β
All the most powerful emotions come from chaos -fear,anger,love- especially love. Love is chaos itself. Think about it! Love makes no sense. It shakes you up and spins you around. And then, eventually , it falls apart.
β
β
Kirsten Miller (The Eternal Ones (Eternal Ones, #1))
β
Heidi's role as grand master was to monitor all the women and to manage their locations and communication. Even though sheβd done this many times on multiple missions, her heartbeat still pounded in her ears.
β
β
Kirsten Fullmer (Trouble on Main Street (Sugar Mountain, #1))
β
Adam offered her a heart-melting smile and a wink, then headed for the door. With his hand on the door, he paused and turned back.
Heidiβs eyes jumped up from his butt to his face.
β
β
Kirsten Fullmer (Trouble on Main Street (Sugar Mountain, #1))
β
The mayor stood, his surprise at her interruption apparent by his twitching mustache. βYouβyou canβt just burst in here. Who are you?
β
β
Kirsten Fullmer (Trouble on Main Street (Sugar Mountain, #1))
β
What you love the most is what you have to fight the hardest to keep.
β
β
Kirsten Hubbard (Wanderlove)
β
Monique bit at the side of lip. βHeβs pretty active, I donβt want to imposeβ¦β
Tony stood and scooped up the puppy. βNo, seriously, Iβd love a little company.
β
β
Kirsten Fullmer (Problems at the Pub (Sugar Mountain, #4))
β
She gripped the wheel and squared her shoulders. She didnβt have to do any of this alone. All she had to do was notify the society and put out an All Points Bulletin on Adam and sheβd know everything there was to know about the man within 24 hours.
β
β
Kirsten Fullmer
β
Mildred adjusted the papers and scribbled some more. When she was finished, she took off her glasses, leaving them to swing from the chain around her neck. She gave the women around the table a pointed look. βNow think hard, ladies, can you come up with anything else?
β
β
Kirsten Fullmer
β
You can't control the past, but you can control where you go next.
β
β
Kirsten Hubbard (Wanderlove)
β
When I grow up, I'd like to be dangerous.
β
β
Kirsten Miller (Inside the Shadow City (Kiki Strike, #1))
β
You can't truly hate someone until you've cared about them. Until you've loved them.
β
β
Kirsten Hubbard (Like Mandarin)
β
Envy is when you want what someone else has. Jealousyβs when you also donβt want them to have it.
β
β
Kirsten Hubbard (Wanderlove)
β
From the antique Persian rugs covering the gleaming hardwood floors to the molded tin ceilings and ornate chandeliers, the house was a showstopper. Throughout its long life, no one had allowed this home to fall into disrepair. Every detail of the wainscoting, every pocket door, every window, floor tile, and bathtub was original to the house.
β
β
Kirsten Fullmer (Trouble on Main Street (Sugar Mountain, #1))
β
You know, sometimes when you're too close to someone, it's hard to see who they really are.
β
β
Kirsten Miller (The Eternal Ones (Eternal Ones, #1))
β
The poor manβs face twisted into a grimace and he pounded on the bar, protesting loudly. βOh, you shush,β Kim demanded as she continued to knead his shoulders, jerking his whole body as she worked. βYouβll like this in a minute.
β
β
Kirsten Fullmer (Problems at the Pub (Sugar Mountain, #4))
β
Where did you see him?β Heidi asked.
βAt the grocery store,β Mildred replied. βHe was picking out a cantaloupe. Of course, I had to give him some tips. He was about to pick one that wasnβt anywhere near ripe.β The women tossed each other knowing looks.
β
β
Kirsten Fullmer (Problems at the Pub (Sugar Mountain, #4))
β
If Adam were honest with himself, which he rarely was, heβd come to terms with the fact that beyond his work and the view, he was floundering a bit. His plan had been to take the insurance money, leave his old life behind, and start completely over somewhere new. A place where memories didnβt lurk around every corner.
He hadnβt figured on the memories coming along with him.
β
β
Kirsten Fullmer
β
Wanderlust is like itchy feet. Itβs when you canβt settle down. But Wanderlove is much deeper than that . . . itβs a compulsion. Itβs the difference between lust and love.
β
β
Kirsten Hubbard (Wanderlove)
β
Even when life turns out different than what you've planned, it's always better to try and fail than to wonder what could have been.
β
β
Kirsten Hubbard (Wanderlove)
β
You got to find your own places. The places you get, girl, the ones that stick in your heart. And if youβre lucky, you find people to share them with.
β
β
Kirsten Hubbard (Wanderlove)
β
The big question was, what all was this society up to? Theyβd certainly been in and out of his office, as well as accidently running into him all around town. Had he inadvertently missed what this group of ladies knew? And worse yet, had he given himself away?
β
β
Kirsten Fullmer (Problems at the Pub (Sugar Mountain, #4))
β
I look for you in every life, but I don't always find you. And sometimes I find you too late.
β
β
Kirsten Miller (The Eternal Ones (Eternal Ones, #1))
β
and we laugh and laugh and
all I know is
at this moment I feel like
I can do anything I want
and be anyone I want
and go anywhere on the globe
and still call it home
β
β
Kirsten "Kiwi" Smith (The Geography of Girlhood)
β
Hearing about vacations is like hearing about dreams -- no one cares except the person who's experienced them.
β
β
Kirsten Hubbard (Wanderlove)
β
My faith is big enough to accept all of God's wonders.
β
β
Kirsten Miller (The Eternal Ones (Eternal Ones, #1))
β
Wanderlove is about forgetting the bad things and focusing on the good. Out with the old and in with the new... The only way to escape the past is to keep moving forward.
β
β
Kirsten Hubbard (Wanderlove)
β
You big crybaby," I whispered into his ear. "Now you know why your mom warned you not to hit girls. Sometimes they hit back.
β
β
Kirsten Miller (Inside the Shadow City (Kiki Strike, #1))
β
I've come to realize that sometimes, what you love most is what you have to fight the hardest to keep.
β
β
Kirsten Hubbard (Wanderlove)
β
Yes, it's funny, isn't it? You try to do what's best for the people you love, and you just end up in trouble for your efforts.
β
β
Kirsten Miller (The Eternal Ones (Eternal Ones, #1))
β
What was it about the holidays that made your whole life feel out of control?
β
β
Kirsten Fullmer (Christmas in Smithville (Hometown, #4))
β
We long only to go home,βΒ β Kirsten said. This was from the first issue, Station Eleven. A face-off between Dr. Eleven and an adversary from the Undersea. βΒ βWe dream of sunlight, we dream of walking on earth.βΒ
β
β
Emily St. John Mandel (Station Eleven)
β
I know what it's like. To sabotage yourself. Nothing makes you hate yourself more than that.
β
β
Kirsten Hubbard (Wanderlove)
β
Paris is a heaven for all woman's obssesions: hot men, great chocolates, scrumptuous pastries, sexy lingerie, cool clothes but, as any shoe-o-phile knows, this city is a hotbed of fabulous shoes.
β
β
Kirsten Lobe (Paris Hangover: A Novel)
β
Sometimes when we're in love, we take the facts and spin them into pretty stories. But it's a dangerous thing to do--because one day, like it or not, you're going to see the world as it really is. You find out people aren't always who you want them to be. And if you're not ready for the truth...well, let's just say it can come as a bit of a shock.
β
β
Kirsten Miller (The Eternal Ones (Eternal Ones, #1))
β
When you're three, you don't draw what you see--you draw upon your imagination. Nobody tells you to stop putting wings on people, unless you have a most unfortunate preschool teacher. You are intoxicated by your own magic.
β
β
Kirsten Hubbard (Wanderlove)
β
What takes more guts? To fight for your own life at any costβor prove that you're willing to lose it?
β
β
Kirsten Miller (How to Lead a Life of Crime)
β
You can appreciate the good things all around you, but the best part is imminent, just out of reach. Like... perpetual anticipation.
β
β
Kirsten Hubbard (Wanderlove)
β
The longer I looked into his eyes the more I felt that he was leading me down a road that I was determined not to follow.
β
β
Shawn Maravel (Volition (Volition, #1))
β
Beau, will you please watch the entrance for us?"
"What should I do if I see anyone suspicious?"
"Kick a car," Iain said.
"Kick a car?"
"To set off the alarm."
"Gotcha," Beau said. "Good thinking.
β
β
Kirsten Miller (The Eternal Ones (Eternal Ones, #1))
β
I used to wonder what it would look like if all my footsteps were painted red: all the steps I'd ever taken in all the places I'd ever been.
β
β
Kirsten Hubbard (Like Mandarin)
β
You in the back," said the principal. "Don't think you can hide. Tell me. What would you like to be?"
"Dangerous," said the hidden girl, without a second's hesitation.
β
β
Kirsten Miller (Inside the Shadow City (Kiki Strike, #1))
β
If by now you're a little confused, don't be too hard on yourself. Life is confusing, and anyone who claims that she has all the answers has probably uncovered the wrong ones.
β
β
Kirsten Miller (Inside the Shadow City (Kiki Strike, #1))
β
A good imagination may be the best friend of loners.
β
β
Kirsten "Kiwi" Smith (The Geography of Girlhood)
β
Because I love you," Iain said simply. "I always have. I love your bad temper. I love your jealous streak. I love your strength and pigheadedness. And I know you love me. And sometimes love makes people go a little crazy. The insanity won't last forever...I hope.
β
β
Kirsten Miller (The Eternal Ones (Eternal Ones, #1))
β
Because - admit it - there's something perversely appealing about sitting all alone, feeling sorry for yourself, especially when the scenery's stunning and there's a party going on behind you.
β
β
Kirsten Hubbard (Wanderlove)
β
You're not big on people, are you?"
"I wouldn't say that. Just ... when faced with the choice between small talk with strangers and peace and quiet, I'll choose the latter every time. You know?
β
β
Kirsten Hubbard (Wanderlove)
β
This is April," he said, holding up the chicken. "She's the only friend I have left. I saved her from an evil chef at Tavern on the Green, and we've pledged eternal friendship.
β
β
Kirsten Miller (The Empress's Tomb (Kiki Strike, #2))
β
Prices are relative. So is poverty. So is happiness.
β
β
Kirsten Hubbard (Wanderlove)
β
I canβt run around falling in love with fantasies.
β
β
Kirsten Miller (The Eternal Ones (Eternal Ones, #1))
β
I liked the ideaβthat we left pieces of ourselves everywhere we went, coloring all our important places.
β
β
Kirsten Hubbard (Like Mandarin)
β
I've been called many things. But I suppose 'the devil' is as good a name as any.
β
β
Kirsten Miller (The Eternal Ones (Eternal Ones, #1))
β
Quiet people keep thier secrets to themselves. That's what makes them interesting...and usually worth the wait.
β
β
Kirsten Miller (Inside the Shadow City (Kiki Strike, #1))
β
Youβre never ready for the truth. No matter how much you think you know, it always takes you by surprise.
β
β
Kirsten Miller (How to Lead a Life of Crime)
β
β''A heart that had chosen its path couldn't be led in any other direction.
β
β
Shawn Maravel (Severance (Volition, #2))
β
His eyes darted over the surface of my face. Like a moth to a blaze he was hesitant, seeming to crave my warmth but not its inevitable burn. He explored me from a distance with his unspoken desire, with the fear that touching me would set him to flame. I wanted nothing more in that moment than to prove very much the opposite.
β
β
Shawn Maravel (Volition (Volition, #1))
β
I realize the thing about a guy you've spent your whole life loving from afar is that even though he's real you've really made most of him up.
β
β
Kirsten "Kiwi" Smith (The Geography of Girlhood)
β
My dad didn't find me - I found myself. So that's when I figured out that the only person who could take care of me was me.
β
β
Kirsten Hubbard (Wanderlove)
β
But there was still something missing. Something that nagged at her-an emptiness she couldn't explain. There were mornings she woke with her heart pounding wildly and the sensation of arms wrapped around her. But the feeling slipped away the moment she opened her eyes, and no matter how quickly she squeezed them shut, she couldn't recapture the contentment she'd felt.
β
β
Kirsten Miller (The Eternal Ones (Eternal Ones, #1))
β
I've always found that one of the biggest benefits of being a girl is that most people refuse to take you seriously. While boys must be constantly monitored and are always the first suspects when anything goes wrong, everyone expects girls to do what they're told. It may seem a little insulting at first, but low expectations can be a blessing in disuise. If you're smart, you can use people's foolishness to your own advantage. It's amazing what you can get away with when no one bothers watching.
β
β
Kirsten Miller (Inside the Shadow City (Kiki Strike, #1))
β
I stood there for a moment, studying each of us, taking in Kirstens's smile, Whitney's haunting gaze, the way my mother cocked her head slightly to the side. When I got to my own face, I found myself staring at it, so bright, with dark all around it, like it was someone I didn't recognize. Like a word on a page that you've printed and read a million times, that suddenly looks strange or wrong, foreign, and you feel scared for a second, like you've lost something, even if you're not sure what it is.
β
β
Sarah Dessen (Just Listen)
β
That doesn't offend me. 'Witch' is the label society slaps on women it can't understand or control.
β
β
Kirsten Miller (The Change)
β
One open, one closed. It was no wonder that the first image that came to mind when I thought of either of my sisters was a door. With Kirsten, it was the front one to our house, through which she was always coming in or out, usually in mid-sentence, a gaggle of friends trailing behind her. Whitneyβs was the one to her bedroom, which she preferred to keep shut between her and the rest of us, always.
β
β
Sarah Dessen (Just Listen)
β
The beauty of this world where almost everyone was gone. If hell is other people, what is a world with almost no people in it? Perhaps soon humanity would simply flicker out, but Kirsten found this thought more peaceful than sad. So many species had appeared and later vanished from this earth; what was one more? How many people were even left now?
β
β
Emily St. John Mandel (Station Eleven)
β
Travel is a matter of perspective.
β
β
Kirsten Hubbard (Wanderlove)
β
I want to draw you. All of you.' Then I pause. 'That came out wrong-you can keep your clothes on.
β
β
Kirsten Hubbard (Wanderlove)
β
Impulsive isnβt something you choose. Itβs something you
are.
β
β
Kirsten Hubbard (Wanderlove)
β
Aside from the nagging, he's the most entertaining hallucination I've ever had.
β
β
Kirsten Miller (How to Lead a Life of Crime)
β
You've either bat-shit insane or you've watched too many movies. This isn't Star Wars, Mandel. I'm not Luke Skywalker. My dad's not Darth Vader. And you sure as hell aren't my Obi-Wan.
β
β
Kirsten Miller (How to Lead a Life of Crime)
β
Where's the course called How to Lead a Life of Crime? That's what this is about, isn't it? You've got everyone thinking this is the best school in the country, but it's really just a Hogwarts for hustlers.
β
β
Kirsten Miller (How to Lead a Life of Crime)
β
Don't expect me to be perfect. Despite all my lives, I'm still only human. I can't deliver perfection, and I'll only disappoint you. But I want you to know that you are the most important person to me. I'm trying to protect you.
Sometimes I screw things up. I may even tell a white lie every now and then. But you have to give me the benefit of the doubt.
β
β
Kirsten Miller (The Eternal Ones (Eternal Ones, #1))
β
β''Your heart is either beating or it's not, your heart never forgets. As long as your heart is beating follow it, it will always stay true to you.
β
β
Shawn Maravel (Volition (Volition, #1))
β
Why do you think women are designed to outlive men? Why do we keep going for thirty years after our bodies can no longer reproduce? Do you think nature meant for those years to be useless? No, of course not. Our lives are designed to have three parts. The first is education. The second, creation. And in part three, we put our experience to use and protect those who are weaker.
β
β
Kirsten Miller (The Change)
β
How come families are full of people that have no clue how they make each other feel?
β
β
Kirsten "Kiwi" Smith (The Geography of Girlhood)
β
Yes, itβs funny isnβt it. You try to do whatβs best for the people you love, and you just end up in trouble for your efforts.
β
β
Kirsten Miller
β
The only way to escape the past is to keep moving forward.
β
β
Kirsten Hubbard (Wanderlove)
β
Anger's like rocket fuel. Either it pushes you forward or it burns you alive. - Harriett Osborne
β
β
Kirsten Miller (The Change)
β
When you have everything, the only luxury left is taking things away from others.
β
β
Kirsten Miller (Lula Dean's Little Library of Banned Books)
β
Though he wouldn't dare admit that he might have felt more for her. He wasn't ready to care for a person that much when he still didn't care too highly for himself. most days Landon regarded himself as a lost soul, a wanderer. Who could love such a man?
β
β
Shawn Maravel (The Wanderer)
β
I guess I work in small ways. It's kind of like this story someone told me, about a guy on the beach in Mexico throwing starfish in the sea. Thousands had washed ashore. Someone asked him why - 'Why are you wasting your time, when there are so many? You can't possibly make a difference.'"
"I know that story! The man threw another one back, and said -"
"'Made a difference to that one!'" Rowan finishes.
β
β
Kirsten Hubbard (Wanderlove)
β
Don't know about you, but I like taking up more space.
β
β
Kirsten Miller (The Change)
β
All recipes are spells and all cooks are witches.
β
β
Kirsten Miller (The Change)
β
We could liberate a million trophies. We could fill every river to the brim. But it would never fully substitute for liberating ourselves.
β
β
Kirsten Hubbard (Like Mandarin)
β
You see, faith means listening to your heart, not just your heard. It's not about ignoring facts; it's about being willing to see around them sometimes.
β
β
Kirsten Miller (The Eternal Ones (Eternal Ones, #1))
β
Youβve been in the mating frenzy before.β
Eric looked up at her, his eyes quiet. βYes.β
βWith Kirsten.β
βYes.β
Iona touched her hands together. βYou must have loved her very much.β
Eric nodded. βYes. Very much.β
βThen why do you want another mate?β
Eric pushed himself from the fireplace and came to her, the first flickers of fire shadowing his tall, naked body. He skimmed warm hands down her arms.
βBecause I saw you.
β
β
Jennifer Ashley (Mate Claimed (Shifters Unbound, #4))
β
Life is much too short to waste time wallowing in the past especially when the future hands you a second chance.
Chakotay Talking to B'Ellana (When she asks him why he isn't mad her for lying about her and Miral being dead)
Book:Unworthy: pg. 121
β
β
Kirsten Beyer
β
I think I kind of get it," I say. "Your Wanderlove thing."
"Oh Yeah?"
"It's about always looking toward the future. You can appreciate the good things all around you, but the best part is imminent, just out of reach. Like... perpetual anticipation.
β
β
Kirsten Hubbard (Wanderlove)
β
El amor y la fe van de la mano. No se puede tener uno sin la otra. Y como todos sabemos, no siempre es seguro dar ese paso. A veces se juzga equivocadamente, y se acaba mordiendo el polvo. Pero a menos que demos ese paso, nunca sabremos quΓ© hay del otro lado. Hay que buscar agallas para hacerlo.
β
β
Kirsten Miller (The Eternal Ones (Eternal Ones, #1))
β
Isn't that what your memory was about, Bria? Losing control?"
I pause. "I never knew memories were about anything. Besides the obvious. You make them sound like dreams -- subject to interpretation."
"I think the two are more related than we realize. It's all in how our minds frame them. How we decide what -- and how -- we remember.
β
β
Kirsten Hubbard (Wanderlove)
β
Turning the corner, she saw the dark figure of a man, John, pushed up against the side of his bed cast in the light of another stained glass lamp. She fought the simultaneous instinct to jump away and move closer.
βYou shouldnβt have come,β he said through gritted teeth.
βI had to,β she insisted, taking a step forward. βIt sounded like you were in trouble.β
He laughed without humor. βDamn right Iβm in trouble.
β
β
Shawn Maravel (Know Thy Neighbor)
β
Once Jesus arrived on the scene, all those Old Testament laws no longer applied. The New Testament tells us weβre supposed to follow Christ, not the old ways. And as far as I know, Jesus never said a damn thing about gay folks or barbecue. But he sure did talk a lot about love.
β
β
Kirsten Miller (Lula Deanβs Little Library of Banned Books)
β
She turned up the volume. I listened for a second to the high-pitched garble of Italian. "Taffeta," I said, "how is this your favorite part? You don't even know what the words mean."
"I do too," she insisted.
"No you don't--they're in another language."
"Yes I do, Grace." She swiveled the volume knob. "Listen.
β
β
Kirsten Hubbard (Like Mandarin)
β
On my way to the living room, where my family was gathered, I stopped to look at the photo in the foyer. As always, my eyes were drawn to my own face first, then those of my sisters, and finally my mother, looking so small between us. But I saw it differently now.
When that picture was taken, we were all gathered around my mother, sheltering her. But that was just one day, one shot. In the time since, we had arranged and rearranged ourselves so many times. Weβd all gathered around Whitney, even when she didnβt want us to, and Kirsten and I had gotten closer when she pushed us both away. We were still in flux, as had been clear at the table that night as I watched my mother and sisters come together again. Then, Iβd been convinced I was on the outside, but really, Iβd always been within armβs reach. All I had to do was ask, and I, too, would be easily brought back, surrounded and immersed, finding myself safe, somewhere in between.
β
β
Sarah Dessen (Just Listen)
β
Yes, youβre afraid of me because Iβm better than you are. And if you give one talented woman the power she deserves, another will follow. Then another. And together theyβll show that their way is better. Then your whole fake fucking world will come tumbling down.
β
β
Kirsten Miller (The Change)
β
I wanted to be with her, like all the time. Eliminate the obstacles, the people and things in our lives that were keeping us apart: Brandi, Seth, Kirsten, society, me.
Me? Make that my fear. What was I afraid of, exactly? What other people would think? I guess, a little. But that wasnβt what was stopping me from acting on my feelings. It was the intensity of them. The desire for her. I knew if I gave into it, Iβd have to surrender myself completely. Iβd lose all control. Everything I knew, everything I was, the walls Iβd built up to protect myself all these years would come crashing down. I might get lost in the rubble. Yet, she made me feel alive in a way I'd only ever imagined I could feel. Bells, whistles, music. (Chapter. 15)
β
β
Julie Anne Peters (Keeping You a Secret)
β
A person's actions could be interpreted in a number of ways, depending on who was watching. Their viewpoints were simply skewed by their beliefs, their prejudices, and their private desires. Their personal kaleidoscopes. I couldn't judge them, of course. I was the same way.
β
β
Kirsten Hubbard (Like Mandarin)
β
But all that's hugely unlikely -- with the exception of mosquito bites and sunburn. And yet even experienced travelers are still afraid.
"What everyone forgets -- even me -- is the people who actually live here. In places like Central America, I mean. Southeast Asia. India. Africa. Millions, even billions, of people, who live out their whole lives in these places -- the places so many people like us fear. Think about it: they ride chicken buses to work every day. Their clothes are always damp. Their whole lives, they never escape the dust and the heat. But they deal with all these discomforts. They have to.
"So why can't travelers? If we've got the means to get here, we owe it to the country we're visiting not to treat it like an amusement park, sanitized for our comfort. It's insulting to the people who live here. People just trying to have the best lives they can, with the hands they've been dealt.
β
β
Kirsten Hubbard (Wanderlove)
β
Weβre always itching to go, to move on, to escape. We convince ourselves we could truly be happy if only we were somewhere else. Or somebody else.
While itβs smart to plan for the future, we wonβt find real happiness if our eyes never leave the horizon. When weβre all rushing off in different directions, we miss the worthwhile places, and worthwhile people, already around us.
But we canβt wait for them to chase us downβweβve got to seek them out. Because for two people to meet in the middle, both have to take that first step.
β
β
Kirsten Hubbard (Like Mandarin)
β
What would it be like to exist in a world without suffering? To have no needs, only desires? To be surrounded by so much beauty that you forget how ugly life is for everyone else? Who wouldnβt want that? Who wouldnβt be willing to fight for it? What the alumni did to get there β lie, cheat, steal, kill β Iβm sure theyβd all say it was worth it. And I bet they sleep soundly because they know that their nameless, faceless victims would have done the same thing.
β
β
Kirsten Miller (How to Lead a Life of Crime)
β
Well... I love moving in extra dimensions. Not just backwards and forwards, but up and down and around. And fins. I love swimming with finsβ human feet are practically useless underwater. I love all the unique things you see on each dive. Millions of
little aquatic soap operas playing out between all the creatures. And the silence. Well, itβs not really silent
down there, but the roar of bubbles blocks any other
sound...
β
β
Kirsten Hubbard (Wanderlove)
β
Pulling her eyes away, she figured it was best to keep such questions to herself. βYou could have just, you know, asked me out instead,β she offered, though she wasnβt sure why.
John let out a soft chuckle. βVery true. I guess I justβ¦I wanted to keep you safe.β
βSafe? From what?β Evangeline suddenly felt heat rush her face. Was this man just paranoid or what? βSafe from this? Or from you?β
He looked up, placing his fork down on the plate. His stare was expressionless and she suddenly regretted her brazen accusation. βBoth.β His reply had been simple, direct, stern. βThose people who did this to me, theyβll do worse to you if they think that weβre involvedβ¦if they think that their message wasnβt clear enough.
β
β
Shawn Maravel (Know Thy Neighbor)