low, reverberating voice rumbled from the flesh and blood warrior. ‘Trull Sengar. Is this… is this mortality?’
The Tiste Edur drew a step closer. ‘You don’t remember? How it feels to be alive?’
‘I-I… yes.’ A sudden look of wonder in that heavy, broadly featured face. ‘Yes.’ Another deep breath, then a gust that was nearly savage in its exultation. The strange gaze fixed on Quick Ben once more. ‘Wizard, is this illusion? Dream? A journey of my spirit?’
‘I don’t think so. I mean, I think it’s real enough.’
‘Then… this realm. It is Tellann.’
‘Maybe. I’m not sure.’
Trull Sengar was suddenly on his knees, and Quick Ben saw tears streaming down the Tiste Edur’s lean, dusky face.
The burly, muscled warrior before them, still wearing the rotted remnants of fur, slowly looked round at the withered landscape of open tundra. ‘Tellann,’ he whispered. ‘Tellann.
”
”
Steven Erikson (Reaper's Gale (Malazan Book of the Fallen, #7))
“
Gathering her bags, Alani started around the side of her house to the front door.
She drew up short at the sight of Jackson sprawled on her porch steps, a cowboy hat on his head, mirrored sunglasses hiding his eyes.
He didn’t move, and neither did she.
He had an utterly relaxed look about him. But then, Jackson had perfected a deceptively indolent pose that hid razor-sharp reflexes and phenomenal speed.
Last night, all night, he’d been far from indolent.
Breathing fast, Alani studied him. His continued stillness suggested sleep. Even when she inched closer, he didn’t move.
He was now clean-shaven. A white T-shirt was pulled across his wide chest and shoulders, and hung looser around his taut abs.
Awareness stiffened her knees.
Memories of touching his body, tasting hit hot flesh, sent a tide of sensation through her veins. She swallowed audibly—and stared some more.
He sat with his long legs loose, one foot braced on a step, the other stretched out, his elbows back, his breathing deep and even.
Alani licked her lips and started to slowly, silently retreat.
“Don’t make me chase you, darlin’.”
Shock snapped her shoulders back. The big faker! He’d been watching her watch him. Teeth set, Alani asked, “What are you doing here?”
He gave a slow smile. “Whatever it takes . . .
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
You have a freckle,” he murmured. “Right” – he leaned down and dropped a light kiss near the inside of her elbow – “here.”
“You’ve seen it before,” she said softly. It wasn’t in an immodest spot; she had plenty of frocks with short sleeves.
He chuckled. “But I’ve never given it it’s proper due.”
“Really.”
“Mmm-hmm.” He lifted her arm, twisting it just a bit so that he could pretend to be studying her freckle.
“It is clearly the most delightful beauty mark in all of England.”
A marvelous sense of warmth and contentment melted through her. Even as her body burned for his, she could not stop herself from encouraging his teasing conversation.
“Only England?”
“Well, I haven’t traveled very extensively abroad…”
“Oh, really?” “And you know…” His voice dropped to a husky growl.
“There may be other freckles right here in this room. You could have one here.” He dipped a finger under the bodice of her nightgown, then moved his other hand to her hip.
“Or here.”
“I might,” she agreed.
“The back of your knee,” he said, the words hot against her ear
. “You could have one there.”
She nodded. She wasn’t sure she was still capable of speech.
“One of your toes,” he suggested.
“Or your back.”
“You should probably check,” she managed to get out.
He took a deep, shuddering breath.
”
”
Julia Quinn (Because of Miss Bridgerton (Rokesbys, #1))
“
He was a failure, he repeated. Well, look then, feel then. Flashing her needles, glancing round about her, out of the window, into the room, at James himself, she assured him, beyond a shadow of a doubt, by her laugh, her poise, her competence (as a nurse carrying a light across a dark room assures a fractious child), that it was real; the house was full; the garden blowing. If he put implicit faith in her, nothing should hurt him; however deep he buried himself or climed high, not for a second should he find himself without her. So boasting of her capacity to surround and protect, there was scarcely a shell of herself left for her to know herself by; all was so lavished and spent; and James, as he stood stiff between her knees, felt her rise in a rosy-flowered fruit tree laid with leaves and dancing boughs into which the beak of brass, the arid scimitar of his father, the egotistical man, plunged and smote, demanding sympathy.
”
”
Virginia Woolf (To the Lighthouse)
“
Standing there at that picnic table with them, it was like someone just took an ax to me, just shattered all the crust. I felt raw. In the way you can feel everything, feel it deep down into your nerves.
I had build a family. By accident and without thinking and without so many of the qualities that you should have to deserve a family.
I fell to my knees. I was so grateful for Camila.
I couldn't believe what I put Camila through and I couldn't believe that she was still there, giving me another chance. I didn't deserve it and I knew it.
I told her that I would spend the rest of my life trying to be twice as good as she deserved. I didn't know that I've ever promised anyone anything as humbly and with as much gratitude in my heart as I promised her that day.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
If he scratches my baby . . .” Ben tried to scowl, but it didn’t take. He seemed relieved. And still hadn’t let go of my hand.
I heard a shoe scuff the ground. Shelton and Hi were standing across from Ben and me.
Shelton took a deep breath. “So it’s like that, huh?”
“Guys.” I felt my stomach lurch. “I know this is weird. Ben and I, we—”
Hi’s face was pained. “I don’t even get a chance? No shot to say how I feel?”
My head jerked back. “What?”
“So it’s all decided.” Shelton sullenly kicked a rock, his voice resentful. “What does Ben have that I don’t?”
I stared, openmouthed.
Hi dropped to a knee and pinned me with solemn eyes. “I can’t hide it anymore, Victoria. You need to know the truth. I love you, too. Forever and ever. I want to be your sweet babushka.”
My mind reeled. “Hi, I . . . I didn’t—”
“I’m gonna wring your stupid necks.” Ben’s face was burning.
Hi burst out laughing, rolling away from his kick. I glanced at Shelton, who was trying—and failing—to hold it together.
“I love you, Tory Brennan!” Hi bounced to his feet, ready to bolt at Ben’s slightest twitch. “Let me rub your supple feet!”
I covered my face with both hands. “Oh God.
”
”
Kathy Reichs (Terminal (Virals, #5))
“
Berryman"
I will tell you what he told me
in the years just after the war
as we then called
the second world war
don't lose your arrogance yet he said
you can do that when you're older
lose it too soon and you may
merely replace it with vanity
just one time he suggested
changing the usual order
of the same words in a line of verse
why point out a thing twice
he suggested I pray to the Muse
get down on my knees and pray
right there in the corner and he
said he meant it literally
it was in the days before the beard
and the drink but he was deep
in tides of his own through which he sailed
chin sideways and head tilted like a tacking sloop
he was far older than the dates allowed for
much older than I was he was in his thirties
he snapped down his nose with an accent
I think he had affected in England
as for publishing he advised me
to paper my wall with rejection slips
his lips and the bones of his long fingers trembled
with the vehemence of his views about poetry
he said the great presence
that permitted everything and transmuted it
in poetry was passion
passion was genius and he praised movement and invention
I had hardly begun to read
I asked how can you ever be sure
that what you write is really
any good at all and he said you can't
you can't you can never be sure
you die without knowing
whether anything you wrote was any good
if you have to be sure don't write
”
”
W.S. Merwin
“
As Mary said that, Lyra felt something strange happen to her body. She found a stirring at the roots of her hair: she found herself breathing faster. She had never been on a roller-coaster, or anything like one, but if she had, she would have recognised the sensations in her breast: they were exciting and frightening at the same time, and she had not the slightest idea why. The sensation continued, and deepened, and changed, as more parts of her body found themselves affected too. She felt as if she had been handed the key to a great house she hadn't known was there, a house that was somehow inside her, and as she turned the key, deep in the darkness of the building she felt other doors opening too, and lights coming on. She sat trembling, hugging her knees, hardly daring to breathe, as Mary went on...
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
She lost too much blood. I couldn’t stop it. I’m a damn Healer and I couldn’t even save her. I buried her in the backyard with our baby. She was right. It was a girl. My heart stops. Time slows. “I buried her in the backyard with our baby.” I shake my head, ignoring the hand Kai places on my knee. “I… I don’t understand. Father said she died of illness when I was a baby but…” I trail off, tearing through the pages until I find the next entry. I wasn’t planning on writing in here after Alice. I wasn’t even planning on having an “after Alice,” but I woke to a bang on my door last night. Yet when I opened the door, no one was there. That is, until I looked down. And there she was. A baby girl. Someone left her on my doorstep. She can’t be more than a few weeks old with a head full of silver hair and deep blue eyes. She’s beautiful. Alice would tear up at the sight of her. I’m going to be a father. This is what Alice would have wanted. She already had a name picked out anyway. A tear splatters onto the parchment, drowning the ink. I think Kai might be saying something, but I can hear nothing past the ringing in my ears. My head is spinning, heart pounding, breath catching in my throat because I can’t seem to swallow it. I can’t breathe. I can’t—
”
”
Lauren Roberts (Reckless (The Powerless Trilogy, #2))
“
Nature Boy
I was just a boy when I sat down
To watch the news on TV
I saw some ordinary slaughter
I saw some routine atrocity
My father said, don't look away
You got to be strong, you got to be bold, now
He said, that in the end it is beauty
That is going to save the world, now
And she moves among the sparrows
And she floats upon the breeze
She moves among the flowers
She moves something deep inside of me
I was walking around the flower show like a leper
Coming down with some kind of nervous hysteria
When I saw you standing there, green eyes, black hair
Up against the pink and purple wisteria
You said, hey, nature boy, are you looking at me
With some unrighteous intention?
My knees went weak,
I couldn't speak, I was having thoughts
That were not in my best interests to mention
And she moves among the flowers
And she floats upon the smoke
She moves among the shadows
She moves me with just one little look
You took me back to your place
And dressed me up in a deep sea diver's suit
You played the patriot, you raised the flag
And I stood at full salute
Later on we smoked a pipe that struck me dumb
And made it impossible to speak
As you closed in, in slow motion,
Quoting Sappho, in the original Greek
She moves among the shadows
She floats upon the breeze
She moves among the candles
And we moved through the days
and through the years
Years passed by, we were walking by the sea
Half delirious
You smiled at me and said, Babe
I think this thing is getting kind of serious
You pointed at something and said
Have you ever seen such a beautiful thing?
It was then that I broke down
It was then that you lifted me up again
She moves among the sparrows
And she walks across the sea
She moves among the flowers
And she moves something deep inside of me
She moves among the sparrows
And she floats upon the breeze
She moves among the flowers
And she moves right up close to me
”
”
Nick Cave
“
A few days earlier, Chess and Thomas had driven to Spokane for a cheap hamburger. They walked in downtown Spokane and stumbled onto a drunk couple arguing.
"Get the fuck away from me!" the drunk woman yelled at her drunk husband, who squeezed his hand into a fist like he meant to hit her.
Thomas and Chess flinched, then froze, transported back to all of those drunken arguments they'd witnessed and survived.
The drunk couple in downtown Spokane pulled at each other's clothes and hearts, but they were white people. Chess and Thomas knew that white people hurt each other, too. Chess knew that white people felt pain just like Indians, Nerve endings, messages to the brain, reflexes. The doctor swung hammer against knee, and the world collapsed.
"You fucker!" the white woman yelled at her husband, who opened his hands and held them out to his wife. An offering. That hand would not strike her. He pleaded with his wife until she fell back into his arms. That white woman and man held each other while Chess and Thomas watched. A hundred strangers walked by and never noticed any of it.
After that, Chess and Thomas had sat in the van in a downtown parking lot. Thomas began to weep, deep ragged tears that rose along his rib cage, filled his mouth and nose, and exploded out.
”
”
Sherman Alexie (Reservation Blues)
“
Is that a no?" I said.
"No. I mean.." He struggled for the smile again. "I'm just waiting for the punch line. Something about making it date so I need to pay. Or you expecting flowers. Or.." He trailed off.
"There isn't a punch line," I said.
I rose onto my knees and inched over, in front of him. Then I stopped about a foot away.
"No punch line, Daniel," I said. "I'm asking if you'll go out with me."
He didn't answer. Just reched out, his hand sliding between my hair and face, pulling me toward him and..
And he kissed me.
His lips touched mine, tentatively, still unsure, and I eased closer, my arms going around his neck. He kissed me for real then, a long kiss that I felt in the bottom of my soul, a click, some deep part of me saying, "Yes, this is it."
Even when the kiss broke off, it didn't end. It was like coming to the surface for a quick gasp of air, then plunging back down again, finding that sweet spot again, and holding onto it for as long as we could. Finally it tapered off, and we were lying on the picnic blanket, side by side, his hand on my hip, kissing slower now, with more breaks for air. until I said, "We should have done that sooner."
He smiled, a lazy half smile, and he just looked at me for a moment, our gazes locked, lying there in drowsy happiness, before he said, "I think now's just fine." And he kissed me again, slower and softer now, as we rested there, eyes half closed.
"So, about Saturday, did you ask me?" he said after a minute, "Because I'm pretty sure that means yo're paying."
"Nope. You were imaging it. Considering how you eat, the meal bill is all yours. But I will spring for the movie. And bring you flowers."
He chuckled. "Will you?"
"Yep, a dozen pink roses, which you'll have to carry all night or risk offending me."
"And what happens if I offend you?"
"You don't get any more of this."
I leaned in and kissed him again. And we stayed out there, on the blanket, as the sun fell, talking and kissing mostly, just being together. We had a long road ahead of us, and I knew it wasn't going to be easy. But I had everything I wanted-everything I needed-and I'd get through it just fine. We all would.
”
”
Kelley Armstrong (The Rising (Darkness Rising, #3))
“
The rest of us, we'd lay down our lives for years, but Blackwell... he'd do that and more. He'd rip the beating heart from his chest. He'd give up his soul if ye'd only-"
"It is making a rather large and fallacious assumption that I have a heart to give... or a soul." Dorian Blackwell's smooth voice didn't echo through the washroom as theirs did. He slithered into their midst with a serpentine stealth, striking before Murdoch's words uncovered any of his secrets.
Gasping, Farah sank deep into the bath, thankful the water was now cloudy with soap, though she did draw her knees under her chin and anchor them with her arms, just in case. "Get out!" she insisted in an unsteady voice. "I'm indecent."
"That makes two of us."
He'd moved closer. So close, in fact, that Farah knew if she looked behind her, she'd find his mismatched eyes staring down at her from her towering height. Perhaps, despite the opaque water, he could see the flesh that quivered just below the surface. The thought sent bolts of heat and mortification through her.
"Leave," Farah ordered, unable to face him for fear she'd lost her nerve.
"Stand up and make me.
”
”
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
“
This was not going the way I wanted it to. I felt a desperate need to escape before I said something that would screw up my plans. Ren was the dark side, the forbidden fruit, my personal Delilah-the ultimate temptation. The question was…could I resist?
I gave his knee a friendly pat and played my trump card…”I’m leaving.”
“You’re what?”
“I’m going home to Oregon. Mr. Kadam thinks it will be safer for me anyway, with Lokesh out there looking to kill us and all. Besides, you need time to figure out…stuff.”
“If you’re leaving, then I’m going with you!”
I smiled at him wryly. “That kind of defeats the purpose of me leaving. Don’t you think?”
He slicked back his hair, let out a deep breath, then took my hand and looked intently into my eyes. “Kells, when are you going to accept the fact that we belong together?”
I felt sick, like I was kicking a faithful puppy who only wanted to be loved. I looked out at the pool.
After a moment, he sat back scowling and said menacingly, “I won’t let you leave.”
Inside, I desperately wanted to take his hand and beg him to forgive me, to love me, but I steeled myself, dropped my hands in my lap, then implored, “Ren, please. You have to let me go. I need…I’m afraid…look, I just can’t be here, near you, when you change your mind.”
“It’s not going to happen.”
“it might. There’s a good chance.”
He growled angrily. “There’s no chance!”
“Well, my heart can’t take that risk, and I don’t want to put you in what can only be an awkward position. I’m sorry, Ren. I really am. I do want to be your friend, but I understand if you don’t want that. Of course, I’ll return when you need me, if you need me, to help you find the other three gifts. I wouldn’t abandon you or Kishan in that way. I just can’t stay here with you feeling obligated to pity-date me because you need me. But I’d never abandon your cause. I’ll always be there for you both, no matter what.”
He spat out, “Pity-date! You? Kelsey, you can’t be serious!”
“I am. Very, very serious. I’ll ask Mr. Kadam to make arrangements to send me back in the next few days.”
He didn’t say another word. He just sat back in his chair. I could tell he was fuming mad, but I felt that, after a week or two, when he started getting back out in the world, he would come to appreciate my gesture.
I looked away from him. “I’m very tired now. I’d like to go to bed.” I got up and headed to my room. Before I closed the sliding door, I asked, “Can I make one last request?”
He sat there tight-lipped, his arms folded over his chest, with a tense, angry face.
I sighed. Even infuriated he was beautiful.
He said nothing so I went on, “It would be a lot easier on me if I didn’t see you, I mean as a man. I’ll try to avoid most of the house. It is yours after all, so I’ll stay in my room. If you see Mr. Kadam, please tell him I’d like to speak with him.”
He didn’t respond.
“Well, good-bye, Ren. Take care of yourself.” I tore my eyes away from him, shut the door, and drew the curtains.
Take care of yourself? That was a lame goodbye. Tears welled in my eyes and blurred my vision. I was proud that I’d gotten through it without showing emotion. But, now, I felt like a steamroller had come along and flattened me.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
As he turned back to her, Cassandra stood on her toes to kiss him. He claimed his reward immediately, fitting his mouth to hers and taking a long, ardent taste. Her head swam, and she welcomed the exploration of his tongue. He savored and consumed her, with a kiss more aggressive than any he'd given her before. It made her knees weak and turned her bones fluid. Her body listed toward his and was instantly gathered into the hard urgency of his embrace. Desire curled through her in hot tendrils that insinuated themselves in deep, private places. Her throat caught on a whimper of protest as his mouth lifted from hers.
"We'd better start negotiating," he said raggedly. "The first issue is how much time you'll want to spend with me."
"All of it," Cassandra said, and sought his lips again.
Tom chuckled. "I would. I... oh, you're so sweet... no, I'm... God. It's time to stop. Really." He crushed his mouth against her hair to avoid her kisses. "You're about to be deflowered in the library."
"Didn't that already happen?" she asked, and felt the shape of his smile.
"No," he whispered, "you're still a virgin. Albeit slightly more experienced than two days ago." He brought his mouth closer to her ear. "Did you like what I did?"
She nodded, her face turning so hot that she could feel her cheeks throb. "I wanted more."
"I'd like to give you more. As soon as possible.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
Marius made a movement.
'Oh, don't go!' she said. 'It won't be long.'
She was sitting almost upright, but her voice was very low and broken by hiccoughs. At moments she struggled for breath. Raising her face as near as she could to Marius', she said, with a strange expression:
'Look, I can't cheat you. I have a letter for you in my pocket. I've had it since yesterday. I was asked to post it, but I didn't. I didn't want you to get it. But you might be angry with me when we meet again. Because we shall all meet again, shan't we? Take your letter.'
With a convulsive movement she seized Marius' hand with her own injured one, but without seeming to feel the pain, and guided it to her pocket.
'Take it,' she said.
Marius took out the letter, and she made a little gesture of satisfaction and acceptance.
'Now you must promise me something for my trouble...' She paused.
'What?' asked Marius.
'Do you promise?'
'Yes, I promise.'
'You must kiss me on the forehead after I'm dead...I shall know.'
She let her head fall back on his knees; her lids fluttered, and then she was motionless. He thought that the sad soul had left her. But then, when he thought it was all over, she slowly opened her eyes that were now deep with the shadow of death, and said in a voice so sweet that it seemed already to come from another world:
'You know, Monsieur Marius, I think I was a little bit in love with you.'
She tried to smile, and died.
”
”
Victor Hugo (Les Misérables)
“
Finally Exi spoke. "There are some important things to remember always, no matter how hard life presses at you. One of these things is that wherever you are, and no matter for how long, there must be a home to hold you. You cannot know who you are unless you are contained in some way that gives you shape. Otherwise you are like a small wind, or like water losing itself in sand." He paused thoughtfully, looking at us, who had all stopped to listen. "You see," he continued, "at any place or time we have no way of knowing if we will be there a day or a week. We must let our destiny come to us. In one sense this is always true. Therefore it is needful for each of us to be defined-to live, not just wait to live. Do you understand?
”
”
Sheila Moon (Knee-Deep in Thunder)
“
One of Aggie, mum & I's favourite poems, it turns out.
/
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting -
over and over announcing your place
in the family of things.
”
”
Mary Oliver (Wild Geese)
“
Reggie had to take several deep breaths just to keep from screaming “Take me!” like the heroine in some melodramatic romance novel. Ye gods and little fishes. Would she ever get used to the way this man looked? From the top of his tousled, black hair to the soles of his leather-clad feet, the man oozed masculine perfection. And he was all hers. She offered up a quick and fervent prayer of thanks while he prowled toward her on his hands and knees.
“Help,” she whispered, a small smile curving her lips while lust darkened his eyes. “I think I’m about to be ravished by a wicked vampire. Help. Somebody please help me.”
“There is no one to hear your screams, girl.” He grinned at her, wicked and sexy, while he forced her legs wide apart and crawled between them. “I have you at my mercy.”
“And will you be merciful?” Her question made it clear mercy was the last thing she wanted. She reached out to trace a line down the center of his chest before she wrapped her hand around his erect cock.
“Not even if you beg, milka.
”
”
Christine Warren (One Bite With A Stranger (The Others, #1))
“
...We were pulling into the next station, when the woman suddenly got to her feet and made a move to squeeze past me. As her knees made contact with mine, she turned towards me. Her eyes locked straight onto mine, her eyelids pinned back, with a look I could only describe as sheer dread. In the next second, deep tram-lines formed between her eyebrows and her expression shifted. It was as if she was silently imploring me, entreating me. To do what? I had no idea. I was immobile, her gaze pressing me into my seat by some centrifugal force and I held her stare, unsure of how to react. Just as swiftly, she dropped her eyes and the moment passed. With one final glance behind her, she was swallowed up in the bodies at the door.
She was getting off. Something wasn’t right.
”
”
A.J. Waines (Girl on a Train)
“
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
”
”
Paullina Simons
“
Clowns.”
Clowns? “Really?” I tried to imagine a tiny Aiden crying over men and women with overly painted faces and red noses, but I couldn’t.
The big guy was still facing me. His expression clear and even, as he dipped his chin. “Eh.”
God help me, he’d gone Canadian on me. I had to will my face not to react at the fact he’d gone with the one word he usually used only when he was super relaxed around other people. “I thought they were going to eat me.”
Now imagining that had me cracking a little smile. I slid my palm under my cheek. “How old were you? Nineteen?”
Those big chocolate-colored eyes blinked, slow, slow, slow. His dark pink lips parted just slightly. “Are you making fun of me?” he drawled.
“Yes.” The fractures of my grin cracked into bigger pieces.
“Because I was scared of clowns?” It was like he couldn’t understand why that was amusing.
But it was. “I just can’t imagine you scared of anything, much less clowns. Come on. Even I’ve never been scared of clowns.”
“I was four.”
I couldn’t help but snicker. “Four… fourteen, same difference.”
Based on the mule-ish expression on his face, he wasn’t amused. “This is the last time that I come over to save you from the boogeyman.”
Shocked out of my mind for a split second, I tried to pretend like I wasn’t, but… I was. He was joking with me. Aiden was in bed joking around. With me. “I’m sorry. I’m sorry, I was just messing with you.” I scooted one more millimeter closer to him, drawing my knees up so that they hit his thighs. “Please don’t leave yet.”
“I won’t,” he said, settling on his pillow with his hands under his cheek, his eyes already drifting to a close.
I didn’t need to ask him to promise not to leave me; I knew he wouldn’t if he said so. That was just the kind of man he was.
“Aiden?” I whispered.
“Hmm?” he murmured.
“Thank you for coming in here with me.”
“Uh-huh.” That big body adjusted itself just slightly before he let out a long, deep exhale.
Without turning around, I laid the flashlight down behind me and aimed the beam toward the wall. He didn’t ask if I was really going to leave the flashlight on all night—or at least however long the battery lasted—instead, I just smiled at him as I took my glasses off and set them on the unused nightstand behind me. Then I tucked my hands under my cheek and watched him.
“Good night. Thank you again for staying with me.”
Peeking one eye open, just a narrow slit, he hummed. “Shh.”
That ‘shh’ was about as close to a ‘you’re welcome’ as I was going to get.
I closed my eyes with a little grin on my face.
Maybe five seconds later, Aiden’s spoke up. “Vanessa?”
“Hmm?”
“Why was I saved on your work phone as Miranda P.?”
That had my eyes snapping open. I hadn’t deleted that entry off the contacts when I quit, had I? “It’s a long, boring story, and you should go to sleep. Okay?”
The “uh-huh” out of him sounded as disbelieving as it should have. He knew I was full of shit, but somehow, knowing he knew, wasn’t enough to keep me from falling asleep soon after
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
Get. Up,’ George says, gently shoving me with her knee, which is her version of a hug. I love my sister, but, along with the rest of the world, I don’t really understand her and it’d be true to say I fear her, just slightly.
She’s seventeen, starting Year 12 this year. She likes learning but she hates her school. She got a scholarship to a private one on the other side of the river in Year 7 and Mum makes her stay there even though she’d rather go to Gracetown High.
She wears a huge amount of black, mostly t-shirts with things like Read, Motherfuckers on the front. Sometimes I think she likes post-apocalyptic fiction so much because she’s genuinely happy at the thought that the world might end.
‘Is the plan to get up sometime soon?’ she asks, and I tell her no, that is not the plan. I explain the plan to her, which is basically to wait, horizontally, for life to improve.
”
”
Cath Crowley (Words in Deep Blue)
“
Digging
Between my finger and my thumb
The squat pen rests; snug as a gun.
Under my window, a clean rasping sound
When the spade sinks into gravelly ground:
My father, digging. I look down
Till his straining rump among the flowerbeds
Bends low, comes up twenty years away
Stooping in rhythm through potato drills
Where he was digging.
The coarse boot nestled on the lug, the shaft
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked,
Loving their cool hardness in our hands.
By God, the old man could handle a spade.
Just like his old man.
My grandfather cut more turf in a day
Than any other man on Toner’s bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, going down and down
For the good turf. Digging.
The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I’ve no spade to follow men like them.
Between my finger and my thumb
The squat pen rests.
I’ll dig with it.
”
”
Seamus Heaney
“
My eyes were covered and closed: eddying darkness seemed to swim round me, and reflection came in as black and confused a flow. Self-abandoned, relaxed, and effortless, I seemed to have laid me down in the dried-up bed of a great river; I heard a flood loosened in remote mountains, and felt the torrent come: to rise I had no will, to flee I had no strength. I lay faint, longing to be dead. One idea only still throbbed life-like within me--a remembrance of God: it begot an unuttered prayer: these words went wandering up and down in my rayless mind, as something that should be whispered, but no energy was found to express them--
"Be not far from me, for trouble is near: there is none to help."
It was near: and as I had lifted no petition to Heaven to avert it--as I had neither joined my hands, nor bent my knees, nor moved my lips--it came: in full heavy swing the torrent poured over me. The whole consciousness of my life lorn, my love lost, my hope quenched, my faith death-struck, swayed full and mighty above me in one sullen mass. That bitter hour cannot be described: in truth, "the waters came into my soul; I sank in deep mire: I felt no standing; I came into deep waters; the floods overflowed me.
”
”
Charlotte Brontë (Jane Eyre)
“
It is, I suppose, the common grief of children at having to protect their parents from reality. It is bitter for the young to see what awful innocence adults grow into, that terrible vulnerability that must be sheltered from the rodent mire of childhood. Can we blame the child for resenting the fantasy of largeness? Big, soft arms and deep voices in the dark saying, “Tell Papa, tell Mama, and we’ll make it right.” The child, screaming for refuge, senses how feeble a shelter the twig hut of grown-up awareness is. They claim strength, these parents, and complete sanctuary. The weeping earth itself knows how desperate is the child’s need for exactly that sanctuary. How deep and sticky is the darkness of childhood, how rigid the blades of infant evil, which is unadulterated, unrestrained by the convenient cushions of age and its civilizing anesthesia. Grownups can deal with scraped knees, dropped ice-cream cones, and lost dollies, but if they suspected the real reasons we cry they would fling us out of their arms in horrified revulsion. Yet we are small and as terrified as we are terrifying in our ferocious appetites. We need that warm adult stupidity. Even knowing the illusion, we cry and hide in their laps, speaking only of defiled lollipops or lost bears, and getting a lollipop or a toy bear’s worth of comfort. We make do with it rather than face alone the cavernous reaches of our skulls for which there is no remedy, no safety, no comfort at all. We survive until, by sheer stamina, we escape into the dim innocence of our own adulthood and its forgetfulness.
”
”
Katherine Dunn (Geek Love)
“
Tamper with my memory?" I asked nervously.
"Something like that." He was watching me intently, carefully, but there was humor deep in his eyes. He
placed his hands against the Jeep on either side of my head and leaned forward, forcing me to press back
against the door. He leaned in even closer, his face inches from mine. I had no room to escape.
"Now," he breathed, and just his smell disturbed my thought processes, "what exactly are you worrying
about?"
"Well, um, hitting a tree —" I gulped "— and dying. And then getting sick."
He fought back a smile. Then he bent his head down and touched his cold lips softly to the hollow at the
base of my throat.
"Are you still worried now?" he murmured against my skin.
"Yes." I struggled to concentrate. "About hitting trees and getting sick."
His nose drew a line up the skin of my throat to the point of my chin. His cold breath tickled my skin.
"And now?" His lips whispered against my jaw.
"Trees," I gasped. "Motion sickness."
He lifted his face to kiss my eyelids. "Bella, you don't really think I would hit a tree, do you?"
"No, but I might." There was no confidence in my voice. He smelled an easy victory.
He kissed slowly down my cheek, stopping just at the corner of my mouth.
"Would I let a tree hurt you?" His lips barely brushed against my trembling lower lip.
"No," I breathed. I knew there was a second part to my brilliant defense, but I couldn't quite call it back.
"You see," he said, his lips moving against mine. "There's nothing to be afraid of, is there?"
"No," I sighed, giving up.
Then he took my face in his hands almost roughly, and kissed me in earnest, his unyielding lips moving
against mine.
There really was no excuse for my behavior. Obviously I knew better by now. And yet I couldn't seem
to stop from reacting exactly as I had the first time. Instead of keeping safely motionless, my arms
reached up to twine tightly around his neck, and I was suddenly welded to his stone figure. I sighed, and
my lips parted.
He staggered back, breaking my grip effortlessly.
"Damn it, Bella!" he broke off, gasping. "You'll be the death of me, I swear you will."
I leaned over, bracing my hands against my knees for support.
"You're indestructible," I mumbled, trying to catch my breath.
"I might have believed that before I met you.
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
By the time the human stuck his key in the lock of his third-floor apartment door and pushed it open, Dante was shoving him into the dark, tossing the guy across the spartan living room.
“Motherfu—” Sullivan came up out of his crash on one knee, then froze, his face caught in a wedge of light from the bare bulb glowing in the hall outside.
Something flashed in the human’s eyes, something beneath his immediate fear. Recognition, Dante thought, figuring he probably remembered them from the club the other night. But there was anger there too. Pure male animosity. Dante could smell it seeping out of the human’s pores.
He slowly got to his feet. “What the fuck’s going on?”
“How about you tell us,” Dante said, willing a lamp to come on as he strode farther into the place. Behind him, Chase closed and locked the door. “I’m pretty sure you can guess this isn’t a social call.”
“What do you want?”
“We’ll start with information. It’ll be up to you how we go about getting it.”
“What kind of information?” His gaze swung anxiously between Dante and Chase. “I don’t know who you guys are, and I don’t have any idea what you’re talking abou—”
“Now, see,” Dante said, cutting him off with a chuckle, “that kind of bullshit answer puts us off to a real bad start.” As the human’s right hand slid into the deep pocket of his down-filled vest, Dante smirked. “You wanna convince me you’re an idiot, go ahead and pull that gun out. Just so we’re clear, I really hope you do.”
Ben Sullivan’s face blanched as white as his apartment’s unpainted walls. He pulled his hand back out, nice and slow. “How did you—”
“You expecting somebody besides us tonight?
”
”
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
“
I've been thinking about what it means to bear witness. The past ten years I've been bearing witness to death, bearing witness to women I love, and bearing witness to the [nuclear] testing going on in the Nevada desert. I've been bearing witness to bombing runs on the edge of the Cabeza Prieta Wildlife Refuge, bearing witness to the burning of yew trees and their healing secrets in slash piles in the Pacific Northwest and thinking this is not so unlike the burning of witches, who also held knowledge of heading within their bones. I've been bearing witness to traplines of coyotes being poisoned by the Animal Damage Control. And I've been bearing witness to beauty, beauty that strikes a chord so deep you can't stop the tears from flowing. At places as astonishing as Mono Lake, where I've stood knee-deep in salt-water to watch the fresh water of Lee Vining Creek flow over the top like water on vinegar....It's the space of angels. I've been bearing witness to dancing grouse on their leks up at Malheur in Oregon.
Bearing witness to both the beauty and pain of our world is a task that I want to be part of. As a writer, this is my work. By bearing witness, the story that is told can provide a healing ground. Through the art of language, the art of story, alchemy can occur. And if we choose to turn our backs, we've walked away from what it means to be human.
”
”
Terry Tempest Williams
“
She laughed, a sound of pure joy, and she cried more, because that joy was a miracle.
'That's a sound I never thought to hear from you, girl,' Amren said beside her.
The delicate female was regal in a gown of light grey, diamonds at her throat and wrists, her usual black bob silvered with the starlight.
Nesta wiped away her tears, smearing the stardust upon her cheeks and not caring. For a long moment, her throat worked, trying to sort through all that sought to rise from her chest. Amren just held her stare, waiting.
Nesta fell to one knee and bowed her head. 'I am sorry.'
Amren made a sound of surprise, and Nesta knew others were watching, but she didn't care. She kept her head lowered and let the words flow from her heart. 'You gave me kindness, and respect, and your time, and I treated them like garbage. You told me the truth, and I did not want to hear it. I was jealous, and scared, and too proud to admit it. But losing your friendship is a loss I can't endure.'
Amren said nothing, and Nesta lifted her head to find the female smiling, something like wonder on her face. Amren's eyes became lined with silver, a hint of how they had once been. 'I went poking about the House when we arrived an hour ago. I saw what you did to the place.'
Nesta's brow furrowed. She hadn't changed anything.
Amren grabbed Nesta under the shoulder, hauling her up. 'The House sings. I can hear it in the stone. And when I spoke to it, it answered. Granted, it gave me a pile of romance novels by the end of it, but... you caused this House to come alive, girl.'
'I didn't do anything.'
'You Made the House,' Amren said, smiling again, a slash of red and white in the glowing dark. 'When you arrived here, what did you wish for most?'
Nesta considered, watching a few stars whiz past. 'A friend. Deep down, I wanted a friend.'
'So you Made one. Your power brought the House to life with a silent wish born from loneliness and desperate need.'
'But my power only creates terrible things. The House is good,' Nesta breathed.
'Is it?'
Nesta considered. 'The darkness in the pit of the library- it's the heart of the House.'
Amren nodded. 'And where is it now?'
'It hasn't made an appearance in weeks. But it's still there. I think it's just... being managed. Maybe it's the House's knowledge that I'm aware of it, and didn't judge it, makes it easier to keep in check.'
Amren put a hand above Nesta's heart. 'That's the key, isn't it? To know the darkness will always remain, but how you choose to face it, handle it... that's the important part. To not let it consume. To focus upon the good, the things that fill you with wonder.' She gestured to the stars zooming past. 'The struggle with that darkness is worth it, just to see such things.'
But Nesta's gaze had slid from the stars- finding a familiar face in the crowd, dancing with Mor. Laughing, his head thrown back. So beautiful she had no words for it.
Amren chuckled gently. 'And worth it for that, too.'
Nesta looked back at her friend. Amren smiled, and her face became as lovely as Cassian's, as the stars arching past. 'Welcome back to the Night Court, Nesta Archeron.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #5))
“
He knew he loved her in February: steam leaving the mug of coffee in her hands in thick curls; her hair a snarled mess around her shoulders; the morning on the other side of the window bitter and windswept; her face lovely, pale, and lonely in a way he didn’t understand. She sat in the chair in his bedroom, in his shirt and a pair of socks that went up to her knees, gooseflesh on her slender legs. A copy of Oliver Twist had been open across the arm of the chair. “I think it might snow today,” she’d said, and he’d been completely in love with her.
He thought she might have loved him back in March: in from the rain; his clothes stuck to his skin; the umbrella showering the hardwood of her entry hall; the dinner she’d planned forgotten when he’d helped her out of her jacket and she’d been shivering with cold. That day, when she’d pushed his wet shirt back off his shoulders and stretched up on her toes to kiss him, he was sure there was something new shining deep down in her coffee-colored eyes. “You’re so cute,” she’d said, and he’d known: she loved him.
”
”
Lauren Gilley (Better Than You (Walker Family, #0.5))
“
Returning from a hunting trip, Orde-Lees, traveling on skis across the rotting surface of the ice, had just about reached camp when an evil, knoblike head burst out of the water just in front of him. He turned and fled, pushing as hard as he could with his ski poles and shouting for Wild to bring his rifle. The animal—a sea leopard—sprang out of the water and came after him, bounding across the ice with the peculiar rocking-horse gait of a seal on land. The beast looked like a small dinosaur, with a long, serpentine neck. After a half-dozen leaps, the sea leopard had almost caught up with Orde-Lees when it unaccountably wheeled and plunged again into the water. By then, Orde-Lees had nearly reached the opposite side of the floe; he was about to cross to safe ice when the sea leopard’s head exploded out of the water directly ahead of him. The animal had tracked his shadow across the ice. It made a savage lunge for Orde-Lees with its mouth open, revealing an enormous array of sawlike teeth. Orde-Lees’ shouts for help rose to screams and he turned and raced away from his attacker. The animal leaped out of the water again in pursuit just as Wild arrived with his rifle. The sea leopard spotted Wild, and turned to attack him. Wild dropped to one knee and fired again and again at the onrushing beast. It was less than 30 feet away when it finally dropped. Two dog teams were required to bring the carcass into camp. It measured 12 feet long, and they estimated its weight at about 1,100 pounds. It was a predatory species of seal, and resembled a leopard only in its spotted coat—and its disposition. When it was butchered, balls of hair 2 and 3 inches in diameter were found in its stomach—the remains of crabeater seals it had eaten. The sea leopard’s jawbone, which measured nearly 9 inches across, was given to Orde-Lees as a souvenir of his encounter. In his diary that night, Worsley observed: “A man on foot in soft, deep snow and unarmed would not have a chance against such an animal as they almost bound along with a rearing, undulating motion at least five miles an hour. They attack without provocation, looking on man as a penguin or seal.
”
”
Alfred Lansing (Endurance: Shackleton's Incredible Voyage)
“
Our friend Tuesday," said the President in a deep voice at once of quietude and volume, "our friend Tuesday doesn't seem to grasp the idea. He dresses up like a gentleman, but he seems to be too great a soul to behave like one. He insists on the ways of the stage conspirator. Now if a gentleman goes about London in a top hat and a frock-coat, no one need know that he is an anarchist. But if a gentleman puts on a top hat and a frock-coat, and then goes about on his hands and knees — well, he may attract attention. That's what Brother Gogol does. He goes about on his hands and knees with such inexhaustible diplomacy, that by this time he finds it quite difficult to walk upright."
"I am not good at goncealment," said Gogol sulkily, with a thick foreign accent; "I am not ashamed of the cause."
"Yes you are, my boy, and so is the cause of you," said the President good-naturedly. "You hide as much as anybody; but you can't do it, you see, you're such an ass! You try to combine two inconsistent methods. When a householder finds a man under his bed, he will probably pause to note the circumstance. But if he finds a man under his bed in a top hat, you will agree with me, my dear Tuesday, that he is not likely ever to forget it. Now when you were found under Admiral Biffin's bed—"
"I am not good at deception," said Tuesday gloomily, flushing.
"Right, my boy, right," said the President with a ponderous heartiness, "you aren't good at anything.
”
”
G.K. Chesterton (The Man Who Was Thursday: A Nightmare)
“
The first warp-spasm seized Cúchulainn, and made him into a monstrous thing, hideous and shapeless, unheard of. His shanks and his joints, every knuckle and angle and organ from head to foot, shook like a tree in the flood or a reed in the stream. His body made a furious twist inside his skin, so that his feet and shins and knees switched to the rear and his heels and calves switched to the front. The balled sinews of his calves switched to the front of his shins, each big knot the size of a warrior’s bunched fist. On his head the temple-sinews stretched to the nape of his neck, each mighty, immense, measureless knob as big as the head of a month-old child. His face and features became a red bowl: he sucked one eye so deep into his head that a wild crane couldn’t probe it onto his cheek out of the depths of his skull; the other eye fell out along his cheek. His mouth weirdly distorted: his cheek peeled back from his jaws until the gullet appeared, his lungs and liver flapped in his mouth and throat, his lower jaw struck the upper a lion-killing blow, and fiery flakes large as a ram’s fleece reached his mouth from his throat.
”
”
Thomas Kinsella (The Táin: From the Irish epic Táin Bó Cuailnge)
“
Joe stepped in front of them, blocking it from their view. "All of you listen to me." Three pairs of eyes locked on his face: hopeful, expectant, still dark with anger and fear. Protectiveness erupted , so strong Joe wanted to shout with it. He drew one breath, then another, but Jesus it didn't help.
"You're mine now," he told them, and he knew his voice was hoarse, trembling with furious conviction. He hadn't meant to rush Luna, to spill his guts so soon. He'd meant to give himself time, to give her and the kids time. But he couldn't hold it in. "All of you. I protect what's mine. No one is going to hurt you, and no one is going to run us off. I'll find the son of a bitch, I swear it. And when I do, he'll pay."
Luna's eyes, narrowed with rage only a moment ago, now softened with an expression far too close to concern. She gave a reluctant nod and spoke very softly. "All right, Joe."
He had an awful suspicion she agreed more to soothe him than because she believed what he said.
Willow swallowed, nodded, then gave him a trembling smile. "All right," she said, agreeing with Luna, and she, too, seemed to want to comfort him.
Women.
Austin launched himself forward, hugging himself around Joe's knees and hanging on tight. Joe almost fell over. He felt as though he'd been stomped on already, his muscles, his mind, his deepest emotions. Hell, he hadn't known he had deep emotions until the kids and Luna had dredged them from a dark, empty place.
He wasn't all that steady on his feet, and Austin hit him with the impact of a small tank. But it was more the punch to his heart than the impetus against his legs that threw him off balance.
Joe touched the tangled mop of blond hair. "Austin?"
Austin squeezed him, then said against Joe's knees, "Okay." He finally tipped up his face to give Joe a crooked, admiring grin. "I sure like it when you're disrespectful."
That ridiculous comment lightened Joe's mood, and he laughed. "Rodent.
”
”
Lori Foster (Say No To Joe? (Winston Brothers #5) (Visitation, North Carolina, #1))
“
Look at me, Elizabeth,” he commanded. His voice dark and deep. “Lizzie,” I corrected without thought, completely out of habit. My eyes widened. I couldn’t believe I had just corrected him. Instinctively I felt that was something people just didn’t do around this man. If he said the sky were purple with pink spots, I’m pretty sure everyone would agree wholeheartedly… and worse, actually believe it. He just seemed to exude that kind of authoritative power. The kind that could make you believe just about anything he said. He gave my hair a painful tug with both hands. “Elizabeth,” he stated emphatically, as if he were a god or a king commanding it be so. “I left a package in your dressing room. It’s a dress. I want you to wear it tonight.” Tonight was the cast party. It was taking place right after our final curtain call. I had no idea he was even attending. Wait, a dress? “The party is at The Brewery next door. I don’t think the cast party is that formal,” I offered, still trying to process why this man would buy me a dress. Realizing quickly that I might sound ungrateful, I stammered, “Not that I don’t appreciate it… I mean I’m sure it’s lovely and—” “Elizabeth.” The sharp command of his voice stopped my rambling. “Yes, sir?” “Wear the dress,” he ordered, not expecting a refusal and not getting one. “Yes, sir,” I whispered. Releasing my hair, he stroked the back of his knuckles down my cheek. “Good girl.” The moment I heard the Hall door close on his retreating back, I sank to my knees in the middle of the stage, feeling shaken and more than a little alarmed. What the hell had just happened?
”
”
Zoe Blake (Ward (Dark Obsession Trilogy #1))
“
And there were so many places to go. Thickets of bramble. Fallen trees. Ferns, and violets, and gorse, paths all lined with soft green moss. And in the very heart of the wood, there was a clearing, with a circle of stones, and an old well in the middle, next to a big dead oak tree, and everything- fallen branches, standing stones, even the well, with its rusty pump- draped and festooned and piled knee-high with ruffles and flounces of strawberries, with blackbirds picking over the fruit, and the scent like all of summer.
It wasn't like the rest of the farm. Narcisse's farm is very neat, with everything set out in its place. A little field for sunflowers: one for cabbages; one for squash; one for Jerusalem artichokes. Apple trees to one side; peaches and plums to the other. And in the polytunnels, there were daffodils, tulips, freesias; and in season, lettuce, tomatoes, beans. All neatly planted, in rows, with nets to keep the birds from stealing them.
But here there were no nets, or polytunnels, or windmills to frighten away the birds. Just that clearing of strawberries, and the old well in the circle of stones. There was no bucket in the well. Just the broken pump, and the trough, and a grate to cover the hole, which was very deep, and not quite straight, and filled with ferns and that swampy smell. And if you put your eye to the grate, you could see a roundel of sky reflected in the water, and little pink flowers growing out from between the cracks in the old stone. And there was a kind of draught coming up from under the ground, as if something was hiding there and breathing, very quietly.
”
”
Joanne Harris (The Strawberry Thief (Chocolat, #4))
“
With bare feet in the dirt, fulmia, ten times with conviction, will shake the earth to its roots, if you have the strength, Jaga’s book had told me, and the Dragon had believed it enough not to let me try it anywhere near the tower. I had felt doubtful, anyway, about conviction: I hadn’t believed I had any business shaking the earth to its roots. But now I fell to the ground and dug away the snow and the fallen leaves and rot and moss until I came to the hard-frozen dirt. I pried up a large stone and began to smash at the earth, again and again, breaking up the dirt and breathing on it to make it softer, pounding in the snow that melted around my hands, pounding in the hot tears that dripped from my eyes as I worked. Kasia was above me with her head flung up, her mouth open in its soundless cry like a statue in a church. “Fulmia,” I said, my fingers deep in the dirt, crushing the solid clods between my fingers. “Fulmia, fulmia,” I chanted over and over, bleeding from broken nails, and I felt the earth hear me, uneasily. Even the earth was tainted here, poisoned, but I spat on the dirt and screamed, “Fulmia,” and imagined my magic running into the ground like water, finding cracks and weaknesses, spreading out beneath my hands, beneath my cold wet knees: and the earth shuddered and turned over. A low trembling began where my hands drove into the ground, and it followed me as I started prying at the roots of the tree. The frozen dirt began to break up into small chunks all around them, the tremors going on and on like waves. The branches above me were waving wildly as if in alarm, the whispering of the leaves becoming a muted roaring. I straightened up on my knees. “Let her out!” I screamed at the tree: I beat on its trunk with my muddy fists. “Let her out, or I’ll bring you down! Fulmia!” I cried out in rage, and threw myself back down at the ground, and where my fists hit, the ground rose and swelled like a river rising with the rain. Magic was pouring out of me, a torrent: every warning the Dragon had ever given me forgotten and ignored. I would have spent every drop of myself and died there, just to bring that horrible tree down: I couldn’t imagine a world where I lived, where I left this behind me, Kasia’s life and heart feeding this corrupt monstrous thing. I would rather have died, crushed in my own earthquake, and brought it down with me. I tore at the ground ready to break open a pit to swallow us all.
”
”
Naomi Novik (Uprooted)
“
I licked my dry lips, glancing around at everyone staring at us. Finally I looked up into Cole’s handsome face. “I’m here because I love you, and I need to ask you something.” I took a deep breath. It was time to go big.
I lowered myself to one knee.
Cole’s eyes grew round and I heard a few female gasps behind him. “Shannon, what—”
“Cole Walker, I once told you in fear that you were nothing, but there has never been a day of your life that that was true and there has never been a day I’ve ever really thought that. You’ve been extraordinary to me since we were fifteen.” I smiled shakily, feeling vulnerable and frightened but hopeful too as he stared down at me with growing tenderness in his expression. “Apart from Logan I’ve never had a real family. The kind you can count on through everything. The kind that gives you second, third, fourth chances because the other option is no option at all. Because they love you and they’re there for you. Unconditionally. Logan was the only one who ever gave me that. Until you. You’re my family, Cole. I want you to be my family forever.” I laughed hoarsely. “I don’t have a ring or anything. I just have me. And I know I’m not perfect and I know you deserve perfect . . . but I love you more than anyone else in this world and I promise you I’ll never let you forget that again.” My heart slowed its rapid beating as a sense of calm came over me. A sense of rightness. It was as if I’d found the balance I’d been missing ever since I got in that car and left Cole behind on that stoop on Scotland Street all those years ago. “It’s always been you, and I always want it to be . . . Marry me, Cole.
”
”
Samantha Young (Echoes of Scotland Street (On Dublin Street, #5))
“
The Pretender
Keep you in the dark you know they all pretend
Keep you in the dark and so it all began
Send in your skeletons
Sing as their bones come marching in again
The need you buried deep
The secrets that you keep are at the ready, are you ready?
I'm finished making sense
Done pleading ignorance that whole defense
Spinning infinity, but the wheel is spinning me
It's never ending, never ending
Same old story
What if I say I'm not like the others
What if I say I'm not just another one of your plays
You're the pretender
What if I say I will never surrender
What if I say I'm not like the others
What if I say I'm not just another one of your plays
You're the pretender
What if I say that I'll never surrender
In time or so I'm told
I'm just another soul for sale, oh well
The page is out of print
We are not permanent, we're temporary, temporary
Same old story
What if I say I'm not like the others
What if I say I'm not just another one of your plays
You're the pretender
What if I say that I'll never surrender
What if I say I'm not like the others
What if I say I'm not just another one of your plays
You're the pretender
What if I say I will never surrender
I'm the voice inside your head, you refuse to hear
I'm the face that you have to face, mirrored in your stare
I'm what's left, I'm what's right, I'm the enemy
I'm the hand that'll take you down, bring you to your knees
So, who are you?
Yeah, who are you?
Yeah, who are you?
Yeah, who are you?
Keep you in the dark you know they all pretend
What if I say I'm not like the others
What if I say I'm not just another one of your plays
You're the pretender
What if I say I will never surrender
What if I say I'm not like the others
What if I say I'm not just another one of your plays
You're the pretender
What if I say that I'll never surrender
What if I say I'm not like the others?
(Keep you in the dark)
What if I say I'm not just another one of your plays
(You know they all)
You're the pretender
(Pretend)
What if I say I will never surrender
What if I say I'm not like the others?
(Keep you in the dark)
What if I say I'm not just another one of your plays
(You know they all)
You're the pretender
(Pretend)
What if I say I will never surrender
So who are you
Yeah who are you
Yeah who are you!
”
”
Foo Fighters
“
Taking the ring from her, Sebastian slid it onto his own hand. His hands were so much larger that the circlet would only fit the tip of his smallest finger. Grasping her chin in an intractable hold, he glared into her eyes. “I’ll take your bet,” he said grimly. “I’m going to win it. And in three months, I’m going to put this back on your finger, and take you to bed, and do things to you that are outlawed in the civilized world.”
Evie’s resolve did not shield her from the heart-thumping alarm that any rational woman would feel upon hearing such an ominous statement. Nor did it prevent her knees from turning to jelly as he jerked her against his body and fitted his mouth to hers.
Her hands, suspended in mid-air, went to his head in a trembling butterfly descent. The texture of his hair, the locks so cool and thick on the surface, so warm and damp at the roots, was too alluring to resist. She slid her fingers into the gleaming golden layers and pulled him even closer, helplessly reveling in the urgent pressure of his mouth. Their tongues mated, slid, stroked, and with each slippery-sweet caress inside the joined cavern of their mouths, she felt a hot coiling deep in her belly… no, deeper than that… in the tightening, liquefying core where she had once taken his invading flesh. It shocked her to realize how much she wanted him there again. She whimpered as he pulled away from her, while frustration washed over them both.
“You didn’t say that I couldn’t kiss you,” Sebastian said, his eyes bright with devil-fire. “I’m going to kiss you as long and as often as I like, and you’re not to utter a word of protest. That’s the concession you’ll give in return for my celibacy. Damn you.”
Giving her no time either to agree or to object, he released her and strode to the door. “And now, if you’ll excuse me… I’m going to go kill Joss Bullard.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Angry heat tightens my skin. “Never took you for a coward,” I blurt.
His head snaps in my direction. “What do you mean by that?”
“You came here tonight for a reason. Why don’t you own up to it?” Before I can think about it, I lean across the center console and stare him directly in the face. “Do you always run from what you want?”
Maybe I’m going out on a limb to imply he wants me, but the pulse throbbing at his neck tells me it’s so. And he is here, after all.
His gaze drops to my mouth. “I can’t think of the last time I had anything I truly wanted,” he says huskily, so low I could hardly hear him. It’s more like I felt him.
His words echo through me, striking a chord so deep that I’m sure there’s a reason for all this. A reason we’ve found each other, first in the mountains and now here. A reason. Something more. Something bigger than coincidence. “Me too.”
He leans across the console. Sliding a hand behind my neck, he tugs my face closer. I move fluid, melting toward him. “Maybe it’s time to change that then.”
At the first brush of his mouth, stinging heat surges through me, shocking me motionless. My veins and skin pop and pulse.
I rise on my knees, clutch his shoulders with clawing fingers, trying to get closer. My hands drift, rounding over his smooth shoulders, skimming down a rock-hard chest. His heart beats like a drum beneath my fingers. My blood burns, lungs expand and smolder. I can’t draw enough air through my nose . . . or at least not enough to chill my steaming lungs.
His hands slide over my cheeks, holding my face. His skin feels like ice to my blistering flesh, and I kiss him harder.
“Your skin,” he whispers against my mouth,” it’s so . . .”
I drink him in, his words, his touch, moaning at his taste, at the sudden burning pull of my skin. The delicious tugging in my back.
He kisses me deeper with cool, dry lips. Moves his hands down my face, along my jaw to my neck. His fingertips graze beneath my ear, and I shiver. “Your skin is so soft, so warm . . .
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
I'm talking about your lovely long arms and your perfectly shaped legs... I find I am quite jealous of those stockings for knowing the feel of you, the warmth of you." She shifted, unable to keep still beneath the onslaught of his words. "I'm talking about that corset that hugs you where you are lovely and soft... is it uncomfortable?"
She hesitated. "Not usually."
"And now?" She heard the knowledge in the question.
She nodded once. "It's rather- constricting."
He tutted once, and she opened her eyes, instantly meeting his, hot and focused on her. "Poor Pippa. Tell me, with your knowledge of the human body, why do you think that is?"
She swallowed, tried for a deep breath. Failed. "It's because my heart is threatening to beat out of my chest."
The smile again. "Have you overexerted yourself?"
She shook her head. "No."
"What, then?"
She was not a fool. He was pushing her. Attempting to see how far she would go. She told the truth. "I think it is you."
He closed his eyes then, hands fisting again, and pressed his head back against the side of the desk, exposing the long column of his neck and his tightly clenched jaw. Her mouth went dry at the movement, at the way the tendons there bunched and rippled, and she was quite desperate to touch him.
When he returned his gaze to hers, there was something wild in those pewter depths... something she was at once consumed and terrified by. "You shouldn't be so quick with the truth," he said.
"Why?"
"It gives me too much control."
"I trust you."
"You shouldn't." He leaned forward, bracing his arm against his raised knee. "You are not safe with me."
She had never once felt unsafe with him. "I don't think that's correct."
He laughed, low and dark, and the sound rippled through her, a wave of pleasure and temptation. "You have no idea what I could do to you, Philippa Marbury. The ways I could touch you. The wonders I could show you. I could ruin you without thought, sink with you into the depths of sin and not once regret it. I could lead you right into temptation and never ever look back."
The words stole her breath. She wanted it. Every bit of it.
”
”
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
“
Slowly, his hands coasted down to my hips, tracing my panties before he tugged them down. He looked up at me, even as his hand eased between my thighs. Ice-green eyes burned bright. "I've never wanted anyone as much as I want you." The calloused tips of his fingers slid along my swollen, slick sex. "Now that I have you, I don't know where to start."
My lids fluttered, hands clutching at his shoulders as he rubbed back and forth. "Right there works for me."
His smile was sin and promise. "You like that, honey?"
"Yes."
He toyed with the entrance to my sex, pausing there to push just enough for me to feel it, to want it. "How about here?"
"There is..." My breath caught. He pushed in, long strong fingers filling me.
"Is what?" he murmured darkly, those talented fingers slowly fucking me, as though he had all the time in the world. The blunt end of his thumb found my puffy clit and circled it.
I whimpered again, falling against him, my arms wrapping around his neck. "So fucking good."
He made a noise, possessive and greedy, his mouth finding my nipple, his long fingers pushing up into me. "God, you're perfect. So perfect for me."
The slight curl of his fingers hit a spot, and that was it. I came in waves, shaking with it, heat swamping me. His eyes held mine as he coaxed me along, drawing my pleasure out.
With a groan that sounded almost pained, Lucian slid to the floor, his wide shoulders edging between my legs. He palmed my thighs in his big hands to hold me steady. And then, with an impatient grunt, he leaned in and kissed my throbbing clit. Kissed it like he kissed my mouth, greedy and deep, licking and sucking, nibbling with firm lips.
I cried out again, my knees so weak he had to hold me up. He ate me like a dessert, lapping at my slit before thrusting his tongue inside me.
I couldn't take it. It was too much. I came again, writhing against his mouth.
"That's it," he said between frantic kisses. "That's it, Em. Work that sweet pussy on my mouth."
Oh, hell.
I crumpled, dislodging myself before falling onto his lap. I cupped the thick column of his nape and kissed him, drawing in his breath as he groaned and devoured me.
”
”
Kristen Callihan (Make It Sweet)
“
First a Christian wades in the rivers of God his grace up to the ankles, with some good frame of spirit; yet but weakly, for a man hath strength in his ankle bones... and yet may have but feeble knees.... So farre as you walk in the waters, so far are you healed; why then in the next place, he must wade till he come to the knees, goe a thousand Cubits, a mile further, and get more strenght to pray, and to walk on in your callings with more power and strength.
Secondly, but yet a man that wades but to the knees, his loynes are not drenched, for nothing is healed but what is in the water. Now the affections of a man are placed in his loynes, God tries the reines; a man may have many unruly affections, though he be padling in the wayes of grace; he may walk on in some eavennesse, and yet have of the rottennesse of his heart in the sight of God: why then, though hast waded but to the knees, and it is a mercy that thou art come so farre; but yet the loynes want healing, why, wade a mile further then; the grace of God yet comes too shallow in us, our passions are yet unmortified, so as we know not how to grieve in measure, our wrath is vehement and immoderate, you must therefore wade untill the loynes bee girt with a golden girdle; wade an-end, & think all is not well untill you be so deep, & by this you may take a scantling, what measure of grace is poured out upon you. And if thou hast gone so farre, that God hath in some meaure healed thy affections, that thou canst be angry and sin not, &c. it is well, and this we must attain to. But suppose the loyns should be in a good measure healed, yet there is more goes to it then all this; and yet when a man is come thus farre, he may laugh at all temptations, and blesse God in all changes; But yet goe another thousand Cubits, and then you shall swimme; there is such a meaure of grace in which a man may swimme as fish in water, with all readinesse and dexterity, gliding an-end, as if he had water enough to swimme in; such a Christian doth not creep or walk, but he runs the wayes of Gods Commandements; what ever he is to doe or to suffer he is ready for all, so every way drenched in grace, as let God turn him any way, he is never drawn dry.
”
”
John Cotton
“
He peeled the towel that imprisoned us away and let it fall. I felt it slide softly off my backside, and I felt, too, his rising excite¬ment, hard, erect, pressing against me.
My nipples were erect, straining, aching, pressed against his strong warm damp chest, the tangle and pattern of his hair. He was a beast, an animal. My excitement was rising again, to match his. It was as if my heart were about to burst or to flip flop, breathless, into a dark abyss.
“Of course, you are crazy, my darling, but, then, so am I.” He kissed me and his oh-so-clever hands seized my waist, tighten¬ing, and then sneaking up my backside, pulling me, pressing me closer, into him. He kissed me again, and his lips moved down my neck to my shoulder and then to my breasts.
“Oh,” I said, “Oh.”
He bent over me, kissing my collarbone and then my breasts, carefully, slowly, his hands traveling down my back, and over my backside; suddenly, he was on his knees, kissing the whorl of 101
my belly button; then he was forcing me open, gently, gently, his tongue exploring caressing, devouring …
“Oh …” I exhaled a deep, shuddering breath. I tipped on the very edge. He bit me, gently. Oooooh!
He pulled in the reins, the bit and bridle, of the frisky frothing filly that I had become; this sudden halt made me wilder, crazier; then, once again, he brought me, trembling, up to the very, very edge of the cliff – of orgasm, of loss of self.
Then he pulled me back. I blinked and trembled. Around the two of us, there was a whole world, a whole universe. It seemed too vivid to be real, like the backdrop in an opera. Venus was brighter and lower now. The sky had turned deep indigo. One by one, stars appeared.
”
”
Gwendoline Clermont (The Shaming of Gwendoline C)
“
We feel Divine Love entering us firstly through gentle, soft, humbling, kind and loving feelings, independent of any other person. This can be experienced as gently overwhelming as it increases, dependent on the depth of our desire for It. As we heal further, and more of our negative, repressed emotions and causal soul wounds are removed, the entering of Divine Love into our souls becomes stronger and stronger, bringing deep tears, powerful sensations and expansions in the heart and soul in immense gratitude, humility and feelings of great love and even more yearning for God. There may also be whole body tingling and sensations, crown chakra and heart explosions, feelings of being fully bathed in love and light, great feelings of humility, awe and wonder at the indescribable nature of God’s Love, and at how much He loves you. Receiving Divine Love can feel like being immersed in a bath of love all over, in every part of you, every cell. Deep peace, joy and waves of ecstasy, rapture and bliss arise and flow all over, and great humility washes over the soul. Immense love for God as the most wondrous, awe inspiring Soul that He Is is felt. A deepening into the essence of your pure soul occurs, along with the deep desire to give more of your soul to God. You feel deeply nurtured and embraced in God’s Arms. There is nothing better than resting and dropping into This. You feel the purity of His Love that is the most pleasurable feeling your soul will ever experience. Heat, pressure, inner and outer movements, pulsing, physical shifts and alignments can occur as you open and embody more Divine Love and the feeling of Blessedness this brings. This Blessedness also arises in felt feelings of forgiveness and mercy. Divine Love is Perfect in its trust and tenderness. We become more and more like a child; innocent, joyful, playful and beautiful as we were created to Be. This play is a pure and glorious sensation, wishing to share itself freely and touching all others. Receiving Divine Love can also become so powerful that we are brought to our knees in immense gratitude, rapture, pain and bliss, sometimes all at once. Receiving Divine Love in its fullness is overwhelming, and can even be physically painful in the heart as it inflows to such a degree that the heart actually stretches to accommodate It all. It is both rapturous and ecstatic, as the body may rock, sway and stretch as it receives more and more Divine Love.8 There is no better feeling in all universes than to receive this Greatest Love of all loves, the most pleasurable feelings a soul can experience as it has actually been designed this way, yet our physical bodies cannot take too much of it at one time! When I receive Divine Love in a rapturous way, it is blissful to the soul yet sometimes painful to the physical. Sometimes I have to stop praying as the body becomes too tired.
”
”
Padma Aon Prakasha (Dimensions of Love: 7 Steps to God)
“
Fuchsia took three paces forward in the first of the attics and then paused a moment to re-tie a string above her knee. Over her head vague rafters loomed and while she straightened her-self she noticed them and unconsciously loved them. This was the lumber room. Though very long and lofty it looked relatively smaller than it was, for the fantastic piles of every imaginable kind of thing, from the great organ to the lost and painted head of a broken toy lion that must one day have been the plaything of one of Fuchsia's ancestors, spread from every wall until only an avenue was left to the adjacent room. This high, narrow avenue wound down the centre of the first attic before suddenly turning at a sharp angle to the right. The fact that this room was filled with lumber did not mean that she ignored it and used it only as a place of transit. Oh no, for it was here that many long afternoons had been spent as she crawled deep into the recesses and found for herself many a strange cavern among the incongruous relics of the past. She knew of ways through the centre of what appeared to be hills of furniture, boxes, musical instruments and toys, kites, pictures, bamboo armour and helmets, flags and relics of every kind, as an Indian knows his green and secret trail. Within reach of her hand the hide and head of a skinned baboon hung dustily over a broken drum that rose above the dim ranges of this attic medley. Huge and impregnable they looked in the warm still half-light, but Fuchsia, had she wished to, could have disappeared awkwardly but very suddenly into these fantastic mountains, reached their centre and lain down upon an ancient couch with a picture book at her elbow and been entirely lost to view within a few moments.
”
”
Mervyn Peake (The Gormenghast Novels (Gormenghast, #1-3))
“
One day Moses was walking in the mountains on his own when he saw a shepherd in the distance.
The man was on his knees with his hands spread out to the sky, praying. Moses was delighted. But
when he got closer, he was equally stunned to hear the shepherd’s prayer.
“Oh, my beloved God, I love Thee more than Thou can know. I will do anything for Thee, just say
the word. Even if Thou asked me to slaughter the fattest sheep in my flock in Thy name, I would do so
without hesitation. Thou would roast it and put its tail fat in Thy rice to make it more tasty.”
Moses inched toward the shepherd, listening attentively.
“Afterward I would wash Thy feet and clean Thine ears and pick Thy lice for Thee. That is how much I love Thee.”
Having heard enough, Moses interrupted the shepherd, yelling, “Stop, you ignorant man! What do
you think you are doing? Do you think God eats rice? Do you think God has feet for you to wash? This
is not prayer. It is sheer blasphemy.”
Dazed and ashamed, the shepherd apologized repeatedly and promised to pray as decent people did.
Moses taught him several prayers that afternoon. Then he went on his way, utterly pleased with
himself.
But that night Moses heard a voice. It was God’s.
“Oh, Moses, what have you done? You scolded that poor shepherd and failed to realize how dear he
was to Me. He might not be saying the right things in the right way, but he was sincere. His heart was
pure and his intentions good. I was pleased with him. His words might have been blasphemy to your
ears, but to Me they were sweet blasphemy.”
Moses immediately understood his mistake. The next day, early in the morning, he went back to the
mountains to see the shepherd. He found him praying again, except this time he was praying in the way
he had been instructed. In his determination to get the prayer right, he was stammering, bereft of the
excitement and passion of his earlier prayer. Regretting what he had done to him, Moses patted the
shepherd’s back and said: “My friend, I was wrong. Please forgive me. Keep praying in your own way.
That is more precious in God’s eyes.”
The shepherd was astonished to hear this, but even deeper was his relief. Nevertheless, he did not
want to go back to his old prayers. Neither did he abide by the formal prayers that Moses had taught
him. He had now found a new way of communicating with God. Though satisfied and blessed in his
naïve devotion, he was now past that stage—beyond his sweet blasphemy.
“So you see, don’t judge the way other people connect to God,” concluded Shams. “To each his own
way and his own prayer. God does not take us at our word. He looks deep into our hearts. It is not the
ceremonies or rituals that make a difference, but whether our hearts are sufficiently pure or not.
”
”
Elif Shafak
“
When Benjamin Bloom studied his 120 world-class concert pianists, sculptors, swimmers, tennis players, mathematicians, and research neurologists, he found something fascinating. For most of them, their first teachers were incredibly warm and accepting. Not that they set low standards. Not at all, but they created an atmosphere of trust, not judgment. It was, “I’m going to teach you,” not “I’m going to judge your talent.” As you look at what Collins and Esquith demanded of their students—all their students—it’s almost shocking. When Collins expanded her school to include young children, she required that every four-year-old who started in September be reading by Christmas. And they all were. The three- and four-year-olds used a vocabulary book titled Vocabulary for the High School Student. The seven-year-olds were reading The Wall Street Journal. For older children, a discussion of Plato’s Republic led to discussions of de Tocqueville’s Democracy in America, Orwell’s Animal Farm, Machiavelli, and the Chicago city council. Her reading list for the late-grade-school children included The Complete Plays of Anton Chekhov, Physics Through Experiment, and The Canterbury Tales. Oh, and always Shakespeare. Even the boys who picked their teeth with switchblades, she says, loved Shakespeare and always begged for more. Yet Collins maintained an extremely nurturing atmosphere. A very strict and disciplined one, but a loving one. Realizing that her students were coming from teachers who made a career of telling them what was wrong with them, she quickly made known her complete commitment to them as her students and as people. Esquith bemoans the lowering of standards. Recently, he tells us, his school celebrated reading scores that were twenty points below the national average. Why? Because they were a point or two higher than the year before. “Maybe it’s important to look for the good and be optimistic,” he says, “but delusion is not the answer. Those who celebrate failure will not be around to help today’s students celebrate their jobs flipping burgers.… Someone has to tell children if they are behind, and lay out a plan of attack to help them catch up.” All of his fifth graders master a reading list that includes Of Mice and Men, Native Son, Bury My Heart at Wounded Knee, The Joy Luck Club, The Diary of Anne Frank, To Kill a Mockingbird, and A Separate Peace. Every one of his sixth graders passes an algebra final that would reduce most eighth and ninth graders to tears. But again, all is achieved in an atmosphere of affection and deep personal commitment to every student. “Challenge and nurture” describes DeLay’s approach, too. One of her former students expresses it this way: “That is part of Miss DeLay’s genius—to put people in the frame of mind where they can do their best.… Very few teachers can actually get you to your ultimate potential. Miss DeLay has that gift. She challenges you at the same time that you feel you are being nurtured.
”
”
Carol S. Dweck (Mindset: The New Psychology of Success)
“
Something Rich and Strange
She takes a step and the water rises higher on her knees. Four more steps, she tells herself. Just four more and I'll turn back. She takes another step and the bottom is no longer there and she is being shoved downstream and she does not panic because she has passed the Red Cross courses. The water shallows and her face breaks the surface and she breathes deep. She tries to turn her body so she won' t hit her head on a rock and for the first time she's afraid and she's suddenly back underwater and hears the rush of water against her ears. She tries to hold her breath but her knee smashes against a boulder and she gasps in pain and water pours into her mouth. Then for a few moments the water pools and slows. She rises coughing up water, gasping air, her feet dragging the bottom like an anchor trying to snag waterlogged wood or rock jut and as the current quickens again she sees her family running along the shore and she knows they are shouting her name though she cannot hear them and as the current turns her she hears the falls and knows there is nothing that will keep from it as the current quickens and quickens and another rock smashes against her knee but she hardly feels it as she snatches another breath and she feels the river fall and she falls with it as water whitens around her and she falls deep into the whiteness and she rises her head scrapes against a rock ceiling and the water holds her there and she tells herself don't breathe but the need rises inside her beginning in the upper stomach then up through her chest and throat and as that need reaches her mouth her mouth and nose open and the lungs explode in pain and then the pain is gone as bright colors shatter around her like glass shards, and she remembers her sixth-grade science class, the gurgle of the aquarium at the back of the room, the smell of chalk dust that morning the teacher held a prism out the window so it might fill with color, and she has a final, beautiful thought - that she is now inside that prism and knows something even the teacher does not know, that the prism's colors are voices, voices that swirl around her head like a crown, and at that moment her arms and legs she did not even know were flailing cease and she becomes part of the river.
”
”
Ron Rash (Nothing Gold Can Stay: Stories)
“
There comes a time in most of our lives in which we no longer have the strength to lift ourselves out or to pretend ourselves strong. Sometimes our minds want to break because life stomped on us and God didn’t stop it. Like a family who watches their loved one slip and fall onto the rocks on a mountainside vacation when all was supposed to be beautiful and fun; or like a parent whose child was mistreated or shot while at school. Charles and those who lost their loved ones that terrible day had to come to terms with suffering in a house of God while the word was preached and a prankster cackled. Questions fill our lungs. We mentally wheeze. We go numb. When on vacation or at school or at church, that kind of thing is not supposed to happen there. Even the knees of a Jesus-follower will buckle. Charles’ wife, Susannah, said of Charles at that time, “My beloved’s anguish was so deep and violent, that reason seemed to totter in her throne, and we sometimes feared that he would never preach again.”5 Though it cannot be said for all of us or for every person that we have loved, it remains true that, in this cherished case, Charles Spurgeon did preach again. But sorrows of many kinds haunted and hounded him for the rest of his life. His depression came, not only from circumstances, or from questions about whether or not he was consecrated to God, but also from the chemistry of his body. God gave to us a preacher who knew firsthand what it felt like for his reason to totter, not just once, but many times during his life and ministry. And somehow this fellow sufferer named Charles and his dear wife Susannah (who also suffered physically most of her adult life) still made a go of it, insisting to each other and to their generation that the sorrowing have a Savior. On that November morning, in weakness, Charles did what some of us are not yet able to do in our sorrows; he read the Bible. Perhaps it will comfort you to learn that for a while “the very sight of the Bible” made Charles cry.6 Many of us know what this feels like. But this Scripture passage, Philippians 2:9-11, “had such a power of comfort upon [his] distressed spirit.” And being found in human form, he [Jesus] humbled himself by becoming obedient to the point of death, even death on a cross. Therefore God has highly exalted him and bestowed on him the name that is above every name (Phil. 2:8-9). From this Scripture, Charles set the larger story of his hope before us. The same Heavenly Father who picked up His son out of the muck, misery and mistreatment can do the same for us.
”
”
Zack Eswine (Spurgeon's Sorrows: Realistic Hope for those who Suffer from Depression)
“
Your character and soul, intelligence and creativity, love and experiences, goodness and talents, your bright and lovely self are entwined with your body, and she has delivered the whole of you to this very day. What a partner! She has been a home for your smartest ideas, your triumphant spirit, your best jokes. You haven’t gotten anywhere you’ve ever gone without her. She has served you well. Your body walked with you all the way through childhood—climbed the trees and rode the bikes and danced the ballet steps and walked you into the first day of high school. How else would you have learned to love the smell of brownies, toasted bagels, onions and garlic sizzling in olive oil? Your body perfectly delivered the sounds of Stevie Wonder, Whitney Houston, and Bon Jovi right into your memories. She gave you your first kiss, which you felt on your lips and in your stomach, a coordinated body venture. She drove you to college and hiked the Grand Canyon. She might have carried your backpack through Europe and fed you croissants. She watched Steel Magnolias and knew right when to let the tears fall. Maybe your body walked you down the aisle and kissed your person and made promises and threw flowers. Your body carried you into your first big interview and nailed it—calmed you down, smiled charmingly, delivered the right words. Sex? That is some of your body’s best work. Your body might have incubated, nourished, and delivered a whole new human life, maybe even two or three. She is how you cherish the smell of those babies, the feel of their cheeks, the sound of them calling your name. How else are you going to taste deep-dish pizza and French onion soup? You have your body to thank for every good thing you have ever experienced. She has been so good to you. And to others. Your body delivered you to people who needed you the exact moment you showed up. She kissed away little tears and patched up skinned knees. She holds hands that need holding and hugs necks that need hugging. Your body nurtures minds and souls with her presence. With her lovely eyes, she looks deliberately at people who so deeply need to be seen. She nourishes folks with food, stirring and dicing and roasting and baking. Your body has sat quietly with sad, sick, and suffering friends. She has also wrapped gifts and sent cards and sung celebration songs to cheer people on. Her face has been a comfort. Her hands will be remembered fondly—how they looked, how they loved. Her specific smell will still be remembered in seventy years. Her voice is the sound of home. You may hate her, but no one else does.
”
”
Jen Hatmaker (Fierce, Free, and Full of Fire: The Guide to Being Glorious You)
“
Last Thoughts On Woody Guthrie
When yer head gets twisted and yer mind grows numb
When you think you're too old, too young, too smart or too dumb
When yer laggin' behind an' losin' yer pace
In a slow-motion crawl of life's busy race
No matter what yer doing if you start givin' up
If the wine don't come to the top of yer cup
If the wind's got you sideways with with one hand holdin' on
And the other starts slipping and the feeling is gone
And yer train engine fire needs a new spark to catch it
And the wood's easy findin' but yer lazy to fetch it
And yer sidewalk starts curlin' and the street gets too long
And you start walkin' backwards though you know its wrong
And lonesome comes up as down goes the day
And tomorrow's mornin' seems so far away
And you feel the reins from yer pony are slippin'
And yer rope is a-slidin' 'cause yer hands are a-drippin'
And yer sun-decked desert and evergreen valleys
Turn to broken down slums and trash-can alleys
And yer sky cries water and yer drain pipe's a-pourin'
And the lightnin's a-flashing and the thunder's a-crashin'
And the windows are rattlin' and breakin' and the roof tops a-shakin'
And yer whole world's a-slammin' and bangin'
And yer minutes of sun turn to hours of storm
And to yourself you sometimes say
"I never knew it was gonna be this way
Why didn't they tell me the day I was born"
And you start gettin' chills and yer jumping from sweat
And you're lookin' for somethin' you ain't quite found yet
And yer knee-deep in the dark water with yer hands in the air
And the whole world's a-watchin' with a window peek stare
And yer good gal leaves and she's long gone a-flying
And yer heart feels sick like fish when they're fryin'
And yer jackhammer falls from yer hand to yer feet
And you need it badly but it lays on the street
And yer bell's bangin' loudly but you can't hear its beat
And you think yer ears might a been hurt
Or yer eyes've turned filthy from the sight-blindin' dirt
And you figured you failed in yesterdays rush
When you were faked out an' fooled white facing a four flush
And all the time you were holdin' three queens
And it's makin you mad, it's makin' you mean
Like in the middle of Life magazine
Bouncin' around a pinball machine
And there's something on yer mind you wanna be saying
That somebody someplace oughta be hearin'
But it's trapped on yer tongue and sealed in yer head
And it bothers you badly when your layin' in bed
And no matter how you try you just can't say it
And yer scared to yer soul you just might forget it
And yer eyes get swimmy from the tears in yer head
And yer pillows of feathers turn to blankets of lead
And the lion's mouth opens and yer staring at his teeth
And his jaws start closin with you underneath
And yer flat on your belly with yer hands tied behind
And you wish you'd never taken that last detour sign
And you say to yourself just what am I doin'
On this road I'm walkin', on this trail I'm turnin'
On this curve I'm hanging
On this pathway I'm strolling, in the space I'm taking
In this air I'm inhaling
Am I mixed up too much, am I mixed up too hard
Why am I walking, where am I running
What am I saying, what am I knowing
On this guitar I'm playing, on this banjo I'm frailin'
On this mandolin I'm strummin', in the song I'm singin'
In the tune I'm hummin', in the words I'm writin'
In the words that I'm thinkin'
In this ocean of hours I'm all the time drinkin'
Who am I helping, what am I breaking
What am I giving, what am I taking
But you try with your whole soul best
Never to think these thoughts and never to let
Them kind of thoughts gain ground
Or make yer heart pound
...
”
”
Bob Dylan