Killers Short Quotes

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Kid, let me tell you something. Most people spend their short time in this world less than half alive. They wander through their days in a haze of responsibility and resentment. Something happens to them not long after they're born. They get conflicted about what they want and start worshiping the wrong gods. Should. Mercy. Equality. Altruism. There's nothing you should do. Do what you want. Mercy isn't Nature's way. She's an equal opportunity killer. We aren't born the same. Some are stronger, faster. Never apologize for it. Altruism is an impossible concept. There's no action you can make that doesn't spring from how you want to feel about yourself.
Karen Marie Moning (Iced (Fever, #6))
There he is, a woman's living, breathing fantasy, doing his slow, cocky turn, spiky black hair, darkly tanned chest, dimpled smile-killer smile-all in the package of Remington Tate. He's perfection itself, and a new surge of hormones sweeps through me as I do what the rest of the crowd does and take in his visual, so blatantly on display in those low riding boxing shorts and so strikingly sexy, he becomes the center of my attention. The center. Of my. World.
Katy Evans (Real (Real, #1))
You’re lying to yourself. Voron made us into serial killers. We can be okay without violence for a few weeks, but after a couple of months, the hand starts itching for the sword. You start looking for that rush. You get irritable, life turns stale, and then one day some fool crosses your path, attacks, and as you cut him down, you feel that short moment of struggle when he leverages his life against yours. If you’re lucky, he’s very good and the fight lasts a few seconds. But even if it doesn’t, that short moment of triumph is like getting an adrenaline shot. Suddenly color comes back into life, food tastes better, sleep is deeper, and sex is rapture.” I knew exactly what he was talking about. I lived it and I felt it.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
Psychologist: "This, ah, is a new sort of, ah, psychopathology that we're only now beginning to, ah, understand. These, ah, super-serial killers have no, ah, 'type' but, ah, rather consider everyone to be their 'type.'" Gramma: "Did you hear that? Your daddy's a superhero!
Barry Lyga (I Hunt Killers - Free Preview (The First 10 Chapters): with Bonus Prequel Short Story "Career Day")
What does somebody like you want? More power? More toys? More sex?" "All of the above. All the time." "Greedy bugger." "Kid, let me tell you something. Most people spend their short time in this world less than half alive. They wander through their days in a haze of responsibility and resentment. Something happens to them not long after they're born. They get conflicted about what they want and start worshipping the wrong gods. Should. Mercy. Equality. Altruism. There's nothing you should do. Do what you want. Mercy isn't Nature's way. She's an equal opportunity killer. We aren't born the same. Some are stronger, smarter, faster. Never apologize for it. Altruism is an impossible concept. There's no action you can make that doesn't spring from how you want to feel about yourself. Not greedy, Dani. Alive. And happy about it every single fucking day.
Karen Marie Moning (Iced (Fever, #6))
The greatest killer of creativity is interruption. It pulls your mind away from what you want to be thinking about. Research has shown that, after an interruption, it can take eight minutes for you to return to your previous state of consciousness, and up to twenty minutes to get back into a state of deep focus.
John Cleese (Creativity: A Short and Cheerful Guide)
It is not believed that a people capable of inventing the genre of "oral painting" could have spawned the viaduct killer, and in any case no ghetto resident is permitted access to any other area of the city. ("A Short Guide To The City")
Peter Straub (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
As he drove away from his handiwork, knowing he'd left no survivors, the killer looked at the rising smoke and gave himself a pat on the back for another assignment well done...
Peprah Boasiako (THE HITMAN: A Short Story)
Most of my favorite stories as a reader come in at this length. Short novels are all killer, no filler. They offer the economy of the short story but the depth of characterization we associate with longer works. Little novels aren’t leisurely, meandering journeys. They’re drag races. You put the pedal to the floor and run your narrative right off the edge of the cliff. Live fast and leave a pretty corpse is a shitty objective for a human being but a pretty good plan for a story.
Joe Hill (Strange Weather)
If you avoid the killer diseases and keep the degenerative ones under control with sensible diet and exercise and whatever chemotherapy you need to stay in balance, you can live nearly forever.
Wallace Stegner (New Short Novels 2)
remember talking with my sister Maureen once about the severe short haircuts we all had as children. “Doesn’t it seem like Mom was trying to desexualize us?” I asked. Maureen, the mother of three, suppressed a laugh mixed with irritation. “Wait until you have kids, Michelle,” she said. “Short haircuts aren’t desexualizing. They’re easy.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
And if you see a bear -" "It's more afraid of me than I am of it," Logan filled in, but Maddie stopped short. "No." She shook her head and looked at him like he might be a moron, which he probably was, "It's not afraid of you. It's a bear! So back away slowly and hope it doesn't want to kill you. Because it can without breaking a sweat." Logan studied her face, then nodded slowly. "Killer bears. Check.
Ally Carter (Not If I Save You First)
What your mind sees when you close your eyes marks the entrance to an endless universe: your imagination.
Stephen Helmes (From 12 to 6 (More Nightly Visits) (Nightly Visits Series #2))
Ashes, ashes.” Her whispered words of an old rhyme smashed through the silence as thunder, and in unison, the shadow figures answered. “We all fall down.
A.F. Stewart (Killers and Demons II: They Return)
His voice was oily and slick as it poured from his mouth like liquid acid, threatening to hook onto the woman's hair like a fishing hook and drag her back to death.
Stephen Craig (Blooded Eyes - A Short Story)
He hurried back. Walls seemed to shift and advance. Right here, it must be. Wasn’t this passage too short? No, it wasn’t a wall that blocked his way, only fog. The fog retreated before him—then at once yielded up a wall. Staggering crimson letters caught in the web of graffiti spelled KILLER.
Ramsey Campbell (The Face That Must Die)
...the guy might be a cold-blooded amoral sadistic killer and a cartload of tiles short of a watertight roof, but there was nothing wrong with his intelligence. [Caligula in Marcus Corvinus's eyes]
David Wishart (Finished Business (Marcus Corvinus, #16))
I stared down at my hands and saw the blood coat them, how warm and real something felt when it wasn’t just ink and stains. This was life and I was holding it in my hands. I drew my eyes back up and beneath the flickering streetlight and the throng of drunken cattle, I saw nothing else but the dead girl. Somebody out there had taken her life, her heart, and there I was with her warm, sticky blood. Feeling the most alive I’d felt in years. I had to find him. I just had to.
Charlotte Munro (Down by The Mausoleum)
The Pig Chef was - if you thought about it - one of the more sinister icons of American roadside art. Danny's personal totem. What kind of pig is a butcher? What kind of pig cooks barbeque? A traitor pig, a killer pig, a doomed preterite pig destined for eternal damnation. Danny's Pig Chefs showed the full weight of this knowledge in their mocking eyes and snaggled snouts.
Rudy Rucker (Mad Professor: The Uncollected Short Stories of Rudy Rucker)
Placing his suitcase on the seat next to him, he unbuttoned his suit jacket, loosened up his necktie and removed his fedora. He kept his custom eye wear on and made himself comfortable, looking more like a Wall Street accountant than the cold killer he'd become...
Peprah Boasiako (THE HITMAN: A Short Story)
Death is the meaning of life, the race against oblivion; man being the only animal who is conscious that he will one day die; there lies the seed of self-destruction, greed for more, even if only to be remembered a short time longer than others, as if it mattered to the other walking dead.
Alan Keightley (Ian Brady: A riveting true crime biography investigating the infamous serial killer: The untold story of the Moors Murders (Nina))
At the time, I could tell that he hoped his generous act and his artistic talents would secure him a place in her heart, or at the very least a place in her bed, but he was short and had teeth that were fighting for space in his mouth. So all it got him was a pat on the head and a can of Coke.
Oyinkan Braithwaite (My Sister, the Serial Killer)
I'd never admit this out loud, but sometimes I was grateful to people who were automatic huggers. It took the pressure off me to initiate anything, and it felt nice, being embraced even for a few seconds by someone you cared about. The problem was that my list of people I wanted a hug from was pretty short.
Alicia Thompson (Love in the Time of Serial Killers)
The neo-cons, or some of them, decided that they would back Clinton when he belatedly decided for Bosnia and Kosovo against Milosevic, and this even though they loathed Clinton, because the battle against religious and ethnic dictatorship in the Balkans took precedence. This, by the way, was partly a battle to save Muslims from Catholic and Christian Orthodox killers. That impressed me. The neo-cons also took the view, quite early on, that coexistence with Saddam Hussein was impossible as well as undesirable. They were dead right about that. They had furthermore been thinking about the menace of jihadism when most people were half-asleep. And then I have to say that I was rather struck by the way that the Weekly Standard and its associated voices took the decision to get rid of Trent Lott earlier this year, thus removing an embarrassment as well as a disgrace from the political scene. And their arguments were on points of principle, not 'perception.' I liked their ruthlessness here, and their seriousness, at a time when much of the liberal Left is not even seriously wrong, but frivolously wrong, and babbles without any sense of responsibility. (I mean, have you read their sub-Brechtian stuff on Halliburton....?) And revolution from above, in some states and cases, is—as I wrote in my book A Long Short War—often preferable to the status quo, or to no revolution at all.
Christopher Hitchens (Christopher Hitchens and His Critics: Terror, Iraq, and the Left)
A saint sees a world of saints, a killer sees only murderers and victims.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Verdon R. Adams’s short biography Tom White: The Life of a Lawman.
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
The Snows of Kilimanjaro", "The Killers", "The Short Happy Life of Francis Macomber", "A Clean Well-Lighted Place", "Big Two-Hearted River
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In short, one of the deputies attacked you, and you were saved by a ruthless serial killer who gets off on being stabby,” Elise quips.
S.T. Abby (All the Lies (Mindf*ck, #4))
Who can we trust with a monopoly of the planet killer weapons and unlimited powers of inspection and arrest? Why, a country big and modern enough to make peace-keeping a major industry; but not big enough to conquer anyone else or force its will on anyone without the support of a majority of nations; and reasonably well thought of by everyone. In short, Sweden.
Poul Anderson (Tau Zero)
The three women spoke candidly about the family’s history and shared with me a video recording of Ernest that was taken shortly before he died, in which he talked about Mollie and his past.
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
Trissy, what the—” “Sadie!” She hopped up and down, pointing at a pair of shorts on the floor. I rolled my eyes. “Attack of the killer pants, huh? Gotta watch those polyester blends. They’re vicious.
Anna Schaeffer (All of This)
I picked up my volume of Collected Stories and Poems by Edgar Allen Poe.  I sprawled across the bed and flipped through the pages until I came to one of my favorite short stories: “The Oval Portrait.
Crystal Smith Gordon (Diary of a Serial Killer's Daughter)
But the Orange County Crime Lab had recently integrated a new technique, PCR-STR (polymerase chain reaction with short tandem repeat analysis), which was much faster than RFLP and is the backbone of forensic testing today. The difference between RFLP and PCR-STR is like copying down numbers in longhand versus using a high-speed Xerox machine. PCR-STR worked particularly well for cold cases, in which DNA samples might be minuscule or degraded by time.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
For centuries the wolf was North America's beast, an animal transmogrified into a mythic and blood-lustful killer, pursued by every conceivable means, reviled with such savage vehemence that nothing short of wholesale extirpation was imaginable. Today, the symbolic power of the wolf remains while our perception of the animal, as well as ourselves, has vastly changed. That such a transformation was ever possible at all is the ultimate triumph of wolf recovery.
Bruce Hampton (The Great American Wolf)
Safe for now," Nat murmured. That had been another of the Shepherdess's dicta. Whenever you were safe, even if it was for a short time, it was important to give yourself a chance to exhale, to take nourishment and rest and live to fight again.
Deanna Raybourn (Killers of a Certain Age (Killers of a Certain Age, #1))
The Chorus Line: The Birth of Telemachus, An Idyll Nine months he sailed the wine-red seas of his mother's blood Out of the cave of dreaded Night, of sleep, Of troubling dreams he sailed In his frail dark boat, the boat of himself, Through the dangerous ocean of his vast mother he sailed From the distant cave where the threads of men's lives are spun, Then measured, and then cut short By the Three Fatal Sisters, intent on their gruesome handcrafts, And the lives of women also are twisted into the strand. And we, the twelve who were later to die by his hand At his father's relentless command, Sailed as well, in the dark frail boats of ourselves Through the turbulent seas of our swollen and sore-footed mothers Who were not royal queens, but a motley and piebald collection, Bought, traded, captured, kidnapped from serfs and strangers. After the nine-month voyage we came to shore, Beached at the same time as he was, struck by the hostile air, Infants when he was an infant, wailing just as he wailed, Helpless as he was helpless, but ten times more helpless as well, For his birth was longed-for and feasted, as our births were not. His mother presented a princeling. Our various mothers Spawned merely, lambed, farrowed, littered, Foaled, whelped and kittened, brooded, hatched out their clutch. We were animal young, to be disposed of at will, Sold, drowned in the well, traded, used, discarded when bloomless. He was fathered; we simply appeared, Like the crocus, the rose, the sparrows endangered in mud. Our lives were twisted in his life; we also were children When he was a child, We were his pets and his toythings, mock sisters, his tiny companions. We grew as he grew, laughed also, ran as he ran, Though sandier, hungrier, sun-speckled, most days meatless. He saw us as rightfully his, for whatever purpose He chose, to tend him and feed him, to wash him, amuse him, Rock him to sleep in the dangerous boats of ourselves. We did not know as we played with him there in the sand On the beach of our rocky goat-island, close by the harbour, That he was foredoomed to swell to our cold-eyed teenaged killer. If we had known that, would we have drowned him back then? Young children are ruthless and selfish: everyone wants to live. Twelve against one, he wouldn't have stood a chance. Would we? In only a minute, when nobody else was looking? Pushed his still-innocent child's head under the water With our own still-innocent childish nursemaid hands, And blamed it on waves. Would we have had it in us? Ask the Three Sisters, spinning their blood-red mazes, Tangling the lives of men and women together. Only they know how events might then have had altered. Only they know our hearts. From us you will get no answer.
Margaret Atwood (The Penelopiad)
Should Indian adults attempt to use the California courts to bring such killers to justice, they invariably were frustrated because the law of the land prohibited Indians from testifying against whites. Even some otherwise unsympathetic settler newspapers observed and protested this situation (to no avail), since in consequence it encouraged and legalized the open-season hunting of Indians. As one San Francisco newspaper put it in 1858, following the unprovoked public murder of an Indian, and the release of the known killer because the only eyewitnesses to the event were native people: the Indians “are left entirely at the mercy of every ruffian in the country, and if something is not done for their protection, the race will shortly become extinct.
David E. Stannard (American Holocaust: Columbus and the Conquest of the New World)
We all have things inside ourselves we can't kill,' I say, not sure which part of me would be better off dead: this monster self, or the normal one who wants nothing more than a little place on a little planet with his friends, the one who will have to live with being a killer.
Holly Black (Doctor Who: Lights Out (Doctor Who 50th Anniversary E-Shorts, #12))
I want happiness, guaranteed, joy all round, covers with nurses on them or brides, intelligent girls but not too intelligent, with regular teeth and pluck and both breasts the same size and no excess facial hair, someone you can depend on to know where the bandages are and to turn the hero, that potential rake and killer, into a well-groomed country gentleman with clean fingernails and the right vocabulary. Always, he has to say. Forever. I no longer want to read books that don’t end with the word forever. I want to be stroked between the eyes, one way only.
Margaret Atwood (Murder in the Dark: Short Fictions and Prose Poems)
That’s life in a refugee camp: You’re not moving toward anything. You’re just in a horrible groove. You learn skills that you wish you did not know: how to make a fire, how to cook maize, how to do laundry in the river and burn the lice on the rocks. You wait, hoping the trucks will bring something other than corn and beans. But nothing gets better. There is no path for improvement—no effort you can make, nothing you can do, and nothing anybody else can do for you either, short of the killers in your country laying down their arms and stopping their war so that you can move home.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
Hope you got your things together.’” I sang, stabbing a pillow with my spear. Feathers exploded into the air. “‘Hope you are quite prepared to die!’” I spun in a dazzling whirl of lights, landed a killer back-kick on a phantom Shade, and simultaneously punched the magazine rack. “‘Looks like we’re in for nasty weather!’” I took a swan dive at a short, imaginary Shade, lunged up at a taller one— —and froze. Barrons stood inside the front door, dripping cool-world elegance. I hadn’t heard him come in over the music. He was leaning, shoulder against the wall, arms folded, watching me. “‘One eye is taken for an eye . . .’” I trailed off, deflating. I didn’t need a mirror to know how stupid I looked. I regarded him sourly for a moment, then moved for the sound dock to turn it off. When I heard a choked sound behind me I spun, and shot him a hostile glare. He wore his usual expression of arrogance and boredom. I resumed my path for the sound dock, and heard it again. This time when I turned back, the corners of his mouth were twitching. I stared at him until they stopped. I’d reached the sound dock, and just turned it off, when he exploded. I whirled. “I didn’t look that funny,” I snapped. His shoulders shook. “Oh, come on! Stop it!” He cleared his throat and stopped laughing. Then his gaze took a quick dart upward, fixed on my blazing MacHalo, and he lost it again. I don’t know, maybe it was the brackets sticking out from the sides. Or maybe I should have gotten a black bike helmet, not a hot pink one. I unfastened it and yanked it off my head. I stomped over to the door, flipped the interior lights back on, slammed him in the chest with my brilliant invention, and stomped upstairs. “You’d better have stopped laughing by the time I come back down,” I shouted over my shoulder. I wasn’t sure he even heard me, he was laughing so hard.
Karen Marie Moning (Faefever (Fever, #3))
they’re selling is not real sex. It lacks connection, respect, and vulnerability, which is what makes sex sexy. “This kind of porn is sold by people who are like drug dealers. They sell a product that fills people with a rush that feels like joy for a short while but then becomes a killer of real joy. Over time people prefer the rush of drugs to the real joy of life. Many who start watching porn very young will get hooked on the rush. Eventually they will find it hard to enjoy real sex with real human beings. “Trying to learn about sex from porn is like trying to learn about the mountains by sniffing one of those air fresheners they sell at the gas station. When you finally get to the real mountains and breathe in that pure, wild air—you might be confused. You might wish it smelled like that fake, manufactured air-freshener version. “We don’t want you to stay away from porn while you’re young because sex is bad. We want you to stay away from porn because real sex—with humanity and vulnerability and love—is indescribably good. We don’t want fake sex ruining
Glennon Doyle (Untamed)
ABOUT THE AUTHOR CHESTER HIMES was born in Missouri in 1909. He began writing while serving a prison sentence for a jewel theft and published just short of twenty novels before his death in 1984. Among his best-known thrillers are Cotton Comes to Harlem, The Crazy Kill, A Rage in Harlem, The Real Cool Killers, and The Heat’s On, all available from Vintage.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
Nobody tells people who are beginners. I really wish someone had told this to me. Is that [if you are watching this video, you are somebody who wants o make videos right?] all of us who do creative work, we get into it. we get into it because we have good taste. you know what I mean? like you want to make TV, because you love TV. there is stuff you just like, love. ok so you got really good taste. you get into this thing … that i don’t even know how to describe it, but there is a gap. for the first couple of years you are making stuff, what you are making isn’t so good... ok, its not that great. it's really not that great. its trying to be good, it has ambition to be good, but not quite that good. but your taste, the thing get you into the game, your taste is still killer. your taste is good enough that you can tell what you are making is a kind of disappointment to you, you know what i mean? you can tell it is still sort of crappy. a lot of people never get past that phase. a lot of people at that point, they quit. the thing i would just like say to you with all my heart is that most everybody I know, who does interesting creative work, they went through a phase of years where they had really good taste, they could tell what they were making wasn’t as good as they wanted it to be. they knew it felt short. [some of us can admit that to ourselves, some of us less able to admit that to ourselves] we knew like, it didn’t have that special thing that we wanted it to have. [...] everybody goes through that. for you to go through it, if you are going through right now, just getting out of that phase, if you are just starting out and entering into that phase, you gotta know it is totally normal and the most important possible thing you can do is do a lot of work. do a huge volume of work. put yourself on a deadline so that every week or every month you know you’re gonna finish one story. you know what i mean? whatever its gonna be. you create the deadline. it is best if have somebody who is waiting work from you, expecting work from you. even if not somebody who pays you, but that you are in a situation where you have to turn out the work. because it is only by actually going through a volume of work that you are actually going to catch up and close that gap and the work you are making will be as good as your ambitions.
Ira Glass
I squeezed through a horde of gum-snapping girls I recognized as seniors from my school. “He did not say that!” “Yes, he did! And you wouldn’t believe what she said!” Please, someone tell me I wouldn’t be that annoying if I had girlfriends. “Sure, you will be.” I whipped around and nearly got a faceful of cotton candy. I moved the purple sugar cloud to the side and glared at my mother. She wore a white, short-sleeved blouse and a patchwork skirt. “You have to stop listening in on my thoughts without my permission, Mom. It’s not cool.” She shoved a piece of cotton candy in my mouth to shut me up. “I didn’t do it on purpose, Clarity. I was strolling along listening in to the crowd.” “Pick up anything interesting?” “Actually, I did. That detective’s son can’t stop checking out your legs. He loves this little pink dress you’ve got on. So much so that he’s actually mad at himself for it.” She shook her head. I blushed. “Did you happen to pick up anything important?” “Like a man walking along thinking, ‘I killed Victoria Happel’?” “Exactly.” “No such luck. But dear, people don’t wander around thinking about their biggest secrets all the time. The killer could be standing right next to me and all I might pick up from him is how he wants to buy some barbequed chicken.” “Have you seen Billy Rawlinson or Frankie Creedon?” I asked. Distaste turned her mouth down. “No. Why are you looking for those scoundrels?” “Billy might be a witness in the case. Or a suspect.” “I’ll keep my eyes out and my mind open.” “Thanks,” I said. “Enjoy invading everyone’s privacy.
Kim Harrington (Clarity (Clarity, #1))
I know about Trina. You bitch.” Shoulders hunched, Peabody carefully pinned up murder. “It’s a special night. You’ll look really good, and you won’t have to do it all yourself. We won’t want the NYPSD to fall short of the Hollywood crowd, right? Team pride!” “Rah fucking rah.” “Really, Dallas, it’ll be good, it’ll be chilly, and we’ll look abso-mag by the time . . .” She trailed off again, face lighting up. “We will look mag. And if we take down this killer at the premiere, with cams everywhere, it’ll be all over the screen like the flying baby. And we’ll look completely frosted.” “It’s so good you’ve got your priorities in place, Detective.” “Catching killers, that’s what we do. But if we get to do it at a big celeb event, there’s no downside to looking most totally excellent.
J.D. Robb
-The timekiller?! -Who is the killer? -The time? -Or the killer? The answer is like a king in a pathless position on the chessboard. The answer is an eternel looser. It's fate is sealed up in the testament of Hades. The killer is mortal and he can't testify forever, but the time is biased, one-sided, partial, because it is timeless and a constant winner. So, the circle is closed. The game is over-checkmate!
Hristo Krstevski (Timekiller: Short Stories)
The purpose of the bayonet training, Sergeant Gerheim explains, is to awaken our killer instincts. The killer instinct will make us fearless and aggressive, like animals. If the meek ever inherit the earth the strong will take it away from them. The weak exist to be devoured by the strong. Every Marine must pack his own gear. Every Marine must be the instrument of his own salvation. It's hard, but there it is.
Gustav Hasford (The Short-Timers)
A Little Love from Karena I have a confession: I have cellulite. Yup. Dimples on the derriere, lumps and bumps on the back of my thighs. A lot of women have this, whether they’re in killer shape or not. Ever since I met Kat, who has the best booty EVER, I’ve worked hard to get it to look like hers. But no matter how many deadlifts or lunges I do, it still doesn’t. Does it look better? Absolutely. Is it perfect? No way (who’s defining “perfect,” anyway?). But I’ve learned to work with what I have. I dry brush and use self-tanner to make my rear view look the best it possibly can, and then I just go with what I’ve got. Up until 7 years ago, I would never wear short shorts because I was afraid of what people would think. Now I rock them because I have the confidence that comes from taking care of myself . . . plus a healthy dose of fierce self-acceptance. Sometimes you’ve just gotta say, “So what?” So take it from me: Flaunt it, no matter what. If someone is judging you, that’s their problem, not yours! You’re healthy, you’re in shape, and you’re taking fantastic care of yourself, inside and out. You’re Fit, Fierce, and Fabulous, and anyone who has a thing to say about a dimple on the back of your thigh clearly just doesn’t get it!
Karena Dawn (Tone It Up: 28 Days to Fit, Fierce, and Fabulous)
Ranger was the second biggest complication in my life, and now that Morelli was out of the picture, I supposed Ranger was elevated to numero uno. He’s close to six foot, one way or the other, is Latino, with medium brown skin and dark brown hair cut short. His teeth are white and even, and he has a killer smile that is seen only on special occasions. He dresses in black, and today he was wearing a black T-shirt and black cargo pants.
Janet Evanovich (Finger Lickin' Fifteen (Stephanie Plum, #15))
But fear best thrives in the present tense. That is why experts rely on it; in a world that is increasingly impatient with long-term processes, fear is a potent short-term play. Imagine that you are a government official charged with procuring the funds to fight one of two proven killers: terrorist attacks and heart disease. Which cause do you think the members of Congress will open up the coffers for? The likelihood of any given person being killed in a terrorist attack is far smaller than the likelihood that the same person will clog up his arteries with fatty food and die of heart disease. But a terrorist attack happens now; death by heart disease is some distant, quiet catastrophe. Terrorist acts lie beyond our control; french fries do not. Just as important as the control factor is what Peter Sandman calls the dread factor. Death by terrorist attack (or mad-cow disease) is considered wholly dreadful; death by heart disease is, for some reason, not.
Steven D. Levitt (Freakonomics: A Rogue Economist Explores the Hidden Side of Everything)
A footfall crunched behind him. He turned to see Reyna heading his way with the cat at her side. He grinned at them, and Reyna stopped short, glancing over her shoulder as if looking for the cause of his grin. "Someone spike you prefight Gatorade?" she asked. "No, I'm just happy to see -" He rocked back on his heels. "Happy to see the cat is still with you. Have you picked a name yet?" "What are my options again?" "Trjegul, Bygul, and Heyyu." "Tree-gool and Bee-gool?" she said. "And Hey-yu?" She stopped. "Hey, you. Oh. Ha-ha. Leave comedy to the professionals, Thorsen." He shrugged. "You could always ask the cat what her name is." "Nope. I pick Trjegul." She looked down at the calico. "You're Trjegul now. Even if you're really Bygul." The cat only blinked. "So if I call you by your name, you'll come, right?" Trjegul got up and wandered off in the other direction. "Watch out or I'll trade you for a swan!" Reyna called after her. "A giant, killer stealth swan that eats ungrateful kitties for breakfast.
K.L. Armstrong (Thor's Serpents (The Blackwell Pages #3))
The porn kids come across on the internet, is misogynistic poison. We have to explain that to them so they don't think sex is about violence. Sex is a wonderful and exciting thing about being human. It is natural to be curious about sex and when we are curious about things, we turn to the internet for information. But here's the problem with using the internet to learn about sex: you cannot know who is doing the teaching. There are people who have taken sex and sucked all the life out of it to package it and sell it on the internet. What they’re selling is not real sex. It lacks connection, respect, and vulnerability, which is what makes sex sexy. This kind of porn is sold by people who are like drug dealers. They sell a product that fills people with a rush that feels like joy for a short while but then becomes a killer of real joy. Over time people prefer the rush of drugs to the real joy of life. Many who start watching porn very young will get hooked on the rush. Eventually, they will find it hard to enjoy real sex with real human beings. Trying to learn about sex from porn is like trying to learn about the mountains by sniffing one of those air fresheners they sell at the gas station. When you finally get to the real mountains and breathe in that pure, wild air—you might be confused. You might wish it smelled like that fake, manufactured air freshener version. We don’t want you to stay away from porn while you’re young because sex is bad. We want you to stay away from porn because real sex—with humanity and vulnerability and love—is indescribably good. We don’t want fake sex ruining real sex for you.
Glennon Doyle (Untamed: Stop Pleasing, Start Living / A Toolkit for Modern Life)
Consider this sobering statistic: Shortly before the 2009 H1N1 pandemic, CIDRAP undertook a national survey of hospital pharmacists and intensive care and emergency department doctors, as we detailed in chapter 18. The update of that survey identified more than 150 critical lifesaving drugs for all types of diseases frequently used in the United States, without which many patients would die within hours. All of them are generic and many, or their active pharmaceutical ingredients, are manufactured primarily in China or India. At the beginning of the COVID-19 outbreak, sixty-three were already unavailable to pharmacies on short notice or on shortage status under normal conditions—just one example of how vulnerable we are.
Michael T. Osterholm (Deadliest Enemy: Our War Against Killer Germs)
Make a List (or lists) • Make a list of all the things that you can look at and think: Why did we even bother to move that the last time? Now will be your last and best chance to give or throw away unwanted items until your next move (5-7 years on average). Give unwanted clothes, furniture, kitchen items, etc. to a charity that allows you to use your donation as a tax write-off. Yard sales are another option. • Make a list (and/or get one online) of household hazardous materials. These are common items in your home that are not or might not be safe to transport: flammables like propane tanks (even empty ones), gasoline or kerosene, aerosols or compressed gases (hair spray, spray paint), cleaning fluids in plastic containers (bleach, ammonia) and pesticides (bug spray) and herbicides (weed killer) and caustics like lye or pool acid. There is more likely to be damage caused by leakage of cleaning fluids-- like bleach--than there is by damage caused by a violent explosion or fire in your truck. The problem lies in the fact that any leaking fluid is going to drip its way to the floor and spread out--even in the short time span of your move and more so if you are going up and down hills. Aerosols can explode in the summer heat as can propane BBQ tanks. Gasoline from lawnmowers and pesticide vapors expand in the heat and can permeate everything in the truck. Plastic containers that have been opened can expand and contract with a change in temperature and altitude and crack.
Jerry G. West (The Self-Mover's Bible: A Comprehensive Illustrated Guide to DIY Moving Written by Professional Furniture Mover Jerry G. West)
EVEN THOUGH I KNEW it was going to be what she would ask me, Graciela McCaleb’s request gave me pause. Terry McCaleb had died on his boat a month earlier. I had read about it in the Las Vegas Sun. It had made the papers because of the movie. FBI agent gets heart transplant and then tracks down his donor’s killer. It was a story that had Hollywood written all over it and Clint Eastwood played the part, even though he had a couple decades on Terry. The film was a modest success at best, but it still gave Terry the kind of notoriety that guaranteed an obituary notice in papers across the country. I had just gotten back to my apartment near the strip one morning and picked up the Sun. Terry’s death was a short story in the back of the A section.
Michael Connelly (The Narrows (Harry Bosch, #10; Harry Bosch Universe, #14))
Mario “The Screwdriver” Tetragna—respected patriarch of his immediate blood family, much-feared don of the broader Tetragna Family that controlled drug traffic, gambling, prostitution, loan-sharking, pornography, and other organized criminal activity in San Francisco—was a five-foot-seven-inch, three-hundred-pound tub with a face as plump and greasy and smooth as an overstuffed sausage casing. It was hard to believe that this rotund specimen could have built an infamous criminal operation. True, Tetragna had been young once, but even then he would have been short, and he had the look of a man who’d been fat all his life. His pudgy, stubby-fingered hands reminded Vince of a baby’s hands. But they were the hands that ruled the Family’s empire. When Vince had looked into Mario Tetragna’s eyes, he instantly realized that the don’s stature and his all too evident decadence were of no importance. The eyes were those of a reptile: flat, cold, hard, watchful. If you weren’t careful, if you displeased him, he would hypnotize you with those eyes and take you the way a snake would take a mesmerized mouse; he would choke you down whole and digest you.
Dean Koontz (Watchers)
According to the corporate media, which allows all shades of opinion from the far right to the middle-of-the-road, America has vicious enemies on all continents (except maybe Antarctica). These Evildoers, driven by Satan, want to destroy us and take all we own. Hence, by this analysis, our president must have no compunction about spilling blood; in short, like it or not, he must have the soul--or soullessness--of a serial killer. A rival "leftish" view, banned from the corporate media but widely available on Internet, holds that the world does not consist entirely of endless enemies, but does contain many, many peoples who want to get out from under the heel of the IMF, the World Bank and the multi-nationals. "Our" government, in this view, actually belongs not to us but to these giant money-cows, who finance the two major parties and ensure that no third party ever gets decent coverage in their media. The government then acts as Company Cop for the rich, suppressing all attempts at rebellion or national liberation, etc. Thus, once again, via a dissenting ideology, we arrive at the conclusion that the president must think, feel and act like a serial killer.
Robert Anton Wilson (TSOG: The Thing That Ate the Constitution)
Burns, a former Secret Service agent, had succeeded Pinkerton as the world’s most celebrated private eye. A short, stout man, with a luxuriant mustache and a shock of red hair, Burns had once aspired to be an actor, and he cultivated a mystique, in part by writing pulp detective stories about his cases. In one such book, he declared, “My name is William J. Burns, and my address is New York, London, Paris, Montreal, Chicago, San Francisco, Los Angeles, Seattle, New Orleans, Boston, Philadelphia, Cleveland, and wherever else a law-abiding citizen may find need of men who know how to go quietly about throwing out of ambush a hidden assassin or drawing from cover criminals who prey upon those who walk straight.” Though dubbed a “front-page detective” for his incessant self-promotion, he had an impressive track record, including catching those responsible for the 1910 bombing of the headquarters of the Los Angeles Times, which killed twenty people. The New York Times called Burns “perhaps the only really great detective, the only detective of genius, whom this country has produced,” and Sir Arthur Conan Doyle gave him the moniker he longed for: “America’s Sherlock Holmes.
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
Scrolling through the rest of the 3,500 documents in Michelle’s hard drive, one comes upon a file titled “RecentDNAresults,” which features the EAR’s Y-STR markers (short tandem repeats on the Y chromosome that establish male-line ancestry), including the elusive rare PGM marker. Having the Golden State Killer’s DNA was always the one ace up this investigation’s sleeve. But a killer’s DNA is only as good as the databases we can compare it to. There was no match in CODIS. And there was no match in the California penal system’s Y-STR database. If the killer’s father, brothers, or uncles had been convicted of a felony in the past sixteen years, an alert would have gone to Paul Holes or Erika Hutchcraft (the current lead investigator in Orange County). They would have looked into the man’s family, zeroed in on a member who was in the area of the crimes, and launched an investigation. But they had nothing. There are public databases that the DNA profile could be used to match, filled not with convicted criminals but with genealogical buffs. You can enter the STR markers on the Y chromosome of the killer into these public databases and try to find a match, or at least a surname that could help you with the search.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
They had assumed the attack would be just another barely noted, barely investigated skirmish in South Central-- in short, a typical gang case-- until word got back to them that they had killed a police officer's son. The case was eminently solvable-- once the right kind of pressure was applied. Lyle Prideaux had called Skaggs "a hard man." But he was not exactly hard. He as just unequivocal. In his hands, the murders were elevated in law to what they were in fact: Atrocities that must be answered for every single time. The world wasn't watching. The public, his superiors, and a large share of the country's thinking classes gave only glancing notice to the battle Skaggs had devoted his life to. But Skaggs didn't care; Skaggs turned his back to the parade. And just as it is impossible to imagine that things in the South would not have been different if the legal system had operated differently-- had black men's lives, for example, been afforded profound value as measured by the response of legal authorities-- it is impossible to imagine that the thousands of young men who died on the streets of Los Angeles County during Skaggs's career would have done so had their killers anticipated a "John Skaggs Special" in every case. If every murder and every serious assault against a black man on the streets were investigated with Skaggs's ceaseless vigor and determination-- investigated as if one's own child were the victim, or as if we, as a society, could not bear to lose these people-- conditions would have been different. If the system had for years produced the very high clearance rates that Skaggs was so sure were possible-- if it did not function, in the aggregate, as a "forty percenter"-- the violence could not have been so routine. The victims would not have been so anonymous, and Bryant Tennelle might not have died in the nearly invisible, commonplace way in which he did.
Jill Leovy
Shortly before you were born, I was pulled over by the PG County police, the same police that all the D.C. poets had warned me of. They approached on both sides of the car, shining their flashing lights through the windows. They took my identification and returned to the squad car. I sat there in terror. By then I had added to the warnings of my teachers what I’d learned about PG County through reporting and reading the papers. And so I knew that the PG County police had killed Elmer Clay Newman, then claimed he’d rammed his own head into the wall of a jail cell. And I knew that they’d shot Gary Hopkins and said he’d gone for an officer’s gun. And I knew they had beaten Freddie McCollum half-blind and blamed it all on a collapsing floor. And I had read reports of these officers choking mechanics, shooting construction workers, slamming suspects through the glass doors of shopping malls. And I knew that they did this with great regularity, as though moved by some unseen cosmic clock. I knew that they shot at moving cars, shot at the unarmed, shot through the backs of men and claimed that it had been they who’d been under fire. These shooters were investigated, exonerated, and promptly returned to the streets, where, so emboldened, they shot again. At that point in American history, no police department fired its guns more than that of Prince George’s County. The FBI opened multiple investigations—sometimes in the same week. The police chief was rewarded with a raise. I replayed all of this sitting there in my car, in their clutches. Better to have been shot in Baltimore, where there was the justice of the streets and someone might call the killer to account. But these officers had my body, could do with that body whatever they pleased, and should I live to explain what they had done with it, this complaint would mean nothing. The officer returned. He handed back my license. He gave no explanation for the stop.
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
It may seem paradoxical to claim that stress, a physiological mechanism vital to life, is a cause of illness. To resolve this apparent contradiction, we must differentiate between acute stress and chronic stress. Acute stress is the immediate, short-term body response to threat. Chronic stress is activation of the stress mechanisms over long periods of time when a person is exposed to stressors that cannot be escaped either because she does not recognize them or because she has no control over them. Discharges of nervous system, hormonal output and immune changes constitute the flight-or-fight reactions that help us survive immediate danger. These biological responses are adaptive in the emergencies for which nature designed them. But the same stress responses, triggered chronically and without resolution, produce harm and even permanent damage. Chronically high cortisol levels destroy tissue. Chronically elevated adrenalin levels raise the blood pressure and damage the heart. There is extensive documentation of the inhibiting effect of chronic stress on the immune system. In one study, the activity of immune cells called natural killer (NK) cells were compared in two groups: spousal caregivers of people with Alzheimer’s disease, and age- and health-matched controls. NK cells are front-line troops in the fight against infections and against cancer, having the capacity to attack invading micro-organisms and to destroy cells with malignant mutations. The NK cell functioning of the caregivers was significantly suppressed, even in those whose spouses had died as long as three years previously. The caregivers who reported lower levels of social support also showed the greatest depression in immune activity — just as the loneliest medical students had the most impaired immune systems under the stress of examinations. Another study of caregivers assessed the efficacy of immunization against influenza. In this study 80 per cent among the non-stressed control group developed immunity against the virus, but only 20 per cent of the Alzheimer caregivers were able to do so. The stress of unremitting caregiving inhibited the immune system and left people susceptible to influenza. Research has also shown stress-related delays in tissue repair. The wounds of Alzheimer caregivers took an average of nine days longer to heal than those of controls. Higher levels of stress cause higher cortisol output via the HPA axis, and cortisol inhibits the activity of the inflammatory cells involved in wound healing. Dental students had a wound deliberately inflicted on their hard palates while they were facing immunology exams and again during vacation. In all of them the wound healed more quickly in the summer. Under stress, their white blood cells produced less of a substance essential to healing. The oft-observed relationship between stress, impaired immunity and illness has given rise to the concept of “diseases of adaptation,” a phrase of Hans Selye’s. The flight-or-fight response, it is argued, was indispensable in an era when early human beings had to confront a natural world of predators and other dangers. In civilized society, however, the flight-fight reaction is triggered in situations where it is neither necessary nor helpful, since we no longer face the same mortal threats to existence. The body’s physiological stress mechanisms are often triggered inappropriately, leading to disease. There is another way to look at it. The flight-or-fight alarm reaction exists today for the same purpose evolution originally assigned to it: to enable us to survive. What has happened is that we have lost touch with the gut feelings designed to be our warning system. The body mounts a stress response, but the mind is unaware of the threat. We keep ourselves in physiologically stressful situations, with only a dim awareness of distress or no awareness at all.
Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
I pull the fire escape door open, scoop my eyeshadow palette off the ground and slip back inside. For a moment, I pause in the corridor and catch my breath. Adrenaline is surging through me. Rage. A normal woman would call the police at this point. But a normal woman would never have been paranoid enough in the first place to pretend to go to the toilet, only to sneak out of the fire escape and spy through a window to watch what her date does when he has five minutes alone with her drink. Nope. A normal woman would have gone to the loo, done a pee and topped up her lipstick. Or she’d have texted a friend about her hot date, feeling giddy with hope and excitement. Now, let’s think about what would have happened to a normal woman. A normal woman would have headed back to her date, smiling prettily, before sitting down and drinking her drugged drink. Then, a short while later, that normal woman would have started feeling far more drunk than she normally does after just a couple of drinks, but she’d probably blame herself. She’d wonder if maybe she’d drunk too much. Or maybe she’d blame herself for having not eaten earlier in the day because she didn’t want to look fat in her dress. Or maybe she’d blame herself because that’s just what she does; she blames herself. And then, just as she started to feel woozy and a bit confused, her date would take her outside for some fresh air and she’d be grateful to him. She’d think he was caring and responsible, when really, he was just whisking her out of sight, before she started to look less like she was drunk and more like she’d been drugged. And then the next thing she’d know, she’d be staggering into the back of a cab and her date would be asking her to tell the driver where she lived. And when she’d barely be able to get the words out and her date made a joke to the driver about how drunk she was, she’d feel small and embarrassed. And then she’d find herself slumping into her date’s open arms, flopping against his big manly body, and she’d feel grateful once more that this man was taking care of her and getting her home safe. And then, once the taxi slowed down and she blinked her eyes open and found they’d pulled up outside her flat, she’d notice in a fleeting moment of clarity that when the driver asked for the fare, her date thrust two crisp ten-pound notes towards him in a weirdly premeditated move, as though he’d known this moment was going to happen all along. As though he’d had the cash lined up, the plan set, and she’d feel something. Something. But then she’d be staggering out of the taxi, even sloppier than when she got in, and her legs would be buckling, and she’d cling to her date for support, her make-up now smudged, her eyes half-closed, her hair messy. She’d look a state and he’d ask her which flat was hers, and she’d walk with him to her front door, to the flat where she lives alone. To the place that’s full of books and cute knick-knacks from charity shops and colourful but inexpensive clothes. She’d unlock her front door, her hand sliding drunkenly over the lock, and she’d lead him into the place she’s been using as a base to try to get ahead in life, and then he’d look around, keen-eyed, until he spotted her bedroom and he’d draw her in. And then all of a sudden he’d be in her bedroom and she wouldn’t be able to remember if she’d asked him back or not or quite how this happened, and it would all be moving so fast and her thoughts would be unable to keep up – they’d keep sliding away – and he’d be kissing her and she’d be unsure what was happening as he pulled off her dress and she’d wonder, did she ask for this? Does she want this? Has she been a ‘slut’ again? But the thoughts would be weak, they’d keep falling away and he’d be confident and he’d be certain and he’d be good-looking and he’d be pulling off her bra and taking off her knickers. He’d be pushing himself inside her. The next day, he’d be gone by the time she woke up. She’d be blocked, unmatched...
Zoe Rosi
Who does have it all figured out, really? If someone tells you they’ve figured out exactly what they want to do with their entire life, they are either lying—to you and themselves—or they haven’t thought about it enough. (Return to India)
Jenny Bhatt (Each of Us Killers)
I’ll tell you now: this America of ours—it’s not the country me and my kind grew up in. It’s not the America these new people come to find neither. And, seems to me, this unknown country no longer cares for what either of us got to offer. The handful of folks who’ve figured out what they want, well, they grab it from the rest of us without askin’. What has happened to America, can anyone tell me? (Return to India)
Jenny Bhatt (Each of Us Killers)
Lovers, they say, look for a complete reflection of themselves in each other. Like Narcissus and his pool, where each was enamored by his reflection in the other’s eyes. (Fragments of Future Memories)
Jenny Bhatt (Each of Us Killers)
How easily, Urmi thinks, we place our trust everywhere except in the one precious sanctuary that is ours alone, ours forever. (Pros and Cons)
Jenny Bhatt (Each of Us Killers)
When baking bread, a process happens called “oven spring.” The high heat of the oven releases the water from the dough as steam and yeast help release carbon dioxide from the sugars. The steam and carbon dioxide cause rapid expansion in the loaf’s volume. I think, sometimes, of what happened that night with Charlie as a kind of oven spring for my life. (Life Spring)
Jenny Bhatt (Each of Us Killers)
Bole tena bor vechai. Speak up if you want to sell your fruit in the market. (The Prize)
Jenny Bhatt (Each of Us Killers)
What is destiny, Vidya asks silently. For women like her and Ma, it is simply a dagger thrown at you, which you must catch either by the blade or the handle. If you can figure out which end is which. (Journey to a Stepwell)
Jenny Bhatt (Each of Us Killers)
Some numbers I want them to know: fifty, the age of the man they knocked over; fifteen, my age when I met him as a child bride; twenty-five, the number of years I had been his wife; fifty thousand, the amount we had gotten for our farmland to pay for my sick parents’ hospital bills; two, the count of bottles of rat poison we had bought to end our constant worries about work and money; one. the only time I had been pregnant, and he had gone from the happiest to the saddest man I had ever known. (The Waiting)
Jenny Bhatt (Each of Us Killers)
Have you ever seen someone grow old right before you? The light dimming in their eyes, their facial skin slackening into creases, and their neck drooping as if from some inescapable weight placed on it? (Each of Us Killers)
Jenny Bhatt (Each of Us Killers)
Agent Briggs had led that team. Shortly thereafter, he’d started using Dean—the son of a notorious serial killer—to get inside the head of other killers. Eventually, the FBI had discovered what Briggs was doing and, instead of firing him, they’d made it official. Dean had been moved into an old house in the town outside of Marine Corps Base Quantico. Briggs had hired a man named Judd to act as Dean’s guardian. Over time, Briggs had begun recruiting other teenagers with savant-like skills. First Lia, with her uncanny ability to lie and to spot lies when they exited the mouths of others. Then Sloane and Michael, and finally me.
Jennifer Lynn Barnes (Killer Instinct (The Naturals, #2))
Dagny, we who’ve been called ‘materialists’ by the killers of the human spirit, we’re the only ones who know how little value or meaning there is in material objects as such, because we’re the ones who create their value and meaning. We can afford to give them up, for a short while, in order to redeem something much more precious. We are the soul, of which railroads, copper mines, steel mills and oil wells are the body—and they are living entities that beat day and night, like our hearts, in the sacred function of supporting human life, but only so long as they remain our body, only so long as they remain the expression, the reward and the property of achievement. Without us, they are corpses and their sole product is poison, not wealth or food, the poison of disintegration that turns men into hordes of scavengers. Dagny, learn to understand the nature of your own power and you’ll understand the paradox you now see around you. You do not have to depend on any material possessions, they depend on you, you create them, you own the one and only tool of production. Wherever you are, you will always be able to produce. But the looters—by their own stated theory—are in desperate, permanent, congenital need and at the blind mercy of matter. Why don’t you take them at their word? They need railroads, factories, mines, motors, which they cannot make or run. Of what use will your railroad be to them without you? Who held it together? Who kept it alive? Who saved it, time and time again? Was it your brother James? Who fed him? Who fed the looters? Who produced their weapons? Who gave them the means to enslave you? The impossible spectacle of shabby little incompetents holding control over the products of genius—who made it possible? Who supported your enemies, who forged your chains, who destroyed your achievement?
Ayn Rand (Atlas Shrugged)
Since mass and spree murder are essentially two manifestations of the same psychological phenomenon, a new term has recently been proposed that covers both kinds of crime. In a series of articles published shortly before the first anniversary of the Columbine massacre, The New York Times refers to figures like Dylan Klebold, Charles Whitman, and others as rampage killers—a highly expressive phrase that pinpoints the essential difference between these types of offenders and serial killers.
Harold Schechter (The Serial Killer Files: The Who, What, Where, How, and Why of the World's Most Terrifying Murderers)
In short, while brain damage is often present in the case histories of serial killers, other kinds of damage play a central role, too—especially the emotional and psychological damage inflicted by a shockingly abusive upbringing.
Harold Schechter (The Serial Killer Files: The Who, What, Where, How, and Why of the World's Most Terrifying Murderers)
Along with such worthies as Almond L. Bliss, Archimedes Stevenson, Alton F. Pratt, Dusenberry J. Furman, and Deacon Ransom Todd, he was one of several hundred individuals profiled in the 1888 commemorative volume Portrait and Biographical Album of Lenawee County, Mich. That publication extoled him as a “valuable citizen” who had become known throughout the locality as a stock breeder, first of short-horn cattle, later of Shropshire fine-wool sheep and Poland-China hogs. His prize bull, Garfield—a “fine, well-proportioned animal”—was the envy of neighboring farmers.3 In addition to his business pursuits, he served in a number of official capacities, including township drain commissioner. He was a pillar of his church, St. Dominic in the township of Clinton.4
Harold Schechter (Maniac: The Bath School Disaster and the Birth of the Modern Mass Killer)
I’ve got my wife, Judy, in the car,” John said. “I’ve heard of her,“ a young man shouted from the crowd. “What you heard about her is not true,” John replied. “They never went to bed.” Smokey was astonished. John was crazy drunk, making no sense. “This guy is a killer,” John said, pointing at Smokey and throwing the problem of the stranger his way. Smokey backed away and guided John outside. “What the hell was that about Judy?” Smokey asked. “It’s between us,” John replied. In the limousine, the others were drinking champagne. “ I’m tired of you fooling around ,” John said to Judy. She threw her glass of champagne in his face. John leapt out of the car and ran toward the club. Smokey followed and grabbed John in a full body embrace, locking his arms at his side. “Let me celebrate my birthday!” John yelled. He broke loose, turned and clutched Smokey’s jacket. “You piss me off,” he said. “Don’t ever grab me again—never, never!” Smokey nodded. They walked to the car. Before they had driven the four blocks to Morton Street, John had passed out. Smokey carried him inside, undressed him and put him into bed.
Bob Woodward (Wired: The Short Life and Fast Times of John Belushi)
But by the 1840s, more than half of all deaths in New York were infants and young children. Something in the city was indeed “slaughtering the innocents,” as Leslie put it—and seemingly at an accelerating rate. Some of those deaths were attributable to waterborne disease, particularly cholera, concentrated in terrible epidemics that laid siege to the city in 1832 and 1849. But in other years, the primary killer appears to have been contaminated milk. And while its victims were overwhelmingly children, many adults were numbered among the death toll as well. In 1850, after laying the cornerstone for the Washington Monument, the twelfth president of the United States, Zachary Taylor, died in office after drinking what many believe was a contaminated glass of milk.
Steven Johnson (Extra Life: A Short History of Living Longer)
The order, for completists, is WHISKEY SOUR, BLOODY MARY, RUSTY NAIL, DIRTY MARTINI, FUZZY NAVEL, CHERRY BOMB, SHAKEN, and STIRRED. She’s been the subject of many shorts (JACK DANIELS STORIES, BURNERS, FLOATERS) and has appeared as a supporting character in many of my other novels (SHOT OF TEQUILLA, THE LIST, SERIAL KILLERS UNCUT, BANANA HAMMOCK, FLEE, SPREE, THREE, TIMECASTER SUPERSYMMETRY). Due to popular demand, she’ll be back again in another novel, LAST CALL, being co-written with Blake Crouch.
J.A. Konrath (Whiskey Sour (Jack Daniels, #1))
1689: King William of Orange guarantees his subjects (except Catholics) the right to bear arms for self-defense in a new Bill of Rights. 1819: In response to civil unrest, a temporary Seizure of Arms Act is passed; it allows constables to search for, and confiscate, arms from people who are “dangerous to the public peace.” This expired after two years. 1870: A license is needed only if you want to carry a firearm outside of your home. 1903: The Pistols Act is introduced and seems to be full of common sense. No guns for drunks or the mentally insane, and licenses are required for handgun purchases. 1920: The Firearms Act ushers in the first registration system and gives police the power to deny a license to anyone “unfitted to be trusted with a firearm.” According to historian Clayton Cramer, this is the first true pivot point for the United Kingdom, as “the ownership of firearms ceased to be a right of Englishmen, and instead became a privilege.” 1937: An update to the Firearm Act is passed that raises the minimum age to buy a gun, gives police more power to regulate licenses, and bans most fully automatic weapons. The home secretary also rules that self-defense is no longer a valid reason to be granted a gun certificate. 1967: The Criminal Justice Act expands licensing to shotguns. 1968: Existing gun laws are placed into a single statute. Applicants have to show good reason for carrying ammunition and guns. The Home Office is also given the power to set fees for shotgun licenses. 1988: After the Hungerford Massacre, in which a crazy person uses two semi-automatic rifles to kill fifteen people, an amendment to the Firearms Act is passed. According to the BBC, this amendment “banned semi-automatic and pump-action rifles; weapons which fire explosive ammunition; short shotguns with magazines; and elevated pump-action and self-loading rifles. Registration was also made mandatory for shotguns, which were required to be kept in secure storage.” 1997: After the Dunblane massacre results in the deaths of sixteen children and a teacher (the killer uses two pistols and two revolvers), another Firearms Act amendment is passed, this one essentially banning all handguns. 2006: After a series of gun-related homicides get national attention, the Violent Crime Reduction Act is passed, making it a crime to make or sell imitation guns and further restricting the use of “air weapons.
Glenn Beck (Control: Exposing the Truth About Guns)
Nete Pete and the Killer Forest "Blah-blah-blah. You're the superhero. I'm the princess. Save me." Tree of Knowledge "Feed me. Preposterous. How could someone feed a book?" Adventures Wanted "'Fishing is boring.' 'Do you fish in Davy Jones' Locker? Have you everheard of the Kraken?'" Can You Swim? "Blood stained her desk seat from a coming of age secret. Her classmates taunted her from that moment on." Smoke Legend "Crackles of warmth from the blaze shifted light across the merchant's face. The young boy held fast to his father's knee. Enticing legends began to breathe." Hunting Cabin "Perle, ghosts don't exist. Unless you count the deer we're going to bag." Red Cap "'Wait,' cried Polka, 'By Wutan! Devour me and no future roe will favor your blows!'" Cat Run "She held out a pair of stockings with a run in one leg. 'What dove did you skin these off of?'" Laura DeGrave "Popcorn Krunchers Shorts with Bite
Laura Degrave (Popcorn Krunchers: Shorts with Bite)
Nete Pete and the Killer Forest "Blah-blah-blah. You're the superhero. I'm the princess. Save me." Tree of Knowledge "Feed me. Preposterous. How could someone feed a book?" Adventures Wanted "'Fishing is boring.' 'Do you fish in Davy Jones' Locker? Have you ever heard of the Kraken?'" Can You Swim? "Blood stained her desk seat from a coming of age secret. Her classmates taunted her from that moment on." Smoke Legend "Crackles of warmth from the blaze shifted light across the merchant's face. The young boy held fast to his father's knee. Enticing legends began to breathe." Hunting Cabin "Perle, ghosts don't exist. Unless you count the deer we're going to bag." Red Cap "'Wait,' cried Polka, 'By Wutan! Devour me and no future roe will favor your blows!'" Cat Run "She held out a pair of stockings with a run in one leg. 'What dove did you skin these off of?'" Laura DeGrave "Popcorn Krunchers Shorts with Bite
Laura Degrave
Had there been anything beautiful, poetical, or edifying or simply interesting in his relations with Anna Sergeyevna? And there was nothing for him but to talk vaguely of love, of woman, and no one guessed what it meant; only his wife twitched her black eyebrows, and said: “The part of a lady-killer does not suit you at all, Dimitri.” One evening, coming out of the doctors’ club with an official with whom he had been playing cards, he could not resist saying: “If only you knew what a fascinating woman I made the acquaintance of in Yalta!
Elsinore Books (Classic Short Stories: The Complete Collection: All 100 Masterpieces)
Safe for now,” Nat murmured. That had been another of the Shepherdess’ dicta. Whenever you were safe, even if it was for a short time, it was important to give yourself a chance to exhale, to take nourishment and rest and live to fight again.
Deanna Raybourn (Killers of a Certain Age (Killers of a Certain Age, #1))
she could go the other way round – but she does it to look at me. Like a killer going back to the site where she dumped a body, just to marvel at the rate of decomposition or to fuck the remains. I smiled back anyway, for the sake of The Act, and we had a short chat. I smiled again when we were done. Cue the hair swish. Cue the giggle. Cue me imagining her pinned to a snooker table and stabbing her in each hole.
C.J. Skuse (Sweetpea (Sweetpea, #1))
Parents become more controlling when time is short, just as they do when they're in public. The combination of the two conditions is a killer.
Alfie Kohn
So you want to keep the list short by focusing on what he called “the killer items” — the steps that are most dangerous to skip and sometimes overlooked nonetheless. The wording should be simple and exact, Boorman went on, and use the familiar language of the profession. Even the look of the checklist matters. Ideally, it should fit on one page. It should be free of clutter and unnecessary colors.
Atul Gawande
The manager greeted them in the foyer, a wild-eyed young woman with short, spiky blond hair and a considerable waistline. Taylor eyed her, unable to ascertain whether she was pregnant or just heavy. As a hotel general manager, she was as professional as could be expected, considering a serial killer had struck in one of her guest suites. The woman spied Sam coming in with her gear and snapped her fingers at a bellman, who intercepted the M.E. and guided her away. The service elevator would accommodate the stretcher. She
J.T. Ellison (14 (Taylor Jackson, #2))
2,794 news stories about the incident. However, not one mentioned that the shooting had occurred in a “gun-free zone.” “Surely, with all the reporters who appear at these crime scenes and seemingly interview virtually everyone there, why didn’t one simply mention the signs that ban guns from the premises?” Lott wrote. He said the same thing happened in reporting by the media on the Trolley Square Mall shooting. The concealed-carry law went into effect in Nebraska on January 3, 2007, so it is possible that some of the shoppers or employees might have been armed and able to cut short the gunman’s rampage. It does appear the news media have a deliberate policy of suppressing that very relevant part of the story. Major media folk generally don’t own firearms, don’t like anyone who carries a firearm, and hate to give any credit to an armed citizen for doing anything. The idea that gun-free zones and the people who create them might be partly responsible for many deaths is anathema to them.
Chris Bird (Surviving a Mass Killer Rampage: When Seconds Count, Police Are Still Minutes Away)
Short of flamethrowers, nukes, or a bunch of trained Drifter killers, the best strategy is nature’s simplest: run like you’re a zebra at a waterhole and a pride of lions just showed up with ketchup and silverware.
Richard Kadrey (The Kill Society (Sandman Slim, #9))
In this value vacuum, Randy became increasingly incorrigible, resorting to vandalism of mailboxes and stop signs, hotwiring cars, committing petty thefts, unfunny pranks like squirting unsuspecting people with stolen fire extinguishers filled with paint, and similar anti-social acts that served as an outlet for his aggressions and frustrations from his family life, as well as a means of creating his own identity. In short, Randy became a juvenile delinquent.
Carlton Smith (Fatal Charm: The Shocking True Story of Serial Wife Killer Randy Roth)
But they will not be, primarily because the most salient characteristic of the victim-prone person is the conviction that he or she is watched over and protected by the Sun, the Moon, the Wind Goddess, and St. Christopher; and, in short, that it could never happen to him or to her.
Margaret Cheney (The Co-Ed Killer: A Study of the Murders, Mutilations, and Matricide of Edmund Kemper III)
Leaving the Connecticut River March 8, 1704 Temperature 40 degrees Thou shalt not kill. Ruth lay down and inched forward until she could look over the edge of the cliff to see what had happened. The force of Otter’s fall had brought snow and rock down upon him. One hand stuck out, and part of his face. But I say unto you which hear. Love your enemies, do good to them which hate you…And unto him that smiteth thee on the one cheek offer also the other. What could Jesus have been thinking when he said that? This enemy was the murderer and slaughterer of innocent women and children. Ruth was not going to love him, she would never do anything good unto him, and certainly she was not going to offer him yet another chance to strike her in the face. She rejoiced that this enemy had no choice about living or dying, any more than her father and brother had had a choice about living or dying. She thought of her mother, giving water to the wounded French officer, and for that gesture, being left behind. She wondered how Mother felt now, alone in a world where her men had died to save her while she helped their enemies. The savage was alive, trying with that one hand to dig himself free. A rim of ice fell like knives upon him. Ruth cried out. The Indian made no sound. Ruth scuttled backward, out of his sight. She could go get help. Or let him die. It wasn’t fair! It wasn’t supposed to be Ruth who had to love the enemy. That was just a verse you repeated in meeting. She was not going to take it seriously, loving her enemy. But it was the Word of the Lord. The Twenty-third Psalm moved through her mind, as warm and sure as summer wind. He maketh me to lie down in green pastures. If she broke the commandment and failed to love her enemy, she would never lie down in green pastures. Not on earth, not in her heart, and not in death. Ruth worked her way through tangles of thin saplings and around boulders. She slid down rock faces. Sweating and sobbing over terrain that could not have been made by God, only by devils, she reached Otter at last. Her bad lungs sounded like sand rubbed on floors. She dug him out, not carefully. She might have to save him but she would not spare him pain. He was bleeding where ice had sliced him and by now her mittens were shredded, and their blood mingled, flecked scarlet on white snow. When he was finally on his feet, she said, “It’s not because I wanted to, you know.” Otter took a short careful step and paused in pain, Ruth thought, though pain did not show on his face. “It’s so I won’t be a killer like you,” she said. He snapped a branch in his strong hands to use as a cane. Laboriously, they made their way up the cliff, crawling part of the way. “Actually, I hate you,” said Ruth. Huge hot tears fell from her eyes and she knew that hate was not as simple as that. Nor were the commandments.
Caroline B. Cooney (The Ransom of Mercy Carter)
I dashed down the narrow steps. When I got to the bottom of the stairs, I turned into the hallway and came up short. A lumberjack was standing there. Or at least, that’s what he looked like. A really young, really hot lumberjack. He was tall and broad, with midnight black hair that curled around his ears and across his brow, creating the perfect frame for his startling blue eyes. He was wearing an unbuttoned red plaid flannel shirt that was so thick it was almost a jacket. Beneath that he wore a black turtleneck sweater. He was turned slightly so I couldn’t see his other hand. Lumberjacks carried axes. I had a flashback to The Shining. My heart hammered against my ribs. I didn’t know this guy. Who was he? And where was Mom? He grinned. “Hey.” “Who are you?” I snapped, jerking the sides of my robe together and tying the sash. His eyebrows shot up. “Most people I know respond to a greeting with another greeting.” “Well, I’m not someone you know, am I? For all I know you’re a serial killer.” He chuckled. How could anyone chuckle in the morning? “Do I look like a serial killer?” he asked. I guessed not, but still… “What are you doing here?” I demanded. “Your mom hired my dad to do some repairs. They’re in the kitchen discussing details.” “So you just decided to make yourself at home?” He narrowed his eyes. “Your mom said I could look around. I’ve never been in this house before, but it’s always interested me because of the turrets. I have this thing for turrets. I’m Josh Wynter, by the way.” “And do you become Josh Summer in June?” I asked.
Rachel Hawthorne (Snowed In)
He discarded the Beretta and picked up the dead woman’s gun. It was a good weapon, a Heckler and Koch USP, compact version, 45 calibre, with a short, stubby suppressor. He pulled out the eight-round magazine, saw the match-grade hollow-point rounds, and slammed the mag back in. Obviously a killer who took pride in the tools of her trade. Well, used to. He grabbed a couple of spare mags from her jacket before rushing out the back entrance and into the alleyway, keeping low, gazing left, then right, sweeping the HK as he looked. No one. He hid the gun in his waistband and headed toward the main street, pleased that finally one of them had a decent gun for him to steal. Assassins could have such very poor taste
Tom Wood (The Hunter (Victor the Assassin, #1))
I told you. I’ve been watching.” She twirled, her arms outstretched. “Watching, watching, watching.
A.F. Stewart (Killers and Demons II: They Return)
thin man with short gray hair, he’d worn a bow tie and a long-sleeved shirt every day of his adult life. He wore bow ties because he liked them and thought them fashionable.
Timothy M. Burke (The Paradiso Files: Boston's Unknown Serial Killer)
the shadows. “Why do you think they invented chess?” “He’s got you there,” said the captain, following Fletcher. Jake jogged slightly to catch up as Captain Chenoweth continued. “These guys are exactly who we need to get you to your destination. They’ve got contacts throughout the area, and we should be able to slip through without anyone even knowing we’re coming.” “But why should anyone care?” Captain Chenoweth pointed back the way they’d come, toward the coastal village. “Those people down there didn’t know us, but they were ready to kill you. Now, no matter what started this little conflict, don’t think for a second anyone here cares which side you’re on. In their eyes America is their enemy, and they’re likely to kill us all simply to vent their frustration. Either that, or they’ll capture us and hold us for ransom – maybe do what those wannabe terrorists did and chop our heads off, posting it on the internet for shits and giggles. We’re not sitting in your little ivory bubble anymore. Highly polished principles won’t wash well here.” The words felt like a slap in the face. “You think I’m that naive?” he eventually mustered after an awkward pause. Captain Chenoweth gave a short whistle, and the SEAL team dropped back from their defensive positions, jogging up the short hill and clambering into the rear of one of the virtually invisible trucks. “I think it’s time to go, sir.” And with that simple statement, Captain Chenoweth relayed volumes to Jake, who nodded silently and walked toward the large truck, its back tray covered by a canvas roof stretched over a high, metal frame. Jake saw the SEAL team seated alongside Fletcher and three of his men, two bench-seats running the length of the tray. He climbed awkwardly into the back of the truck as its engine roared to life. The tray reeked of livestock; the musky scent of animal feces mixed with grass or hay and wet fur. Jake gagged, but otherwise remained silent, still stinging from the captain’s indirect rebuke. Complaining of the stench would only serve to lower him further in their esteem. Captain Chenoweth climbed in alongside
Russell Blake (9 Killer Thrillers)