King Of New York Quotes

You can’t see the stars in New York,” Dante said. “So I brought the stars to you.

To be a Christian without prayer is no more possible than to be alive without breathing.

Kneel before the king, Griff." I look around for the king. "Me, asshole. I'm the king. Who else would be the king? Wade?" [...] "On this rainy Thursday, I, King Theo of New York City, praise you, Sir Griffin of New York City, for your vast knowledge of fantasy novels I"ll never take the time to read myself. And for having the kind of laugh that I like hearing so much I would punch myself over and over if you found it funny.

VERY WELL, ROLAND OF GILEAD. 'VERY WELL, EDDIE OF NEW YORK. 'VERY WELL, SUSANNAH OF NEW YORK. 'VERY WELL, JAKE OF NEW YORK. 'VERY WELL, OY OF MID-WORLD.

The Empire State, a lonely dinosaur, rose sadly at midtown, highest tower, tallest mountain, longest road, King Kong's eyrie, meant to moor airships, alas.

He'd turned the room into a planetarium. No, not a planetarium. A virtual galaxy. Brilliant stars splashed across the soaring walls and ceiling and swirled beneath our feet. Constellations dotted the "sky," including Andromeda, Perseus, and a distinctive hourglass shape that made my breath hitch. Orion. My favorite. "You can't see the stars in New York" Dante said. "So I brought the stars to you.

... 'But Gold was not all. The other kings bring Frank Innocence and Mirth.' | Darcourt was startled, then delighted. 'That is very fine, Yerko; is it your own?' | 'No, it is in the story. I saw it in New York. The kings say, We bring you Gold, Frank Innocence, and Mirth.' | 'Sancta simplicitas,' said Darcourt, raising his eyes to mine. 'If only there were more Mirth in the message He has left to us. We miss it sadly, in the world we have made. And Frank Innocence. Oh, Yerko, you dear man.' ...

Isn’t it something,” Hettie said softly, “what ol’ New York really is? We come here to be free and find life’s worse here than back home. The white folks here just color it different. They don’t mind you sitting next to ’em on the subway, or riding the bus in the front seat, but if you asks for the same pay, or wants to live next door, or get so beat down you don’t wanna stand up and sing about how great America is, they’ll bust down on you so hard pus’ll come out your ears.

I have nothing to make me feel good, except for you. The last thing I want to do is turn you into my new drug of choice.

Eddie remembered the punchline of an old New York joke: “Pardon me, sir, can you tell me how to get to City Hall, or should I just go fuck myself?

I was having dinner…in London…when eventually he got, as the Europeans always do, to the part about “Your country’s never been invaded.” And so I said, “Let me tell you who those bad guys are. They’re us. WE BE BAD. We’re the baddest-assed sons of bitches that ever jogged in Reeboks. We’re three-quarters grizzly bear and two-thirds car wreck and descended from a stock market crash on our mother’s side. You take your Germany, France, and Spain, roll them all together and it wouldn’t give us room to park our cars. We’re the big boys, Jack, the original, giant, economy-sized, new and improved butt kickers of all time. When we snort coke in Houston, people lose their hats in Cap d’Antibes. And we’ve got an American Express card credit limit higher than your piss-ant metric numbers go. You say our country’s never been invaded? You’re right, little buddy. Because I’d like to see the needle-dicked foreigners who’d have the guts to try. We drink napalm to get our hearts started in the morning. A rape and a mugging is our way of saying 'Cheerio.' Hell can’t hold our sock-hops. We walk taller, talk louder, spit further, fuck longer and buy more things than you know the names of. I’d rather be a junkie in a New York City jail than king, queen, and jack of all Europeans. We eat little countries like this for breakfast and shit them out before lunch.

Many in America, as one social historian wrote, 'believed implicitly that New York's social leaders went to bed in full evening dress, brushed their teeth in vintage champagne, married their daughters without exception to shady French counts, and arrayed their poodle dogs in diamond tiaras.'...

I've lied all my life. I'm just now learning how to tell the truth, and I'm not going to start playing games again, especially not with you.

I've never been jealous of another teammate. Sure, some guys are faster than I am, stronger than I am, but none of them have ever tried to steal the girl I love away from me.

Orion. My favorite. “You can’t see the stars in New York,” Dante said. “So I brought the stars to you.

-in New York, a cat could look at a king. Hell, a cat could get himself elected king. But in England, where people had windows reminding them of ancestors whose bones had long since gone to dust? In England, the country that had perfected the art of the devastating remark? In England, where the servants' entrance waited, where all ears were tuned for the tiniest wrong accent, where the exquisitely subtle vocabulary of Us and Them held ten thousand complicated traps, uspoken and unarguable?

Y'know — Babylon once had two million people in it, and all we know about 'em is the names of the kings and some copies of wheat contracts . . . and contracts for the sale of slaves. Yet every night all those families sat down to supper, and the father came home from his work, and the smoke went up the chimney,— same as here. And even in Greece and Rome, all we know about the real life of the people is what we can piece together out of the joking poems and the comedies they wrote for the theatre back then. So I'm going to have a copy of this play put in the cornerstone and the people a thousand years from now'll know a few simple facts about us — more than the Treaty of Versailles and the Lind-bergh flight. See what I mean? So — people a thousand years from now — this is the way we were in the provinces north of New York at the beginning of the twentieth century. — This is the way we were: in our growing up and in our marrying and in our living and in our dying. Said by the Stage Manager

He wanted most of all the people of his own mind, people with whom he could really talk, people he could harangue and scold by the hour, servants, you see, to his fancy. Among these people he was always self-confident and bold. They might talk, to be sure, and even have opinions of their own, but always he talked last and best. He was like a writer busy among the figures of his brain, a kind of tiny blue-eyed king he was, in a six-dollar room facing Washington Square in the city of New York.

The only thing dumber than a broody hen was a New York Democrat.

Stiff, huh? I think seeing you roll around on the floor in that tight little outfit accomplished that.

So you're saying your kissing me back was just a pity thing? Because it sure didn't feel that way to me.

Maybe I am the eye candy on the team, but the only mouth I plan on melting in is hers.

They called it: Choep, New York. I called it: My Own Personal Hell.

New York, thy name is paranoia.

Locks or no locks, you're not going to cage me in.

She's an adversary, but undeniably an equal. Maybe she can bring me back from the beyond. If anyone can do it, I'm beginning to realize it could be her. Like she said, all I have to do is try.

He had an agent in New York, a tough red-headed woman named Phyllis Sandler who smoked Herbert Tareytons, drank Jim Beam from a paper cup, and thought the literary sun rose and set on Sean O’Casey.

Do you want to explain to me why you...are running around New York City with my little sister when you could have any woman you want?” Because she’s beautiful, smart and funny. Because seeing her smile is like watching the sun rise, and being with her is the only time I feel alive. No other woman compares.

Lowell's cubicle at the office was slightly larger than a toilet stall, but no higher, and although the door said MANAGING EDITOR, Lowell always felt that the words had been printed there in the same spirit that moves service-station operators to paint KING on the door of the men's privy

On the wall at the rear of the lot was a sign which read: MUNICIPAL EMPLOYEES AND MUNICIPAL BUSINESS ONLY PLEASE RESPECT THIS PARKING LOT. Only in Nevada would someone ask you to respect a parking lot, Peter thought. In New York the sign would read UNATHORIZED VEHICLES WILL BE STOLEN AND THEIR OWNERS EATEN.

He has promised himself that he’ll try not to stuff his Dark Tower fantasies with unpronounceable words in some made-up (not to say fucked-up) language—his editor, Chuck Verrill in New York, will only cut most of them if he does—but his mind seems to be filling up with such words and phrases all the same: ka, katet, sai, soh, can-toi (that one at least is from another book of his, Desperation), taheen. Can Tolkien’s Cirith Ungol and H. P. Lovecraft’s Great Blind

joined the singing too, and when it was done and the applause rolled out once more, he was crying a bit himself. Rita was gone. Alice Underwood was gone. New York was gone. America was gone. Even if they could defeat Randall Flagg, whatever they might make would never be the same as that world of dark streets and bright dreams.

In the nineteenth century, cholera struck the most modern, prosperous cities in the world, killing rich and poor alike, from Paris and London to New York City and New Orleans. In 1836, it felled King Charles X in Italy; in 1849, President James Polk in New Orleans; in 1893, the composer Pyotr Ilyich Tchaikovsky in St. Petersburg.

You worked, slaved, fought off the rats, the mice, the roaches, the ants, the Housing Authority, the cops, the muggers, and now the drug dealers. You lived a life of disappointment and suffering, of too-hot summers and too-cold winters, surviving in apartments with crummy stoves that didn’t work and windows that didn’t open and toilets that didn’t flush and lead paint that flecked off the walls and poisoned your children, living in awful, dreary apartments built to house Italians who came to America to work the docks, which had emptied of boats, ships, tankers, dreams, money, and opportunity the moment the colored and the Latinos arrived. And still New York blamed you for all its problems

The problem with the New World Order that has been advancing over the past century is that it works towards an intense Global centralization of financial, political, cultural and military power that will ultimately reduce all peoples into a proletarian mass of rootless, cultureless, alienated worker-bee tax & debt slaves; New York City writ large.

became a duchess, however, the rage of

Wear pink. Every day. And if you can find it in your heart, wear a little black for me too once in a while. After all, they do go quite well together, don't you think?

That was Pajn, and punch!

Eddie: Blaine? Blaine: YES, EDDIE OF NEW YORK. Eddie: I have a couple of riddles. Just to pass the time, you understand. Blaine: SPEAK, EDDIE OF NEW YORK.

You can't see the stars in New York," Dante said. "So I brought the stars to you.

You need something more from me—something I wasn't able to give you before.

You saw where I come from. No matter what I do or how I act, I'll always be the scum of the earth. I am who I am, and there's nothing you or anybody else can do to change that.

I told you. I don't do soft and gentle.

Having a woman on the team is stirring things inside me that I never felt before while on the job.

Fame requires every kind of excess. I mean true fame, a devouring neon, not the somber renown of waning statesmen or chinless kings. I mean long journeys across gray space. I mean danger, the edge of every void, the circumstance of one man imparting an erotic terror to the dreams of the republic. Understand the man who must inhabit these extreme regions, monstrous and vulval, damp with memories of violation. Even if half-mad he is absorbed into the public's total madness; even if fully rational, a bureaucrat in hell, a secret genius of survival, he is sure to be destroyed by the public's contempt for survivors. Fame, this special kind, feeds itself on outrage, on what the counselors of lesser men would consider bad publicity-hysteria in limousines, knife fights in the audience, bizarre litigation, treachery, pandemonium and drugs. Perhaps the only natural law attaching to true fame is that the famous man is compelled, eventually, to commit suicide. (Is it clear I was a hero of rock'n'roll?) Toward the end of the final tour it became apparent that our audience wanted more than music, more even than its own reduplicated noise. It's possible the culture had reached its limit, a point of severe tension. There was less sense of simple visceral abandon at our concerts during these last weeks. Few cases of arson and vandalism. Fewer still of rape. No smoke bombs or threats of worse explosives. Our followers, in their isolation, were not concerned with precedent now. They were free of old saints and martyrs, but fearfully so, left with their own unlabeled flesh. Those without tickets didn't storm the barricades, and during a performance the boys and girls directly below us, scratching at the stage, were less murderous in their love of me, as if realizing finally that my death, to be authentic, must be self-willed- a succesful piece of instruction only if it occured by my own hand, preferrably ina foreign city. I began to think their education would not be complete until they outdid me as a teacher, until one day they merely pantomimed the kind of massive response the group was used to getting. As we performed they would dance, collapse, clutch each other, wave their arms, all the while making absolutely no sound. We would stand in the incandescent pit of a huge stadium filled with wildly rippling bodies, all totally silent. Our recent music, deprived of people's screams, was next to meaningless, and there would have been no choice but to stop playing. A profound joke it would have been. A lesson in something or other. In Houston I left the group, saying nothing, and boarded a plane for New York City, that contaminated shrine, place of my birth. I knew Azarian would assume leadership of the band, his body being prettiest. As to the rest, I left them to their respective uproars- news media, promotion people, agents, accountants, various members of the managerial peerage. The public would come closer to understanding my disappearance than anyone else. It was not quite as total as the act they needed and nobody could be sure whether I was gone for good. For my closest followers, it foreshadowed a period of waiting. Either I'd return with a new language for them to speak or they'd seek a divine silence attendant to my own. I took a taxi past the cemetaries toward Manhattan, tides of ash-light breaking across the spires. new York seemed older than the cities of Europe, a sadistic gift of the sixteenth century, ever on the verge of plague. The cab driver was young, however, a freckled kid with a moderate orange Afro. I told him to take the tunnel. Is there a tunnel?" he said.

In New York—the New York of her own time, at least—they would have been objects of scorn and anger, the butt of every idiot’s crude, cruel jokes: a black woman of twenty-six and her whitebread lover who was three years younger and who had a tendency to talk like dis and dat when he got excited. Her whitebread lover who had been carrying a heavy monkey on his back only eight months before. Here, there was no one to jeer or laugh. Here, no one was pointing a finger. Here, there were only Roland, Eddie, and herself, the world’s last three gunslingers.

Y'know Babylon once had two million people in it, and all we know about 'em is the names of the kings and some copies of wheat contracts . . . and contracts for the sale of slaves. Yet every night all those families sat down to supper, and the father came home from his work, and the smoke went up the chimney, same as here. And even in Greece and Rome, all we know about the real life of the people is what we can piece together out of the joking poems and the comedies they wrote for the theatre back then. So I'm going to have a copy of this play put in the cornerstone and the people a thousand years from now'll know a few simple facts about us more than the Treaty of Versailles and the Lind-bergh flight. See what I mean? So people a thousand years from now this is the way we were in the provinces north of New York at the beginning of the twentieth century. This is the way we were: in our growing up and in our marrying and in our living and in our dying.

Do you want to explain to me why you – the Young heir – are running around New York City with my little sister when you could have any woman you want?” ‘Because she’s beautiful, smart and funny. Because seeing her smile is like watching the sun rise, and being with her is the only time I feel alive. No other woman compares.’ “The fact you have to ask proves how much you undervalue her.

there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die. The sight of Beanie’s mother howling at her son’s coffin would haunt them all in the next few days. Next week, or next month some time, some other mother would take her place, howling her grief. And another after that. They saw the future, too, she could tell. It would continue forever. It was all so very grim. But then, she thought, every once in a while there’s a glimmer of hope. Just a blip on the horizon, a whack on the nose of the giant that set him back on his heels or to the canvas,

Consider the great Samuel Clemens. Huckleberry Finn is one of the few books that all American children are mandated to read: Jonathan Arac, in his brilliant new study of the teaching of Huck, is quite right to term it 'hyper-canonical.' And Twain is a figure in American history as well as in American letters. The only objectors to his presence in the schoolroom are mediocre or fanatical racial nationalists or 'inclusivists,' like Julius Lester or the Chicago-based Dr John Wallace, who object to Twain's use—in or out of 'context'—of the expression 'nigger.' An empty and formal 'debate' on this has dragged on for decades and flares up every now and again to bore us. But what if Twain were taught as a whole? He served briefly as a Confederate soldier, and wrote a hilarious and melancholy account, The Private History of a Campaign That Failed. He went on to make a fortune by publishing the memoirs of Ulysses Grant. He composed a caustic and brilliant report on the treatment of the Congolese by King Leopold of the Belgians. With William Dean Howells he led the Anti-Imperialist League, to oppose McKinley's and Roosevelt's pious and sanguinary war in the Philippines. Some of the pamphlets he wrote for the league can be set alongside those of Swift and Defoe for their sheer polemical artistry. In 1900 he had a public exchange with Winston Churchill in New York City, in which he attacked American support for the British war in South Africa and British support for the American war in Cuba. Does this count as history? Just try and find any reference to it, not just in textbooks but in more general histories and biographies. The Anti-Imperialist League has gone down the Orwellian memory hole, taking with it a great swirl of truly American passion and intellect, and the grand figure of Twain has become reduced—in part because he upended the vials of ridicule over the national tendency to religious and spiritual quackery, where he discerned what Tocqueville had missed and far anticipated Mencken—to that of a drawling, avuncular fabulist.

In 1960, The New York Times printed an advertisement titled “Heed Their Rising Voices” that attempted to raise money to defend Dr. Martin Luther King Jr. against perjury charges in Alabama. Southern officials responded by going on the offensive and suing the newspaper. Public Safety Commissioner L. B. Sullivan and Governor Patterson claimed defamation. A local jury awarded them half a million dollars, and the case was appealed to the U.S. Supreme Court. In a landmark ruling, New York Times v. Sullivan changed the standard for defamation and libel by requiring plaintiffs to prove malice—that is, evidence of actual knowledge on the part of the publisher that a statement is false. The ruling marked a significant victory for freedom of the press, and it liberated media outlets and publishers to talk more honestly about civil rights protests and activism.

In the American Grain" "Ninth grade, and bicycling the Jersey highways: I am a writer. I was half-wasp already, I changed my shirt and trousers twice a day. My poems came back...often rejected, though never forgotten in New York, this Jewish state with insomniac minorities. I am sick of the enlightenment: what Wall Street prints, the mafia distributes; when talent starves in a garret, they buy the garret. Bill Williams made less than Band-Aids on his writing, he could never write the King's English of The New Yorker. I am not William Carlos Williams. He knew the germ on every flower, and saw the snake is a petty, rather pathetic creature.

That big chunk of my life that felt like it was missing has slid back into place. With him, I feel whole again. For the first time in a long time, I'm where I'm supposed to be with the person I'm supposed to be with.

So, you don’t love me anymore?” “I don’t answer rhetorical questions,” I said. “And I’m not a geography expert, but I know damn well that North Carolina is outside of New York and a direct violation of your parole. What do you think will happen when they find out you’re here? Do you think they’ll make you serve out the sentence that you more than f**king deserve?” She gasped. “You would snitch on me?” “I would run my car over you.

KIDS. They know a BRIBE when they see one. They want a PARENT, not a PAY-OFF. They don’t care if you’re Jack-King-Rodeo or Mister-You-Own-New-York. All they understand is time spent WITH YOU or WITHOUT YOU. It’s that SIMPLE.

Eddie: What's happening, Blaine my man? (silence) Blaine? Are you there? Blaine: YES, BUT IN NO MOOD FOR FRIVOLITY, EDDIE OF NEW YORK. SPEAK YOUR RIDDLE. I SUSPECT IT WILL BE DIFFICULT IN SPITE OF YOUR FOOLISH POSES. I LOOK FORWARD TO IT.

I used to feel the need to argue with every mouth breather and dimwit until one day it dawned on me that when it was all said and done, my blood pressure would be up 20 points and the person I was arguing with would still be fucking stupid.

SHE WAS A KNOCKOUT. A stoned fox. I’d never seen her before. Not one of the cutesy Irish Barbie Dolls I normally fell for, this was something of a different class altogether. No disco glam or sparkles or fashionably trashy stripper chic. No make-up or slutty, revealing outfit. No desperate, tits-in-your-face “notice me” B.S. This was something pure and earthy -- fresh as newly cut grass. The smoking-hot girl next door, but yet completely of another world and time. A true classic.

Ghosts of New York I would like to think that they all have their own stories But we never ask, we don’t even know their names Or what has brought them to their knees and humbled them enough to sleep on the floor of a station Or sit on a train all night long just to have somewhere warm to sleep They are gawked at people will leave their presence to avoid the smell but they have nowhere to wash their bodies On those days when you’ve argued with your boss or a friend, something didn’t go your way and you think you have it bad, They are walking, breathing, living evidence that someone out there truly has it worse We’ve made ourselves so cold, so immune that we’ve taken the humanity out of what’s happening in front of us So yes, I would like to believe that when I give them that dollar they aren’t going to use it to put a needle in their arm and if they should, who am I to judge? Maybe when you’re already that low all there is left to live for is chasing that high

Sister Gee stared at her neighbors as they surrounded her, and at that moment she saw them as she had never seen them before: they were crumbs, thimbles, flecks of sugar powder on a cookie, invisible, sporadic dots on the grid of promise, occasionally appearing on Broadway stages or on baseball teams with slogans like “You gotta believe,” when in fact there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And

London was a city of ghosts, some deader than others. Thorne knew that in this respect, it wasn't unlike any other major city - New York or Paris or Sydney - but he felt instinctively that London was .... at the extreme. The darker side of that history, as opposed to the parks, palaces and pearly kings' side that made busloads of Japanese and American tourists gawk and jabber. The hidden history of a city where the lonely, the dispossessed, the homeless, wandered the streets, brushing shoulders with the shadows of those that had come before them. A city in which the poor and the plague-ridden, those long-since hanged for stealing a loaf or murdered for a shilling, jostled for position with those seeking a meal, or a score, or a bed for the night. A city where the dead could stay lost a long time

When an artist submerges a crucifix in a jar of his own urine, or smears elephant dung on an image of the Virgin Mary, do these works belong in art museums?21 Can the artist simply tell religious Christians, “If you don’t want to see it, don’t go to the museum”? Or does the mere existence of such works make the world dirtier, more profane, and more degraded? If you can’t see anything wrong here, try reversing the politics. Imagine that a conservative artist had created these works using images of Martin Luther King Jr. and Nelson Mandela instead of Jesus and Mary. Imagine that his intent was to mock the quasi-deification by the left of so many black leaders. Could such works be displayed in museums in New York or Paris without triggering angry demonstrations? Might some on the left feel that the museum itself had been polluted by racism, even after the paintings were removed?

Life in the Cause would lurch forward as it always did. You worked, slaved, fought off the rats, the mice, the roaches, the ants, the Housing Authority, the cops, the muggers, and now the drug dealers. You lived a life of disappointment and suffering, of too-hot summers and too-cold winters, surviving in apartments with crummy stoves that didn’t work and windows that didn’t open and toilets that didn’t flush and lead paint that flecked off the walls and poisoned your children, living in awful, dreary apartments built to house Italians who came to America to work the docks, which had emptied of boats, ships, tankers, dreams, money, and opportunity the moment the colored and the Latinos arrived. And still New York blamed you for all its problems. And who can you blame? You were the one who chose to live here, in this hard town with its hard people, the financial capital of the world, land of opportunity for the white man and a tundra of spent dreams and empty promises for anyone else stupid enough to believe the hype. Sister Gee stared at her neighbors as they surrounded her, and at that moment she saw them as she had never seen them before: they were crumbs, thimbles, flecks of sugar powder on a cookie, invisible, sporadic dots on the grid of promise, occasionally appearing on Broadway stages or on baseball teams with slogans like “You gotta believe,” when in fact there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die.

RAMESSES II is one of the most well-known and widely written-about kings of ancient Egypt. A copy of his Treaty of Kadesh, written in cuneiform and discovered in the village of Hattusas, hangs in the United Nations building in New York as the world’s earliest example of an international peace treaty. It is also believed that Ramesses is the Pharaoh responsible

Then he placed his hands in his pockets and stood in the middle of the street alone, giving the silent roaring rage inside him time to ease down and out, and after several long minutes he once again became who he was, a solitary middle-aged man in the August of life looking for a few more Aprils, an aging bachelor in a floppy suit standing on a tired, worn Brooklyn street in the shadow of a giant housing project built by a Jewish reformer named Robert Moses who forgot he was a reformer, building projects like this all over, which destroyed neighborhoods, chasing out the working Italians, Irish, and Jews, gutting all the pretty things from them, displacing them with Negroes and Spanish and other desperate souls clambering to climb into the attic of New York life, hoping that the bedroom and kitchen below would open up so they could drop in, and at minimum join the club that to them included this man, an overweight bachelor in an ill-fitting suit, watching a shiny car roaring away, the car driven by a handsome young man who was pretty and drove away as if he were barreling into a bright future, while the dowdy heavyset man watched him jealously, believing the man so pretty and handsome had places to go and women to meet and things to do, and the older heavyset man standing behind eating his fumes on a sorry, dreary, crowded old Brooklyn street of storefronts and tired brownstones had nothing left but the fumes of the pretty sports car in his face.

The old man's fave gleamed, memory-bound. Eddie did not glimpse the young man who had been (Gran-pere was too old for that), but in his rheumy eyes he saw the mixture of excitement and determination and sick fear which must have filled him that day. Must have filled them all. Eddie felt himself reaching out for it the way a hungry man will reach for food, and the old man must have seen some of this on his face, for he seemed to swell and gain vigor. Certainly this wasn't a reaction the old man had ever gotten from his grandson; Tian did not lack for bravery, say thankya, but he was a sodbuster for all that. This man, however, this Eddie of New York... he might live a short life and die with his face in the dirt, but he was no sodbuster.

I can't give up on anyone either, even someone who's burned every bridge like Drake Schultz. Getting him to deal with his insecurities and whatever it is he's trying to hide. It's this never-ending cycle of self-hatred that I have to address before I can even think about doing anything else with him. I have to put him to the test. Just how far gone is he? How good of a liar has he become?

So, is the modern era one of mindless slaughter, war and oppression, typified by the trenches of World War One, the nuclear mushroom cloud over Hiroshima and the gory manias of Hitler and Stalin? Or is it an era of peace, epitomised by the trenches never dug in South America, the mushroom clouds that never appeared over Moscow and New York, and the serene visages of Mahatma Gandhi and Martin Luther King?

Say, kiddies! Today we're studying Wacky Geography in Mid-World. You see, boys and girls, in Mid-World you start in New York, travel southeast to Kansas, and then continue along the Path of the Beam until you come to the Dark Tower...which happens to be smack in the middle of everything. First, fight the giant lobsters! Next, ride the psychotic train! And then, after a visit to our snack bar for a popkin or two...

was a walk that Larry Underwood never forgot. He found himself thinking that she hadn’t been so wrong to quote Tolkien at that, Tolkien with his mythic lands seen through the lens of time and half-mad, half-exalted imaginings, peopled with elves and ents and trolls and orcs. There were none of those in New York, but so much had changed, so much was out of joint, that it was impossible not to think of it in terms of fantasy.

It was 1977. Bob Marley was in a foreign studio, recovering from an assassin’s ambush and singing: “Many more will have to suffer. Many more will have to die. Don’t ask me why.” Bantu Stephen Biko was shackled, naked and comatose in the back of a South African police Land Rover. The Baader-Meinhof gang lay in suicide pools in a German prison. The Khmer Rouge filled their killing fields. The Weather Underground and the Young Lords Party crawled toward the final stages of violent implosion. In London, as in New York City, capitalism’s crisis left entire blocks and buildings abandoned, and the sudden appearance of pierced, mohawked, leather-jacketed punks on Kings Road set off paroxysms of hysteria. History behaved as if reset to year zero. In the Bronx, Herc’s time was passing. But the new culture that had arisen around him had captured the imagination of a new breed of youths in the Bronx. Herc had stripped down and let go of everything, save the most powerful basic elements—the rhythm, the motion, the voice, the name. In doing so, he summoned up a spirit that had been there at Congo Square and in Harlem and on Wareika Hill. The new culture seemed to whirl backward and forward—a loop of history, history as loop—calling and responding, leaping, spinning, renewing.

There’s a reason why kings built large palaces, sat on thrones and wore rubies all over. There’s a whole social need for that, not to oppress the masses, but to impress the masses and make them proud and allow them to feel good about their culture, their government and their ruler so that they are left feeling that a ruler has the right to rule over them, so that they feel good rather than disgusted about being ruled. —George Lucas, New York Times, 1999

Blaine!" Roland called. "YES." "Can you leave the room? We need to confer." You nuts if you think he's gonna do that, Susannah thought, but Blaine's reply was quick and eager. "YES, GUNSLINGER. I WILL TURN OFF ALL MY SENSORS IN THE BARONY COACH. WHEN YOUR CONFERENCE IS DONE AND YOU ARE READY TO BEGIN THE RIDDLING, I WILL RETURN." "Yeah, you and General MacArthur," Eddie muttered. "WHAT DID YOU SAY, EDDIE OF NEW YORK?" "Nothing. Talking to myself, that's all.

Well, I was able to write in further reply to Dennis Prager, now you have your answer. The nineteen suicide murderers of New York and Washington and Pennsylvania were beyond any doubt the most sincere believers on those planes. Perhaps we can hear a little less about how "people of faith" possess moral advantages that others can only envy. And what is to be learned from the jubilation and the ecstatic propaganda with which this great feat of fidelity has been greeted in the Islamic world? At the time, the United States has an attorney general named John Ashcroft, who had stated that America had "no king but Jesus" (a claim that was exactly two words too long). It had a president who wanted to hand over the care of the poor to "faith based" institutions. Might this not be a moment where the light of reason, and the defense of a society that separated church and state and valued free expression and free inquiry, be granted a point or two?

Now," Tick-Tock said, returning his gaze to Jake, "you say the American city you came form--this New York--is much like Lud." "Well...not exactly..." "But you do recognize some of the machinery," Tick-Tock pressed. "Valves and pumps and such. Not to mention the firedim tubes." "Yes. We call it neon, but it's the same." Tick-Tock reached out toward him. Jake cringed, but Tick-Tock only patted him on the shoulder. "Yes, yes; close enough." His eyes gleamed. "And you've heard of computers?

Blaine: WOULD YOU LIKE A LITTLE MUSIC? I HAVE OVER SEVEN THOUSAND CONCERTI IN MY LIBRARY--A SAMPLING OF OVER THREE HUNDRED LEVELS. THE CONCERTI ARE MY FAVORITES, BUT I CAN ALSO OFFER SYMPHONIES, OPERAS, AND A NEARLY ENDLESS SELECTION OF POPULAR MUSIC. YOU MIGHT ENJOY SOME WAY-GOG MUSIC. THE WAY-GOG IS AN INSTRUMENT SOMETHING LIKE THE BAGPIPE. IT IS PLAYED ON ONE OF THE UPPER LEVELS OF THE TOWER. Eddie: Have you got any Z.Z. Top? Blaine: YES INDEED. HOW ABOUT A LITTLE 'TUBE-SNAKE BOOGIE,' EDDIE OF NEW YORK? Eddie: On second, thought, I'll pass.

You were only creased. You did write me that note and put it under my door when I was sleeping. You walked to the truck stop up the road even though the truck stop was back in New York and you went on from there. Are going on. Did you know that could happen? Did you know that you could sit in front of a screen or a pad of paper and change the world? It doesn’t last, the world always comes back, but before it does, it’s awesome. It’s everything. Because you can have things the way you want and I want you to still be alive and in the story you are and always will be.

A 1967 New York Times editorial declared Milwaukee “America’s most segregated city.” A supermajority in both houses had helped President Johnson pass the Civil Rights Act of 1964 and the Voting Rights Act of 1965, but legislators backed by real estate lobbies refused to get behind his open housing law, which would have criminalized housing discrimination. It took Martin Luther King Jr. being murdered on a Memphis balcony, and the riots that ensued, for Congress to include a real open housing measure later that year in the 1968 Civil Rights Act, commonly called the Fair Housing Act.

Bradshaw. That Dietz would pretend he existed, and got them all those sensational scoops when she knew— That instant, she knew. She felt the goose pimples grow on her arms, and her fingers clenched the steering wheel more tightly as her body went rigid. It was coming to her in a rush, the incredible answers to the questions that she had been asking herself in these last weeks. Like a streak of lightning throwing a bright, stark light on a dark area, illuminating all that had been hidden so long. In those stunning moments of revelation, Victoria could see the whole truth. It was too shocking, even horrifying, to believe, but it was the truth, there could be no other. It was coming to her—who Mark Bradshaw was; why she and Nick had always been sent to scenes where terrorism was about to happen, to file advance background stories where terrorism would occur; how the Record had obtained exclusive stories on the kidnapping of the Spanish king and abduction of the UN secretary-general and theft of the Dead Sea scrolls and murder of the Israeli prime minister and near kidnapping of the Pope in Lourdes; why Carlos was not being picked up and jailed; why she had abruptly been ordered to leave Paris and return to New York.

Marathon In 490 B.C., a Greek messenger named Pheidippides ran twenty-six miles, from Marathon to Athens, to bring the senate news of a battle. He died from exhaustion, but his memory lives on thanks to the “marathon,” a twenty-six-mile footrace named in his honor. I thought it would be neat to bring Pheidippides to a modern-day marathon and talk to him about his awesome legacy.   ME: So, Pheidippides: What was it like to run the first “marathon”? PHEIDIPPIDES: It was the worst experience of my life. ME: How did it come about? PHEIDIPPIDES: My general gave the order. I begged him, “Please, don’t make me do this.” But he hardened his heart and told me, “You must.” And so I ran the distance, and it caused my death. ME: How did you feel when you finally reached your destination? PHEIDIPPIDES: I was already on the brink of death when I entered the senate hall. I could actually feel my life slipping away. So I recited my simple message, and then, with my final breath, I prayed to the gods that no human being, be he Greek or Persian, would ever again have to experience so horrible an ordeal. ME: Hey, here come the runners! Wooooh! PHEIDIPPIDES: Who are these people? Where are they going? ME: From one end of New York to the other. It’s a twenty-six-mile distance. Sound familiar? PHEIDIPPIDES: What message do they carry…and to whom? ME: Oh, they’re not messengers. PHEIDIPPIDES: But then…who has forced them to do this? ME: No one. It’s like, you know, a way of testing yourself. PHEIDIPPIDES: But surely, a general or king has said to them, “You must do this. Do this or you will be killed.” ME: No, they just signed up. Hey, look at that old guy with the beard! Pretty inspiring, huh? Still shuffling around after all these years. PHEIDIPPIDES: We must rescue that man. We must save his life. ME: Oh, he knows what he’s doing. He probably runs this thing every year. PHEIDIPPIDES: Is he…under a curse? ME: No.

In an editorial headlined “The King Is Dead,” The New York Times noted, “Even among the hierarchy of great motion-picture stars, of whom there were many in the happy years of his ascendance, he was acknowledged supreme. Perhaps he was not the most skillful and subtle in the way of technique. Perhaps he did not possess the polish of some of the latterly imported British stars. But what Gable had in a measure that no other star quite matched—or projected as ferociously as he did—was a true masculine personality. Whatever the role, Gable was as certain as the sunrise. He was consistently and stubbornly all Man….People everywhere—men, women and small boys—admired Clark Gable. He was a conspicuous symbol of the rugged American throughout the world.

That's bullshit, buddy. And you know it. The trouble was, he DIDN'T know it. He had come face to face with something Susannah had found out for herself after shooting the bear: he could TALK about how he didn't want to be a gunslinger, how he didn't want to be tramping around this crazy world where the three of them seemed to be the only human life, that what he really wanted more than anything else was to be standing on the corner of Broadway and Forty-second Street, popping his fingers, munching a chili-dog, and listening to Creedence Clearwater Revival blast out of his Walkman earphones as he watched the girls go by, those ultimately sexy New York girls with their pouty go-to-hell mouths and their long legs in short skirts. He could talk about those things until he was blue in the face, but his heart knew other things. It knew that he had ENJOYED blowing the electronic menagerie back to glory, at least while the game was on and Roland's gun was his own private handheld thunderstorm. He had ENJOYED kicking the robot rat, even though it had hurt his foot and even though he had been scared shitless. In some weird way, that part--the being scared part--actually seemed to add to the enjoyment. All that was bad enough, but his heart knew something even worse: that if a door leading back to New York appeared in front of him right now, he might not walk through it. Not, at least, until he had seen the Dark Tower for himself. He was beginning to believe that Roland's illness was a communicable disease.

Blaine: I HAVE A NUMBER OF SWITCHING FUNCTIONS TO PERFORM. THESE WILL TAKE ABOUT FORTY MINUTES AND ARE LARGELY AUTOMATIC. WHILE THIS SWITCHOVER TAKES PLACE AND THE ACCOMPANYING CHECKLIST IS RUNNING, WE SHALL CONTINUE OUR CONTEST. I AM ENJOYING IT VERY MUCH. Eddie: (still sounding as if he isn't quite with them) It's like when you have to switch over from electric to diesel on the train to Boston. At Hartford or New Haven or one of those other places where no one in their right fucking mind would want to live. Susannah: Eddie? What are you--? Roland touches Susannah's shoulder and shakes his head. Blaine: (in his expansive gosh-but-this-is-fun voice) NEVER MIND EDDIE OF NEW YORK. Eddie: That's right. Never mind Eddie of New York. Blaine: HE KNOWS NO GOOD RIDDLES. BUT YOU KNOW MANY, ROLAND OF GILEAD. TRY ME WITH ANOTHER.

One three-page letter from a thirty-seven-year-old white woman from Pleasantville, New York, concluded: “I am so glad you didn’t sneeze.” Almost ten years later, King would build the final speech of his life around that line, although he would add dramatic power to the anecdote by attributing the letter to a ninth-grade student at White Plains High School. “I, too, am happy that I didn’t sneeze,” he would say. He would repeat the refrain to celebrate all the joys, struggles, and triumphs he would have missed had he made an abrupt move that day in Blumstein’s department store. Thoughts of death had long preoccupied him. Now he saw that nonviolent movements grew stronger when they came under attack. Violent assaults on the determinedly nonviolent aroused sympathy and attracted support for the cause. It was a lesson that would shape the last ten years of his life.

This book is fiction and all the characters are my own, but it was inspired by the story of the Dozier School for Boys in Marianna, Florida. I first heard of the place in the summer of 2014 and discovered Ben Montgomery’s exhaustive reporting in the Tampa Bay Times. Check out the newspaper’s archive for a firsthand look. Mr. Montgomery’s articles led me to Dr. Erin Kimmerle and her archaeology students at the University of South Florida. Their forensic studies of the grave sites were invaluable and are collected in their Report on the Investigation into the Deaths and Burials at the Former Arthur G. Dozier School for Boys in Marianna, Florida. It is available at the university’s website. When Elwood reads the school pamphlet in the infirmary, I quote from their report on the school’s day-to-day functions. Officialwhitehouseboys.org is the website of Dozier survivors, and you can go there for the stories of former students in their own words. I quote White House Boy Jack Townsley in chapter four, when Spencer is describing his attitude toward discipline. Roger Dean Kiser’s memoir, The White House Boys: An American Tragedy, and Robin Gaby Fisher’s The Boys of the Dark: A Story of Betrayal and Redemption in the Deep South (written with Michael O’McCarthy and Robert W. Straley) are excellent accounts. Nathaniel Penn’s GQ article “Buried Alive: Stories From Inside Solitary Confinement” contains an interview with an inmate named Danny Johnson in which he says, “The worst thing that’s ever happened to me in solitary confinement happens to me every day. It’s when I wake up.” Mr. Johnson spent twenty-seven years in solitary confinement; I have recast that quote in chapter sixteen. Former prison warden Tom Murton wrote about the Arkansas prison system in his book with Joe Hyams called Accomplices to the Crime: The Arkansas Prison Scandal. It provides a ground’s-eye view of prison corruption and was the basis of the movie Brubaker, which you should see if you haven’t. Julianne Hare’s Historic Frenchtown: Heart and Heritage in Tallahassee is a wonderful history of that African-American community over the years. I quote the Reverend Martin Luther King Jr. a bunch; it was energizing to hear his voice in my head. Elwood cites his “Speech Before the Youth March for Integrated Schools” (1959); the 1962 LP Martin Luther King at Zion Hill, specifically the “Fun Town” section; his “Letter from Birmingham Jail”; and his 1962 speech at Cornell College. The “Negroes are Americans” James Baldwin quote is from “Many Thousands Gone” in Notes of a Native Son. I was trying to see what was on TV on July 3, 1975. The New York Times archive has the TV listings for that night, and I found a good nugget.

One after another, Jake posed his riddles; one after another, Blaine answered them. When Jake turned to the last page, he saw a boxed message from the author or editor or whatever you called someone who put together books like this: We hope you've enjoyed the unique combination of imagination and logic known as RIDDLING! Jake: (in his mind) I haven't. I haven't enjoyed it one little bit, and I hope you choke. Yet when he looked at the question above the message, he felt a thin threat of hope. It seemed to him that, in this case, at least, they really HAD saved the best for last. Susannah: Hurry up, Jake! Jake: Blaine? Blaine: YES, JAKE OF NEW YORK. Jake: With no wings, I fly. With no eyes, I see. With no arms, I climb. More frightening than any beast, stronger than any foe. I am cunning, ruthless, and tall; in the end, I rule all. What am I? Blaine: (promptly) THE IMAGINATION OF MAN AND WOMAN.

Benedict Arnold was appointed to the rank of general in the Continental Army by George Washington during the American War of Independence. It was up to him to protect the fortifications at West Point, New York, which in 1802 became the U.S. Military Academy. Arnold however planned to surrender his command to the British forces. When his treasonous act was discovered Arnold fled down the Hudson River to the British sloop-of-war Vulture, avoiding capture by the forces of George Washington, who had previously been alerted to the plot. Arnold was hailed a hero by the British, who gave him a commission in the British Army as brigadier general. In the winter of 1782, after the war, he moved to London with his wife where he was received as a hero by King George III. In the United States his name "Benedict Arnold" became synonyms for the words “TRAITOR & TREASON.” Cohorting with a foreign power to overthrow the government or purposely aiding the enemy is an act of Treason!

What we have here is a war—the war of matter and spirit. In the classical era, spirit was in harmony with matter. Matter used to condense spirit. What was unseen—the ghost of Hamlet’s father—was seen—in the conscience of the king. The spirit was trapped in the matter of theater. The theater made the unseen, seen. In the Romantic era, spirit overwhelms matter. The glass of champagne can’t contain the bubbles. But never in the history of humanity has spirit been at war with matter. And that is what we have today. The war of banks and religion. It’s what I wrote in Prayers of the Dawn, that in New York City, banks tower over cathedrals. Banks are the temples of America. This is a holy war. Our economy is our religion. When I came back to midtown a week after the attack—I mourned—but not in a personal way—it was a cosmic mourning—something that I could not specify because I didn’t know any of the dead. I felt grief without knowing its origin. Maybe it was the grief of being an immigrant and of not having roots. Not being able to participate in the whole affair as a family member but as a foreigner, as a stranger—estranged in myself and confused—I saw the windows of Bergdorf and Saks—what a theater of the unexpected—my mother would have cried—there were only black curtains, black drapes—showing the mourning of the stores—no mannequins, just veils—black veils. When the mannequins appeared again weeks later—none of them had blond hair. I don’t know if it was because of the mourning rituals or whether the mannequins were afraid to be blond—targets of terrorists. Even they didn’t want to look American. They were out of fashion after the Twin Towers fell. To the point, that even though I had just dyed my hair blond because I was writing Hamlet and Hamlet is blond, I went back to my coiffeur immediately and told him—dye my hair black. It was a matter of life and death, why look like an American. When naturally I look like an Arab and walk like an Egyptian.

Blaine: WOULD YOU TRY ME WITH RIDDLES FROM YOUR BOOK? OUR TIME TOGETHER GROWS SHORT. Jake: Yes. I would try you with these riddles. Give me your understanding of the truth concerning each, Blaine. Blaine: IT IS FAIRLY SPOKEN, JAKE OF NEW YORK. I WILL DO AS YOU ASK. Jake: Listen, Blaine. In a tunnel of darkness lies a beast of iron. It can only attack when pulled back. What is it? Blaine: (without hesitation) A BULLET. Jake: Walk on the living, they don't even mumble. Walk on the dead, they mutter and grumble. What are they? Blaine: (without hesitation) FALLEN LEAVES. If Jake really knew in his heart that the game was lost, why did he feel such despair, such bitterness, such anger? Jake: (in his mind) Because he's a pain, that's why. Blaine is a really BIG pain, and I'd like to push his face in it, just once. I think even making him stop is second to that on my wish-list. (to Blaine) I am emeralds and diamonds, lost by the moon. I am found by the sun and picked up soon. What am I? Blaine: (still relentless, still unhesitating) DEW.

Blaine: THE HAND-SCAN SPECTRUM MAGNIFIER IS A DIAGNOSTIC TOOL ALSO CAPABLE OF ADMINISTERING MINOR FIRST AID, SUCH AS I HAVE PERFORMED ON YOU. IT IS ALSO A NUTRIENT DELIVERY SYSTEM, A BRAIN-PATTERN RECORDING DEVICE, A STRESS-ANALYZER, AND AN EMOTION-ENHANCER WHICH CAN NATURALLY STIMULATE THE PRODUCTION OF ENDORPHINS. HAND-SCAN IS ALSO CAPABLE OF CREATING VERY BELIEVABLE ILLUSIONS AND HALLUCINATIONS. WOULD YOU CARE TO HAVE YOUR FIRST SEXUAL EXPERIENCE WITH A NOTED SEX-GODDESS FROM YOUR LEVEL OF THE TOWER, JAKE OF NEW YORK? PERHAPS MARILYN MONROE, RAQUEL WELCH, OR EDITH BUNKER? Jake: (laughter; guessing that laughing at Blaine might be risky, but this time he cannot help it) There IS no Edith Bunker. She's just a character on a TV show. The actress's name is, um, Jean Stapleton. Also, she looks like Mrs. Shaw. She's our housekeeper. Nice, but not--you know--a babe. Blaine: (silence) I CRY YOUR PARDON, JAKE OF NEW YORK. I ALSO WITHDRAW MY OFFER OF A SEXUAL EXPERIENCE. Jake: (sounding suitably humble hopefully) That's okay, Blaine. I think I'm still a little young for that, anyway.

The place to take the true measure of a man is not in the darkest place or in the amen corner, nor the cornfield, but by his own fireside. There he lays aside his mask and you may learn whether he is an imp or an angel, cur or king, hero or humbug. I care not what the world says of him: whether it crowns him boss or pelts him with bad eggs. I care not a copper what his reputation or religion may be: if his babies dread his homecoming and his better half swallows her heart every time she has to ask him for a five-dollar bill, he is a fraud of the first water, even though he prays night and morning until he is black in the face. But if his children rush to the front door to meet him and love's sunshine illuminates the face of his wife every time she hears his footfall, you can take it for granted that he is pure, for his home is a heaven. I can forgive much in that fellow mortal who would rather make men swear than women weep; who would rather have the hate of the whole world than the contempt of his wife; who would rather call anger to the eyes of a king than fear to the face of a child (W. C. Brann, “A Man’s Real Measure,” in Elbert Hubbard’s Scrapbook, New York: Wm. H. Wise and Co., 1923, p. 16)

I lived in New York City back in the 1980s, which is when the Bordertown series was created. New York was a different place then -- dirtier, edgier, more dangerous, but also in some ways more exciting. The downtown music scene was exploding -- punk and folk music were everywhere -- and it wasn't as expensive to live there then, so a lot of young artists, musicians, writers, etc. etc. were all living and doing crazy things in scruffy neighborhoods like the East Village. I was a Fantasy Editor for a publishing company back then -- but in those days, "fantasy" to most people meant "imaginary world" books, like Tolkien's Lord of the Rings. A number of the younger writers in the field, however, wanted to create a branch of fantasy that was rooted in contemporary, urban North America, rather than medieval or pastoral Europe. I'd already been working with some of these folks (Charles de Lint, Emma Bull, etc.), who were writing novels that would become the foundations for the current Urban Fantasy field. At the time, these kinds of stories were considered so strange and different, it was actually hard to get them into print. When I was asked by a publishing company to create a shared-world anthology for Young Adult readers, I wanted to create an Urban Fantasy setting that was something like a magical version of New York...but I didn't want it to actually be New York. I want it to be any city and every city -- a place that anyone from anywhere could go to or relate to. The idea of placing it on the border of Elfland came from the fact that I'd just re-read a fantasy classic called The King of Elfland's Daughter by the Irish writer Lord Dunsany. I love stories that take place on the borderlands between two different worlds...and so I borrowed this concept, but adapted it to a modern, punky, urban setting. I drew upon elements of the various cities I knew best -- New York, Boston, London, Dublin, maybe even a little of Mexico City, where I'd been for a little while as a teen -- and scrambled them up and turned them into Bordertown. There actually IS a Mad River in southern Ohio (where I went to college) and I always thought that was a great name, so I imported it to Bordertown. As for the water being red, that came from the river of blood in the Scottish folk ballad "Thomas the Rhymer," which Thomas must cross to get into Elfland. [speaking about the Borderland series she "founded" and how she came up with the setting. Link to source; Q&A with Holly, Ellen & Terri!]

Eddie: What has four wheels and flies? Blaine: (disapproving) THE TOWN GARBAGE WAGON, AS I HAVE ALREADY SAID. ARE YOU SO STUPID OR INATTENTIVE THAT YOU DO NOT REMEMBER? IT WAS THE FIRST RIDDLE YOU ASKED ME. Eddie: (in his mind) Yes. And what we all missed--because we were fixated on stumping you with some brain-buster out of Roland's past or Jake's book--is that the contest almost ended right there. (to Blaine) You didn't like that one, did you, Blaine? Blaine: (agreeably) I FOUND IT EXCEEDINGLY STUPID. PERHAPS THAT'S WHY YOU ASKED IT AGAIN. LIKE CALLS TO LIKE, EDDIE OF NEW YORK, IS IT NOT SO? Eddie: (smiling and shaking his finger) Sticks and stones may break my bones, but words will never hurt me. Or, as we used to say back in the neighborhood, 'You can rank me to the dogs and back, but I'll never lose the hard-on I use to fuck your mother.' Jake: Hurry up! If you can do something, DO IT! Eddie: It doesn't like silly questions. It doesn't like silly games. And we KNEW that. We knew it from Charlie the Choo-Choo. How stupid can you get? Hell, THAT was the book with the answers, not Riddle-De-Dum, but we never saw it. (to Blaine) Blaine: when is a door not a door? Blaine: (clicking his tongue) WHEN IT'S AJAR, OF COURSE. WOULD YOU DIE WITH SUCH STUPID RIDDLES IN YOUR MOUTH?

Praise for The Witch Elm “‘I’ve always considered myself to be, basically, a lucky person.’ That’s the first line of Tana French’s extraordinary new novel. . . . Here’s a things-go-bad story Thomas Hardy could have written in his prime. . . . The book is lifted by French’s nervy, almost obsessive prose. . . . This is good work by a good writer. For the reader, what luck.” —Stephen King, The New York Times Book Review “Tana French is at her suspenseful best in The Witch Elm. . . . [Her] best and most intricately nuanced novel yet. . . . She is in a class by herself as a superb psychological novelist. . . . Get ready for the whiplash brought on by its final twists and turns.” —Janet Maslin, The New York Times “Like all of her novels, it becomes an incisive psychological portrait embedded in a mesmerizing murder mystery. [French] could make a Target run feel tense and revelatory.” —Los Angeles Times “Like all of French’s novels, The Witch Elm can be swooningly evocative. . . . Even if Toby isn’t on the Dublin Murder Squad, the events in The Witch Elm spur his great, transformative upheaval. The discovery they force on him revolves around one question: Whose story is this? By the time French is done retooling the mystery form—it seems there’s nothing she can’t make it do, no purpose she can’t make it serve—the answer is

Susannah smiled at them nervously, then looked up at the route-map. "Hello, Blaine." "HOWDY, SUSANNAH OF NEW YORK." Her heart was pounding, her armpits were damp, and here was something she had first discovered way back in the first grade: it was hard to begin. It was hard to stand up in front of the class and be first with your song, your joke, your report on how you spent your summer vacation ... or your riddle, for that matter. The one she had decided upon was one from Jake Chambers's crazed English essay, which he had recited to them almost verbatim during their long palaver after leaving the old people of River Crossing. The essay, titled "My Understanding of Truth," had contained two riddles, one of which Eddie had already used on Blaine. "SUSANNAH? ARE YOU THERE, L'IL COWGIRL?" Teasing again, but this time the teasing sounded light, good-natured. Good-humored. Blaine could be charming when he got what he wanted. Like certain spoiled children she had known. "Yes, Blaine, I am, and here is my riddle. What has four wheels and flies?" There was a peculiar click, as if Blaine were mimicking the sound of a man popping his tongue against the roof of his mouth. It was followed by a brief pause. When Blaine replied, most of the jocularity had gone out of his voice. "THE TOWN GARBAGE WAGON, OF COURSE. A CHILD'S RIDDLE. IF THE REST OF YOUR RIDDLES ARE NO BETTER, I WILL BE EXTREMELY SORRY I SAVED YOUR LIVES FOR EVEN A SHORT WHILE.

On Sunday, November 10, Kaiser Wilhelm II was dethroned, and he fled to Holland for his life. Britain’s King George V, who was his cousin, told his diary that Wilhelm was “the greatest criminal known for having plunged the world into this ghastly war,” having “utterly ruined his country and himself.” Keeping vigil at the White House, the President and First Lady learned by telephone, at three o’clock that morning, that the Germans had signed an armistice. As Edith later recalled, “We stood mute—unable to grasp the significance of the words.” From Paris, Colonel House, who had bargained for the armistice as Wilson’s envoy, wired the President, “Autocracy is dead. Long live democracy and its immortal leader. In this great hour my heart goes out to you in pride, admiration and love.” At 1:00 p.m., wearing a cutaway and gray trousers, Wilson faced a Joint Session of Congress, where he read out Germany’s surrender terms. He told the members that “this tragical war, whose consuming flames swept from one nation to another until all the world was on fire, is at an end,” and “it was the privilege of our own people to enter it at its most critical juncture.” He added that the war’s object, “upon which all free men had set their hearts,” had been achieved “with a sweeping completeness which even now we do not realize,” and Germany’s “illicit ambitions engulfed in black disaster.” This time, Senator La Follette clapped. Theodore Roosevelt and Senator Lodge complained that Wilson should have held out for unconditional German surrender. Driven down Capitol Hill, Wilson was cheered by joyous crowds on the streets. Eleanor Roosevelt recorded that Washington “went completely mad” as “bells rang, whistles blew, and people went up and down the streets throwing confetti.” Including those who had perished in theaters of conflict from influenza and other diseases, the nation’s nineteen-month intervention in the world war had levied a military death toll of more than 116,000 Americans, out of a total perhaps exceeding 8 million. There were rumors that Wilson planned to sail for France and horse-trade at the peace conference himself. No previous President had left the Americas during his term of office. The Boston Herald called this tradition “unwritten law.” Senator Key Pittman, Democrat from Nevada, told reporters that Wilson should go to Paris “because there is no man who is qualified to represent him.” The Knickerbocker Press of Albany, New York, was disturbed by the “evident desire of the President’s adulators to make this war his personal property.” The Free Press of Burlington, Vermont, said that Wilson’s presence in Paris would “not be seemly,” especially if the talks degenerated into “bitter controversies.” The Chattanooga Times called on Wilson to stay home, “where he could keep his own hand on the pulse of his own people” and “translate their wishes” into action by wireless and cable to his bargainers in Paris.

Well," Eddie said, "I don't know how hard it'll seem to you, but it struck me as a toughie." Nor did he know the answer, since that section of Riddle-De-Dum! had been torn out, but he didn't think that made any difference; their knowing the answers hadn't been part of the ground-rules. "I SHALL HEAR AND ANSWER." "No sooner spoken than broken. What is it?" "SILENCE, A THING YOU KNOW LITTLE ABOUT, EDDIE OF NEW YORK," Blaine said with no pause at all, and Eddie felt his heart drop a little. There was no need to consult with the others; the answer was self-evident. And having it come back at him so quickly was the real bummer. Eddie never would have said so, but he had harbored the hope-almost a secret surety-of bringing Blaine down with a single riddle, ker-smash, all the King's horses and all the King's men couldn't put Blaine together again. The same secret surety, he supposed, that he had harbored every time he picked up a pair of dice in some sharpie's back-bedroom crap game, every time he called for a hit on seventeen while playing blackjack. That feeling that you couldn't go wrong because you were you, the best, the one and only. "Yeah," he said, sighing. "Silence, a thing I know little about. Thankee-sai, Blaine, you speak truth." "I HOPE YOU HAVE DISCOVERED SOMETHING WHICH WILL HELP YOU," Blaine said, and Eddie thought: You fucking mechanical liar. The complacent tone had returned to Blaine's voice, and Eddie found it of some passing interest that a machine could express such a range of emotion. Had the Great Old Ones built them in, or had Blaine created an emotional rainbow for himself at some point? A little dipolar pretty with which to pass the long decades and centuries? "DO YOU WISH ME TO GO AWAY AGAIN SO YOU MAY CONSULT?" "Yes," Roland said.

this I say,—we must never forget that all the education a man's head can receive, will not save his soul from hell, unless he knows the truths of the Bible. A man may have prodigious learning, and yet never be saved. He may be master of half the languages spoken round the globe. He may be acquainted with the highest and deepest things in heaven and earth. He may have read books till he is like a walking cyclopædia. He may be familiar with the stars of heaven,—the birds of the air,—the beasts of the earth, and the fishes of the sea. He may be able, like Solomon, to "speak of trees, from the cedar of Lebanon to the hyssop that grows on the wall, of beasts also, and fowls, and creeping things, and fishes." (1 King iv. 33.) He may be able to discourse of all the secrets of fire, air, earth, and water. And yet, if he dies ignorant of Bible truths, he dies a miserable man! Chemistry never silenced a guilty conscience. Mathematics never healed a broken heart. All the sciences in the world never smoothed down a dying pillow. No earthly philosophy ever supplied hope in death. No natural theology ever gave peace in the prospect of meeting a holy God. All these things are of the earth, earthy, and can never raise a man above the earth's level. They may enable a man to strut and fret his little season here below with a more dignified gait than his fellow-mortals, but they can never give him wings, and enable him to soar towards heaven. He that has the largest share of them, will find at length that without Bible knowledge he has got no lasting possession. Death will make an end of all his attainments, and after death they will do him no good at all. A man may be a very ignorant man, and yet be saved. He may be unable to read a word, or write a letter. He may know nothing of geography beyond the bounds of his own parish, and be utterly unable to say which is nearest to England, Paris or New York. He may know nothing of arithmetic, and not see any difference between a million and a thousand. He may know nothing of history, not even of his own land, and be quite ignorant whether his country owes most to Semiramis, Boadicea, or Queen Elizabeth. He may know nothing of the affairs of his own times, and be incapable of telling you whether the Chancellor of the Exchequer, or the Commander-in-Chief, or the Archbishop of Canterbury is managing the national finances. He may know nothing of science, and its discoveries,—and whether Julius Cæsar won his victories with gunpowder, or the apostles had a printing press, or the sun goes round the earth, may be matters about which he has not an idea. And yet if that very man has heard Bible truth with his ears, and believed it with his heart, he knows enough to save his soul. He will be found at last with Lazarus in Abraham's bosom, while his scientific fellow-creature, who has died unconverted, is lost for ever. There is much talk in these days about science and "useful knowledge." But after all a knowledge of the Bible is the one knowledge that is needful and eternally useful. A man may get to heaven without money, learning, health, or friends,—but without Bible knowledge he will never get there at all. A man may have the mightiest of minds, and a memory stored with all that mighty mind can grasp,—and yet, if he does not know the things of the Bible, he will make shipwreck of his soul for ever. Woe! woe! woe to the man who dies in ignorance of the Bible! This is the Book about which I am addressing the readers of these pages to-day. It is no light matter what you do with such a book. It concerns the life of your soul. I summon you,—I charge you to give an honest answer to my question. What are you doing with the Bible? Do you read it? HOW READEST THOU?

He found that when the Montreal Canadiens ice hockey team—once described as the national team of French Canada—got knocked out of the playoffs early between 1951 and 1992, Quebecois males aged fifteen to thirty-four became more likely to kill themselves. Robert Fernquist, a sociologist at the University of Central Missouri, went further. He studied thirty American metropolitan areas with professional sports teams from 1971 to 1990 and showed that fewer suicides occurred in cities whose teams made the playoffs more often. Routinely reaching the playoffs could reduce suicides by about twenty each year in a metropolitan area the size of Boston or Atlanta, said Fernquist. These saved lives were the converse of the mythical Brazilians throwing themselves off apartment blocks. Later, Fernquist investigated another link between sports and suicide: he looked at the suicide rate in American cities after a local sports team moved to another town. It turned out that some of the fans abandoned by their team killed themselves. This happened in New York in 1957 when the Brooklyn Dodgers and New York Giants baseball teams left, in Cleveland in 1995–1996 when the Browns football team moved to Baltimore, and in Houston in 1997–1998 when the Oilers football team departed. In each case the suicide rate was 10 percent to 14 percent higher in the two months around the team’s departure than in the same months of the previous year. Each move probably helped prompt a handful of suicides. Fernquist wrote, “The sudden change brought about due to the geographic relocations of pro sports teams does appear to, at least for a short time, make highly identified fans drastically change the way they view the normative order in society.” Clearly none of these people killed themselves just because they lost their team. Rather, they were very troubled individuals for whom this sporting disappointment was too much to bear. Perhaps the most famous recent case of a man who found he could not live without sports was the Gonzo author Hunter S. Thompson. He shot himself in February 2005, four days after writing a note in black marker with the title, “Football Season Is Over”:

As soon as the Rabbi of Bluzhov had finished the ceremony of kindling the lights, Zamietchkowski elbowed his way to the rabbi and said, “Spira, you are a clever and honest person. I can understand your need to light Hanukkah candles in these wretched times. I can even understand the historical note of the second blessing, ‘Who wroughtest miracles for our fathers in days of old, at this season.’ But the fact that you recited the third blessing is beyond me. How could you thank God and say ‘Blessed art Thou, O Lord our God, King of the Universe, who has kept us alive, and hast preserved us, and enabled us to reach this season’? How could you say it when hundreds of dead Jewish bodies are literally lying within the shadows of the Hanukkah lights, when thousands of living Jewish skeletons are walking around in camp, and millions more are being massacred? For this you are thankful to God? For this you praise the Lord? This you call ‘keeping us alive’?” “Zamietchkowski, you are a hundred percent right,” answered the rabbi. “When I reached the third blessing, I also hesitated and asked myself, what should I do with this blessing? I turned my head in order to ask the Rabbi of Zaner and other distinguished rabbis who were standing near me, if indeed I might recite the blessing. But just as I was turning my head, I noticed that behind me a throng was standing, a large crowd of living Jews, their faces expressing faith, devotion, and concentration as they were listening to the rite of the kindling of the Hanukkah lights. I said to myself, if God, blessed be He, has such a nation that at times like these, when during the lighting of the Hanukkah lights they see in front of them the heaps of bodies of their beloved fathers, brothers, and sons, and death is looking from every corner, if despite all that, they stand in throngs and with devotion listening to the Hanukkah blessing ‘Who wroughtest miracles for our fathers in days of old, at this season’; if, indeed, I was blessed to see such a people with so much faith and fervor, then I am under a special obligation to recite the third blessing.”2 Some years after liberation, the Rabbi of Bluzhov, now residing in Brooklyn, New York, received regards from Mr. Zamietchkowski. Zamietchkowski asked the son of the Skabiner Rabbi to tell Israel Spira, the Rabbi of Bluzhov, that the answer he gave him that dark Hanukkah night in Bergen Belsen had stayed with him ever since, and was a constant source of inspiration during hard and troubled times. Based