Kingdom Quotes

We've searched our database for all the quotes and captions related to Kingdom. Here they are! All 100 of them:

I would have come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together-knives drawn, pistols blazing. Because that's what we do. We never stop fighting.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Has anyone noticed this whole city is looking for us, mad at us, or wants to kill us?" "So?" said Kaz. "Well, usually it's just half the city.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Fear is a phoenix. You can watch it burn a thousand times and still it will return.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
She smiled then, her eyes red, her cheeks scattered with some kind of dust. It was a smile he thought he might die to earn again.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Crows remember human faces. They remember the people who feed them, who are kind to them. And the people who wrong them too. They don’t forget. They tell each other who to look after and who to watch out for.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
How absurd it was that in all seven kingdoms, the weakest and most vulnerable of people - girls, women - went unarmed and were taught nothing of fighting, while the strong were trained to the highest reaches of their skill.
Kristin Cashore (Graceling (Graceling Realm, #1))
Once upon a time, in a land long since burned to ash, there lived a young princess who loved her kingdom …
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
He was hers and she was his and they had found each other across centuries of bloodshed and loss, across oceans and kingdoms and war.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
No mourners, no funerals. Another way of saying good luck. But it was something more. A dark wink to the fact that there would be no expensive burials for people like them, no marble markers to remember their names, no wreaths of myrtle and rose.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
We meet fear. We greet the unexpected visitor and listen to what he has to tell us. When fear arrives, something is about to happen.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I don’t hold a grudge. I cradle it. I coddle it. I feed it fine cuts of meat and send it to the best schools. I nurture my grudges, Rollins.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Maybe there were people who lived those lives. Maybe this girl was one of them. But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren’t chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I am grateful you're alive", he said. "I am grateful that you're beside me. I am grateful that you're eating." She rested her head on his shoulder. "You're better that waffles, Matthias Helvar." A small smile curled the Fjerdan's lips. "Let's not say things we don't mean, my love.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I have been made to protect you. Even in death, I will find a way.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Childhood is not from birth to a certain age and at a certain age. The child is grown, and puts away childish things. Childhood is the kingdom where nobody dies.
Edna St. Vincent Millay
This action will have no echo.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Woman?” She chuckled. “Is that meant to insult me? I would return the slap, if I took you for a man.” Dany met his stare. “I am Daenerys Stormborn of House Targaryen, the Unburnt, Mother of Dragons, khaleesi to Drogo’s riders, and queen of the Seven Kingdoms of Westeros.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
...at the time, King Herbert felt that to remain safe, the kingdom needed an effective intelligence force." "An intelligent force?" said Will. "Not intelligent. Intelligence. Although it does help if your intelligence force was also intelligent.
John Flanagan (The Ruins of Gorlan (Ranger's Apprentice, #1))
You don’t look like a monster.” “I’ll tell you a secret, Hanna. The really bad monsters never look like monsters.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Have any of you wondered what I did with all the cash Pekka Rollins gave us?" "Guns?" asked Jesper. "Ships?" queried Inej. "Bombs?" suggested Wylan. "Political bribes?" offered Nina. They all looked at Matthias. "This is where you tell us how awful we are," she whispered.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I don't like this." "To be fair, Matthias, you don't like much.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Her heart was a river that carried her to the sea.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Why do you guys say that, anyway? No mourners, no funerals? Why not just say good luck or be safe?” “We like to keep our expectations low.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Don’t worry, Da. People point guns at each other all the time in Ketterdam. It’s basically a handshake.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
They were twin souls, soldiers destined to fight for different sides, to find each other and lose each other too quickly. She would not keep him here. Not like this.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
He'd told her they would fight their way out. Knives drawn, pistols blazing. Because that's what we do. She would fight for him, but she could not heal him. She would not waste her life trying.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Everything is a negotiation with you, Brekker. You probably bartered your way out of the womb.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
A man can only lead when others accept him as their leader, and he has only as much authority as his subjects give to him. All of the brilliant ideas in the world cannot save your kingdom if no one will listen to them.
Brandon Sanderson (The Well of Ascension (Mistborn, #2))
You do not yield.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Where do you think the money went?” he repeated. “Guns?” asked Jesper. “Ships?” queried Inej. “Bombs?” suggested Wylan. “Political bribes?” offered Nina. They all looked at Matthias. “This is where you tell us how awful we are,” she whispered. He shrugged. “They all seem like practical choices.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I am the most tired woman in the world. I am tired when I get up. Life requires an effort I cannot make. Please give me that heavy book. I need to put something heavy like that on top of my head. I have to place my feet under the pillows always, so as to be able to stay on earth. Otherwise I feel myself going away, going away at a tremendous speed, on account of my lightness. I know that I am dead. As soon as I utter a phrase my sincerity dies, becomes a lie whose coldness chills me. Don't say anything, because I see that you understand me, and I am afraid of your understanding. I have such a fear of finding another like myself, and such a desire to find one! I am so utterly lonely, but I also have such a fear that my isolation be broken through, and I no longer be the head and ruler of my universe. I am in great terror of your understanding by which you penetrate into my world; and then I stand revealed and I have to share my kingdom with you.
Anaïs Nin
There are no gods left to watch, I’m afraid. And there are no gods left to help you now, Aelin Galathynius.' Aelin smiled, and Goldryn burned brighter. 'I am a god.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
In a child's eyes, a mother is a goddess. She can be glorious or terrible, benevolent or filled with wrath, but she commands love either way. I am convinced that this is the greatest power in the universe.
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
Live, Manon. Live.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
You’re stupid about a lot of things, Wylan, but you are not stupid. And if I ever hear you call yourself a moron again, I’m going to tell Matthias you tried to kiss Nina. With tongue.” Wylan wiped his nose on his sleeve. “He’ll never believe it.” “Then I’ll tell Nina you tried to kiss Matthias. With tongue.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Let’s make this a fight worthy of a song.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
You can only sharpen a blade so far,” Kaz said as he joined them at the front of the church. “In the end, it comes down to the quality of the metal.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
To whatever end?” she breathed. Rowan followed her, as he had his entire life, long before they had ever met, before their souls had sparked into existence. “To whatever end, Fireheart.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
And far away, across the snow-covered mountains, on a barren plain before the ruins of a once-great city, a flower began to bloom
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
I promise, Matthias. I'll take you home." "Nina," he said, pressing her hand to his heart. "I am already home.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Even paradise could become a prison if one had enough time to take notice of the walls.
Morgan Rhodes (Falling Kingdoms (Falling Kingdoms, #1))
Jes, I've thought about this-" "Thought of me? Late at night? What was I wearing?" "I've thought about your powers," Wylan said, cheeks flushing pinker.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Through dangers untold and hardships unnumbered I have fought my way here to the castle beyond the Goblin City to take back the child you have stolen, for my will is as strong as yours and my kingdom as great. You have no power over me!
Jim Henson
I am here, I am with you.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea; But we loved with a love that was more than love- I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me- Yes!- that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we- Of many far wiser than we- And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee. For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling- my darling- my life and my bride, In the sepulchre there by the sea, In her tomb by the sounding sea.
Edgar Allan Poe
Jesper couldn’t quite believe he was having a conversation with the Sturmhond. The privateer was a legend. He’d broken countless blockades on behalf of the Ravkans and there were rumors that… “Do you really have a flying ship? blurted Jesper. “No.” “Oh.” “I have several.” “Take me with you.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I have come from the End of the World. From the River of Dreams, through the gauntlet and the Briar and the Deep Wyld, in order to stand before you today. I have but one request—to take my place at your side. To resume my duty as your knight, and to protect you and your kingdom for as long as I draw breath.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
Sometimes, the only way to get justice is to take it for yourself.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
For so many years I lived in constant terror of myself. Doubt had married my fear and moved into my mind, where it built castles and ruled kingdoms and reigned over me, bowing my will to its whispers until I was little more than an acquiescing peon, too terrified to disobey, too terrified to disagree. I had been shackled, a prisoner in my own mind. But finally, finally, I have learned to break free.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
My mother is Ketterdam. She birthed me in the harbor. And my father is profit. I honor him daily.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
He thumbed quickly through the ledger and said, “When people see a cripple walking down the street, leaning on his cane, what do they feel?” Wylan looked away. People always did when Kaz talked about his limp, as if he didn’t know what he was or how the world saw him. “They feel pity. Now, what do they think when they see me coming?” Wylan’s mouth quirked up at the corner. “They think they’d better cross the street.” Kaz tossed the ledger back in the safe. “You’re not weak because you can’t read. You’re weak because you’re afraid of people seeing your weakness. You’re letting shame decide who you are.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Meeting you was a disaster.” She raised a brow. “Thank you.” Djel, he was terrible at this. He stumbled on, trying to make her understand. “But I am grateful for that disaster. I needed a catastrophe to shake me from the life I knew. You were an earthquake, a landslide.” “I,” she said, planting a hand on her hip, “am a delicate flower.” “You aren’t a flower, you’re every blossom in the wood blooming at once. You are a tidal wave. You’re a stampede. You are overwhelming.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
We are the Thirteen,” she said. “From now until the Darkness claims us.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
He shifted his arm so he could brush her hair back. His fingers lingered along her jaw. “You make me want to live, too, Aelin Galathynius,” he said. “Not exist—but live.” He cupped her cheek, and took a steadying breath—as if he’d thought about every word these past three days, over and over again. “I spent centuries wandering the world, from empires to kingdoms to wastelands, never settling, never stopping—not for one moment. I was always looking toward the horizon, always wondering what waited across the next ocean, over the next mountain. But I think … I think that whole time, all those centuries, I was just looking for you.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Weird behavior is natural in smart children, like curiosity is to a kitten.
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
Until this moment, Wylan hadn't quite understood how much they meant to him. His father would have sneered at these thugs and thieves, a disgraced soldier, a gambler who couldn't keep out of the red. But they were his first friends, his only friends, and Wylan knew that even if he'd had his pick of a thousand companions, these would have been the people he chose.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Technically, I’m a murderer, but I like to think that’s one of my better qualities.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
Kaz had tapped his crow’s head cane on the flagstones of the tomb floor. “Do you know what Van Eck’s problem is?" “No honor?” said Matthias. “Rotten parenting skills?” said Nina. "Receding hairline?" offered Jesper.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
At some point, Jesper realized Kaz was gone. "Not one for goodbyes, is he?" he muttered. "He doesn't say goodbye," Inej said. She kept her eyes on the lights of the canal. Somewhere in the garden, a night bird began to sing. "He just lets go.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Aelin looked at Chaol and Dorian and sobbed. Opened her arms to them, and wept as they held each other. “I love you both,” she whispered. “And no matter what may happen, no matter how far we may be, that will never change.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
But if you couldn’t open a door, you just had to make a new one.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
To whatever end,” he whispered. Silver lined her eyes. “To whatever end.” A reminder—and a vow, more sacred than the wedding oaths they’d sworn on that ship. To walk this path together, back from the darkness of the iron coffin. To face what waited in Terrasen, ancient promises to the gods be damned.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
If you don't care about money, Nina dear, call it by its other names." "Kruge? Scrub? Kaz's one true love?" "Freedom, security, retribution.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
To get what you want, you have to know exactly how much you are willing to give up. Never had he wanted something this badly, and held it in his hands knowing that tomorrow it would be gone, traded for the high cliffs of Ios, and the uncertain future across the border, the chance to stand before his brother, to ask him for all the answers that no longer seemed important. A kingdom, or this.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
It was one of those fine little love stories that can make you smile in your sleep at night.
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
We can never be gods, after all--but we can become something less than human with frightening ease.
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
The function, the very serious function of racism is distraction. It keeps you from doing your work. It keeps you explaining, over and over again, your reason for being. Somebody says you have no language and you spend twenty years proving that you do. Somebody says your head isn’t shaped properly so you have scientists working on the fact that it is. Somebody says you have no art, so you dredge that up. Somebody says you have no kingdoms, so you dredge that up. None of this is necessary. There will always be one more thing.
Toni Morrison
Evil is a point of view. We are immortal. And what we have before us are the rich feasts that conscience cannot appreciate and mortal men cannot know without regret. God kills, and so shall we; indiscriminately He takes the richest and the poorest, and so shall we; for no creatures under God are as we are, none so like Him as ourselves, dark angels not confined to the stinking limits of hell but wandering His earth and all its kingdoms.
Anne Rice (Interview with the Vampire (The Vampire Chronicles, #1))
Your heart, Poppy? It is a gift I do not deserve.” He placed his hands on his knees as he lifted his gaze to mine. “But it is one I will protect until my dying breath.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
You’re our chemist, Wylan,” said Nina hopefully. “What do you think?” Wylan shrugged. “Maybe. Not all poisons have an antidote.” Jesper snorted. “That’s why we call him Wylan Van Sunshine.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Remember that we have something to fight for, and it will always triumph.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Farvell,” she said in Fjerdan. “May Djel watch over you until I can once more.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Death had been her curse and her gift and her friend for these long, long years. She was happy to greet it again under the golden morning sun.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
I am not sorry, she realized. She had chosen to live freely as a killer rather than die quietly as a slave, and she could not regret that.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I think sometimes when we find love we pretend it away, or ignore it, or tell ourselves we’re imagining it. Because it is the most painful kind of hope there is.
Rae Carson (The Bitter Kingdom (Fire and Thorns, #3))
The wrath Chaol found in Aelin’s eyes was world-ending. “You bring my court into this, Chaol,” Aelin said with lethal softness, “and I don’t care what you were to me, or what you have done to help me. You betray them, you hurt them, and I don’t care how long it takes, or how far you go: I’ll burn you and your gods-damned kingdom to ash. Then you’ll learn just how much of a monster I can be.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Jesper ran a finger up Wylan's forearm, and Wylan flushed a vibrant pink. Matthias couldn't help but sympathize with the boy. He knew what it was to be out of your depth, and he sometimes suspected they could forgo all of Kaz's planning and simply let Jesper and Nina flirt the entirety of Ketterdam into submission.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Matthias was dreaming again. Dreaming of her. The storm raged around him, drowning out Nina’s voice. And yet his heart was easy. Somehow he knew that she would be safe, she would find shelter from the cold. He was on the ice once more, and somewhere he could hear the wolves howling. But this time, he knew they were welcoming him home.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
The way you slam your body into mine reminds me I’m alive, but monsters are always hungry, darling, and they’re only a few steps behind you, finding the flaw, the poor weld, the place where we weren’t stitched up quite right, the place they could almost slip right into through if the skin wasn’t trying to keep them out, to keep them here, on the other side of the theater where the curtain keeps rising. I crawled out the window and ran into the woods. I had to make up all the words myself. The way they taste, the way they sound in the air. I passed through the narrow gate, stumbled in, stumbled around for a while, and stumbled back out. I made this place for you. A place for to love me. If this isn’t a kingdom then I don’t know what is.
Richard Siken (Crush)
Once upon a time,” she said to him, to the world, to herself, “in a land long since burned to ash, there lived a young princess who loved her kingdom . . . very much.” And then she told him of the princess whose heart had burned with wildfire, of the mighty kingdom in the north, of its downfall and of the sacrifice of Lady Marion. It was a long story, and sometimes she grew quiet and cried—-and during those times he leaned over to wipe away her tears.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
I’ve been nothing but kind to you. I’m not some sort of monster.” “No, you’re the man who sits idly by, congratulating yourself on your decency, while the monster eats his fill. At least a monster has teeth and a spine.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Wait,” he said. The burn of his voice was rougher than usual. “Is my tie straight?” Inej laughed, her hood falling back from her hair. “That’s the laugh,” he murmured, but she was already setting off down the quay, her feet barely touching the ground.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
We were all supposed to make it,” said Wylan softly. Maybe that was naive, the protest of a rich merchant’s son who’d only had a taste of Barrel life. But Jesper realized he’d been thinking the same thing. After all their mad escapes and close calls, he’d started to believe the six of them were somehow charmed, that his guns, Kaz’s brains, Nina’s wit, Inej’s talent, Wylan’s ingenuity, and Matthias’ strength had made them somehow untouchable. They might suffer. They might take their knocks, but Wylan was right, in the end they were all supposed to stay standing. “No mourners,” said Jesper, surprised by the ache of tears in his throat. “No funerals,” they all replied softly.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Some people will tell you that slow is good – but I’m here to tell you that fast is better. I’ve always believed this, in spite of the trouble it’s caused me. Being shot out of a cannon will always be better than being squeezed out of a tube. That is why God made fast motorcycles, Bubba…
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
Jesus Christ lived in the midst of his enemies. At the end all his disciples deserted him. On the Cross he was utterly alone, surrounded by evildoers and mockers. For this cause he had come, to bring peace to the enemies of God. So the Christian, too, belongs not in the seclusion of a cloistered life but in the thick of foes. There is his commission, his work. 'The kingdom is to be in the midst of your enemies. And he who will not suffer this does not want to be of the Kingdom of Christ; he wants to be among friends, to sit among roses and lilies, not with the bad people but the devout people. O you blasphemers and betrayers of Christ! If Christ had done what you are doing who would ever have been spared' (Luther).
Dietrich Bonhoeffer (Life Together: The Classic Exploration of Christian Community)
One word, Ma'am," he said, coming back from the fire; limping, because of the pain. "One word. All you've been saying is quite right, I shouldn't wonder. I'm a chap who always liked to know the worst and then put the best face I can on it. So I won't deny any of what you said. But there's one more thing to be said, even so. Suppose we have only dreamed, or made up, all those things-trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones. Suppose this black pit of a kingdom of yours is the only world. Well, it strikes me as a pretty poor one. And that's a funny thing, when you come to think of it. We're just babies making up a game, if you're right. But four babies playing a game can make a play-world which licks your real world hollow. That's why I'm going to stand by the play world. I'm on Aslan's side even if there isn't any Aslan to lead it. I'm going to live as like a Narnian as I can even if there isn't any Narnia. So, thanking you kindly for our supper, if these two gentlemen and the young lady are ready, we're leaving your court at once and setting out in the dark to spend our lives looking for Overland. Not that our lives will be very long, I should think; but that's a small loss if the world's as dull a place as you say.
C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
He was going to break my legs,” she said, her chin held high, the barest quaver in her voice. “Would you have come for me then, Kaz? When I couldn’t scale a wall or walk a tightrope? When I wasn’t the Wraith anymore?” Dirtyhands would not. The boy who could get them through this, get their money, keep them alive, would do her the courtesy of putting her out of her misery, then cut his losses and move on. “I would come for you,” he said, and when he saw the wary look she shot him, he said it again. “I would come for you. And if I couldn’t walk, I’d crawl to you, and no matter how broken we were, we’d fight our way out together—knives drawn, pistols blazing. Because that’s what we do. We never stop fighting.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
She vanished over the side of the chapel. Kaz stood there, staring at the place she’d been only seconds before. She’d tricked him. The decent, honest, pious Wraith had outsmarted him. He turned to look back at the long expanse of roof he was going to have to traverse to get back to the boat. “Curse you and all your Saints,” he said to no one at all, then realized he was smiling.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
What makes you think human beings are sentient and aware? There's no evidence for it. Human beings never think for themselves, they find it too uncomfortable. For the most part, members of our species simply repeat what they are told-and become upset if they are exposed to any different view. The characteristic human trait is not awareness but conformity, and the characteristic result is religious warfare. Other animals fight for territory or food; but, uniquely in the animal kingdom, human beings fight for their 'beliefs.' The reason is that beliefs guide behavior which has evolutionary importance among human beings. But at a time when our behavior may well lead us to extinction, I see no reason to assume we have any awareness at all. We are stubborn, self-destructive conformists. Any other view of our species is just a self-congratulatory delusion. Next question.
Michael Crichton (The Lost World (Jurassic Park, #2))
Celaena Sardothien wasn’t in league with Aelin Ashryver Galathynius. Celaena Sardothien was Aelin Ashryver Galathynius, heir to the throne and rightful Queen of Terranes. Celaena was Aelin Galathynius, the greatest living threat to Adarlan, the one person who could raise an army capable of standing against the king. Now, she was also the one person who knew the secret source of the king’s power—and who sought a way to destroy it. And he had just sent her into the arms of her strongest potential allies: to the homeland of her mother, the kingdom of her cousin, and the domain of her aunt, Queen Maeve of the Fae. Celaena was the lost Queen of Terrasen. Chaol sank to his knees.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Kuwei turned to Jesper. “You should visit me in Ravka. We could learn to use our powers together.” “How about I push you in the canal and we see if you know how to swim?” Wylan said with a very passable imitation of Kaz’s glare. Jesper shrugged. “I’ve heard he’s one of the richest men in Ketterdam. I wouldn’t cross him.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Even in the darkest and most cruel person, there is still a kernel of good. And within the most perfect champion, there is darkness. The question is, will one give in to the dark or the light? It's something we decide with every choice we make, every day that we exist. What might not be evil to you could be evil to someone else. Knowing this makes us powerful even without magic.
Morgan Rhodes (Falling Kingdoms (Falling Kingdoms, #1))
You’re not weak because you can’t read. You’re weak because you’re afraid of people seeing your weakness. You’re letting shame decide who you are. […] It’s shame that lines my pockets, shame that keeps the Barrel teeming with fools ready to put on a mask just so they can have what they want with none the wiser about it. We can endure all kinds of pain. It’s shame that eats men whole.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Anything else?” asked Matthias. “I like singing,” said Alys. Wylan shook his head frantically, mouthing, No, no, no. “Shall I sing?” Alys asked hopefully. “Bajan says that I’m good enough to be on the stage.” “Maybe we save that for later—” suggested Jesper. Alys’ lower lip began to wobble like a plate about to break. “Sing,” Matthias blurted, “by all means, sing.” And then the real nightmare began. It wasn’t that Alys was so bad, she just never stopped. She sang between bites of food. She sang while she was walking through the graves. She sang from behind a bush when she needed to relieve herself. When she finally dozed off, she hummed in her sleep. “Maybe this was Van Eck’s plan all along,” Kaz said glumly when they’d assembled outside the tomb again. “To drive us mad?” said Nina. “It’s working.” Jesper shut his eyes and groaned. “Diabolical.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
And it was not darkness, but light—light, bright and pure as the sun on snow, that erupted from Asterin. Light, as Asterin made the Yielding. As the Thirteen, their broken bodies scattered around the tower in a near-circle, made the Yielding as well. Light. They all burned with it. Radiated it. Light that flowed from their souls, their fierce hearts as they gave themselves over to that power. Became incandescent with it.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
I'm sorry, but I don't want to be an emperor. That's not my business. I don't want to rule or conquer anyone. I should like to help everyone if possible; Jew, Gentile, black man, white. We all want to help one another. Human beings are like that. We want to live by each other's happiness, not by each other's misery. We don't want to hate and despise one another. In this world there is room for everyone, and the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way. Greed has poisoned men's souls, has barricaded the world with hate, has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge has made us cynical; our cleverness, hard and unkind. We think too much and feel too little. More than machinery, we need humanity. More than cleverness, we need kindness and gentleness. Without these qualities, life will be violent and all will be lost. The airplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in men; cries out for universal brotherhood; for the unity of us all. Even now my voice is reaching millions throughout the world, millions of despairing men, women, and little children, victims of a system that makes men torture and imprison innocent people. To those who can hear me, I say, do not despair. The misery that is now upon us is but the passing of greed, the bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people. And so long as men die, liberty will never perish. Soldiers! Don't give yourselves to brutes, men who despise you, enslave you; who regiment your lives, tell you what to do, what to think and what to feel! Who drill you, diet you, treat you like cattle, use you as cannon fodder. Don't give yourselves to these unnatural men - machine men with machine minds and machine hearts! You are not machines, you are not cattle, you are men! You have the love of humanity in your hearts! You don't hate! Only the unloved hate; the unloved and the unnatural. Soldiers! Don't fight for slavery! Fight for liberty! In the seventeenth chapter of St. Luke, it is written that the kingdom of God is within man, not one man nor a group of men, but in all men! In you! You, the people, have the power, the power to create machines, the power to create happiness! You, the people, have the power to make this life free and beautiful, to make this life a wonderful adventure. Then in the name of democracy, let us use that power. Let us all unite. Let us fight for a new world, a decent world that will give men a chance to work, that will give youth a future and old age a security. By the promise of these things, brutes have risen to power. But they lie! They do not fulfill that promise. They never will! Dictators free themselves but they enslave the people. Now let us fight to fulfill that promise. Let us fight to free the world! To do away with national barriers! To do away with greed, with hate and intolerance! Let us fight for a world of reason, a world where science and progress will lead to all men's happiness. Soldiers, in the name of democracy, let us all unite!
Charlie Chaplin
She could feel the press of Kaz’s fingers against her skin, feel the bird’s wing brush of his mouth against her neck, see his dilated eyes. Two of the deadliest people the Barrel had to offer and they could barely touch each other without both of them keeling over. But they’d tried. He’d tried. Maybe they could try again. A foolish wish, the sentimental hope of a girl who hadn’t had the firsts of her life stolen, who hadn’t ever felt Tante Heleen’s lash, who wasn’t covered in wounds and wanted by the law. Kaz would have laughed at her optimism.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
It sounds like a fairy-tale, but not only that; this story of what man by his science and practical inventions has achieved on this earth, where he first appeared as a weakly member of the animal kingdom, and on which each individual of his species must ever again appear as a helpless infant... is a direct fulfilment of all, or of most, of the dearest wishes in his fairy-tales. All these possessions he has acquired through culture. Long ago he formed an ideal conception of omnipotence and omniscience which he embodied in his gods. Whatever seemed unattainable to his desires - or forbidden to him - he attributed to these gods. One may say, therefore, that these gods were the ideals of his culture. Now he has himself approached very near to realizing this ideal, he has nearly become a god himself. But only, it is true, in the way that ideals are usually realized in the general experience of humanity. Not completely; in some respects not at all, in others only by halves. Man has become a god by means of artificial limbs, so to speak, quite magnificent when equipped with all his accessory organs; but they do not grow on him and they still give him trouble at times... Future ages will produce further great advances in this realm of culture, probably inconceivable now, and will increase man's likeness to a god still more.
Sigmund Freud (Civilization and Its Discontents)
Jesper shrugged again. He adjusted the buttons on his shirt, touched his thumbs to his revolvers. When he felt like this, mad and scattered, it was as if his hands had a life of their own. His whole body itched. He needed to get out of this room. Wylan laid his hand on Jesper’s shoulder. “Stop.” Jesper didn’t know if he wanted to jerk away or pull him closer. “Just stop,” Wylan said. “Breathe.” Wylan’s gaze was steady. Jesper couldn’t look away from that clear-water blue. He forced himself to still, inhaled, exhaled. “Again,” Wylan said, and when Jesper opened his mouth to take another breath, Wylan leaned forward and kissed him. Jesper’s mind emptied. He wasn’t thinking of what had happened before or what might happen next. There was only the reality of Wylan’s mouth, the press of his lips, then the fine bones of his neck, the silky feel of his curls as Jesper cupped his nape and drew him nearer. This was the kiss he’d been waiting for. It was a gunshot. It was prairie fire. It was the spin of Makker’s Wheel. Jesper felt the pounding of his heart—or was it Wylan’s?—like a stampede in his chest, and the only thought in his head was a happy, startled, Oh. Slowly, inevitably, they broke apart. “Wylan,” Jesper said, looking into the wide blue sky of his eyes, “I really hope we don’t die.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
What did she say?” asked Matthias. Nina coughed and took his arm, leading him away. “She said you’re a very nice fellow, and a credit to the Fjerdan race. Ooh, look, blini! I haven’t had proper blini in forever.” “That word she used: babink,” he said. “You’ve called me that before. What does it mean?” Nina directed her attention to a stack of paper-thin buttered pancakes. “It means sweetie pie.” “Nina—” “Barbarian.” “I was just asking, there’s no need to name-call.” “No, babink means barbarian.” Matthias’ gaze snapped back to the old woman, his glower returning to full force. Nina grabbed his arm. It was like trying to hold on to a boulder. “She wasn’t insulting you! I swear!” “Barbarian isn’t an insult?” he asked, voice rising. “No. Well, yes. But not in this context. She wanted to know if you’d like to play Princess and Barbarian.” “It’s a game?” “Not exactly.” “Then what is it?” Nina couldn’t believe she was actually going to attempt to explain this. As they continued up the street, she said, “In Ravka, there’s a popular series of stories about, um, a brave Fjerdan warrior—” “Really?” Matthias asked. “He’s the hero?” “In a manner of speaking. He kidnaps a Ravkan princess—” “That would never happen.” “In the story it does, and”—she cleared her throat—“they spend a long time getting to know each other. In his cave.” “He lives in a cave?” “It’s a very nice cave. Furs. Jeweled cups. Mead.” “Ah,” he said approvingly. “A treasure hoard like Ansgar the Mighty. They become allies, then?” Nina picked up a pair of embroidered gloves from another stand. “Do you like these? Maybe we could get Kaz to wear something with flowers. Liven up his look.” “How does the story end? Do they fight battles?” Nina tossed the gloves back on the pile in defeat. “They get to know each other intimately.” Matthias’ jaw dropped. “In the cave?” “You see, he’s very brooding, very manly,” Nina hurried on. “But he falls in love with the Ravkan princess and that allows her to civilize him—” “To civilize him?” “Yes, but that’s not until the third book.” “There are three?” “Matthias, do you need to sit down?” “This culture is disgusting. The idea that a Ravkan could civilize a Fjerdan—” “Calm down, Matthias.” “Perhaps I’ll write a story about insatiable Ravkans who like to get drunk and take their clothes off and make unseemly advances toward hapless Fjerdans.” “Now that sounds like a party.” Matthias shook his head, but she could see a smile tugging at his lips. She decided to push the advantage. “We could play,” she murmured, quietly enough so that no one around them could hear. “We most certainly could not.” “At one point he bathes her.” Matthias’ steps faltered. “Why would he—” “She’s tied up, so he has to.” “Be silent.” “Already giving orders. That’s very barbarian of you. Or we could mix it up. I’ll be the barbarian and you can be the princess. But you’ll have to do a lot more sighing and trembling and biting your lip.” “How about I bite your lip?” “Now you’re getting the hang of it, Helvar.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))