Kinky John Quotes

English, however, is kinky. It has a predilection for dressing up like Welsh on lonely nights.

I had to ice my face the rest of the weekend and my bruised nose made it look like I got in a fight. Going back to class on Monday wasn't any better.“Hey, Red, how’s the nose doing?” John plopped down in the seat next to me like he didn't have a care in the world.I glared forward, willing myself not to look at him. “You’re the one who put it there, so if you don’t mind I would like to focus on the lecture since finals are coming up.”The girls in front of us glanced over their shoulders, looks of disgust on their faces.I smirked. “Don’t get ahead of yourself, ladies. I fell ice skating, he’s not beating me or getting me involved in some weird sex act.”That got them to turn back around. “Since when does sex involve bruises?What kind of stuff are you into,Red?

Do you ever wear leather?" the guy asks. "What?" "Leather. Do you like leather?" "It doesn't exactly wipe me out." "I like to see boys in leather." I look at him cool. "Okay," I say, "what is it you want and how much are you willing to pay for it?" "I've got a leather jacket upstairs...Would you put it on?" "Just put it on?" "I'll go and get it." He leaves the horror hole and returns a few minutes later holding a leather flying jacket with a lambswool collar. There are tears in the jacket's sleeves, and the lambswool is yellow with age. John Wayne could've worn it in one of those crappy war films he made. "Put it on," the guy says. I give him a spiky smile and put on the jacket. "Okay, where's the plane, and what time's take-off?" "Drop your jeans and turn around.

Do you ever wear leather?" the guy asks. "What?" "Leather. Do you like leather?" "It doesn't exactly wipe me out." "I like to see boys in leather." I look at him cool. "Okay," I say, "what is it you want and how much are you willing to pay for it?" "I've got a leather jacket upstairs...Would you put it on?" "Just put it on?" "I'll go and get it." He leaves the horror hole and returns a few minutes later holding a leather flying jacket with a lambswool collar. There are tears in the jacket's sleeves and the lambswool is yellow with age. John Wayne could've worn it in one of those crappy war films he made. "Put it on," the guy says. I give him a spiky smile and put on the jacket. "Okay, where's the plane and what time's take-off?" "Drop your jeans and turn around.

What are the Households like?" I asked. John laughed and said, "Some of the Masters are quite kinky!" I had never heard the word kinky, so I asked John what the word meant. John continued laughing, seemingly finding it funny that I didn't understand the term.

Fame is like a sequin-covered suit of armor that provides a holographic cover for actual me; most people, whether their opinion is positive or negative, are content to deal with the avatar, leaving me as tender as crabmeat within. Really, it’s an amplification of what happens if you’re not famous. I don’t imagine that we are often interacting on the pure frequency of essential nature; we usually have a preexisting set of conditions and coordinates that we project on to people we meet or circumstances we encounter. This is not just a psychological notion. Robert Lanza, in his concept-smashing book Biocentrism explains that our perception of all physical external phenomena is in fact an internal reconstruction, elaborating on the results of experiments in quantum physics, that particles behave differently when under observation—itself a universe-shattering piece of information—so that, and forgive my inelegant comprehension of the quantum world, electrons fired out of a tiny little cannon, when unobserved, make a pattern that reveals they have behaved as “a wave,” but when observed, the kinky little bastards behave as “particles.” That’s a bit fucking mad if you ask me. That’s like finding out that when you go out your dog stands up on its hind legs, lights a fag, and starts making phone calls. Or turns into a cloud. Lanza describes how our conception of a candle as a yellow flame burning on a wick is a kind of mentally constructed illusion. He says an unobserved candle would have no intrinsic “brightness” or “yellowness,” that these qualities require an interaction with consciousness. The bastard. A flame, he explains, is a hot gas. Like any light source, it emits photons, which are tiny packets of electromagnetic energy. Which means electrical and magnetic impulses. Lanza points out that we know from our simple, sexy everyday lives that electricity and magnetic energy have no visual properties. There is nothing inherently visual about a flame until the electromagnetic impulses—if measuring, between 400 and 700 nanometers in length from crest to crest—hit the cells in our retinas, at the back of the eye. This makes a complex matrix of neurons fire in our brains, and we subjectively perceive this as “yellow brightness” occurring in the external world. Other creatures would see gray. At most we can conclude, says Lanza, that there is a stream of electromagnetic energy that, if denied correlation with human consciousness, is impossible to conceptualize. So when Elton John said Marilyn Monroe lived her life “like a candle in the wind,” he was probably bloody right, and if he wasn’t we’ll never know. We apply reality from within. The world is our perception of the world. So what other people think of you, famous or not, is an independent construct taking place in their brain, and we shouldn’t worry too much about it.