Key Holder Quotes

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This is that moment in the hangover in which you discover that your keys are in your hat, the cat is in the sink, and you attempted late the previous night to make stew out of a pot holder. Things are in the wrong place. Religion is in the box where science used to be. Politics is on the shelf where you thought you left science the previous afternoon. Entertainment seems to have been knocked over and spilled on everything.
Charles P. Pierce (Idiot America: How Stupidity Became a Virtue in the Land of the Free)
Keys parachuted down into one of the exact seats he purchased that he and his father sat in as season ticket holders in the Old Barn on Grand River Avenue. Keys slipped his arm around the empty chair dressed with his father’s withering Tiger’s baseball cap, secured to the seat with a quarter inch drywall screw. Keys reflected upon his father, who chauffeured Keys and other players, every weekend, to a hockey tournament somewhere, “You know pop…every kid you gave a ride too game or practice, came to your funeral. When this hat falls away, no more screws, pop. I’m gonna branch out…make new friends. Soon as these gypsy moths get a hold of your precious, Old English “D”, here--turn your glory years, Kaline and Mclain into tree threads.
Kevin Moccia (The Beagle and the Hare)
Only holders of a cipher “key” could divine the underlying text, but possessing the codebooks made the whole process of solving the messages far simpler. To exploit these treasures the Admiralty established Room 40.
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
It’s too fast; it’s too much. He’s not taking Mark to bed right now, and if they keep this up, that’s where they’ll wind up. He decides not to think too much about why he doesn’t want to peel Mark’s pajamas off and lay him out on this table, because of course that’s exactly what he wants to do. But his instinct is that if they do that now, it’ll be too easy to dismiss everything else—the milkshakes, the phone calls, the gold key holder in Eddie’s pocket—as nothing but the warm up for fucking rather than the beginning of something else.
Cat Sebastian (You Should Be So Lucky)
She pictures her leaning down in the dressing area and finding the pieces of evidence she’d left in her shoe rack this morning before she left, the key-card holder, the little bag, the illegible phone number with a girl’s name she’d added to it. Daisy. She’d been pleased with that. The sort of ultra-feminine, young-sounding name that would set alarm bells ringing.
Lisa Jewell (None of This Is True)
The key thing, the one thing that almost every current and former federal prosecutor who lived through this period talks about, is that in the early years of the Obama administration, a huge premium was placed on not losing. Breuer and Holder acted like the corporate stewards they were and gravitated toward a bottom-line strategy of prosecution. They became attracted to a cost-benefit-analysis vision of law enforcement, where the key questions weren’t Who did what? and What the hell should we do about it? but Will we win? and How badly will the press screw us if we lose?
Matt Taibbi (The Divide: American Injustice in the Age of the Wealth Gap)
Thank you, Clara,” I say. “How did you get the key?” “Dumb luck,” she says. “Those twins with the funny names dropped it just a few feet away from me.” “They… dropped it?” Those guys are the most skilled sleight-of-hand tricksters I’ve ever seen. Hard to imagine either of them dropping anything. “Yeah, they were juggling a bunch of things between them as they walked. The key just fell and they didn’t notice.” “But you did.” “Sure.” “How did you know it was the key to our police car?” She lifts the key tag to show me. It’s a clear plastic holder that’s probably meant for pictures. This one frames a piece of paper with a note scrawled in little-kid block letters: “Penryn’s police car—Super Secret.” If I ever see the twins again, it looks like I owe them a zombie-girl mud fight.
Susan Ee (World After (Penryn & the End of Days, #2))
In Pennsylvania, a key state that Trump flipped from Obama’s column, there are now more than a million permit holders, and in some counties more than one-third of the adult population is licensed to carry.5
Salena Zito (The Great Revolt: Inside the Populist Coalition Reshaping American Politics)
Government alone cannot restore the economy to health. Innovation is a primary driver of economic growth. One way of measuring inventive creativeness is through patent applications. Chetty, along with Alex Bell, Xavier Jaravel, Neviana Petkova, and John Van Reenen, studied the childhoods of more than a million patent holders, linking family income with elementary test scores and other key factors. Children at the top of their third-grade math class were the most likely to become inventors—but only if they also came from a high-income family. High-scoring children who were from low-income or minority families were no more likely to become inventors than affluent children with mediocre scores. Successful inventors were also less likely to be women, Black, Latino, or from the Southeast. Chetty called these failed inventors the “lost Einsteins.” “If women, minorities, and children from low-income families were to invent at the same rate as white men from high-income (top 20%) families, the rate of innovation in America would quadruple,” the authors said. The most ominous finding by Chetty and his colleagues was the effect of Covid-19 on educational progress. Using a popular math program called Zearn, the economists plotted the achievement of children from upper-income families versus those from lower incomes. When schools shut down and instruction switched to remote learning, children in the upper-income tier suffered a small drop in the lessons completed, but low-income children fell in a hole—a 60 percent drop in the rate of progress in learning math. The long-term economic prospects for those children are dire. “We’re likely to see further erosion of social mobility the longer this lasts,” Chetty said. The American dream was drifting farther out of reach for another generation.
Lawrence Wright (The Plague Year: America in the Time of Covid)