Kite Quotes

We've searched our database for all the quotes and captions related to Kite. Here they are! All 100 of them:

For you, a thousand times over
Khaled Hosseini (The Kite Runner)
It may be unfair, but what happens in a few days, sometimes even a single day, can change the course of a whole lifetime...
Khaled Hosseini (The Kite Runner)
Throw your dreams into space like a kite, and you do not know what it will bring back, a new life, a new friend, a new love, a new country.
Anaïs Nin
And that's the thing about people who mean everything they say. They think everyone else does too.
Khaled Hosseini (The Kite Runner)
There is only one sin. and that is theft... when you tell a lie, you steal someones right to the truth.
Khaled Hosseini (The Kite Runner)
Kites rise highest against the wind, not with it.
Winston S. Churchill
it always hurts more to have and lose than to not have in the first place.
Khaled Hosseini (The Kite Runner)
I wondered if that was how forgiveness budded; not with the fanfare of epiphany, but with pain gathering its things, packing up, and slipping away unannounced in the middle of the night.
Khaled Hosseini (The Kite Runner)
There are a lot of children in Afghanistan, but little childhood.
Khaled Hosseini (The Kite Runner)
There is a way to be good again...
Khaled Hosseini (The Kite Runner)
Not a word passes between us, not because we have nothing to say, but because we don't have to say anything
Khaled Hosseini (The Kite Runner)
When you kill a man, you steal a life. You steal his wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness.
Khaled Hosseini (The Kite Runner)
People say that eyes are windows to the soul.
Khaled Hosseini (The Kite Runner)
Time can be a greedy thing-sometimes it steals the details for itself.
Khaled Hosseini (The Kite Runner)
She said, 'I'm so afraid.' And I said, 'why?,' and she said, 'Because I'm so profoundly happy, Dr. Rasul. Happiness like this is frightening.' I asked her why and she said, 'They only let you be this happy if they're preparing to take something from you.
Khaled Hosseini (The Kite Runner)
A man who has no conscience, no goodness, does not suffer.
Khaled Hosseini (The Kite Runner)
It's wrong what they say about the past, I've learned, about how you can bury it. Because the past claws its way out.
Khaled Hosseini (The Kite Runner)
Quiet is peace. Tranquility. Quiet is turning down the volume knob on life. Silence is pushing the off button. Shutting it down. All of it. - Amir
Khaled Hosseini (The Kite Runner)
Better to get hurt by the truth than comforted with a lie.
Khaled Hosseini (The Kite Runner)
It was only a smile, nothing more. It didn't make everything all right. It didn't make ANYTHING all right. Only a smile. A tiny thing. A leaf in the woods, shaking in the wake of a startled bird's flight. But I'll take it. With open arms. Because when spring comes, it melts the snow one flake at a time, and maybe I just witnessed the first flake melting. - Amir
Khaled Hosseini (The Kite Runner)
War doesn't negate decency. It demands it, even more than in times of peace." - Baba
Khaled Hosseini (The Kite Runner)
In the end, the world always wins. That's just the way of things.
Khaled Hosseini (The Kite Runner)
I want to tear myself from this place, from this reality, rise up like a cloud and float away, melt into this humid summer night and dissolve somewhere far, over the hills. But I am here, my legs blocks of concrete, my lungs empty of air, my throat burning. There will be no floating away.
Khaled Hosseini (The Kite Runner)
some stories don't need telling
Khaled Hosseini (The Kite Runner)
I opened my mouth, almost said something. Almost. The rest of my life might have turned out differently if I had. But I didn’t.
Khaled Hosseini (The Kite Runner)
You've always been a tourist here. You just didn't know it.
Khaled Hosseini (The Kite Runner)
I'm so afraid. Because I'm so profoundly happy. Happiness like this is frightening...They only let you this happy if they're preparing to take something from you.
Khaled Hosseini (The Kite Runner)
I know you think this world is too dark to even dream in color, but I’ve seen flowers bloom at midnight. I’ve seen kites fly in gray skies and they were real close to looking like the sunrise, and sometime it takes the most wounded wings the most broken things to notice how strong the breeze is, how precious the flight.
Andrea Gibson
Men are easy,' he said, fingers tapping on his mahogany desk. 'A man's plumbing is like his mind: simple, very few surprises. You ladies, on the other hand...well, God put a lot of thought into making you.
Khaled Hosseini (The Kite Runner)
Seize the wind," I whispered. "Don't become the kite that never flies.
Elizabeth Lim (Spin the Dawn (The Blood of Stars, #1))
The Wanderer What is she like? I was told— she is a melancholy soul. She is like the sun to the night; a momentary gold. A star when dimmed by dawning light; the flicker of a candle blown. A lonely kite lost in flight— someone once had flown.
Lang Leav (Love & Misadventure)
a kite is a victim you are sure of. you love it because it pulls.
Leonard Cohen
Imagination is the highest kite that can fly.
Lauren Bacall (By Myself and Then Some)
One time, when I was very little, I climbed a tree and ate these green, sour apples. My stomach swelled and became hard like a drum, it hurt a lot. Mother said that if I'd just waited for the apples to ripen, I wouldn't have become sick. So now, whenever I really want something, I try to remember what she said about the apples.
Khaled Hosseini (The Kite Runner)
The problem, of course, was that [he] saw the world in black and white. And he got to decide what was black and what was white. You can't love a person who lives that way without fearing him too. Maybe even hating him a little.
Khaled Hosseini (The Kite Runner)
there is only one sin, only one. And that is theft. Every other sin is a variation of theft. When you kill a man, you steal a life... you steal his wife's right to a husband, rob his children of a ather. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness... there is no act more wretched than stealing.
Khaled Hosseini (The Kite Runner)
Life goes on, unmindful of beginning, end…crisis or catharsis, moving forward like a slow, dusty caravan of kochis (nomads).
Khaled Hosseini (The Kite Runner)
That same night, I wrote my first short story. It took me thirty minutes. It was a dark little tale about a man who found a magic cup and learned that if he wept into the cup, his tears turned into pearls. But even though he had always been poor, he was a happy man and rarely shed a tear. So he found ways to make himself sad so that his tears could make him rich. As the pearls piled up, so did his greed grow. The story ended with the man sitting on a mountain of pearls, knife in hand, weeping helplessly into the cup with his beloved wife's slain body in his arms.
Khaled Hosseini (The Kite Runner)
Go slowly, my lovely moon, go slowly.
Khaled Hosseini (The Kite Runner)
Waiting for the fish to bite or waiting for wind to fly a kite. Or waiting around for Friday night or waiting perhaps for their Uncle Jake or a pot to boil or a better break or a string of pearls or a pair of pants or a wig with curls or another chance. Everyone is just waiting.
Dr. Seuss
Sad stories make good books
Khaled Hosseini (The Kite Runner)
And I began to let him go. Hour by hour. Days into months. It was a physical sensation, like letting out the string of a kite. Except that the string was coming from my center.
Augusten Burroughs (You Better Not Cry: Stories for Christmas)
Attention shifted to him like sunflowers turning to the sun.
Khaled Hosseini (The Kite Runner)
After my bad experience as a kite, I simply refused to go about as a glowing Sadie-headed chicken. That’s fine for Carter, but I have standards.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
There was so much goodness in my life. So much happiness. I wondered whether I deserved any of it.
Khaled Hosseini (The Kite Runner)
A girl was like a kite; without her mother's strong, steady hold on the string, she might just float away, be lost somewhere among the clouds.
Kristin Hannah (The Great Alone)
Did you ever fly a kite in bed? Did you ever walk with ten cats on your head? Did you ever milk this kind of cow? Well, we can do it. We know how. If you never did, you should. These things are fun and fun is good.
Dr. Seuss (One Fish, Two Fish, Red Fish, Blue Fish)
Life is a train, get on board.
Khaled Hosseini (The Kite Runner)
That's how children deal with terror, they fall asleep.
Khaled Hosseini (The Kite Runner)
It's wrong to hurt even bad people. Because they don't know any better, and because bad people sometimes become good.
Khaled Hosseini (The Kite Runner)
And suddenly, just like that, hope became knowledge. I was going to win. It was just a matter of when.
Khaled Hosseini (The Kite Runner)
I wished I could be alone in my room, with my books, away from these people.
Khaled Hosseini (The Kite Runner)
I didn't remember what month that was, or what year even. I only knew the memory lived in me, a perfectly encapsulated morsel of a good past, a brushstroke of color on the gray, barren canvas that our lives had become.
Khaled Hosseini (The Kite Runner)
And the flavor of Pippa's kiss--bittersweet and strange--stayed with me all the way back uptown, swaying and sleepy as I sailed home on the bus, melting with sorrow and loveliness, a starry ache that lifted me up above the windswept city like a kite: my head in the rainclouds, my heart in the sky.
Donna Tartt (The Goldfinch)
In the embrace's release I caught the scent again. Unmistakable. Marijuana. These homos were high as kites.
Emily M. Danforth (The Miseducation of Cameron Post)
If bravery is the wind that makes us soar like kites, fear is the string that keeps us from going too far.
Brandon Sanderson (Tress of the Emerald Sea)
The desert weed lives on, but the flower of spring blooms and wilts.
Khaled Hosseini (The Kite Runner)
Yes, hope is a strange thing. Peace at last. But at what price?
Khaled Hosseini (The Kite Runner)
California is like a beautiful wild kid on heroin, high as a kite and thinking she's on top of the world, not knowing she's dying, not believing it even if you show her the marks.
S.E. Hinton (Rumble Fish)
I became what I am today at the age of twelve, on a frigid overcast day in the winter of 1975. I remember the precise moment, crouching behind a crumbling mud wall, peeking into the alley near the frozen creek. That was a long time ago, but it’s wrong what they say about the past, I’ve learned, about how you can bury it. Because the past claws its way out. Looking back now, I realize I have been peeking into that deserted alley for the last twenty-six years.
Khaled Hosseini (The Kite Runner)
The beet is the most intense of vegetables. The radish, admittedly, is more feverish, but the fire of the radish is a cold fire, the fire of discontent not of passion. Tomatoes are lusty enough, yet there runs through tomatoes an undercurrent of frivolity. Beets are deadly serious. Slavic peoples get their physical characteristics from potatoes, their smoldering inquietude from radishes, their seriousness from beets. The beet is the melancholy vegetable, the one most willing to suffer. You can't squeeze blood out of a turnip... The beet is the murderer returned to the scene of the crime. The beet is what happens when the cherry finishes with the carrot. The beet is the ancient ancestor of the autumn moon, bearded, buried, all but fossilized; the dark green sails of the grounded moon-boat stitched with veins of primordial plasma; the kite string that once connected the moon to the Earth now a muddy whisker drilling desperately for rubies. The beet was Rasputin's favorite vegetable. You could see it in his eyes.
Tom Robbins (Jitterbug Perfume)
This is the story of the curse and the kiss, the demon and the girl. It's a love story with dancing and death in it, and singing and souls and shadows reeled out on kite strings.
Laini Taylor (Lips Touch: Three Times)
You know what I mean? Real and unreal, beautiful and strange, like a dream. It got me high as a kite, but it didn’t last long enough. It ended too soon and left nothing behind.” That’s how it is with dreams,” said Priscilla. “They’re the perfect crime.
Tom Robbins (Jitterbug Perfume)
I brought Hassan’s son from Afghanistan to America, lifting him from the certainty of turmoil and dropping him in a turmoil of uncertainty
Khaled Hosseini (The Kite Runner)
Apollo nodded and Dionysus bowed to the room, sweeping his arms out to the sides with a flourish. And then he was gone. I shook my head. "Okay. Who else thinks he was high as a kite?" Hands went up across the room and I grinned.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
And this is what I want you to understand, that good, real good, was born out of your father's remorse. Sometimes, I thing everything he did, feeding the poor on the streets, building the orphanage, giving money to friends in need, it was all his way of redeeming himself. And that, I believe, is what true redemption is, Amir jan, when guilt leads to good.
Khaled Hosseini (The Kite Runner)
Blood is a powerful thing
Khaled Hosseini (The Kite Runner)
He knew I'd seen everything in that alley, that I'd stood there and done nothing. He knew that I'd betrayed him and yet he was rescuing me once again, maybe for the last time.
Khaled Hosseini (The Kite Runner)
He stopped, turned. He cupped his hands around his mouth. ''For you a thousand times over!'' he said. Then he smiled his Hassan smile and disappeared around the corner.
Khaled Hosseini (The Kite Runner)
As far as I know, he never asked where she had been or why she had left and she never told. I guess some stories do not need telling.
Khaled Hosseini (The Kite Runner)
All my life, I'd been around men. That night, I discovered the tenderness of a woman.
Khaled Hosseini (The Kite Runner)
For you, a thousand times over." Then I turned and ran. It was only a smile, nothing more. It didn't make everything alright. It didn't make anything all right. Only a smile. A tiny thing. But I'll take it. With open arms.
Khaled Hosseini (The Kite Runner)
A part of me was hoping someone would wake up and hear, so I wouldn't have to live with this lie anymore. But no one woke up and in the silence that followed, I understood the nature of my new curse: I was going to get away with it.
Khaled Hosseini (The Kite Runner)
It is now your duty to hone that talent, because a person who wastes his God-given talents is a donkey.
Khaled Hosseini (The Kite Runner)
Zindagi migzara (life goes on)
Khaled Hosseini (The Kite Runner)
I think that everything he did, feeding the poor, giving money to friends in need, it was all a way of redeeming himself. And that, I believe, is what true redemption is, Amir jan, when guilt leads to good.
Khaled Hosseini (The Kite Runner)
• Eating disorders are addictions. You become addicted to a number of their effects. The two most basic and important: the pure adrenaline that kicks in when you're starving—you're high as a kite, sleepless, full of a frenetic, unstable energy—and the heightened intensity of experience that eating disorders initially induce. At first, everything tastes and smells intense, tactile experience is intense, your own drive and energy themselves are intense and focused. Your sense of power is very, very intense. You are not aware, however, that you are quickly becoming addicted.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
Rahim Khan laughed. “Children aren’t coloring books. You don’t get to fill them with your favorite colors.
Khaled Hosseini (The Kite Runner)
Not a word passes between us, not because we have nothing to say, but because we don't have to say anything - that is how, it is between people who are each other's first memories
Khaled Hosseini (The Kite Runner)
America was different. America was a river, roarng along, unmindful of the past. I could wade into this river, let my sins drown to the bottom, let the waters carry me someplace far. Someplace with no ghosts, no memories, and no sins.
Khaled Hosseini (The Kite Runner)
You're gutless. It's how you were made. And that's not such a bad thing because your saving grace is that you've never lied to yourself about it. Not about that. Nothing wrong with cowardice as long as it comes with prudence. But when a coward stops remembering who he is... God help him.
Khaled Hosseini (The Kite Runner)
If there's a God out there, then i would hope he has more important things to attend to than my drinking scotch or eating pork.
Khaled Hosseini (The Kite Runner: A Portrait of the Epic Film (Newmarket Pictorial Moviebooks))
I think he loved us equally, but differently.
Khaled Hosseini (The Kite Runner)
گفت:خیلی میترسم گفتم:چرا؟ گفت:چون از ته دل خوشحالم... این جور خوشحالی ترسناک است... پرسیدم آخر چرا؟!! و او جواب داد وقتی آدم این جور خوشحال باشد سرنوشت آماده است چیزی را از آدم بگیرد!
Khaled Hosseini (The Kite Runner)
it is a heartBreaking sound, Amir Jan, the Wailing of a mother. I pray to Allah you Never hear it.
Khaled Hosseini (The Kite Runner)
If I had my child to raise all over again, I'd build self-esteem first, and the house later. I'd finger-paint more, and point the finger less. I would do less correcting and more connecting. I'd take my eyes off my watch, and watch with my eyes. I'd take more hikes and fly more kites. I'd stop playing serious, and seriously play. I would run through more fields and gaze at more stars. I'd do more hugging and less tugging.
Diane Loomans
I still love you like moons love the planets they circle around, like children love recess bells. I still hear the sound of you and think of playgrounds where outcasts who stutter beneath braces and bruises and acne are finally learning that their rich handsome bullies are never gonna grow up to be happy. I think of happy when I think of you. So wherever you are I hope you’re happy, I really do. I hope the stars are kissing your cheeks tonight I hope you finally found a way to quit smoking I hope your lungs are open and breathing this life I hope there’s a kite in your hand that’s flying all the way up to Orion and you still got a thousand yards of string to let out. I hope you’re smiling like God is pulling at the corners of your mouth, ‘cause I might be naked and lonely shaking branches for bones but I’m still time zones away from who I was the day before we met. You were the first mile where my heart broke a sweat, and I wish you were here; I wish you’d never left; but mostly I wish you well. I wish you my very, very best
Andrea Gibson
If I had my child to raise all over again, I’d finger paint more, and point the finger less. I’d do less correcting, and more connecting. I’d take my eyes off my watch, and watch with my eyes. I would care to know less, and know to care more. I’d take more hikes and fly more kites. I’d stop playing serious, and seriously play. I’d run through more fields, and gaze at more stars. I’d do more hugging, and less tugging. I would be firm less often, and affirm much more. I’d build self esteem first, and the house later. I’d teach less about the love of power, and more about the power of love.
Diane Loomans
Some days, I listen to that clock ticking in the hallway. Then I think of all the ticks, all the minutes, all the hours and days and weeks and months and years waiting for me. All of it without you. And I can’t breathe then, like someone’s stepping on my heart. I get so weak. So weak I just want to collapse somewhere.
Khaled Hosseini (The Kite Runner)
Was there happiness at the end [of the movie], they wanted to know. If someone were to ask me today whether the story of Hassan, Sohrab, and me ends with happiness, I wouldn't know what to say. Does anybody's? After all, life is not a Hindi movie. Zendagi migzara, Afghans like to say: Life goes on, undmindful of beginning, en, kamyab, nah-kam, crisis or catharsis, moving forward like a slow, dusty caravan of kochis.
Khaled Hosseini (The Kite Runner)
I will go directly to her home, ring the bell, and walk in. Here I am, take me-or stab me to death. Stab the heart, stab the brains, stab the lungs, the kidneys, the viscera, the eyes, the ears. If only one organ be left alive you are doomed-doomed to be mine, forever, in this world and the next and all the worlds to come. I'm a desperado of love, a scalper, a slayer. I'm insatiable. I eat hair, dirty wax, dry blood clots, anything and everything you call yours. Show me your father, with his kites, his race horses, his free passes for the opera: I will eat them all, swallow them alive. Where is the chair you sit in, where is your favorite comb, your toothbrush, your nail file? Trot them out that I may devour them at one gulp. You have a sister more beautiful than yourself, you say. Show her to me-I want to lick the flesh from her bones.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
Except that wasn't all. The real fun began when a kite was cut. That was where the kite runners came in, those kids who chased the windblown kite drifting through the neighborhoods until it came spiraling down in a field, dropping in someone's yard, on a tree or a rooftop. The chase got pretty fierce; hordes of kite runners swarmed the streets, shoved past each other like those people from Spain I'd read about once, the ones who ran from the bulls. One year a neighborhood kid climbed a pine tree for a kite. A branch snapped under his weight and he fell thirty feet. Broke his back and never walked again. But he fell with the kite still in his hands. And when a kite runner has his hands on a kite, no one could take it from him. That wasn't a rule. That was a custom.
Khaled Hosseini (The Kite Runner)
This is my last letter There will be no others. This is the last grey cloud That will rain on you, After this, you will never again Know the rain. This is the last drop of wine in my cup There will be no more drunkenness. This is the last letter of madness, The last letter of childhood. After me you will no longer know The purity of youth The beauty of madness. I have loved you Like a child running from school Hiding birds and poems In his pockets. With you I was a child of Hallucinations, Distractions, Contradictions, I was a child of poetry and nervous writing. As for you, You were a woman of Eastern ways Waiting for her fate to appear In the lines of the coffee cups. How miserable you are, my lady, After today You won't be in the blue notebooks, In the pages of the letters, In the cry of the candles, In the mailman's bag. You won't be Inside the children's sweets In the colored kites. You won't be in the pain of the letters In the pain of the poems. You have exiled yourself From the gardens of my childhood You are no longer poetry.
Nizar Qabbani (Arabian Love Poems: Full Arabic and English Texts (Three Continents Press))
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
He felt greedy for something. He’d wanted to kiss Wylan since he’d first seen him stirring chemicals in that gruesome tannery—ruddy curls damp with the heat, skin so delicate it looked like it would bruise if you breathed on it too hard. He looked like he’d fallen into the wrong story, a prince turned pauper. From then on, Jesper had been stuck somewhere between the desire to taunt the pampered little merchling into another blush and the urge to flirt him into a quiet corner just to see what might happen. But sometime during their hours at the Ice Court, that curiosity had changed. He’d felt the tug of something more, something that came to life in Wylan’s unexpected courage, in his wide-eyed, generous way of looking at the world. It made Jesper feel like a kite on a tether, lifted up and then plummeting down, and he liked it.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I loved him in that moment, loved him more than I'd ever loved anyone, and I wanted to to tell them all that I was the snake in the grass, the monster in the lake. I wasn't worthy of this sacrifice; I was a liar, a cheat, a thief. And I would have told, except that a part of me was glad. Glad that this would all be over with soon. Baba would dismiss them, there would be some pain, but life would move on. I wanted that, to move on, to forget, to start with a clean slate. I wanted to be able to breathe again.
Khaled Hosseini (The Kite Runner)
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hot by pies? We taste custard we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul.
Ray Bradbury (Something Wicked This Way Comes)
A Kite is a Victim A kite is a victim you are sure of. You love it because it pulls gentle enough to call you master, strong enough to call you fool; because it lives like a desperate trained falcon in the high sweet air, and you can always haul it down to tame it in your drawer. A kite is a fish you have already caught in a pool where no fish come, so you play him carefully and long, and hope he won't give up, or the wind die down. A kite is the last poem you've written so you give it to the wind, but you don't let it go until someone finds you something else to do. A kite is a contract of glory that must be made with the sun, so you make friends with the field the river and the wind, then you pray the whole cold night before, under the travelling cordless moon, to make you worthy and lyric and pure. Gift You tell me that silence is nearer to peace than poems but if for my gift I brought you silence (for I know silence) you would say This is not silence this is another poem and you would hand it back to me There are some men There are some men who should have mountains to bear their names through time Grave markers are not high enough or green and sons go far away to lose the fist their father’s hand will always seem I had a friend he lived and died in mighty silence and with dignity left no book son or lover to mourn. Nor is this a mourning song but only a naming of this mountain on which I walk fragrant, dark and softly white under the pale of mist I name this mountain after him. -Believe nothing of me Except that I felt your beauty more closely than my own. I did not see any cities burn, I heard no promises of endless night, I felt your beauty more closely than my own. Promise me that I will return.- -When you call me close to tell me your body is not beautiful I want to summon the eyes and hidden mouths of stone and light and water to testify against you.- Song I almost went to bed without remembering the four white violets I put in the button-hole of your green sweater and how i kissed you then and you kissed me shy as though I'd never been your lover -Reach into the vineyard of arteries for my heart. Eat the fruit of ignorance and share with me the mist and fragrance of dying.-
Leonard Cohen (The Spice-Box of Earth)
In his rearview mirror, I saw something flash in his eyes. "You want to know?" he sneered. "Let me imagine, Agha sahib. You probably lived in a big two- or three-story house with a nice backyard that your gardener filled with flowers and fruit trees. All gated, of course. Your father drove an American car. You had servants, probably Hazaras. Your parents hired workers to decorate the house for the fancy mehmanis they threw, so their friends would come over to drink and boast about their travels to Europe or America. And I would bet my first son's eyes that this is the first time you've ever worn a pakol." He grinned at me, revealing a mouthful of prematurely rotting teeth. "Am I close?" Why are you saying these things?" I said. Because you wanted to know," he spat. He pointed to an old man dressed in ragged clothes trudging down a dirt path, a large burlap pack filled with scrub grass tied to his back. "That's the real Afghanistan, Agha sahib. That's the Afghanistan I know. You? You've always been a tourist here, you just didn't know it.
Khaled Hosseini (The Kite Runner)