“
I am the shepherd of shadow. The phantom of the fright. The demon in the daydream.” Her yellow eyes flickered to Ravyn. “The nightmare in the night.
”
”
Rachel Gillig (One Dark Window (The Shepherd King, #1))
“
But still, sometimes, in the heart of winter when the light outside seemed yellow- sleepy, like a cat curled up on a sofa...
”
”
Stephen King (It)
“
Strange is the night where black stars rise,
and strange moons circle through the skies,
but stranger still is
lost Carcosa.
”
”
Robert W. Chambers (The King in Yellow and Other Horror Stories)
“
Camilla: You, sir, should unmask.
Stranger: Indeed?
Cassilda: Indeed it’s time. We all have laid aside disguise but you.
Stranger: I wear no mask.
Camilla: (Terrified, aside to Cassilda.) No mask? No mask!
-- The King in Yellow, Act I, Scene 2.
”
”
Robert W. Chambers (The King in Yellow and Other Horror Stories)
“
Outside, the September air was enticingly fragrant, yellow with pollen and rich, lemony sunlight.
”
”
Alice Hoffman (The River King)
“
for I knew that the King in Yellow had opened his tattered mantle and there was only God to cry to now.
”
”
Robert W. Chambers (The King in Yellow)
“
This is the thing that troubles me, for I cannot forget Carcosa where black stars hang in the heavens; where the shadows of men's thoughts lengthen in the afternoon, when the twin suns sink into the lake of Hali; and my mind will bear for ever the memory of the Pallid Mask. I pray God will curse the writer, as the writer has cursed the world with its beautiful stupendous creation, terrible in its simplicity, irresistible in its truth--a world which now trembles before the King In Yellow.
”
”
Robert W. Chambers (The King in Yellow and Other Horror Stories)
“
Ah," she said, "to come is easy and takes hours; to go is different—and may take centuries.
”
”
Robert W. Chambers (The King in Yellow)
“
Party lights hang over the street, yellow and red and green. Sadie stumbles over someone’s chair, but I’m ready for this and I catch her easily by the arm.
“Sorry, clumsy,” she says.
“You always were, Sadie. One of your more endearing traits.”
Before she can ask about that I slip my arm around her waist. She slips hers around mine, still looking up at me. The lights skate across her cheeks and shine in her eyes. We clasp hands, fingers folding together naturally, and for me the years fall away like a coat that’s too heavy and too tight. In that moment, I hope on thing above all others: that she was not too busy to find at least one good man …
She speaks in a voice almost too low to be heard over the music. But I hear her – I always did. “Who are you, George?”
“Someone you knew in another life, honey.
”
”
Stephen King (11/22/63)
“
I cannot forget Carcosa where black stars hang in the heavens; where the shadows of men's thoughts lengthen in the afternoon, when the twin suns sink into the lake of Hali; and my mind will bear for ever the memory of the Pallid Mask. I pray God will curse the writer, as the writer has cursed the world with this beautiful, stupendous creation, terrible in its simplicity, irresistible in its truth—a world which now trembles before the King in Yellow.
”
”
Robert W. Chambers (The King in Yellow)
“
It's offense you maybe can't live with because it opens up a crack inside your thinking, and if you look down into it you see there are evil things down there, and they have little yellow eyes that don't blink, and there's a stink down there in that dark and after a while you think maybe there's a whole other universe where a square moon rises in the sky, and the stars laugh in cold voices, and some of the triangles have four sides, and some have five, and some have five raised to the fifth power of sides. In this universe there might grow roses which sing. Everything leads to everything, he would have told them if he could. Go to your church and listen to your stories about Jesus walking on the water, but if I saw a guy doing that I'd scream and scream and scream. Because it wouldn't look like a miracle to me. It would look like an offense.
”
”
Stephen King (It)
“
Perhaps you should consider your difficulty in getting past Wendlyn's naval defences to be a sign that you should stop playing at being a god."
"Playing?" The King smiled, his crooked teeth glowing yellow in the firelight. "I am not playing. And this is not a game.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
Have you seen The Yellow Sign?
”
”
Robert W. Chambers (The King in Yellow and Other Horror Stories)
“
There a painless death awaits him who can no longer bear the sorrows of this life.
”
”
Robert W. Chambers (The King in Yellow (Tales of Mystery & The Supernatural))
“
But there was only that silence, as in the five or ten minutes before a vicious thundersquall strikes, when the purple heads stack up in the sky overhead and the light turns a queer purple-yellow and the wind dies completely.
”
”
Stephen King (It)
“
No, he is not vicious, nor is he in the least demented. His mind is a wonder chamber, from which he can extract treasures that you and I would give years of our life to acquire.
”
”
Robert W. Chambers (The Yellow King: The Complete Collection)
“
Since that day I saw you in chemistry class with thatt canary yellow shirt, I wanted to make every day Christmas for you.
”
”
A.S. King (Everybody Sees the Ants)
“
Yellow?” The king’s eyebrows nudge up. “What, you thought I’d like the color of spilled blood or something?” He tips his head back as he weighs my words. “Yeah, I kind of did.
”
”
Laura Thalassa (The Queen of All that Dies (The Fallen World, #1))
“
In here I'm the guy who can get things for you... outside all you need is the Yellow Pages. I don't think I could make it.
”
”
Stephen King (Different Seasons)
“
The eyes were hollow and the carven head was broken, but about the high, stern forehead there was a coronal of silver and gold. A trailing plant with flowers like white stars had bound itself across the brows as if in reverence for the fallen king, and in the crevices of his stony hair yellow stonecrop gleamed.
"They cannot conquer for ever!" said Frodo.
”
”
J.R.R. Tolkien
“
There you are.” He wrapped me in his arms, holding me against his armored chest like a father would a child. “One day, you will be nothing more than memory, Elspeth Spindle. But not yet.” His yellow eyes rose to the blackened sky. “Don’t leave me alone with these fools.
”
”
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
“
Want your boat, Georgie?' Pennywise asked. 'I only repeat myself because you really do not seem that eager.' He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore.
Yes, sure,' George said, looking into the stormdrain.
And a balloon? I’ve got red and green and yellow and blue...'
Do they float?'
Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...'
George reached.
The clown seized his arm.
And George saw the clown’s face change.
What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke.
They float,' the thing in the drain crooned in a clotted, chuckling voice. It held George’s arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches.
They float,' it growled, 'they float, Georgie, and when you’re down here with me, you’ll float, too–'
George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rain-slicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly.
Everything down here floats,' that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more.
Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street...and began to scream himself as George's body turned over in his hands. The left side of George’s slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where his left arm had been. A knob of bone, horribly bright, peeked through the torn cloth.
The boy’s eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill with rain.
”
”
Stephen King (It)
“
Come and see my rose-coloured bath full of death!
”
”
Robert W. Chambers (The King in Yellow)
“
Bramble's lips were tight. Her fists still shook.
"Take it back," she said. She gazed at the floor, but the words whipped. "We don't want the picture. We don't want your charity. Take it back!"
Teddie drew himself up to his full, towering taffy height.
"N-dash it-O!" he said. "It's not charity and I won't take it back! It's a gift! A gift, dash it all! Because I liked your mum! And I like your sisters! And you, Bramble! I love you!"
The words echoed. Everyone's hands clasped over their mouths, and they stared at Lord Teddie, who panted but kept a tight chin up. Bramble's lips were still pursed. They were white.
"Young man," said the King gently. "Your ship leaves soon?"
Azalea guessed that, with the fiasco of everything, the King had annulled any arrangements between Bramble and Lord Teddie. Lord Teddie's entire taffylike form slumped. He turned to go, all bounciness dissolved.
"Do you mean it?"
Lord Teddie turned quickly. Bramble's lips remained tight, but her gaze was up, blazing yellow.
"Gad, yes," said Lord Teddie. "I love you so much, my fingers hurt!"
"Oh!" Bramble slapped he hand over her mouth and doubled over. "Oh-oh-oh-oh!" She shook. It was hard to tell if she was crying, or coughing, or ill. "Oh!"
In a billow of skirts, Bramble leaped. It was a grand jete worthy of the Delchastrian prima ballerina. She landed right on Lord Teddie, who had no choice but to catch her, and threw her arms around his neck. Then, to everyone's shock, she pressed her lips full on his.
"Oh...my," said Clover.
No one seemed more surprised than Lord Teddie who stumbled back under Bramble's assault.
”
”
Heather Dixon Wallwork (Entwined)
“
I saw the lake of Hali, thin and blank, without a ripple or wind to stir it, and I saw the towers of Carcosa behind the moon. Aldebaran, the Hyades, Alar, Hastur, glided through the cloud-rifts which fluttered and flapped as they passed like the scolloped tatters of the King in Yellow.
”
”
Robert W. Chambers (The King in Yellow)
“
The ambition of Caesar and of Napoleon pales before that which could not rest until it had seized the minds of men and controlled even their unborn thoughts,
”
”
Robert W. Chambers (The King in Yellow)
“
a cloud-congested caul that is alternately red, orange, vermilion, purple. Sometimes the clouds break apart in great, slow rafts, letting through beams of innocent yellow sunlight that are bitterly nostalgic for the summer that has gone by.
”
”
Stephen King (’Salem’s Lot)
“
Here I am, ninety years old and ready for the cooling board, using a brand new Macintosh computer, and there you sit, twenty-two and gorgeous, fresh as a new peach, yet scrawling on a yellow legal pad like an old maid in a Victorian romance.
”
”
Stephen King (The Colorado Kid)
“
The Clown turned his powdered face to the mirror.
"If to be fair is to be beautiful," he said, "who can compare with me in my white mask?"
"Who can compare with him in his white mask?" I asked Death beside me.
"Who can compare with me?" said Death, "for I am paler still."
"You are very beautiful," sighed the Clown, turning his powdered face from the mirror.
”
”
Robert W. Chambers (The King in Yellow and Other Horror Stories)
“
Allie sighed. It was an old, yellow sound, like turning pages.
”
”
Stephen King (The Gunslinger (The Dark Tower, #1))
“
There are also books full of great writing that don't have very good stories. Read sometimes for the story, Bobby. Don't be like the book-snobs who won't do that. Read sometimes for the words - the language. Don't be like the play-it-safers that won't do that. But when you find a book that has both a good story and good words, treasure that book.
”
”
Stephen King (Hearts in Atlantis)
“
The jack-o-lantern follows me with tapered, glowing eyes.
His yellow teeth grin evily. His cackle I despise.
But I shall have the final laugh when Halloween is through.
This pumpkin king I’ll split in half to make a pie for two.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
Let the red dawn surmise What we shall do, When this blue starlight dies And all is through.”
(The Yellow Sign)
”
”
Robert W. Chambers (The King in Yellow and Other Horror Stories)
“
It is a fearful thing to fall into the hands of the living God!
”
”
Robert W. Chambers (The King in Yellow)
“
Her voice was a throaty screech, without melody, as false as her eyebrows and as sharp as her nails. (The King in Yellow)
”
”
Raymond Chandler (The Simple Art of Murder)
“
Thin clouds form, and the shadows lengthen out. They have no breadth, as summer shadows have; there are no leaves on the trees or fat clouds in the sky to make them thick. They are gaunt, mean shadows that bite the ground like teeth.
As the sun nears the horizon, its benevolent yellow begins to deepen, to become infected, until it glares an angry inflamed orange. It throws a variegated glow over the horizon.
”
”
Stephen King (’Salem’s Lot)
“
I cannot forget Carcosa where black stars hang in the heavens; where the shadows of men's thoughts lengthen in the afternoon, when the twin suns sink into the lake of Hali; and my mind will bear for ever the memory of the Pallid Mask.
”
”
Robert W. Chambers (The King in Yellow)
“
Then, as I fell, I heard Tessie's soft cry and her spirit fled: and even while falling I longed to follow her, for I knew that the King in Yellow had opened his tattered mantle and there was only God to cry to now.
”
”
Robert W. Chambers (The Yellow Sign and Other Stories)
“
The ambition of Caesar and of Napoleon pales before that which could not rest until it had seized the minds of men and controlled even their unborn thoughts," said Mr. Wilde. "You are speaking of the King in Yellow," I groaned, with a shudder. "He is a king whom emperors have served." "I am content to serve him," I replied.
”
”
Robert W. Chambers (The King in Yellow)
“
This is the thing that troubles me, for I cannot forget Carcosa where black stars hang in the heavens; where the shadows of men's thoughts lengthen in the afternoon, when the twin suns sink into the lake of Hali; and my mind will bear for ever the memory of the Pallid Mask.
”
”
Robert W. Chambers (The King in Yellow)
“
The snow that began at midafternoon had faded the sign’s virulent yellow to a kinder pastel shade as the light ran out of the January dusk.
”
”
Stephen King (Everything's Eventual: 5 Dark Tales)
“
The thin man had a tight voice that expected to be lied to. (The King in Yellow)
”
”
Raymond Chandler (The Simple Art of Murder)
“
I think it’s bullshit that the only meaningful stories are the ones that are deep and pondering and boring, saying all this nonsense without ever saying anything, and you’re supposed to, like, read meaning into the yellow wallpaper or something.” She rolls her eyes. “You know what I think? I think sometimes the stories we need are the ones about taking the hobbits to Isengard and dog-human dudes with space heelies and trashy King Arthurs and gay ice-skating animes and Zuko redemption arcs and space princesses with found families and galaxies far, far away. We need those stories, too. Stories that tell us that we can be bold and brash and make mistakes and still come out better on the other side. Those are the kinds of stories I want to see, and read, and tell. ‘Look to the stars. Aim. Ignite’—that means something to me, you know?
”
”
Ashley Poston (The Princess and the Fangirl (Once Upon a Con, #2))
“
He looks like anybody you see on the street. But when he grins, birds fall dead off telephone lines...the grass yellows up and dies where he spits. He's always outside. He came out of time...He has the name of a thousand demons. Jesus knocked him into a herd of pigs once. His name is Legion. He's afraid of us...He knows magic. He can call the wolves and live in the crows...He's the king of nowhere.
”
”
Stephen King (The Stand)
“
The mask of self-deception was not longer a mask for me, it was a part of me. Night lifted it, laying bare the stifled truth below; but there was no one to see except myself, and when day broke the mask fell back again of its own accord.
”
”
Robert W. Chambers (The King in Yellow)
“
What’s flattery?” “Flattery,” Wendy told him, “is when your daddy says he likes my new yellow slacks even if he doesn’t or when he says I don’t need to take off five pounds.” “Oh. Is it lying for fun?” “Something very like that.” He had been looking at her closely and now said: “You’re pretty, Mommy.” He frowned in confusion when they exchanged a glance and then burst into laughter.
”
”
Stephen King (The Shining (The Shining #1))
“
There a painless death awaits him who can no longer bear the sorrows of this life. If death is welcome let him seek it there.
”
”
Robert W. Chambers (The King in Yellow)
“
He is a king whom emperors have served.
”
”
Robert W. Chambers
“
His fingers were permanently yellowed with chalk dust rather than nicotine, but it was still the residue of an addicting substance.
”
”
Stephen King ('Salem's Lot)
“
The mask of self-deception was no longer a mask for me, it was a part of me. Night lifted it, laying bare the stifled truth below; but there was no one to see except myself,
”
”
Robert W. Chambers (The King in Yellow)
“
The sky was the yellow color of old cheese and the clouds flew across it, as if they had seen something horrifying in the desert wastes where they had so lately been.
”
”
Stephen King
“
Ne raillons pas les fous; leur folie dure plus longtemps que la nôtre.... Voila toute la différence.
”
”
Robert W. Chambers (The King in Yellow)
“
I will,” I say quietly. Popping open the box, I see the black-and-yellow plastic of the barrel. The whole thing is incredibly light, and only about ten inches long. Whispering down into the box reverently, I murmur, “I shall call you Glamdring, Foe-hammer that the king of Gondol—” “Charlotte! Don’t name your Taser.
”
”
Jake Burt (Greetings from Witness Protection!)
“
Sometimes I look up in spite of myself and see that the hospital wall, painted in soothing pastel yellow, has been replaced with gray stones held together by ancient mortar and covered with ivy. The ivy is dead, and the branches look like skeletal hands. The small door in the wall is hidden, Astrid was right about that, but it’s there. The voice comes from behind it, drifting through an ancient rusty keyhole.
”
”
Stephen King (Revival)
“
The people faded away, the arches, the vaulted roof vanished. I raised my seared eyes to the fathomless glare; and I saw the black stars hanging in the heavens: and the wet winds from the Lake of Hali chilled my face.
("In The Court of the Dragon")
”
”
Robert W. Chambers (The King in Yellow and Other Horror Stories)
“
There's nothing else in this world the color of a school bus. They call it yellow but it's not quite yellow, and it's not orange either. I'd say it's something somewhere in between margarine and Velveeta. It's not a natural color. Then again I guess if we wanted kids to grow up natural we wouldn't put them on a school bus in the first place.
”
”
Jon Clinch (Kings of the Earth)
“
There is a whirlwind in southern Morocco, the aajej, against which the fellahin defend themselves with knives. There is the africo, which has at times reached into the city of Rome. The alm, a fall wind out of Yugoslavia. The arifi, also christened aref or rifi, which scorches with numerous tongues. These are permanent winds that live in the present tense.
There are other, less constant winds that change direction, that can knock down horse and rider and realign themselves anticlockwise. The bist roz leaps into Afghanistan for 170 days--burying villages. There is the hot, dry ghibli from Tunis, which rolls and rolls and produces a nervous condition. The haboob--a Sudan dust storm that dresses in bright yellow walls a thousand metres high and is followed by rain. The harmattan, which blows and eventually drowns itself into the Atlantic. Imbat, a sea breeze in North Africa. Some winds that just sigh towards the sky. Night dust storms that come with the cold. The khamsin, a dust in Egypt from March to May, named after the Arabic word for 'fifty,' blooming for fifty days--the ninth plague of Egypt. The datoo out of Gibraltar, which carries fragrance.
There is also the ------, the secret wind of the desert, whose name was erased by a king after his son died within it. And the nafhat--a blast out of Arabia. The mezzar-ifoullousen--a violent and cold southwesterly known to Berbers as 'that which plucks the fowls.' The beshabar, a black and dry northeasterly out of the Caucasus, 'black wind.' The Samiel from Turkey, 'poison and wind,' used often in battle. As well as the other 'poison winds,' the simoom, of North Africa, and the solano, whose dust plucks off rare petals, causing giddiness.
Other, private winds.
Travelling along the ground like a flood. Blasting off paint, throwing down telephone poles, transporting stones and statue heads. The harmattan blows across the Sahara filled with red dust, dust as fire, as flour, entering and coagulating in the locks of rifles. Mariners called this red wind the 'sea of darkness.' Red sand fogs out of the Sahara were deposited as far north as Cornwall and Devon, producing showers of mud so great this was also mistaken for blood. 'Blood rains were widely reported in Portugal and Spain in 1901.'
There are always millions of tons of dust in the air, just as there are millions of cubes of air in the earth and more living flesh in the soil (worms, beetles, underground creatures) than there is grazing and existing on it. Herodotus records the death of various armies engulfed in the simoom who were never seen again. One nation was 'so enraged by this evil wind that they declared war on it and marched out in full battle array, only to be rapidly and completely interred.
”
”
Michael Ondaatje
“
Along the shore the cloud waves break,
The twin suns sink behind the lake,
The shadows lengthen
In Carcosa.
Strange is the night where black stars rise,
And strange moons circle through the skies,
But stranger still is
Lost Carcosa.
Songs that the Hyades shall sing,
Where flap the tatters of the King,
Must die unheard in
Dim Carcosa.
Song of my soul, my voice is dead,
Die thou, unsung, as tears unshed
Shall dry and die in
Lost Carcosa.
”
”
Robert W. Chambers (The King in Yellow)
“
Instead, she threw her head back and laughed, displaying a mouth full of gums and one sole yellow tooth, which stood out like a clump of butter on a plate.
”
”
James McBride (Deacon King Kong)
“
What a precious triple donkey I had made of myself!
”
”
Robert W. Chambers (The King in Yellow)
“
God is not interested merely in the freedom of black men, and brown men, and yellow men; God is interested in the freedom of the whole human race.
”
”
Martin Luther King Jr. (Stride Toward Freedom: The Montgomery Story (King Legacy Book 1))
“
Unsavoury as it is below, there is cheerfulness, and comfort, and hard, honest work above.
("In The Court Of The Dragon")
”
”
Robert W. Chambers (The King in Yellow and Other Horror Stories)
“
Let the red dawn surmise What we shall do, When this blue starlight dies And all is through.
”
”
Ambrose Bierce (The King in Yellow and Other Stories: Tales of the Carcosa Mythos)
“
Songs that the Hyades shall sing, Where flap the tatters of the King, Must die unheard in Dim Carcosa.
”
”
Robert W. Chambers (The King in Yellow)
“
I had never yet done such a thing in life, but now I felt a desire to mock.
("In The Court Of The Dragon")
”
”
Robert W. Chambers (The King in Yellow and Other Horror Stories)
“
Strange in the night where black stars rise,
And strange moons circle through the skies
But Stranger still is
Lost Carcosa.
”
”
Robert W. Chambers (The King in Yellow)
“
The less you know, the more you could believe.
”
”
Stephen King (Low Men In Yellow Coats)
“
It is well known how the book spread like an infectious disease, from city to city, from continent to continent, barred out here, confiscated there, denounced by press and pulpit, censured even by the most advanced of literary anarchists. No definite principles had been violated in those wicked pages, no doctrine promulgated, no convictions outraged. It could not be judged by any known standard, yet, although it was acknowledged that the supreme note of art had been struck in "The King in Yellow," all felt that human nature could not bear the strain nor thrive on words in which the essence of purest poison lurked. The very banality and innocence of the first act only allowed the blow to fall afterwards with more awful effect.
”
”
Robert W. Chambers (The Yellow Sign and Other Stories)
“
The laws prohibiting suicide and providing punishment for any attempt at self-destruction have been repealed. The Government has seen fit to acknowledge the right of man to end an existence which may have become intolerable to him, through physical suffering or mental despair.
”
”
Robert W. Chambers (The King in Yellow)
“
I hated to see the life go out of a warm, living creature and I declined to be present. Picking up a book at random, I sat down in the studio to read. Alas! I had found The King in Yellow.
”
”
Robert W. Chambers (The King in Yellow)
“
Will picked a single blossom from a gorse bush beside him; it shone bright yellow on his grubby hand. "People are very complicated," he said sadly.
"So they are," John Rowlands said. His voice deepened a little, louder and clearer than it had been. "But when the battles between you and your adversaries are done, Will Stanton, in the end the fate of all the world will depend on just those people, and on how many of them are good or bad, stupid or wise. And indeed it is all so complicated that I would not dare foretell what they will do with their world. Our world.
”
”
Susan Cooper
“
Suddenly, caught by the level beams, Frodo saw the old king’s head: it was lying rolled away by the roadside. ‘Look, Sam!’ he cried, startled into speech. ‘Look! The king has got a crown again!’
“The eyes were hollow and the carven beard was broken, but about the high stern forehead there was a coronal of silver and gold. A trailing plant with flowers like small white stars had bound itself across the brows as if in reverence for the fallen king, and in the crevices of his stony hair yellow stonecrop gleamed.
“‘They cannot conquer for ever!’ said Frodo.
”
”
J.R.R. Tolkien (The Lord of the Rings (The Lord of the Rings, #1-3))
“
Honey ahhhm home !” Grant clattered through the door in fluorescent yellow football shorts with a terrible American accent and a cheesy grin, which froze when he saw Dumbledore, “Oh, sorry... tea party, is it?
”
”
MsKingBean89 (All The Young Dudes - Volume Three: ‘Til the End (All The Young Dudes, #3))
“
She tried to imagine him as an elder Kai man, with hair turned silvery white instead of its current sloe darkness. He’d still be as handsome and regal as he was now. She chuckled under her breath, amused at the idea that she once thought him hideous.
One yellow eye peered up at her. “What amuses you, wife?” The question fell away to a moan as she rubbed his scalp.
“I was just thinking you are far too handsome for your own good.”
“It’s the scars,” he said. “They give me a certain air.
”
”
Grace Draven (Eidolon (Wraith Kings, #2))
“
The lucidity, the clarity of light that afternoon was sufficient to itself; perfect transparency must be impenetrable, these vertical bars of brass-coloured distillation of light coming down from sulphur-yellow interstices in a sky hunkered with grey clouds that bulge with more rain. It struck the wood with nicotine-stained fingers, the leaves glittered. A cold day of late October, when the withered blackberries dangled like their own dour spooks on the discoloured brambles. There were crisp husks of beechmast and cast acorn cups underfoot in the russet slime of the dead bracken where the rains of the equinox had so soaked the earth that the cold oozed up through the soles of the shoes, lancinating cold of the approaching winter that grips hold of your belly and squeezed it tight. Now the stark elders have an anorexic look; there is not much in the autumn wood to make you smile but it is not yet, not quite yet, the saddest time of the year. Only, there is a haunting sense of the imminent cessation of being; the year, in turning, turns in on itself. Introspective weather, a sickroom hush.
”
”
Angela Carter (Burning Your Boats: The Collected Short Stories)
“
There was the bulge and the glitter, and there was the cold grip way down in the stomach as though somebody had laid hold of something in there, in the dark which is you, with a cold hand in a cold rubber glove. It was like the second when you come home late at night and see the yellow envelope of the telegram sticking out from under your door and you lean and pick it up, but don't open it yet, not for a second. While you stand there in the hall, with the envelope in your hand, you feel there's an eye on you, a great big eye looking straight at you from miles and dark and through walls and houses and through your coat and vest and hide and sees you huddled up way inside, in the dark which is you, inside yourself, like a clammy, sad little fetus you carry around inside yourself. The eye knows what's in the envelope, and it is watching you to see you when you open it and know, too. But the clammy, sad little fetus which is you way down in the dark which is you too lifts up its sad little face and its eyes are blind, and it shivers cold inside you for it doesn't want to know what is in that envelope. It wants to lie in the dark and not know, and be warm in its not-knowing.
”
”
Robert Penn Warren (All the King's Men)
“
The time had come, the people should know the son of Hastur, and the whole world bow to the black stars which hang in the sky over Carcosa.
”
”
Robert W. Chambers (The King in Yellow)
“
Strange is the night where black stars rise, And strange moons circle through the skies, But stranger still is Lost Carcosa
”
”
Robert W. Chambers (The King in Yellow)
“
Wings,” she murmured, “oh, yes—to fly away with when he’s tired of his play. Of course it was a man who conceived the idea of wings, otherwise Cupid would have been insupportable.
”
”
Robert W. Chambers (The King in Yellow)
“
Flattery,” Wendy told him, “is when your daddy says he likes my new yellow slacks even if he doesn’t or when he says I don’t need to take off five pounds.” “Oh. Is it lying for fun?
”
”
Stephen King (The Shining (The Shining #1))
“
Balance,” she answered, head tilting like a bird of prey. “To right terrible wrongs. To free Blunder from the Rowans.” Her yellow eyes narrowed, wicked and absolute. “To collect his due.
”
”
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
“
the sun stands low in the cloudless eastern sky, a fat, confident yellow-white ball advancing as ever for the first time toward the future and leaving in its wake the steadily accumulating past, which darkens as it recedes, making blind men of us all.
”
”
Stephen King (Black House (The Talisman, #2))
“
It cannot be defeated: Just when a gardener thinks he has won and eradicated it from his lawn, a rain would bring the yellow florets right back. Yet it’s never arrogant: Its color and fragrance never overwhelm those of another. Immensely practical, its leaves are delicious and medicinal, while its roots loosen hard soils, so that it acts as a pioneer for other more delicate flowers. But best of all, it’s a flower that lives in the soil but dreams of the skies. When its seeds take to the wind, it will go farther and see more than any pampered rose, tulip, or marigold.
”
”
Ken Liu (The Grace of Kings (The Dandelion Dynasty, #1))
“
He looks like anybody you see on the street. But when he grins, birds fall dead off telephone lines. When he looks at you a certain way, your prostate goes bad and your urine burns. The grass yellows up and dies where he spits. He’s always outside. He came out of time. He doesn’t know himself.
”
”
Stephen King (The Stand)
“
THERE are so many things which are impossible to explain! Why should certain chords in music make me think of the brown and golden tints of autumn foliage? Why should the Mass of Sainte-Cécile send my thoughts wandering among caverns whose walls blaze with ragged masses of virgin silver? What was it in the roar and turmoil of Broadway at six o'clock that flashed before my eyes the picture of a still Breton forest where sunlight filtered through spring foliage, and Sylvia bent, half curiously, half tenderly, over a small, green lizard, murmuring, "To think that this also is a little ward of God?
”
”
Robert W. Chambers (The King in Yellow)
“
But it will make mistakes," she says. "Hadoop will probably get us from a hundred thousand buildings down to, like, five thousand."
"So we're down to five days instead of five years."
"Wrong!" Kat says. "Because guess what--we have ten thousand friends. It's called"--she clicks a tab triumphantly and fat yellow letters appear on the screen--"Mechanical Turk. Instead of sending jobs to computers, like Hadoop, it sends jobs to real people. Lots of them. Mostly Estonians."
She commands King Hadoop and ten thousand Estonian footmen. She is unstoppable.
”
”
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
“
Is it nonsense," I asked, managing to suppress what I felt—"is it nonsense when he says that the tassets and cuissards of the enamelled suit of armor commonly known as the 'Prince's Emblazoned' can be found among a mass of rusty theatrical properties, broken stoves, and rag-picker's refuse in a garret in Pell Street?
”
”
Robert W. Chambers (The King in Yellow)
“
There's something oddly comforting about talking to a legal guy once the billable hours clock has started running; you have passed the magical point at which a lawyer becomes your lawyer. Your lawyer is warm, your lawyer is sympathetic, your lawyer makes notes on a yellow pad and nods in all the right places. Most of the questions your lawyer asks are questions you can answer. And if you can't your lawyer will help you find a way to do so, by God. Your lawyer is always on your side. Your enemies are his enemies. To him you are never shit but always Shinola.
”
”
Stephen King (Bag of Bones)
“
What is it?" I asked.
"'The King in Yellow.'"
I was dumfounded. Who had placed it there? How came it in my rooms? I had long ago decided that I should never open that book, and nothing on earth could have persuaded me to buy it. Fearful lest curiosity might tempt me to open it, I had never even looked at it in book-stores.
”
”
Robert W. Chambers (The King in Yellow)
“
The light on the Palace windows had died away, and the dome of the Pantheon swam aglow above the northern terrace, a fiery Valhalla in the sky; while below in grim array, along the terrace ranged, the marble ranks of queens looked out into the west.
”
”
Robert W. Chambers (The King in Yellow. Graphic novel)
“
At last I was King, King by my right in Hastur, King because I knew the mystery of the Hyades, and my mind had sounded the depths of the Lake of Hali. I was King! The first grey pencillings of dawn would raise a tempest which would shake two hemispheres.
”
”
Robert W. Chambers (The King in Yellow)
“
When the water drains from the marshes, and little by little the yellow sands appear, rippling and hard and firm, it seems to my foolish fancy, as I lie here, that I too go seaward with the tide, and all my old hidden dreams that I thought buried for all time are bare and naked to the day, just as the shells and the stones are on the sands.
”
”
Daphne du Maurier (The King's General)
“
This afternoon I walked through the city, making for a café where I was to meet Raphael. It was about half-past two on a day that had never really got light. It began to snow. The low clouds made a grey ceiling for the city; the snow muffled the noise of the cars until it became almost rhythmical; a steady, shushing noise, like the sound of tides beating endlessly on marble walls. I closed my eyes. I felt calm. There was a park. I entered it and followed a path through an avenue of tall, ancient trees with wide, dusky, grassy spaces on either side of them. The pale snow sifted down through bare winter branches. The lights of the cars on the distant road sparkled through the trees: red, yellow, white. It was very quiet. Though it was not yet twilight the streetlights shed a faint light. People were walking up and down on the path. An old man passed me. He looked sad and tired. He had broken veins on his cheeks and a bristly white beard. As he screwed up his eyes against the falling snow, I realised I knew him. He is depicted on the northern wall of the forty-eighth western hall. He is shown as a king with a little model of a walled city in one hand while the other hand he raises in blessing. I wanted to seize hold of him and say to him: In another world you are a king, noble and good! I have seen it! But I hesitated a moment too long and he disappeared into the crowd. A woman passed me with two children. One of the children had a wooden recorder in his hands. I knew them too. They are depicted in the twenty-seventh southern hall: a statue of two children laughing, one of them holding a flute. I came out of the park. The city streets rose up around me. There was a hotel with a courtyard with metal tables and chairs for people to sit in more clement weather. Today they were snow-strewn and forlorn. A lattice of wire was strung across the courtyard. Paper lanterns were hanging from the wires, spheres of vivid orange that blew and trembled in the snow and the thin wind; the sea-grey clouds raced across the sky and the orange lanterns shivered against them. The Beauty of the House is immeasurable; its Kindness infinite.
”
”
Susanna Clarke (Piranesi)
“
It is possible that his curiosity was piqued, for with the exception of a hen-turkey, a boy of nineteen is the most openly curious biped alive.
”
”
Robert W. Chambers (The King in Yellow)
“
That wouldn’t stop me from kicking his yellow, lazy ass if I got the chance, though.
”
”
Stephen King (The Dark Tower (The Dark Tower, #7))
“
When he raised his hand to wipe his chin, the card clutched in it had no longer been yellow. This time it was a dirty but still bright orange.
”
”
Stephen King (11/22/63)
“
read it and reread it, and wept and laughed and trembled with a horror which at times assails me yet.
”
”
Robert W. Chambers (The King in Yellow)
“
He's a trump!" said Clifford, "and if he swears the world is as good and pure as his own heart, I'll swear he's right.
”
”
Robert W. Chambers (The King in Yellow)
“
Why should certain chords in music make me think of the brown and golden tints of autumn foliage?
”
”
Robert W. Chambers (The King in Yellow)
“
And yes, all of a sudden she was scared. It was like a yellow thread weaving in and out of the bright red overblanket of her rage.
”
”
Stephen King (Lisey's Story)
“
completely surrounded the island had been turned into parks which proved a god-send to the population.
”
”
Robert W. Chambers (The King in Yellow)
“
It is a fearful thing to fall into the hands of the living God.
”
”
Robert W. Chambers (King In Yellow)
“
I pray God will curse the writer, as the writer has cursed the world with this beautiful, stupendous creation, terrible in its simplicity, irresistible in its truth...
”
”
Robert W. Chambers (The King in Yellow)
“
This man has been disagreeable to you, and I want to tell you that any time you feel inclined to kick him, why, I will hold the other creature.
”
”
Robert W. Chambers (The King in Yellow)
“
Selby never knew why, but he suddenly began to buy flowers.
”
”
Robert W. Chambers (The King in Yellow)
“
Mais je croy que je Suis descendu on puiz Ténébreux onquel disoit Heraclytus estre Vereté cachée.
”
”
Robert W. Chambers (The King in Yellow)
“
Ah! I see it now!” I shrieked. “You have seized the throne and the empire. Woe! woe to you who are crowned with the crown of the King in Yellow!
”
”
Robert W. Chambers (The King in Yellow: The Original 1895 Unabridged and Complete Edition (Robert W. Chambers Classics))
“
KENNA ROWAN’S PLAYLIST 1) “Raise Your Glass”—P!nk 2) “Dynamite”—BTS 3) “Happy”—Pharrell Williams 4) “Particle Man”—They Might Be Giants 5) “I’m Good”—The Mowgli’s 6) “Yellow Submarine”—The Beatles 7) “I’m Too Sexy”—Right Said Fred 8) “Can’t Stop the Feeling!”—Justin Timberlake 9) “Thunder”—Imagine Dragons 10) “Run the World (Girls)”—Beyoncé 11) “U Can’t Touch This”—MC Hammer 12) “Forgot About Dre”—Dr. Dre featuring Eminem 13) “Vacation”—Dirty Heads 14) “The Load Out”—Jackson Browne 15) “Stay”—Jackson Browne 16) “The King of Bedside Manor”—Barenaked Ladies 17) “Empire State of Mind”—JAY-Z 18) “Party in the U.S.A.”—Miley Cyrus 19) “Fucking Best Song Everrr”—Wallpaper. 20) “Shake It Off”—Taylor Swift 21) “Bang!”—AJR
”
”
Colleen Hoover (Reminders of Him)
“
but long before Bobby got to the end of the story he knew there would be no farms and no rabbits for George and Lennie. Why? Because people needed a beast to hunt. They found a Ralph or a Piggy or a big stupid hulk of a Lennie and then they turned into low men. They put on their yellow coats, they sharpened a stick at both ends, and then they went hunting. But
”
”
Stephen King (Hearts in Atlantis)
“
PRAY FOR THE SOUL OF THE
DEMOISELLE JEANNE D'Ys,
WHO DIED
IN HER YOUTH FOR LOVE OF
PHILIP, A STRANGER.
A.D. 1573." But upon the icy slab lay a woman's glove still warm and fragrant.
”
”
Robert W. Chambers (The King in Yellow)
“
It is possible that his curiosity was piqued, for with the exception of a hen-turkey, a boy of nineteen is the most openly curious biped alive. From twenty until death he tries to conceal it.
”
”
Robert W. Chambers (The King in Yellow)
“
He had no ears. The artificial ones, which now stood out at an angle from the fine wire, were his one weakness. They were made of wax and painted a shell pink, but the rest of his face was yellow.
”
”
Robert W. Chambers (The King in Yellow)
“
At last he whispered: 'Sylvia, it is I.'
Again he said, 'It is I.'
Then, knowing that she was dead, he kissed her on the mouth. And through the long watches of the night the cat purred on his knee, tightening and relaxing her padded claws, until the sky paled above the Street of the Four Winds.
”
”
Robert W. Chambers (The King in Yellow)
“
Tessie sat sewing by the window, and every now and then raised her head and looked at me with such innocent compassion that I began to feel ashamed of my irritation and looked about for something to occupy me.
”
”
Robert W. Chambers (The King in Yellow)
“
book is certainly mysterious, but perhaps the greatest mystery surrounding The King in Yellow is why it is so little known today. American literary scholar E. F. Bleiler called it ‘the most important book in American supernatural fiction between Poe and the moderns’. There can be no doubt that the book is a classic of the fantasy/supernatural genre, and yet in recent years it has been neglected by publishers and readers alike. Until now.
”
”
Robert W. Chambers (The King in Yellow (Tales of Mystery & The Supernatural))
“
The King's tool. I see.' An oppression settle over me. My brief glimpse of blue skies arching over yellow roads and me travelling down them astride Sooty suddenly vanished. I thought of the hounds in their kennels instead, or of the hawk, hooded and strapped, that rode on the King's wrist and was loosed only to do the King's will.
”
”
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
“
Death and the awful abode of lost souls, whither my weakness long ago had sent him, had changed him for every other eye but mine. And now I heard his voice, rising, swelling, thundering through the flaring light, and as I fell, the radiance increasing, increasing, poured over me in waves of flame. Then I sank into the depths, and I heard the King in Yellow whispering to my soul: "It is a fearful thing to fall into the hands of the living God!
”
”
Robert W. Chambers (The King in Yellow)
“
At first you saw only a mass of coarse, matted black hair; presently it was seen that this covered a body of fearful thinness, almost a skeleton, but with the muscles standing out like wires. The hands were of a dusky pallor, covered, like the body, with long, coarse hairs, and hideously taloned. The eyes, touched in with a burning yellow, had intensely black pupils, and were fixed upon the throned King with a look of beast-like hate. Imagine one of the awful bird-catching spiders of South America translated into human form, and endowed with intelligence just less than human, and you will have some faint conception of the terror inspired by the appalling effigy.
”
”
M.R. James (Ghost Stories of an Antiquary)
“
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near
lost my breath yes he said I was a flower of the mountain yes so we are
flowers all a womans body yes that was one true thing he said in his life
and the sun shines for you today yes that was why I liked him because I
saw he understood or felt what a woman is and I knew I could always get
round him and I gave him all the pleasure I could leading him on till he
asked me to say yes and I wouldnt answer first only looked out over the
sea and the sky I was thinking of so many things he didnt know of Mulvey
and Mr Stanhope and Hester and father and old captain Groves and the
sailors playing all birds fly and I say stoop and washing up dishes they
called it on the pier and the sentry in front of the governors house with
the thing round his white helmet poor devil half roasted and the Spanish
girls laughing in their shawls and their tall combs and the auctions in
the morning the Greeks and the jews and the Arabs and the devil knows who
else from all the ends of Europe and Duke street and the fowl market all
clucking outside Larby Sharons and the poor donkeys slipping half asleep
and the vague fellows in the cloaks asleep in the shade on the steps and
the big wheels of the carts of the bulls and the old castle thousands of
years old yes and those handsome Moors all in white and turbans like
kings asking you to sit down in their little bit of a shop and Ronda with
the old windows of the posadas glancing eyes a lattice hid for her
lover to kiss the iron and the wineshops half open at night and the
castanets and the night we missed the boat at Algeciras the watchman
going about serene with his lamp and O that awful deepdown torrent O and
the sea the sea crimson sometimes like fire and the glorious sunsets and
the figtrees in the Alameda gardens yes and all the queer little streets
and the pink and blue and yellow houses and the rosegardens and the
jessamine and geraniums and cactuses and Gibraltar as a girl where I was
a Flower of the mountain yes when I put the rose in my hair like the
Andalusian girls used or shall I wear a red yes and how he kissed me
under the Moorish wall and I thought well as well him as another and then
I asked him with my eyes to ask again yes and then he asked me would I
yes to say yes my mountain flower and first I put my arms around him yes
and drew him down to me so he could feel my breasts all perfume yes and
his heart was going like mad and yes I said yes I will Yes.
”
”
James Joyce (Ulysses)
“
Over the obsidian hills and the sunken yellow dale, through the vast oceans of fog and the fires of nevermore, sits the fickle doors of the land of twilight. I will traverse it all, and execute righteous judgment on all that oppose me.
”
”
H.S. Crow (Lunora and the Monster King)
“
At last they rode over the downs and took the East Road, and then Merry and Pippin rode on to Buckland and already they were singing again as they went. But Sam turned to Bywater, and so came back up the Hill, as day was ending once more. And he went on, and there was yellow light, and fire within; and the evening meal was ready, and he was expected. And Rose drew him in, and set him in his chair, and put little Elanor upon his lap. He drew a deep breath. 'Well, I'm back,' he said.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
Have you lost all faith?” “Yes,” she whispered. “Good,” he replied. “Then I have one last task for you. I’ve been to that planet of yours, and I think I’d like it best if the only sounds were the wind in the dead trees and the waves crashing upon empty shores.
”
”
Lucy A. Snyder (In the Court of the Yellow King)
“
Ferme tes yeux à demi, Croise tes bras sur ton sein, Et de ton cœur endormi Chasse à jamais tout dessein." "Je chante la nature, Les étoiles du soir, les larmes du matin, Les couchers de soleil à l'horizon lointain, Le ciel qui parle au cœur d'existence future!
”
”
Robert W. Chambers (The King in Yellow)
“
In those times panics were common, and few days passed without some city or other registering in its archives an event of this kind. There were nobles, who made war against each other; there was the king, who made war against the cardinal; there was Spain, which made war against the king. Then, in addition to these concealed or public, secret or open wars, there were robbers, mendicants, Huguenots, wolves, and scoundrels, who made war upon everybody. The citizens always took up arms readily against thieves, wolves or scoundrels, often against nobles or Huguenots, sometimes against the king, but never against cardinal or Spain. It resulted, then, from this habit that on the said first Monday of April, 1625, the citizens, on hearing the clamor, and seeing neither the red-and-yellow standard nor the livery of the Duc de Richelieu, rushed toward the hostel of the Jolly Miller. When arrived there, the cause of the hubbub was apparent to all.
”
”
Alexandre Dumas (The Three Musketeers)
“
It’s only sixteen ninety-five," I say with a flutter of my lashes.
"You’re serious."
I prop my hands on my waist and stick out a hip, striking a pose worthy of a supermodel. "Look at me. Don’t I look serious?"
She collapses into the chair outside the dressing room in a fit of giggles so cute they make my insides fizz. "No! You must be stopped," she says.
"Why?" I strut down an aisle of yellowed lingerie, swiveling my hips, batting bras with flicks of my fingers. "I will be the king of the disco. I will be—" I spin and strike another pose. "An inspiration."
She sniffs and swipes at her eyes. "The real Dylan would die before he’d be seen in public in something like that."
"The real Dylan is boring." I brace my hands on the arms of her chair and lean down until our faces are a whisper apart. "And he’s not one fourth the kisser I am."
"Is that right?" Her lips quirk.
"You know it is."
Her smile melts, and her breath comes faster. "Yeah. I do.
”
”
Stacey Jay (Romeo Redeemed (Juliet Immortal, #2))
“
When the Fascists entered Denmark, the Jews were ordered to sew yellow stars on their clothing so they could be easily recognized. The Danes promptly sewed on yellow stars, both to save the Jews and to save themselves from turning into Fascists. Their king joined with them. In
”
”
Anna Politkovskaya (Putin's Russia: Life in a Failing Democracy)
“
That was totally different from what the Danes did. When the Germans approached them rather cautiously about introducing the yellow badge, they were simply told that the King would be the first to wear it, and the Danish government officials were careful to point out that anti-Jewish measures of any sort would cause their own immediate resignation. It was decisive in this whole matter that the Germans did not even succeed in introducing the vitally important distinction between native Danes of Jewish origin, of whom there were about sixty-four hundred, and the fourteen hundred German Jewish refugees who had found asylum in the country prior to the war and who now had been declared stateless by the German government.
”
”
Hannah Arendt (Eichmann in Jerusalem: A Report on the Banality of Evil)
“
I have been forced to believe that neither the scholarly grace of my friend Elliott nor the buxom beauty of my friend Rowden have touched that heart of ice."
Elliot and Rowden, boiling with indignation, cried out, "And you!"
"I," said Clifford blandly, "do fear to tread where you rush in.
”
”
Robert W. Chambers (The King in Yellow and Other Horror Stories)
“
Why should the Mass of Sainte Cécile bend my thoughts wandering among caverns whose walls blaze with ragged masses of virgin silver? What was it in the roar and turmoil of Broadway at six o'clock that flashed before my eyes the picture of a still Breton forest where sunlight filtered through spring foliage and Sylvia bent, half curiously, half tenderly, over a small green lizard, murmuring: "To think that this also is a little ward of God!
”
”
Robert W. Chambers (The King in Yellow)
“
I AM an old man now, but then I was already past my prime when Arthur was crowned King. The years since then seem to me now more dim and faded than the earlier years, as if my life were a growing tree which burst to flower and leaf with him, and now has nothing more to do than yellow to the grave.
”
”
Mary Stewart (The Crystal Cave (Arthurian Saga, #1))
“
Really, old chap," he said, "I don't mean to run down a man you like, but for the life of me I can't see what the deuce you find in common with Mr. Wilde. He's not well bred, to put it generously; he is hideously deformed; his head is the head of a criminally insane person. You know yourself he's been in an asylum—
”
”
Robert W. Chambers (The King in Yellow)
“
Shall I tell you all about her, cat? She is very beautiful – your mistress,’ he murmured drowsily, ‘and her hair is heavy as burnished gold. I could paint her – not on canvas – for I should need shades and tones and hues and dyes more splendid than the iris of a splendid rainbow. I could only paint her with closed eyes, for in dreams alone can such colours as I need be found. For her eyes, I must have azure from skies untroubled by a cloud – the skies of dreamland. For her lips, roses from the palaces of slumberland, and for her brow, snow-drifts from mountains which tower in fantastic pinnacles to the moons – oh, much higher than our moon here
”
”
Robert W. Chambers (The King in Yellow (Tales of Mystery & The Supernatural))
“
Crimson nor yellow roses nor
The savor of the mounting sea
Are worth the perfume I adore
That clings to thee.
The languid-headed lilies tire,
The changeless waters weary me;
I ache with passionate desire
Of thine and thee.
There are but these things in the world—
Thy mouth of fire,
Thy breasts, thy hands, thy hair upcurled
And my desire.
”
”
Robert W. Chambers (Rue Barrée)
“
Below the waterbag were his guns,finely weighted to his hand. The two belts crisscrossed above his crotch. The holsters were oiled too deeply for even this Philistine sun to crack. The stocks of the guns were sandalwood, yellow and finely grained. The holsters were tied down with
raw hide cord, and they swung heavily against his hips. The brass casings of the cartridges looped into the gun belts twinkled and flashed and heliographed in the sun. The leather made subtle
creaking noises. The guns themselves made no noise.
”
”
Stephen King (The Gunslinger (The Dark Tower, #1))
“
When he finally saw me, his gaze widened. “Elspeth Spindle,” he said, his eyes—so strange and yellow—ensnaring me. “Let me out.
”
”
Rachel Gillig (One Dark Window (The Shepherd King, #1))
“
When day was bright, we saw before us the high shores of Crete: huge wrinkled yellow cliffs, sheer-standing, the land hidden above them. It looked a cruel coast.
”
”
Mary Renault (The King Must Die (Theseus, #1))
“
Je chante la nature, Les étoiles du soir, les larmes du matin, Les couchers de soleil à l'horizon lointain, Le ciel qui parle au cœur d'existence future!
”
”
Robert W. Chambers (The King in Yellow)
“
It isn’t that he doesn’t trust Nick, he thinks on his way back to the yellow house. It’s just that he trusts himself more. Always has, always will.
”
”
Stephen King (Billy Summers)
“
maybe you just need to eat more. Healthy stuff. Greens and yellow vegetables, not just take-out pizza and Taco Bell. In the long run, bachelor food is worse than booze.
”
”
Stephen King (Billy Summers)
“
Yet he supposed a lot of finding out happened like this: completely by accident. You were just going along, minding your own business and all at once the past side-swiped you.
”
”
Stephen King (Low Men In Yellow Coats)
“
Carol's shoulder was ugly, but not as bad as Bobby had feared. Perhaps few things were once you were looking right at them.
”
”
Stephen King (Low Men In Yellow Coats)
“
We set up our gear for the tune-up and Tony [Iommi] launched into the opening riff of ‘Black Sabbath’ – doh, doh, doooohnnnn – but before I’d got through the first line of lyrics the manager had run on to the stage, red in the face, and was shouting, ‘STOP, STOP, STOP! Are you f**king serious? This isn’t Top-Forty pop covers! Who are you people?’
‘Earth,’ said Tony, shrugging. ‘You booked us, remember?’
‘I didn’t book this. I thought you were going to play “Mellow Yellow” and “California Dream-in’”.’
‘Who – us?’ laughed Tony.
‘That’s what your manager told me!’
‘Jim Simpson told you that?’
‘Who the hell’s Jim Simpson?’
‘Ah,’ said Tony, finally working out what had happened. He turned to us and said, ‘Lads, I think we might not be the only band called Earth.’
He was right: there was another Earth on the C-list gig circuit. But they didn’t play satanic music. They played pop and Motown covers.
”
”
Ozzy Osbourne (I Am Ozzy)
“
Yarrow, alpine cinquefoil, a few paintbrush, yellow daisies, marsh marigold and penstemon were still blooming, though it was the third of September. I learned a new flower, king’s crown.
”
”
Mary E. Davison (Old Lady on the Trail: Triple Crown at 76)
“
Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands.
Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets.
“I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.”
I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs.
A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust.
Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon.
She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin.
“Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.”
Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor.
I grinned at the newcomer. “Hey, Sis.
”
”
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
“
As it recurred again and again, it set me thinking of what my architect's books say about the custom in early times to consecrate the choir as soon as it was built, and that the nave, being finished sometimes half a century later, often did not get any blessing at all: I wondered idly if that had been the case at St. Barnabe, and whether something not usually supposed to be at home in a Christian church, might have entered undetected, and taken possession of the west gallery. I had read of such things happening too, but not in works on architecture.
("In The Court Of The Dragon")
”
”
Robert W. Chambers (The King in Yellow and Other Horror Stories)
“
It filled my head, that muttering sound, like thick oily smoke from a fat-rendering vat or an odour of noisome decay. And as I lay and tossed about, the voice in my ears seemed more distinct, and I began to understand the words he had muttered. They came to me slowly as if I had forgotten them, and at last I could make some sense out of the sounds. It was this: "Have you found the Yellow Sign?" "Have you found the Yellow Sign?" "Have you found the Yellow Sign?
”
”
Robert W. Chambers (The King in Yellow)
“
He was more than a little afraid of his mom, and this fear was only partly caused by how angry she could get and how long she could bear a grudge. Mostly it grew from an unhappy sense of being loved only a little and needing to protect what love there was.
”
”
Stephen King (Low Men In Yellow Coats)
“
Shortly before five o’clock, Mayor Thorin woke from a terrible dream. In it, a bird with pink eyes had been cruising slowly back and forth above the Barony. Wherever its shadow fell, the grass turned yellow, the leaves fell shocked from the trees, and the crops died. The shadow was turning his green and pleasant Barony into a waste land. It may be my Barony, but it’s my bird, too, he thought just before awakening, huddled into a shuddery ball on one side of his bed. My bird, I brought it here, I let it out of its cage.
”
”
Stephen King (Wizard and Glass (The Dark Tower, #4))
“
As it recurred again and again, it set me thinking of what my architect's books say about the custom in early times to consecrate the choir as soon as it was built, and that the nave, being finished sometimes half a century later, often did not get any blessing at all: I
”
”
Robert W. Chambers (The King in Yellow)
“
As it recurred again and again, it set me thinking of what my architect’s books say about the custom in early times to consecrate the choir as soon as it was built, and that the nave,7 being finished sometimes half a century later, often did not get any blessing at all: I wondered idly if that had been the case at St. Barnabé, and whether something not usually supposed to be at home in a Christian church might have entered undetected and taken possession of the west gallery. I had read of such things happening, too, but not in works on architecture.
”
”
Robert W. Chambers (The King in Yellow: Annotated Edition)
“
And for me there was also my youth to make me patient. There was all the East before me, and all life, and the thought that I had been tried in that ship and had come out pretty well. And I thought of men of old who, centuries ago, went that road in ships that sailed no better, to the land of palms and spices, and yellow sands, and of brown nations ruled by kings more cruel than Nero the Roman and more splendid than Solomon the Jew. The old bark lumbered on, heavy with her age and the burden of her cargo, while I lived the life of youth in ignorance and hope.
”
”
Joseph Conrad (Youth/Heart of Darkness)
“
And for me there was also my youth to make me patient. There was all the East before me, and all life, and the thought that I had been tried in that ship and had come out pretty well. And I thought of men of old who, centuries ago, went that road in ships that sailed no better, to the land of palms, and spices, and yellow sands, and of brown nations ruled by kings more cruel than Nero the Roman and more splendid than Solomon the Jew. The old bark lumbered on, heavy with her age and the burden of her cargo, while I lived the life of youth in ignorance and hope.
”
”
Joseph Conrad (Youth, a Narrative)
“
The moonlight had been falling through the window and onto the bed where she now sat, moonlight in a cold and uncaring flood of light, and she had understood just how afraid a person could be, how fear was a monster with yellow teeth, set afoot by an angry God to eat the unwary and the unfit.
”
”
Stephen King (Cujo)
“
A small grove of linden trees grew on the far side of the lake, below the palace. Dortchen made her way there carefully, not wanting to be seen so close to the King's residence. The trees were in full blossom, bees reeling drunkenly from the pale-yellow flowers that hung down in clusters below the heart-shaped leaves. Dortchen harvested what she could reach, breathing the sweet scent deeply, then picked handfuls of the wild roses that grew in a tangled hedge along the path. She would crystallise the petals with sugar when she got home, or make rose water to sell in her father's shop.
She plucked some dandelions she found growing wild in a clearing, and then some meadowsweet, and at last reached the ancient old oak tree she knew from her last foray into the royal park. Here she found handfuls of the sparse grey moss, and she hid it deep within her basket, beneath the flowers and herbs and leaves.
”
”
Kate Forsyth (The Wild Girl)
“
Gary Pervier sat out on his weedy front lawn at the bottom of Seven Oaks Hill on Town Road No. 3 about a week after Vic and Roger's depressing luncheon meeting at the Yellow Sub, drinking a screwdriver that was 25% Bird's Eye frozen orange juice and 75% Popov vodka. He was drinking Popov because Popov was cheap.
”
”
Stephen King (Cujo)
“
Gasher looked up. "YOU," he snarled.
"Me," Roland agreed. He fired once and the left side of Gasher's head disintegrated. The man went flying backward, bloodstained yellow scarf unravelling, and landed on top of the Tick-Tock Man. His feet drummed spastically on the iron grillework for a moment and then fell still.
”
”
Stephen King (The Waste Lands (The Dark Tower, #3))
“
I do not deny that he was eccentric; the mania he had for keeping that cat and teasing her until she flew at his face like a demon, was certainly eccentric. I never could understand why he kept the creature, nor what pleasure he found in shutting himself up in his room with this surly, vicious beast. I remember once, glancing up from the manuscript I was studying by the light of some tallow dips, and seeing Mr. Wilde squatting motionless on his high chair, his eyes fairly blazing with excitement, while the cat, which had risen from her place before the stove, came creeping across the floor right at him. Before I could move she flattened her belly to the ground, crouched, trembled, and sprang into his face. Howling and foaming they rolled over and over on the floor, scratching and clawing, until the cat screamed and fled under the cabinet, and Mr. Wilde turned over on his back, his limbs contracting and curling up like the legs of a dying spider. He was eccentric.
”
”
Robert W. Chambers (The King in Yellow)
“
Maybe the morning sun is a five-cent yellow balloon,
And the evening stars the joke of a God gone crazy.
Maybe the mothers of the world,
And the life that pours from their torsal folds—
Maybe it’s all a lie sworn by liars,
And a God with a cackling laughter says:
“I, the Almighty God,
I have made all this,
I have made it for kaisers, czars and kings.
”
”
Carl Sandburg (Selected Poems)
“
He tottered to his feet and looked up and down the deserted strand. It was the color of an undergarment which has gone a long time without washing, littered with sea-shells which had no color. Here and there large rocks protruded from the gross-grained sand, and these were covered with guano, the older layers the yellow of ancient teeth, the fresher splotches white. The
”
”
Stephen King (The Drawing of the Three (The Dark Tower, #2))
“
With the first jolt he was in daylight; they had left the gateways of King’s Cross, and were under blue sky. Tunnels followed, and after each the sky grew bluer, and from the embankment at Finsbury Park he had his first sight of the sun. It rolled along behind the eastern smokes — a wheel, whose fellow was the descending moon — and as yet it seemed the servant of the blue sky, not its lord. He dozed again. Over Tewin Water it was day. To the left fell the shadow of the embankment and its arches; to the right Leonard saw up into the Tewin Woods and towards the church, with its wild legend of immortality. Six forest trees — that is a fact — grow out of one of the graves in Tewin churchyard. The grave’s occupant — that is the legend — is an atheist, who declared that if God existed, six forest trees would grow out of her grave. These things in Hertfordshire; and farther afield lay the house of a hermit — Mrs. Wilcox had known him — who barred himself up, and wrote prophecies, and gave all he had to the poor. While, powdered in between, were the villas of business men, who saw life more steadily, though with the steadiness of the half-closed eye. Over all the sun was streaming, to all the birds were singing, to all the primroses were yellow, and the speedwell blue, and the country, however they interpreted her, was uttering her cry of “now. ” She did not free Leonard yet, and the knife plunged deeper into his heart as the train drew up at Hilton. But remorse had become beautiful.
”
”
E.M. Forster (Howards End)
“
I.
In the greenest of our valleys,
By good angels tenanted,
Once a fair and stately palace -
Radiant palace - reared its head.
In the monarch Thought's dominion -
It stood there !
Never seraph spread a pinion
Over fabric half so fair.
II.
Banners yellow, glorious, golden,
On its roof did float and flow;
(This - all this - was in the olden
Time long ago)
And every gentle air that dallied,
In that sweet day,
Along the ramparts plumed and pallid,
A winged odor went away.
III.
Wanderers in that happy valley
Through two luminous windows saw
Spirits moving musically
To a lute's well-tunéd law,
Round about a throne, where sitting
(Porphyrogene !)
In state his glory well befitting,
The ruler of the realm was seen.
IV.
And all with pearl and ruby glowing
Was the fair palace door,
Through which came flowing, flowing, flowing,
And sparkling evermore,
A troop of Echoes whose sweet duty
Was but to sing,
In voices of surpassing beauty,
The wit and wisdom of their king.
V.
But evil things, in robes of sorrow,
Assailed the monarch's high estate ;
(Ah, let us mourn, for never morrow
Shall dawn upon him, desolate !)
And, round about his home, the glory
That blushed and bloomed
Is but a dim-remembered story
Of the old time entombed.
VI.
And travellers now within that valley,
Through the red-litten windows, see
Vast forms that move fantastically
To a discordant melody ;
While, like a rapid ghastly river,
Through the pale door,
A hideous throng rush out forever,
And laugh - but smile no more.
”
”
Edgar Allan Poe (The Fall of the House of Usher and Other Tales)
“
The bucket tipped forward and the water flew out, all of it seeming to hang suspended for a moment in the yellow lamplight like the largest uncut diamond in the universe, and he saw the dark man’s face through it, reflected and refracted into the face of a supremely grinning troll who had just made its way up from hell’s darkest shit-impacted bowels to rampage on the earth; then the water fell on him, so cold that his swelled throat sprang momentarily open again, squeezing blood from its walls in big beads, shocking breath into him and making him kick the covers all the way over the foot of the bed in one convulsive spasm so that his body would be free to jackknife and sunfish as bitter cramps from these involuntary struggles whipped through him like greyhounds biting on the run.
”
”
Stephen King (The Stand)
“
After the Flood(1957) … with a boat made from a sheet of newspaper floating down a gutter swollen with rain… A small boy in a yellow slicker and red galoshes ran cheerfully along beside the newspaper boat…the boy in the yellow slicker was George Denbrough…. After the Flood(1985) A kid in a red rain slicker and green rubber boots was sailing a paper boat along the brisk run of water in the gutter.
”
”
Stephen King (It)
“
These last weeks, since Christmas, have been odd ones. I have begun to doubt that I knew you as well as I thought. I have even wondered if you wished to keep some part of yourself hidden from me in order to preserve your privacy and your autonomy. I will understand if you refuse to give me an answer tonight, and although I freely admit I will be hurt by such a refusal, you must not allow my feelings to influence your answer." I looked up into his face. "The question I have for you, then is this: How are the fairies in your garden?"
By the yellow streetlights, I saw the trepidation that had been building up in face give way to a flash of relief, then to the familiar signs of outrage: the bulging eyes, the purpling skin, the thin lips. He cleared his throat.
"I am not a man much given to violence," he began, calmly enough, "but I declare that if that man Doyle came before me today, I should be hard-pressed to avoid trouncing him." The image was a pleasing one, two gentlemen on the far side of middle age, one built like a bulldog and the other like a bulldong, engaging in fisticuffs. "It is difficult enough to surmount Watson's apparently endless blather in order to have my voice heard as a scientist, but now, when people hear my name, all they will think of is that disgusting dreamy-eyed little girl and her preposterous paper cutouts. I knew the man was limited, but I did not even suspect that he was insane!"
"Oh, well, Holmes," I drawled into his climbing voice. "Look on the bright side. You've complained for years how tedious it is to have everyone with a stray puppy or a stolen pencil box push through your hedges and tread on the flowers; now the British Public will assume that Sherlock Homes is as much a fairy tale as those photographs and will stop plaguing you. I'd say the man's done you a great service." I smiled brightly.
For a long minute, it was uncertain whether he was going to strike me dead for my impertinence or drop dead himself of apoplexy, but then, as I had hoped, he threw back his head and laughed long and hard.
”
”
Laurie R. King (A Monstrous Regiment of Women (Mary Russell and Sherlock Holmes, #2))
“
Far from birds, from flocks and village girls, What did I drink, on my knees in the heather Surrounded by a sweet wood of hazel trees, In the warm and green mist of the afternoon? What could I drink from that young Oise, − Voiceless elms, flowerless grass, an overcast sky! − Drinking from these yellow gourds, far from the hut I loved? Some golden spirit that made me sweat. I would have made a dubious sign for an inn. − A storm came to chase the sky away. In the evening Water from the woods sank into the virgin sand, And God’s wind threw ice across the ponds. Weeping, I saw gold − but could not drink. − ——— At four in the morning, in the summer, The sleep of love still continues. Beneath the trees the wind disperses The smells of the evening feast. Over there, in their vast wood yard, Under the sun of the Hesperidins, Already hard at work − in shirtsleeves − Are the Carpenters. In their Deserts of moss, quietly, They raise precious panelling Where the city Will paint fake skies. O for these Workers, charming Subjects of a Babylonian king, Venus! Leave for a moment the Lovers Whose souls are crowned with wreaths. O Queen of Shepherds, Carry the water of life to these labourers, So their strength may be appeased As they wait to bathe in the noon-day sea.
”
”
Arthur Rimbaud (A Season in Hell)
“
White movie stars attracted by Harry Belafonte and Sidney Poitier were lending their names to the struggle, and their sincerity stood up against the most suspicious scrutiny. One evening at Belafonte's house, Shelley Winters explained why she was glad to contribute her money and her time to the SCLC.
"It's not that I love Reverend King or all black people or even Harry Belafonte. I have a daughter. She's white and she's young now, but when she grows up and finds that most of the people in the world are black or brown or yellow, and have been oppressed for centuries by people who look like her, she's going to ask me what I did about it. I want to be able to say, 'The best I could.'" I was still suspicious of most white liberals, but Shelley Winters sounded practical and I trusted her immediately. After all, she was a mother just like me, looking after her child.
”
”
Maya Angelou (The Heart of a Woman (Maya Angelou's Autobiography #4))
“
If a fountain could jet bouquets of chrome yellow in dazzling arches of chrysanthemum fireworks, that would be Canada Goldenrod. Each three-foot stem is a geyser of tiny gold daisies, ladylike in miniature, exuberant en masse. Where the soil is damp enough, they stand side by side with their perfect counterpart, New England Asters. Not the pale domesticates of the perennial border, the weak sauce of lavender or sky blue, but full-on royal purple that would make a violet shrink. The daisylike fringe of purple petals surrounds a disc as bright as the sun at high noon, a golden-orange pool, just a tantalizing shade darker than the surrounding goldenrod. Alone, each is a botanical superlative. Together, the visual effect is stunning. Purple and gold, the heraldic colors of the king and queen of the meadow, a regal procession in complementary colors. I just wanted to know why.
In composing a palette, putting them together makes each more vivid; just a touch of one will bring out the other. In an 1890 treatise on color perception, Goethe, who was both a scientist and a poet, wrote that “the colors diametrically opposed to each other . . . are those which reciprocally evoke each other in the eye.” Purple and yellow are a reciprocal pair.
Growing together, both receive more pollinator visits than they would if they were growing alone. It’s a testable hypothesis; it’s a question of science, a question of art, and a question of beauty.
Why are they beautiful together? It is a phenomenon simultaneously material and spiritual, for which we need all wavelengths, for which we need depth perception. When I stare too long at the world with science eyes, I see an afterimage of traditional knowledge. Might science and traditional knowledge be purple and yellow to one another, might they be goldenrod and asters? We see the world more fully when we use both.
The question of goldenrod and asters was of course just emblematic of what I really wanted to know. It was an architecture of relationships, of connections that I yearned to understand. I wanted to see the shimmering threads that hold it all together. And I wanted to know why we love the world, why the most ordinary scrap of meadow can rock us back on our heels in awe.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
I picked up the large lapel button richly worked in purple, green and yellow plastic. 'January 1997,' it announced, 'Day of Visionaries.' Beneath the slogan was a portrait of Dr Martin Luther King Jr. And next to him, sharing the billing as it were, was a same-size picture of our newly elected President. And below was the official logo of the inauguration committee. I’m sorry, but that’s too much. Much too much. I can tune out the Chief Executive when he drivels on about building a bridge to Newt Gingrich. I can be shaking a cocktail or grilling a lobster when he intones that 'nothing big ever came from being small.' I can be receiving a telephone call in a foreign language and still keep up with him when he says that the future lies before us, and the past behind, and that we must light the torch of knowledge from the fountain of wisdom (or whatever). As Orwell once remarked, after a point you stop noticing that you have said things like 'The jackboot is thrown into the melting pot,’ or 'The fascist octopus has sung its swansong.' Motor-mouth and automatic pilot and sheer flatulence and conceit supply their own mediocre, infinitely renewable energy. But this cheap, cheery little button turned the scale. It’s one thing to be bored, or subjected to boredom. It’s another to be insulted. This is a pot of piss flung in the face. What does it take to get people disgusted these days?
”
”
Christopher Hitchens
“
At that moment we caught sight of a drunken man, reeling along at the far end of the street. With head thrust forward, arms dangling, and nerveless legs, he advanced towards us by short rushes of three, six, or ten rapid steps, followed by a pause. After a brief spasm of energy, he found himself in the middle of the street, where he stopped dead, swaying on his feet, hesitating between a fall and a fresh burst of activity. Suddenly he made off in a new direction. He ran up against a house, and clung to the wall as if to force his way through it. Then, with a start, he turned round, and gazed in front of him, open-mouthed, his eyes blinking in the sun. With a movement of the hips, he jerked his back away from the wall and continued on his way. A small yellow dog, a half-starved mongrel, followed him barking, halting when he halted, and moving when he moved.
‘Look,’ said Marambot, ‘there’s one of Madame Husson’s Rose-kings'.
”
”
Guy de Maupassant (The House of Madame Tellier and Other Stories (32 stories))
“
I was thrown together with Florence, or 'Florawns' as she was called, a pert girl of nineteen who worked in our kitchen and was sent out to help me. First, I followed her to a butcher where fat sausages hung from the ceiling like aldermen's chains, and I could choose the best of plump ducks, sides of beef, and chops standing guard like sentries on parade. Once the deal was done Florence paid him, gave me a wink and cast a trickle of coins into her apron pocket. So it seemed that serving girls will pay themselves the whole world over.
The size of the Paris market made Covent Garden look like a tinker's tray. And I never before saw such neatness; the cakes arranged in pinks and yellows and greens like an embroidery, and the cheeses even prettier, some as tiny as thimbles and others great solid cartwheels. As for the King Cakes the French made for Twelfth Night, the scents of almond and caramelled sugar were to me far sweeter than any perfumed waters.
”
”
Martine Bailey (An Appetite for Violets)
“
Universes were organized on the shelves according to my will. I exerted absolute control according to my own order and rules, putting Tolstoy's essays on the same shelf as Dostoyevsky's Crime And Punishment and a yellowed copy of Othello next to King Lear.
Soon I could guess the age of a book just by its scent and understand a book's core from a quick glance at the table of contents, like a farmer who could tell the maturity and sweetness of a fruit from just its colour and the texture of its skin.
”
”
Jung-Myung Lee (The Investigation)
“
A spring sun was shining on the rue St. Honore, as I ran down the church steps. On one corner stood a barrow full of yellow jonquils, pale violets from the Riviera, dark Russian violets, and white Roman hyacinths in a golden cloud of mimosa. The street was full of Sunday pleasure-seekers. I swung my cane and laughed with the rest. Someone overtook and passed me. He never turned, but there was the same deadly malignity in his white profile that there had been in his eyes. I watched him as long as I could see him. His lithe back expressed the same menace; every step that carried him away from me seemed to bear him on some errand connected with my destruction.
I was creeping along, my feet almost refusing to move. There began to dawn in me a sense of responsibility for something long forgotten. It began to seem as if I deserved that which he threatened: it reached a long way back - a long, long way back. It had lain dormant all these. years: it was there though, and presently it would rise and confront me. But I would try to escape; and I stumbled as best I could into the rue de Rivioli, across the Place de la Concorde and on to the Quai. I looked with sick eyes upon the sun, shining through the white foam of the fountain, pouring over the backs of the dusky bronze river-gods, on the far-away Arc, a structure of amethyst mist, on the countless vistas of grey stems and bare branches faintly green. Then I saw him again coming down one of the chestnut alleys of the Cours la Reine.
("In The Court of the Dragon")
”
”
Robert W. Chambers (The King in Yellow and Other Horror Stories)
“
I.
In the greenest of our valleys,
By good angels tenanted,
Once a fair and stately palace—
Radiant palace—reared its head.
In the monarch Thought’s dominion—
It stood there!
Never seraph spread a pinion
Over fabric half so fair.
II.
Banners yellow, glorious, golden,
On its roof did float and flow
(This—all this—was in the olden
Time long ago);
THE FALL OF THE HOUSE OF USHER14
And every gentle air that dallied,
In that sweet day,
Along the ramparts plumed and pallid,
A winged odor went away.
III.
Wanderers in that happy valley
Through two luminous windows saw
Spirits moving musically
To a lute’s well-tunèd law;
Round about a throne, where sitting
(Porphyrogene!)
In state his glory well befitting,
The ruler of the realm was seen.
IV.
And all with pearl and ruby glowing
Was the fair palace door,
Through which came flowing, flowing, flowing
And sparkling evermore,
A troop of Echoes whose sweet duty
Was but to sing,
In voices of surpassing beauty,
The wit and wisdom of their king.
V.
But evil things, in robes of sorrow,
Assailed the monarch’s high estate;
(Ah, let us mourn, for never morrow
Shall dawn upon him, desolate!)
And, round about his home, the glory
That blushed and bloomed
EDGAR ALLAN POE 15
Is but a dim-remembered story
Of the old time entombed.
VI.
And travellers now within that valley,
Through the red-litten windows see
Vast forms that move fantastically
To a discordant melody;
While, like a rapid ghastly river,
Through the pale door,
A hideous throng rush out forever,
And laugh—but smile no more.
”
”
Edgar Allan Poe (The Fall of the House of Usher)
“
Before coming to the Black Wood, I had read as widely in tree lore as possible. As well as the many accounts I encountered of damage to trees and woodland -- of what in German is called Waldsterben, or 'forest-death' -- I also met with and noted down stories of astonishment at woods and trees. Stories of how Chinese woodsmen in the T'ang and S'ung dynasties -- in obedience to the Taoist philosophy of a continuity of nature between humans and other species -- would bow to the trees which they felled, and offer a promise that the tree would be used well, in buildings that would dignify the wood once it had become timber. The story of Xerxes, the Persian king who so loved sycamores that, when marching to war with the Greeks, he halted his army of many thousands of men in order that they might contemplate and admire one outstanding specimen. Thoreau's story of how he felt so attached to the trees in the woods around his home-town of Concord, Massachusetts, that he would call regularly on them, gladly tramping 'eight or ten miles through the deepest snow to keep an appointment with a beech-tree, or yellow-birch, or an old acquaintance among the pines.
When Willa Cather moved to the prairies of Nebraska, she missed the wooded hills of her native Virginia. Pining for trees, she would sometimes travel south 'to our German neighbors, to admire their catalpa grove, or to see the big elm tree that grew out of a crack in the earth. Trees were so rare in that country that we used to feel anxious about them, and visit them as if they were persons'....
”
”
Robert Macfarlane (The Wild Places)
“
Its offense you maybe can't live with, because it opens up a crack inside your thinking. and if you look down into it you see there are live things down there, and they have little yellow eyes that don't blink, and there's a stink down in that dark, and after awhile you think maybe there's a whole other universe down there, a universe where a square moon rises in the sky, and the stars laugh in cold voices, and some of the triangles have four sides, and some have five, and some of them have five raised to the fifth power of sides.
”
”
Stephen King (It)
“
Eddie suddenly remembered what it had been like to lay his ear against that strange unfound door in the clearing where the bear had lived its violent half-life, that door with its somehow terrible stripes of yellow and black. It was all of a piece, he realized now; all part of some awful, decaying whole, a tattered web with the Dark Tower at its center like an incomprehensible stone spider. All of Mid-World had become one vast haunted mansion in these strange latter days; all of Mid-World had become The Drawers; all of Mid-World had become a waste land, haunting and haunted.
”
”
Stephen King (The Waste Lands (The Dark Tower, #3))
“
Sons of ditch-diggers aspired to be bastard sons of kings and thieving aristocrats rather than of rough handed children of dirt and toil. The immense profit from this new exploitation and world-wide commerce enabled a guild of millionaires to engage the greatest engineers, the wisest men of science, as well as pay high wage to the more intelligent labor and at the same time to have left enough surplus to make more and thorough the dictatorship of capital over the state and over the popular vote, not only in Europe and America, but in Asia and Africa. The world wept because within the exploiting group of New World masters, greed and jealousy became so fierce that they fought for trade and markets and materials and slaves all over the world until at last in 1914 the world flamed in war. The fantastic structure fell, leaving grotesque profits and poverty plenty and starvation empire and democracy staring at each other across world depression. And the rebuilding, whether it comes now or a century later, will and must go back to the basic principles of reconstruction in the United States during 1867-1876--Land light and leading for slaves black brown yellow and white...
”
”
W.E.B. Du Bois (Black Reconstruction in America 1860-1880)
“
They also found a burial chamber, didn’t they?’ Richard asked. ‘Yes.’ ‘Do you think it was used by the king?’ Pa Anozie gave Richard a long, pained look and mumbled something for a while, looking grieved. Emeka laughed before he translated. ‘Papa said he thought you were among the white people who know something. He said the people of Igboland do not know what a king is. We have priests and elders. The burial place was maybe for a priest. But the priest does not suffer people like king. It is because the white man gave us warrant chiefs that foolish men are calling themselves kings today.
”
”
Chimamanda Ngozi Adichie (Half of a Yellow Sun)
“
It begins with light
which seeps into those ready vessels,
marigold and dandelion,
rises with the sap to richen
forsynthia and veiled acacia.
The heads of girls
bending over bowls of lemons
are silkened with that corn-
silk color or helmeted with sun,
and all that maiden hair
is braided with the burn of wheatfields
rippling in a wind.
Gold is hammered out of yellow orchards
and out of August noons,
enough to feed the fur of lions
or gild a tree of orioles.
Enough to ransom princes
of the sun god's lineage
and fashion for the boy king's
somber journey,
a treasure house of toys,
a bright death mask."
- Gold
”
”
Joan Labombard
“
During the months of winter and spring King Casmir looked only twice at the infant princess, in each case, standing back in cool disinterest. She had thwarted his royal will by coming female into the world. He could not immediately punish her for the act, no more could he extend the full beneficence of his favor.
Sollace grew sulky because Casmir was displeased and, with a set petulant flourishes, banished the child from her sight.
Ehirme, a raw-boned peasant girl, and nice to under-gardener, had lost her own infant son to the yellow bloat. With an amplitude of both milk and solitude she be came Suldron's wet-nurse
”
”
Jack Vance (Suldrun's Garden (Lyonesse, #1))
“
Cimorene tilted her head to one side, considering. "I think I'm glad you didn't win."
"Oh? Why is that?" Kazul sounded amused.
"Because you wouldn't have had any use for a princess if you were the Queen of the Dragons, and if you hadn't decided to take me on, that yellow-green dragon Moranz would probably have eaten me," Cimorene explained.
"You mean, if I were the King of the Dragons," Kazul corrected her. "Queen of the Dragons is a dull job."
"But you're a female!" Cimorene said. "If you'd carried Colin's Stone from the Ford of Whispering Snakes to the Vanishing Mountain, you'd have had to be a queen, wouldn't you?"
"No, of course not," Kazul said. "Queen of the Dragons is a totally different job from King, and it's not one I'm particularly interested in. Most people aren't. I think the position's been vacant since Oraun tore his wing and had to retire."
"But King Tokoz is a male dragon!" Cimorene said, then frowned. "Isn't he?"
"Yes, yes, but that has nothing to do with it," Kazul said a little testily.
"'King' is the name of the job. It doesn't matter who holds it."
Cimorene stopped and thought for a moment. "You mean that dragons don't care whether their king is male or female; the title is the same no matter who the ruler is."
"That's right. We like to keep things simple."
"Oh.
”
”
Patricia C. Wrede (Dealing with Dragons (Enchanted Forest Chronicles, #1))
“
The sorceress walked a short distance away, her rounded hips swaying. She lifted her hands, fingers moving as if plucking invisible strings. Bitter cold flooded out, the sand crackling as if lit by lightning, and the gate that erupted was massive, yawning, towering. Through the billowing icy air flowed out a sweeter, rank smell. The smell of death. A figure stood on the threshold of the gate. Tall, hunched, a withered, lifeless face of greenish grey, yellowed tusks thrusting up from the lower jaw. Pitted eyes regarded them from beneath a tattered woollen cowl. The power cascading from this apparition sent Equity stumbling back. Abyss! A Jaghut, yes, but not just any Jaghut! Calm – can you hear me? Through this howl? Can you hear me? An ally stands before me – an ally of ancient – so ancient – power! This one could have been an Elder God. This one could have been…anything! Gasping, fighting to keep from falling to one knee, from bowing before this terrible creature, Equity forced herself to lift her gaze, to meet the empty hollows of his eyes. ‘I know you,’ she said. ‘You are Hood.’ The Jaghut stepped forward, the gate swirling closed behind him. Hood paused, regarding each witness in turn, and then walked towards Equity. ‘They made you their king,’ she whispered. ‘They who followed no one chose to follow you. They who refused every war fought your war. And what you did then – what you did—’ As he reached her, his desiccated hands caught her. He lifted her from her feet, and then, mouth stretching, he bit into the side of her face. The tusks drove up beneath her cheek bone, burst the eye on that side. In a welter of blood, he tore away half of her face, and then bit a second time, up under the orbitals, the tusks driving into her brain. Equity hung in his grip, feeling her life drain away. Her head felt strangely unbalanced. She seemed to be weeping from only one eye, and from her throat no words were possible. I once dreamed of peace. As a child, I dreamed of—
”
”
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
“
Thunder rumbled behind his voice. Neither the overhead light nor the bedside lamp was on in Eddie’s room, and all of them seemed to fade in and out of the bruised light. Eddie thought of that light all over Derry right now, lying long and still across McCarron Park, falling through the holes in the roof of the Kissing Bridge in smudged lackadaisical rays, making the Kenduskeag look like smoky glass as it cut its broad shallow path through the Barrens; he thought of seesaws standing at dead angles behind Derry Elementary as the thunderheads piled up and up; he thought of this thundery yellow light, and the stillness, as if the whole town had fallen asleep… or died.
”
”
Stephen King (It)
“
The Forgiveness Castle remains open all day and all night, and the best thing is that there are so many entrances, usually found where you'd never thing to look: behind potted plants, in crayon drawings, and on old birthday cards. I have it on good authority that one entrance is through a tree fort. Many of the Forgiveness Castle's entry points remain secret, which is why you hunt around, press the blue walls gently, and wait. Sometimes saying the most obvious words, 'I'm sorry', opens a hidden door right where there seemed not possibility."
He looks away.
"You're welcome to visit this castle to wait for a friend, to sit in one of its orange and yellow gardens, or to find your own reflection in the polished blue rock and whisper, 'Please.Come home.
”
”
Edmond Manning (King Perry (The Lost and Founds, #1))
“
The Montreux Palace Hotel was built in an age when it was thought that things would last. It is on the very shores of Switzerland's Lake Geneva, its balconies and iron railings look across the water, its yellow-ocher awnings are a touch of color in the winter light. It is like a great sanitarium or museum. There are Bechstein pianos in the public rooms, a private silver collection, a Salon de Bridge. This is the hotel where the novelist Vladimir Vladimirovich Nabokov and his wife, Véra, live. They have been here for 14 years. One imagines his large and brooding reflection in the polished glass of bookcases near the reception desk where there are bound volumes of the Illustrated London News from the year 1849 to 1887, copies of Great Expectations, The Chess Games of Greco and a book called Things Past, by the Duchess of Sermoneta.
Though old, the hotel is marvelously kept up and, in certain portions, even modernized. Its business now is mainly conventions and, in the summer, tours, but there is still a thin migration of old clients, ancient couples and remnants of families who ask for certain rooms when they come and sometimes certain maids. For Nabokov, a man who rode as a child on the great European express trains, who had private tutors, estates, and inherited millions which disappeared in the Russian revolution, this is a return to his sources. It is a place to retire to, with Visconti's Mahler and the long-dead figures of La Belle Epoque, Edward VII, d'Annunzio, the munitions kings, where all stroll by the lake and play miniature golf, home at last.
”
”
James Salter
“
Through Evernight he back was borne
on black and roaring waves that ran
o'er leagues unlit and foundered shores
that drowned before the Days began,
until he heard on strands of pearl
where ends the world the music long,
where ever-foaming billows roll
the yellow gold and jewels wan.
He saw the Mountain silent rise
where twilight lies upon the knees
of Valinor, and Eldamar
beheld afar beyond the seas.
A wanderer escaped from night
to haven white he came at last,
to Elvenhome the green and fair
where keen the air, where pale as glass
beneath the Hill of Ilmarin
a-glimmer in a valley sheer
the lamplit towers of Tirion
are mirrored on the Shadowmere.
He tarried there from errantry,
and melodies they taught to him,
and sages old him marvels told,
and harps of gold they brought to him.
They clothed him then in elven-white,
and seven lights before him sent,
as through the Calacirian
to hidden land forlorn he went.
He came unto the timeless halls
where shining fall the countless years,
and endless reigns the Elder King
in Ilmarin on Mountain sheer;
and words unheard were spoken then
of folk of Men and Elven-kin,
beyond the world were visions showed
forbid to those that dwell therein.
A ship then new they built for him
of mithril and of elven-glass
with shining prow; no shaven oar
nor sail she bore on silver mast:
the Silmaril as lantern light
and banner bright with living flame
to gleam thereon by Elbereth
herself was set, who thither came
and wings immortal made for him,
and laid on him undying doom,
to sail the shoreless skies and come
behind the Sun and light of Moon.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
had said, in effect: “Okay, if you can figure out the tilt, you can figure out any damn thing you choose. Because even light has weight, and when the note of a trainwhistle suddenly drops it’s the Doppler effect and when an airplane breaks the sound barrier that bang isn’t the applause of the angels or the flatulence of demons but only air collapsing back into place. I gave you the tilt and then I sat back about halfway up the auditorium to watch the show. I got nothing else to say, except that two and two makes four, the lights in the sky are stars, if there’s blood grownups can see it as well as kids, and dead boys stay dead.” You can live with fear, I think, Stan would have said if he could. Maybe not forever, but for a long, long time. It’s offense you maybe can’t live with, because it opens up a crack inside your thinking, and if you look down into it you see there are live things down there, and they have little yellow eyes that don’t blink, and there’s a stink down in that dark, and after awhile you think maybe there’s a whole other universe down there, a universe where a square moon rises in the sky, and the stars laugh in cold voices, and some of the triangles have four sides, and some have five, and some of them have five raised to the fifth power of sides. In this universe there might grow roses which sing. Everything leads to everything, he would have told them if he could. Go to your church and listen to your stories about Jesus walking on the water, but if I saw a guy doing that I’d scream and scream and scream. Because it wouldn’t look like a miracle to me. It would look like an offense.
”
”
Stephen King (It)
“
It’s offense you maybe can’t live with, because it opens up a crack inside your thinking, and if you look down there, they have little yellow eyes that don’t blink, and there’s a stink down in that dark, and after awhile you think maybe there’s a whole other universe down there, a universe where a square moon rises in the sky, and the stars laugh in cold voices, and some of the triangles have four sides, and some have five, and some of them have five raised to the fifth power of sides. In this universe there might grow roses which sing. Everything leads to everything, he would have told them if he could. Go to your church and listen to your stories about Jesus walking on the water, but if I saw a guy doing that I’d scream and scream and scream. Because it wouldn’t look like a miracle to me. It would look like an offense.
”
”
Stephen King
“
take tuna. Among the other 145 species regularly killed — gratuitously — while killing tuna are: manta ray, devil ray, spotted skate, bignose shark, copper shark, Galapagos shark, sandbar shark, night shark, sand tiger shark, (great) white shark, hammerhead shark, spurdog fish, Cuban dogfish, bigeye thresher, mako, blue shark, wahoo, sailfish, bonito, king mackerel, Spanish mackerel, longbill spearfish, white marlin, swordfish, lancet fish, grey triggerfish, needlefish, pomfret, blue runner, black ruff, dolphin fish, bigeye cigarfish, porcupine fish, rainbow runner, anchovy, grouper, flying fish, cod, common sea horse, Bermuda chub, opah, escolar, leerfish, tripletail, goosefish, monkfish, sunfish, Murray eel, pilotfish, black gemfish, stone bass, bluefish, cassava fish, red drum, greater amberjack, yellowtail, common sea bream, barracuda, puffer fish, loggerhead turtle, green turtle, leatherback turtle, hawksbill turtle, Kemp’s ridley turtle, Atlantic yellow-nosed albatross, Audouin’s gull, balearic shearwater, black-browed albatross, great black-backed gull, great shearwater, great-winged petrel, grey petrel, herring gull, laughing gull, northern royal albatross, shy albatross, sooty shearwater, southern fulmar, Yelkouan shearwater, yellow-legged gull, minke whale, sei whale, fin whale, common dolphin, northern right whale, pilot whale, humpback whale, beaked whale, killer whale, harbor porpoise, sperm whale, striped dolphin, Atlantic spotted dolphin, spinner dolphin, bottlenose dolphin, and goose-beaked whale. Imagine being served a plate of sushi. But this plate also holds all of the animals that were killed for your serving of sushi. The plate might have to be five feet across.
”
”
Jonathan Safran Foer (Eating Animals)
“
[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;
”
”
Michael Chabon (Telegraph Avenue)
“
I open the closest piece of folded construction paper to see it’s a drawing. At the bottom of the page is a label in a teacher’s handwriting, Title—My Family—Dominic King—Age six. A lemon-yellow sun sits at the top right of the page finishing off a dark blue sky. Inside of one of the puffy clouds dead center is two stick figures labeled Maman, Papa. Below stands Tobias and Dominic in the middle of light-brown colored mountains. Tobias is much, much larger in size. He might as well be a giant compared to the way Dominic drew himself. They’re holding stick hands, and I can clearly see the dynamic in the relationship—so much trust, love, and adoration. Dominic spent more time on Tobias’s details than he did on any other aspect of the drawing. And it’s because he loved him, idolized him, because Tobias was his world, his brother, his teacher, his mentor, and in essence, his father. Eyes stinging, I gaze on at the clear picture of devotion of one brother for another.
”
”
Kate Stewart (The Finish Line (The Ravenhood, #3))
“
Drawing aside so as not to impede passersby, he answered. “Oggy?” said his ex-colleague’s voice. “What gives, mate? Why are people sending you legs?” “I take it you’re not in Germany?” said Strike. “Edinburgh, been here six weeks. Just been reading about you in the Scotsman.” The Special Investigation Branch of the Royal Military Police had an office in Edinburgh Castle: 35 Section. It was a prestigious posting. “Hardy, I need a favor,” said Strike. “Intel on a couple of guys. D’you remember Noel Brockbank?” “Hard to forget. Seventh Armoured, if memory serves?” “That’s him. The other one’s Donald Laing. He was before I knew you. King’s Own Royal Borderers. Knew him in Cyprus.” “I’ll see what I can do when I get back to the office, mate. I’m in the middle of a plowed field right now.” A chat about mutual acquaintances was curtailed by the increasing noise of rush-hour traffic. Hardacre promised to ring back once he had had a look at the army records and Strike continued towards the Tube. He got out at Whitechapel station thirty minutes later to find a text message from the man he was supposed to be meeting. Sorry Bunsen cant do today ill give you a bell This was both disappointing and inconvenient, but not a surprise. Considering that Strike was not carrying a consignment of drugs or a large pile of used notes, and that he did not require intimidation or beating, it was a mark of great esteem that Shanker had even condescended to fix a time and place for meeting. Strike’s knee was complaining after a day on his feet, but there were no seats outside the station. He leaned up against the yellow brick wall beside the entrance and called Shanker’s number. “Yeah, all right, Bunsen?” Just as he no longer remembered why Shanker was called Shanker, he had no more idea why Shanker called him Bunsen. They had met when they were seventeen and the connection between them, though profound in its way, bore none of the usual stigmata of teenage friendship.
”
”
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
“
King Apollyon, the ruler of the Empire of Evil looked downcast and very depressed although his powerful voice floated with pressure through the minds of his sons, Abbadon and Plouton.
The red-brown eyes of King Apollyon flashed yellow as they saw the empty corral of Fayina, his favorite unicorn, and Apollyon was suddenly very disappointed with Abbadon.
Plouton caught the disappointment about Abbadon in his father’s eyes. He knew immediately this was his unique opportunity to step into the conversation.
He felt that this was the right moment for him because he had the full attention of his father and his brother. He took his chance and said: “Maybe we should put this whole case into other hands!”
“What is this…?” King Apollyon yelled. He lost his temper again and screamed even louder. “What do you mean, to put this case into other hands? Do you expect me to do the work by myself?”
Abbadon was astonished about his brother’s recommendation. He looked very critically at him and his red-rimmed eyes burned into his.
”
”
Gloria Tesch
“
Truth is elusive, subtle, manysided. You know, Priscilla, there’s an old Hindu story about Truth. It seems a brash young warrior sought the hand of a beautiful princess. Her father, the king, thought he was a bit too cocksure and callow. He decreed that the warrior could only marry the princess after he had found Truth. So the warrior set out into the world on a quest for Truth. He went to temples and monasteries, to mountaintops where sages meditated, to remote forests where ascetics scourged themselves, but nowhere could he find Truth. Despairing one day and seeking shelter from a thunderstorm, he took refuge in a musty cave. There was an old crone there, a hag with matted hair and warts on her face, the skin hanging loose from her bony limbs, her teeth yellow and rotting, her breath malodorous. But as he spoke to her, with each question she answered, he realized he had come to the end of his journey: she was Truth. They spoke all night, and when the storm cleared, the warrior told her he had fulfilled his quest. ‘Now that I have found Truth,’ he said, ‘what shall I tell them at the palace about you?’ The wizened old creature smiled. ‘Tell them,’ she said, ‘tell them that I am young and beautiful.
”
”
Shashi Tharoor (Riot)
“
No one believed that the author was the Chinese who received the prize. At the end of the last century, fleeing the scourge of yellow fever that devastated Panama during the construction of the railroad between the two oceans, he had arrived with many others who stayed here until they died, living in Chinese, reproducing in Chinese, and looking so much alike that no one could tell one from the other. At first, there were no more than ten, some of them with their wives and children and edible dogs, but in a few years, four narrow streets in the slums along the port were overflowing with other unexpected Chinese, who came into the country without leaving a trace in the customs record....In the popular view, they were divided into two kinds: bad Chinese and good Chinese. The bad ones were the ones in the lugubrious restaurants along the water front where one was as likely to eat like a King as to die a sudden death at the table, sitting before a plate of rat meat with sunflowers, and which were thought to be nothing more than fronts for white slavery, and many other kinds of trafficking. The good ones were the Chinese in the laundries, heirs of a sacred knowledge, who returned one's shirts cleaner than new, with collars and cuffs like recently ironed communion wafers.
”
”
Gabriel García Márquez (Love in the Time of Cholera)
“
Or one might take the tip of a pencil and magnify it. One reaches the point where a stunning realization strikes home: The pencil-tip is not solid; it is composed of atoms which whirl and revolve like a trillion demon planets. What seems solid to us is actually only a loose net held together by gravity. Viewed at their actual size, the distances between these atoms might become leagues, gulfs, aeons. The atoms themselves are composed of nuclei and revolving protons and electrons. One may step down further to subatomic particles. And then to what? Tachyons? Nothing? Of course not. Everything in the universe denies nothing; to suggest an ending is the one absurdity.
[...]
“Perhaps you saw what place our universe plays in the scheme of things—as no more than an atom in a blade of grass. Could it be that everything we can perceive, from the microscopic virus to the distant Horsehead Nebula, is contained in one blade of grass that may have existed for only a single season in an alien time-flow? What if that blade should be cut off by a scythe? When it begins to die, would the rot seep into our own universe and our own lives, turning everything yellow and brown and desiccated? Perhaps it’s already begun to happen. We say the world has moved on; maybe we really mean that it has begun to dry up.
”
”
Stephen King (The Gunslinger (The Dark Tower, #1))
“
To Gobineau, as he stated in his dedication of the work to the King of Hanover, the key to history and civilization was race. “The racial question dominates all the other problems of history… the inequality of races suffices to explain the whole unfolding of the destiny of peoples.” There were three principal races, white, yellow and black, and the white was the superior. “History,” he contended, “shows that all civilization flows from the white race, that no civilization can exist without the co-operation of this race.” The jewel of the white race was the Aryan, “this illustrious human family, the noblest among the white race,” whose origins he traced back to Central Asia. Unfortunately, Gobineau says, the contemporary Aryan suffered from intermixture with inferior races, as one could see in the southern Europe of his time. However, in the northwest, above a line running roughly along the Seine and east to Switzerland, the Aryans, though far from simon-pure, still survived as a superior race. This took in some of the French, all of the English and the Irish, the people of the Low Countries and the Rhine and Hanover, and the Scandinavians. Gobineau seemingly excluded the bulk of the Germans, who lived to the east and southeast of his line—a fact which the Nazis glossed over when they embraced his teachings.
”
”
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
“
I have just spoken of that morbid condition of the auditory nerve which rendered all music intolerable to the sufferer, with the exception of certain effects of stringed instruments. It was, perhaps, the narrow limits to which he thus confined himself upon the guitar which gave birth, in great measure, to the fantastic character of his performances. But the fervid facility of his impromptus could not be so accounted for. They must have been, and were, in the notes, as well as in the words of his wild fantasies (for he not unfrequently accompanied himself with rhymed verbal improvisations), the result of that intense mental collectedness and concentration to which I have previously alluded as observable only in particular moments of the highest artificial excitement. The words of one of these rhapsodies I have easily remembered. I was, perhaps, the more forcibly impressed with it as he gave it, because, in the under or mystic current of its meaning, I fancied that I perceived, and for the first time, a full consciousness on the part of Usher of the tottering of his lofty reason upon her throne. The verses, which were entitled “The Haunted Palace,” ran very nearly, if not accurately, thus:— I. In the greenest of our valleys, By good angels tenanted, Once a fair and stately palace— Radiant palace—reared its head. In the monarch Thought’s dominion— It stood there! Never seraph spread a pinion Over fabric half so fair. II. Banners yellow, glorious, golden, On its roof did float and flow (This—all this—was in the olden Time long ago); And every gentle air that dallied, In that sweet day, Along the ramparts plumed and pallid, A winged odor went away. III. Wanderers in that happy valley Through two luminous windows saw Spirits moving musically To a lute’s well-timed law; Round about a throne, where sitting (Porphyrogene!) In state his glory well befitting, The ruler of the realm was seen. IV. And all with pearl and ruby glowing Was the fair palace door, Through which came flowing, flowing, flowing And sparkling evermore, A troop of Echoes whose sweet duty Was but to sing, In voices of surpassing beauty, The wit and wisdom of their king. V. But evil things, in robes of sorrow, Assailed the monarch’s high estate; (Ah, let us mourn, for never morrow Shall dawn upon him, desolate!) And, round about his home, the glory That blushed and bloomed Is but a dim-remembered story Of the old time entombed. VI. And travellers now within that valley, Through the red-litten windows see Vast forms that move fantastically To a discordant melody; While, like a rapid ghastly river, Through the pale door; A hideous throng rush out forever, And laugh—but smile no more.
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Edgar Allan Poe (Terrifying Tales)
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There was a ruined church along the way, an old Methodist meetinghouse, which reared its shambles at the far end of a frost-heaved and hummocked lawn, and when you walked past the view of its glaring, senseless windows your footsteps became very loud in your ears and whatever you had been whistling died on your lips and you thought about how it must be inside the overturned pews, the rotting hymnals, the crumbling altar where only mice now kept the sabbath, and you wondered what might be in there besides mice what madmen, what monsters. Maybe they were peering out at you with yellow reptilian eyes. And maybe one night watching would not be enough; maybe some night that splintered, crazily hung door would be thrown open, and what you saw standing there would drive you to lunacy at one look.
And you couldn’t explain that to your mother and father, who were creatures of the light. No more than you could explain to them how, at the age of three, the spare blanket at the foot of the crib turned into a collection of snakes that lay staring at you with flat and lidless eyes. No child ever conquers those fears, he thought. If a fear cannot be articulated, it can’t be conquered. And the fears locked in small brains are much too large to pass through the orifice of the mouth. Sooner or later you found someone to walk past all the deserted meetinghouses you had to pass between grinning babyhood and grunting senility. Until tonight. Until tonight when you found out that none of the old fears had been staked only tucked away in their tiny, child-sized coffins with a wild rose on top.
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Stephen King ('Salem's Lot)
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Just above Tommy’s face were the Maiden and the Troll, two of his oldest wall people. The troll lived in a cave deep in the woods. He was big (Tommy knew the troll was even bigger than his daddy, and if the troll told his daddy to sit down and shut up, he would in a second), and he looked scary, with his little eyes and crooked teeth like fangs, but he had a secret. The secret was that he wasn’t scary at all. He liked to read, and play chess by mail with a gnome from over by the closet wall, and he never killed anything. The troll was a good troll, but everyone judged him by his looks. And that, Tommy knew, was a mean thing to do, though everyone did it.
The maiden was very beautiful. Even more beautiful than Tommy’s mommy. She had long blonde hair that fell in heavy curls to her waist, and big blue eyes, and she always smiled even though her family was poor. She came into the woods near the troll’s cave to get water from a spring, for her family. The spring bubbled out of Tommy’s wall right next to where his hand lay when he was asleep. Sometimes she only came and filled her jug and left. But other times she would sit awhile, and sing songs of love lost, and sailing ships, and the kings and queens of Elfland. And the troll, so hideous and so kind, would listen to her soft voice from the shadows just inside the entrance of his cave, which sat just below the shelf where Tommy kept his favorite toys and books.
Tommy felt bad for the troll. He loved the maiden who came to his spring, but she would never love him. He knew from listening to his parents and the stuff they watched on television when he was supposed to be asleep that beautiful people didn’t love ugly people. Ugly people were either to laugh at or to be frightened of. That was how the whole world worked.
Tommy rolled over on his side, just a small seven year old boy in tan cargo shorts and a plain white T-shirt. He let his eyes drift over the bedroom wall, which was lumpy in some places and just gone in others. There was a part of the wall down near the floor where he could see the yellow light of the naked bulb down in the basement, and sometimes he wondered what might live down there. Nothing good, of that he was sure.
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Michael Kanuckel (Small Matters)