Key Fob Quotes

We've searched our database for all the quotes and captions related to Key Fob. Here they are! All 22 of them:

I am equivalent of what in the Harry Potter world is called a sqib. A damp Squib. As the seventh child, all had expected me to come loaded with the whole box of fireworlks. Instead they got a girl who could tell you where you left your keys. Yes, that's right. I'm equivalent of a whistling key fob.
Joss Stirling (Seeking Crystal (Benedicts, #3))
On the way out to the car, Philip turns to me. “How could you be so stupid? I shrug, stung in spite of myself. “I thought I grew out of it.” Philip pulls out his key fob and presses the remote to unlock his Mercedes. I slide into the passenger side, brushing coffee cups off the seat and onto the floor mat, where crumpled printouts from MapQuest soak up any spilled liquid. “I hope you mean sleepwalking,” Philip says, “since you obviously didn’t grow out of stupid.
Holly Black (White Cat (Curse Workers, #1))
Consider ourselves fortunate." Maldynado's jaw slackened. "How so?" "Amaranthe's birthday is next week and, with our limited funds, I didn't think I'd be able to find her a gift." "So, you're getting her...dead bodies?" "Perfect, don't you think?" Books smiled. "Most women like jewelry and flowers." "Do you honestly believe she would prefer jewelry over a mystery to solve?" Maldynado jiggled the key fob thoughtfully, then nodded toward the bodies. "Can we say one is from me?
Lindsay Buroker (Dark Currents (The Emperor's Edge, #2))
While Emma pressed the unlock button on her key fob, Aidan started walking away, but then he stopped. He turned back and shook his head. “Oh f*ck it.” Taking Emma totally off guard, he shoved her against the car. He wrapped his arms around her waist, jerking her flush against him. Electricity tingled through her at his touch, and his scent invaded her nostrils, making her feel lightheaded. She squirmed in his arms. “What are you—” He silenced her by leaning over and crushing his lips against hers. She protested by pushing her hands against his chest, but the warmth of his tongue sliding open her lips caused her to feel weak. Her arms fell limply at her sides. Aidan’s hands swept from her waist and up her back. He tangled his fingers through her long hair as his tongue plunged in her mouth, caressing and teasing Emma’s. Her hands left her side to wrap around his neck, drawing him even closer to her. God, it had been so very long since someone had kissed her, and it had taken Travis a week to get up the nerve to kiss her like this. Aidan was hot and heavy right out of the gate. Using his hips, Aidan kept her pinned against the car as he kept up his assault on her mouth. Just when she thought she couldn’t breathe and might pass out, he released her lips. Staring down at her with eyes hooded and drunk with desire, Aidan smiled. “Maybe that will help you with your decision.
Katie Ashley (The Proposition (The Proposition, #1))
The key fob played the first bar of Für Elise as I locked the car up. I hoped that Beethoven's ghost was out there somewhere, making the night hideous for the managing director of Ford's.
Mike Carey (The Devil You Know (Felix Castor, #1))
Well, maybe you should prepare to be kissed.” “When? Where? By whom?” He turns, pulling his key fob from his pocket as he struts toward his sleek, blue Tesla. “Soon. Could be anywhere. And I sure as hell hope it’s me. Goodnight, Dorothy.” Oh the anxiety…
Jewel E. Ann (Perfectly Adequate)
Thierry.” He kept using that placating tone. “I don’t plan on going anywhere.” “Good.” I wiped my sweaty palms on my jeans, then pasted on the syrupy-sweet smile I usually reserved for con jobs on Mom. “Then you won’t mind me not going anywhere with you.” “Stubborn.” Eyes flickering to white, he lowered his head, parted his lips. “You’re going to try to kiss me with that mouth? After what you just said?” I jabbed the unlock icon on the key fob dangling from his fingers then shoved him back. “Dream on, Shaw.
Hailey Edwards (Dog with a Bone (Black Dog, #0.5))
We take the stairs down to the first level of the parking garage and I lead us toward the area reserved for doctors. She makes her way toward a black Audi, turns, and waits for me to join her. I smirk. “That’s not my car.” She nods. “Right, of course. I see it now.” She goes to a bright yellow Ferrari that belongs to one of the plastic surgeons. The vanity license plate reads: SXY DOC88. “Here we are.” “Not even close.” “Oh, okay. I get it. You aren’t flashy. Maybe that gray Range Rover over there?” I press the unlock button on my key fob and my rear lights flash. There she is, the car I’ve driven since I was in medical school. “You’re kidding. A Prius?! Satan himself drives a Prius?!” She turns around as if hoping to find someone else she can share this moment with. All she’s got is me. I shrug. “It gets good gas mileage.” She blinks exaggeratedly. “I couldn’t be more shocked if you’d hitched a horse to a buggy.” I chuckle and open the back door to toss in her backpack. “Get in. Traffic is going to be hell.” We buckle up in silence, back up and leave the parking garage in silence, pull out into traffic in silence. Finally, I ask, “Where do you live?” “On the west side. Right across from Franklin Park.” “Good. I have an errand I need to run that’s right by there. Mind if I do that before I drop you off?” “Well seeing as how you stole my backpack and forced me into your car, I don’t really think it matters what I want.” I see. She’s still pouting. That’s fine. “Good. Glad we’re on the same page.” She doesn’t think I’m funny.
R.S. Grey (Hotshot Doc)
and we ran down the street, laughing in the dark, out of breath when we finally reached his car. He hadn’t been lying about it. It was a Honda Civic, although it was a newer model, so that counted for something. He pushed me against the passenger door, dropped my shoes on the concrete, and then swept a hand into my hair. I looked over my shoulder at the car we were leaning against. “Is this really your car?” He smiled as he reached into his suit pocket and pulled out his key fob. He unlocked the doors to prove it was his, which made me laugh. He stared down at me, our mouths thisclose, and I could swear he was already imagining what life with me would be like. You can’t look at someone the way he looked at me—with the entirety of his past—without also imagining the future. He closed his eyes and kissed me. The kiss was full of both desire and respect—two things a lot of men didn’t seem to know could go hand in hand. His fingers felt good in my hair, and his tongue felt good in my mouth. I felt good to him, too. I could feel how good I felt to him in the way he kissed me. We knew very little about each other in that moment, but it was almost better that way. Sharing a kiss that intimate with a stranger was like saying, “I don’t know you, but I believe I would like you if I did.
Colleen Hoover (Verity)
Damn,” Stacia agreed softly.  “Sorry, but it was your own fault for calling him a monster,” she directed at the bouncer. “What?  What’s he doing?” the big bald guy asked. “He got your scent, so now he’s tracking down which car or truck is yours,” I said. “What’s he gonna do when he finds it?” Baldy asked. “Well, he kinda ate the last one,” I said regretfully. “What!”  Bouncer man took off into the parking lot at a dead run, pulling a key fob from his pocket as he went.  Almost immediately, Awasos came running from the side of the parking lot, having circled around. “Did you find it?” I asked him. He woofed once softly. “Did you pee on his radiator?” Another woof. “Good boy! Baked-on wolf pee has a half-life of like a year! Let’s go,” I said, ignoring the incredulous looks from the good ole boys.
John Conroe (Fallen Stars (Demon Accords, #5))
Rocket Locksmith St Louis can help you replicate or replace lost, damaged, or stolen electronic car keys. We manufacture electronic car keys in St Louis MO for hundreds of models and cars. Our locksmiths have the technical training and equipment necessary to quickly and accurately copy and exchange car keys. Our fully equipped mobile truck comes to you on-site and offers maximum comfort and time
Locksmith
DC Mobile Locksmith is local locksmiths in Washington, DC, offering building lockout, vehicle lockout, safe lockout, install hardware, re-key lock, repair hardware, vehicle key fob, replace vehicle key, copy vehicle key, program vehicle key, copy building key throughout District of Columbia.
DC Mobile Locksmith
Paint me. Put me in a sports coat with a big pattern. In silk or wool or cotton. Padded shoulders. Nipped in at the waist. A wide tie. Silk, of course. Paint me in one of my light ties on a white shirt. Make my clean, heavily starched shirt jump from the canvas. Have my good Johnson and Murphy shoes shined. Make my creases sharp. Creases count all seasons of the year. If you don’t want to paint me in spring or autumn in a sports coat, paint me in winter when I have just come in from the cold wearing a suit, with a cashmere coat in the crook of my arm. Hat still on my head. Pocket square. Tie clip. All the Ziggy details in place. Or paint me in one of my shirts that let me wear a collar bar. Remind us that that is how, once upon a time, we did it. That ours was a world of pocket squares, and tie clips—tie clips were most important, as they held a dancer’s tie in place midflight—and stick pins, and gold cigarette lighters and silver key fobs and money clips of metal or a plain rubber band, and cufflinks, and good hats, and mohair V-neck golf sweaters and fine tuxedos and Murine. Don’t paint me dropping Murine in my eyes. Or me in my boxer shorts and white cotton V-neck shirt sitting at my dressing table in my room at the Gotham, my toes tickled by the wool wall-to-wall carpet. Or maybe paint that. How and where we got ready. And we were ready. Paint our readiness.
Alice Randall (Black Bottom Saints)
But here’s the weird part: when Sam unlocks the doors to the car with his key fob, Monica immediately jumps into the shotgun seat. Considering we’re giving her a ride, that seems odd to me.
Freida McFadden (The Surrogate)
jacket that gives you a little hug when someone likes your Facebook post; a paintbrush that samples any color or pattern you tap the brush on and turns it into digital paint; tables that listen, furniture that melts into the floor or into the wall when it’s not needed; lights that understand your activity and adjust their intensity and focus appropriately; watches that help students meet other people like them and prompt face-to-face conversation; E Ink Post-it notes that dynamically update to show place-based messages; a key fob that displays the traffic situation on your commute ahead.
David Rose (Enchanted Objects: Design, Human Desire, and the Internet of Things)
She moved silently over the thick corridor carpet. The hinge side of the door was closest, and the knob side farthest. She ducked under the peephole’s field of view and flattened against the wall beyond the door. She reached out and tried the knob backhand. Long training. Always safer. Guns can shoot through doors. She mouthed “Locked,” and mimed that she needed the key. Sinclair tucked her purse and her licenses up under her arm and scrabbled in her bag. She came out with a brass key on a pewter fob. Reacher took it from her and tossed it to Neagley, who caught it one-handed and put it in the lock, from the same position, backhand again, at a distance, out of the line of fire. She
Lee Child (Night School (Jack Reacher, #21))
For some time now, the conventional wisdom at most agencies has been to partner with experts in specific fields—social networking, gaming, mobile, or any other discipline—in order to “get the best people for the job.” But given the success of AKQA, R/GA, and so many other innovators, perhaps it can be argued that to be truly holistic in our approach, it’s better to grow innovations from one’s own stem cells, so to speak, than to try to graft on capabilities on an ad-hoc basis. Some would no doubt argue that it makes the most economic sense to hire experts to execute as needed, rather than taking on more overhead in an increasingly competitive marketplace. But it should be pointed out that it’s hard to have the original ideas themselves if your own team doesn’t have a firm grasp of the technologies. Without a cross-disciplinary team of in-house experts, who knows what opportunities you—and by extension, your clients—may miss. “It comes down to the brains that you have working with you to make it a reality,” John Butler, cofounder of Butler, Shine, Stern & Partners, tells me. “The history of the ad agency is the Bernbach model—the writer and art director sitting in a room together coming up with an idea,” he says, referring to legendary adman Bill Bernbach, cofounder of DDB and the man who first combined copywriters and art directors as two-person teams. Now, all that’s changed. “[Today, there are] fifteen people sitting in a room. Media is as much a part of the creative department as a writer or an art director. And we have account planners—we call them ‘connection planners’—in the room throwing around ideas,” he says. “That facilitates getting to work that is about the experience, about ways to compel consumers to interact with your brand in a way that they become like free media” by actively promoting the brand for you. If his team worked on the old Bernbach model, Butler adds, they would never have created something like those cool MINI billboards that display messages to drivers by name that I described in the last chapter. The idea actually spun out of a discussion about 3-D glasses for print ads. “Someone in the interactive group said, ‘We can probably do that same thing with [radio frequency identification] technology.’” By using transmitters built into the billboards, and building RFID chips into MINI key fobs, “when a person drives by, it will recognize him and it will spit out a message just for him.” He adds with considerable understatement: “Through having those capabilities, in-house engineers, technical guys who know the technology and what’s available, we were able to create something that was really pretty cool.
Rick Mathieson (The On-Demand Brand: 10 Rules for Digital Marketing Success in an Anytime, Everywhere World)
Call me old-fashioned, I don’t care, but I have yet and will not let her open her own door.  Rounding the car, I unlock it on the key fob and open the passenger side to find Indy wearing an unimpressed expression. “You’re so weird about that.”  “I’m not weird. You’ve just never had someone take care of you before, so you may as well get used to it.” 
Liz Tomforde (The Right Move (Windy City, #2))
front of the line. He wasn’t tripping on the paper either. On the hood of the chrome rose gold luxury vehicle, sat a large bow. Richie stepped out and gave Meech the key fob.
Talena Tillman (Had Me At Hello: When Nina Meets Meech)
But here’s the weird part: when Sam unlocks the doors to the car with his key fob, Monica immediately jumps into the shotgun seat. Considering we’re giving her a ride, that seems odd to me. I’m Sam’s wife—I should be the one sitting next to him.
Freida McFadden (The Surrogate)
key fob. You enter through the door and take the steps down a level to an underground passage. The passage leads to an elevator under a high-rise on Forty-Ninth Street near Madison Avenue. The elevator only stops on the eighth floor. At this point it takes an eye scan. If your eye doesn’t
Harlan Coben (Win (Windsor Horne Lockwood III, #1))
The driver was closer, which was good, because he had seemed to be the take-charge guy. The senior figure. He would have the key. In his suit coat pocket, probably. On the left. Because he was right-handed. He would have held his gun in his right and blipped the fob with his left.
Lee Child (Blue Moon (Jack Reacher, #24))