“
Try looking at your mind as a wayward puppy that you are trying to paper train. You don't drop-kick a puppy into the neighbor's yard every time it piddles on the floor. You just keep bringing it back to the newspaper.
”
”
Anne Lamott (Bird by Bird)
“
You don't give warnings. If someone's close enough that you can't run, and they won't let you get away, you're done. Kick, swing, whatever you have to do."
"It sounds mean."
"Ugh," Nathan groaned behind us. (...) "Peanut, will you just listen? If someone isn't letting you run away, he's not a nice person. Beat the shit out of him.
”
”
C.L. Stone (Forgiveness and Permission (The Ghost Bird, #4))
“
But how?" my students ask. "How do you actually do it?"
You sit down, I say. You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively. So you sit down at, say, nine every morning, or ten every night. You put a piece of paper in the typewriter, or you turn on the computer and bring up the right file, and then you stare at it for an hour or so. You begin rocking, just a little at first, and then like a huge autistic child. You look at the ceiling, and over at the clock, yawn, and stare at the paper again. Then, with your fingers poised on the keyboard, you squint at an image that is forming in your mind -- a scene, a locale, a character, whatever -- and you try to quiet your mind so you can hear what that landscape or character has to say above the other voices in your mind.
”
”
Anne Lamott (Bird by Bird)
“
Somewhere, in some shadowy bedroom of a leaf-strewn town, a father bolts the door to a child's room, then steps closer to the bed. In a neighbor's garden lurks a weed with a funny, blade-petaled flower, its poison choking the red roses. Somewhere a car is crashing; a phone is ringing in the center of night. The spider waits poised in the slipper. The bird swoops headlong into glass it thought was farther air. The strangler envisions a neighborhood of throats. The head finds the noose; the foot kicks the chair.
”
”
Scott Heim (We Disappear)
“
Fang let out a low whistle. "Anyone know that Amazons could ride a giant bird?"
Ethon gave him a duh stare. "Those of us who fought them, yeah, we know. How you think they keep kicking our asses?"
"Cause you're pansies. Everyone knows that.
”
”
Sherrilyn Kenyon (No Mercy (Dark-Hunter, #18; Were-Hunter, #5))
“
From Jess:
FANG.
I've commented your blog with my questions for THREE YEARS. You answer other people's STUPID questions but not MINE. YOU REALLY ASKED FOR IT, BUDDY. I'm just gonna comment with this until you answer at least one of my questions.
DO YOU HAVE A JAMAICAN ACCENT? No, Mon
DO YOU MOLT? Gross.
WHAT'S YOUR STAR SIGN? Dont know. "Angel what's my star sign?" She says Scorpio.
HAVE YOU TOLD JEB I LOVE HIM YET? No.
DOES NOT HAVING A POWER MAKE YOU ANGRY? Well, that's not really true...
DO YOU KNOW HOW TO DO THE SOULJA BOY? Can you see me doing the Soulja Boy?
DOES IGGY KNOW HOW TO DO THE SOULJA BOY? Gazzy does.
DO YOU USE HAIR PRODUCTS? No. Again,no.
DO YOU USE PRODUCTS ON YOUR FEATHERS? I don't know that they make bird kid feather products yet.
WHAT'S YOU FAVORITE MOVIE? There are a bunch
WHAT'S YOUR FAVORITE SONG? I don't have favorites. They're too polarizing.
WHAT'S YOUR FAVORITE SMELL? Max, when she showers.
DO THESE QUESTIONS MAKE YOU ANGRY? Not really.
IF I CAME UP TO YOU IN A STREET AND HUGGED YOU, WOULD YOU KILL ME? You might get kicked. But I'm used to people wanting me dead, so.
DO YOU SECRETLY WANT TO BE HUGGED? Doesn't everybody?
ARE YOU GOING EMO 'CAUSE ANGEL IS STEALING EVERYONE'S POWERS (INCLUDING YOURS)? Not the emo thing again.
WHAT'S YOUR FAVORITE FOOD? Anything hot and delicious and brought to me by Iggy.
WHAT DID YOU HAVE FOR BREAKFAST THIS MORNING? Three eggs, over easy. Bacon. More Bacon. Toast.
DID YOU EVEN HAVE BREAKFAST THIS MORNING? See above.
DID YOU DIE INSIDE WHEN MAX CHOSE ARI OVER YOU? Dudes don't die inside.
DO YOU LIKE MAX? Duh.
DO YOU LIKE ME? I think you're funny.
DOES IGGY LIKE ME? Sure
DO YOU WRITE DEPRESSING POETRY? No.
IS IT ABOUT MAX? Ahh. No.
IS IT ABOUT ARI? Why do you assume I write depressing poetry?
IS IT ABOUT JEB? Ahh.
ARE YOU GOING TO BLOCK THIS COMMENT? Clearly, no.
WHAT ARE YOU WEARING? A Dirty Projectors T-shirt. Jeans.
DO YOU WEAR BOXERS OR BRIEFS? No freaking comment.
DO YOU FIND THIS COMMENT PERSONAL? Could I not find that comment personal?
DO YOU WEAR SUNGLASSES? Yes, cheap ones.
DO YOU WEAR YOUR SUNGLASSES AT NIGHT? That would make it hard to see.
DO YOU SMOKE APPLES, LIKE US? Huh?
DO YOU PREFER BLONDES OR BRUNETTES? Whatever.
DO YOU LIKE VAMPIRES OR WEREWOLVES? Fanged creatures rock.
ARE YOU GAY AND JUST PRETENDING TO BE STRAIGHT BY KISSING LISSA? Uhh...
WERE YOU EXPERIMENING WITH YOUR SEXUALITY? Uhh...
WOULD YOU TELL US IF YOU WERE GAY? Yes.
DO YOU SECRETLY LIKE IT WHEN PEOPLE CALL YOU EMO? No.
ARE YOU EMO? Whatever.
DO YOU LIKE EGGS? Yes. I had them for breakfast.
DO YOU LIKE EATING THINGS? I love eating. I list it as a hobby.
DO YOU SECRETLY THINK YOU'RE THE SEXIEST PERSON IN THE WHOLE WORLD? Do you secretly think I'm the sexiest person in the whole world?
DO YOU EVER HAVE DIRTY THOUGHTS ABOUT MAX? Eeek!
HAS ENGEL EVER READ YOUR MIND WHEN YOU WERE HAVING DIRTY THOUGHT ABOUT MAX AND GONE "OMG" AND YOU WERE LIKE "D:"? hahahahahahahahahahah
DO YOU LIKE SPONGEBOB? He's okay, I guess.
DO YOU EVER HAVE DIRTY THOUGHT ABOUT SPONGEBOB? Definitely
CAN YOU COOK? Iggy cooks.
DO YOU LIKE TO COOK? I like to eat.
ARE YOU, LIKE, A HOUSEWIFE? How on earth could I be like a housewife?
DO YOU SECRETLY HAVE INNER TURMOIL?
Isn't it obvious?
DO YOU WANT TO BE UNDA DA SEA? I'm unda da stars.
DO YOU THINK IT'S NOT TOO LATE, IT'S NEVER TOO LATE? Sure.
WHERE DID YOU LEARN TO PLAY POKER? TV.
DO YOU HAVE A GOOD POKER FACE? Totally.
OF COURSE YOU HAVE A GOOD POKER FACE. DOES IGGY HAVE A GOOD POKER FACE? Yes.
CAN HE EVEN PLAY POKER? Iggy beats me sometimes.
DO YOU LIKE POKING PEOPLE HARD? Not really.
ARE YOU FANGALICIOUS? I could never be as fangalicious as you'd want me to be.
Fly on,
Fang
”
”
James Patterson (Fang (Maximum Ride, #6))
“
This is better than a romance novel." P.J. said with a wistful sigh.
"You read that stuff?" Cole demanded.
"Why the hell do you ask the question like that?" P.J. said, annoyance evident in her tone and expression.
"You just didn't seem the type," Cole mumbled.
She flipped him the bird, and Shea had to bite her lip to keep from laughing. P.J. was easily half Cole's size but she also looked like she had the confidence to take on the much larger man. She might even kick his ass. The idea intrigued Shea greatly.
"I'm tempted to shove one of my romance novels up your ass." P.J. said sharply. "But I love my books too much to desecrate them like that, I'll settle for my boot."
Cole held up his hands in surrender. "I won't say another word. Romance novels are great. I love romance novels. I think everyone should read them.
”
”
Maya Banks (Whispers in the Dark (KGI, #4))
“
If you went to a home, kicked down the front door, chased the people who lived there out into the street and said, "Go! You are free! Free as a bird! Go! Go!" -- do you think they would shout and dance for joy? They wouldn't. Birds are not free. The people you've just evicted would sputter, "With what right do you throw us out? This is our home. We own it. We have lived here for years. We're calling the police, you scoundrel.
”
”
Yann Martel (Life of Pi)
“
Reyna said, swinging her sword again. “Something they’ll hate worse than Apollo.” Her eyes lit up. “Apollo, sing for them!”
She might as well have kicked me in the face again. “My voice isn’t that bad!”
“But you’re the—You used to be the god of music, right? If you can charm a crowd, you should be able to repulse one. Pick a song these birds will hate!”
Great. Not only had Reyna laughed in my face and busted my nose, now I was her go-to guy for repulsiveness.
”
”
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
“
All the towering materialism which dominates the modern mind rests ultimately upon one assumption; a false assumption. It is supposed that if a thing goes on repeating itself it is probably dead; a piece of clockwork. People feel that if the universe was personal it would vary; if the sun were alive it would dance. This is a fallacy even in relation to known fact. For the variation in human affairs is generally brought into them, not by life, but by death; by the dying down or breaking off of their strength or desire. A man varies his movements because of some slight element of failure or fatigue. He gets into an omnibus because he is tired of walking; or he walks because he is tired of sitting still. But if his life and joy were so gigantic that he never tired of going to Islington, he might go to Islington as regularly as the Thames goes to Sheerness. The very speed and ecstacy of his life would have the stillness of death. The sun rises every morning. I do not rise every morning; but the variation is due not to my activity, but to my inaction. Now, to put the matter in a popular phrase, it might be true that the sun rises regularly because he never gets tired of rising. His routine might be due, not to a lifelessness, but to a rush of life. The thing I mean can be seen, for instance, in children, when they find some game or joke that they specially enjoy. A child kicks his legs rhythmically through excess, not absence, of life. Because children have abounding vitality, because they are in spirit fierce and free, therefore they want things repeated and unchanged. They always say, “Do it again”; and the grown-up person does it again until he is nearly dead. For grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, “Do it again” to the sun; and every evening, “Do it again” to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God makes every daisy separately, but has never got tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we. The repetition in Nature may not be a mere recurrence; it may be a theatrical ENCORE. Heaven may ENCORE the bird who laid an egg. If the human being conceives and brings forth a human child instead of bringing forth a fish, or a bat, or a griffin, the reason may not be that we are fixed in an animal fate without life or purpose. It may be that our little tragedy has touched the gods, that they admire it from their starry galleries, and that at the end of every human drama man is called again and again before the curtain. Repetition may go on for millions of years, by mere choice, and at any instant it may stop. Man may stand on the earth generation after generation, and yet each birth be his positively last appearance.
”
”
G.K. Chesterton (Orthodoxy)
“
The shock of having to pull herself up in the midst of a spontaneous reaction — I must remember to tell Dane about this, he’ll get such a kick out of it — that was what hurt the most. And because it kept on occurring so often, it prolonged the grief.
”
”
Colleen McCullough (The Thorn Birds)
“
I jumped up and "casually" strolled a bit closer. I blinked my eyes in the sun. It couldn't be, could it? But it was.
Gabe.
...
"You know, if you're going to stalk someone, you should be less obvious."
I wheeled around. It was Todd. He'd snuck up on me.
He said, "For starters, try not to standing in the middle of a field, gawking at your prey."
I kicked at a dusty clump of grass. "Gawking? I... I'm... not gawking. I was just watching your girlfired putting the moves on someone else. Jealous?"
"Oh Gabe Webber?" Todd laughed. "Uh...no."
I shielded my eyes from the sun. "Why? What's wrong with Gabe Webber?"
"Nothing. As in, there's nothing there. He has the personality of dry toast."
How dare he insult my Gabe? "Oh yes. I forgot. You prefer the company of assholes and jerks. As they say, 'Birds of a feather...'"
"That must be why you hang around.
”
”
Kristin Walker (A Match Made in High School)
“
Got a kick for a dog
Beggin' for Love
I gotta have my suffering
So that I can have my cross
I know a cat named Easter
He says will you ever learn
You're just an empty cage girl
If you kill the bird
I've been looking for a savior in these dirty streets
looking for a savior beneath these dirty sheets
I've been raising up my hands
Drive another nail in
Got enough guilt to start
my own religion
”
”
Tori Amos
“
One of the hardest things for a teacher is to know when to keep quiet and when to let go. It is a terrible thing to hold someone back from success, or to insist on sharing credit, or to tie someone to your apron strings. We need to have faith that we have done all we can, and then we need to kick our birds out of the nest.
”
”
Tim Gunn (Tim Gunn: The Natty Professor: A Master Class on Mentoring, Motivating, and Making It Work!)
“
Bird looked back at Pastor. *Why did you bite Jeremy?*
*Because I felt like it.*
*Is it out of your system now? Feel better now?*
*Actually, I do*
Jeremy piped in; *No big deal. He bit, I kicked; we're even*
...
No wonder horses get messed up. By the time people get around it hitting them, the horses have forgotten the whole thing.
”
”
Shelley Peterson (Sundancer)
“
A tiny flossy-haired woman stood on Dmitrii’s table, skipping between the dishes and sometimes kicking over an unwary man’s cup. That was the kikimora—for the domovoi sometimes has a wife. A rustle of wings high above; Vasya looked up for an instant into a woman’s unblinking eyes before she vanished in the smoke of the upper walls. Vasya felt a chill, for the woman-headed bird is the face of fate. Seen and unseen alike, Vasya felt the weight of their gazes. They are watching, they are waiting—why?
”
”
Katherine Arden (The Girl in the Tower (Winternight Trilogy, #2))
“
I stepped inside the front hall and kicked off my snow boots. I slammed the door behind me, making the dark ruby and emerald glass shake in the small leaded panes. I slid purposely on the hall rug, causing it to bunch and crinkle on the slippery polished oak of the floor.
”
”
Margaret Laurence (A Bird in the House)
“
I was scared—with that crystalline, childish fear of being caught and punished. That fear thrashed behind my rib cage like a bird in cupped hands, perhaps the last truly childlike instance of that emotion I’d ever feel. That fear is a kind of magic. As you get older, the texture of your fear changes. You’re no longer afraid of the things you had absolute faith in as a child: that you’d die in convulsions from inhaling the gas from a shattered lightbulb, that chewing apple pips brought on death by cyanide poisoning, or that a circus dwarf had actually bounced off a trampoline into the mouth of a hungry hippo. You stop believing in the things my uncle believed in. Even if your mind wants to go there, it has lost the nimbleness needed to make the leap. That magic gets kicked out of you, churched out, shamed out—or worse, you steal it from yourself. It gets embarrassed out of you by the kids who run the same stretch of streets and grown-ups who say it’s time to put away childish things. By degrees, you kill your own magic. Before long your fears become adult ones: crushing debts and responsibilities, sick parents and sick kids, the possibility of dying unremembered or unloved. Fears of not being the person you were so certain you’d grow up to be.
”
”
Craig Davidson (The Saturday Night Ghost Club)
“
Look, back in the old days, ravens used to be gentle and white, like doves, okay? But they were terrible gossips. One time I was dating this girl, Koronis. The ravens found out she was cheating on me, and they told me about it. I was so angry, I got Artemis to kill Koronis for me. Then I punished the ravens for being tattletales by turning them black.”
Reyna stared at me like she was contemplating another kick to my nose. “That story is messed up on so many levels.”
“Just wrong,” Meg agreed. “You had your sister kill a girl who was cheating on you?”
“Well, I—”
“Then you punished the birds that told you about it,” Reyna added, “by turning them black, as if black was bad and white was good?”
“When you put it that way, it doesn’t sound right,” I protested. “It’s just what happened when my curse scorched them. It also made them nasty-tempered flesh-eaters.”
“Oh, that’s much better,” Reyna snarled.
“If we let the birds eat you,” Meg asked, “will they leave Reyna and me alone?”
“I—What?” I worried that Meg might not be kidding. Her facial expression did not say kidding. It said serious about the birds eating you. “Listen, I was angry! Yes, I took it out on the birds, but after a few centuries I cooled down. I apologized. By then, they kind of liked being nasty-tempered flesh-eaters. As for Koronis—I mean, at least I saved the child she was pregnant with when Artemis killed her. He became Asclepius, god of medicine!”
“Your girlfriend was pregnant when you had her killed?” Reyna launched another kick at my face. I managed to dodge it, since I’d had a lot of practice cowering, but it hurt to know that this time she hadn’t been aiming at an incoming raven. Oh, no. She wanted to knock my teeth in.
“You suck,” Meg agreed.
”
”
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
“
I can open a car door. It’s okay.” He smirked, putting a hand out, palm up. “Are you kidding? Do you want me to get my ass kicked?
”
”
C.L. Stone (Ghost Bird II: The Academy Omnibus Part 2: Books Five - Eight (The Ghost Bird Series Bundles))
“
You can't change human nature. Men are always going to kick fuck out of each other then go off and shaft some bird. That's life.
”
”
John King (The Football Factory)
“
You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively.
”
”
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
“
A walk is exploring surfaces and textures with finger, toe, and—yuck—tongue; standing still and seeing who or what comes by; trying out different forms of locomotion (among them running, marching, high-kicking, galloping, scooting, projectile falling, spinning, and noisy shuffling). It is archeology: exploring the bit of discarded candy wrapper; collecting a fistful of pebbles and a twig and a torn corner of a paperback; swishing dirt back and forth along the ground. It is stopping to admire the murmuring of the breeze in the trees; locating the source of the bird’s song; pointing. Pointing!— using the arm to extend one’s fallen gaze so someone else can see what you’ve seen. It is a time of sharing. On our block,
”
”
Alexandra Horowitz (On Looking: A Walker's Guide to the Art of Observation)
“
He walked outside onto the terrace and sat. Obviously settled and comfortable, he poured coffee. There were ways and ways to gain trust, he thought. With
a bird with a broken wing, it took patience, care, and a gentle touch. With a high-strung horse that had been whipped, it took diligence and the risk of being kicked. With a woman, it took a certain amount of charm. He was willing to combine all three.
”
”
Nora Roberts (Sweet Revenge)
“
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow.
Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
”
”
Bob Thurber (Paperboy: A Dysfunctional Novel)
“
Pattern recognition is so basic that the brain's pattern detection modules and its reward circuitry became inextricably linked. Whenever we successfully detect a pattern-or think we detect a pattern-the neurotransmitters responsible for sensations of pleasure squirt through our brains. If a pattern has repeated often enough and successfully enough in the past, the neurotransmitter release occurs in response to the mere presence of suggestive cues, long before the expected outcome of that pattern actually occurs. Like the study participants who reported seeing regular sequences in random stimuli, we will use alomst any pretext to get our pattern recognition kicks.
Pattern recognition is the most primitive form of analogical reasoning, part of the neural circuitry for metaphor. Monkeys, rodents, and birds recognize patterns, too. What distinguishes humans from other species, though, is that we have elevated pattern recognition to an art. "To understand," the philosopher Isaiah Berlin observed, "is to perceive patterns."
Metaphor, however, is not the mere detection of patterns; it is the creation of patterns, too. When Robert Frost wrote,
"A bank is a place where they lend you an umbrella in fair weather and ask for it back when it begins to rain"
his brain created a pattern connecting umbrellas to banks, a pattern retraced every time someone else reads this sentence. Frost believed passionately that an understanding of metaphor was essential not just to survival in university literature courses but also to survival in daily life.
”
”
James Geary (I is an Other: The Secret Life of Metaphor and How it Shapes the Way We See the World)
“
If you went to a home, kicked down the front door, chased the people who lived there out into the street and said, “Go! You are free! Free as a bird! Go! Go!”—do you think they would shout and dance for joy? They wouldn’t. Birds are not free. The people you’ve
”
”
Yann Martel (Life of Pi)
“
Felice admires the long blue tails of the birds just before they vanish into the trees. That's the way to be, she thinks, kicking hard on her board, letting the wind stream through her hair- no plans, no fear, no expectations: never to be held in live captivity.
”
”
Diana Abu-Jaber (Birds of Paradise)
“
I decided the map was clearly written by masochistic-doodling ancient Egyptians because everything was hieroglyphics and unreadable doodads.
I cursed the map.
“BY MOTHRA’S NIPPLES! I FUCKING HATE THIS MAP!”
Irrational anger bubbled to the surface and all I could think about was murdering the map. I would show the map who was boss.
I was boss.
Not some evil, wrong map from hell. I had no choice but to hit the map against the steering wheel several times, grunting and releasing a string of curses that would have made my sailor father proud. And maybe blush.
Then I opened my driver’s side door, still grunting and raging, and slammed the map against the car, threw it on the ground, stomped on it, kicked it, and just generally assaulted it in every way I could think of. I’m a little embarrassed to admit, in my mindlessness I was also taunting the map, questioning its virility, flipping it the bird, and cursing now in Spanish as well as English.
It was the most cardio I’d done in over twelve months.
Stupid map, making me do cardio. I’ll kill you!
”
”
Penny Reid (Grin and Beard It (Winston Brothers, #2))
“
There were, in Feo's experience, five kinds of cold. There was wind cold, which Feo barely felt. It was fussy and loud and turned your cheeks as red as if you'd been slapped, but couldn't kill you even if it tried. There was snow cold, which plucked at your arms and chapped your lips, but brought real rewards. It was Feo's favorite weather: The snow was soft and good for making snow wolves. There was ice cold, which might take the skin off your palm if you let it, but probably wouldn't if you were careful. Ice cold smelled sharp and knowing. It often came with blue skies and was good for skating. Feo had respect for ice cold. Then there was hard cold, which was when the ice cold got deeper and deeper until at the end of a month you couldn't remember if the summer had ever really existed. Hard cold could be cruel. Birds died in midflight. It was the kind of cold that you booted and kicked your way through.
And then there was blind cold. Blind cold smelled of metal and granite. It took all the sense out of your brain and blew the snow into your eyes until they were glued shut and you had to rub spit into them before they would blink. Blind cold was forty degrees below zero. This was the kind of cold that you didn't sit down to think in, unless you wanted to be found dead in the same place in May or June.
Feo had felt blind cold only once.
”
”
Katherine Rundell (The Wolf Wilder)
“
Mothers are like that bird who takes care of her bird; she teaches them to fly by kicking them out of the nest when she sees the birds cannot fly; she flies faster and catches them; she puts them back at the nest; she doesn't give up; she repeats that until her bird learns to fly!
”
”
Zybejta "Beta" Metani' Marashi
“
Walk on became her credo; she repeated it to herself every morning upon deciding to get up and exist for one more day. Her days began before dawn, when the birds started arguing. Tess would eat whatever scrap of food she had left and listen to animated avian conversation all around her. Birdsong was a language, unquestionably. She could discern calls and answers, aggression and capitulation and seduction. Warnings. Rapture. She wondered how long it would take to learn such a language without the advantages she’d had with Pathka. If you’d paid as much attention to family and duty as you paid to dumb animals, said her mother’s voice in her mind, you might not have been such a disappointing daughter. That kind of thought was her cue to get going. “Walking on now,” Tess told Mama-in-her-head, kicking dirt over last night’s ashes. “I think I’ll live one more day.
”
”
Rachel Hartman (Tess of the Road (Tess of the Road, #1))
“
When I read things like, “The foundations of capitalism are shattering,” I’m like, maybe we need some time where we’re walking around with a donkey with pots clanging on the sides. . . . ’Cause now we live in an amazing world, and it’s wasted on the crappiest generation of spoiled idiots. . . . Flying is the worst one, because people come back from flights, and they tell you their story. . . . They’re like, “It was the worst day of my life. . . . We get on the plane and they made us sit there on the runway for forty minutes.” . . . Oh really, then what happened next? Did you fly through the air, incredibly, like a bird? Did you soar into the clouds, impossibly? Did you partake in the miracle of human flight, and then land softly on giant tires that you couldn’t even conceive how they fuckin’ put air in them? . . . You’re sitting in a chair in the sky. You’re like a Greek myth right now! . . . People say there’s delays? . . . Air travel’s too slow? New York to California in five hours. That used to take thirty years! And a bunch of you would die on the way there, and you’d get shot in the neck with an arrow, and the other passengers would just bury you and put a stick there with your hat on it and keep walking. . . . The Wright Brothers would kick us all in the [crotch] if they knew.1
”
”
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
“
Shelton pushed Ben lightly. “Remember when you couldn’t flare without losing your temper? So Hi kicked you from behind to get you mad, and you threw him in the ocean?”
Ben snorted. “He deserved it.”
“I was providing a service,” Hi protested. “I recall Tory once trying to eat a mouse.”
I pinched my nose. “Ugh, don’t remind me.”
Ella giggled. “One time Cole lost his flare while carrying a boulder. It pinned his leg for an hour.”
Then everyone had a story. Our funeral became a wake.
The mood lifted as we swapped flare stories. It was cathartic. A way to say good-bye.
I caught Ben smiling at me. “I remember when Tory sniffed that mound of bird crap in the old lighthouse. I thought she’d vomit on the spot.”
Chance laughed. “I knew she was too clever. Always with a trick up her sleeve.”
The boys glanced at each other. Their smiles faded.
Something passed between them.
Abruptly, both looked at me.
I could see a question in their eyes. A resolve to see something through.
They talked. Oh God, they talked about me.
They’re going to make me choose.
In a flash of dread, I realized I could delay this no longer.
With another jolt, I realized I didn’t need to.
There was no point putting it off.
There was also no decision to make.
My eyes met a dark, intense pair staring back earnestly. Longingly. Fearfully.
I smiled. Even as my heart pounded.
Before anyone spoke, I stepped forward, legs shaking so badly I worried I might fall.
But my second foot successfully followed the first.
I walked over to Ben’s side.
Slipped my hand inside his.
Squeezed for dear life.
Ben’s eyes widened. He gasped quietly, his chest rising and falling.
I met his startled gaze. Smiled through my blushes.
A goofy smile split Ben’s face, one I’d never seen before. His fingers crushed mine.
No decision to make.
Tearing my eyes from Ben, I looked at Chance, found him watching me with a glum expression. Then he sighed, a wry smile twisting his lips.
Chance nodded slightly.
Not one word spoken. Volumes exchanged.
The silence stretched, like a living breathing force.
Finally, Hi cleared his throat. “Um.”
My face burned scarlet as I remembered our audience. Ella was gaping at me, a delighted grin on her face. Shelton looked like he might turn and run. Hi was rubbing the back of his neck, his face twisted in an uncomfortable grimace.
Still no one said a word.
This was the most painful moment of my life.
“So . . .” Hi drummed his thighs, eyes fixed to the pavement. “Right. A lot just happened there. Weirdly without anyone talking, but, um, yeah.
”
”
Kathy Reichs (Terminal (Virals, #5))
“
Then Revered Thomas would being. "Blessed Father, we thank you this morning..." and on and on and on. I'd stop listening after a while until Bailey kicked me and then I cracked my lids to see what had promised to be a meal that would make any Sunday proud. But as the Reverend droned on and on and on to a God who I though must be bored to hear the same things over and over again, I saw that the ham grease had turned white on the tomatoes.
”
”
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
“
I was scared- with that crystalline, childish fear of being caught and punished. That fear thrashed behind my rib cage like a bird in cupped hands, perhaps the last truly childlike instance of that emotion I'd ever feel. That fear is a kind of magic. As you get older, the texture of your fear changes. You're no longer afraid of the things you had absolute faith in as a child ... That magic gets kicked out of you, churched out, shamed out- or worse, you steal it from yourself ... By degrees, you kill your own magic. Before long your fears become adult ones: crushing debts and responsibilities, sick parents and sick kids, the possibility of dying unremembered or unloved. Fears of not being the person you were so certain you'd grow up to be. Looking back, I wish I'd relished those final instants of childish fear: that saccharine-sweet taste of terror curdling like sour milk in my mouth.
”
”
Craig Davidson (The Saturday Night Ghost Club)
“
In her every small movement she was the woman of the future, a type that would swagger and curse, fall headlong, flaming into the hell of war, be as brave and tough as men, take the overflowing diarrhea of nervous frontline troops without grimacing, speak loudly and devastatingly, kick brain matter off their shoes and go unhurriedly on. When he looked at Bern, Viktor saw the future, and it was lovely and clean and as equal as things between men and women, between prole and patrician, could be.
”
”
Lauren Groff (Delicate Edible Birds and Other Stories)
“
When he found out his wife was unfaithful, Hector Castillo told his son to get in the car because they were going fishing. It was after midnight but this was nothing unusual. The Rickenbacker Bridge suspended across Biscayne Bay was full of night fishermen leaning on the railings, avoiding going home to their wives. Except Hector didn't bring any fishing gear with him. He led his son, Carlito, who'd just turned three, by the hand to the concrete wall, picked him up by his waist, and held him so that the boy grinned and stretched his arms out like a bird, telling his papi he was flying, flying, and Hector said, "Si, Carlito, tienes alas, you have wings."
Then Hector pushed little Carlito up into the air, spun him around, and the boy giggled, kicking up his legs up and about, telling his father, "Higher, Papi! Higher!" before Hector took a step back and with all his might hoisted the boy as high in the sky as he'd go, told him he loved him, and threw his son over the railing into the sea.
”
”
Patricia Engel (The Veins of the Ocean)
“
March 28, 1987:
Today I read in the New York Times that all of the officers who killed Michael Stewart were again dismissed of charges.
Continually dismissed, but in their minds they will never forget. They know they killed him. They will never forget his screams, his face, his blood. The must live with that forever.
I hope in their next life they are tortured like they tortured him. They should be birds captured early in life, put in cages, purchased by a fat, smelly, ugly lady who keeps them in a small dirty cage up near the ceiling while all day she cooks bloody sausages and the blood spatters their cage and the frying fat burns their matted feathers and they can nerf escape the horrible fumes of her burnt meat. One day the cage will fall to the ground and a big fat ugly cat will kick them about, play with them like a toy, and slowly kill them and leave their remains to be accidentally stepped on by the big fat pig lady who can’t see her own feet because of her huge sagging tits.
An eye for an eye …
I’m not afraid of anything I’d ever done.
Not ashamed of anything.
”
”
Keith Haring (Keith Haring Journals)
“
After All This"
After all this love, after the birds rip like scissors
through the morning sky, after we leave, when the empty
bed appears like a collapsed galaxy, or the wake of
disturbed air behind a plane, after that, as the wind turns
to stone, as the leaves shriek, you are still breathing
inside my own breath. The lighthouse on the far point
still sweeps away the darkness with the brush of an arm.
The tides inside your heart still pull me towards you.
After all this, what are these words but mollusk shells
a child plays with? What could say more than the eloquence
of last night’s constellations? or the storm anchored by
its own flashes behind the far mountains? I remember
the way your body wavers under my touch like the northern
lights. After all this, I want the certainty of hidden roots
spreading in all directions from their tree. I want to hear
again the sky tangled in your voice. Some nights I can
hear the footsteps of the stars. How can these words
ever reveal the secret that waits in their sleeping light?
The words that walk through my mind say only what has
already passed. Beyond, the swallows are still knitting
the wind. After a while, the smokebush will turn to fire.
After a while, the thin moon will grow like a tear in a curtain.
Under it, a small boy kicks a ball against the wall of
a burned out house. He is too young to remember the war.
He hardly knows the emptiness that kindles around him.
He can speak the language of early birds outside our window.
Someday he will know this kind of love that changes
the color of the sky, and frees the earth from its moorings.
Sometimes I kiss your eyes to see beyond what I can imagine.
Sometimes I think I can speak the language of unborn stars.
I think the whole earth breathes with you. After all this,
these words are all I have to say what is impossible to think,
what shy dreams hide in the rafters of my heart, because
these words are only a form of touch, only tell you I have no life
that isn’t yours, and no death you couldn’t turn into a life.
”
”
Richard Jackson (Resonance)
“
He thought again about the poison. He remembered that one of the animal handlers had been bitten by a compy in a cage. The handler had said the poison was like a narcotic—peaceful, dreamy. No pain. You just wanted to go to sleep. The hell with that, he thought. Hammond picked up a rock, aimed carefully, and threw it, striking one compy flat in the chest. The little animal shrieked in alarm as it was knocked backward, and rolled over its tail. The other animals immediately backed away. Better. Hammond turned away, and started to climb the hill once more. Holding branches in both hands, he hopped on his left leg, feeling the ache in his thigh. He had not gone more than ten feet when one of the compys jumped onto his back. He flung his arms wildly, knocking the animal away, but lost his balance and slid back down the hillside. As he came to a stop, a second compy sprang forward, and took a tiny nip from his hand. He looked with horror, seeing the blood flow over his fingers. He turned and began to scramble up the hillside again. Another compy jumped onto his shoulder, and he felt a brief pain as it bit the back of his neck. He shrieked and smacked the animal away. He turned to face the animals, breathing hard, and they stood all around him, hopping up and down and cocking their heads, watching him. From the bite on his neck, he felt warmth flow through his shoulders, down his spine. Lying on his back on the hillside, he began to feel strangely relaxed, detached from himself. But he realized that nothing was wrong. No error had been made. Malcolm was quite incorrect in his analysis. Hammond lay very still, as still as a child in its crib, and he felt wonderfully peaceful. When the next compy came up and bit his ankle, he made only a halfhearted effort to kick it away. The little animals edged closer. Soon they were chittering all around him, like excited birds. He raised his head as another compy jumped onto his chest, the animal surprisingly light and delicate. Hammond felt only a slight pain, very slight, as the compy bent to chew his neck.
”
”
Michael Crichton (Jurassic Park (Jurassic Park, #1))
“
She took the bird to her worktable and put a rubber tube into its beak. With the end of the tube in her mouth, she massaged its ribs with her finger as she puffed, very gently, into the tube. The little swallow kicked, and she held it gently between her hands.
“Just like resuscitating a person,” murmured Bern.
“Exactly like that,” agreed the Lady. “Most animals want to live. They struggle toward life regardless of their surroundings.” She deposited the bird in the cage, a sad smile pulling at the corners of her mouth. “Human beings are more difficult. At some point of trauma, most people just give up and die.”
Bern’s face changed, something like guilt shadowing his eyes. “Only if they’re let to, Mistress.
”
”
Sara A. Mueller (The Bone Orchard)
“
GDP is a cuckoo in the economic nest. And to understand why, you need to know a thing or two about cuckoos because they are wily birds. Rather than raise their own offspring, they surreptitiously lay their eggs in the unguarded nests of other birds. The unsuspecting foster parents dutifully incubate the interloper’s egg along with their own. But the cuckoo chick hatches early, kicks other eggs and young out of the nest, then emits rapid calls to mimic a nest full of hungry offspring. This takeover tactic works: the foster parents busily feed their oversized tenant as it grows absurdly large, bulging out of the tiny nest it has occupied. It’s a powerful warning to other birds: leave your nest unattended and it may well get hijacked.
”
”
Kate Raworth (Doughnut Economics: Seven Ways to Think Like a 21st-Century Economist)
“
I was afraid of anyone in a costume. A trip to see Santa might as well have been a trip to sit on Hitler's lap for all the trauma it would cause me. Once, when I was four, my mother and I were in a Sears and someone wearing an enormous Easter Bunny costume headed my way to present me with a chocolate Easter egg. I was petrified by this nightmarish six-foot-tall bipedal pink fake-fur monster with human-sized arms and legs and a soulless, impassive face heading toward me. It waved halfheartedly as it held a piece of candy out in an evil attempt to lure me into its clutches. Fearing for my life, I pulled open the bottom drawer of a display case and stuck my head inside, the same way an ostrich buries its head in the sand. This caused much hilarity among the surrounding adults, and the chorus of grown-up laughter I heard echoing from within that drawer only added to the horror of the moment. Over the next several years, I would run away in terror from a guy in a gorilla suit whose job it was to wave customers into a car wash, a giant Uncle Sam on stilts, a midget dressed like a leprechaun, an astronaut, the Detroit Tigers mascot, Ronald McDonald, Big Bird, Bozo the Clown, and every Mickey Mouse, Minnie Mouse, Donald Duck, Pluto, Chip and Dale, Uncle Scrooge, and Goofy who walked the streets at Disneyland. Add to this an irrational fear of small dogs that saw me on more than one occasion fleeing in terror from our neighbor's four-inch-high miniature dachschund as if I were being chased by the Hound of the Baskervilles and a chronic case of germ phobia, and it's pretty apparent that I was--what some of the less politically correct among us might call--a first-class pussy.
”
”
Paul Feig (Kick Me: Adventures in Adolescence)
“
I was a bird. I lived a bird's life from birth to death. I was born the thirty-second chick in the Jipu family.
I remember everything in detail. I remember breaking out of the shell at birth. But I learned later that my mother had gently cracked the shell first to ease my way.
I dozed under my mother's chest for the first few days. Her feathers were so warm and soft! I was strong, so I kicked away my siblings to keep the cozy spot.
Just 10 days after I was born, I was given flying lessons. We all had to learn quickly because there were snakes and owls and hawks. My little brothers and sisters, who didn't practice enough, all died. My little sister looked so unhappy when she got caught. I can still see her face.
Before I could fly, I hadn't known that our nest was on the second-lowest branch of a big tree. My parents chose the location wisely. Snakes could reach the lowest branch and eagles and hawks could attack us if we lived at the top.
We soared through the sky, above mountains and forests. But it wasn't just for fun! We always had to watch out for enemies, and to hunt for food.
Death was always nearby. You could easily starve or freeze to death. Life wasn't easy. Once, I got caught in a monsoon. I smacked into a tree and lay bleeding for days.
Many of my family and friends died, one after another. To help rebuild our clan, I found myself a female and married her. She was so sweet. She laid many eggs, but one day, a human cut down the tree we lived in, crushing all the eggs and my beloved. A bird's life is an endless battle against death.
I survived for many years before I finally met my end. I found a worm at some harvest festival. I came fluttering down.
It was a bad mistake. Some big guy was waiting to ambush hungry little birdies like me. I heard my own guts pop. It was clear to me that I was going to die at last. And I wanted to know where I'd go when I died.
”
”
Osamu Tezuka (Buddha, Vol. 2: The Four Encounters (Buddha #2))
“
Our Ideal Citizen—I picture him first and foremost as being busier than a bird-dog, not wasting a lot of good time in day-dreaming or going to sassiety teas or kicking about things that are none of his business, but putting the zip into some store or profession or art. At night he lights up a good cigar, and climbs into the little old 'bus, and maybe cusses the carburetor, and shoots out home. He mows the lawn, or sneaks in some practice putting, and then he's ready for dinner. After dinner he tells the kiddies a story, or takes the family to the movies, or plays a few fists of bridge, or reads the evening paper, and a chapter or two of some good lively Western novel if he has a taste for literature, and maybe the folks next-door drop in and they sit and visit about their friends and the topics of the day. Then he goes happily to bed, his conscience clear, having contributed his mite to the prosperity of the city and to his own bank-account.
”
”
Sinclair Lewis (Babbitt)
“
Don’t ever do that again!!”
“What? Kiss you, or kiss you while we’re jumping out of a tree?” Samuel practically drawled the words, they were so slow and mild. He wasn’t breathing hard at all; in fact, he’d laid his head back in the water and barely seemed to be working at keeping himself afloat.
“Ugh!” I huffed, completely disgusted. “I feel tricked! You didn’t want to kiss me! You just wanted to get me out of the tree!”
“Oh, I wanted to kiss you,” the drawl was even more pronounced. “I just killed two birds with one stone.” He lifted his head up off the water and grinned at me, his teeth flashing, and I was dazzled. So much so, that I stopped kicking and my head sunk beneath the water like a stone. I splashed wildly and popped up, spitting and swiping at my hair again.
“Lean back, Josie,” Samuel commanded, the words gentle and coaxing as he slid up beside me. “Kick your legs out in front of you and float on your back. Quit fighting. Floating’s easy.”
“Ha!” I grumped. “I knew how to swim when you were still wearing floaties in the high school pool!” I wasn’t done being mad at him.
“Very funny,” he chuckled warmly.
”
”
Amy Harmon (Running Barefoot)
“
That's Life"
"That's life, that's what all the people say
You're ridin' high in April, shot down in May
But I know I'm gonna change that tune
When I'm back on top, back on top in June
I said that's life, and as funny as it may seem
Some people get their kicks stompin' on a dream
But I don't let it, let it get me down
'cause this fine old world, it keeps spinnin' around
I've been a puppet, a pauper, a pirate, a poet, a pawn and a king
I've been up and down and over and out and I know one thing
Each time I find myself flat on my face
I pick myself up and get back in the race
That's life, I tell you I can't deny it
I thought of quitting, baby, but my heart just ain't gonna buy it
And if I didn't think it was worth one single try
I'd jump right on a big bird and then I'd fly
I've been a puppet, a pauper, a pirate, a poet, a pawn and a king
I've been up and down and over and out and I know one thing
Each time I find myself layin' flat on my face
I just pick myself up and get back in the race
That's life, that's life and I can't deny it
Many times I thought of cuttin' out but my heart won't buy it
But if there's nothin' shakin' come this here July
I'm gonna roll myself up in a big ball and die
My, my!
”
”
Kelly L. Gordon and Dean Kay
“
I am your wife, but I will do as I please, I raged, and the spell rose in my head without effort.
Belt that holds my husband’s pants,
Loosen now and make him dance.
Tiras’s belt flew from his breeches like a sea serpent, slithering through the air only to strike at him with its tail. He stepped back from me, his eyes growing wide as he gripped the gyrating length of leather, holding it at arm’s length with one hand as he held up his pants with the other. But I wasn’t finished.
Boots upon my husband’s feet,
Kick him so he’ll take a seat.
Tiras fell flat on his behind as his boots shimmied and wriggled free, throwing him off balance. His boots then proceeded to kick him on his back and his thighs as he yowled in stunned outrage. “Lark!”
Shirt upon my husband’s chest,
Wrap yourself around his head.
His tunic promptly rose like Tiras was shrugging it off, only it wrapped itself around him, obscuring his angry face. I started to laugh then. I couldn’t help it. He looked so ridiculous sitting on the floor of the library, his socks hanging from his feet, his breeches falling around his hips, his shirt over his head, and his boots and belt attacking him.
Tiras lashed out and grabbed my skirts, yanking me down beside him. “Call off the hounds, Lark!” he bellowed, and I laughed even harder, shaking with mirth even as he rolled himself on top of me and valiantly fought the tunic that kept wrapping itself around his face. The tunic was slightly dangerous, the boots weren’t very accurate, and the tail end of the belt had made a welt across my cheek. I decided enough was enough.
I performed a sloppy rhyme, and Tiras let out a stream of profanities as the shirt ceased its murderous attempts and the belt and boots fell to the floor, inanimate once again.
Tiras’s breathing was harsh and fast, his hair mussed and falling over his eyes as he braced his forearms on either side of my head. His big body pressed me into the floor, making it hard to draw breath. I was well and truly trapped, but I felt like the victor regardless.
Are you injured, husband?
He was glaring and angry for all of three seconds. Then the lines around his eyes deepened and a smile broke out across his face. He laughed with me, but he kept me pinned beneath him, his face inches from mine.
“You enjoyed that, didn’t you?”
Immensely.
“Tell me this, wife. Is there a spell to quickly remove your dress?” he whispered, still smiling, his breath tickling my mouth.
I felt my face grow hot, and I closed my eyes, trying to retreat, even as I immediately considered a spell to render us both naked.
”
”
Amy Harmon (The Bird and the Sword (The Bird and the Sword Chronicles, #1))
“
You look pretty, Mommy.”
“Thank you, sweetheart,” I say, gazing at her in the reflection of the mirror as she watches me, her expression curious. I pat the counter beside the sink, inviting her to join me, and she climbs up to sit on it as I grab a tube of lip-gloss, strawberry flavored. She puckers up, and I put some on her, smiling as I do it. “You know I love you, right, pretty girl? I love you more than everything. More than the trees and the birds and the sky. More than even pepperoni pizza and Harlequin novels.”
“What’s a Harley-Quinn novel?”
“Nothing you’ll need to know about for a long, long time,” I say, putting the lip-gloss away. “Just know that I don’t love them nearly as much as I love you.”
She kicks her feet, grinning. “I love you, too.”
“More than chocolate ice cream and Saturday mornings?”
“Uh-huh,” she says. “More than colors and money!”
“No way.”
“And the Yoo-Hoo drinks and Happy Meal toys.”
“Whoa.”
“And even more than Breezeo!”
Eyes wide, I look at her. That’s some serious commitment coming from my superhero-loving girl. “You know, you can love us the same.”
“Nuh-uh,” she says, shaking her head. “You’re my mommy, so I love you more.”
I press my pointer finger to the tip of her nose. “Well, I sure appreciate it, but remember that it’s okay if you ever do.
”
”
J.M. Darhower (Ghosted)
“
... her teeth had begun to dance.
They twitched in her jaw like living things. She shrieked, not in pain but in horror, her mouth suddenly full of wiggling bone, as if she were in one of those nightmares where all her teeth fell out at once. It was like chewing and squirming and wiggling a loose tooth, wrapped all together, in time to the pennywhistle's tune.
She tried to bite down hard, hoping to still the awful dance, but it was worse, much worse, all the teeth rattling against each other, her skull filling up with the sounds of chattering. Oh god oh god no no no no NO!
It most of her teeth were dancing, the one bad molar was kicking. It felt as if it were battering against her cheek and the rest of her teeth, like a bird at a window, slam, slam, slam.
The Toothdancer leaned in closer and played more quickly. Marra wanted to scream in denial, but if she opened her mouth, all her teeth would dance out. Oh god this was worse than anything worse than the blistered land, that had been outside, and this was inside her skin inside her face-
With a popping sensation, the bad tooth pulled itself free of her jaw. It landed on her tongue, bouncing like an insect and began to batter against the backs of her lips. Marra yelped at the sensation of hard, crawling life loose inside her mouth. She tried frantically to spit.
The Toothdancer dropped the pennywhistle, leaned in, and plucked the tooth neatly from the surface of her tongue with his beak. He turned and dropped the tooth, wet and glistening, in to the tooth seller's palm.
Then he bowed very politely to Marra, patted her arm, and walked away.
”
”
T. Kingfisher (Nettle & Bone)
“
Speaking of shooting, my lady,” Mr. Pinter said as he came around the table, “I looked over your pistol as you requested. Everything seems to be in order.”
Removing it from his coat pocket, he handed it to her, a hint of humor in his gaze. As several pair of male eyes fixed on her, she colored. To hide her embarrassment, she made a great show of examining her gun. He’d cleaned it thoroughly, which she grudgingly admitted was rather nice of him.
“What a cunning little weapon,” the viscount said and reached for it. “May I?”
She handed him the pistol.
“How tiny it is,” he exclaimed.
“It’s a lady’s pocket pistol,” she told him as he examined it.
Oliver frowned at her. “When did you acquire a pocket pistol, Celia?”
“A little while ago,” she said blithely.
Gabe grinned. “You may not know this, Basto, but my sister is something of a sharpshooter. I daresay she has a bigger collection of guns than Oliver.”
“Not bigger,” she said. “Finer perhaps, but I’m choosy about my firearms.”
“She has beaten us all at some time or another at target shooting,” the duke said dryly. “The lady could probably hit a fly at fifty paces.”
“Don’t be silly,” she said with a grin. “A beetle perhaps, but not a fly.” The minute the words were out of her mouth, she could have kicked herself. Females did not boast of their shooting-not if they wanted to snag husbands.
“You should come shooting with us,” Oliver said. “Why not?”
The last thing she needed was to beat her suitors at shooting. The viscount in particular would take it very ill. She suspected that Portuguese men preferred their women to be wilting flowers.
“No thank you,” she said. “Target shooting is one thing, but I don’t like hunting birds.”
“Suit yourself,” Gabe said, clearly happy to make it a gentlemen-only outing, though he knew perfectly well that hunting birds didn’t bother her.
“Come now, Lady Celia,” Lord Devonmont said. “You were eating partridges at supper last night. How can you quibble about shooting birds?”
“If she doesn’t want to go, let her stay,” Gabe put in.
“It’s not shooting birds she has an objection to,” Mr. Pinter said in a taunting voice. “Her ladyship just can’t hit a moving target.”
She bit back a hot retort. Don’t scare off the suitors.
“That’s ridiculous, Pinter,” Gabe said. “I’ve seen Celia-ow! What the devil, Oliver? You stepped on my foot!”
“Sorry, old chap, you were in the way,” Oliver said as he went to the table. “I think Pinter’s right, though. Celia can’t hit a moving target.”
“Oh, for heaven’s sake,” she protested, “I most certainly can hit a moving target! Just because I choose not to for the sake of the poor, helpless birds-“
“Convenient, isn’t it, her sudden dislike of shooting ‘poor, helpless birds’?” Mr. Pinter said with a smug glance at Lord Devonmont.
“Convenient, indeed,” Lord Devonmont agreed. “But not surprising. Women don’t have the same ability to follow a bird in flight that a man-“
“That’s nonsense, and you know it!” Celia jumped to her feet. “I can shoot a pigeon or a grouse on the wing as well as any man here.”
“Sounds like a challenge to me,” Oliver said. “What do you think, Pinter?”
“A definite challenge, sir.” Mr. Pinter was staring at her with what looked like satisfaction.
Blast it all, had that been his purpose-to goad her into it?
Oh, what did it matter? She couldn’t let a claim like this or Lord Devonmont’s stand. “Fine. I’ll join you gentlemen for the shooting.”
“Then I propose that whoever bags the most birds gets to kiss the lady,” Lord Devonmont said with a gleam in his eye.
“That’s not much of a prize for me,” Gabe grumbled.
She planted her hands on her hips. “And what if I bag the most birds?”
“Then you get to shoot whomever you wish,” Mr. Pinter drawled.
As the others laughed, Celia glared at him. He was certainly enjoying himself, the wretch. “I’d be careful if I were you, Mr. Pinter. That person would most likely be you.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
Even at that hour, London was awake and there would be cutpurses and pickpockets and maunderers about. Each week he saw more and more of them, lurking on street corners and huddled in doorways – vagrants and paupers pouring in from the countryside where they could not eke out a living on land being enclosed for animals, and could no longer turn to the charity of the old religious houses. For all their extravagance and corruption, the ancient monasteries had provided food and shelter to the poor and sick of their counties. Now London grew larger, dirtier and more overcrowded with each day while Londoners grumbled and cursed and demanded an end to the river of vagrants and harsher penalties for their crimes. But to no avail. A man had only to walk along Fleet Street to see that the problem was getting worse by the week. On the corner of Pilgrim Street, butchers and bakers were already setting out their stalls and aiming kicks at the half-naked urchins who scrabbled about in the dirt, squabbling over a stale crust or a scrap of offal. The urchins had to be quick. Hungry dogs sniffed about while kites watched hopefully from the rooftops. Christopher saw a bird swoop from its perch, take a morsel in its beak and flap away before it could be frightened off. A filthy child saw him and dashed across the street to demand a coin. She grabbed his gown and held on like a terrier with a rat until he gave up trying to free himself and tossed
”
”
A.D. Swanston (The Incendium Plot (Christopher Radcliff, #1))
“
For the first time in years, I feel everything again. The sun on my skin. The wind in my hair. The birds. The scent of poppies. And Six—the sizzling crack of a lightning bolt. My beloved storm in the desert. I feel him so deeply inside, it sends a shock straight to my heart that kicks a beat, and my eyes flutter open to the world that seemed to have stopped moving around us.
”
”
Keri Lake (Juniper Unraveling (Juniper Unraveling #1))
“
Mothers are like those bird who takes care of her babies; she teach them how to fly by kicking them out of the nest. when she sees the birds cannot fly, she flies faster, catches them and puts them back at the nest. She don't give up; she repeats that until her birds learns to fly!
”
”
Zybejta (Beta) Metani' Marashi
“
You should have seen her," he said, beaming and swinging from side to side in the chair. " Oh god, it was beautiful. She stormed down that hallway and I swear if it wasn't because she was so small, she'd have kicked their asses. If I wasn't so pissed off, I'd kiss her right now.
”
”
C.L. Stone (First Days (The Ghost Bird, #2))
“
This year Britain has become our last stronghold. A fortress defended with small aircraft flown by these strange, unknown young men.’ His glance flicked over Andrew and Bryan. ‘But are they unknown? Look at them and you will realise you do know them. They are our sons, our nephews, friends of our sons and daughters. Each a vibrant spark of God’s beloved humanity. All of them welcome in our houses and at our tables. ‘Cast your mind back a few short years. We watched them in those summer days when our stronghold was nothing but their playground. They picnicked on the village greens amongst the sweet bird-chatter. They laughed and played on the beaches, kicking the water with bare toes. And later they watched and then loved the young girls dressed in coloured frocks like the most wonderful of God’s flowers. ‘Now the flowers have faded to khaki and the bird-chatter is stilled under the clattering machines of war. These young men have stepped forward, separated in their blue, to become the winged warriors at the end of the trails that track the vaults above our heads. ‘George has gone, but he is not so far away that he cannot still see England’s face. The woods he played in, the fields he crossed, the town where he grew up and the prettiest flowers that remain unpicked. ‘He has flown on English air to a new world. But he can still see the world he knew just a few days past. And, in our hearts, we may yet see his frozen trail looped white across the heavens. For the air was his kingdom and he was a shield for those who lived under his wings. ‘His brief life has been given up as a ransom, that we might one day be free again. He has given up the richness of days not yet lived, the chance to hear his child’s voice and the solace of true love to ease his years of frailty. All this lost in a moment of willing sacrifice. ‘No thanks we may give him can weigh sufficiently against what he gave. But the clouds in our English skies can entwine with our eternal remembrance and together we may bind a wreath of honour that is worthy for his grave.’ ◆◆◆
”
”
Melvyn Fickling (Bluebirds: A Battle of Britain Novel (The Bluebird Series Book 1))
“
But leaving and being kicked out were two entirely different things.
”
”
Sarah Addison Allen (Other Birds)
“
Bruce was not one to be outdone by the bird and jump high into the air, kicking off a chorus tree, causing it to explode. He unfurled his wings and glided smoothly right over to Kate. She gave a small smiled and they continued their trek to the tower.
”
”
Pixel Ate (The Accidental Minecraft Family: Book 29)
“
Sometimes ritual quiets the racket. Try it. Any number of things may work for you—an altar, for instance, or votive candles, sage smudges, small-animal sacrifices, especially now that the Supreme Court has legalized them. (I cut out the headline the day this news came out and taped it above the kitty’s water dish.) Rituals are a good signal to your unconscious that it is time to kick in.
”
”
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
“
Before then stood Lessa Craier.
“Mother,” said Inara, her breath catching in her throat.
Behind her, rather worse for wear, was another dead woman: Kissen.
“Ina?” the godkiller said, her voice hoarse and breaking. She looked terrible. Worse than Inara felt. But Lessa Craier looked wonderful: her blade out and bloody, poised. Her mother’s long hair was slicked in a perfect braid, her tabard edged in Craier green and silver, embroidered with birds and leaves, and her leather chest plate was the same one she had kept in her armoury in their manor.
Their burned manor.
It took hearing Kissen call Ina’s name for Lessa’s mouth to tighten in recognition. No wonder: Inara must look very different to the soft little girl who had never left her home. Her mother’s colours fractured out into white, pure panic, then shifted into a fountain of golden foam, love or relief, before disappearing once more. Pulled back inside her frame. Hidden.
Kissen moved. Inara didn’t have time to think before the veins charged past Lessa and pulled Inara away from the fire and into her arms, far from Arren’s blade.
“Kissen,” Inara said tentatively. She was real. She was completely real. No dream could smell so bad. Inara grabbed her back, holding in for safety, for terror and grief.
“You’re…you’re alive.”
She held her, tightly, as tight as she could hold a thing, and Kissen held her back as if she could use her body to shield her from the world. Lessa didn’t come to her, Lessa didn’t move.
“And kicking,” Kissen said. “Barely. I’m so sorry, I tried…I tried to come back to you.”
“Kissen!” Joy was on Elo’s face and in his colours, shining the mellow hues of fresh-baked bread with the reds of Kissen’s hair.
“Quiet,” said Arren, holding him tighter, but even the knife to his throat couldn’t dim Elo’s utter relief.
“Elogast,” said Kissen, her voice gruff with emotion, her eyes going from the knife, to Arren, and back to Elo, calculating. She covered it with a joke: “Looks like you’re in trouble again.”
Elo huffed out a breath of a laugh. “I should have known…” he said, his voice cracking with exhaustion and wonder. He grinned. “I should have known you were too stubborn to die.
”
”
Hannah Kaner (Sunbringer (Fallen Gods, #2))
“
Before them stood Lessa Craier.
“Mother,” said Inara, her breath catching in her throat.
Behind her, rather worse for wear, was another dead woman: Kissen.
“Ina?” the godkiller said, her voice hoarse and breaking. She looked terrible. Worse than Inara felt. But Lessa Craier looked wonderful: her blade out and bloody, poised. Her mother’s long hair was slicked in a perfect braid, her tabard edged in Craier green and silver, embroidered with birds and leaves, and her leather chest plate was the same one she had kept in her armoury in their manor.
Their burned manor.
It took hearing Kissen call Ina’s name for Lessa’s mouth to tighten in recognition. No wonder: Inara must look very different to the soft little girl who had never left her home. Her mother’s colours fractured out into white, pure panic, then shifted into a fountain of golden foam, love or relief, before disappearing once more. Pulled back inside her frame. Hidden.
Kissen moved. Inara didn’t have time to think before the veiga charged past Lessa and pulled Inara away from the fire and into her arms, far from Arren’s blade.
“Kissen,” Inara said tentatively. She was real. She was completely real. No dream could smell so bad. Inara grabbed her back, holding in for safety, for terror and grief.
“You’re…you’re alive.”
She held her, tightly, as tight as she could hold a thing, and Kissen held her back as if she could use her body to shield her from the world. Lessa didn’t come to her, Lessa didn’t move.
“And kicking,” Kissen said. “Barely. I’m so sorry, I tried…I tried to come back to you.”
“Kissen!” Joy was on Elo’s face and in his colours, shining the mellow hues of fresh-baked bread with the reds of Kissen’s hair.
“Quiet,” said Arren, holding him tighter, but even the knife to his throat couldn’t dim Elo’s utter relief.
“Elogast,” said Kissen, her voice gruff with emotion, her eyes going from the knife, to Arren, and back to Elo, calculating. She covered it with a joke: “Looks like you’re in trouble again.”
Elo huffed out a breath of a laugh. “I should have known…” he said, his voice cracking with exhaustion and wonder. He grinned. “I should have known you were too stubborn to die.
”
”
Hannah Kaner (Sunbringer (Fallen Gods, #2))
“
Why are we down here?”
“To stock up on weapons.” Uncle Mort crossed to the far wall. “We need lots of ’em. Driggs, pick that up, it’s not going to kill you—” Driggs gave him a look. “Okay, it won’t further kill you. Take a couple of these, too.” He handed Lex and Driggs a few thin vials of Amnesia each.
“What are these for?”
“Weapons. Aren’t you paying attention?” He walked to yet another wall and began to load up on items that were, at long last, recognizable as instruments of death.
“Guns?” she asked, surprised for some reason. “Not, like, Amnesia blow darts?”
“Oh, which reminds me.” He took something else off the shelf.
“What’s that?”
“Amnesia blow darts.”
Lex shook her head. “But why guns, if we have all of this other cool stuff?”
“Because despite our best efforts to use Amnesia as much as we can instead of lethal force, we’ll probably need to kill some people, and guns kill people.” He moved on to the next wall and began rifling through more gadgets. “Or people kill people. I forget how the hippies say it. Now, this one’s for you, Lex. I’m going to need you to guard this with every meager iota of attention span you have left. Okay? I’m trusting you with this. Don’t lose it.”
Lex got all her hopes up—even though she’d gotten to know Uncle Mort pretty well by now and should have known better than to get even a small percentage of her hopes up. And sure enough, the item he gave her caused the smile to evaporate right off her face.
“Don’t lose it,” he repeated.
Her eye twitched. “What is it?”
“What does it look like?”
“An oversize hole punch.”
“Exactly.”
“What?” she boomed as he went back to his papers. “You get guns, and Driggs gets the deadly Heisman, and all I get is an office supply?”
“Yes. Don’t lose it.”
It took every ounce of Lex’s strength to not kick the bubonic football into his face. Noticing this, Driggs swooped in and wrapped her in a calming, solid embrace. “Relax, spaz,” he said.
“But he—”
“—wouldn’t give you a bazooka. Oh, the unbearable trials and tribulations of the living.”
Lex deflated. Nothing put things in perspective like remembering that your boyfriend had been killed not a few hours earlier and was now stuck in some hellish existence halfway between life and death.
“Sorry,” she said, giving his arms a squeeze, happy that she could even do that.
“That’s okay. Human problems are hard. Hangnails and tricky toothpaste tubes and getting shat on by birds and the like.”
“Mondays suck too,” she mumbled into his chest.
“Oh, Mondays are the worst
”
”
Gina Damico (Rogue (Croak, #3))
“
to Freyja.” and Odin is like “Can I at least have the octohorse?” and Loki is like “Only if I don’t have to do what you say anymore.” and Odin is like “FINE.” and Loki is like “HAHA, I PRANKED YOU THAT HORSE CAME OUT OF MY HORSE VAGINA.” And Odin is like “Ew, ick. I still want the horse though.” So the moral of the story is that only a sucker pays full price for masonry. Oh, speaking of which let me tell you about another really gross thing Loki had sex with . . . FENRIR IS A DILF So one day, Loki’s wandering around Jotunheim and he sees this chick Angrboða pronounced ANGER BOW THE and he is like “Well, I know she’s pretty ugly and her name is kinda like a reference book entry for THE ANGER BOW but you know what? I’m gonna tap that and have three kids with that and all three of those kids are going to be horrible beasts that bring on the apocalypse. I see no problems with this.” So for now, let’s just focus on the first kid: a giant wolf named Fenrir. Now Loki brings baby Fenrir to Asgard and the Aesir all instantly know that this wolf is gonna be the death of them mainly because it is a GIANT WOLF NAMED FENRIR. But instead of doing anything about it they decide to see if they can just raise it as their own presumably because they don’t want to hurt Loki’s feelings. So this god Tyr the god of single combat and being awesome gets put in charge of feeding Fenrir because he’s the only person with sufficient testicular mass to actually go near the wolf and Fenrir gets bigger and bigger and holy shit bigger until the gods start to be like “Uhh . . . we should really do something about this wolf.” So what they do is they make a big metal chain. This chain is so incredibly massive that they don’t feel right until they give it a name that name is Leyding. So they go up to Fenrir like “Hey, man I bet you totally can’t break out of this chain.” And Fenrir is like “Okay, bring it.” So they tie him up and he pretty much just breaks the chains like cobwebs and he gets famous because of that and the gods are like “Fuck, that backfired. Okay, let’s make a better chain.” so they make a chain that is TWO TIMES AS STRONG and they name it Dromi and they go back to Fenrir like “Bet you can’t break THIS chain.” And Fenrir is like “I don’t know if I want to let you tie me up again.” And the gods are like “Don’t you want to be double famous?” and Fenrir is like “Ugh, okay.” So he lets them tie him up again and he flexes a little, but the chain doesn’t break so then he kicks the chain, and it does break and the gods are all like “Okay we definitely need a better chain. Somebody call some dwarves.” So the dwarves are like “Okay the mistake you guys have been making is you have been trying to make a chain out of actual things that exist such as metal instead of abstract concepts such as the sound of a cat’s footfall.” So what the dwarves do is they take the sound of a cat’s footfall along with the roots of a mountain the sinews of a bear the beard of a woman— remember, these are dwarves— and the breath of a fish, and the spit of a bird so that’s why you can’t hear cats walking around and mountains don’t have roots and fish don’t breathe, and birds don’t spit but I think bears still probably have sinews and I have definitely met me some bearded ladies so I guess the dwarves were not that thorough. But anyway somehow they manage to distill all this shit into THE ULTIMATE
”
”
Cory O'Brien (Zeus Grants Stupid Wishes: A No-Bullshit Guide to World Mythology)
“
You just told me you’d never baby me,” she said softly. “I can see what you’re thinking. I’m not broken. I’m not a bird with an injured wing. I have a past, and it’s tricky, and it often visits me in my dreams, but I’m still kicking ass, Fix. So…if you want me, try and take me. I’ll kick your ass if I don’t want your hands on me.
”
”
Callie Hart (Dirty (Dirty Nasty Freaks, #1))
“
Not another bird to worry about, thought Howie. He already had missing pelicans causing him a headache, ducks possibly wanting revenge for being kicked off the national flag, and a cooked goose trying to make him feel guilty.
”
”
Paul Mathews (We Have Lost The Pelicans (We Have Lost #2))
“
The man's horrible curses; the howls of the dogs in the cellar; the wailing of the puppies in cages ; the sight of the blood and the torture; the shrieks of the animal that he kicked or beat, or forced into some wretched hole too small for it to turn in; the sad filmy eyes of the poor birds sitting moping with their feathers all in disarray; the piteous terrors of the woman every time her husband's savage glance lit on her, as though with every look she feared a blow,—all this was more dreadful to me than I can ever describe.
”
”
Ouida (Puck)
“
As drought kicks in, the choughs experience several things simultaneously. The shortage of food increases their stress levels; the birds are forced to spend more time searching for food, and less time keeping an eye open for predators. If food is really short the birds use up all their body fat and start to use the protein reserves in their breast muscles. This in turn impairs their ability to fly, so that if a predator such as a wedge-tailed eagle does attack they have less chance of escaping. Stress is increased further as birds squabble over food. Whereas group members might once have shared food, as hunger bites individuals become extremely selfish and try to keep food for themselves. Larger or more dominant birds simply push the smaller individuals aside and steal their food; resistance is useless, for the stress of losing a fight may be more damaging still.
”
”
Tim Birkhead (Bird Sense: What It's Like to Be a Bird)
“
She wandered moodily about the clearing, kicking at the grass, then bent down and picked something up. It was an old steel helmet, thick with rust, a jagged hole in the side.
You still find these all over the woods, she said. I'm not even sure whether it's Russian or German.
She turned it slowly over and over in her hands, crumbling more of the rusty metal off. Then she hurled it away and brushed the rust off her hands. The helmet hit a tree, bounced off in a shower of rust and fell into a bramble bush where it perched on a a branch, bobbing up and down like some great brown bird alighting. Raya seemed to be abashed by the ridiculousness of it, and picked it out of the bush. They sat down side by side on a fallen tree trunk sodden, like everything else, with the stored wetness of winter. Raya turned the helmet over in her hands again, feeling its texture curiously.
Poor old helmet, she said, Manufactured and issued and worn and punctured and lost and rusted by the forces of historical necessity. Found and touched and lost again by Raissa P. metelius, lecturer.
”
”
Michael Frayn (The Russian Interpreter)
“
checked the downstairs bathroom and the hallway closet, ducking around corners and pointing that gun like Clint Eastwood, if Clint Eastwood was doing house rounds in nothing but a towel. But there was simply nothing to shoot. The doors were locked; the windows were securely latched; nobody was hiding in the shadows, but his heart continued to slap against his diaphragm at a million miles an hour. There was no chance of getting to sleep now, at least not without soothing his nerves first. The Ativan wouldn’t kick in for at least another ten minutes, and he had been too sore to drive into town for more
”
”
Ania Ahlborn (The Bird Eater)
“
I’m Captain Florida, the state history pimp Gatherin’ more data than a DEA blimp West Palm, Tampa Bay, Miami-Dade Cruisin’ the coasts till Johnny Vegas gets laid Developer ho’s, and the politician bitches Smackin’ ’em down, while I’m takin’ lots of pictures Hurricanes, sinkholes, natural disaster ’Scuse me while I kick back, with my View-Master (S:) I’m Captain Florida, obscure facts are all legit (C:) I’m Coleman, the sidekick, with a big bong hit (S:) I’m Captain Florida, staying literate (C:) Coleman sees a book and says, “Fuck that shit” Ain’t never been caught, slippin’ nooses down the Keys Got more buoyancy than Elián González Knockin’ off the parasites, and takin’ all their moola Recruiting my apostles for the Church of Don Shula I’m an old-school gangster with a psycho ex-wife Molly Packin’ Glocks, a shotgun and my 7-Eleven coffee Trippin’ the theme parks, the malls, the time-shares Bustin’ my rhymes through all the red-tide scares (S:) I’m the surge in the storms, don’t believe the hype (C:) I’m his stoned number two, where’d I put my hash pipe? (S:) Florida, no appointments and a tank of gas (C:) Tequila, no employment and a bag of grass Think you’ve seen it all? I beg to differ Mosquitoes like bats and a peg-leg stripper The scammers, the schemers, the real estate liars Birthday-party clowns in a meth-lab fire But dig us, don’t diss us, pay a visit, don’t be late And statistics always lie, so ignore the murder rate Beaches, palm trees and golfing is our curse Our residents won’t bite, but a few will shoot first Everglades, orange groves, alligators, Buffett Scarface, Hemingway, an Andrew Jackson to suck it Solarcaine, Rogaine, eight balls of cocaine See the hall of fame for the criminally insane Artifacts, folklore, roadside attractions Crackers, Haitians, Cuban-exile factions The early-bird specials, drivin’ like molasses Condo-meeting fistfights in cataract glasses (S:) I’m the native tourist, with the rants that can’t be beat (C:) Serge, I think I put my shoes on the wrong feet (S:) A stack of old postcards in another dingy room (C:) A cold Bud forty and a magic mushroom Can’t stop, turnpike, keep ridin’ like the wind Gotta make a detour for a souvenir pin But if you like to litter, you’re just liable to get hurt Do ya like the MAC-10 under my tropical shirt? I just keep meeting jerks, I’m a human land-filler But it’s totally unfair, this term “serial killer” The police never rest, always breakin’ in my pad But sunshine is my bling, and I’m hangin’ like a chad (S:) Serge has got to roll and drop the mike on this rap . . . (C:) Coleman’s climbin’ in the tub, to take a little nap . . . (S:) . . . Disappearin’ in the swamp—and goin’ tangent, tangent, tangent . . . (C:) He’s goin’ tangent, tangent . . . (Fade-out) (S:) I’m goin’ tangent, tangent . . . (C:) Fuck goin’ platinum, he’s goin’ tangent, tangent . . . (S:) . . . Wikipedia all up and down your ass . . . (C:) Wikity-Wikity-Wikity . . .
”
”
Tim Dorsey (Electric Barracuda (Serge Storms #13))
“
Little Jimmy got a parrot for Christmas. The bird was fully grown, with a very bad attitude and a worse vocabulary. Every other word out of its beak was an expletive; those that weren’t expletives were, to say the least, rude. Jimmy tried to change the bird’s habits by constantly saying sweet, polite words, playing soft music, anything he could think of. Nothing worked. He yelled at the bird and the bird got worse. He shook the bird and the bird got madder and even more revolting. Finally, in a moment of desperation, Jimmy put the parrot in the freezer. For a few moments he heard the bird swearing, squawking, kicking, and screaming and then, suddenly, there was absolute quiet. Jimmy was frightened that he might have actually hurt the bird, and quickly opened the freezer door. The parrot calmly stepped out onto Jimmy’s extended arm and said, “I’m sorry that I offended you with my language and my actions, and I ask your forgiveness. I will endeavor to correct my behavior.” Jimmy was astounded at the change in the bird’s attitude and was about to ask what had changed him, when the parrot said, “May I ask what the chicken did?
”
”
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
“
surged forward, striking high and low. I leapt into the rafters. This isn’t what I wanted. Not at all. These men were killers, and they wanted me dead. I couldn’t stay up here forever. There was only one rafter and nowhere to go. “Brock! Get over there and jerk that bird out of those rafters!” The oversized man made it across the room in three strides, reaching up my way. His big fingers reached at my feet as I kicked them away. “Go away, Brock!” He was big and ugly but not stupid. He laughed. “Get him, Brock!” “Snap his neck like a chicken's!” “I’ve got dibs on his pretty hair!” I kicked Brock in the nose, drawing a painful howl. That last comment lit a fire in me. My problem was they could kill and seemed perfectly willing to, but I could not. Problem. Brock threw his shoulder into the post. The entire building shook. The innkeeper was screaming, “Stop it! Stop it!” The leader shoved him to the ground. It seemed these enforcers had a point to make. Something weird was going on here, and the Jackal, whoever that was, was behind it all. It was time for me to move. Brock hit the post again, cracking it and shaking the room. I dropped onto his shoulders and blinded him with my hands. “Easy, Brock,” I said. “What you can’t see, you can’t hit!” “Get off of me, rodent!” He reached for my hands. I slapped him on his bald head. “That will leave a mark. Woo! My, it’s hot up here.” The leader shouted out, “Brock, kneel down so we can get a lick at him!
”
”
Craig Halloran (Terror at the Temple (Chronicles of Dragon, #3))
“
Hope kicked things off by asking if we had heard the story about Jesus playing golf with Saint Peter. “They’re teeing off on the 180-yard par-three sixth hole. Saint Peter hits a perfect five iron ten feet from the cup. Jesus then shanks his five iron out of bounds and it’s heading over a fence. Suddenly an eagle flies overhead, and before the ball can land in the bushes, the eagle plucks it in midair and circles the green. A moment later, the bird drops the ball directly on the green. And it rolls right into the cup for a hole in one. Saint Peter looks at Jesus and says, ‘All right—are you going to play golf or are you just going to fuck around?
”
”
Henry Bushkin (Johnny Carson: A Taut Portrait of a Complex Man Revealing the True Johnny Carson)
“
As they drifted down the Apple River, Virgil felt as though a medicine was moving through him, flushing his cells with a natural liquid peace. The quiet shrilly of katydids and the soft song of moving water permeated the air. He watched Chantel slowly spinning in the currents, her eyelids fluttering in a way he'd never seen before, her ebony face drenched in sunshine, feet kicking lazily in the water. He wanted to think only of her, in this calm river vision, releasing all other thoughts from his head like flocks and flocks of birds, every species known to man, shooting out of a cavern and filling the sky.
”
”
Ron Parsons (The Sense of Touch)
“
Bob and Lyn approached. “A pair of emus, just up the road,” Bob shouted.
Steve jumped into the Ute, and we were off to get a look. We spotted the two flightless birds, an adult and a subadult, but they bolted as soon as we arrived.
“Too bad,” I said, watching the emus kicking up dust. “That would have been good.”
“Get Henry,” Steve yelled. Then he leaped from the truck and hit the ground running.
It’s impossible to catch an emu. They can reach speeds of up to forty miles an hour. Steve sprinted off and ran like the wind after the younger bird. It was huge, nearly full grown, and running like mad. I sat in the truck and watched in shock. Henry looked as stunned as I was. There was nothing he could do but put camera to shoulder and tear off after them.
“This is going to be a good laugh to watch,” I said to John.
To my amazement, the three made a big circle and began to head back in the truck’s direction.
“Is it just me,” I said to John, “or is he gaining on it?”
With the young emu taking huge, ground-gulping strides, the dust puffing up from each footstep, and Steve in his Timberlands kicking up the dirt right behind, they came toward us. Steve lunged forward and grabbed the bird in a bear hug. He picked the emu clean up off the ground, its big, gangly legs kicking wildly.
Steve grinned from ear to ear. Henry caught his breath and tried to stop the camera from shaking. “Emus are spectacular,” Steve said exuberantly. “It’s the dad who raises the kids. All the mother does is deposit her eggs in a nest scraped into the ground. Then it’s the father’s responsibility to raise them up.”
After his commentary, Steve let the emu go. As it trotted off, Henry turned to Steve and said, “I’m not sure if I got all that.”
Steve immediately bolted off like a jackrabbit and ran after the emu, and I’ll be darned if he didn’t catch it again. Once more Steve turned to Henry and told him all about emus. Then he kissed the bird, gave it a hug, and released it a second time.
If emus tell stories around the campfire, that one had a humdinger to tell for years to come.
”
”
Terri Irwin (Steve & Me)
“
I’m furious with you,” he said almost idly. Curled in his arms, warm and safe with his heart beating steadily beneath her cheek, it was difficult to take his displeasure seriously. “Why?” “You left without saying goodbye this afternoon.” In the lightless, confined cabin, his Scottish accent seemed impossibly exotic, so much more noticeable than in the light of day. She buried her face in his brocade waistcoat and felt his hand rest on her coiled hair. If they weren’t careful, all Lise’s hard work would go for nothing and Campion would emerge from the carriage looking like she’d run through a hurricane. The spicy essence of lemon soap and Lachlan’s skin filled her senses. “I couldn’t bear to tell you that it was our last afternoon together.” He tensed against her and his heart kicked into a faster rhythm. “Last?” She raised her head. Her vision had adjusted enough for her to see the glitter of his eyes. “My aunt is sending me back to Sussex tomorrow.” “Damn it, Campion, you should have told me.” His embrace firmed as he pressed her closer. “I had things to say to you today. Important things.” Happiness had fluttered inside her like fledgling birds since she’d seen him. His somber tone pricked at her elation. “I suppose you want me to leave my aunt’s home and stay in London as your mistress,” she said flatly. He thrust her back against the seat so hard that she bounced. She flinched beneath his blistering anger as his hands tightened on her shoulders. “Of course I wasn’t going to say that, you lovely fool.” She hardly heard him. “I know I’m provincial and poor, but I’m proud of the Parnell name. My parents were fine people who loved me. I can’t bring shame upon their memory by accepting your carte blanche.” She blinked away the prickling rush of moisture. For a fleeting instant tonight, she’d imagined that she was done with tears, at least until Christmas Eve turned into Christmas Day. “Whatever else I might choose to do if there were no other considerations.” “So are you saying that you’d like to be my mistress?” he asked slowly, in a tone she couldn’t interpret. She shrugged unhappily and risked the truth. “I don’t want to leave you.” His sigh expressed temper. “Yet you did leave me.” “Lachlan, don’t be angry. Not tonight.” She framed his face with her hands, although it was too dark to see his expression. He’d recently shaved. His skin was smoother than it had been this afternoon. “I know I was a coward, but it seemed easier on both of us if I just disappeared.” “Did it indeed?” The muscles of his cheeks were taut under her palms, but his question sounded merely curious. “I thought that was the last time I’d ever see you.
”
”
Anna Campbell (A Grosvenor Square Christmas)
“
Come here, cupcake,” I hear Sam say softly. He pulls me against him and holds me close as I sob on his shoulder. I pull myself together when the elevator stops on our floor. Sam leads me into the apartment and over to the sofa. He sits down and tugs me onto his lap. I curl into him and he holds me close. “It’s been so long since I’ve seen her,” I say when the hiccupping sobs finally subside. “I know.” He rubs my back. “She still looks the same. But it’s wrong. So wrong.” “I know.” “She didn’t even come to see me. She just came for money.” “Yes, she did.” “She doesn’t care. She never did.” My voice breaks again, and I want to kick myself for letting her get to me like this. “I know.” “What should I do?” “What do you want to do?” “I want her to go away! I want her to have never existed. Ever. I want a do-over.” He hums, but doesn’t say anything. “But if I had a do-over, I wouldn’t have Emilio and Marta, or any of my sisters. And without them, I wouldn’t have you.” I look up. “I do have you, right?” “You got me, cupcake.” “I’m squishing you.” I move to get up, but he holds me tightly. “I’m made of stronger stuff than you might think.” “You told her you love me,” I say quietly. He goes still under me. His hand stops sweeping down my hair. “Do you?” He turns my head with a finger under my chin so he can look into my eyes. “You doubt it?” “Well,” I hedge, “I told you yesterday and you didn’t tell me back, so I didn’t know.” “Oh, fuck,” he breathes. “I thought it was a given.” “A given?” “God, I can’t breathe when I’m around you, Peck. I can’t think. I love you, and I don’t want to be apart from you. Ever.” “You love me.” It’s not a question this time. The birds in my head start to sing, and my heart does this happy glug-glug thing in my chest. “Yes, I fucking love you.” I
”
”
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
“
Ani stood. “We came back here to beg your help, and before I even ask you’re waiting for me at the door.”
“Don’t look so surprised,” said Enna. “You should know by now that the Forest grows ’em loyal. Does a pine kick a bird out of its limbs or the moss off its bark?”
“Am I the moss on your bark, then?” said Ani.
Enna grabbed her around her waist and shook her affectionately. “You’re the mossiest girl I know.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
And so we danced around like that in circles, my arms flailing at the bird and me in a shredded hospital gown with a dog latched onto my foot who wouldn’t let go. And I was screaming and trying to get them off when all of a sudden they just took off. I stood their dazed, not sure what just happened. My animals had just kicked my ass.
”
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Matt Orlando (Truncated II: A Cold Day in Heaven)
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My heart feels like a car on a full tank getting pumped with gas. All it would take is one match. I’m panicked. Normally, I know what that means. My hypothalamus is trying to take over. The flight-or-fight response wants to kick in. But what do you call the opposite? Flying toward something in a panic? Shit, I feel like a bird about to hit a windowpane. I need to retreat. BREATHE.
”
”
NoNieqa Ramos (The Truth Is)
“
you need to know a thing or two about cuckoos because they are wily birds. Rather than raise their own offspring, they surreptitiously lay their eggs in the unguarded nests of other birds. The unsuspecting foster parents dutifully incubate the interloper’s egg along with their own. But the cuckoo chick hatches early, kicks other eggs and young out of the nest, then emits rapid calls to mimic a nest full of hungry offspring. This takeover tactic works: the foster parents busily feed their oversized tenant as it grows absurdly large, bulging out of the tiny nest it has occupied. It’s a powerful warning to other birds: leave your nest unattended and it may well get hijacked.
”
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Kate Raworth (Doughnut Economics: Seven Ways to Think Like a 21st-Century Economist)
“
He told me that the difference between him and other people was that other people would only think about kicking me in the shins whenever I used a long word, but he went ahead and took action.
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Helen Oyeyemi (Boy, Snow, Bird)
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Roy was probably the most overrated bird dog in history. He wasn’t much of a hunter at all; he would point rabbits, for example. But the associates and the customers got a kick out of visiting with him in the stores, and once we put his name and picture on our private label dog food, it sold tons. Another thing about Roy that was very unusual: he was a great tennis dog. He would go with me to the tennis court and lay there, and whenever the ball went out of the court, over the fence, or whatever, he would go chasing after it and bring it back to me.
”
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Sam Walton (Sam Walton: Made In America)
“
While the sounds in the church were increasing, Elder Thomas made the regrettable mistake of increasing his volume too. Then suddenly, like a summer rain, Sister Monroe broke through the cloud of people trying to hem her in, and flooded up to the pulpit. She didn't stop this time but continued immediately to the alter, bound for Elder Thomas, crying "I say, preach it."
Bailey said out loud, "Hot dog" and "Damn" and "She's going to beat his butt."
But Reverend Thomas didn't intend to wait for that eventuality, so as Sister Monroe approached the pulpit from the right he started descending from the left. He was not intimidated by his change of venue. He continued preaching and moving. He finally stopped right in front of the collection table, which put him almost in our laps, and Sister Monroe rounded the alter on his heels, followed by the deacons, ushers, some unofficial members and a few of the bigger children.
Just as the elder opened his mouth, pink tongue waving, and said, "Great God of Mount Nebo," Sister Monroe hit him on the back of his head with her purse. Twice. Before he could bring his lips together, his teeth fell, no, actually his teeth jumped, out of his mouth.
The grinning uppers and lowers lay by my right shoe, looking empty and at the same time appearing to contain all the emptiness in the world. I could have stretched out a foot and kicked them under the bench or behind the collection table.
”
”
Maya Angelou (I Know Why The Caged Bird Sings)
“
Livia’s song flows from my lips easily. I have known her since she was a baby. I held her, cuddled her, loved her. I sing of her strength. I sing of the sweetness and humor that I know still live within her, despite the horrors she has endured. I feel her body strengthening, her blood regenerating. But as I knit her back together, something is not right. I move down from her heart to her belly. My consciousness flinches back. The baby. He—and my sister is right, it is a he—sleeps now. But there is something wrong with him. His heartbeat, which instinct tells me should sound like the gentle, swift thud of a bird’s wings, is too slow. His still-developing mind too sluggish. He slips away from us. Skies, what is the child’s song? I do not know him. I know nothing about him except that he is part Marcus and part Livia and that he is our only chance for a unified Empire. “What do you want him to be?” the Nightbringer asks. At his voice, I jump, so deep in healing that I forgot he was here. “A warrior? A leader? A diplomat? His ruh, his spirit, is within, but it is not yet formed. If you wish him to live, then you must shape him from what is there—his blood, his family. But know that in doing so, you will be bound to him and his purpose forever. You will never be able to extricate yourself.” “He is family,” I whisper. “My nephew. I wouldn’t want to extricate myself from him.” I hum, searching for his song. Do I want him to be like me? Like Elias? Certainly not like Marcus. I want him to be an Aquilla. And I want him to be a Martial. So I sing my sister Livia into him—her kindness and laughter. I sing him my father’s conviction and prudence. My mother’s thoughtfulness and intelligence. I sing him Hannah’s fire. Of his father, I sing only one thing: his strength and skill in battle—one quick word, sharp and strong and clear—Marcus if the world had not ruined him. If he had not allowed himself to be ruined. But there is something missing. I feel it. This child will one day be Emperor. He needs something deeply rooted, something that will sustain him when nothing else will: a love of his people. The thought appears in my head as if it’s been planted there. So I sing him my own love, the love I learned in the streets of Navium, in fighting for my people, in them fighting for me. The love I learned in the infirmary, healing children and telling them not to fear. His heart begins to beat in time again; his body strengthens. I feel him give my sister an almighty kick, and, relieved, I withdraw.
”
”
Sabaa Tahir (A Reaper at the Gates (An Ember in the Ashes, #3))
“
Birdie amuses every one with her funny ways. She always follows me closely, and to-day got quite into a house and pushed the parlor door open. She walks after me with her head laid on my shoulder, licking my face and teasing me for sugar, and sometimes, when any one else takes hold of her, she rears and kicks, and the vicious bronco soul comes into her eyes.
”
”
Isabella Lucy Bird (A Lady's Life in the Rocky Mountains)
“
Let’s go.” FadedGZ said. Before she left, she kicked him in the nuts. Annie and TheBadGamer followed her example. They grabbed their stuff and left except for Nuts who went for Jack's nuts. “ARRRRRRRGHHHHH!” Jack screamed. A flock of birds flew off. “Every man’s weakness.” TheBadGamer said as Nuts joined them. He held nuts in his hands. “Look what I found…” He popped them in his mouth and made slurping sounds. The group left Jack, whimpering and crying and missing his nuts.
”
”
Wither WZ (An Unofficial Minecraft Book: Siege of Terror 3)
“
A forest floor, the Woodland villagers knew, is a living thing. Vast civilizations lay within the mosaic of dirt: hymenopteran labyrinths, rodential panic rooms, life-giving airways sculpted by the traffic of worms, hopeful spiders’ hunting cabins, crash pads for nomadic beetles, trees shyly locking toes with one another. It was here that you’d find the resourcefulness of rot, the wholeness of fungi. Disturbing these lives through digging was a violence—though sometimes a needed one, as demonstrated by the birds and white skunks who brashly kicked the humus away in necessary pursuit of a full belly. Still, the human residents of this place were judicious about what constituted actual necessity, and as such, disturbed the ground as little as possible.
”
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Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
“
Callie rode with Frank in the convertible, while Joe piled in with Iola and Chet. They drove to a spot just north of Barmet Bay, called Gremlin Beach, which had become popular for surf-riding because of its high swells. “What a day for surf-birds!” Joe cried as the foursome jumped out onto the clean white stretch of sand. An onshore breeze was blowing, and the waves from some distant storm were piling into high-crested breakers. Two boats came into view, kicking up plumes of spray.
”
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Franklin W. Dixon (A Figure in Hiding (Hardy Boys, #16))
“
Over the past two seasons, we have become teammates. Jake knows his range and when he pushes it and I call "Here" he turns and reels in without challenge. When I change direction, he races back to get out in front of me without word or whistle. I know better than to try to convince him to investigate a birdy looking spot that he's already passed through - it is barren no matter what I think. If Jake remains on point after a flush, it is no false point - there is another bird in there (and yet, I will always be unready for the rise). When he is out of sight and his brass bell goes silent, I know he will hold the bird until I can get there, at which time their tenuous connection, like a fuse, ignites and the bird breaks free. Jake freezes solid when he has a maybe-bird, except his eyes are loose and follow me worriedly and uncertainly as he waits for me to kick through the brush. Although Jake retrieved to hand the first bird ever shot over him, our compromise is that he does that only when he wants to: he finds birds dead or alive, but he's nobody's delivery boy. That fine, Jake and I understand each other.
”
”
Jeddie Smith (Afield: American Writers on Bird Dogs)
“
I’m not going to discuss this matter any further. You should go train, Emma. I have made my decision. Michael is the chosen one,” Dionysus cemented. Emma sighed in disappointment and walked out of The Dojo, slamming the door shut behind her—just to make sure Dionysus knew she was mad. Instead of going to the builder training grounds, she instead went to the woods so she could calm down. Just one mistake, that’s all it took, and she was kicked out of the “chosen one club”. It was in a battle just days ago where Emma and Jack’s old warrior was killed. Thinking his death was her fault, Emma gave up. She surrendered and called a retreat, proving to Dionysus that she was not the chosen one. The one with unbreakable willpower. Walking in the woods, Emma felt a sudden chill as the birds stopped chirping and the winds stopped blowing. Everything got quiet, there were no sounds except for the rhythmic beating of her heart. She turned around as she heard footsteps behind her. “Disappointed in Dionysus?” a voice beckoned out from a nearby tree making her heart race
”
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Write Blocked (Stuck Inside Minecraft (Stuck Inside Minecraft #1))
“
I think I could kick a bird’s ass.
”
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Kel Byron (A Lonely Broadcast: Book One (A Lonely Broadcast, #1))
“
Ravyn, but the one you have met tonight is Dark Bird…” I kick his chest, the metal resounding. “Have fun.
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Tiano Mattherson (Dusk: Knytehood)
“
Hey, babe." He walked over and kissed my neck. "Oh! She made it! Damn, I thought she was being delivered tomorrow."
"Yeah, well, I hope that bike looks good wearing an engagement ring." Jagger laughed and left us, walking with tiny, excruciating steps back to his own house.
"What?" Josh asked. "Do you need me to carry you, old man?"
"It's going to be hard for you to walk once she kicks you in the balls man." He flippped Josh the bird and kept going.
”
”
Rebecca Yarros
“
Newly-born books are like birds… they shouldn’t be kicked out of the nest until they’re capable of flying.
Wendy Anne Darling 5-1-15
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”
Wendy Anne Darling
“
Now, in a complex, post-industrial world, System 2 should be king. Only it is not. Why? One reason is that inside our twenty-first-century heads we are still roaming the savannah. System 1 holds sway because it takes a lot less time and effort. When it kicks in, the brain floods with reward chemicals, like dopamine, which deliver the kind of feel-good jolt that keeps us coming back for more. That’s why you get a little thrill every time you graduate to the next level in Angry Birds or cross an item off your to-do list: job done, reward delivered, move on to the next thrill.
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Carl Honoré (The Slow Fix: Solve Problems, Work Smarter, and Live Better In a World Addicted to Speed)
“
Under the table, a creature dressed in magnificent rags, with a potbelly and a long mustache, was busily sweeping up crumbs. Domovoi, Vasya thought. It was Dmitrii’s domovoi. A tiny flossy-haired woman stood on Dmitrii’s table, skipping between the dishes and sometimes kicking over an unwary man’s cup. That was the kikimora—for the domovoi sometimes has a wife. A rustle of wings high above; Vasya looked up for an instant into a woman’s unblinking eyes before she vanished in the smoke of the upper walls. Vasya felt a chill, for the woman-headed bird is the face of fate. Seen and unseen alike, Vasya felt the weight of their gazes. They are watching, they are waiting—why? Then Vasya raised her eyes to the doorway, and saw Morozko there.
”
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Katherine Arden (The Girl in the Tower (Winternight Trilogy, #2))
“
The hollow knock of boot heels against the wooden porch catches up with me. Low and behold, I have company.
“Stella.”
“I can’t do this.” Without a pause, I cross the gravel driveway on my way to the barn. “I feel gross lying to your father. I’m mortified of what he’ll think of me if he ever finds out. I should go back to New York.”
“You’re calling an audible now?!”
My feet skid to a stop, kicking up dust. Pivoting, I direct my confusion at the man who spoke. “In English would be good. Spanish works too.”
“You can’t leave me. Band of brothers!”
“What? What are you talking about?”
“We’re a team. No man left behind!”
“You’re getting weirder by the second. First, we’re not on the gridiron. And second, if you’re saying what I think you’re saying, it’s no child left behind. And you are no child––most of the time.” I mutter the last part, though judging by the v between his brows he heard me all the same.
“Birds of a feather stick together?
”
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P. Dangelico (Baby Maker (It Takes Two, #1))
“
At this time I wired Bill Otis, in Moline, Illinois, asking him to ship me some of his sniping rifles at once, addressing them to me at the nearest express office to Indiantown Gap. I also managed to get the folks on the phone and had a last word with my mother and father — went through the old routine (new at that time) — telling them that it would be a long time before I could write, but not to worry, everything would be okay. I also told them to ship my rifle as soon as it was returned from the factory, and to hurriedly send me a Lyman Alaskan scope with a G. & H. mount for a Springfield to my new A.P.O. number. We sailed before Bill could get his guns to me. I remember well the annoyance I felt at going up the gangplank without a good scope sighted sniper rifle, and I also remember the mental kicking I gave the seat of my pants for being so careless with my model 70. Actually, the only shooting items I had in my baggage were a few rounds of .30-06 hunting ammunition which I packed at the last minute. I had left my shotgun behind also — and I was destined to later regret that action very much, for several fine opportunities to shoot birds were missed on that account. Each member of the 132nd regiment looked at the green water with a great question mark in his mind. Few in the regiment knew where we were going, and there
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John B. George (Shots Fired in Anger: A Rifleman's Eye View of the Activities on the Island of Guadalcanal)