Kilometers Love Quotes

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It takes so little, so infinitely little, for someone to find himself on the other side of the border, where everything - love, convictions, faith, history - no longer has meaning. The whole mystery of human life resides on the fact that it is spent in the immediate proximity of, and even in direct contact with, that border, that it is separated from it not by kilometers but by barely a millimeter.
Milan Kundera (The Book of Laughter and Forgetting)
Today, my love, I am too tired to write for you. You will find in your heart a letter, several pages, full of silence. Read it slowly. The light of this day wrote it for me. In it, it si just about you and the rest coming to me each time I look to you, far away, hundreds kilometers from here.
Christian Bobin (L'Enchantement simple : suivi de, Le Huitième Jour De La Semaine, Le Colporteur, L'Éloignement du monde)
Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives. To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates. 'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic. They've served their purpose. Nature is unsentimental. Death is built in.
Carl Sagan (Shadows of Forgotten Ancestors: Earth Before Humans by ANN DRUYAN' 'CARL SAGAN (1992-05-03))
The woman he had loved most (he was thirty at the time) would tell him (he was nearly in despair when he heard it) that she held on to life by a thread. Yes, she did want to live, life gave her great joy, but she also knew that her 'i want to live' was spun from the threads of a spiderweb. It takes so little, so infinitely little, for someone to find himself on the other side of the border, where everything-- love, convictions, faith, history-- no longer has meaning. The whole mystery of human life resides in the fact that it is spent in the immediate proximity of, and even in direct contact with, that border, that it is separated from it not by kilometers but by barely a millimeter.
Milan Kundera (The Book of Laughter and Forgetting)
I love you, Iris. And I want you to see me. I want you to know me. Through the smoke and the firelight and kilometers that once dwelled between us. Do you see me?
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
Nothing seems true today except the death of the goldfish who used to make love at ninety kilometers an hour in the pool. The maid has given him a Christian burial. To the worms! To the worms!
Anaïs Nin (House of Incest)
The Ministry of Love was the really frightening one. There were no windows in it at all. Winston had never been inside the Ministry of Love, nor within half a kilometer of it. It was a place impossible to enter except on official business, and then only by penetrating through a maze of barbed-wire entanglements, steel doors, and hidden machine-guns nests. Even the streets leading up to its outer barriers were roamed by gorilla-faced guards in black uniforms, armed with jointed truncheons
George Orwell (1984)
You have a big heart. I would never trade your mammoth, irrationally generous heart for a smaller, more frugal one. I love every square kilometer of it.” A laugh tumbled from my lips and I lowered to the couch. “Really? It’s that big?” “It should have its own zip code. And it’s my third favorite thing about you.
Penny Reid (Engagement and Espionage (Solving for Pie: Cletus and Jenn Mysteries, #1))
Your words? A sublime feast that fed me on days when I was starving. I love you, Iris. And I want you to see me. I want you to know me. Through the smoke and the firelight and kilometers that once dwelled between us. Do you see me? —C.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
Definition: 'Love' is making a shot to the knees of a target 120 kilometers away using an Aratech sniper rifle with a tri-light scope. Love is knowing your target, putting them in your targeting reticule, and together, achieving a singular purpose against statistically long odds.
HK-47
But the moment you walked away,” Roman rushed on, “I knew I felt something for you, which I had been denying for weeks. The moment you wrote me and said you were six hundred kilometers away from Oath…I thought my heart had stopped. To know that you would still want to write to me, but also that you were so far away. And as our letters progressed, I finally acknowledged that I was in love with you, and I wanted you to know who I was. That’s when I decided I would follow you. I didn’t want the life my father had planned for me—a life where I could never be with you.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
It takes so little,so infinitely little, for someone to find himself on the other side of the boarder, where everything - love, conviction, faith, history - no longer has meaning. The whole mystery of human life resides in the fact that it is spent in the immediate proximity of, and even direct contact with, that boarder, that it is separated from it not by kilometers but by barely a millimeter.
Milan Kundera
I flip back to the front, and the stamp stares at me. Shakespeare and Company, Kilometer Zero Paris. And I'm back on the star, that first night. Falling in love with him. And I'm back on the star, over Thanksgiving break. Falling in love with him. And I'm back in my room, staring at this ill-timed book — Why didn't he just tell me? Why didn't I open this when he asked me about it last Christmas? — when I'm struck by a need to return to Point Zéro.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
The moment you wrote me and said you were six hundred kilometers away from Oath … I thought my heart had stopped. To know that you would still want to write to me, but also that you were so far away. And as our letters progressed, I finally acknowledged that I was in love with you, and I wanted you to know who I was. That’s when I decided I would follow you. I didn’t want the life my father had planned for me—a life where I could never be with you.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
But the moment you walked away,” Roman rushed on, “I knew I felt something for you, which I had been denying for weeks. The moment you wrote me and said you were six hundred kilometers away from Oath … I thought my heart had stopped. To know that you would still want to write to me, but also that you were so far away. And as our letters progressed, I finally acknowledged that I was in love with you, and I wanted you to know who I was. That’s when I decided I would follow you. I didn’t want the life my father had planned for me—a life where I could never be with you.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
Two thoughts walked into my place. The first thought said that we hadn’t slept together because sex would have closed an entrance behind us and opened an exit ahead of us. The second thought told me quite clearly what to do. Maybe Takeshi’s wife was right—maybe it is unsafe to base an important decision on your feelings for a person. Takeshi says the same thing often enough. Every bonk, he says, quadruples in price by the morning after. But who are Takeshi or his wife to lecture anybody? If not love, then what? I looked at the time. Three o’clock. She was how many thousand kilometers and one time zone away. I could leave some money to cover the cost of the call. “Good timing,” Tomoyo answered, like I was calling from the cigarette machine around the corner. “I’m unpacking.” “Missing me?” “A tiny little bit, maybe.” “Liar! You don’t sound surprised to hear me.” I could hear the smile in her voice. “I’m not. When are you coming?
David Mitchell (Ghostwritten)
The North Korean capital, Pyongyang, is a city consecrated to the worship of a father-son dynasty. (I came to think of them, with their nuclear-family implications, as 'Fat Man and Little Boy.') And a river runs through it. And on this river, the Taedong River, is moored the only American naval vessel in captivity. It was in January 1968 that the U.S.S. Pueblo strayed into North Korean waters, and was boarded and captured. One sailor was killed; the rest were held for nearly a year before being released. I looked over the spy ship, its radio antennae and surveillance equipment still intact, and found photographs of the captain and crew with their hands on their heads in gestures of abject surrender. Copies of their groveling 'confessions,' written in tremulous script, were also on show. So was a humiliating document from the United States government, admitting wrongdoing in the penetration of North Korean waters and petitioning the 'D.P.R.K.' (Democratic People's Republic of Korea) for 'lenience.' Kim Il Sung ('Fat Man') was eventually lenient about the men, but not about the ship. Madeleine Albright didn't ask to see the vessel on her visit last October, during which she described the gruesome, depopulated vistas of Pyongyang as 'beautiful.' As I got back onto the wharf, I noticed a refreshment cart, staffed by two women under a frayed umbrella. It didn't look like much—one of its three wheels was missing and a piece of brick was propping it up—but it was the only such cart I'd see. What toothsome local snacks might the ladies be offering? The choices turned out to be slices of dry bread and cups of warm water. Nor did Madeleine Albright visit the absurdly misnamed 'Demilitarized Zone,' one of the most heavily militarized strips of land on earth. Across the waist of the Korean peninsula lies a wasteland, roughly following the 38th parallel, and packed with a titanic concentration of potential violence. It is four kilometers wide (I have now looked apprehensively at it from both sides) and very near to the capital cities of both North and South. On the day I spent on the northern side, I met a group of aging Chinese veterans, all from Szechuan, touring the old battlefields and reliving a war they helped North Korea nearly win (China sacrificed perhaps a million soldiers in that campaign, including Mao Anying, son of Mao himself). Across the frontier are 37,000 United States soldiers. Their arsenal, which has included undeclared nuclear weapons, is the reason given by Washington for its refusal to sign the land-mines treaty. In August 1976, U.S. officers entered the neutral zone to trim a tree that was obscuring the view of an observation post. A posse of North Koreans came after them, and one, seizing the ax with which the trimming was to be done, hacked two U.S. servicemen to death with it. I visited the ax also; it's proudly displayed in a glass case on the North Korean side.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
In one second,almost two and half million emails are sent,the universe expands fifteen kilometers and thirty stars explode,a honey bee can flap its wings two hundred times, the fastest snail travels 1.3 centimeters,objects can fail sixteen feet. and "Will you marry me?"can change a life . Four babies are born.Two people die.
Cecelia Ahern (Postscript (P.S. I Love You, #2))
Other than that, how was Kyril Island, Ensign Vorkosigan?” inquired the Count. “You didn’t vid home much, your mother noticed.” “I was busy. Lessee. The climate was ferocious, the terrain was lethal, a third of the population including my immediate superior was dead drunk most of the time. The average IQ equaled the mean temperature in degrees cee, there wasn’t a woman for five hundred kilometers in any direction, and the base commander was a homicidal psychotic. Other than that, it was lovely.
Lois McMaster Bujold (The Vor Game (Vorkosigan Saga, #6))
Yes, you do hate Switzerland. And," doctor Messerli paused for effect, "you love it. You love it and you hate it. What you don't feel is apathy. You're not indifferent. You're ambivalent." Anna had thought about this before, when nights came during which she could do nothing but wander Dietlikon's sleeping streets or hike the hill behind her house to sit upon the bench where most often she went to weep. She'd considered her ambivalence many, many times, and in the end, she's diagnosed herself with a disease that she'd also invented. Switzerland syndrome. Like Stockholm syndrome. But instead of my captors, I'm attached to the room in which I'm held captive. It's the prison I'm bound to, not the warden. Anna was absolutely right. It was the landscape. it was the geography. The fields, the streams, the lakes, the forests. And the mountains. On exceptionally clear days when the weather was right, if you walked south on Dietlikon's Bahnhofstrasse you could see the crisp outlines of snow-capped Alps against a blazing blue horizon eighty kilometers away. On these certain days it was something in the magic of the atmosphere that made them tangible and moved them close. The mutability of those particular mountains reminded Anna of herself. And it wasn't simply the natural landscape that she attached herself to emotionally. It was the cobblestone roads of Zürich's old town and the spires of this church and the towers of that one. And the trains, the trains, the goddamn trains. She could take the train anywhere she wanted to go.
Jill Alexander Essbaum
Do not worry,” the Rebbe told me, or rather I told myself using the image of that aged Jew who was dressed as a rabbi. “Loneliness means not knowing how to be with oneself.” Of course, I do not mean to imply that a child of seven years can speak in such a fashion. But I understood these things, albeit not in a rational manner. The Rebbe, being an internal image, put things into my mind that were not intellectual. He made me feel something that I swallowed, in the way that a newly hatched eaglet, its eyes still closed, swallows the worm that is placed in its beak. Much later as an adult I began to find words to translate things that were, at that young age—how can I explain it?—openings into other planes of reality. “You are not alone. Remember last week when you were surprised to see a sunflower growing in the courtyard? You concluded that the wind had blown a seed there. A seed, though it looks insignificant, contains the future flower. This seed somehow knew what plant it was going to be, and this plant was not just in the future: although immaterial, although only a design, the sunflower existed there, in that seed, blowing in the wind over hundreds of kilometers. And not only was the plant there, but also the love of light, the turning in search of the sun, the mysterious union with the pole star, and—why not?—a form of consciousness. You are not different. All that you are going to be, you are. What you will know, you already know. What you will search for, you are already seeking: it is in you. I may not be real, but the old man who you now see, although he has my inconsistent appearance, is real because he is you, which is to say, he is what you will be.
Alejandro Jodorowsky (The Dance of Reality: A Psychomagical Autobiography)
How is my English?” Tatiana asked Alexander in English. “It’s good,” Alexander replied in English. It was late morning. They were walking through the dense deciduous riverbank woods a few kilometers from home, with two buckets for blueberries, and they were supposed to be talking only in English, but Tatiana backtracked and said in Russian, “I’m reading much better than I’m talking, I think. John Stuart Mill is simply unreadable now instead of unintelligible.” Alexander smiled. “That’s a fine distinction.” He yanked up a couple of mushrooms. “Tania, can we eat these?” Taking them out of his hands and throwing them back on the ground, Tatiana said, “Yes. But we will only be able to eat them once.” Alexander laughed. She said, “I have to teach you how to pick mushrooms, Shura. You can’t just rip them out of the ground like that.” “I have to teach you how to speak English, Tania,” said Alexander. In English, Tatiana continued, “This is my new husband, Alexander Barrington.” And in English, Alexander replied with a smile of pleasure on his face, “And this is my young wife, Tatiana Metanova.” He kissed the top of her braided head and in Russian said, “Tatiana, now say the other words I taught you.” She turned the color of a tomato. “No,” she stated firmly, in English. “I am not saying them.” “Please.” “No. Look for blueberries.” Still in English. She saw that Alexander couldn’t have been less interested in blueberries. “What about later? Will you say them later?” he asked. “Not now, not later,” Tatiana replied bravely. But she was not looking at him. Alexander drew her to him. “Later,” he continued in English, “I will insist that you please me by using your English-speaking tongue in bed with me.” Struggling slightly against him, Tatiana said in English, “It is good I am not understand what you say to me.” “I will show you what I mean,” said Alexander, putting down his bucket. “Later, later,” she acquiesced. “Now, pick up your backet. Collect blueberries.” “All right,” he said in English, not letting go of her. “And it’s bucket. Come on, Tania. Say the other words.” He held her. “Your shyness is an aphrodisiac to me. Say them.” Tatiana, breathless inside and out, said, “All right,” in English. “Pick up your bucket. Let us go house. I will practice love with you.” Alexander laughed. “Make love to you, Tania. Make love to you.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
As humans we spend our time seeking big, meaningful experiences. So the afterlife may surprise you when your body wears out. We expand back into what we really are—which is, by Earth standards, enormous. We stand ten thousand kilometers tall in each of nine dimensions and live with others like us in a celestial commune. When we reawaken in these, our true bodies, we immediately begin to notice that our gargantuan colleagues suffer a deep sense of angst. Our job is the maintenance and upholding of the cosmos. Universal collapse is imminent, and we engineer wormholes to act as structural support. We labor relentlessly on the edge of cosmic disaster. If we don’t execute our jobs flawlessly, the universe will re-collapse. Ours is complex, intricate, and important work. After three centuries of this toil, we have the option to take a vacation. We all choose the same destination: we project ourselves into lower-dimensional creatures. We project ourselves into the tiny, delicate, three-dimensional bodies that we call humans, and we are born onto the resort we call Earth. The idea, on such vacations, is to capture small experiences. On the Earth, we care only about our immediate surroundings. We watch comedy movies. We drink alcohol and enjoy music. We form relationships, fight, break up, and start again. When we’re in a human body, we don’t care about universal collapse—instead, we care only about a meeting of the eyes, a glimpse of bare flesh, the caressing tones of a loved voice, joy, love, light, the orientation of a house plant, the shade of a paint stroke, the arrangement of hair. Those are good vacations that we take on Earth, replete with our little dramas and fusses. The mental relaxation is unspeakably precious to us. And when we’re forced to leave by the wearing out of those delicate little bodies, it is not uncommon to see us lying prostrate in the breeze of the solar winds, tools in hand, looking out into the cosmos, wet-eyed, searching for meaninglessness.
David Eagleman (Sum: Forty Tales from the Afterlives)
Naturally, without intending to, I transitioned from these dreams in which I healed myself to some in which I cared for others: I am flying over the Champs-Élysées Avenue in Paris. Below me, thousands of people are marching, demanding world peace. They carry a cardboard dove a kilometer long with its wings and chest stained with blood. I begin to circle around them to get their attention. The people, astonished, point up at me, seeing me levitate. Then I ask them to join hands and form a chain so that they can fly with me. I gently take one hand and lift. The others, still holding hands, also rise up. I fly through the air, drawing beautiful figures with this human chain. The cardboard dove follows us. Its bloodstains have vanished. I wake up with the feeling of peace and joy that comes from good dreams. Three days later, while walking with my children along the Champs-Élysées Avenue, I saw an elderly gentleman under the trees near the obelisk whose entire body was covered by sparrows. He was sitting completely still on one of the metal benches put there by the city council with his hand outstretched, holding out a piece of cake. There were birds flitting around tearing off crumbs while others waited their turn, lovingly perched on his head, his shoulders, his legs. There were hundreds of birds. I was surprised to see tourists passing by without paying much attention to what I considered a miracle. Unable to contain my curiosity, I approached the old man. As soon as I got within a couple of meters of him, all the sparrows flew away to take refuge in the tree branches. “Excuse me,” I said, “how does this happen?” The gentleman answered me amiably. “I come here every year at this time of the season. The birds know me. They pass on the memory of my person through their generations. I make the cake that I offer. I know what they like and what ingredients to use. The arm and hand must be still and the wrist tilted so that they can clearly see the food. And then, when they come, stop thinking and love them very much. Would you like to try?” I asked my children to sit and wait on a nearby bench. I took the piece of cake, reached my hand out, and stood still. No sparrow dared approach. The kind old man stood beside me and took my hand. Immediately, some of the birds came and landed on my head, shoulders, and arm, while others pecked at the treat. The gentleman let go of me. Immediately the birds fled. He took my hand and asked me to take my son’s hand, and he another hand, so that my children formed a chain. We did. The birds returned and perched fearlessly on our bodies. Every time the old man let go of us, the sparrows fled. I realized that for the birds when their benefactor, full of goodness, took us by the hand, we became part of him. When he let go of us, we went back to being ourselves, frightening humans. I did not want to disrupt the work of this saintly man any longer. I offered him money. He absolutely would not accept. I never saw him again. Thanks to him, I understood certain passages of the Gospels: Jesus blesses children without uttering any prayer, just by putting his hands on them (Matthew 19:13–15). In Mark 16:18, the Messiah commands his apostles, “They shall lay hands on the sick, and they shall recover.” St. John the Apostle says mysteriously in his first epistle, 1.1, “That which was from the beginning, which we have heard, which we have seen with our eyes, which we have looked upon, and our hands have handled, of the Word of life.
Alejandro Jodorowsky (The Dance of Reality: A Psychomagical Autobiography)
Women are amazing. You can wait for months, travel thousands of kilometers, and build up ineffable desire. They just brush their hair.
Justin Lifflander (How Not to Become a Spy: A memoir of love at the end of the Cold War)
the Bahnhofstrasse after sundown there was the delectation of strolling beneath the shine of champagne-colored twinkle lights and a one-kilometer stretch of seven-foot-long tubular bulbs. They pended from cables stretched taut between buildings and above the catenaries supplying power to the city’s electric trams and were controlled by software that varied the scintillation according to levels of human activity in the street underneath. The array was modern—too modern, in fact. Enough people hated them that the city eventually returned to a more traditional display. But Anna’s boys loved it.
Jill Alexander Essbaum (Hausfrau)
Some people need at least a thousand kilometers between them to stay happily married. But
Anthony Marra (The Tsar of Love and Techno)
Ministry of Love was the really frightening one. There were no windows in it at all. Winston had never been inside the Ministry of Love, nor within half a kilometer of it. It was a place impossible to enter except on official business, and then only by penetrating through a maze of barbed-wire entanglements, steel doors, and hidden machine-gun nests. Even the streets leading up to its outer barriers were roamed by gorilla-faced guards in black uniforms, armed with jointed truncheons. Winston
George Orwell (1984)
All facts are not known to be composed but tight and young to a point. Death is nearing me, I feel that I see that, they want that. ME- watches the doors open to admit me in the rush upwards. The doors slide closed behind him. Then a muffled red laser-ROUND like an endless machine gun I hear a kid yells out. I walk and not look, as they tumble down in a lined-up row, all death no reason. Turns back to the screens. YOU- I gave you an order... you the order not to kill her I ran to the desk, of the hands that run the government, robotics departments. ‘Yes- we hear your cries out for help yet that rain the math that we can, or you don’t have.’ FREAK YOU! She has by the tie, I don’t see kill your life, that you don’t even understand, I think we can see more than enough looking over the wall screens, at the wastes. You killed my baby girl off- Kantilla! The Robot did not us, she was one point away from life, pushed back towards the door. The gun on my back- go or die. Killer robots, not of the laws, I never thought it possible. Shaking in its hand, I see as mothers cry. Happy for the clean-up as they say. Bodies burnt in a large firebox in the mid-city, see the black smoke for kilometers. Mass graves are wanted and have been in place now, it’s all the same no name to be remembered by, just a large hologram in the full finger, saying lines- as I love you, on your wrist is not life to me or having them here. I am desperate and unclear, and incompatible. She touches the WALL PANEL making her way back to her appearance in the high rise, without her young life. The doors slide open. The Robot, said I am sorry for your loss today, ‘Anything I can do,’ as she goes and weeps, ‘Yeah, FREAK OFF!
Marcel Ray Duriez (Nevaeh A Void She Cannot Feel)
Sometimes I’m afraid to love other people. Everyone I care about eventually leaves me, whether it’s death or war or simply because they don’t want me. They go places I can’t find, places I can’t reach. And I’m not afraid to be alone, but I’m tired of being the one left behind. I’m tired of having to rearrange my life after the people within it depart, as if I’m a puzzle and I’m now missing pieces and I will never feel that pure sense of completion again. I lost someone close to me, yesterday. It doesn’t feel real yet. And I’m not sure who you are, where you are. If you are breathing the same hour, the same minute as me, or if you are decades before or years to come. I don’t know what is connecting us—if it’s magical thresholds or conquered god bones or something else we’ve yet to discover. Most of all, I don’t know why I’m writing to you now. But here I am, reaching out to you. A stranger and yet a friend. All those letters of mine you received for several months … I thought I was writing to Forest. I wrote with the unfaltering, teeth-clenched hope that they would reach him despite the kilometers between us. That my brother would read my words, even if they were minced with pain and fury, and he would come home and fill the void I feel and fix the messiness of my life. But I realize that people are just people, and they carry their own set of fears, dreams, desires, pains, and mistakes. I can’t expect someone else to make me feel complete; I must find it on my own. And I think I was always writing for myself, to sort through my loss and worry and tangled ambitions. Even now, I think about how effortless it is to lose oneself in words, and yet also find who you are. I hope I’m making sense. I’m probably not, because I’m writing to you but I’m also writing for me. And I don’t expect you to respond, but it helps to know someone is hearing me. Someone is reading what I pour onto a page. It helps to know that I’m not alone tonight, even as I sit in quiet darkness.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
sighed with bliss. She’d always known he had beautiful hands and she needed that human touch for healing her frightened heart. ‘I’ll never sleep, but I will have to move. My legs have gone numb under Harley.’ ‘Here. Let me lift him. Would you like to sleep with him tonight in your bed?’ ‘Put him in his own bed and we’ll leave the door open. I’ll hear him if he wants me. I need your arms around me tonight, Iain. He won’t mind me sleeping with you – though he might come in in the morning.’ Iain laughed softly, dropped a tender kiss on her lips and lifted the boy easily out of her lap to carry him up the stairs. Chapter Fifty-two Noni Half an hour later, Noni had showered and was sipping the hot chocolate Iain had insisted she needed. He came back into the room, sat down and slid his arm around her. ‘This wasn’t quite the situation and setting I’d planned, but I do have something to say.’ Noni put down the cup and tried to calm the sudden thumping in her heart. She looked into the face of the man she’d come to love and knew, without a doubt, that she had to stay with him despite the dilemmas they hadn’t resolved. It wasn’t just Harley who’d been heartbroken that he’d left. ‘First of all, I’m sorry for accusing you of knowing Jacinta was planning on staying with you. On Saturday, it took me until about fifty kilometers south of Burra to realize that of course you hadn’t known she planned to stay behind. I think I always knew you’d never stoop to underhanded methods to arrange that change of plan.’ He sighed. ‘It was all Jacinta’s idea, although for the life of me I couldn’t understand why she left telling me until the last minute.’ He grimaced and squeezed her shoulder. ‘I was so disappointed in her lack of loyalty, I blamed you. And I was over the top about it. I’m sorry.’ Noni ran her finger along his jaw. ‘I understand that. Before she went to bed, Jacinta told me she wanted to make sure we still saw each other. That she could see we were good for each other if we could hang in there. She stayed so we would still keep in contact.’ ‘She’s a stubborn young woman.’ ‘Just like her father.’ Noni took a deep breath and hoped the offer was still open. ‘But I can see what she means. I will take you on your terms, Iain. I think we should try to make a life together, and it’s no good Harley and me staying in Burra if our hearts are down in Sydney with you.’ She expelled her breath. There. She’d said it and she meant it. He took her face in his hands and kissed her gently. ‘Ah, Noni. You’re too much for me. Thank you for your typically brave offer, but let me finish. Where was I? Oh, yes. I’m not stubborn, by the way! ‘It only took another five kilometers to realize I didn’t want to leave Burra, either. The challenges of a country practice might be the answer to rejuvenating my interest in obstetrics. But it’s you, not the town, which is drawing me back. If you’ll have me.’ Noni was lost now. ‘What are you saying, Iain?’ ‘I’m saying … I love you. I want to marry you. I want to live with you, be a part of your family and you be a part of mine, in Burra if you want to, for the rest of our lives.’ He took her hand in his and kissed her fingers. ‘Say that again,’ Noni whispered. She couldn’t believe it. ‘I love you. The first time I saw you it was as if I’d been searching for you my whole life. Or maybe we’ve connected before in
Fiona McArthur (Mother's Day (Aussie Outback Medical Romance #8))
Your words? A sublime feast that fed me on days when I was starving. I love you, Iris. And I want you to see me. I want you to know me. Through the smoke and the firelight and kilometers that once dwelled between us. Do you see me?
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
When that happens, magic will also die, because there will be no more gods walking among you or sleeping beneath the loam. Once we are dead, it will all fade away.” A knot pulled tight in Iris’s chest. It almost hurt to draw air, to think of what the woman described. A world in a cage. A world culled of freedom and magic, a memory of what had been. It made her think of her typewriter. The enchantment in small, ordinary things. She thought of the letters she had passed beneath her wardrobe door to Roman. Words that spanned kilometers and distance, grief and joy, pain and love. Words that made her drop her armor after years of clutching it close.
Rebecca Ross (Ruthless Vows (Letters of Enchantment, #2))
Tchitcherine will reach the Kirghiz Light, but not his birth. He is no aqyn, and his heart was never ready. He will see It just before dawn. He will spend 12 hours then, face-up on the desert, a prehistoric city greater than Babylon lying in stifled mineral sleep a kilometer below his back, as the shadow of the tall rock, rising to a point, dances west to east and Dzaqyp Qulan tends him, anxious as a child and doll, and drying foam laces the necks of the two horses. But someday, like the mountains, like the young exiled women in their certain love, in their innocence of him, like the morning earthquakes and the cloud-driving wind, a purge, a war, and millions after millions of osuls gone behind him, he will hardly be able to remember It.
Thomas Pynchon
Ich hatte Lust auf eine Zigarette. Es war bescheuert, ich hatte vor Jahren aufgehört zu rauchen.Tja,aber so ist das Leben. Da beweist du eine fabelhafte Willenskraft, um dann eines Wintermorgens zu beschließen, daß du vier Kilometer durch die Kälte laufen willst, um eine Schachtel Zigaretten zu kaufen...
Anna Gavalda (Someone I Loved (Je l'aimais))
Suddenly the land around him was wild and endless. He might have once loved this place and its many faces, but he was a stranger to it now. One kilometer stretched into two. The hills turned steep and merciless. He slipped on a slope of shale and cut his knees. He walked for what felt like hours, searching for a road, until afternoon gave way to evening, and the shadows around him turned cold and blue. He had no idea where he was as the stars began to burn. The southern wind blew, carrying a tangle of whispers. Jack was too distracted to pay attention, his heart beating in his throat as a storm broke overhead. He pressed on through mud puddles and streams. It would be easy for a young lass to get lost here, he thought. He reminded himself how much he had grown to hate this place and it’s unpredictability, and he eventually came to a halt, drenched and angry. “Take me!” He dared the spirits who were toying with him. The wind, the earth, the water and the fire. He challenged the glens and the mountains and the bottomless trickling pools, every corner of the isle that sprawled before him, gleaming with rain. The fire in the stars, the whisper of the wind.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
For all the intrinsic meaning of the word kilometer, we might just as well say that “we’re moving toward Leo at three pizzas and a cabbage per walrus.
Frank Schaeffer (Why I am an Atheist Who Believes in God: How to give love, create beauty and find peace)
In the two weeks since we started our journey from Krakow, we have walked about 200 kilometers, over 124 miles.
Miriam Segal Shnycer (Of Love and Death: Young Holocaust Survivors' Passage to Freedom)