Kitty Invitation Quotes

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That was a charming invitation," she murmured, then arched a brow when the man peeled open his fly patch and wagged his personality at her. "Oh, look, kitty. A teeny-tiny little penis." She smiled, leaned just a bit closer. "Better take care of it, asshole, or my pussy here might mistake it for a teeny-tiny little mouse and bite it off." It made her feel better to see what there was of his pride and joy shrivel before he closed his flaps.
J.D. Robb
She looks like she just saw a ghost, a unicorn, and Hello Kitty having a three-way in a clown car and they didn’t invite her. I
Richard Kadrey (The Kill Society (Sandman Slim, #9))
I've quit. I didn't get your resignation letter. Invite me in.
Kitty French (Knight & Stay (Knight, #2))
Have you learned nothing from Kitty of how a married sister ought to behave? You must invite young ladies of your own choosing, and foist them upon me with adamance directly proportional to my lack of interest.
Cecilia Grant (A Gentleman Undone (Blackshear Family, #2))
She looks extra comfy in her pink pajama bottoms and gray Hello Kitty tank top, and I’m glad I wore my sweats and a loose T-shirt, otherwise I’d be asking to borrow some of her pj’s. That’s how you know you have a best friend on your hands. Regular friends invite you over and ask if you’d like water or coffee or something. Best friends offer you their favorite raspberry soda and their comfiest clean pajamas. Best friends can meet up after not speaking for a while, as if nothing happened.
Brittney Morris (SLAY)
Kitty, to her very material advantage, spent the chief of her time with her two elder sisters. In society so superior to what she had generally known, her improvement was great. She was not of so ungovernable a temper as Lydia; and, removed from the influence of Lydia's example, she became, by proper attention and management, less irritable, less ignorant, and less insipid. From the further disadvantage of Lydia's society she was of course carefully kept, and though Mrs. Wickham frequently invited her to come and stay with her, with the promise of balls and young men, her father would never consent to her going.
Jane Austen (Pride and Prejudice)
You can send invitations and it can be a fun little thing. An unveiling.” I spit out toothpaste. “I mean, in theory. But Allie moved, and Genevieve is a--” “Witch with a b,” she supplies. I giggle. “Definitely a witch with a b.” “She’s scary. One time when I was little, she locked me in the towel closet!” Kitty flushes the toilet and gets up. “You can still have a party, just don’t invite Genevieve. It doesn’t make sense for you to invite your boyfriend’s ex-girlfriend to a time capsule party anyway.” As if there were some set etiquette for who to invite to a time capsule party! As if there were really such a thing as a time capsule party!
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
He'd made her see that she'd been living on the edges of life, existing rather than embracing its bountiful richness in technicolour. He'd plunged her head first into a storm of sensations and emotions; a mental shredding of an old, dull skin; a seductive invitation. 'Hello, come with me, let me show you somewhere bigger, more dazzling, more truly alive.
Kitty French (Knight & Stay (Knight, #2))
inviting us today, Lady Asprey,” Kitty said sweetly. Helen looked Kitty up and down. “What a lovely little cross that is,” she complimented, before turning to Corinna and saying, sotto voce, “I had one very similar to that, but I think one of the new maids stole it. Those new girls from youknowwhere are just so untrustworthy. My God, I miss my Norma and Natty. You know, I paid them so well that now they’ve abandoned me to start a beach bar in Cebu.
Kevin Kwan (China Rich Girlfriend (Crazy Rich Asians, #2))
The night before I leave for college, there is a Perseids meteor shower in the forecast. It’s supposed to be a good one. Peter and I are going out to the lake to watch. Kitty doesn’t say so, but she wants to come too; she’s dying to. Her whole body is rigid with wanting and not being able to ask. Any other time I would say yes. When I say good-bye, her lips twist in disappointment for just a second, but she hides it well. How hard it must be to be the youngest sometimes, to be the one left behind. In the car I feel sick with guilt for being so possessive about my time with Peter. It’s just that there’s so little time left now…I’m a terrible big sister. Margot would have brought her. “What are you thinking about?” Peter asks me. “Oh, nothing,” I say. I’m too ashamed to say out loud that I should have invited Kitty along. When I come home for fall break, we’ll do something the three of us. Peter and I will take her to the midnight show at the drive-in, and she’ll go in her pajamas and I’ll set up the backseat with a blanket for when she falls asleep. But tonight I want it to be just Peter and me, just this once. There’s no use lingering in the guilt and ruining the night, when I’ve already done the selfish deed. And if I am truly honest with myself, I would do it again. That’s how covetous I am of every last moment I have left with Peter. I want his eyes only on me; I want to talk only to him, to be just him and me for this little while longer. One day she’ll understand. One day she’ll love a boy and want to keep him all to herself and not share his attention with anyone else. “We should have let Kitty come,” I burst out suddenly. “I know,” he says. “I feel bad too. Do you think she’s mad?” “Sad, probably.” But neither of us suggests turning the car around and going back to get her. We are silent, and then we are both laughing, sheepish and also relieved. Assuredly, Peter says, “We’ll bring her next time.” “Next time,” I echo. I reach over and grab his hand, and lock my fingers around his, and he locks back, and I am comforted in knowing that tonight he feels the exact same way, and there is no distance between us.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I’m sipping cranberry-and-ginger-ale punch and talking to Aunt D. about her divorce when Peter Kavinsky walks in wearing a hunter-green sweater with a button-down shirt underneath, carrying a Christmas tin. I almost choke on my punch. Kitty spots him when I do. “You came!” she cries. She runs right into his arms, and he puts down the cookie tin and picks her up and throws her around. When he sets her down, she takes him by the hand and over to the buffet table, where I’m busying myself rearranging the cookie plate. “Look what Peter brought,” she says, pushing him forward. He hands me the cookie tin. “Here. Fruitcake cookies my mom made.” “What are you doing here?” I whisper accusingly. “The kid invited me.” He jerks his head toward Kitty, who has conveniently run back over to the puppy. Josh is standing up now, looking over at us with a frown on his face. “We need to talk.” So now he wants to talk. Well, too late. “We don’t have anything to talk about.” Peter takes me by the elbow and I try to shake him off, but he won’t let go. He steers me into the kitchen. “I want you to make up an excuse to Kitty and leave,” I say. “And you can take your fruitcake cookies with you.” “First tell me why you’re so pissed at me.” “Because!” I burst out. “Everyone is saying how we had sex in the hot tub and I’m a slut and you don’t even care!” “I told the guys we didn’t!” “Did you? Did you tell them that all we did was kiss and that’s all we’ve ever done?” Peter hesitates, and I go on. “Or did you say, ‘Guys, we didn’t have sex in the hot tub,’ wink wink, nudge nudge.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
I’m going to have to start booking you guys a month in advance.” “Or you could invite Ms. Rothschild over,” Kitty suggests. “Her weekends are pretty lonely too.” He gives her a funny look. “I’m sure she has plenty she’d rather do than watch The Sound of Music with her neighbor.” Brightly I say, “Don’t forget the tacos al pastor! Those are a draw, too. And you, of course. You’re a draw.” “You’re definitely a draw,” Kitty pipes up. “Guys,” Daddy begins. “Wait,” I say. “Let me just say one thing. You should be going on some dates, Daddy.” “I go on dates!” “You’ve gone on, like, two dates ever,” I say, and he falls silent. “Why not ask Ms. Rothschild out? She’s cute, she has a good job, Kitty loves her. And she lives really close by.” “See, that’s exactly why I shouldn’t ask her out,” Daddy says. “You should never date a neighbor or a coworker, because then you’ll have to keep seeing them if things don’t work out.” Kitty asks, “You mean like that quote ‘Don’t shit where you eat’?” When Daddy frowns, Kitty quickly corrects herself. “I mean ‘Don’t poop where you eat.’ That’s what you mean, right, Daddy?” “Yes, I suppose that’s what I mean, but Kitty, I don’t like you using cuss words.” Contritely she says, “I’m sorry. But I still think you should give Ms. Rothschild a chance. If it doesn’t work out, it doesn’t work out.” “Well, I’d hate to see you get your hopes up,” Daddy says. “That’s life,” Kitty says. “Things don’t always work out. Look at Lara Jean and Peter.” I give her a dirty look. “Gee, thanks a lot.” “I’m just trying to make a point,” she says. Kitty goes over to Daddy and puts her arms around his waist. This kid is really pulling out all the stops. “Just think about it, Daddy. Tacos. Nuns. Nazis. And Ms. Rothschild.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
After John drops me off at home, I run across the street to pick up Kitty from Ms. Rothschild’s. And she invites me in for a cup of tea. Kitty is asleep on the couch with the TV on low in the background. We settle on the other couch with our cups of Lady Grey, and she asks me how the party went. Maybe it’s because I’m still on a high from the night, or maybe it’s the bobby pins so tight on my head that I feel woozy, or it could be the way her eyes light up with genuine interest as I begin to talk, but I tell her everything. The dance with John, how everyone cheered, Peter and Genevieve, even the kiss. She starts fanning herself when I tell about the kiss. “When that boy drove up in that uniform--ooh, girl.” She whistles. “It made me feel like a dirty old lady, because I knew him when he was little. But dear God he is handsome!” I giggle as I pull the bobby pinks from the top of my head. She leans forward and helps me along. My cinnamon bun unravels, and my scalp tingles with relief. Is this what it’s like to have a mother? Late-night boy talk over tea? Ms. Rothschild’s voice gets low and confidential. “Here’s the thing. My one piece of advice to you. You have to let yourself be fully present in every moment. Just be awake for it, do you know what I mean? Go all in and wring every last drop out of the experience.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Looking ahead at continuing transition needs The lives of adoptive parents and children are always in transition. Helping adopted children connect their beginnings to their present lives with us doesn’t end with the transition at placement. Parents need to deal with adoption related issues over and over again as their children reach new levels of cognitive and language development. Sometime between the ages of 24 and 36 months, many children will begin correcting Mom or Dad if they make a mistake or forget part of their Lifestory. Shortly thereafter children begin to fill in factual names, places, and events when invited to share in the story telling. Preschoolers’ reasoning is very limited and most do not sense anything unusual about being adopted. My three-and-a-half-year-old adopted nephew announced proudly, “I’m adopted.” He then added, “And there’s a kitty growing in my tummy.” Children spontaneously announce to the store clerk such things as, “My mommy came to get me in a big airplane” or “I’m from Peru!” At this age, parents should continue to build the factual foundation that will help full comprehension later on and instill a sense of pride and positive feelings about adoption.
Mary Hopkins-Best (Toddler Adoption: The Weaver's Craft Revised Edition)
all point to the pervasiveness of law in popular culture and to its many reverberations.
Kitty Calavita (Invitation to Law and Society: An Introduction to the Study of Real Law (Chicago Series in Law and Society))
Law and society turns this conventional view on its head. "Real law" is law as it is lived in society, and the abstract ideal is itself a human artifact. Many interesting questions follow. How does real law actually operate? How are law and everyday life intertwined? Where does law as abstraction come from, and what purposes does it serve? What can we learn from the disparity between abstract law and real law? And, why is the idealized version of law so resilient even in the face of extensive contrary experience?
Kitty Calavita (Invitation to Law and Society: An Introduction to the Study of Real Law (Chicago Series in Law and Society))
Because of the picture's constant theatrical circulation all during the forties, two presentations on the Lux Radio Theatre, and finally as a staple of early television, the tale was familiar to almost two generations of moviegoers. Hart's task was to preserve the potent appeal of this Hollywood myth while making it viable for a modern-day audience. The problem was complicated by the necessity of rewriting the part of Esther/Vicki to suit Judy Garland. The original film had walked a delicate dramatic path in interweaving the lives and careers of Vicki and Norman Maine. In emphasizing the "star power" of Lester/Garland, more screen time would have to be devoted to her, thus altering the careful balance of the original. Hart later recalled: "It was a difficult story to do because the original was so famous and when you tamper with the original, you're inviting all sorts of unfavorable criticism. It had to be changed because I had to say new things about Hollywood-which is quite a feat in itself as the subject has been worn pretty thin. The attitude of the original was more naive because it was made in the days when there was a more wide-eyed feeling about the movies ... (and) the emphasis had to be shifted to the woman, rather than the original emphasis on the Fredric March character. Add to that the necessity of making this a musical drama, and you'll understand the immediate problems." To make sure that his retelling accurately reflected the Garland persona, Hart had a series of informal conversations with her and Luft regarding experiences of hers that he might be able to incorporate into the script. Luft recalls: "We were having dinner with Moss and Kitty [Carlisle], and Judy was throwing ideas at Moss, cautiously, and so was I. I remember Judy telling the story of when she was a kid, she was on tour with a band and they were in Kansas City at the Mulebach Hotel-all the singers and performers stayed there. And I think her mother ran into a big producer who was traveling through and she invited him to come and see the act, and supposedly afterward he was very interested in Judy's career. Nothing happened, though. Judy thought it would be a kind of a cute idea to lay onto Moss-that maybe it might be something he could use in his writing.
Ronald Haver (A Star Is Born: The Making of the 1954 Movie and Its 1983 Restoration (Applause Books))
She looks like she just saw a ghost, a unicorn, and Hello Kitty having a three-way in a clown car and they didn’t invite her.
Richard Kadrey (The Kill Society (Sandman Slim, #9))
Thomas’s tall frame dominated the empty space in front of the open bedchamber door. “What are you doing?” His blue eyes were dark and worry dug itself deep into the muscles of his jaw. He hadn’t taken the time to remove his cloak and the long black fabric accentuated the dark of his hair and made his shoulders seem as wide as the doorframe. Eliza sat still, trying not to be overcome by the fluttering in her middle. Kitty too must have felt like a child who’d been caught in the middle of mischief, for she remained motionless. “I just wanted to get cleaned up. Is that such a crime?” Eliza wore an easy smile, hoping to massage away the frustration in his face. He shook his head like a father with two disobedient children, wiped off his cloak, and hung it over the chair by the table in the corner. “I leave you both for a moment and here you are trying to kill yourself all over again.” “It’s not as bad as all that, Thomas. I’m getting better.” Eliza tried lifting her legs back onto the bed to show her improvement, but she winced as a shooting pain gouged into her stomach. Thomas rushed to her side. He put one arm around her shoulder, the other under her knees, and lifted her back to her usual position. His face was much too close, the musky scent of his clothes much too inviting. His warm breath on her ear made her own breathing difficult. Eliza’s gaze moved to Thomas’s face as he propped the pillows behind her. He stilled when their gazes locked, only inches apart. His eyes transformed into sparkling sapphires and for a moment the world around her dissolved. “You just took another year off my life, Eliza.” His rich masculine voice sent a ripple of pleasure flowing down her skin and the compassion in his eyes made her heart stop beating. Why did he have to be so kind? Didn’t he know what it did to her? He looked away too soon, shaking his head. “Don’t try anything like that again.
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
Tell me something about you I don’t know.” “Heavens, Nathaniel, I’m sure you know everything.” “I do not.” He rested his elbow on his one raised knee, while the other leg folded underneath it. “If I did, then I would have known all about the infamous James Pigley, so I must assume there are more secrets to you that need discovering.” “Secrets?” Her voice cracked. Chest heaving, she turned away. Did he have to use such a word? She struggled to find something within her stalled mind to ease the suffocating silence.  “Come now Kitty, don’t play coy with me.” Nathaniel’s inviting timbre woke her from the shadows. The playful glint in his face pulled a full smile from her lips when he continued. “Here is what I know of Miss Katherine Campbell formerly of Boston. She enjoys Shakespeare and is a gifted cook. I know she is fascinated with medicine and I know her political standings. She loves God and family...” He grinned wider, a gentle kind of grin that sparkled in his eyes. “But I desire to know more.” The warmth in his stare eased around Kitty as real as if it had been an embrace, soothing away the tension that clung to her neck and shoulders. She leaned one hand on the ground and rested against it. “You’re very kind, Nathaniel, but I don’t know what to tell. I’m quite ordinary.” “Ordinary? I should say not.” Nathaniel reached for a small stick and played with it in his fingers before he snapped it in half and tossed the pieces in the water. He cast his eyes her direction and glared playfully. “No matter. If you choose to be so demure then I shall ask questions. Do you enjoy the ocean?” “Aye, the seaside is very calming, but I don’t care for boats.” He nodded with his lips pursed in thought. “I’ll keep that in mind. Do you play an instrument?” “Nay, much to my mother’s disappointment.” She sighed and looked heavenward with a tiny laugh, remembering the hours of practice that produced embarrassingly little results. Kitty sat up and hugged her knees. “Do you enjoy reading?”  Nathaniel scowled. “This conversation isn’t supposed to be about me.” “Well, do you?” She grinned wider. He shook his head with a disapproving lift to his brow, but the smoldering grin expressed his merriment. “I enjoy reading. Especially Milton.” “Milton? I adore Milton.
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))