Kettle Quotes

Human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.

Fred and George turned to each other and said together, 'Wow, we're identical!' 'I dunno though, I think I'm still better looking,' said Fred, examining his reflection in the kettle.

Hi, pot. It’s me, kettle,” Sophia snapped back. “Hi kettle, you have about thirty seconds before this pot kicks your ass.

November comes And November goes, With the last red berries And the first white snows. With night coming early, And dawn coming late, And ice in the bucket And frost by the gate. The fires burn And the kettles sing, And earth sinks to rest Until next spring.

Why am I so drawn to you?" He muttered, almost to himself. "Why is it so hard to let go? I thought... at first... it was Ariella, that you remind me of so much. But it's not." Though he didn't smile, his eyes lightened a shade. "You're far more stubborn than she ever was." I sniffed. "That's like the pot calling the kettle black," I whispered, and a faint, tiny grin finally crossed his face, before his expression clouded and he lowered his head, touching his forehead to mine. "What do you want of me, Meghan?" he asked, a low thread of anguish flickering below the surface. Tears blurred my vision, all the fear and heartache of the past few days rising to the surface. "Just you," I whispered. "I just want you." -Ash and Meghan

We had a kettle; we let it leak: Our not repairing made it worse. We haven't had any tea for a week... The bottom is out of the Universe.

If the universe is meaningless, so is the statement that it is so. If this world is a vicious trap, so is its accuser, and the pot is calling the kettle black.

I never thought there was a path that would lead here, a fourth-floor flat with two bedrooms and a kettle and a grey-eyed vampire sitting on the couch, messing with his new phone.

Do you love him?” Adam looked back at her and she squeezed his arm. With a small smile she turned to her brother. “Yes.” Braden shrugged and reached casually over to the kettle to turn it on. “About bloody time. You two were giving me a headache.

2. WHAT I AM NOT My brother and I used to play a game. I'd point to a chair. "THIS IS NOT A CHAIR," I'd say. Bird would point to the table. "THIS IS NOT A TABLE." "THIS IS NOT A WALL," I'd say. "THAT IS NOT A CEILING." We'd go on like that. "IT IS NOT RAINING OUT." "MY SHOE IS NOT UNTIED!" Bird would yell. I'd point to my elbow. "THIS IS NOT A SCRAPE." Bird would lift his knee. "THIS IS ALSO NOT A SCRAPE!" "THAT IS NOT A KETTLE!" "NOT A CUP!" "NOT A SPOON!" "NOT DIRTY DISHES!" We denied whole rooms, years, weathers. Once, at the peak of our shouting, Bird took a deep breath. At the top of his lungs, he shrieked: "I! HAVE NOT! BEEN! UNHAPPY! MY WHOLE! LIFE!" "But you're only seven," I said.

Meanwhile, let us have a sip of tea. The afternoon glow is brightening the bamboos, the fountains are bubbling with delight, the soughing of the pines is heard in our kettle. Let us dream of evanescence and linger in the beautiful foolishness of things.

[T]he truth is that fullness of soul can sometimes overflow in utter vapidity of language, for none of us can ever express the exact measure of his needs or his thoughts or his sorrows; and human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.

Careful, pot" Tod said. "Someone might notice your resemblance to the kettle.

Come oh come ye tea-thirsty restless ones -- the kettle boils, bubbles and sings, musically.

Telling yourself you like the way you look is easy. Believing it is an entirely different kettle of whales.

I wish I was at home in my nice hole by the fire, with the kettle just beginning to sing!

a hardened and shameless tea-drinker, who has, for twenty years, diluted his meals with only the infusion of this fascinating plant; whose kettle has scarcely time to cool; who with tea amuses the evening, with tea solaces the midnight, and, with tea, welcomes the morning.

Language is like a cracked kettle on which we beat out tunes for bears to dance to, while all the time we long to move the stars to pity.

Don't be an asshole" Rhage summed up the regurgitation with two words: "Kettle.Black." Fucking hell. "Did you guys plan that out?" "Yeah and if you don't fight us"- Hollywood bit down on the grape Tootsie Pop-"we'll do it again- only with the dance moves this time" "Spare me." "Fine.Unless you agree to home it,we WILL rock the dance moves." To prove the point ,the moron linked his palms behind his head and started doing something obscene with his hips. Which was backed up by a series of,"Uh-huh,uh-huh,ohhhh, yeeeeeeah,who's your daddy..." The others looked at Rhage like he'd grown a horn in the middle of his forehead. Nothing unusual there. And Tohr knew that, in spite of this ridiculous diversion,if he didn't cave,the lot of them would crawl so far up his ass,he'd be coughing up shitkickers. Rhage wheeled around,shoved out his butt,and started slapping his moneymaker like it was bread dough. "For the love of the Virgin Scribe,"Z muttered "put us out of this misery, and go the fuck home" Someone else chimed in, "You know, I never thought there were advantages to being blind..." "Or deaf" "Or mute," somebody added

Cruel Prince James strode into the chamber, his cape flashing behind him and his terrible, terrible mustache askew with rage,” Lucie narrated the moment James walked through the door. “Does it need be said twice that it’s terrible?” James said. “He required a hot beverage to soothe his throat, parched from barking out his wicked commands all day. Tea, he thought, yes, tea and revenge.” “I’ll just go put the kettle on,” James sighed.

He couldn’t be serious. He was not accusing Marc of wanting me dead! If that wasn’t the pot calling the kettle black, I’d…I’d…pound the shit out of the pot myself!

Oh, that's the pot calling the kettle black. Amusement flowed through the connection as Seth said, Or it's the pot calling the pot a pot.

The dark is generous, and it is patient, and it always wins. It always wins because it is everywhere. It is in the wood that burns in your hearth, and in the kettle on the fire; it is under your chair and under your table and under the sheets on your bed. Walk in the midday sun, and the dark is with you, attached to the soles of your feet. The brightest light casts the darkest shadow.

There was a lot of pot and kettle going on here.

I said old Jesus probably would've puked if He could see it - all those fancy costumes and all. Sally said I was a sacrilegious atheist. I probably am. The thing Jesus really would've liked would be the guy who plays the kettle drums in the orchestra.

Down through the ages and in the whole world, Watt and Newton cannot have been the only ones to notice the steam from a boiling kettle or observe an apple fall. Having eyes, but not seeing beauty; having ears, but not hearing music; having minds, but not perceiving truth; having hearts that are never moved and therefore never set on fire. These are the things to fear, said the headmaster.

The dark is generous. Its first gift is concealment: our true faces lie in the dark beneath our skins, our true hearts remain shadowed deeper still. But the greatest concealment lies not in protecting our secret truths, but in hiding from the truths of others. The dark protects us from what we dare not know. Its second gift is comforting illusion: the ease of gentle dreams in night’s embrace, the beauty that imagination brings to what would repel in the day’s harsh light. But the greatest of its comforts is the illusion that dark is temporary: that every night brings a new day. Because it’s the day that is temporary. Day is the illusion. Its third gift is the light itself: as days are defined by the nights that divide them, as stars are defined by the infinite black through which they wheel, the dark embraces the light, and brings it forth from the center of its own self. With each victory of the light, it is the dark that wins. The dark is generous, and it is patient. It is the dark that seeds cruelty into justice, that drips contempt into compassion, that poisons love with grains of doubt. The dark can be patient, because the slightest drop of rain will cause those seeds to sprout. The rain will come, and the seeds will sprout, for the dark is the soil in which they grow, and it is the clouds above them, and it waits behind the star that gives them light. The dark’s patience is infinite. Eventually, even stars burn out. The dark is generous, and it is patient, and it always wins. It always wins because it is everywhere. It is in the wood that burns in your hearth, and in the kettle on the fire; it is under your chair and under your table and under the sheets on your bed. Walk in the midday sun, and the dark is with you, attached to the soles of your feet. The brightest light casts the darkest shadow. The dark is generous and it is patient and it always wins – but in the heart of its strength lies its weakness: one lone candle is enough to hold it back. Love is more than a candle. Love can ignite the stars.

David knew we were meeting in the Kettle," said Genya," and he guessed about the master flue." David frowned. "I don't guess.

It's not going to make a very good story, in the annals of my time as sister queen.” She quoted dryly, “‘Then her consort jumped up and knocked the foreign queen unconscious with a kettle.

Flaubert was right when he said that our use of language is like a cracked kettle on which we bang out tunes for bears to dance to, while all the time we need to move the very stars to pity.

Look who's calling the cauldron black." "Kettle. It’s a kettle. Get your metaphors right." "That wasn’t a metaphor. It was a, you know..." He stared off into space, blinking. "One of those things that’s symbolic of another thing. But isn’t the same thing. Just like it." "You mean a metaphor?" "No! It’s like a story...like...a proverb! That’s it." "I’m pretty sure that wasn’t a proverb. Maybe it was an analogy." "I don’t think so.

You don’t have to give up your wealth and turn into saints in order to contribute to this planet. But there are ways through which you can fill an empty cup without emptying your kettle.

She thinks I’m a drug dealer. (Chris) ‘The most “illegal” thing the boy had ever done was to walk past a Salvation Army Santa Claus, once, without dropping money into the kettle.’ (Wulf)

A man who wishes to make his way in life could do no better than go through the world with a boiling tea-kettle in his hand.

I’m very pleased. Very, very pleased. But I really must ask—why the hell have men and women been throwing money in my kettle for the past half hour, telling me they’re sorry for what happened in the Videnza?” “It’s because they’re sorry for what happened in the Videnza,” said Galdo.

But the roaring of the fire, And the warmth of fur, And the boiling of the kettle Were beautiful to her!

...as if the fullness of the soul did not sometimes overflow in the emptiest metaphors, since no one can ever give the exact measure of his needs, nor of his conceptions, nor of his sorrows; and since human speech is like a cracked tin kettle, on which we hammer out tunes to make bears dance when we long to move the stars.

They listened for a while to the perfect music of the wind and rain and night. To the fire and the simmering kettle.

After some while Bilbo became impatient. "Well, what is it?" he said. "The answer's not a kettle boiling over, as you seem to think by the noise you are making.

Gary nips my finger and starts clawing his way up my shoulder, hissing like an angry kettle. It's just not natural for something so cute and fluffy to be so nasty. I look at Nick in distress. "Why is he spitting at me?" "Maybe he thinks he's a llama.

My flat's about half a mile away, and you know what I'd like most of all in the world? I'd like a cup of tea. Come on, let's go and put the kettle on.

Kettle thingies. Yum.

He fell ass over tea Kettle

Oh, hey, kettle, I’m pot and wow, you’re black.” - Owen

If, by the virtue of charity or the circumstance of desperation, you ever chance to spend a little time around a Substance-recovery halfway facility like Enfield MA’s state-funded Ennet House, you will acquire many exotic new facts… That certain persons simply will not like you no matter what you do. That sleeping can be a form of emotional escape and can with sustained effort be abused. That purposeful sleep-deprivation can also be an abusable escape. That you do not have to like a person in order to learn from him/her/it. That loneliness is not a function of solitude. That logical validity is not a guarantee of truth. That it takes effort to pay attention to any one stimulus for more than a few seconds. That boring activities become, perversely, much less boring if you concentrate intently on them. That if enough people in a silent room are drinking coffee it is possible to make out the sound of steam coming off the coffee. That sometimes human beings have to just sit in one place and, like, hurt. That you will become way less concerned with what other people think of you when you realize how seldom they do. That there is such a thing as raw, unalloyed, agendaless kindness. That it is possible to fall asleep during an anxiety attack. That concentrating intently on anything is very hard work. That 99% of compulsive thinkers’ thinking is about themselves; that 99% of this self-directed thinking consists of imagining and then getting ready for things that are going to happen to them; and then, weirdly, that if they stop to think about it, that 100% of the things they spend 99% of their time and energy imagining and trying to prepare for all the contingencies and consequences of are never good. In short that 99% of the head’s thinking activity consists of trying to scare the everliving shit out of itself. That it is possible to make rather tasty poached eggs in a microwave oven. That some people’s moms never taught them to cover up or turn away when they sneeze. That the people to be the most frightened of are the people who are the most frightened. That it takes great personal courage to let yourself appear weak. That no single, individual moment is in and of itself unendurable. That other people can often see things about you that you yourself cannot see, even if those people are stupid. That having a lot of money does not immunize people from suffering or fear. That trying to dance sober is a whole different kettle of fish. That different people have radically different ideas of basic personal hygiene. That, perversely, it is often more fun to want something than to have it. That if you do something nice for somebody in secret, anonymously, without letting the person you did it for know it was you or anybody else know what it was you did or in any way or form trying to get credit for it, it’s almost its own form of intoxicating buzz. That anonymous generosity, too, can be abused. That it is permissible to want. That everybody is identical in their unspoken belief that way deep down they are different from everyone else. That this isn’t necessarily perverse. That there might not be angels, but there are people who might as well be angels.

After the trial, I watched as another female pathologist collected maggots from a spinal column found in the desert. There was a decomposed head, too, and before leaving work she planned to simmer it and study the exposed cranium for contusions. I was asked to pass this information along to the chief medical examiner, and, looking back, I perhaps should have chosen my words more carefully. 'Fire up the kettle,' I told him. 'Ol'-fashioned skull boil at five p.m.

Foul and magical fumes bubbled out of the kettle, like the flatulence of a dragon on a demon-only diet.

Well, if that wasn’t the kettle talking smack about the pot, I don’t know what was.

Like a kettle boiling over, the room foamed with laughter.

You will find out that Charity is a heavy burden to carry, heavier than the kettle of soup and the full basket. But you will keep your gentleness and your smile. It is not enough to give soup and bread. This the rich can do. You are the servant of the poor, always smiling and good-humored. They are your masters, terribly sensitive and exacting master you will see. And the uglier and the dirtier they will be, the more unjust and insulting, the more love you must give them. It is only for your love alone that the poor will forgive you the bread you give to them.

Hephzibah normally left the dishes until the next day. Piled up in the sink so that it was near impossible to fill a kettle. And what the sink wouldn't take would stay on the kitchen table. Treslove liked that about her. She didn't believe they had to clean up after every excess. There wasn't a price to pay for pleasure.

You need more sleep.” “Skillet, pan.” “What?” “You know, the skillet says the pan’s the same deal.” He thought a moment. “I believe that’s the pot calling the kettle black.” “Whatever, kitchen stuff can’t talk anyway.

What about a teakettle? What if the spout opened and closed when the steam came out, so it would become a mouth, and it could whistle pretty melodies, or do Shakespeare, or just crack up with me? I could invent a teakettle that reads in Dad’s voice, so I could fall asleep, or maybe a set of kettles that sings the chorus of “Yellow Submarine,” which is a song by the Beatles, who I love, because entomology is one of my raisons d’être, which is a French expression that I know. Another good thing is that I could train my anus to talk when I farted. If I wanted to be extremely hilarious, I’d train it to say, “Wasn’t me!” every time I made an incredibly bad fart. And if I ever made an incredibly bad fart in the Hall of Mirrors, which is in Versailles, which is outside of Paris, which is in France, obviously, my anus would say, “Ce n’étais pas moi!” What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboard down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.

That is the only way to get a kettle to boil up the river. If it sees that you are waiting for it and are anxious, it will never even sing. You have to go away and begin your meal, as if you were not going to have any tea at all. You must not even look round at it. Then you will soon hear it sputtering away, mad to be made into tea.

Rosalind exploded with a shriek worthy of a tea-kettle.

I’ve never heard someone say something as inane as “there’s a kettle in the cupboard” and have it sound like “I’m going to fucking murder you.” Impressive, I must say.

Human Language is like a cracked kettle on which we beat out tunes for bears to dance to, when all the time we are longing to move the stars to pity.

He's lying, Kay," Nash said, fists clenched at his sides. "Hellions can't lie, but we all know reapers can." "Careful, pot," Tod said. "Someone might notice your resemblance to the kettle.

That's it: watch your moods. Don't let people see you fluctuate. Don't let yourself run your mouth. Never ever cry, even alone, because your cat or your kettle might tell. Always smile, but don't laugh loudly. Mania is an extrovert, but if you need to vent, tell your mattress or maybe your therapist, but put nothing in writing and never tell a friend or coworker how you're really feeling. Downplay any problem or joy. Pay attention to any signs that your life is shitty or excellent, because either is an illusion. Be careful around men, especially ones with big arms or opinions. Stop talking.

Oh, dear me!" he lamented. "The raft has floated off and I suppose it's gone down that awful hole by now." "Well, never mind. We're not on it," said Snufkin gaily. "What's a kettle here or there when you're out looking for a comet!

Patience is a virtue. (Tee) Excuse me, pot, could you not pick on the kettle? (Joe)

Ella turned to the fireplace where a blackened kettle hung over what Granny Weatherwax always called an optimist's fire: two logs and hope.

I planned to spend mine in new music," said Beth, with a little sigh, which no one heard but the hearth brush and kettle-holder.

Theo looked away first, turning back to the tea-kettle. The firelight pocked and hollowed his face. 'Do you have a preference? Between men and women?' 'I feel equally comfortable as either.' 'No, I don't mean . . . not all of us can change our gender at will.' 'I don't change my gender. I exist as both.' 'You're not . . . That doesn't make sense.' 'It does to me.

I. At Tea THE kettle descants in a cosy drone, And the young wife looks in her husband's face, And then in her guest's, and shows in her own Her sense that she fills an envied place; And the visiting lady is all abloom, And says there was never so sweet a room. And the happy young housewife does not know That the woman beside her was his first choice, Till the fates ordained it could not be so.... Betraying nothing in look or voice The guest sits smiling and sips her tea, And he throws her a stray glance yearningly.

Whereas the truth is that fullness of soul can sometimes over flow in utter vapidity of language, for none of us can ever express the exact measure of his needs or his thoughts or his sorrows; and human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.

What was once a home she had taken apart one piece at a time, one day...She sold her belongings for money to buy food.  First the luxuries: a small statue, a picture.  Then the items with more utility: a lamp, a kettle.  Clothes left the closet at a rate of a garment a day…she burned everything in the basement first; then everything in the attic.  It lasted weeks, not months.  Though tempted, she left the roof alone.  She stripped the second floor, and the stairs.  She extracted every possible calorie from the kitchen.  she wasn’t working alone, because neighbourhood pirates simultaneously stole anything of value outside: door and window frames, fencing, stucco.  They pillaged her yard.  Breaking in was a boundary her neigbours had not yet crossed.  But the animals had.  Rats and mice and other vermin found the cracks without much effort.  Like her, they sought warmth and scraps of food.  With great reluctance, she roasted the ones she could catch.  She spent her nights fighting off the ones that escaped.

Being tender and open is beautiful. As a woman, I feel continually shhh’ed. Too sensitive. Too mushy. Too wishy washy. Blah blah. Don’t let someone steal your tenderness. Don’t allow the coldness and fear of others to tarnish your perfectly vulnerable beating heart. Nothing is more powerful than allowing yourself to truly be affected by things. Whether it’s a song, a stranger, a mountain, a rain drop, a tea kettle, an article, a sentence, a footstep, feel it all – look around you. All of this is for you. Take it and have gratitude. Give it and feel love.

You’re not…jealous?” He eyed me warily. I shrugged. “I’ll always be jealous of any girl who’s had that part of you, but I’m not worried about it. If you wanted her, you’d be with her. But you’re not. You’re with me. A sound choice, I might add. “I smirked suggestively.” Jake threw his head back in laughter. “God, my girl is cocky” “Pot, meet kettle.” “Good thing we’re both attracted to cocky, then, huh?” “Good thing.

Fear has a lot of flavors and textures. There's a sharp, silver fear that runs like lightning through your arms and legs, galvanizes you into action, power, motion. There's heavy, leaden fear that comes in ingots, piling up in your belly during the empty hours between midnight and morning, when everything is dark, every problem grows larger, and every wound and illness grows worse. And there is coppery fear, drawn tight as the strings of a violin, quavering on one single note that cannot possibly be sustained for a single second longer—but goes on and on and on, the tension before the crash of cymbals, the brassy challenge of the horns, the threatening rumble of the kettle drums. That's the kind of fear I felt. Horrible, clutching tension that left the coppery flavor of blood on my tongue. Fear of the creatures in the darkness around me, of my own weakness, the stolen power the Nightmare had torn from me. And fear for those around me, for the folk who didn't have the power I had.

Alternative Anthem. Put the kettle on Put the kettle on It is the British answer to Armageddon. Never mind taxes rise Never mind trains are late One thing you can be sure of and that’s the kettle, mate. It’s not whether you lose It’s not whether you win It’s whether or not you’ve plugged the kettle in. May the kettle ever hiss May the kettle ever steam It is the engine that drives our nation’s dream. Long live the kettle that rules over us May it be limescale free and may it never rust. Sing it on the beaches Sing it from the housetops The sun may set on empire but the kettle never stops.

The order never varies. Two slices of bread-and-butter each, and China tea. What a hide-bound couple we must seem, clinging to custom because we did so in England. Here, on this clean balcony, white and impersonal with centuries of sun, I think of half-past-four at Manderley, and the table drawn before the library fire. The door flung open, punctual to the minute, and the performance, never-varying, of the laying of the tea, the silver tray, the kettle, the snowy cloth.

It is a well-known established fact throughout the many-dimensional worlds of the multiverse that most really great discoveries are owed to one brief moment of inspiration. There's a lot of spadework first, of course, but what clinches the whole thing is the sight of, say, a falling apple or a boiling kettle or the water slipping over the edge of the bath. Something goes click inside the observer's head and then everything falls into place. The shape of DNA, it is popularly said, owes its discovery to the chance sight of a spiral staircase when the scientist‘s mind was just at the right receptive temperature. Had he used the elevator, the whole science of genetics might have been a good deal different. This is thought of as somehow wonderful. It isn't. It is tragic. Little particles of inspiration sleet through the universe all the time traveling through the densest matter in the same way that a neutrino passes through a candyfloss haystack, and most of them miss. Even worse, most of the ones that hit the exact cerebral target, hit the wrong one. For example, the weird dream about a lead doughnut on a mile-high gantry, which in the right mind would have been the catalyst for the invention of repressed-gravitational electricity generation (a cheap and inexhaustible and totally non-polluting form of power which the world in question had been seeking for centuries, and for the lack of which it was plunged into a terrible and pointless war) was in fact had by a small and bewildered duck. By another stroke of bad luck, the sight of a herd of wild horses galloping through a field of wild hyacinths would have led a struggling composer to write the famous Flying God Suite, bringing succor and balm to the souls of millions, had he not been at home in bed with shingles. The inspiration thereby fell to a nearby frog, who was not in much of a position to make a startling contributing to the field of tone poetry. Many civilizations have recognized this shocking waste and tried various methods to prevent it, most of them involving enjoyable but illegal attempts to tune the mind into the right wavelength by the use of exotic herbage or yeast products. It never works properly.

Cup of tea?' Lupin said, looking around for his kettle. 'I was just thinking of making one.' 'All right,' said Harry, awkwardly. Lupin tapped the kettle with his wand and a blast of steam issued suddenly from the spout. 'Sit down,' said Lupin, taking the lid off a dusty tin. 'I've only got teabags, I'm afraid-but I daresay you've had enough of tea leaves?' Harry looked at him. Lupin's eyes were twinkling. 'How did you know that?' Harry asked. 'Professor McGonagall told me,' said Lupin, passing Harry a chipped mug of tea. 'You're not worried, are you?

Put down the weight of your aloneness and ease into the conversation. The kettle is singing even as it pours you a drink, the cooking pots have left their arrogant aloofness and seen the good in you at last. All the birds and creatures of the world are unutterably themselves. Everything is waiting for you.

He seemed to weave, like the spider, from pure impulse, without reflection. Every man's work, pursued steadily, tends in this way to become an end in itself, and so to bridge over the loveless chasms of life. Silas's hand satisfied itself with throwing the shuttle, and his eye with seeing the little squares in the cloth complete themselves under his effort. Then there were the calls of hunger; and Silas, in his solitude, had to provide his own breakfast, dinner, and supper, to fetch his own water from the well, and put his own kettle on the fire; and all these immediate promptings helped, along with the weaving, to reduce his life to the unquestioning activity of a spinning insect. He hated the thought of the past; there was nothing that called out his love and fellowship toward the strangers he had come amongst; and the future was all dark, for there was no Unseen Love that cared for him. Thought was arrested by utter bewilderment, not its old narrow pathway was closed, and affection seemed to have died under the bruise that had fallen on its keenest nerves.

... Those masterful images because complete Grew in pure mind, but out of what began? A mound of refuse or the sweepings of a street, Old kettles, old bottles, and a broken can, Old iron, old bones, old rags, that raving slut Who keeps the till. Now that my ladder's gone, I must lie down where all the ladders start In the foul rag and bone shop of the heart.

Jesus fucking Christ, don’t have a kid or get married because you’re worried about being alone,’ she said, rubbing my back. I sat upright in my chair and she held me by my shoulders. ‘Be alone, Jen. You know how to be alone without being lonely. Do you know how rare that is? Do you know how much I wish I could do that? It’s a wonderful thing you’ve got going on there.’ Avi came into the kitchen and put the kettle

She had a horror he would die at night. And sometimes when the light began to fade She could not keep from noticing how white The birches looked — and then she would be afraid, Even with a lamp, to go about the house And lock the windows; and as night wore on Toward morning, if a dog howled, or a mouse Squeaked in the floor, long after it was gone Her flesh would sit awry on her. By day She would forget somewhat, and it would seem A silly thing to go with just this dream And get a neighbor to come at night and stay. But it would strike her sometimes, making tea: _She had kept that kettle boiling all night long, for company._

I need someone to fold the sheet, someone to take the other end of the sheet and walk towards me and fold once , then step back , fold and walk towards me again .We all need someone to fold the sheet.Someone to hitch on the coat at the neck .Someone to put on the kettle. Someone to dry up while I wash.

I've seen this idea put forward a hundred times - that a proper feminist would do her own hoovering, Germaine Greer cleans her own lavvy, and Emily Wilding Davison threw herself under that horse, hands still pine-y fresh from Mr Muscle Oven Cleaner. On this basis alone, how many women have had to conclude, sighingly, as they hire a cleaner, that they can't, then, be a feminist? But, of course, the hiring of domestic help isn't a case of women oppressing other women, because WOMEN DID NOT INVENT DUST. THE STICKY RESIDUE THAT COLLECTS ON THE KETTLE DOES NOT COME OUT OF WOMEN'S VAGINAS. IT IS NOT OESTROGEN THAT COVERS THE DINNER PLATES IN TOMATO SAUCE, FISHFINGER CRUMBS AND BITS OF MASH. MY UTERUS DID NOT RUN UPSTAIRS AND THROW ALL OF THE KIDS' CLOTHES ON THE FLOOR AND PUT JAM ON THE BANISTER. AND IT IS NOT MY TITS THAT HAVE SKEWED THE GLOBAL ECONOMY TOWARDS DOMESTIC WORK FOR WOMEN.

Not all of Anthony’s officers, however, were eager or even willing to join Chivington’s well-planned massacre. Captain Silas Soule, Lieutenant Joseph Cramer, and Lieutenant James Connor protested that an attack on Black Kettle’s peaceful camp would violate the pledge of safety given the Indians by both Wynkoop and Anthony, “that it would be murder in every sense of the word,” and any officer participating would dishonor the uniform of the Army.

It is extremely difficult to say with any sense at all of adequacy what To the Lighthouse is all about.

You're supposed to be a spirit of intellect. I don't understand why you're obsessed with sex." Bob's voice got defensive. "It's an academic interest, Harry." "Oh yeah? Well maybe I don't think it's fair to let your academia go peeping in other people's houses." "Wait a minute. My academia doesn't just peep -" I held up a hand. "Save it. I don't want to hear it." He grunted. "You're trivializing what getting out for a bit means to me, Harry. You're insulting my masculinity." "Bob," I said, "you're a skull . You don't have any masculinity to insult." "Oh yeah?" Bob challenged me. "Pot kettle black, Harry! Have you gotten a date yet? Huh? Most men have something better to do in the middle of the night than play with their chemistry sets.

Little Cinder Girl, they can't understand you. You rise from the as-heap in a blaze and only then do they recognize you as their one true love. While you pray beneath your mother's tree you carrve a phoenix into your palm wth aa hazel twig and coal; every night she devours more of you. You used to believe in angels. Now you believe in the makeover; if you can't get the grime off your face and your foot into a size six heel who will ever bother to notice you? The kettle and the broom sear in your grasp, snap into fragments. The turtledoves sing, "There's blood within the shoe." You deserve the palace, you think, as you signal the pigeons to attack, approve the barrel filled with red-hot nails. Its great hearth beckons, and the prince's flag rises crimson in the angry sun. He will love you for the heat you generate, for the flames you ignite around you, though he encase your tiny feet in glass to keep them from scorching the ground.

An hour later, we’d indulged in the traditional St Mary’s ritual for dealing with any sort of crisis, which is to imbibe vast reservoirs of tea. People laugh, but it works. By the time the kettle has boiled, the tea made, the amount of sugar added has been silently criticised, the tea blown on and finally drunk … all this takes time, and if you’re a member of St Mary’s with the attention-span of a privet hedge, then you’ve forgotten what you were arguing about in the first place.

Welcome Morning" There is joy in all: in the hair I brush each morning, in the Cannon towel, newly washed, that I rub my body with each morning, in the chapel of eggs I cook each morning, in the outcry from the kettle that heats my coffee each morning, in the spoon and the chair that cry "hello there, Anne" each morning, in the godhead of the table that I set my silver, plate, cup upon each morning. All this is God, right here in my pea-green house each morning and I mean, though often forget, to give thanks, to faint down by the kitchen table in a prayer of rejoicing as the holy birds at the kitchen window peck into their marriage of seeds. So while I think of it, let me paint a thank-you on my palm for this God, this laughter of the morning, lest it go unspoken. The Joy that isn't shared, I've heard, dies young.

Shall I make you a cup of tea? He asked. It was the classic response to crisis practiced throughout these islands—in England, Scotland, and elsewhere. Emotional turmoil, danger, even disaster could be faced with far greater equanimity if the kettle was switched on. War has been declared! There’s been a major earthquake! The stock market has collapsed! Oh really? Let me put the kettle on….

THE STOLEN CHILD Where dips the rocky highland Of Sleuth Wood in the lake, There lies a leafy island Where flapping herons wake The drowsy water rats; There we've hid our faery vats, Full of berrys And of reddest stolen cherries. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand. Where the wave of moonlight glosses The dim gray sands with light, Far off by furthest Rosses We foot it all the night, Weaving olden dances Mingling hands and mingling glances Till the moon has taken flight; To and fro we leap And chase the frothy bubbles, While the world is full of troubles And anxious in its sleep. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand. Where the wandering water gushes From the hills above Glen-Car, In pools among the rushes That scarce could bathe a star, We seek for slumbering trout And whispering in their ears Give them unquiet dreams; Leaning softly out From ferns that drop their tears Over the young streams. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand. Away with us he's going, The solemn-eyed: He'll hear no more the lowing Of the calves on the warm hillside Or the kettle on the hob Sing peace into his breast, Or see the brown mice bob Round and round the oatmeal chest. For he comes, the human child, To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than he can understand.

I have tried to teach you the wonders of the spiritual world... ...I have tried to show how we mortals can attain such wisdom... ...and I've decided you're a pillock. [click on the thumbnail, art by Andrew Christine]

I do love a hotel room: adore it. What's not to love about everything you need in one room? Would you have a kettle on a tea tray with biscuits in a packet in your bedroom at home? No, you very likely wouldn't. And – please excuse me, MDRC, I'm getting a little giddy here – the kettle. The little tiny kettle on a little tiny stand! Admittedly it's hard to fill as it never quite fits under the basin taps, but that's all just part of the fun.

He longed for it to be winter. A cold wind would blow, the sea would pound, and he would rise cheerful and fit from a delicious sleep beneath warm blankets. Then would come days in which he would write his great novel. The kettle would boil and hot coffee would froth in his cup. In the garden the citron would flower beneath a brilliant moon, its branches dripping fragrance. The starry sky would sweeten the soft silence and Hemdat would pour the dew of his soul into the sea-blue night.

The magic in that country was so thick and tenacious that it settled over the land like chalk-dust and over floors and shelves like sticky plaster-dust. (House-cleaners in that country earned unusually good wages.) If you lived in that country, you had to de-scale your kettle of its encrustation of magic at least once a week, because if you didn't, you might find yourself pouring hissing snakes or pond slime into your teapot instead of water. (It didn't have to be anything scary or unpleasant, especially in a cheerful household - magic tended to reflect the atmosphere of the place in which it found itself -- but if you want a cup of tea, a cup of lavender-and-gold pansies or ivory thimbles is unsatisfactory.)

But the kitchen will not come into its own again until it ceases to be a status symbol and becomes again a workshop. It may be pastel. It may be ginghamed as to curtains and shining with copper like a picture in a woman's magazine. But you and I will know it chiefly by its fragrances and its clutter. At the back of the stove will sit a soup kettle, gently bubbling, one into which every day are popped leftover bones and vegetables to make stock for sauces or soup for the family. Carrots and leeks will sprawl on counters, greens in a basket. There will be something sweet-smelling twirling in a bowl and something savory baking in the oven. Cabinet doors will gape ajar and colored surfaces are likely to be littered with salt and pepper and flour and herbs and cheesecloth and pot holders and long-handled forks. It won't be neat. It won't even look efficient. but when you enter it you will feel the pulse of life throbbing from every corner. The heart of the home will have begun once again to beat.

You will live to love again. You know you have lost your springtime girl, your Molly on the beach with the wind in her brown hair and red cloak. You have been gone too long from her, and too much has befallen you both. And what you loved, what both of you truly loved, was not each other. It was the time of your life. It was the spring of your years, and life running strong in you, and war on your doorstep and your strong, perfect bodies. Look back, in truth. You will find you recall fully as many quarrels and tears as you do lovemaking and kisses. Fitz. Be wise. Let her go, and keep those memories intact. Save what you can of her, and let her keep what she can of the wild and daring boy she loved. Because both he and that merry little miss are no more than memories anymore." She shook her head. "No more than memories.

In the castle of Benwick, the French boy was looking at his face in the polished surface of a kettle-hat. It flashed in the sunlight with the stubborn gleam of metal. It was practically the same as the steel helmet which soldiers still wear, and it did not make a good mirror, but it was the best he could get. He turned the hat in various directions, hoping to get an average idea of his face from the different distoritons which the bulges made. He was trying to find out what he was, and he was afraid of what he would find. The boy thought that there was something wrong with him. All through his life--even when he was a great man with the world at his feet--he was to feel this gap: something at the bototm of his heart of which he was aware, and ashamed, but which he did not understand. There is no need for us to try to understand it. We do not have to dabble in a place which he preferred to keep secret.

That is the only way to get a kettle to boil up the river.  If it sees that you are waiting for it and are anxious, it will never even sing.  You have to go away and begin your meal, as if you were not going to have any tea at all.  You must not even look round at it.  Then you will soon hear it sputtering away, mad to be made into tea. It is a good plan, too, if you are in a great hurry, to talk very loudly to each other about how you don’t need any tea, and are not going to have any.  You get near the kettle, so that it can overhear you, and then you shout out, “I don’t want any tea; do you, George?” to which George shouts back, “Oh, no, I don’t like tea; we’ll have lemonade instead—tea’s so indigestible.”  Upon which the kettle boils over, and puts the stove out. We adopted this harmless bit of trickery, and the result was that, by the time everything else was ready, the tea was waiting.  Then we lit the lantern, and squatted down to supper.

There is an incident which occurred at the examination during my first year at the high school and which is worth recording. Mr. Giles, the Educational Inspector, had come on a visit of inspection. He had set us five words to write as a spelling exercise. One of the words was 'kettle'. I had mis-spelt it. The teacher tried to prompt me with the point of his boot, but I would not be prompted. It was beyond me to see that he wanted me to copy the spelling from my neighbour's slate, for I had thought that the teacher was there to supervise us against copying. The result was that all the boys, except myself, were found to have spelt every word correctly. Only I had been stupid. The teacher tried later to bring this stupidity home to me, but without effect. I never could learn the art of 'copying'.

What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.

It was better to die, like Eugénie and Digby, in the prime of life with all one's faculties about one. But he wasn't like that, she thought, glancing at the press cuttings. 'A man of singularly handsome presence... shot, fished, and played golf.' No, not like that in the least. He had been a curious man; weak; sensitive; liking titles; liking pictures; and often depressed, she guessed , by his wife's exuberance. She pushed the cuttings away and took up her book. It was odd how different the same person seemed to two different people, she thought. There was Martin, liking Eugénie; and she, liking Digby. She began to read. She had always wanted to know about Christianity - how it began; what it meant, originally. God is love, The kingdom of Heaven is within us, sayings like that she thought, turning over the pages, what did they mean? The actual words were very beautiful. But who said them - when? Then the spout of the tea-kettle puffed steam at her and she moved it away. The wind was rattling the windows in the back room; it was bending the little bushes; they still had no leaves on them. It was what a man said under a fig tree, on a hill, she thought. And then another man wrote it down. But suppose that what that man says is just as false as what this man - she touched the press cuttings with her spoon - says about Digby? And here I am, she thought, looking at the china in the Dutch cabinet, in this drawing-room, getting a little spark from what someone said all those years ago - here it comes (the china was changing from blue to livid) skipping over all those mountains, all those seas. She found her place and began to read.