Kitten Death Quotes

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It's like when a kitten tries to bite something to death. The kitten clearly has the cold-blooded murderous instinct of a predator, but at the same time, it's this cute little kitten, and all you want to do is stuff it in a shoebox and shoot a video of it for grandmas to watch on YouTube.
Jesse Andrews (Me and Earl and the Dying Girl)
Come thaw my frozen heart, my little arctic kitten.” Unable to resist, Aria jumped in and picked up the next line. “No chance, my yeti man, I’d rather be frostbitten.” “Let me be your snowman. Come live in my igloo.” “I’d rather freeze to death than hibernate with you.
Veronica Rossi (Through the Ever Night (Under the Never Sky, #2))
There is not a day or night but a doe offers her life for her kittens, or some honest captain of Owsla his life for his Chief Rabbit's. Sometimes it is taken, sometimes it is not. But there is no bargain, for here, what is, is what must be.
Richard Adams (Watership Down (Watership Down, #1))
Hi! My name is Bambi! I like kittens and puppies and throwing flaming balls of death at my enemies!
Angela Knight
You want to see safe hands?' her dad asked. He went to the fruit bowl on the side of the table, took two apples and proceeded to juggle them. 'See? Safe as anything.' 'Are you proposing you juggle our newborn child?' 'Of course not,' he said. 'I'd only be able to juggle her if you'd had twins. Otherwise it would just be throwing.' (...) 'From this moment on, I will be the best father the world has ever seen. Wifey, may I please hold my child?' Valkyrie's mum looked at him suspiciously. 'When you hold a baby, what's the most important thing to remember?' 'Not to drop it,' he said proudly. 'Well, yes, well done dear, but I was thinking more about how you hold the baby.' 'Ah,' he said, 'Of course. The secret to holding a baby is to pick it up by the scruff of its neck.' 'You're thinking of kittens.' 'Pick it up by the ears, then.' 'You're thinking of nothing.' 'Can I please just hold her?' 'I don't think that's wise.' 'A lot of things aren't wise, Melissa. Is crossing the road with your eyes closed wise? No, but I do it anyway.' His wife nodded. 'Stephanie, you are in charge of teaching Alice how to cross the road.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
You arrogant...” thrust through the stomach of a snapping zombie, twisting and using all my strength to cleave him in half “... over published...” wasn't going to work, it clawed at the blade, and my God, these things were tough, “...showy old bat...” Crack! There went my head into the wall. If I didn't have a split skull, I'd be amazed. “What are you waiting for? Aren't you the king of all bogeymen? The legend children fear will devour them if they don't behave?” “Come on, Vlad, live up to your reputation! If you can't burn to death one Egyptian vampire chained to a wall, how did you ever drive the Turks from Romania?” “You did it!” “Of course, I'm Vlad Tepesh, what did you expect?
Jeaniene Frost (At Grave's End (Night Huntress, #3))
Bargains, bargains, El-ahrairah," he said. "There is not a day or night but a doe offers her life for her kittens, or some honest captain of Owsla his life for his Chief Rabbit's. Sometimes it is taken, sometimes it is not. But there is no bargain, for here what is is what must be.
Richard Adams (Watership Down (Watership Down, #1))
He opened the box and took out the kitten. It stared at him with the normal mad amazement of kittens everywhere. I DON'T HOLD WITH CRUELTY TO CATS, said Death, putting it gently on the floor.
Terry Pratchett (The Last Hero (Discworld, #27; Rincewind, #7))
My parents had told me that I would not really die, not the real me: that nobody really died, when they died; that my kitten and the opal miner had just taken new bodies and would be back again, soon enough.
Neil Gaiman (The Ocean at the End of the Lane)
The wizards, such of them who were still on their feet and conscious, were rather surprised to see that Death was wearing an apron and holding a small kitten.
Terry Pratchett (Mort (Discworld, #4))
The people in the hospital had been struck by her calm and the number of questions she had asked. They hadn't appreciated her inability to understand something quite obvious – that Tolya was no longer among the living. Her love was so strong that Tolya's death was unable to affect it: to her, he was still alive. She was mad, but no one had noticed. Now, at last, she had found Tolya. Her joy was like that of a mother-cat when she finds her dead kitten and licks it all over. A soul can live in torment for years and years, even decades, as it slowly, stone by stone, builds a mound over a grave; as it moves towards the apprehension of eternal loss and bows down before reality.
Vasily Grossman (Life and Fate)
Yes, and I suppose she wore a red gown for her meeting with the Saint. I suppose she was as clean as a licked kitten and smelled of rosemary.” When Kit grimaced, Melaugo said, “You have not seen death, my lord. You have only seen the mask we put on it.
Samantha Shannon (The Priory of the Orange Tree (The Roots of Chaos, #1))
Kittens HAVE to be drowned, I admit, or the world would be overrun. But no decent, grown-up cat should be done to death -- unless he sucks eggs.
L.M. Montgomery (Anne of the Island (Anne of Green Gables))
Once upon a time it was not safe to be born a girl. It is important to remember that time does not exist. Once upon a time, all of time, it was not safe to be a girl. Lecherous men would disguise themselves as kittens left for dead by their mothers so that little girls would pick them up and kiss their eyes into vision and then the kittens would grow and grow until they were bigger and fiercer than lions and they would eat the girls in one bite, bones and skin and hair and all. Once upon a time it was not safe to be born a girl because either you were the kitten abandoned in a dumpster or you were devoured by it. Once upon a time it was not safe to be a girl because girls have fires inside of them and men who are cold cling to their warmth until they leech it from the bones of women and then burn them to death with their own matches.
Erin Emily Ann Vance (Advice for Taxidermists and Amateur Beekeepers)
There have been complaints?' said Miss Susan. 'Er, no ... er ... although Miss Smith has told me that the children coming up from your class are, er, restless. Their reading ability is, she says, rather unfortunately advanced ...' 'Miss Smith thinks a good book is about a boy and his dog chasing a big red ball,' said Miss Susan. 'My children have learned to expect a plot. No wonder they get impatient. We're reading Grim Fairy Tales at the moment.' 'That is rather rude of you, Susan.' 'No, madam. That is rather polite of me. It would have been rude of me to say that there is a circle of Hell reserved for teachers like Miss Smith.' 'But that's a dreadf---' Madam Frout stopped, and began again. 'You should not be teaching them to read at all yet!' she snapped. [...] 'I mean,' the headmistress mumbled, 'childhood is a time for play and---' 'Learning,' said Miss Susan. 'Learning through play,' said Madam Frout, grateful to find familiar territory. 'After all, kittens and puppies---' '---grow up to be cats and dogs, which are even less interesting,' said Miss Susan, 'whereas children should grow up to be adults.'" [...] 'What precisely was it you wanted, madam?' she said. It's just that I've left the class doing algebra, and they get restless when they've finished.' 'Algebra?' said Madam Frout [...] 'But that's far too difficult for seven-year-olds!' 'Yes, but I didn't tell them that and so far they haven't found out,' said Susan.
Terry Pratchett (Thief of Time (Discworld, #26; Death, #5))
Here was the real scandal of On Our Backs photography: We were women shooting other women — our names, faces, and bodies on the line — and we all brought our sexual agenda to the lens. Each pictorial was a memoir. That is quite the opposite of a fashion shoot at Vogue or Playboy, where the talent is a prop… When we began our magazine, female fashion and portrait models — all of them — were shot the same way kittens and puppies are photographed for holiday calendars: in fetching poses, with no intentions of their own.
Susie Bright (Big Sex Little Death: A Memoir)
The living often don’t appreciate how complicated the world looks when you are dead, because while death frees the mind from the straitjacket of three dimensions it also cuts it away from Time, which is only another dimension. So while the cat that rubbed up against his invisible legs was undoubtedly the same cat that he had seen a few minutes before, it was also quite clearly a tiny kitten and a fat, half-blind old moggy and every stage in between. All at once. Since it had started off small it looked like a white, catshaped carrot, a description that will have to do until people invent proper four-dimensional adjectives.
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
January? The month is dumb. It is fraudulent. It does not cleanse itself. The hens lay blood-stained eggs. Do not lend your bread to anyone lest it nevermore rise. Do not eat lentils or your hair will fall out. Do not rely on February except when your cat has kittens, throbbing into the snow. Do not use knives and forks unless there is a thaw, like the yawn of a baby. The sun in this month begets a headache like an angel slapping you in the face. Earthquakes mean March. The dragon will move, and the earth will open like a wound. There will be great rain or snow so save some coal for your uncle. The sun of this month cures all. Therefore, old women say: Let the sun of March shine on my daughter, but let the sun of February shine on my daughter-in-law. However, if you go to a party dressed as the anti-Christ you will be frozen to death by morning. During the rainstorms of April the oyster rises from the sea and opens its shell — rain enters it — when it sinks the raindrops become the pearl. So take a picnic, open your body, and give birth to pearls. June and July? These are the months we call Boiling Water. There is sweat on the cat but the grape marries herself to the sun. Hesitate in August. Be shy. Let your toes tremble in their sandals. However, pick the grape and eat with confidence. The grape is the blood of God. Watch out when holding a knife or you will behead St. John the Baptist. Touch the Cross in September, knock on it three times and say aloud the name of the Lord. Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain. Do not faint in September or you will wake up in a dead city. If someone dies in October do not sweep the house for three days or the rest of you will go. Also do not step on a boy's head for the devil will enter your ears like music. November? Shave, whether you have hair or not. Hair is not good, nothing is allowed to grow, all is allowed to die. Because nothing grows you may be tempted to count the stars but beware, in November counting the stars gives you boils. Beware of tall people, they will go mad. Don't harm the turtle dove because he is a great shoe that has swallowed Christ's blood. December? On December fourth water spurts out of the mouse. Put herbs in its eyes and boil corn and put the corn away for the night so that the Lord may trample on it and bring you luck. For many days the Lord has been shut up in the oven. After that He is boiled, but He never dies, never dies.
Anne Sexton
I always preferred the death of a thousand cats, in which one is buried under kittens,” said Matthew.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
They have a saying, the Basque. That just because the cat has kittens in the oven, it doesn’t make them biscuits.
Craig Johnson (Death Without Company (Walt Longmire, #2))
But for you, Libby,” said Paul, “the whole world is filled with kittens and rainbows and happy endings.
Camille Pagán (Life and Other Near-Death Experiences)
I detest seeing another’s marks on you,” Von murmured, his eyes lifting from the wound, meeting mine. He growled softly. “They should be mine, Kitten.
Jaclyn Kot (Between Life and Death (Between Life and Death, #1))
So please, continue to run, Kitten,” he purred in his primal way. “I’ve always enjoyed the chase.
Jaclyn Kot (Between Life and Death (Between Life and Death, #1))
His theory is that in order to function, most people have to ignore reality, or at least most of it. Otherwise, all of the horrible things in life—child slavery, acts of war, the pesticides jam-packed into every other bite of food you put in your mouth, knowing that you’re a day closer to dying when you open your eyes each morning—would be so overwhelming that no one would ever get out of bed. “But for you, Libby,” said Paul, “the whole world is filled with kittens and rainbows and happy endings. It’s very cute and probably helps you sleep at night.
Camille Pagán (Life and Other Near-Death Experiences)
I claim you. I will always claim you, mate. No matter if you fucking remember what we are or not. There is no escaping what you are to me. You are mine, Kitten. And I do not share what is mine.
Jaclyn Kot (Between Sun and Moon (Between Life and Death, #2))
I walked into the kitchen and found Mad Rogan in it. He sat at the table, dressed in a blue Henley shirt and jeans, sipping coffee out of a mug with a little grey kitten on it. His dark hair was combed back from his face. His jaw was once again clean shaven. I am a polite, nonthreatening kind of dragon with excellent manners. Horns are hidden, tail is tucked away, fangs covered. I would never do anything cruel, like stab a man with a knife about ten times to get him to answer a question. Somehow this new, on-his-best-behavior version was scarier than witnessing him calmly breaking a man with his bare hands. After what we’d been through, I would’ve expected him to hole up somewhere dark, eating raw meat, chain-smoking, guzzling some sort of ridiculously tough drink, like whiskey or kerosene or something, and thinking grim thoughts about life and death. But no, here he was, charming and untroubled, sipping coffee. Mad Rogan saw me and smiled. And my mind went right into the gutter.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
Well, cats live as long as dogs,” he said, “mostly, anyway.” This was a lie, and he knew it. Cats lived violent lives and often died bloody deaths, always just below the usual range of human sight. Here was Church, dozing in the sun (or appearing to), Church who slept peacefully on his daughter’s bed every night, Church who had been so cute as a kitten, all tangled up in a ball of string. And yet Louis had seen him stalk a bird with a broken wing, his green eyes sparkling with curiosity and—yes, Louis would have sworn it—cold delight. He rarely killed what he stalked, but there had been one notable exception—a large rat, probably caught in the alley between their apartment house and the next. Church had really put the blocks to that baby. It had been so bloody and gore-flecked that Rachel, then in her sixth month with Gage, had had to run into the bathroom and vomit. Violent lives, violent deaths. A dog got them and ripped them open instead of just chasing them like the bumbling, easily fooled dogs in the TV cartoons, or another tom got them, or a poisoned bait, or a passing car. Cats were the gangsters of the animal world, living outside the law and often dying there. There were a great many of them who never grew old by the fire.
Stephen King (Pet Sematary)
Ordinarily the death of a cat means little to most men, a lot to fewer men, but to me, and that cat, it was exactly and no lie and sincerely like the death of my little brother - I loved Tyke with all my heart
Jack Kerouac (Big Sur)
Each new kitten and puppy, with a fresh and fragile look on life, inspired joy and awe, and though the death of the innocent was often hard to accept, it only seemed to give the times of joy a more three-dimensional aspect.
Elisabeth Voltz (Shoebox Funeral: Stories from Wolf Creek)
Brutes, those cops were, talking about me that way. Didn’t they know I’d been the wife of a scientist? Didn’t they know I’d worn the most elegant silk blend dresses, gone to dinners at the university? The wife of a state senator had complimented me on my hairdo. They’d printed my picture in the paper a few times. I’d sung in a chorus at college. I’d studied Japanese calligraphy. I once saved a kitten that had crawled up into the wheel well of an old man’s car. And what were those cops good for? Pulling people over for speeding? I pictured their mindspace crawling with headless rats, spewing blood, white flashing neck bones, severed heads gnawing at dead headless bodies. It made me sick to imagine their thoughts, those monsters.
Ottessa Moshfegh (Death in Her Hands)
I was six when I first saw kittens drown. Dan Taggart pitched them, ‘the scraggy wee shits’, Into a bucket; a frail metal sound, Soft paws scraping like mad. But their tiny din Was soon soused. They were slung on the snout Of the pump and the water pumped in. ‘Sure isn’t it better for them now?’ Dan said. Like wet gloves they bobbed and shone till he sluiced Them out on the dunghill, glossy and dead. Suddenly frightened, for days I sadly hung Round the yard, watching the three sogged remains Turn mealy and crisp as old summer dung Until I forgot them. But the fear came back When Dan trapped big rats, snared rabbits, shot crows Or, with a sickening tug, pulled old hens’ necks. Still, living displaces false sentiments And now, when shrill pups are prodded to drown, I just shrug, ‘Bloody pups’. It makes sense: ‘Prevention of cruelty’ talk cuts ice in town Where they consider death unnatural, But on well-run farms pests have to be kept down.
Seamus Heaney (Death of a Naturalist)
His lips feathered mine. “I want nothing more than to taste, to fill, to claim every inch of you. To sink myself into you so deeply that you will never get me out. I want to mar you so badly, you will be ruined from ever wanting to kiss another, fuck another, love another. I will devour you, Kitten. And when I’m finished, I will do it all over again.
Jaclyn Kot (Between Life and Death (Between Life and Death, #1))
But you needn't try to make us believe you can chloroform a cat," laughed Anne. "It was all the fault of the knothole," protested Phil. "It was a good thing the knothole was there," said Aunt Jamesina rather severely. "Kittens HAVE to be drowned, I admit, or the world would be overrun. But no decent, grown-up cat should be done to death—unless he sucks eggs.
L.M. Montgomery (The Anne Stories (Anne of Green Gables, #1-3, 5, 7-8) (Story Girl, #1-2))
There have been complaints?' said Miss Susan. 'Er, no ... er ... although Miss Smith has told me that the children coming up from your class are, er, restless. Their reading ability is, she says, rather unfortunately advanced ...' 'Miss Smith thinks a good book is about a boy and his dog chasing a big red ball,' said Miss Susan. 'My children have learned to expect a plot. No wonder they get impatient. We're reading Grim Fairy Tales at the moment.' 'That is rather rude of you, Susan.' 'No, madam. That is rather polite of me. It would have been rude of me to say that there is a circle of Hell reserved for teachers like Miss Smith.' 'But that's a dreadf-' Madam Frout stopped, and began again. 'You should not be teaching them to read at all yet!' she snapped. [...] 'I mean,' the headmistress mumbled, 'childhood is a time for play and-' 'Learning,' said Miss Susan. 'Learning through play,' said Madam Frout, grateful to find familiar territory. 'After all, kittens and puppies -' ' -grow up to be cats and dogs, which are even less interesting,' said Miss Susan, 'whereas children should grow up to be adults.' [...] 'What precisely was it you wanted, madam?' she said. It's just that I've left the class doing algebra, and they get restless when they've finished.' 'Algebra?' said Madam Frout [...] 'But that's far too difficult for seven-year-olds!' 'Yes, but I didn't tell them that and so far they haven't found out,' said Susan.
Terry Pratchett (Thief of Time (Discworld, #26; Death, #5))
Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.
Gerald Durrell
How do we hold the paradox of giving up our life in order to find it? I believe Chesterton is saying that the more we open our heart to both heartache and hope, the more we can look death in the face and say, “Where is your sting?” (1 Cor. 15:55). We must love all that bears the mark of life: the sound of an owl finch and its call that sounds like the meowing of a kitten. We must love Bach, Ethiopian berbere, and the smell of freshly baked bread. Life is teeming with goodness. We must also experience death and powerlessness, but darkness will not win. Life and love will have the final word.
Dan B. Allender (Healing the Wounded Heart: The Heartache of Sexual Abuse and the Hope of Transformation)
P.S.” Kimmie continues, nodding toward my sculptor of Adam’s lips, the assignment was to sculpt something exotic, not erotic. Are you sure you weren’t so busy wishing me dead that you just didn’t hear right? Plus, if it was eroticism you were going for, how come there’s no tongue wagging out of his mouth?” “And what’s exotic about your piece?” “Seriously, it doesn’t get more exotic than leopard, particularly if that leopard is in the form of a swanky pair of kitten heels . . . but I thought I’d start out small.” “Right,” I say, looking at her oblong ball of clay with what appears to be four legs, a golf-ball-sized head, and a long, skinny tail attached. “And, from the looks of your sculpture,” she continues, adjusting the lace bandana in her pixie-cut dark hair, “I presume your hankering for a Ben Burger right about now. The question is, will that burger come with a pickle on the side or between the buns?” “You’re so sick,” I say, failing to mention that my sculptor isn’t of Ben’s mouth at all. “Seriously? You’re the one who’s wishing me dead whilst fantasizing about your boyfriend’s mouth. Tell me that doesn’t rank high up on the sik-o-meter.” “I have to go,” I say, throwing a plastic tarp over my work board. “Should I be worried?” “About what?” “Acting manic and chanting about death?” “I didn’t chant.” “Are you kidding? For a second there I thought you were singing the jingle to a commercial for roach killer: You deserve to die! You deserve to die! You deserve to die!
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
Women paid extra. An upright gait required narrower hips, constricting the birth canal – and this just when babies’ heads were getting bigger and bigger. Death in childbirth became a major hazard for human females. Women who gave birth earlier, when the infant’s brain and head were still relatively small and supple, fared better and lived to have more children. Natural selection consequently favoured earlier births. And, indeed, compared to other animals, humans are born prematurely, when many of their vital systems are still underdeveloped. A colt can trot shortly after birth; a kitten leaves its mother to forage on its own when it is just a few weeks old. Human babies are helpless, dependent for many years on their elders for sustenance, protection and education.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Women paid extra. An upright gait required narrower hips, constricting the birth canal – and this just when babies’ heads were getting bigger and bigger. Death in childbirth became a major hazard for human females. Women who gave birth earlier, when the infant’s brain and head were still relatively small and supple, fared better and lived to have more children. Natural selection consequently favoured earlier births. And, indeed, compared to other animals, humans are born prematurely, when many of their vital systems are still under-developed. A colt can trot shortly after birth; a kitten leaves its mother to forage on its own when it is just a few weeks old. Human babies are helpless, dependent for many years on their elders for sustenance, protection and education.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Edilio lay on the steps of town hall feeling as weak as a kitten. He had barely heard Caine’s big speech. He couldn’t have cared less. There was nothing he could do, not with delirium spinning his head. He coughed hard, too hard. It wracked his body each time he did it so that he dreaded the next cough. His stomach was clenched in knots. Every muscle in his body ached. He was vaguely aware that he was saying something in between coughs. “Mamá. Mamá. Sálvame.” Save me, mother. “Santa María, sálvame,” he begged, and coughed so hard he smashed his head against the steps. Death was near, he felt it. Death reached through his swimming, disordered mind and he felt its cold hand clutching his heart. Santa María, Madre de Dios, ruega por nosotros pecadores, ahora y en la hora de nuestra muerte.
Michael Grant (Plague (Gone, #4))
I did not see the hanging. They hanged him in front of the jail in Toronto, and You should have been there Grace, say the keepers, it would have been a lesson to you. I've pictured it many times, poor James standing with his hands tied and his neck bare, while they put the hood over his head like a kitten to be drowned. At least he had a priest with him, he was not all alone. If it had not been for Grace Marks, he told them, none of it would have happened. It was raining, and a huge crowd standing in the mud, some of them come from miles away. If my own death sentence had not been commuted at the last minute, they would have watched me hang with the same greedy pleasure. There were many women and ladies there; everyone wanted to stare, they wanted to breathe death in like fine perfume, and when I read of it I thought, If this is a lesson to me, what is it I am supposed to be learning?
Margaret Atwood (Alias Grace)
It was difficult to take them seriously, even in the swarms in which they generally traveled. Sharp claws? Check, but attached to a kitten. Piercing teeth? Yes, but, again, in the mouth of an adorable little kitten! One in ten able to chew through metal? Oh, you’d better believe it, but wookit da kitty! Obviously this schmoopifying effect diminished after people actually encountered the playfully savage swarms of the things. Coos of adoration would swiftly turn to shrieks of dismay, which would then escalate into screams of terror when the abhorrent act of killing one adorable creature resulted in two more of them springing alive from its corpse. On the rare occasion this failed to happen, it was only because the creature’s death instead resulted in a fiery explosion and—in a characteristically laughable fashion—a shower of peppermint candy. (Some hypothesized that similar creatures in ancient times had inspired the modern piñata, but the idea fell out of favor due to lack of evidence and the fact that no one likes a piñata filled with death.) Those first few survivors who attempted to tell their tale of terror-by-kittens were ridiculed by their friends, dismissed by the mainstream news agencies, and finally laughed out of UFO conventions.
Michael G. Munz (Zeus Is Dead: A Monstrously Inconvenient Adventure (Zeus Is Dead, #1))
Noboru managed, while following his own dreamy thoughts, to pay scrupulous attention to the details. The kitten's dead pupils were purple flecked with white; the gaping mouth was stuffed with congealed blood, the twisted tongue visible between the fangs. As the fat-yellowed scissors cut them, he heard the ribs creak. And he watched intently while the chief groped in the abdominal cavity, withdrew the small pericardium, and plucked from it the tiny oval heart. When he squeezed the heart between two fingers, the remaining blood gushed onto his rubber gloves, reddening them to the tips of the fingers. *What is really happening here?* Noboru had withstood the ordeal from beginning to end. Now his half-dazed brain envisioned the warmth of the scattered viscera and the pools of blood in the gutted belly finding wholeness and perfection in the rapture of the dead kitten's large languid soul. The liver, limp beside the corpse, became a soft peninsula the squashed heart a little sun, the reeled-out bowels a white atoll, and the blood in the belly the tepid waters of a tropical sea. Death had transfigured the kitten into a perfect, autonomous world. *I killed it all by myself* - a distant hand reached into Noboru's dream and awarded him a snow-white certificate of merit - *I can do anything, no matter how awful.* The Chief peeled off the squeaky rubber gloves and laid one beautiful white hand on Noboru's shoulder. 'You did a good job. I think we can say this finally made a real man of you - and isn't all this blood a sight for sore eyes!
Yukio Mishima (The Sailor Who Fell from Grace with the Sea)
David Greene was kind, and he had a sense of humor. He made your mother laugh.” That was all Gran could muster up? “Did you not like him?” “He wasn’t a big believer in Tarot. Humor aside, he was a very practical man. From New England,” she added, as if that explained everything. “I’d been wearing Karen down about the Arcana—until she met him. Before I knew it, your mother was pregnant. Even then, I sensed you were the Empress.” “He didn’t want us to live up north?” “David planned to move there.” Her gaze went distant. “To move you—the great Empress—away from her Haven.” That must have gone over well. “In the end, I convinced them not to go.” ...... I opened up the family albums. As I scrolled through them, her eyes appeared dazed, as if she wasn’t seeing the images. Yet then she stared at a large picture of my father. I said, “I wish I could remember him.” “David used to carry you around the farm on his shoulders,” she said. “He read to you every night and took you to the river to skip stones. He drove you around to pet every baby animal born in a ten-mile radius. Lambs, kittens, puppies.” She drew a labored breath. “He brought you to the crops and the gardens. Even then, you would pet the bark of an oak and kiss a rose bloom. If the cane was sighing that day, you’d fall asleep in his arms.” I imagined it all: the sugarcane, the farm, the majestic oaks, the lazy river that always had fish jumping. My roots were there, but I knew I would never go back. Jack’s dream had been to return and rebuild Haven. A dream we’d shared. I would feel like a traitor going home without him. Plus, it’d be too painful. Everything would remind me of the love I’d lost. “David’s death was so needless,” she said. “Don’t know what he was doing near that cane crusher.” “David’s death was so needless,” she said. “Don’t know what he was doing near that cane crusher.” I snapped my gaze to her. “What do you mean? He disappeared on a fishing trip in the Basin.” She frowned at me. “He did. Of course.” Chills crept up my spine. Was she lying? Why would she, unless . . .
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
With a twist of her neck, Saphira tossed the snail into the air, opened her mouth as wide as it would go, and swallowed the creature whole, bobbing her head twice as she did, like a robin eating an earthworm. Lowering his gaze, Eragon saw four more giant snails farther down upon the rise. One of the creatures had retreated within its shell; the others were hurrying away upon their undulating, skirtlike bellies. “Over there!” shouted Eragon. Saphira leaped forward. Her entire body left the ground for a moment, and then she landed upon all fours and snapped up first one, then two, then three of the snails. She did not eat the last snail, the one hiding in its shell, but drew back her head and bathed it in a stream of blue and yellow flame that lit up the land for hundreds of feet in every direction. She maintained the flame for no more than a second or two; then she picked up the smoking, steaming snail between her jaws--as gently as a mother cat picking up a kitten--carried it over to Eragon, and dropped it at his feet. He eyed it with distrust, but it appeared well and truly dead. Now you can have a proper breakfeast, said Saphira. He stared at her, then began to laugh--and he kept laughing until he was doubled over, resting his hands on his knees and heaving for breath. What is so amusing? she asked, and sniffed the soot-blackened shell. Yes, why do you laugh, Eragon? asked Glaedr. He shook his head and continued to wheeze. At last he was able to say, “Because--” And then he shifted to speaking with his mind so that Glaedr would hear as well. Because…snail and eggs! And he began to giggle again, feeling very silly. Because, snail steaks!...Hungry? Have a stalk! Feeling tired? Eat an eyeball! Who needs mead when you have slime?! I could put the stalks in a cup, like a bunch of flowers, and they would… He was laughing so hard, he found it impossible to continue, and he dropped to one knee while he gasped for air, tears of mirth streaming from his eyes. Saphira parted her jaws in a toothy approximation of a smile, and she made a soft choking sound in her throat. You are very odd sometimes, Eragon. He could feel his merriment infecting her. She sniffed the shell again. Some mead would be nice. “At least you ate,” he said, both with his mind and his tongue. Not enough, but enough to return to the Varden. As his laughter subsided, Eragon poked at the snail with the tip of his boot. It’s been so long since there were dragons on Vroengard, it must not have realized what you were and thought to make an easy meal of me…That would have been a sorry death indeed, to end up as dinner for a snail. But memorable, said Saphira. But memorable, he agreed, feeling his mirth return. And what did I say is the first law of hunting, younglings? asked Glaedr. Together Eragon and Saphira replied, Do not stalk your prey until you are sure that it is prey. Very good, said Glaedr.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
dead says come with me he says(andwhyevernot)into the round well and see the kitten and the penny and the jackknife and the rosebug and you say Sure you say (like that) sure i'll come with you you say for i like kittens i do and jackknives i do and pennies i do and rosebugs i do
E.E. Cummings (Collected Poems)
I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.
Anne Sexton
This was a creature that, except for the brief days in safety as a kitten, swatting at her mother’s tail and taking in a new world, had spent every waking moment fighting for life. Like one endless solo expedition, her life was a solitary battle for survival. Each morsel of food won required skill, stealth, and often the risk of injury or death. Stalking the beaches and brush of the long river beneath black thunderheads of the Amazon sky, she had managed to survive through all adversity in one of the most competitive and unforgiving ecosystems on earth.
Paul Rosolie (Mother of God: An Extraordinary Journey into the Uncharted Tributaries of the Western Amazon)
I don’t share, kitten.” Saint hovers his face over mine, and all I see are those dark eyes cutting through the ski mask. “I granted a dying man his last meal before I sent him to hell for touching what’s mine. There’s a difference.” “You can’t kill everyone who puts a hand on me.” “But I can.” He ticks his head to the side, tosses the blade to the bed, and grips the back of my hair, tipping my head. “I can do whatever I want when it comes to you. And I will, Violet. I’ll prove my loyalty in blood. In screams. In death.
Eva Simmons (Saint (Sigma Sin, #1))
I first got him, he was the kind of cat that was so fearful of humans, he would rather hide-away and starve to death than come out and face anyone. Only when I was asleep would he come out to play like a typical kitten, which is normal, since cats are generally nocturnal, anyway. You know how cats shed terribly when they're stressed or frightened? The poor boy would shed everywhere, and if I carried him, I'd put him down to find a distinct line of cat hair trailing down my shirt. His rescuers found him in a trailer park, with two of his siblings that I know of and his mother, who was so horribly abused that she still had the pellets of a BB gun in her flesh from, I'm assuming, the children who used her as target practice. His siblings have both been adopted into forever homes, the female of
Kurt Schmitt (The Cat Rescue Diaries: 56 True Life Stories of Cats Who Found Their Forever Homes, and the People Who Saved Them)
You won’t kill me, you stupid worthless bitch. But you best believe that we will kill you. We’ll make your friend’s death look as cute as puppies and kittens compared to yours. It’s just too bad that you won’t be able to witness it. Bummer.” - Patrick Calveri
Tina Nelson (Truth (Realm of the Immortals, #1))
The term stray refers to dogs and cats, animals traditionally viewed as pet animals, that are homeless and thus devoid of human companionship and protection. Stray animals are often perceived by individual residents as “pests” and by societal officials (specifically with respect to municipal and county animal control policies) as “nuisance animals/throwaways,” especially in the context of disease control (rabies, etc.). They are particularly vulnerable to the vagaries of existence on the street and are viewed by many people as being throwaway animals; millions of them are destroyed at animal shelters and animal control facilities in the United States each year. Four of the five violent subjects who reported acts of cruelty against stray animals reported frequent acts. Stray animals, genetically coded to bond and coexist with humans, may by necessity revert to feral (or wild) behavior, but they are not wild animals. As a result, they often seek the company of humans for food and shelter. The trust that they frequently display toward humans can be dangerous. Some of the most horrific reports of animal cruelty either committed or observed by the subjects in this study involved stray animals. These reports included exploding animals by inserting fireworks into the animal’s mouth or anus, using “Crazy Glue” to glue the paws of kittens and puppies to the middle of streets and then watching the animals be killed by passing cars, throwing stray animals to their death from rooftops, and setting animals on fire after drenching them in gasoline. Stray animals who are victims of cruelty can be analogized to the victims of serial killers, such as prostitutes and runaway juveniles; their deaths are often unseen and unknown by the average citizen until the remains are found.
Linda Merz-Perez (Animal Cruelty: Pathway to Violence Against People)
Humankind paid for its lofty vision and industrious hands with backaches and stiff necks. Women paid extra. An upright gait required narrower hips, constricting the birth canal – and this just when babies’ heads were getting bigger and bigger. Death in childbirth became a major hazard for human females. Women who gave birth earlier, when the infant’s brain and head were still relatively small and supple, fared better and lived to have more children. Natural selection consequently favoured earlier births. And, indeed, compared to other animals, humans are born prematurely, when many of their vital systems are still underdeveloped. A colt can trot shortly after birth; a kitten leaves its mother to forage on its own when it is just a few weeks old. Human babies are helpless, dependent for many years on their elders for sustenance, protection and education.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
They all looked at me like I was telling them they had to kill puppies and strangle kittens.
V. Moody (How to Avoid Death on a Daily Basis: Book One)
Are you threatening to kill me?” Felix asked with a soft laugh. “The only way you and I are leaving this world is together, in matching body bags. Take that how you will.” Felix put his hand over his name on Avi’s chest. “‘Til death do us part?” “‘Til death do us part, kitten. Promise.
Onley James (Mad Man (Necessary Evils, #5))
Death isn’t in my plan, pet.” A beat of silence passed. “Do not call me pet.” “Noted, kitten.
Kerri Maniscalco (Throne of the Fallen (Prince of Sin, #1))
Death isn’t in my plan, pet.” A beat of silence passed. “Do not call me pet.” “Noted, kitten.
Kerri Maniscalco (Throne of the Fallen (Prince of Sin, #1))
There are several books on Walter Potter---one is called Sweet Death: A Feast With Kittens; another, The Victorian Visionary: Inventor of Kitsch. There are some on carnivals, fairgrounds, prison murals, prison art, and a hefty book with a title in gold, Portraits of Icons: From Alexamenos Graffito to Peter Blake's Sgt. Pepper. There are also books I have seen before, books I used to, until very recently when I lost my suitcase, own. One is a book on the abstract expressionist Bernice Bing; colors from her piece Burney Falls cascade down the spine---deep red, tinged with orange, outlined in black against white, brown and peach like skin. There's a book on the performance artist Senga Nengudi too, and another on the painter Amrita Sher-Gil. I take this last one off the shelf, and it falls open to a middle page, which has a picture of her painting Three Girls on it. I stand there for a moment, looking at the three girls' faces: calm, patiently waiting. They are huddled close together, as though perhaps they are sisters, but I don't think they could be; they look too different. I had a postcard of this painting taped to my wall while I was growing up. It was blank on the other side, but I kept it because I had found it tucked in the wooden frame of one of Dad's paintings. It went missing at some point, but while I had it, I looked at it often and felt that I knew---like really knew, as though I had a sense about these things---that the girls depicted were vampires, and that they were still out there in the world, looking exactly the same as when Sher-Gil painted them in 1935, and that I would one day meet them. The painting, I decided when I was a child, depicted the three girls quietly waiting for three brothers to come out of a house so that they could eat them.
Claire Kohda (Woman, Eating)
Consciousness slipped slowly away, as he watched through gaping roof-holes pinprick stars high up, glistening against a purple sky. He thought of his mother and Dog and the kittens and Cat, as the stars began dropping to the earth like molten bullets, gradually fading away.
J.Y. Sam (The Ingenious and the Colour of Life)
He heard her scrambling out of her chair and following behind him with the click of her kitten heels. Those damn shoes will be the death of me one day.
L. Starla (Crystal's Crucible (Phoebe Braddock Books #3))
Come thaw my frozen heart, my little arctic kitten.” Unable to resist, Aria jumped in and picked up the next line. “No chance, my yeti man, I’d rather be frostbitten.” “Let me be your snowman. Come live in my igloo.” “I’d rather freeze to death than hibernate with you.” Aria couldn’t believe they were singing such a stupid song
Veronica Rossi (Through the Ever Night (Under the Never Sky, #2))
In her book Knowing Woman, Irene Claremont de Castillejo writes: Woman, who is so intimately and profoundly concerned with life, takes death in her stride. For her, to rid herself of an unwanted foetus is as much in accord with nature as for a cat to refuse milk to a weakling kitten. It is man who has evolved principles about the sacredness of life … and women have passionately adopted them as their own. But principles are abstract Woman’s basic instinct is not concerned with the idea of life, but with the fact of life. The ruthlessness of nature which discards unwanted life is deeply ingrained in her.
Ursula K. Le Guin (Dancing at the Edge of the World: Thoughts on Words, Women, Places)
I still don't know to this day how she managed to climb the 94 stairs; she was dying from an overdose. The gate at the bottom of the stairwell did not make a sound when she entered the building, being so ill and alone. It was odd. Where could she have been? Almost as if she had been dropped off at my doorstep like a package silently by a (Polish) giant. She was pale and could barely open the door with her keys. When she entered, she fell into my arms; she was drunk and high, her legs buckling so that she couldn't stand. I tried to figure out what she had taken and what she had drunk, but she could barely talk; her eyes were rolling back in her skull. She was crying with her head in the toilet bowl, unable to stop the cramps running through her insides and her entire body shaking. - What did you drink? - Two … beers. - I am not your father. What did you take? Where have you been? - Beers and tequila - she mumbled, saliva drooling out of her mouth and her head hanging down like she was dead already. Then I asked her what else she had taken. She still wouldn't answer, so I repeated. - Answer me Martina, who gave it to you?! - I shouted. - Where have you been?! But she didn't answer, and her condition was critical, so I had to rush her to the hospital in my arms as she was about to lose consciousness. I had to grab her and take her to the closest hospital across Parallel, two blocks away. This was the first time I had taken her to the hospital since she'd split her chin by falling off my bicycle allegedly before, although it wasn't the last. Interestingly, whenever she got involved with a new group of criminals, she wound up in the hospital both times, and both times I took her there. She had no energy to lift her head out of the toilet bowl. As soon as I entered the hospital with her, the staff and I had to put her in a wheelchair. They took her inside and 20 minutes later when I was sitting by her bed, she already felt better with an IV dripping slowly into her vein, but she was unable to move; she was lying in her hospital bed, barely able to open her eyes to look at me. She was between life and death, or between real life and just a dream. I remembered less than a year earlier she was so full of life and happy and healthy when I put her up on that set of chairs that night when we took off the 'for sale' sign. The doctors told me after she fell asleep that they wanted to rinse her stomach, but she didn't authorize that. I was not fully aware that she was on drugs time to time or all the time and with what kind of people she was associated with. She almost only showed up at home in September 2014 when she overdosed. I was in love and worried for her so much, so I filled out the forms while they treated her in the hospital. I prayed to God to save her, asking for Him to show her the Truth. All I had was a prayer—50/50 if it worked. And I remembered that two years before, I had prayed for the life of our kitten Sabrina was playing with, making friends. This time, however, I had to rush to the hospital, not the vet, with my 20-year-old girlfriend who would soon be 21 in October 2014. And I felt like Sabrina, trying to make friends again but by the wrong people was the reason why I, an atheist, was praying for a puppy or a kitten or a bunny's life this time again. I didn't know that lies and secrets were eating away at her from deep inside once in a while as well, it wasn't just the drugs that were killing her insides like cancer. Just like her brother's intestines silently began to consume him and her, unbeknownst to them, but I could almost sense it like a dog if I could not see it, smell it inside them like X-ray. They were unaware of what my eyes had seen, as I watched their vibrations and faces silently change.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
Jackson is right in front of us, at the back wall behind the bench, helmet in hand, still where he slammed against the glass, giving Frat Boy a death stare.  I can almost hear the words as I read them off his lips: “Back. The. Fuck. Off!
S.J. Tilly (Sleet Kitten (Sleet, #1))
If I saw pictures of her and some guy, and that guy was touching her, and they had a history of getting naked together, I’d get arrested. I’d get arrested because I would lose my ever-loving shit, find the guy, and beat him to near death just for having the audacity to touch what’s mine. And she is. Kitten is mine.
S.J. Tilly (Sleet Kitten (Sleet, #1))
The Kitten poster reminds me of Blake Snyder’s SAVE THE CAT! The Last Book on Screenwriting That You’ll Ever Need, which has a cover with a similar image. I hope the kitten falls to its death. This hope is not born out of maliciousness, but sympathy. What's the point of hanging in there if no one's going to save you? The little fucker can only hang on for so long.
Wesley McCraw (Brief Pose)
Garrett’s about to have a kitten at the thought of you going alone.” Donovan snorted. “He’s just pissed because he’s out of action. It’ll be good for him to have to sit and cool his heels. Man works too damn much. He’ll have an ulcer before he’s forty. If he lives that long.” “Shi-it. Don’t tell Ma that. She’d henpeck him to death.” Both men stopped and stared at each other in realization. Slow grins spread across their faces and they burst into laughter. “Oh hell. Garrett’ll kill us for this, but it’ll be worth it,” Donovan chortled. “You wanna tell her or should I?
Maya Banks (The Darkest Hour (KGI, #1))
My family will have to be your family,” he added softly. “We will make our own family.” Shea rubbed her face against his chest like a kitten, her mouth wandering up the column of his throat. “We have a strange family, Jacques, every one of them. I guess we’ll have to be the sane ones.” He loved the laughter in her voice. As sad as she must be at this moment, with the man who was her father responsible for so much death and hatred, she still found it in her to try to make him feel better. His arms tightened protectively. “I suppose we cannot tell them we feel this way.” “Better not. I think they’re under the mistaken impression that something is a little off with us.
Christine Feehan (Dark Desire (Dark, #2))
If you took a kitten away from its mother, then dumped it back again and the mother bit its throat out because it didn't smell right, you'd know that was your fault. If you caught a bird and taught it to talk, and then it escaped and it starved to death because it didn't know how to feed itself, you'd be absolutely clear that was on you.
M.R. Carey
Green’s first victim was found on the North York Moors, which is why the papers called him the ‘Beast of Whitby’. He went on to rape and kill at least two more children, one of whom he lured into his van using kittens that he’d collected from a local animal shelter. He pleaded guilty to the murders, but died within a year, beaten to death in a prison exercise yard
Michael Robotham (When She Was Good (Cyrus Haven 2))
Cats catch killer kittens cussing quickly.
Tyler Whitesides (The Thousand Deaths of Ardor Benn (Kingdom of Grit, #1))
Since the loss of Julia and the opening of the prosecution against him, he had forced himself to make this walk daily. Or if the mood took him and the weather was favorable he would go out in the new dinghy and sail as far as St. Ann’s. Such activity didn’t lift the cloud from his mind, but it helped to set it in proportion for the rest of the day’s tasks. His daughter was dead, his cousin had betrayed him, his much-labored-over smelting scheme was in ashes, he faced charges in the criminal court for which he might well be sentenced to death or life transportation, and if by some chance he survived that, it would be only a matter of months before bankruptcy and imprisonment for debt followed. But, in the meantime, fields had to be sown and reaped, copper had to be raised and marketed, Demelza had to be clothed and fed and cherished—so far as it was in his scope to cherish anyone at this stage. It was Julia’s death that still hit him hardest. Demelza had grieved no less than he, but hers was a more pliant nature, responding involuntarily to stimuli that meant little to him. A celandine flowering out of season, a litter of kittens found unexpectedly in a loft, warm sunshine after a cold spell, the smell of the first swathe of hay: these were always temporary reliefs for her, and so sorrow had less power to injure her. Although he didn’t realize it, much of the cherishing this year had been on her side.
Winston Graham (Ross Poldark / Demelza / Jeremy Poldark (Poldark, #1-3))
What happened to you out there?” she asked softly, clinging to him. “The vampire and I fought,” he said into her mass of red hair. He caught a strand on the tip of his tongue, ran it through his mouth, needing the feel of her close to him. “I know. It was Rand. I felt you hit him. I could feel his hatred. It was terrible, like something alien in my body. When you struck, I could feel his pain. Right away I began to bleed. I knew he would use it against you somehow, so I tried to do what you said all Carpathians could do.” She looked ruefully around her at the smears of blood. “It took a while to figure things out, but eventually I was able to put myself to sleep.” She took his breath away with her bravery. “Why did you not contact me?” “I was afraid it would distract you, Jacques. I knew you were in a fight for your life. The last thing you needed to do was worry about me.” “You are still bleeding,” he pointed out softly, holding her away from him so he could examine her. “It doesn’t really hurt all that much, now that you’re back and safe,” she assured him. “I’m sorry it was your father. I know how much having a father, some member of your family, alive would have meant to you.” He bent his head to the angry cut across her left breast. His tongue lapped at the wound gently, the healing properties in his saliva instantly closing the laceration. Her skin, recently so cold and lifeless, was suddenly beginning to heat. Steam rose all around them, enfolding them in its embrace. “My family will have to be your family,” he added softly. “We will make our own family.” Shea rubbed her face against his chest like a kitten, her mouth wandering up the column of his throat. “We have a strange family, Jacques, every one of them. I guess we’ll have to be the sane ones.” He loved the laughter in her voice. As sad as she must be at this moment, with the man who was her father responsible for so much death and hatred, she still found it in her to try to make him feel better. His arms tightened protectively. “I suppose we cannot tell them we feel this way.” “Better not. I think they’re under the mistaken impression that something is a little off with us.
Christine Feehan (Dark Desire (Dark, #2))
You are still bleeding,” he pointed out softly, holding her away from him so he could examine her. “It doesn’t really hurt all that much, now that you’re back and safe,” she assured him. “I’m sorry it was your father. I know how much having a father, some member of your family, alive would have meant to you.” He bent his head to the angry cut across her left breast. His tongue lapped at the wound gently, the healing properties in his saliva instantly closing the laceration. Her skin, recently so cold and lifeless, was suddenly beginning to heat. Steam rose all around them, enfolding them in its embrace. “My family will have to be your family,” he added softly. “We will make our own family.” Shea rubbed her face against his chest like a kitten, her mouth wandering up the column of his throat. “We have a strange family, Jacques, every one of them. I guess we’ll have to be the sane ones.” He loved the laughter in her voice. As sad as she must be at this moment, with the man who was her father responsible for so much death and hatred, she still found it in her to try to make him feel better. His arms tightened protectively. “I suppose we cannot tell them we feel this way.” “Better not. I think they’re under the mistaken impression that something is a little off with us.
Christine Feehan (Dark Desire (Dark, #2))
Ah, Goddess be praised. I lived to see the kitten and the killer fall in love.” The woman’s eyes turned white. “Your love will conquer all, even death. Give yourself to the one your heart sings for, little Omega, and you will save him and all of his brothers.
Merri Bright (The King's Omega (The Lost Lines, #1))