Klara And The Sun Quotes

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There was something very special, but it wasn't inside Josie. It was inside those who loved her.
Kazuo Ishiguro (Klara and the Sun)
Until recently, I didn’t think that humans could choose loneliness. That there were sometimes forces more powerful than the wish to avoid loneliness.
Kazuo Ishiguro (Klara and the Sun)
Hope,’ he said. ‘Damn thing never leaves you alone.
Kazuo Ishiguro (Klara and the Sun)
Sometimes,’ she said, ‘at special moments like that, people feel a pain alongside their happiness. I’m glad you watch everything so carefully, Klara.
Kazuo Ishiguro (Klara and the Sun)
Perhaps all humans are lonely. At least potentially.
Kazuo Ishiguro (Klara and the Sun)
They fought as though the most important thing was to damage each other as much as possible.
Kazuo Ishiguro (Klara and the Sun)
Sometimes,’ she said, ‘at special moments like that, people feel a pain alongside their happiness.
Kazuo Ishiguro (Klara and the Sun)
But then suppose you stepped into one of those rooms,’ he said, ‘and discovered another room within it. And inside that room, another room still. Rooms within rooms within rooms. Isn’t that how it might be, trying to learn Josie’s heart? No matter how long you wandered through those rooms, wouldn’t there always be others you’d not yet entered?
Kazuo Ishiguro (Klara and the Sun)
Mr Capaldi believed there was nothing special inside Josie that couldn’t be continued. He told the Mother he’d searched and searched and found nothing like that. But I believe now he was searching in the wrong place. There was something very special, but it wasn’t inside Josie. It was inside those who loved her.
Kazuo Ishiguro (Klara and the Sun)
people often felt the need to prepare a side of themselves to display to passers-by – as they might in a store window – and that such a display needn’t be taken so seriously
Kazuo Ishiguro (Klara and the Sun)
At the same time, what was becoming clear to me was the extent to which humans, in their wish to escape loneliness, made maneuvers that were very complex and hard to fathom,
Kazuo Ishiguro (Klara and the Sun)
Our generation still carry the old feelings. A part of us refuses to let go. The part that wants to keep believing there’s something unreachable inside each of us. Something that’s unique and won’t transfer. But there’s nothing like that, we know that now. You know that. For people our age it’s a hard one to let go.
Kazuo Ishiguro (Klara and the Sun)
At the same time, what was becoming clear to me was the extent to which humans, in their wish to escape loneliness, made maneuvers that were very complex and hard to fathom, and I saw it was possible that the consequences of Morgan’s Falls had at no stage been within my control.
Kazuo Ishiguro (Klara and the Sun)
The heart you speak of,’ I said. ‘It might indeed be the hardest part of Josie to learn. It might be like a house with many rooms. Even so, a devoted AF, given time, could walk through each of those rooms, studying them carefully in turn, until they became like her own home.
Kazuo Ishiguro (Klara and the Sun)
So I know just how much it matters to you that people who love one another are brought together, even after many years.
Kazuo Ishiguro (Klara and the Sun)
Yes. Until recently, I didn’t think that humans could choose loneliness. That there were sometimes forces more powerful than the wish to avoid loneliness.
Kazuo Ishiguro (Klara and the Sun)
In the morning when the Sun returns. It’s possible for us to hope.
Kazuo Ishiguro (Klara and the Sun)
Of course, a human heart is bound to be complex. But it must be limited.
Kazuo Ishiguro (Klara and the Sun)
As I say, these were helpful lessons for me. Not only had I learnt that changes were a part of Josie, and that I should be ready to accommodate them, I'd begun to understand also, that this wasn't a trait peculiar just to Josie, that people often felt the need to prepare a side of themselves to display to passersby - as they might in a store window, and that such display needn't be taken so seriously once the moment had passed.
Kazuo Ishiguro (Klara and the Sun)
But who says I’m lonely? I’m not lonely.’ ‘Perhaps all humans are lonely. At least potentially.
Kazuo Ishiguro (Klara and the Sun)
I wish I could go out and walk and run and skateboard and swim in lakes. But I can’t because my mother has Courage. So instead I get to stay in bed and be sick. I’m glad about this. I really am.
Kazuo Ishiguro (Klara and the Sun)
It’s not faith you need. Only rationality.
Kazuo Ishiguro (Klara and the Sun)
I think I hate Capaldi because deep down I suspect he may be right. That what he claims is true. That science has now proved beyond doubt there’s nothing so unique about my daughter, nothing there our modern tools can’t excavate, copy, transfer. That people have been living with one another all this time, centuries, loving and hating each other, and all on a mistaken premise. A kind of superstition we kept going while we didn’t know better.
Kazuo Ishiguro (Klara and the Sun)
But then I behaved badly towards myself, towards everybody. You mustn’t feel singled out. My awfulness was universally distributed.
Kazuo Ishiguro (Klara and the Sun)
Because you know how lousy it feels, people telling you how perfect things will be and they’re not being straight.
Kazuo Ishiguro (Klara and the Sun)
Perhaps they hadn’t met for a long time. A long, long time. Perhaps when they last held each other like that, they were still young.’ ‘Do you mean, Manager, that they lost each other?’ She was quiet for another moment. ‘Yes,’ she said, eventually. ‘That must be it. They lost each other. And perhaps just now, just by chance, they found each other again.
Kazuo Ishiguro (Klara and the Sun)
But however hard I tried, I believe now there would have remained something beyond my reach.
Kazuo Ishiguro (Klara and the Sun)
that people often felt the need to prepare a side of themselves to display to passers-by – as they might in a store window – and that such a display needn’t be taken so seriously once the moment had passed.
Kazuo Ishiguro (Klara and the Sun)
That was one reason why we always thought so much about being in the window. Each of us had been promised our turn, and each of us longed for it to come.
Kazuo Ishiguro (Klara and the Sun)
Josie just says what she thinks. Doesn’t care if she says the wrong thing. That gets irritating sometimes but I love her for it.
Kazuo Ishiguro (Klara and the Sun)
They accept that your decisions, your recommendations, are sound and dependable, almost always correct. But they don’t like not knowing how you arrive at them. That’s where it comes from, this backlash, this prejudice.
Kazuo Ishiguro (Klara and the Sun)
Kids can be hurtful sometimes. They believe if you happen to be an adult, nothing can possibly hurt you.
Kazuo Ishiguro (Klara and the Sun)
I suppose I’m saying Josie and I will always be together at some level, some deeper one, even if we go out there and don’t see each other any more. I can’t speak for her. But once I’m out there, I know I’ll always keep searching for someone just like her. At least like the Josie I once knew. So it wasn’t ever a deception, Klara. Whoever that was you were dealing with back then, if they could see right into my heart, and right into Josie’s, they’d know you weren’t trying to pull some fast one.
Kazuo Ishiguro (Klara and the Sun)
The smart kids think I have no shape. But I do. I’m just keeping it hidden. Because who wants them to see?
Kazuo Ishiguro (Klara and the Sun)
I'm sure she barely knew the meaning of loneliness with you here.
Kazuo Ishiguro (Klara and the Sun)
Josie and I really loved each other, that was the truth at the time. No one can claim you misled or tricked them. But now we’re no longer kids, we have to wish each other the best and go our different ways. It couldn’t have worked out, me going to college, trying to compete with all those lifted kids. I’ve got my own plans now, and that’s how it should be. But that was no lie, Klara. And in a funny way, it still isn’t a lie now.
Kazuo Ishiguro (Klara and the Sun)
I’d begun to understand also that this wasn’t a trait peculiar just to Josie; that people often felt the need to prepare a side of themselves to display to passers-by – as they might in a store window – and that such a display needn’t be taken so seriously once the moment had passed.
Kazuo Ishiguro (Klara and the Sun)
When he’d posed his question – about children really understanding what it meant to love – I believe he was already sure of the answer and was simply raising the question for my benefit. I even think, at that moment, he may have been thinking about the Coffee Cup Lady and Raincoat Man – after all, we’d been talking about them the previous moment. Perhaps the Sun was supposing that after many years, and after many changes, Josie and Rick might once again meet as the Coffee Cup Lady and Raincoat Man had done.
Kazuo Ishiguro (Klara and the Sun)
Then let me ask you something else. Let me ask you this. Do you believe in the human heart? I don’t mean simply the organ, obviously. I’m speaking in the poetic sense. The human heart. Do you think there is such a thing? Something that makes each of us special and individual? And if we just suppose that there is. Then don’t you think, in order to truly learn Josie, you’d have to learn not just her mannerisms but what’s deeply inside her? Wouldn’t you have to learn her heart?
Kazuo Ishiguro (Klara and the Sun)
I wish him the very best. All I’m saying is that there are all kinds of ways to lead a successful life.
Kazuo Ishiguro (Klara and the Sun)
I’ve got my own plans now, and that’s how it should be. But that was no lie, Klara. And in a funny way, it still isn’t a lie now.’ ‘I wonder what Rick can mean by that?’ ‘I suppose I’m saying Josie and I will always be together at some level, some deeper one, even if we go out there and don’t see each other any more. I can’t speak for her. But once I’m out there, I know I’ll always keep searching for someone just like her. At least like the Josie I once knew. So it wasn’t ever a deception, Klara.
Kazuo Ishiguro (Klara and the Sun)
Goodnight, Klara. Be as wonderful tomorrow as you were today.
Kazuo Ishiguro (Klara and the Sun)
It must be great. Not to miss things. Not to long to get back to something. Not to be looking back all the time.
Kazuo Ishiguro (Klara and the Sun)
didn’t think that humans could choose loneliness.
Kazuo Ishiguro (Klara and the Sun)
the danger topics were themselves ways the Mother had devised to make certain emotions appear inside Josie’s mind.
Kazuo Ishiguro (Klara and the Sun)
but also, I thought, a little sadly. Rick returned the smile, and I wondered if they were exchanging secret messages just with their gazes.
Kazuo Ishiguro (Klara and the Sun)
I suppose I’m saying Josie and I will always be together at some level, some deeper one, even if we go out there and don’t see each other any more.
Kazuo Ishiguro (Klara and the Sun)
Sometimes,’ she said, ‘at special moments like that, people feel a pain alongside their happiness
Kazuo Ishiguro (Klara and the Sun)
Even so, I believe there’s still hope. I believe help might come from a place the adults haven’t yet considered. But we need to do something now quickly.
Kazuo Ishiguro (Klara and the Sun)
When we were new, we used to worry that because we often couldn’t see the Sun from mid-store,we’d grow weaker and weaker.
Kazuo Ishiguro (Klara and the Sun)
It must be great. Not to miss things. Not to long to get back to something. Not to be looking back all the time. Everything must be so much more…
Kazuo Ishiguro (Klara and the Sun)
A mother’s love for her son. Such a noble thing, to override the dread of loneliness
Kazuo Ishiguro (Klara and the Sun)
They fear loneliness and that’s why they behave as they do. Perhaps Josie too.
Kazuo Ishiguro (Klara and the Sun)
Then the Coffee Cup Lady reached the RPO Building side, and she and the man were holding each other so tightly they were like one large person, and the Sun, noticing, was pouring his nourishment on them.
Kazuo Ishiguro (Klara and the Sun)
Do you believe in the human heart? I don't mean simply the organ, obviously. I'm speaking in the poetic sense. The human heart. Do you think there is such a thing? Something that makes each of us special and individual?
Kazuo Ishiguro (Klara and the Sun)
Even so, an AF would feel himself growing lethargic after a few hours away from the Sun, and start to worry there was something wrong with him – that he had some fault unique to him and that if it became known, he’d never find a home.
Kazuo Ishiguro (Klara and the Sun)
And I tried to imagine how I would feel if Rosa and I, a long time from now, long after we’d found our different homes, saw each other again by chance on a street. Would I then feel, as Manager had put it, pain alongside my happiness? *
Kazuo Ishiguro (Klara and the Sun)
I’m sure, sir, there are all kinds of ethical issues. But in the end, it’s for legislators to decide how these things get regulated, not people like me. For now, I just want to learn as much as I can, so I can take my understanding to the next level.
Kazuo Ishiguro (Klara and the Sun)
I suppose I’m saying Josie and I will always be together at some level, some deeper one, even if we go out there and don’t see each other any more. I can’t speak for her. But once I’m out there, I know I’ll always keep searching for someone just like her.
Kazuo Ishiguro (Klara and the Sun)
I could see similar townhouses on the opposite side of the street. There were six of them in a row, and the front of each had been painted a slightly different colour, to prevent a resident climbing the wrong steps and entering a neighbour’s house by mistake.
Kazuo Ishiguro (Klara and the Sun)
They conversed at such moments in a speech that was like a code, making me wonder if this was on account of my presence in the room, but I quickly understood it had simply to do with their familiarity with each other’s lives, and that there was no intention to exclude my understanding.
Kazuo Ishiguro (Klara and the Sun)
A land of fences is so temporary. You can change things as easily as a stage set. I used to act, you know. Sometimes in decent theaters. Wretched theaters too. Fences, what are they? Stage design. That’s the nice thing about England. Hedges give a sense of history properly set down in the land.
Kazuo Ishiguro (Klara and the Sun)
We’re both of us sentimental. We can’t help it. Our generation still carry the old feelings. A part of us refuses to let go. The part that wants to keep believing there’s something unreachable inside each of us. Something that’s unique and won’t transfer. But there’s nothing like that, we know that now. You know that.
Kazuo Ishiguro (Klara and the Sun)
And it was clear the Sun was unwilling to make any promise about Josie, because for all his kindness, he wasn’t yet able to see Josie separately from the other humans, some of whom had angered him very much on account of their Pollution and inconsideration, and I suddenly felt foolish to have come to this place to make such a request.
Kazuo Ishiguro (Klara and the Sun)
Josie’s message,’ Rick went on, ‘was something like this. She says that no matter what happens now, never mind how it plays out, she loves you and will always love you. She’s very grateful you’re her mother and she never even once wished for any other. That’s what she said. And there was more. On this question of being lifted. She wants you to know she wouldn’t wish it any other way. If she had the power to do it again, and this time it was up to her, she says she’d do exactly what you did and you’ll always be the best mother she could have. That’s about it. As I say, she didn’t want me to pass it on until the correct time. So I’m hoping I’ve judged this right, Mrs Arthur, telling you now.
Kazuo Ishiguro (Klara and the Sun)
You notice and absorb so much.
Kazuo Ishiguro (Klara and the Sun)
The Memory Police by Yoko Ogawa
Kazuo Ishiguro (Klara and the Sun)
I believe I have many feelings. The more I observe, the more feelings become available to me.
Kazuo Ishiguro (Klara and the Sun)
Hello, Josie.’ Rick, looking up at us, had on a cautious smile. ‘I heard this rumour we might be friends again.
Kazuo Ishiguro (Klara and the Sun)
I’m happy Josie has such a good friend. I hope my presence will never come in the way of such a good friendship.’ ‘Hope not. But a lot of things come in the way of friendships.
Kazuo Ishiguro (Klara and the Sun)
Fences, what are they? Stage design. That’s the nice thing about England. Hedges give a sense of history properly set down in the land.
Kazuo Ishiguro (Klara and the Sun)
Then she continued to walk away.
Kazuo Ishiguro (Klara and the Sun)
It’s not faith you need. Only rationality
Kazuo Ishiguro (Klara and the Sun)
There was something very special, but it wasn’t inside Josie. It was inside those who loved her.
Kazuo Ishiguro (Klara and the Sun)
I’m not saying it’s always easy. We all have our bad days. But compared to what we had before, we feel like…we’re really living for the first time.
Kazuo Ishiguro (Klara and the Sun)
Sufficiently generous and liberal to be open to all students of high caliber, even some who haven’t benefited from genetic editing.
Kazuo Ishiguro (Klara and the Sun)
Wszyscy mamy gorsze dni. Ale w porównaniu z tym co mieliśmy przedtem, czujemy, jakbyśmy dopiero teraz... żyli pełnią życia.
Kazuo Ishiguro (Klara and the Sun)
I’d never before seen anything that gave, all at once, so many signals of anger and the wish to destroy. Its
Kazuo Ishiguro (Klara and the Sun)
I turned around on the Button Couch, estimating the tension had reached a level that could no longer justify complete privacy.
Kazuo Ishiguro (Klara and the Sun)
you’d have to learn not just her mannerisms but what’s deeply inside her? Wouldn’t you have to learn her heart?’ ‘Yes, certainly.’ ‘And that could be difficult, no? Something beyond even your wonderful capabilities. Because an impersonation wouldn’t do, however skillful. You’d have to learn her heart, and learn it fully, or you’ll never become Josie in any sense that matters.
Kazuo Ishiguro (Klara and the Sun)
This is why I find it so hard to be civil around people like Capaldi. When they do what they do, say what they say, it feels like they’re taking from me what I hold most precious in this life.
Kazuo Ishiguro (Klara and the Sun)
Veruješ li u ljudsko srce? Naravno, ne mislim na organ kao takav. Govorim u pesničkom smislu. Ljudsko srce. Misliš li da tako nešto postoji? Nešto što svakog od nas čini posebnim i jedinstvenim?
Kazuo Ishiguro (Klara and the Sun)
How long, Klara wondered now, how long after the mortar set did the joy remain? When one embraces a moment of rapture from the past, either by trying to reclaim it or by refusing to let it go, how can its brightness not tarnish, turn grey with longing and sorrow, until the wild spell of the remembered interlude is lost altogether and the memory of sadness claims its rightful place in the mind? And what is it we expect from the sun-drenched past? There is no formula for re-entry, nothing we can do to enable reconstruction. The features of an absent loved one's face are erased one by one, the timbre of the voice drowned by the noise of the world. Fondly recalled landscapes are savagely altered; we lose them tree by tree. Even the chestnut tree outside Klara's window would die a slow, rotting death until it would fall one night in a summer storm when everything in Klara wanted it to remain standing, blossoming in spring, leafy in summer, the only access, she secretly believed, to the window of her former self.
Jane Urquhart
was speaking to me. ‘It must be nice sometimes to have no feelings. I envy you.’ I considered this, then said: ‘I believe I have many feelings. The more I observe, the more feelings become available to me.
Kazuo Ishiguro (Klara and the Sun)
Manager, I did all I could to learn Josie and had it become necessary, I would have done my utmost. But I don't think it would have worked out so well. Not because I wouldn't have achieved accuracy. But however hard I tried, I believe now there would have remained something beyond my reach. The Mother, Rick, Melania Housekeeper, the Father. I'd never have reached what they felt for Josie in their hearts. I'm now sure of this, Manager?
Kazuo Ishiguro (Klara and the Sun)
each of us special and individual? And if we just suppose that there is. Then don’t you think, in order to truly learn Josie, you’d have to learn not just her mannerisms but what’s deeply inside her? Wouldn’t you have to learn her heart?
Kazuo Ishiguro (Klara and the Sun)
A Tale for the Time Being by Ruth Ozeki The Overstory by Richard Powers The Farm by Joanne Ramos The Ministry for the Future by Kim Stanley Robinson Lincoln in the Bardo by George Saunders Pygmalion by George Bernard Shaw Frankenstein by Mary Shelley
Kazuo Ishiguro (Klara and the Sun)
I think I hate Capaldi because deep down I suspect he may be right. That what he claims is true. That science has now proved beyond doubt there’s nothing so unique about my daughter, nothing there our modern tools can’t excavate, copy, transfer. That people have been living with one another all this time, centuries, loving and hating each other, and all on a mistaken premise. A kind of superstition we kept going while we didn’t know better. That’s how Capaldi sees it, and there’s a part of me that fears he’s right. Chrissie, on the other hand, isn’t like me. She may not know it yet, but she’ll never let herself be persuaded. If the moment ever comes, never mind how well you play your part, Klara, never mind how much she wishes it to work, Chrissie just won’t be able to accept it. She’s too … old-fashioned. Even if she knows she’s going against the science and the math, she still won’t be able to do it. She just won’t stretch that far. But I’m different. I have … a kind of coldness inside me she lacks. Perhaps it’s because I’m an expert engineer, as you put it. This is why I find it so hard to be civil around people like Capaldi. When they do what they do, say what they say, it feels like they’re taking from me what I hold most precious in this life. Am I making sense?
Kazuo Ishiguro (Klara and the Sun)
I think I hate Capaldi because deep down I suspect he may be right. That what he claims is true. That science has now proved beyond doubt there’s nothing so unique about my daughter, nothing there our modern tools can’t excavate, copy, transfer. That people have been living with one another all this time, centuries, loving and hating each other, and all on a mistaken premise. A kind of superstition we kept going while we didn’t know better. That’s how Capaldi sees it, and there’s a part of me that fears he’s right.
Kazuo Ishiguro (Klara and the Sun)
what was becoming clear to me was the extent to which humans, in their wish to escape loneliness, made maneuvers that were very complex and hard to fathom, and I saw it was possible that the consequences of Morgan’s Falls had at no stage been within my control.
Kazuo Ishiguro (Klara and the Sun)
I wondered if Josie would bring up this particular picture – and the words inside the bubble – during Rick’s next visit. But she didn’t, and I realized there was a kind of rule between them not to talk directly about any of the pictures or bubble words once they’d been completed. Perhaps such an understanding was necessary in allowing them to draw and write freely. Even so, as I have said, I considered from the start that their bubble game was filled with danger, and it was what brought about the sudden end to Rick’s thirty-minute visits.
Kazuo Ishiguro (Klara and the Sun)
The majority of the children were on their feet, some moving between boxes. Over at the rear wall, three boys were seated on the modular sofa, and even though they were sitting apart, their heads had been placed together inside a single box, while the outstretched leg of the boy nearest the window extended not only across the neighboring box, but right into the one beyond. There was an unpleasant tint on the three boxes containing the boys on the sofa – a sickly yellow – and an anxiety passed through my mind. Then other people moved across my view of them, and I began to attend instead to the voices around me.
Kazuo Ishiguro (Klara and the Sun)
Do you believe in the human heart? Do you think there is such a thing? Something that makes each of us special and unique? And if we just suppose that there is. Then don’t you think, in order to truly learn Josie, you’d have to learn not just her mannerisms but what’s deeply inside her? Wouldn’t you have to learn her heart?
Kazuo Ishiguro (Klara and the Sun)
Mr Capaldi pensava che dentro Josie non ci fosse niente di tanto speciale da non poter esser proseguito. Diceva alla Madre che aveva cercato dappertutto e non l'aveva mai trovato. Ma adesso credo che non cercasse nel posto giusto. C'era invece qualcosa di molto speciale, ma non era dentro Josie. Era dentro quelli che l'amavano.
Kazuo Ishiguro (Klara and the Sun / Never Let Me Go)
Crystal Eaters by Shane Jones Machines Like Me by Ian McEwan The Memory Police by Yoko Ogawa 1984 by George Orwell A Tale for the Time Being by Ruth Ozeki The Overstory by Richard Powers The Farm by Joanne Ramos The Ministry for the Future by Kim Stanley Robinson Lincoln in the Bardo by George Saunders Pygmalion by George Bernard Shaw
Kazuo Ishiguro (Klara and the Sun)
But on further observation, I saw that even if the danger topics were avoided – topics like Josie’s education assignments, or her social interaction scores – the uncomfortable feeling could still be there because it really had to do with something beneath these topics; that the danger topics were themselves ways the Mother had devised to make certain emotions appear inside Josie’s mind.
Kazuo Ishiguro (Klara and the Sun)
Mr Capaldi believed there was nothing special inside Josie that couldn’t be continued. He told the Mother he’d searched and searched and found nothing like that. But I believe now he was searching in the wrong place. There was something very special, but it wasn’t inside Josie. It was inside those who loved her. That’s why I think now Mr Capaldi was wrong and I wouldn’t have succeeded. So I’m glad I decided as I did.
Kazuo Ishiguro (Klara and the Sun)
We drove past a large creature with numerous limbs and eyes, then even as I watched, a crack appeared down its center. As it divided itself, I realized it had been, all along, two separate people – a runner and a dog walk woman – moving in opposite directions who for an instant happened to be passing one another. Then came a store with a sign saying ‘Eat In Take Out’ and in front of it, a lost baseball cap on the sidewalk.
Kazuo Ishiguro (Klara and the Sun)
I’m sorry. It’s just that I’m a little surprised.’ ‘Oh? Why are you surprised, dear?’ ‘Well, I…Frankly, I’m surprised because Miss Helen’s request concerning Rick appears very sincere. I’m surprised someone would desire so much a path that would leave her in loneliness.’ ‘And that’s what surprises you?’ ‘Yes. Until recently, I didn’t think that humans could choose loneliness. That there were sometimes forces more powerful than the wish to avoid loneliness.
Kazuo Ishiguro (Klara and the Sun)
so fucking sure I’ll be able to accept that AF up there, however well you do her? It didn’t work with Sal, why will it work with Josie?’ ‘What we did with Sal is no comparison. We’ve been through this, Chrissie. What we made with Sal was a doll. A bereavement doll, nothing more. We’ve come a long, long way since then. What you have to understand is this. The new Josie won’t be an imitation. She really will be Josie. A continuation of Josie.’ ‘You want me to believe that? Do you believe that?’ ‘I do believe it. With everything I’m worth, I believe it. I’m glad Klara went in there and looked. We need her on board now, we’ve needed that for a long time. Because it’s Klara who’ll make the difference. Make it very, very different this time round. You have to keep faith, Chrissie. You can’t weaken now.’ ‘But will I believe in it? When the day comes. Will I really?’ ‘Excuse me,’ I said. ‘I’d like to say there’s a chance you’ll never need the new Josie. The present one may become healthy. I believe there’s a good chance
Kazuo Ishiguro (Klara and the Sun)