Kiran Quotes

We've searched our database for all the quotes and captions related to Kiran. Here they are! All 100 of them:

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The present changes the past. Looking back you do not find what you left behind.
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Kiran Desai (The Inheritance of Loss)
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Could fulfillment ever be felt as deeply as loss? Romantically she decided that love must surely reside in the gap between desire and fulfillment, in the lack, not the contentment. Love was the ache, the anticipation, the retreat, everything around it but the emotion itself.
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Kiran Desai (The Inheritance of Loss)
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The biggest curse in life is not loosing your love, but not being loved by someone you love.
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Kiran Joshi
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Each of us carries the map of our lives on our skin, in the way we walk, even in the way we grow.
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Kiran Millwood Hargrave (The Girl of Ink and Stars)
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Sadness was so claustrophobic.
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Kiran Desai (The Inheritance of Loss)
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Could fulfillment ever be felt as deeply as loss?
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Kiran Desai (The Inheritance of Loss)
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A man wasn't equal to an animal, not one particle of him. Human life was stinking corrupt, and meanwhile there were beautiful creatures who lived with delicacy on the earth without doing anyone harm. "We should be dying." the judge almost wept.
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Kiran Desai (The Inheritance of Loss)
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Why couldn't she be part of that family? rent a room in someone else's life.
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Kiran Desai (The Inheritance Of Loss)
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Its not the love that hurts but the scented memories of anticipated dreams of a future together
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Keran Pantth Joshi (Beyond forever...in love)
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Grief cannot feed you, though it fills you.
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Kiran Millwood Hargrave (The Mercies)
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A journey once begun, has no end
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Kiran Desai (The Inheritance of Loss)
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All day, the colors had been those of dusk, mist moving like a water creature across the great flanks of mountains possessed of ocean shadows and depths.
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Kiran Desai (The Inheritance of Loss)
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God knows I have met with the most eccentric of characters to be seen in a village as small as this one, but when elders meet with youngsters, it is common for the elders to do all of the talking and for the youngsters to sit quietly and await their judgment.
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Kiran Bhat (We of the Forsaken World...)
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When he died, I went about like a ragged crow telling strangers, "My father died, my father died." My indiscretion embarrassed me, but I could not help it. Without my father on his Delhi rooftop, why was I here? Without him there, why should I go back? Without that ache between us, what was I made of?
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Kiran Desai
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Never again would he know love for a human being that wasn't adulterated by another, contradictory emotion.
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Kiran Desai (The Inheritance of Loss)
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But the child shouldn't be blamed for the father's crime, she tried to reason with herself, then. But should the child therefore also enjoy the father's illicit gain?
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Kiran Desai (The Inheritance of Loss)
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Let nobody fool you, most couples are conjoined on earth. The mismatches, now they are a different story. They are made in heaven
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Kiran Nagarkar (Cuckold)
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The time when you wish if death was possible from a heartbreak
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Keran Pantth Joshi (Beyond forever...in love)
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But now she knows she was foolish to believe that evil existed only out there. It was here, among them, walking on two legs, passing judgement with a human tongue.
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Kiran Millwood Hargrave (The Mercies)
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It's hard, isn't it? Describing a person only in words, when they can hold whole worlds in them.
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Kiran Millwood Hargrave (The Island at the End of Everything)
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But then, how could you have any self-respect knowing that you didn't believe in anything exactly? How did you embrace what was yours if you didn't leave something for it? How did you create a life of meaning and pride?
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Kiran Desai (The Inheritance of Loss)
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Pain may be the only reality but if mankind had any sense it would pursue the delusion called happiness. All the philosophers and poets who tell us that pain and suffering have a place and purpose in the cosmic order of things are welcome to them. They are frauds. We justify pain because we do not know what to make of it, nor do we have any choice but to bear it. Happiness alone can make us momentarily larger than ourselves.
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Kiran Nagarkar
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You can catch more flies with honey than with sour milk
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Kiran Desai (Hullabaloo in the Guava Orchard)
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You are everything to me, my sun, my moon, the air I breathe. Nothing exists except you. I love you.
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Rachel Higginson
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If you are ready to cry..to feel the pain..to take the risk? You are ready for love
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Keran Pantth Joshi (Beyond forever...in love)
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In an ideal world, as connectivity progresses, each human of our world would function the way a cell functions in a human body. We would see each other in the context of our individuality but realise how our individual actions both directly and indirectly affect the greater Earth. It would be as if our Atmans (our individual spirits) could merge into a Brahmin (a cosmic unity)
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Kiran Bhat (We of the Forsaken World...)
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The biggest curse in life is not loosing your love, but not being loved by someone you love.
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Keran Pantth Joshi (Beyond forever...in love)
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Gurus Enable you to see new things. The trouble with Gurus is that you can rarely see beyond them.
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Kiran Nagarkar (God's Little Soldier)
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Could fulfillment be felt as deeply as loss.
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Kiran Desai (The Inheritance of Loss)
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Looking a dead insect in the sack of basmati that had come all the way from Dehra Dun, he almost wept with sorrow and marvel at its journey, which was tenderness for his own journey. In India almost nobody would be able to afford this rice, and you had to travel around the world to be able to eat such things where they were cheap enough that you could gobble them down without being rich; and when you got home to the place where they grew, you couldn't afford them anymore.
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Kiran Desai (The Inheritance of Loss)
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This way of leaving your family for work had condemned them over several generations to have their hearts always in other places, their minds thinking about people elsewhere; they could never be in a single existence at one time. How wonderful it was going to be to have things otherwise.
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Kiran Desai (The Inheritance of Loss)
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Forget about the money for a moment. Lose yourself in the wilderness, listen to the music of the softly blowing winds, feel the rain on your bare skin, let the mountains take the burden off your shoulders.
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Kiran Bisht
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Don't be scared, puppy dog, little frog, little duck, duckie dog. It's just rain.
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Kiran Desai (The Inheritance of Loss)
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Jemu watched his father disappear. He didn't throw the coconut and he didn't cry. Never again would he know love for another human being that wasn't adulterated by another, contradictory emotion.
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Kiran Desai (The Inheritance of Loss)
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When you build on lies, you build strong and solid. It was the truth that undid you.
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Kiran Desai (The Inheritance of Loss)
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This story is about people, and how they lived; before why and how they died became what defined them.
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Kiran Millwood Hargrave (The Mercies)
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Always remember to believe in yourself, not in what others believe about you. There is greatness in us all
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Kiran H.J. Dellimore
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My heart! Ohhh my poor heart Its bruised...its scarred and its full of pain.... But its still in love with you!
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Keran Pantth Joshi
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India is a place where colour is doubly bright. Pinks that scald your eyes, blues you could drown in.
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Kiran Millwood Hargrave (The Girl of Ink and Stars)
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Many of them seem past caring what is true or not, only desperate for some reason, some order to the rearrangement of their lives, even if it is brought about by a lie.
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Kiran Millwood Hargrave (The Mercies)
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Love is dangerous, blinding,’” he quoted, voice soft against her cheeks in an empty semblance of amusement. He pulled back slightly, just enough that she could see the gentleness, the raw warmth in his gaze. The clean lack of regret. β€œAnd yet, I see you so clearly.
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Varsha Ravi (The Heartless Divine (The Heartless Divine, #1))
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He tried to keep on the right side of power, tried to be loyal to so many things that he himself couldn't tell which one of his selves was the authentic, if any.
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Kiran Desai (The Inheritance of Loss)
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Each of us carries a map of our lives on our skin, in the way we walk, even the way we grow.
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Kiran Millwood Hargrave (The Girl of Ink and Stars)
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I remember once when runes gave you comfort, when sailors came to my father to cast bones and tell them of their time to come. They are a language, Maren. Just because you do not speak it doesn't make it devilry.
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Kiran Millwood Hargrave (The Mercies)
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The fact was that one was left empty-handed. There was no system to soothe the unfairness of things; justice was without scope; it might snag the stealer of chickens, but great evasive crimes would have to be dismissed because, if identified and netted, they would bring down the entire structure of so-called civilization. For crimes that took place in the monstrous dealings between nations, for crimes that took place in those intimate spaces between two people without a witness...
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Kiran Desai (The Inheritance of Loss)
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Kiran says (the shelf) is full of stories. If it is, then I like fairy stories. Fairy stories are fair. In them wishes are granted, words are enchanted, the honest and brave make it safely through to the last page and the baddies either have to give up their wickedness for ever and ever, no going back, or get ruthlessly written out of the story, which they hardly ever survive. Also in fairy stories there are hardly any of those half-good half-bad people that crop up so constantly in real life and are so difficult to believe in...
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Hilary McKay (Forever Rose (Casson Family, #5))
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No matter how bleak, there is still chance of love in hatred but none in indifference
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Keran Pantth Joshi (Beyond forever...in love)
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It is knowing that all your joy is bound up in another, and to be parted from it would be to live without light for the rest of your days.
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Kiran Millwood Hargrave (The Mercies)
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No amount of culture or civilization can subdue or hide the wanton violence in man.
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Kiran Nagarkar (Cuckold)
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His lines had been honed over centuries, passed down through generations, for poor people needed certain lines; the script was always the same, and they had no option but to beg for mercy.
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Kiran Desai (The Inheritance of Loss)
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But so fluid a thing was love.It wasn't firm,he was learning, it wasn't a scripture;it was a wobbliness that lent itself to betrayal,taking the mold of whatever he poured he poured it into.And in fact,it was difficult to keep from pouring it into numerous vessels.It could be used for all kinds of purposes....He wished it were a constraint.It was truly beginning to frighten him.
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Kiran Desai
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No fruit dies so vile and offensive a death as the banana...
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Kiran Desai
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They say the day the Governor arrived, the ravens did too.
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Kiran Millwood Hargrave (The Girl of Ink and Stars)
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What was a country but the idea of it?
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Kiran Desai (The Inheritance of Loss)
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It is written, and once written, things aren’t easily forgotten.
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Kiran Millwood Hargrave (The Mercies)
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When I do decide to run away, you will never find me. Remember that. Not only will you never find me, but you will lose yourself trying to find me.
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Kiran Manral (Missing, Presumed Dead)
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Saeed quickly found employment at a Banana Republic, where he would sell to urban sophisticates the black turtleneck of the season, in a shop whose name was synonymous with colonial exploitation and the rapacious ruin of the third world.
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Kiran Desai
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He knew what his father thought: that immigration, so often presented as a heroic act, could just as easily be the opposite; that it was cowardice that led many to America; fear marked the journey, not bravery; a cockroachy desire to scuttle to where you never saw poverty, not really, never had to suffer a tug to your conscience; where you never heard the demands of servants, beggars, bankrupt relatives, and where your generosity would never be openly claimed; where by merely looking after your wife-child-dog-yard you could feel virtuous. Experience the relief of being an unknown transplant to the locals and hide the perspective granted by journey. Ohio was the first place he loved, for there at last he had been able to acquire poise --
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Kiran Desai (The Inheritance of Loss)
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Of one thing, though, she was sure: "I want to travel," she confessed. Books were making her restless. She was beginning to read, faster, more, until she was inside the narrative and the narrative inside her, the pages going by so fast, her heart in her chest - she couldn't stop... And pictures of the chocolaty Amazon, of stark Patagonia in the National Geographics, a transparent butterfly snail in the sea, even of an old Japanese house slumbering in the snow... - She found they affected her so much she could often hardly read the accompanying words - the feeling they created was so exquisite, the desire so painful.
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Kiran Desai (The Inheritance of Loss)
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Happiness is a journey not destination.
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Kiran Arshad
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f you are ready to cry..to feel the pain..to take the risk? You are ready for love
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Keran Pantth Joshi (Beyond forever...in love)
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The solitude became a habit, the habit became the man, and it crushed him into a shadow.
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Kiran Desai (The Inheritance of Loss)
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I don't like to be in a dark where stars don't shine.
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Kiran Millwood Hargrave (The Girl of Ink and Stars)
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it was just fate in the way fate has of providing the destitute with a greater quota of accidents for which nobody can be blamed.
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Kiran Desai (The Inheritance of Loss)
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The best relationship is one which challenges and supports you at the same time
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Keran Pantth Joshi
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Holding hands in love is underrated, while sex is overrated. Don't you think so?
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Keran Pantth Joshi
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Love is one of those things little children dream about, but something which no woman of age will experience…
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Kiran Bhat (We of the Forsaken World...)
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At night, the grief is harder to manage.
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Kiran Millwood Hargrave (The Mercies)
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Do not judge my story by the chapter you walked in on.
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Kiran MIB
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You lived intensely with others, only to have them disappear overnight, since the shadow class was condemned to movement. The men left for other jobs, towns, got deported, returned home, changed names. Sometimes someone came popping around a corner again, or on the subway then they vanished again. Addresses, phone numbers did not hold. The emptiness Biju felt returned to him over and over, until eventually he made sure not to let friendships sink deep anymore.
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Kiran Desai (The Inheritance of Loss)
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He seemed unaware of what was going on, stared out without hope or ambition, without worry, developing a quality devoid of qualities to get him through this life.
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Kiran Desai (The Inheritance of Loss)
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If your grip on coins of life is not strong enough than they will gradually slip away from your hands,for surely one day you will find that your hands are empty
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Kiran
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A heart that reaches out with love can heal a soul and change a life
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Kiran Shaikh
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The cow was not an Indian cow; therefore it was not holy?
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Kiran Desai (The Inheritance of Loss)
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I don't appreciate people when they judge someone with their appearance but not their feelings. It feels like they want to rule that person for rest of their life.
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Kiran Arshad
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The unspoken feeling that engulfs you and smolders you more and more each day.....love!
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Keran Pantth Joshi (Beyond forever...in love)
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She had been mistaken - she was only the center to herself, as always, and a small player playing her part in someone else's story.
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Kiran Desai (The Inheritance of Loss)
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Should humans conquer the mountain or should they wish for the mountain to possess them?
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Kiran Desai (The Inheritance of Loss)
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…she has taken to wearing her faith like armour, wielding her piousness like a blade.
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Kiran Millwood Hargrave (The Mercies)
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Stories are just a different way of telling the truth.
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Kiran Millwood Hargrave (The Way Past Winter)
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That's another thing about words: there's space in them. They change according to whose mouth they're coming out of. Sometimes they change so much in mine they become something else entirely, but Dad says these are called lies.
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Kiran Millwood Hargrave (Julia and the Shark)
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I am the sum total of everything that went before me, of all I have been seen done, of everything done-to-me. I am everyone everything whose being-in-the-world affected was affected by mine. I am anything that happens after I've gone which would not have happened if I had not come. Nor am I particularly exceptional in this matter; each 'I', every one of the now-six-hundred-million-plus of us, contains a similar multitude. I repeat for the last time: to understand me, you'll have to swallow a world.
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Salman Rushdie
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He was the real hero, Tenzing," Gyan had said, "Hilary couldn't have made it without sherpas carrying his bags." Everyone around had agreed. Tenzing was certainly first, or else he was made to wait with the bags so Hilary could take the first step on behalf of that colonial enterprise of sticking your flag on what was not yours. Sai had wondered, should humans conquer the mountain or should they wish for the mountain to possess them? Sherpas went up and down, ten times, fifteen times in some cases, without glory, without claim of ownership, and there were those who said it was sacred and shouldn't be sullied at all.
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Kiran Desai (The Inheritance of Loss)
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Within the context of this book, I chose to represent a multitude of unrelated characters, each focusing on a moment of their life but indirectly witnessing or intersecting with their regional or national storyline.
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Kiran Bhat (We of the Forsaken World...)
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All of the third-world flights docked here, families waiting days for their connections, squatting on the floor in big bacterial clumps, and it was a long trek to where the European-North American travelers came and went, making those brisk, no-nonsense flights with extra leg-room and private TV, whizzing over for a single meeting in such a manner that it was truly hard to imagine they were shitting-peeing, bleeding-weeping humans at all. Silk and cashmere, bleached teeth, Prozac, laptops, and a sandwich for their lunch named the Milano.
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Kiran Desai (The Inheritance of Loss)
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He wasn't a bad person. He didn't want to fight. The trouble was that he'd tried to be part of the larger questions, tried to become part of politics and history. Happiness had a smaller location, though this wasn't something to flaunt, of course; very few would stand up and announce, 'Actually, I'm a coward,' but his timidity might be disguised, well, in a perfectly ordinary existence situated between meek contours...Cowardice needed its facade, its reasoning, like anything else if it was to be his life's principle. Contentment is no easy matter. One had to situate it cannily, camoflauge it, pretend it was something else.
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Kiran Desai (The Inheritance of Loss)
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Commitment...something which is loved and hated in equal measure.
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Kiran Joshi
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Where do songs go when you cease to hear them? Where does the turbulence of the air disappear after thousands of birds flap their wings homeward at eventide? Where are the cries of the Rajput women who spatter their red palm prints on the wall and leap into the flames of johar? Where is my childhood, my catapult, my broken slate, my first parrot, my youth and first sin and all those that followed, where is my old age and the first time I saw the woman from Merta? Ask Gambhiree. She knows it all.
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Kiran Nagarkar (Cuckold)
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What is this all about,' asked Sai, but her mouth couldn't address her ear in the tumult; her mind couldn't talk to her heart. 'Shame on myself,' she said...Who was she...she with her self-importance, her demand for happiness, yelling it at fate, at the deaf heavens, screaming for her joy to be brought forth..? How dare...How dare you not... Why shouldn't I have...How dare...I deserve...Her small greedy soul...Her tantrums and fits...Her mean tears...Her crying, enough for all the sadness in the world, was only for herself. Life wasn't single in its purpose...or even its direction...The simplicity of what she'd been taught wouldn't hold. Never again could she think there was but one narrative and that this narrative belonged only to herself, that she might create her own tiny happiness and live safely within it.
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Kiran Desai (The Inheritance of Loss)
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Year by year, his life wasn't amounting to anything at all...And yet, another part of him had expanded: his self-consciousness, his self-pity -- oh, the tediousness of it...Shouldn't he return to a life where he might slice his own importance, to where he might relinquish this overrated control over his own destiny and perhaps be subtracted from its determination altogether? He might even experience that greatest luxury of not noticing himself at all.
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Kiran Desai (The Inheritance of Loss)
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But while the residents were shocked by the violence, they were also often surprised by the mundaneness of it all. Discovered the extent of perversity the heart is capable of as they sat at home with nothing to do, and found that it was possible, faced with the stench of unimaginable evil, for a human being to grow bored, yawn, be absorbed by the problem of a missing sock, by neighborly irritations, to feel hunger skipping like a little mouse inside a tummy and return, once again, to the pressing matter of what to eat.... There they were, the most commonplace of them, those quite mismatched with the larger-than-life questions, caught up in the mythic battles of past vs. present, justice vs. injusticeβ€”the most ordinary swept up in extraordinary hatred, because extraordinary hatred was, after all, a commonplace event.
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Kiran Desai (The Inheritance of Loss)
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Now here was Saeed Saeed, and Biju's admiration for the man confounded him. Fate worked this way. Biju was overcome by the desire to be his friend, because Saeed Saeed wasn't drowning, he was bobbing in the tides.
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Kiran Desai (The Inheritance of Loss)
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Biju stepped out of the airport into the Calcutta night, warm, mammalian. His feet sank into dust winnowed to softness at his feet, ad he felt an unbearable feeling, sad and tender, old and sweet like the memory of falling asleep, a baby on his mother's lap. Thousands of people were out though it was almost eleven. He saw a pair of elegant bearded goats in a rickshaw, riding to slaughter. A conference of old men with elegant goat faces, smoking bidis. A mosque and minarets lit magic green in the night with a group of women rushing by in burkas, bangles clinking under the black and a big psychedelic mess of colour from a sweet shop. Rotis flew through the air as in a juggling act, polka-dotting the sky high over a restaurant that bore the slogan "Good food makes good mood". Biju stood there in that dusty tepid soft sari night. Sweet drabness of home - he felt everything shifting and clicking into place around him, felt himself slowly shrink back to size, the enormous anxiety of being a foreigner ebbing - that unbearable arrogance and shame of the immigrant. Nobody paid attention to him here, and if they said anything at all, their words were easy, unconcerned. He looked about and for the first time in God knows how long, his vision unblurred and he found that he could see clearly.
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Kiran Desai (The Inheritance of Loss)
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By noon Carter reached the jasper terraces of Kiran which slope down to the river's edge and bear that temple of loveliness wherein the King of Ilek-Vad comes from his far realm on the twilight sea once a year in a golden palanquin to pray to the god of Oukranos, who sang to him in youth when he dwelt in a cottage by its banks. All of jasper is that temple, and covering an acre of ground with its walls and courts, its seven pinnacled towers, and its inner shrine where the river enters through hidden channels and the god sings softly in the night. Many times the moon hears strange music as it shines on those courts and terraces and pinnacles, but whether that music be the song of the god or the chant of the cryptical priests, none but the King of Ilek-Vad may say; for only he had entered the temple or seen the priests. Now, in the drowsiness of day, that carven and delicate fane was silent, and Carter heard only the murmur of the great stream and the hum of the birds and bees as he walked onward under the enchanted sun.
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H.P. Lovecraft (The Dream-Quest of Unknown Kadath)
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They were falling back into familiarity, into common ground, into the dirty gray. Just ordinary humans in ordinary opaque boiled-egg light, without grace, without revelation, composite of contradictions, easy principles, arguing about what they half believed in or even what they didn't believe in at all, desiring comfort as much as raw austerity, authenticity as much as playacting, desiring coziness of family as much as to abandon it forever. Cheese and chocolate they wanted, but also to kick all these bloody foreign things out. A wild daring love...but also a rice and dal love blessed by the unexciting feel of everyday, its surprises safely enmeshed in something solidly familiar...Every single contradiction history or opportunity might make available to them, every contradiction they were heir to, they desired. But only as much, of course, as they desired purity and a lack of contradiction.
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Kiran Desai (The Inheritance of Loss)
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That very afternoon the police arrived at Cho Oyu in a line of toad-colored jeeps that appeared through the moving static of a small anxious sleet. They left their opened umbrellas in a row on the veranda, but the wind undid them and they began to wheel about - mostly black ones that leaked a black dye, but also a pink, synthetic made-in-Taiwan one, abloom with flowers.
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Kiran Desai (The Inheritance of Loss)
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There is a charm to letters and cards that emails and smses can’t ever replicate, you cannot inhale them, drawing the fragrance of the place they have been mailed from, the feel of paper in your hand bearing the weight of the words contained within. You cannot rub your fingers over the paper and visualise the sender, seated at a table, writing, perhaps with a smile on their lips or a frown splitting the brow. You can’t see the pressure of the pen on the reverse of the page and imagine the mood the person might have been in when he or she was writing it. Smiley face icons cannot hope to replace words thought out carefully in order to put a smile on the other person’s face, the pressure of the pen, the sharpness or the laxity of the handwriting telling stories about the frame of mind of the writer, the smudges on the sheets of paper telling their own stories, blotches where tears might have fallen, hastily scratched out words where another would have been more appropriate, stories that the writer of the letter might not have intended to communicate. I have letters wrapped up in a soft muslin cloth, letters that are unsigned, tied up with a ribbon which I had once used to hold my soft, brown hair in place, and which had been gently untied by the writer of those letters. Occasionally, I unwrap them and breathe them in, knowing that the molecules from the hand that wrote them might still be scattered on the surface of the paper, a hand that is long dead.
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Kiran Manral (The Face at the Window)
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A tear slipped from eye, as I stood helpless beside Kiran. β€œThey have done nothing wrong, except fight for the freedom you have stolen from them, from all of us!” I shouted back, unable to stay silent when my friends stood at his mercy. β€œI give you freedom, the freedom to live your life as you please,” Lucan challenged, tilting his chin with pride and sincerity. β€œI ask nothing of you, except for your loyalty. I am the king, it is the least of what I deserve,” Lucan turned to address the kingdom, his argument ringing through the air. β€œThen why is it only your bloodline that is allowed immortality?” I argued, taking a step forward. β€œWhy do the rest of our people suffer from the separation of races? Why are the Shape-shifters exiled by penalty of death? What have they done? What is their crime? Are you afraid to share true immortality? Are you so scared of a people that realize they don’t need a king?” I turned to face the crowd too, hoping to empower them with my words.
”
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Rachel Higginson (Endless Magic (Star-Crossed, #4))
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All day, the colours had been those of dusk, mist moving like a water creature across the great flanks of mountains possessed of ocean shadows and depths. Briefly visible above the vapour, Kanchenjunga was a far peak whittled out of ice, gathering the last of the night, a plume of snow blown high by the storms at its summit. Sai, sitting on the veranda, was reading an article about giant squid in an old National Geographic. Every now and then she looked up at Kanchenjunga, observed its wizard phosphorescence with a shiver. The judge sat at the far corner with his chessboard, playing against himself. Stuffed under his chair where she felt safe was Mutt the dog, snoring gently in her sleep. A single bald lightbulb dangled on a wire above. It was cold, but inside the house, it was still colder, the dark, the freeze, contained by stone walls several feet deep.
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Kiran Desai (The Inheritance of Loss)
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How could anything be the same? The red of blood lay over the market road in slick pools mingled with a yellow spread of dal someone must have brought in anticipation of a picnic after the parade, and there were flies on it, left behind odd slippers, and a sad pair of broken spectacles, even a tooth. It was rather like the government warning about safety that appeared in the cinema before the movie with the image of a man cycling to work, a poor man but with a wife who loved him, and she had sent his lunch with him in a tiffin container; then came a blowing of horns and small, desperate cycle tinkle, and a messy blur clearing into the silent still image of a spread of food mingled with blood. Those mismatched colors, domesticity shuffled with death, sureness running into the unexpected, kindness replaced by the image of violence, always made the cook feel like throwing up and weeping both together.
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Kiran Desai (The Inheritance of Loss)