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This is the part in the movie where that guy says, "Zombies? What zombies?" just before they eat his brains. I don't want to be that guy.
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Holly Black (Kin (The Good Neighbors, #1))
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In your name, the family name is at last because it's the family name that lasts.
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Amit Kalantri (Wealth of Words)
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Some of us can live without a society but not without a family.
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Amit Kalantri (Wealth of Words)
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In united families, they might sleep with half filled stomach but no one sleeps with empty stomach.
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Amit Kalantri (Wealth of Words)
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You can take the Indian out of the family, but you cannot take the family out of the Indian.
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Amit Kalantri (Wealth of Words)
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He rows her out into this goose-infested swamp (the part this movie leaves out is that geese are rank, shit-covered, hissing demons, but I guess itβs okay because they are his kin), even though he knows itβs about to start pouring down rain and says so before they get in the boat.
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Lindy West (Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema)
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Every artist who moves us, from a movie maker to Beethoven or Shakespeare, is a bit of a
hypnotist. In this sense that seemingly stupid and mechanical contraption we call "society" must rank as the greatest artist on the planet. For instance, when I was seven or eight, and feeling superior to the kids who closed their eyes "during the scary parts," I was entering a deep hypnosis created by another Virtual Reality called language. This hypnosis was a worse nightmare than the Wicked Witch of the West or King Kong or the Wolf-Man or any of their kith and kin, but it made me a "member of society".
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Hyatt S. Christopher (To Lie Is Human: Not Getting Caught Is Divine)
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This is a central theme in literature and movies; from Wagon Train to Star Trek, Americans admire this desire to boldly go and then bravely defend themselves from those who resent discovery.
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Patty Krawec (Becoming Kin: An Indigenous Call to Unforgetting the Past and Reimagining Our Future)
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Every artist who moves us, from a movie maker to Beethoven or Shakespeare, is a bit of a hypnotist. In this sense that seemingly stupid and mechanical contraption we call "society" must rank as the greatest artist on the planet. For instance, when I was seven or eight, and feeling superior to the kids who closed their eyes "during the scary parts," I was entering a deep hypnosis created by another Virtual Reality called language. This hypnosis was a worse nightmare than the Wicked Witch of the West or King Kong or the Wolf-Man or any of their kith and kin, but it made me a "member of society
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Hyatt S. Christopher (To Lie Is Human: Not Getting Caught Is Divine)
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Every artist who moves us, from a movie maker to Beethoven or Shakespeare, is a bit of a hypnotist. In this sense that seemingly stupid and mechanical contraption we call "society" must rank as the greatest artist on the planet. For instance, when I was seven or eight, and feeling superior to the kids who closed their eyes "during the scary parts," I was entering a deep hypnosis created by another Virtual Reality called language. This hypnosis was a worse nightmare than the Wicked Witch of the West or King Kong or the Wolf-Man or any of their kith and kin, but it made me a "member of societyβ.
By Robert AntonWilson in the introduction of the book.
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Hyatt S. Christopher (To Lie Is Human: Not Getting Caught Is Divine)