Kinda Tired Quotes

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I’m just kinda tired. Like a monkey in the rain.
Haruki Murakami (Norwegian Wood)
Georgie's mother had spectacular cleavage. Tan, freckled, ten miles deep. "Genetics," her mom said when she caught Georgie looking. Heather shoved a bowl of green beans into Georgie's arm. "Were you just staring at Mom's breasts?" "I think so," Georgie said. "I'm really tired--and she's kinda begging for it in that shirt." "Oh, sure," Heather said. "Blame the victim.
Rainbow Rowell (Landline)
And all my friends are tired Of hearing how much I miss you, but I kinda feel sorry for them 'Cause they'll never know you the way that I do, yeah Today I drove through the suburbs And pictured I was driving home to you And I know we weren't perfect But I've never felt this way for no one, oh And I just can't imagine how you could be so okay, now that I'm gone I guess you didn't mean what you wrote in that song about me 'Cause you said forever, now I drive alone past your street.
Hearts Can Break and Never Make a Sound
The public never appears to tire of endless courses of strawberries and cream, and the theory that you run the risk of boring people with endless photo montages of the Chelsea Pensioners in their dress reds, or close-ups of a Pimm's Cup sprouting all kinda of flora, has yet to be proven. People like Wimbledon in the same way they like blue jeans or even their own spouses: for the pleasure yielded by their reliable sameness.
Peter Bodo (Courts of Babylon: Tales of Greed and Glory in The Harsh New World of Professional Tennis)
Midori chugged down another glass of water, took a breath, and studied my face for a while. “Hey, what’s wrong with you?” she asked. “You’ve got this spaced-out look. Your eyes aren’t focused.” “I’m O.K.,” I said. “I just got back from a trip and I’m kinda tired.” “You look like you’ve just seen a ghost.” “I see.
Haruki Murakami (Norwegian Wood (Vintage International))
Ya live your life like it's a coma So won't you tell me why we'd wanna With all the reasons you give it's It's kinda hard to believe But who am I to tell you that I've Seen any reason why you should stay Matbe we'd be better off Without you anyway You got a one way ticket On your last chance ride Gotta one way ticket To your suicide Gotta one way ticket An there's no way out alive An all this crass communication That has left you in the cold Isn't much for consolation When you feel so weak and old But is home is where the heart is Then there's stories to be told No you don't need a doctor No one else can heal your soul Got your mind in submission Got your life on the line But nobody pulled the trigger They just stepped aside They be down by the water While you watch 'em waving goodbye They be callin' in the morning They be hangin' on the phone They be waiting for an answer When you know nobody's home And when the bell's stopped ringing It was nobody's fault but your own There were always ample warnings There were always subtle signs And you would have seen it comin' But we gave you too much time And when you said That no one's listening Why'd your best friend drop a dime Sometimes we get so tired of waiting For a way to spend our time An "It's so easy" to be social "It's so easy" to be cool Yeah it's easy to be hungry When you ain't got shit to lose And I wish that I could help you With what you hope to find But I'm still out here waiting Watching reruns of my life When you reach the point of breaking Know it's gonna take some time To heal the broken memories That another man would need Just to survive Guns N’ Roses, “Coma” (1991)
Guns N' Roses (Use Your Illusion I (Bass Guitar, with Tablature))
Give me a minute to catch my breath,” I said, sneaking glances at him. “Then we can head to the car. I need a few more things to make the demon spell, but I’m too tired to do it now.” It grated on me to admit it, but it was kinda obvious.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
If shame had a face I think it would kind of look like mine If it had a home would it be my eyes Would you believe me if I said I'm tired of this Well here we go now one more time I tried to climb your steps I tried to chase you down I tried to see how low I could get it down to the ground I tried to earn my way I tried to tame this mind You better believe that I tried to beat this [CHORUS] So when will this end it goes on and on Over and over and over again Keep spinning around I know that it won't stop Till I step down from this for good I never thought I'd end up here Never thought I'd be standing where I am I guess I kinda thought it would be easier than this I guess I was wrong now one more time I tried to climb your steps I tried to chase you down I tried to see how long I could get it down to the ground I tried to earn my way I tried to tame this mind You better believe that I tried yo beat this [REPEAT CHORUS] Sick cycle carousel This is a sick sycle, yeah Sick cycle carousel This is a sick cycle, yeah [REPEAT CHORUS TWICE] Sick cycle carousel Sick cycle carousel Sick cycle carousel...
Lifehouse
After she had gone through most of the songs she knew, she sang an old one that she said she had written herself. I’d love to cook a stew for you But I have no pot. I’d love to knit a scarf for you But I have no wool. I’d love to write a poem for you But I have no pen. “It’s called ‘I Have Nothing,’” Midori announced. It was a truly terrible song, both words and music. I listened to this musical mess with thoughts of how the house would blow apart in the explosion if the gas station caught fire. Tired of singing, Midori put her guitar down and slumped against my shoulder like a cat in the sun. “How did you like my song?” she asked. I answered cautiously, “It was unique and original and very expressive of your personality.” “Thanks,” she said. “The theme is that I have nothing.” “Yeah, I kinda thought so.
Haruki Murakami (Norwegian Wood (Vintage International))
back. She knew she was lucky to have a job but she didn’t feel lucky. She felt depressed. Sad. Tired. And most of all, confused. She knew this was the week of Ruth Ann’s trial. There hadn’t been any press coverage yet, but she remembered the date. She had wanted to call Rick and wish him luck. In fact, she had picked up the phone several times and started to dial the number, but she just couldn’t go through with it. Not after all the things they had said to each other. She opened the back door to the office and stepped out into the night. The parking lot was barren except for her white Mustang, and the only sounds she heard were the passing of cars on Greensboro a few blocks up. She shut the door behind her, putting the key in the dead bolt and twisting it. “Kinda late for a pretty girl like you to be out.” Dawn turned to the sound of the voice, her stomach tightening into a knot. The lot was sparsely lit, and for a moment she didn’t see him. Then, standing by her Mustang, she saw a tall man dressed in khaki pants and a golf shirt. As he stepped toward her, she noticed that his hair was sandy blond and he had a patch of stubble on his face. “Can I help you?” Dawn asked, her voice shaky. She reached into her pocket for her cell phone but then remembered that the battery was dead. Damn, damn, damn. The man was in front of her now. He had continued to approach as if his appearance were completely natural.
Robert Bailey (The Professor (McMurtrie and Drake, #1))
Nonna tucked each of her hands into the opposite sleeve, a wizened Confucius in a leopard bathrobe. "Michelangleo, he goes. For days and days he stays away from Elisabetta. The other girls, the prettier girls, have hope again. And then, there he goes once more, carrying only his nonno's ugly old glass-his telescope-and a bag of figs. These he lays at her feet. "'I see you,' he tells her. 'Every day for months, I watch. I see you. Where you sit, the sea is calm and dolphins swim near you. I see your mended net looks like a lady's lace. I see you dance in the rain before you run home. I see the jewel mosaic you leave to be scattered and remade again and again, piu bella than gold and pearls. You are piu bella than any other, queen of the sea. "'You do not need silk or pearls. I see that. But they are yours if you wish. I am yours if you wish.If you like what you see.' He gives her the glass. She takes it. Then she asks, 'What about the figs? My bisnonno, he laughs. 'It might take time, your looking to see if you like me. I bring lunch.'" Nonna slapped her knee again, clearly delighted with little Michelangelo's humor. "There is the love story. You like it?" I swallowed another yawn. "Si, Nonna.It's a good story." I couldn't resist. "But...a talking seagull? A dolphin guide? That kinda stretches the truth, dontcha think?" Nonna shrugged. "All truth, not all truth, does it matter? My nonno Guillermo came to Michelangelo and Elisabetta, then my papa Euplio to him, then me, your papa, you." She lowered her feet to the floor. Then pinched my cheek. Hard. Buona notte, bellissima." "Okay,Nonna." I yawned and pulled the white eyelet quilt up.I'd inked abstract swirl-and-dot patterns all over it when I redecorated my room. They're a little optic when I'm that tired. "Buona notte." As I was dozing off,I heard her rummaging in the linen cupboard next to my door. Reorganizing again, I though. She does that when Mom can't see her. They fold things completely different ways.
Melissa Jensen (The Fine Art of Truth or Dare)
Tomoya: Nagisa! (gasps) Nagisa! Nagisa: (weakly) Tomoya… Tomoya: She’s here, Nagisa. She’s-she's right here! You can hear her, right? That’s our baby, that’s our baby crying. Nagisa: (weakly) Y-yeah… Tomoya: Here, look! I got to hold her before anyone else, see? Nagisa: Oh…she turned out so cute… Tomoya: This is our little baby, Nagisa. It’s our little Ushio. Nagisa: Hey there, Shio… Tomoya: It’s a girl, she’s as healthy as can be! Nagisa: Yeah… I’m so glad I could have her here with you, Tomoya… I’m sorry I had to make Shio work so hard for it, but at least we were all together… Tomoya: You did a great job. I mean it. Nagisa: (Sighs) Hey…I’m sorry, but I’m starting to feel a little tired. Could you let me rest? Just for a second…? Tomoya: Come on, let’s talk just-just a little longer, okay? You don’t have to say anything, just listen. Come on, you have to look at our baby. She kinda looks like a cute little monkey, doesn’t she? See? She’s so tiny. Here, I’m going to call her name, okay? Ushio. Hey, it’s daddy, Ushio. And this is mommy, see? Look at her, see? (Sniffles and laughs softly) She’s ignoring me. Guess, she doesn’t understand yet. I’ll bet she’ll grow up before we know it. She’ll be starting school. We’ll have to go clothes shopping with her. We’ll have open house and school festivals to go to. We’ll do it all as a family, even though I used to make fun of that stuff growing up. (chuckles) Nagisa? (gasps) Nagisa. Here, it’s Ushio’s cheek. Come on. Hey… (Nagisa Breathes heavily) Tomoya: Nagisa. You told me you’d always be by my side. You said, we’d always be together. You promised me that, remember? Over and over again. We both promised. That was my only dream. Nothing good ever happened to me until I met you. I thought I had a crappy life but even someone useless like me finally found something to live for. Right, Nagisa? Right? Nagisa… NAGISA!!! Tomoya thinks of flashback when they first met: Nagisa's voice echoing in his head: Do you like this school? I have to say that I love it very very much! But soon, everything changes. Well, at least it does eventually. Fun things, happy things, they’ll all eventually change someday, you know. But, do you think you can still love this place anyway? (Instead of meeting her Tomoya turns the other direction and walks away) We never should have met. We should have kept going down our separate paths. We never would have gone out. We never would have gotten married and Ushio never would have been born. Then, at least I wouldn’t have to go through so much suffering. (sniffle) (sighs) We never should have met.
Key
I told Elon we could put another engine on there, but I was really, really frustrated and just tired and mad and was kinda short with Elon. I said, ‘We can put another fucking thing on there, but I’ve blown up enough shit today.’ He said, ‘Okay, all right, that’s fine. Just calm down. We’ll do it again tomorrow.
Ashlee Vance (Elon Musk: Inventing the Future)
THE OLD CAR WAS SUNK TO THE BUMPERS WHEN I DISCOVERED IT, but my first thought was how good it would be to sleep in there and hear the rain drumming on steel rather than splattering against our tattered old tarp. I was Maggie back then. Maggie, the name my parents gave me. A nice name. But these weren’t nice times. We were tired and hungry, and the GreyDevil bonfires were burning brighter and the solar bear howls were getting closer, and every morning as I strapped my SpitStick across my back and set out to scavenge, I found myself thinking I needed a better name. A stronger name. I mean, the name Maggie was fine, it just seemed kinda underpowered. So when I scrubbed the moss from the side of that old car overlooking Goldmine Gully and saw the chrome letters—Ford Falcon—I climbed up on the hood and stood there with my steel-toed boots planted wide and I wedged my fists on my hips and I announced that Maggie was yesterday, and from this day forward I would answer only to Ford Falcon. Ford, because we had a lot of rivers to cross. Falcon, because, well, if you have a lot of rivers to cross, a pair of wings can’t hurt, and then once you get across the river it’s likely you will need sharp eyes and an even sharper beak. Yes. I know. I named myself after an old dead car. Worse yet, it’s not even a cool car. It’s a station wagon. Station wagons were how parents hauled kids around during the time between covered wagons and minivans. These days you won’t see a minivan unless it’s being pulled by a horse, and even horses are hard to come by. But if you see me you will know me because I wear a vest made from the hide of a beast that tried to kill me and lost. I skinned that beast myself, and also I skinned the lettering from that old dead car and stitched it to the vest across my shoulder blades using copper wire so that in polished chrome the world can read my name and know it: Ford Falcon.
Michael Perry (The Scavengers)
After we had been back on Pavuvu about a week, I had one of the most heartwarming and rewarding experiences of my entire enlistment in the Marine Corps. It was after taps, all the flambeaus were out, and all of my tent mates were in their sacks with mosquito nets in place. We were all very tired, still trying to unwind from the tension and ordeal of Peleliu. All was quiet except for someone who had begun snoring softly when one of the men, a Gloucester veteran who had been wounded on Peleliu, said in steady measured tones, “You know something, Sledgehammer?” “What?” I answered. “I kinda had my doubts about you,” he continued, “and how you’d act when we got into combat, and the stuff hit the fan. I mean, your ole man bein’ a doctor and you havin’ been to college and bein’ sort of a rich kid compared to some guys. But I kept my eye on you on Peleliu, and by God you did OK; you did OK.” “Thanks, ole buddy,” I replied, nearly bursting with pride. Many men were decorated with medals they richly earned for their brave actions in combat, medals to wear on their blouses for everyone to see. I was never awarded an individual decoration, but the simple, sincere personal remarks of approval by my veteran comrade that night after Peleliu were like a medal to me. I have carried them in my heart with great pride and satisfaction ever since.
Eugene B. Sledge (With the Old Breed: At Peleliu and Okinawa)