Kingston Moving Quotes

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..to put it in the modern parlance, this is a re-run. We have been here before. This is like watching TV in Bombay or Kingston or Dhaka, watching the same old British sitcoms spewed out to the old colonies in one tedious, eternal loop. Because immigrants have always been particularly prone to repetition - something to do with that experience of moving West to East or East to West or island to island. Even when you arrive, you're still going back and forth; your children are going round and round.
Zadie Smith (White Teeth)
I hear you will bring in a law,’ Kingston says. ‘It seems harsh, to make them commit a crime in retrospect.’ They try to explain it to the constable. A prince cannot be impeded by temporal distinctions: past, present, future. Nor can he excuse the past, just for being over and done. He can’t say, ‘all water under the bridges’; the past is always trickling under the soil, a slow leak you can’t trace. Often, meaning is only revealed retrospectively. The will of God, for instance, is brought to light these days by more skilful translators. As for the future, the king’s desires move swiftly and the law must run to keep up. ‘Bear in mind his Majesty’s remarkable foresight, at the trial of the late queen. He knew the sentence before the verdict was in.’ ‘True,’ Kingston says. ‘The executioner was already on the sea.’ Kingston has been a councillor long enough. He should know how the king’s mind works. Once Henry says, ‘This is my wish,’ it becomes so dear and familiar a wish that he thinks he has always had it. He names his need, and he wants it supplied.
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
The two men who bring guns to the ghetto watch you sing yourself out of their hands and they not happy at all. Nobody uptown singing thanks and praises for you. Not the man who bring guns to the Eight Lanes, still run by Shotta Sherrif. That man know him party going up for re-election and they need to win, to stay in power, to bring power to the people, all comrades and socialists. Not the Syrian who bring guns to Copenhagen City and who want to win the election so bad that he will move God himself if God in the seat. The American who come with guns know that whoever win Kingston win Jamaica and whoever win West Kingston win Kingston, before any man in the ghetto tell him.
Marlon James (A Brief History of Seven Killings)
In a deft and well-practiced move, the man smoothly hooked an arm around Larson's neck, grasped his wrist, and pushed the hand with the gun toward the floor. Even before West had a good look at the newcomer's face, he recognized the smooth, dry voice with its cut-crystal tones, so elegantly commanding it could have belonged to the devil himself.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
With every single horse I own, I often lay the reins on his neck and let him move forward to find his own natural balance and gait. I've seen far too many overbearing riders constantly manage and adjust the horse to force its obedience. Every little toss of the head or momentary hesitation is corrected. A variety of torturous bits, spurs, and straps are employed to make it submit. Some horses endure such treatment, but far more are ruined by it. Always let a horse be a horse." He paused. "Do you take my meaning?" "Aye, milord." "Was an analogy really necessary, Westcliff?" Kingston asked. "You could have simply said, 'Please be kind to my headstrong daughter and don't break her spirit.'" "Force of habit," the earl said. "None of my sons pay attention unless it's horses.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
A stranger. Young, well-dressed, pale and visibly sweaty, as if he’d endured some great shock and needed a drink. West would have been tempted to pour him one, if not for the fact that he’d just pulled a small revolver from his pocket and was pointing it in his direction. The nose of the short barrel was shaking. Commotion erupted all around them as patrons became aware of the drawn pistol. Tables and chairs were vacated, and shouts could be heard among the growing uproar. “You self-serving bastard,” the stranger said unsteadily. “That could be either of us,” Severin remarked with a slight frown, setting down his drink. “Which one of us do you want to shoot?” The man didn’t seem to hear the question, his attention focused only on West. “You turned her against me, you lying, manipulative snake.” “It’s you, apparently,” Severin said to West. “Who is he? Did you sleep with his wife?” “I don’t know,” West said sullenly, knowing he should be frightened of an unhinged man aiming a pistol at him. But it took too much energy to care. “You forgot to cock the hammer,” he told the man, who immediately pulled it back. “Don’t encourage him, Ravenel,” Severin said. “We don’t know how good a shot he is. He might hit me by mistake.” He left his chair and began to approach the man, who stood a few feet away. “Who are you?” he asked. When there was no reply, he persisted, “Pardon? Your name, please?” “Edward Larson,” the young man snapped. “Stay back. If I’m to be hanged for shooting one of you, I’ll have nothing to lose by shooting both of you.” West stared at him intently. The devil knew how Larson had found him there, but clearly he was in a state. Probably in worse condition than anyone in the club except for West. He was clean-cut, boyishly handsome, and looked like he was probably very nice when he wasn’t half-crazed. There could be no doubt as to what had made him so wretched—he knew his wrongdoings had been exposed, and that he’d lost any hope of a future with Phoebe. Poor bastard. Picking up his glass, West muttered, “Go on and shoot.” Severin continued speaking to the distraught man. “My good fellow, no one could blame you for wanting to shoot Ravenel. Even I, his best friend, have been tempted to put an end to him on a multitude of occasions.” “You’re not my best friend,” West said, after taking a swallow of brandy. “You’re not even my third best friend.” “However,” Severin continued, his gaze trained on Larson’s gleaming face, “the momentary satisfaction of killing a Ravenel—although considerable—wouldn’t be worth prison and public hanging. It’s far better to let him live and watch him suffer. Look how miserable he is right now. Doesn’t that make you feel better about your own circumstances? I know it does me.” “Stop talking,” Larson snapped. As Severin had intended, Larson was distracted long enough for another man to come up behind him unnoticed. In a deft and well-practiced move, the man smoothly hooked an arm around Larson’s neck, grasped his wrist, and pushed the hand with the gun toward the floor. Even before West had a good look at the newcomer’s face, he recognized the smooth, dry voice with its cut-crystal tones, so elegantly commanding it could have belonged to the devil himself. “Finger off the trigger, Larson. Now.” It was Sebastian, the Duke of Kingston . . . Phoebe’s father. West lowered his forehead to the table and rested it there, while his inner demons all hastened to inform him they really would have preferred the bullet.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
As I walk Sienna to her car, she squeals. “Holy crap, is that Rider Kingston?” Without my permission, my gaze slides across the street to the oversized man-child, who has the gall to be moving furniture shirtless while flexing his stupid abs. Judging by the other sweaty minions pouring out of the two-story, Rider’s getting new roommates too. My eye twitches again, and my focus snaps back to Sienna. “I thought you said you weren’t a fan of football.” “Oh, I’m not. I can’t sit through an entire game. But I am a fan of football players.” Her gaze turns ravenous as she scans my neighbor’s front lawn. Or, likely, the glistening eight-pack Rider’s put on display. “All that testosterone. Those bulging muscles. That deep, masculine grunting. Oh, yeah. Get me one of those!” She cackles, and Rider hears it. Of course he does. Shockingly, he deigns to speak to me. “Hey, Gabby,” he shouts. “How was your summer?” I’m not sure when he decided to stop ignoring me, but that’s better than pretending we’re friends, which we’ll never be. I close my eyes because I don’t need any reminders of his masculine beauty. And I definitely don’t need to see that sexy smirk, the one more powerful than his cannon that took the team to the playoffs last year. No, I’m not interested in the star quarterback. Not anymore.
Lex Martin (The Varsity Dad Dilemma (Varsity Dads #1))
That but it would mean another move.
Michelle Dorey (The Last Laugh (The Hauntings Of Kingston #6))
quarter that has followed his death, his birthdate has been commemorated as January 11, 1815—as in the joyous celebratory dinner staged each year in Kingston, Ontario, for example, and in the inscriptions on all the plaques and statues that honour him. But this particular day may be a mistake. The January 11 date is taken from the entry for his birth made by his father, Hugh Macdonald, in his memorandum book. The entry recorded in the General Register Office in Edinburgh, though, is January 10.*1 Similarly, precision about where specifically Macdonald was born, while a matter of lesser consequence, is as difficult to determine. The delivery may have taken place at 29 Ingram Street in Glasgow or, not far away, at 18 Brunswick Street, both on the south side of the Clyde River, because the family moved between these locations around the time of his birth. To pick at a last unknowable nit, Macdonald’s father recorded the moment of birth as 4:15, without specifying afternoon or early morning.
Richard Gwyn (John A: The Man Who Made Us)
Many of her sponsors were rich foods, which she loved—and she had the ample frame to prove it. Often she could be heard enjoying a pudding or a frosted cake on the air. Her network career ended in 1954. Her longtime friend and partner, Stella Karn, had died, and McBride moved upstate, to Kingston, and retired from the national radio scene. But she was still dabbling in 1976, the year of her death, doing a three-a-week local talkshow on WGHQ.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
You may tell the other two I've regained my sweet temper and am no longer breathing fire. And don't fret over things you can't change. 'Life must be lived forwardly.' That's from a philosopher Marcus has taken to quoting lately, I can never remember the name." "Kierkegaard," Sebastian said "Life can be understood only by looking back, but has to be lived forwardly.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
From what he'd been told about the duke's past, Keir would have expected a florid old dandy, or a rheumy-eyed satyr. Anything but this elegantly lean man who moved with the supple ease of a tomcat. His clean-shaven face was a marvel of bone structure: a gift of male beauty that could never be outlived. The dark gold of his hair was silvered at the temple and sides, and time had weathered his complexion here and there with fine lines. But the signs of maturity only made him seem more powerful. The sheer presence of the man caused the hairs on Keir's arms to prickle in warning beneath the too-short sleeves of his ready-made coat.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Sanna measured the apple juice into a large glass beaker and added it to the carboy, swirling a cheery red- like Santa's suit. She wrote down the amount in her notebook and did the same with the next juice, this one a bold sapphire blue, which mixed with the red into a vivid purple. When it came to cider, colors and flavors blended together for her. She knew she had the right blend when it matched the color she had envisioned. It wasn't scientific- and it didn't happen with anything else Sanna tasted- but here, with her beloved trees, it worked. She carefully tracked the blends in her journal. The sun streamed through the window, lighting up the colors in the carboy like Christmas lights. She was close- one more juice should do it. She closed her eyes, calling to mind all the juices in the barn's cooler and their corresponding colors. Every juice she tasted from their apples had a slightly different hue, differing among individual varieties, but even varying slightly from tree to tree. When she was twenty-four, she had stood at the tall kitchen counter tasting freshly pressed juices she had made for the first time with the press she had unearthed from the old barn. Her plan had originally been to sell them in the farm stand, but she wanted to pick the best. As she sipped each one, an unmistakable color came to mind- different for each juice- and she finally understood the watercolor apple portraits above the fireplace. They were proof she wasn't the only family member who could see the colors. After she explained it to her dad, he smiled. "I thought you might have the gift." "You knew about this?" "It's family legend. My dad said Grandpa could taste colors in the apples, but no one in my lifetime has been able to, so I thought it might be myth. When you returned home after college- the way you were drawn to Idun's- I thought you might have it." He had put his hands on the side of her face. "This means something good, Sanna." "Why didn't you say anything? Why didn't I know before?" "Would you have believed me?" "I've had apple juice from the Rundstroms a thousand times. Why can't I see that with theirs?" "I think it has something to do with apples from our land. We're connected to it, and it to us." Sanna had always appreciated the sanctuary of the orchard, and this revelation bonded Sanna like another root digging into the soil, finding nourishment. She'd never leave. After a few years of making and selling apple juice, Sanna strolled through the Looms wondering how these older trees still produced apples, even though they couldn't sell them. They didn't make for good eating or baking- Einars called them spitters. Over the years, the family had stopped paying attention to the sprawling trees since no one would buy their fruit- customers only wanted attractive, sweet produce. Other than the art above the mantel, they had lost track of what varieties they had, but with a bit of research and a lot of comparing and contrasting to the watercolors and online photos, Sanna discovered they had a treasure trove of cider-making apples- Kingston Black, Ashton Bitter, Medaille d'Or, Foxwhelp, her favorite Rambo tree, and so many more. The first Lunds had brought these trees to make cider, but had to stop during Prohibition, packing away the equipment in the back of their barn for Sanna to find so many years later. She spent years experimenting with small batches, understanding the colors, using their existing press and carboys to ferment. Then, last year, Einars surprised her with plans to rebuild the barn, complete with huge fermentation tanks and modern mills and presses. Sanna could use her talent and passion to help move their orchard into a new phase... or so they had hoped.
Amy E. Reichert (The Simplicity of Cider)