“
Marry him,” Arin said, “but be mine in secret.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
She turned to look at him, and he was already looking at her. “I’m going to miss you when I wake up,” she whispered, because she realized that she must have fallen asleep under the sun. Arin was too real for her imagination. He was a dream.
“Don’t wake up,” he said.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
Will you come with me?"
"Ah, Kestrel, that's something you never need to ask.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
You might not think of me as your friend,' Kestrel told Arin, 'but I think of you as mine.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
If I die, you'll survive. If you die, it will destroy me.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Arin. I've wanted to do this for a long time."
Her words silenced him, steadied him.
Anticipation lifted within her like the fragrance of a garden under the rain. She sat at the piano, touching the keys. "Ready?"
He smiled. "Play.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
I told her that I belong to you, and no other.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
She had done everything she could. And he didn't even know.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
He'd believed it. She couldn't believe that he believed it. Sometimes, she hated him for that.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Little Fists, what's wrong?
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
I won’t play you because even when I win, I lose. It’s never been just a game between us.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Later, Kestrel wished she had spoken then, that no time had been lost. She wished that she’d had the courage that very moment to tell Arin what she’d finally known to be true: that she loved him with the whole of her heart.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
A lover? Maybe. Something tender, anyway. But tender like a bruise.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
She'd betrayed her country because she'd believed it was the right thing to do. Yet would she have done this, if not for Arin?
He knew none of it. Had never asked for it. Kestrel had made her own choices. It was unfair to blame him.
But she wanted to.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Kestrel let the words echo in her mind. There had been a supple strength to his voice. An unconscious melody. Kestrel wondered if Arin knew how he exposed himself as a singer with every simple, ordinary word. She wondered if he meant to hold her in thrall.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
It was an old Herrani flag, stitched with the royal crest.
Arin said, "But the royal line is gone."
"They're looking for something to call you, Kestrel said, nudging Javelin forward.
"Not this. It's not right."
"Don't worry. They'll find the right words to describe you."
"And you."
"Oh, that's easy."
"It is?" It seemed impossible to name every thing she was to him.
Kestrel's expression was serious, luminous. He loved to see her like this. "They'll say that I'm yours," she told him, "just as you are mine.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
The guard hit Kestrel across the face. “I said, what did you give him?”
You had a warrior’s heart, even then.
Kestrel spat blood. “Nothing,” she told the guard. She thought of her father, she thought of Arin. She told her final lie. “I gave him nothing.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
Someone was coming through the velvet.
He was pulling it wide, he was stepping onto Kestrel’s balcony—close, closer still as she turned and the curtain swayed, then stopped. He pinned the velvet against frame. He held the sweep of it high, at the level of his gray eyes, which were silver in the shadows.
He was here. He had come.
Arin.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
A singer who refused to sing, a friend who wasn't her friend, someone who was hers and yet would never be hers.
Kestrel looked away from Arin.
She swore to herself that she would never look back
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Arin would trade his heart for a snarled knot of thread if it meant he would never have to see Kestrel again.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
Come closer, and I will tell you."
But he forgot. He kissed her, and became lost in the exquisite sensation of his skin becoming too tight for his body. He murmured other things instead. A secret, a want, a promise. A story, in its own way.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
You talk about her as if she's made of spun glass. Know what I see? Steel.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
It was different to give something up than to see it taken away. The difference, Kestrel said, was choice.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
What did you tell the queen?"
"I told Inisha about you."
"What, exactly?"
He hesitated. "I'm afraid to say."
"I want you to."
"You might leave."
"I won't."
He stayed silent.
She said, "I give you my word."
"I told her that I belong to you, and no other. I said that I was sorry.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
She said, I'm going to miss you when you when I wake up.
Don't wake up, he answered.
But he did.
Kestrel, beside him on the grass, said. "Did I wake you? I didn't mean to."
It took him a velvety moment to understand that this was real. The air was quiet. An insect beat it's clear wings. She brushed hair from his brow. Now he was very awake.
"You were sleeping so sweetly," she said.
"Dreaming" He touched her tender mouth.
"About what?"
"Come closer, and I will tell you."
But he forgot. He kissed her, and became lost in the exquisite sensation of his skin becoming too tight for his body. He murmured other things instead. A secret, a want, a promise. A story, in its own way.
She curled her fingers into the green earth
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Kestrel raised one brow. "How very surprising. Didn't you just make a promise and ask me to trust your word? Really, Arin. You must sort out your lies and your truths or even you won't know which is which.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
She remembered her letter confessing every thing to Arin. I am the Moth. I am your country’s spy, she’d written. I have wanted to tell you this for so long. She’d scrawled the emperor’s secret plans. It didn’t matter that this was treason. It didn’t matter that she was supposed to marry the emperor’s son on First-summer’s day, or that her father was the emperor’s most trusted friend. Kestrel ignored that she’d been born Valorian. She’d written what she felt. I love you. I miss you. I would do anything for you.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Arin thought of Cheat, Tensen, Kestrel. He wondered if some part of him was drawn to lies. What was it that made him so easy to deceive?
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Let the morning keep what belongs to the morning,
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
When Roshar saw her ripped, one-legged trousers and Arin at her side as they stood outside the prince’s tent, his eyes glinted with mirth and Kestrel felt quite sure that the prince was going to say it was about time Arin tore her clothes off. Then Roshar might comment coyly on Arin’s inability to reach a full conclusion (Only one trouser leg? she imagined Roshar saying. How lazy of you, Arin), or on the quaint quality of Arin’s modesty (What a little lamb you are). Perhaps he’d offer condolences to Kestrel on the partial death of her trousers. He’d ask whether she’d gotten injured on purpose.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
He'll behave. He has a mien and manners of a prince."
"Oh, like you?"
"I resent your tone."
"I'm not sure you can control him."
"Has he ever aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you'll get married, and make babies --"
"Gods, Roshar, shut up.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
She said, I'm going to miss you when you when I wake up.
Don't wake up, he answered.
But he did.
Kestrel, beside him on the grass, said. "Did I wake you? I didn't mean to.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Kestrel's eyes slipped shut. She faded in and out of sleep. When Arin spoke again, she wasn't sure whether he expected her to to hear him.
'I remember sitting with my mother in a carriage.' There was a long pause. Then Arin's voice came again in that slow, fluid way that showed the singer in him. 'In my memory, I am small and sleepy, and she is doing something strange. Every time the carriage turns into the sun, she raises her hand as if reaching for something. The light lines her fingers with fire. Then the carriage passes through shadows, and her hand falls. Again sunlight beams through the window, and again her hand lifts. It becomes and eclipse.'
Kestrel listened, and it was as if the story itself was an eclipse, drawing its darkness over her.
'Just before I fell asleep,' he said, 'I realized that she was shading my eyes from the sun.'
She heard Arin shift, felt him look at her.
'Kestrel.' She imagined how he would sit, lean forward. How he would look in the glow of the carriage lantern. 'Survival isn't wrong. You can sell your honor in small ways, so long as you guard yourself. You can pour a glass of wine like it's meant to be poured, and watch a man drink, and plot your revenge.' Perhaps his head tilted slightly at this. 'You probably plot even in your sleep.'
There was a silence as long as a smile.
'Plot away, Kestrel. Survive. If I hadn't lived, no one would remember my mother, not like I do.'
Kestrel could no longer deny sleep. It pulled her under.
'And I would never have met you.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Kestrel felt Arin’s tension, the way he looked at the prince. Arin’s worry was plain, his hands still at his sides yet slightly open, as if his friend might shatter and Arin needed to be ready to catch the pieces.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
It looked like she held a basketful of woven gold.
Arin leap down the stairs. He strode up to his cousin and seized her arm.
“Arin!”
“What did you do?”
Sarsine jerked away. “What she wanted. Pull yourself together.”
But Arin only saw Kestrel as she had been last night before the ball. How her hair had been a spill of low light over his palms. He had threaded desire into those braids, had wanted her to sense it even as he dreaded that she would. He had met her eyes in the mirror, and didn’t know, couldn’t tell her feelings. He only knew the fire of his own.
“It’s just hair,” Sarsine said. “It will grow back.”
“Yes,” said Arin, “but no everything does.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
You could offer her a seat,' Arin said.
'Ah, but I only have two chairs in my tent, little Herrani, and we are three. I suppose she could always sit on your lap.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
The general's daughter? We'd be fools not to. You talk about her as if she's made of spun glass. Know what I see? Steel.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Arin used to clutch his head in disgusted wonder at how fascinated he’d once been by the daughter of the Valorian general. He used to sting at her rejection. Now, though, the thought of Kestrel gave him a cold relief. Ice on a bruise.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
No, it didn’t hurt anymore to think about Kestrel. He’d been a fool, but he’d had to forgive himself for worse. Sister, father, mother. As for Kestrel . . . Arin had some clarity on who he was: the sort of person who trusted too blindly, who put his heart where it didn’t belong.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Sarsine grabbed his wrists and tugged the hands from his eyes. He looked at her, but didn’t see her. He saw Kestrel’s wasted face. He saw himself as a child, the night of the invasion, soldiers in his home, how he had done nothing.
Later, he’d told Sarsine when the messenger had come to see him.
No, I won’t, he’d promised Roshar when the prince had listed reasons not to rescue the nameless spy from the tundra’s prison.
“I was wrong,” Arin said. “I should have—”
“Your should haves are gone. They belong to the god of the lost. What I want to know is what you are going to do now.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Arin remmembered seeing her hand in Javelin’s mane, curling into the coarse strands. This made him remember the almost freakish lenghth between her littlest finger and thumb as her hand spanned piano keys. The black star of the birth-mark. He saw her again in the imperial palace. Her music room. He’d seen that room only once. About a month ago, right before Firstsummer. Her blue sleeves were fastened at the wrist.
Something tugged inside him. A flutter of unease.
Do you sing? Those had been her first words to him, the day she had bought him. A band of nausea circled Arin’s throat, just as it had when she had asked him that question, in part for the same reason. She’d had no trace of an accent. She had spoken in perfect, natural, mother-taught Herrani.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
I told you everything I know", said the messenger. Arin had gone to his childhood suite, feeling anxiety verging on panic at the thought of not finding the man there, of having to track him down, of time lost…but the man had opened the outermost door almost immediately after Arin’s pounding knock.
"I didn’t ask you the right questions,“ Arin said. "I want to start again. You said that the prisoner reached trough the bars of the wagon to give you the moth.”
“Yes”
“And you couldn’t really see her.”
“That’s right.”
“But you said she was Herrani. Why would you say that if you couldn’t see her?”
“Because she spoke in Herrani.”
“Perfectly.”
“Yes.”
“No accent.”
“No.”
“Describe the hand.”
“I’m not sure…”
“Start with the skin. You said it was paler than yours, than mine.”
“Yes, like a house slave’s.”
Which wasn’t very different from a Valorian’s. “Could you see her wrist, her arm?”
“The wrist, yes, now that you mention it. She was in chains. I saw the manacle.”
“Did you see the sleeve of a dress?”
“Maybe. Blue?”
Dread churned inside Arin. “You think or you know?”
“I don’t know. Things happened too fast.”
“Please. This is important.”
“I don’t want to say something I’m not sure is true.”
“All right, all right. Was this her right hand or her left?”
“I don’t know.”
“Can you tell me anything about it? Did she wear a seal ring?”
“Not that I saw, but –”
“Yes?"
"She had a birthmark. On the hand, near the thumb. It looked like a little black star.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
I would do anything for you, she’d written in the letter her father had found. But that part, despite feeling true when she’d scrawled it on the page, had been a lie. Kestrel had refused Arin. She hadn’t been honest with him, not even when he’d begged. She’d pretended she was empty and careless and cruel.
He’d believed it. She couldn’t believe that he believed it.
Sometimes, she hated him for that.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Something tugged inside him. A flutter of unease.
Do you sing? Those had been her first words to him, the day she had bought him.
A band of nausea circled Arin’s throat, just as it had when she had asked him that question, in part for the same reason.
She’d had no trace of an accent. She had spoken in perfect, natural, mother-taught Herrani.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
He said, "How can the inconsequence of your life not shame you?"
He said, "How do you not feel empty?"
I do, she thought as she pushed through the library doors and let them thud behind her. I do.”
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
Something terrible was clawing up her throat.
“I was lucky,” Arin said. “I had you. And a hard head. And the grace of my god.”
“Damn your god.”
Arin caught her arm above the elbow. She turned to face him. All trace of humor had left his face. His eyes were wide, urgent. “Don’t say that.”
“Why not? I can say anything. Anything except what really matters.”
“Kestrel, take it back. You’ll offend him.”
“Your god risks you.”
“He protects me.”
“You’re his plaything.”
“You’re wrong. He loves me.”
Saying those words made him look so alone. He reminded her of sails curved by the wind, full and yet empty at the same time. She found that she was jealous of his god. The sudden jealousy held her so hard in its grip that she couldn’t breathe.
“It’s true,” Arin insisted.
She saw then that she had hurt him, that his god’s love was all the more precious to him because of his fear that he would find it nowhere else. Her anger rinsed away. “I’m sorry. I’m sorry. I ask your pardon. His, too.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
His brain had been a glass ball. Nothing in it but echoes. His mother’s scent. Father’s voice. How Anireh’s gaze had held him from across the room, and her eyes said, Survive. They said, Love, and I’m sorry. They said, Little brother.
And then silence. It became silent in Arin’s head as he stood on the road. He stopped hearing voices. He thought about how it had seemed strange that Risha would plot the emperor’s death, yet refuse to kill him herself. Arin understood now. He knew how it was to have no family: like living in a house with no roof. Even if Kestrel were here, and begged him—Let your sword fall, do it, please, now—Arin wasn’t sure that he could make her an orphan.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Arin dreamed of Kestrel. He woke, and the dream faded like perfume. He didn’t remember it, yet it changed the air around him. He blinked against the dark.
When he heard the sound, he realized he had been expecting something of this kind for a long time.
Light feet on the roof.
Arin scrambled out of bed.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Sometimes, Arin almost understood what Kestrel had done. Even now, as he felt the drift of the boat and didn't fight its pull, Arin remembered the yearning in Kestrel's face whatever she'd mentioned her father. Like a homesickness. Arin had wanted to shake it out of her. Especially during those early months when she had owned him. He had wanted to force her to see her father for what he was. He had wanted her to acknowledge what she was, how she was wrong, how she shouldn't long for her father's love. It was soacked in blood. Didn't she see that? How could she not?
Once, he'd hated her for it. Then it had somehow touched him. He knew it himself. He, too, wanted what he shouldn't. He, too, felt the heart chooses its own home and refuses reason. Not here, he'd tried to say. Not this. Not mine. Never. But he had felt the same sickness.
In retrospect, Kestrel's role in the taking of the eastern plains was predictable. Sometimes he damned her for currying favor with the emperor, or blamed her playing war like a game just because she could. Yet he thought he knew the truth of her reasons. She'd done it for her father. It almost made sense. At least, it did when he was near sleep and his mind was quiet, and it was harder to help what entered. Right before sleep, he came close to understanding. But he was awake now.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
A lovely fatigue claimed him. He lay down on the grass and listened. He thought about how Kestrel had slept on the palace lawn and dreamed of him. When she had told him this, he'd wished that it had been real. He tried to imagine the dream, then found himself dreaming.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
For a moment she didn't understand what he wanted, then she drew the dagger he'd made for her and gave it to him
Arin looked it over---surprised, pleased. "You take good care of it."
She took it back. "Of course I do." Her voice was rough and wrong.
He peered at her. Friendly, he said, "Yes, of course. Is there a saying for it? 'A Valorian always polishes her blade.' Something like that."
"I take care of it," she said, suddenly both miserable and angry, "because you made it for me.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
It dropped ice to the bottom of his stomach. He thought of the ruined bodies he'd seen, including the ones he himself had ruined. He realized that he had somehow expected that he'd never have to think again about the way people damage other people.
The night of the invasion. Kestrel's back. His own. Roshar's scarred face. His own.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
I am a practical person. You, on the other hand, are just like Kestrel and Arin. So much drama. Perhaps whatever has gone wrong between you and this girl could be solved with more honesty, and less wounded torment."
"Impossible.
”
”
Marie Rutkoski (The Hollow Heart (Forgotten Gods, #2))
“
Kestrel listened to the slap of waves against the ship, the cries of struggle and death. She remembered how her heart, so tight, like a scroll, had opened when Arin kissed her. It had unfurled.
If her heart were truly a scroll, she could burn it. It would become a tunnel of flame, a handful of ash. The secrets she had written inside herself would be gone. No one would know.
Her father would choose the water for Kestrel if he knew.
Yet she couldn't. In the end, it wasn't cunning that kept her from jumping, or determination. It was a glassy fear.
She didn't want to die. Arin was right. She played a game until its end.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
She had dreams that shamed her in the morning, dreams where Ronan gave her a white powdered cake, yet spoke in Arin's voice. I made this for you, he said. Do you like it?
The powder was so fine that she inhaled its sweetness, but always woke before she could taste.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
Kestrel took Arin’s battered hand in hers, the rough heat of it, the fingernails still ringed with carbon from the smith’s coal fire. His skin was raw-looking: scrubbed clean and scrubbed often. But the black grime was too ingrained.
She twined her fingers with his. Kestrel and Arin walked together through the passageway and the ghost of its old door, which her people had smashed through ten years before.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
It looked like she held a basketful of woven gold.
Arin leap down the stairs. He strode up to his cousin and seized her arm.
“Arin!”
“What did you do?”
Sarsine jerked away. “What she wanted. Pull yourself together.”
But Arin only saw Kestrel as she had been last night before the ball. How her hair had been a spill of low light over his palms. He had threaded desire into those braids, had wanted her to sense it even as he dreaded that she would. He had met her eyes in the mirror, and didn’t know, couldn’t tell her feelings. He only knew the fire of his own.
“It’s just hair,” Sarsine said. “It will grow back.”
“Yes,” said Arin, “but not everything does.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Arin, you’re not listening. You’re not thinking clearly.”
“You’re right. I haven’t been thinking clearly, not for a long time. But I understand now.” Arin pushed his tiles away. His winning hand scattered out of line. “You have changed, Kestrel. I don’t know who you are anymore. And I don’t want to.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
Absurd. It was absurd to think that someone like that could have any power over him. Yet she would, if she won the auction.
He wanted her to. The thought swept Arin with a merciless, ugly joy. He'd never seen her before, but he guessed who she was: Lady Kestrel, General Trajan's daughter.
The crowd heard her bid. And at once it seemed that Arin was worth something after all.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
The man wrote his message.
Are you really a boy, like Xash says? the god asked Arin. You’ve been mine for twenty years. I raised you.
The Valorian signed the scrap of paper.
Cared for you.
The message was rolled, sealed, and pushed into a tiny leather tube.
Watched over you when you thought you were alone.
The captain tied the tube to a hawk’s leg. The bird was too large to be a kestrel. It didn’t have a kestrel’s markings. It cocked its head, turning its glass-bead eyes on Arin.
No, not a boy. A man made in my image . . . one who knows he can’t afford to be seen as weak.
The hawk launched into the sky.
You’re mine, Arin. You know what you must do.
Arin cut the Valorian’s throat.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
But Arin saw Kestrel as she had been last night before the ball. How her hair had been a spill of low light over his palms. He had threaded desire into the braids, had wanted her to sense it even as he dreaded that she would. He had met her eyes in the mirror and didn’t know, couldn’t tell, her feelings. He only knew the fire of his own.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Sudden distrust slicked down Arin's spine.
Roshar raised his hand to quiet the roaring crowd, and Arin was reminded of Cheat relishing his role as an auctioneer. A stone rose in his throat. Kestrel's hand tightened on his, but Arin no longer felt wholly there.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Arin hauled her to her feet. And even though he had seen her choice, must have seen it still blazing on her face, he shook her. He kept saying the words he had been shouting as he had neared the railing. “Don’t, Kestrel. Don’t.”
His hands cradled her face.
“Don’t touch me,” she said.
Arin’s hands fell. “Gods,” he said hoarsely.
“Yes, it would be rather unfortunate for you, wouldn’t it, if you lost your little bargaining chip against the general? Never fear.” She smiled a brittle smile. “It turns out that I am a coward.”
Arin shook his head. “It’s harder to live.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Several of them stamped in their stalls as Kestrel and Arin entered, and another tossed its head. But Kestrel had eyes for only one horse.
She went straight to his stall. He towered over her, but lowered his head to push against her shoulder, breathe gustily over her uplifted hands, and lip the ends of her hair. Kestrel’s throat tightened.
She had been lonely. She thought that loneliness shouldn’t hurt so much--not when there was everything else. But here was a friend. Running a hand down Javelin’s velvet nose reminded her of how few she had.
Arin had been hanging back, but now he came near. “I’m sorry,” he said, “but I need to ready him to ride. Daylight’s fading. I have to leave.”
“Of course you do,” she said, and was horrified to hear the choked sound of her voice. She felt Arin looking at her. She felt the question in his gaze, the way he saw her near tears, and this hurt, too, more than the loneliness, because it made her know that her loneliness had been for him, that it had sent her wandering through the house, looking for yet another little lesson.
“I could stay,” he said. “I could leave tomorrow.”
“No. I want you to go now.”
“Do you?”
“Yes.”
“Ah, but what about what I want?
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Choose a good vintage,” Cheat said to Kestrel. “You’ll know the best.”
As she left the room, his eyes followed her, glittering.
She returned with a clearly labeled bottle of Valorian wine dated to the year of the Herran War. She placed it on the table in front of the two seated men. Arin’s jaw set, and he shook his head slightly. Cheat lost his grin.
“This was the best,” Kestrel said.
“Pour.” Cheat shoved his glass toward her. She uncorked the bottle and poured--and kept pouring, even as the red wine flowed over the glass’s rim, across the table, and onto Cheat’s lap.
He jumped to his feet, swatting wine from his fine stolen clothes. “Damn you!”
“You said I should pour. You didn’t say I should stop.”
Kestrel wasn’t sure what would have happened next if Arin hadn’t intervened. “Cheat,” he said, “I’m going to have to ask you to stop playing games with what is mine.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
It was some time before she heard galloping behind her, and then she did ease up, instinctively wheeling Javelin around to see the blur of horse and rider coming down the path.
Arin slowed, and sidled alongside Kestrel. The horses whickered. Arin looked at her, at the smile she couldn’t hide, and his face seemed to hold equal parts frustration and amusement.
“You are a bad liar,” she told him.
He laughed.
She found it hard to look at him then, and her gaze dropped to his stallion. Her eyes widened. “That is the horse you chose?”
“He is the best,” Arin said seriously.
“He is my father’s.”
“I won’t hold that against the horse.”
It was Kestrel’s turn to laugh.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Kestrel, seeking to change the subject, asked about something that Arin had said. It had been like a needle in a dark part of her mind, stitching invisible patterns. “Did the Herrani enjoy trading with Valorians before the war?”
“Oh, yes. Your people always had gold for Herrani goods. Valoria was our biggest buyer of exports.”
“But did we have a reputation for something else? Besides being rich and savage, with no manners.”
Enai took a sip of tea, peering at Kestrel over the cup’s rim. Kestrel grew uncomfortable, and hoped Enai wouldn’t ask what inspired these questions. But the woman only said, “You were known for your beauty. Of course, that was before the war.”
“Yes,” said Kestrel softly. “Of course.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Arin had taken position on the mountainside wall. He didn’t see a ship enter the harbor.
But he saw a hawk--a small one, a kestrel--swoop over the city and dive toward the general.
The man pulled a tube from its leg and opened it. He went still.
He disappeared into the ranks of soldiers.
The Valorian army stopped its assault.
Then Arin’s feet were moving along the wall, racing to face the sea, and although he couldn’t have said that he knew what had happened, he knew that something had changed, and in his mind there was only one person who could change his world.
Another hawk was perched on the seaside battlements. It eyed him--head cocked, beak sharp, talons tight on stone. Snow laced its feathers.
The message it bore was short.
Arin,
Let me in.
Kestrel
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
But finally, when they stopped to sleep, not bothering with a tent, just bedding down in a hollow they’d trampled in the tall grass with their boots, Arin spoke. He slid a hand under her tunic to touch her bare back, then stopped. “Is this all right?”
She wanted to explain that she hadn’t thought she’d ever bear anyone’s touch on her scarred back, that it should revolt him and revolt her. Yet his touch made her feel soft and new. “Yes.”
He pushed the shirt up, seeking the lash marks, tracing their length. She let herself feel it, and shivered, and thought of nothing. But a tension grew. He was still, but for his hand.
Kestrel said, “What’s wrong?”
“Your life would have been easier if you had married the Valorian prince.”
She drew herself up so that she could face him. The scent of black powder clung to them both. His skin smelled like a blown-out candle. “But not better,” she said.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Kestrel mixed the tiles, but when she set a box of matches on the table, he said, “Let’s play for something else.”
Kestrel didn’t move her hand from the box’s lid. Again she wondered what he could offer her, what he could gamble, and she could think of nothing.
Arin said, “If I win, I will ask a question, and you will answer.”
She felt a nervous flutter. “I could lie. People lie.”
“I’m willing to risk it.”
“If those are your stakes, then I assume my prize would be the same.”
“If you win.”
She still could not quite agree. “Questions and answers are highly irregular stakes in Bite and Sting,” she said irritably.
“Whereas matches make the perfect ante, and are so exciting to win and lose.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Do you want the other news?” Roshar tentatively asked.
No. Arin was suddenly sure that he did not want to hear it, would not be able to bear it. He felt a sinking dread.
Your…” Roshar stumbled.
A chicken feather lifted in a sudden breeze and eddied along the base of the well.
“Arin, Kestrel’s dead.”
His ears were ringing. He felt as if he’d fallen into the well. He heard Roshar’s voice from far away. The words tumbled down to him. “It was recent,” Roshar said. “A disease. While she was away from the capital, traveling with the prince. The whole empire is in mourning.”
“That’s not true.”
Roshar said something. Arin couldn’t hear him. He was at the bottom of the well. The water closed over his head, cold and black.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Cheat propped his elbows on his knees and gazed up at Kestrel. He scrutinized her: the long, loosely clasped hands, the folds of her dress. Kestrel’s clothes had mysteriously appeared in the suite’s wardrobe, probably while she had slept, and she was glad. The dueling ensemble had served well enough, but wearing a dress fit for society made Kestrel feel ready for different kinds of battle.
“Where is Arin?” Cheat said.
“In the mountains.”
“Doing what?”
“I don’t know. I imagine that, since the Valorian reinforcements will come through the mountain pass, he is analyzing its values and drawbacks as a battleground.”
Cheat gave her a gleeful smirk. “Does it bother you, being a traitor?”
“I don’t see how I am.”
“You just confirmed that the reinforcements will come through the pass. Thank you.”
“It’s hardly worth thanking me,” she said. “Almost every useful ship in the empire has been sent east, which means there is no other way into the city. Anyone with brains could figure that out, which is why Arin is in the mountains, and you are here.”
A flush began to build under Cheat’s skin.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
After that, Kestrel sought him out. She used the excuse of those lessons he had given her. She said that she wanted more. She acquired a number of menial skills, like how to blacken boots.
Arin was easy to find. Although raids on the countryside continued, he increasingly relied on lieutenants to lead the sorties. He spent more time at home.
“I don’t know what he thinks he’s doing,” Sarsine said.
“He’s giving officers under his command the chance to prove their worth,” Kestrel said. “He’s showing his trust in them and letting them build their confidence. It’s sound military strategy.”
Sarsine gave her a hard look.
“He’s delegating,” Kestrel said.
“He’s shirking. And for what, I’m sure you know.”
This struck a bright match of pleasure within Kestrel.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Kestrel didn’t see why carriage seats had to face each other. Why couldn’t they have been designed for moments like these, when all she wanted to do was hide? She took one look at Arin. She had given no order for the carriage lamps to be lit, but the moonlight was strong. Arin was silvered by it. He was staring out the window at the governor’s palace dwindling as the carriage trundled toward home. Then he tore his gaze from the window with a sharp turn of the head and sagged against his seat, face filled with something that looked like shocked relief.
Kestrel felt a flicker of instinctive curiosity. Then she reminded herself bitterly that this was what curiosity had bought her: fifty keystones for a singer who refused to sing, a friend who wasn’t her friend, someone who was hers and yet would never be hers. Kestrel looked away from Arin. She swore to herself that she would never look back.
Softly, he said, “Why are you crying?”
His words made the tears flow faster.
“Kestrel.”
She drew a shaky breath. “Because when my father comes home, I will tell him that he has won. I will join the military.”
There was a silence. “I don’t understand.”
Kestrel shrugged. She shouldn’t care whether he understood or not.
“You would give up your music?”
Yes. She would.
“But your bargain with the general was for spring.” Arin still sounded confused. “You have until spring to marry or enlist. Ronan…Ronan would ask the god of souls for you. He would ask you to marry him.”
“He has.”
Arin didn’t speak.
“But I can’t,” she said.
“Kestrel.”
“I can’t.”
“Kestrel, please don’t cry.” Tentative fingers touched her face. A thumb ran along the wet skin of her cheekbone. She suffered for it, suffered for the misery of knowing that whatever possessed him to do this could be no more than compassion. He valued her that much. But not enough.
“Why can’t you marry him?” he whispered.
She broke her word to herself and looked at him. “Because of you.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
The door to the kitchen yard was open. A few snowflakes swirled into the hallway and vanished.
Maybe now. Maybe now was the moment when she would flee.
Kestrel took another step. Her heartbeat trembled in her throat.
Then the door sang wide on its hinges, light flooded the hallway, and Arin walked in.
She bit back a gasp. He, too, was surprised to see her. He straightened suddenly under the weight of the grain sack over his shoulder. Quick as thought, his eyes went to the open door. He set down the sack and locked the door behind him.
“You’re back,” she said.
“I’m leaving again.”
“To steal more grain from a captured country estate?”
His smile was perfectly mischievous. “Rebels must eat.”
“And I suppose you use my horse in these battles and thefts of yours.”
“He’s happy to support a good cause.”
Kestrel huffed and would have turned to wend her way back through the workrooms, but he said, “Would you like to see him? Javelin?”
She stood still.
“He misses you,” said Arin.
She said yes. After Arin had stacked his final load of grain in the pantry and given her his coat, they walked out into the kitchen yard and crossed its slate flagstones to reach the grounds and the stables.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
There you are.” Roshar beamed. “I need your help, Arin.”
“For the preparation of meat?”
“It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.”
“Because of meat.”
“It’s for his tiger,” said the cook.
Arin palmed his face, eyes squeezed shut. “Your tiger.”
“He’s very particular,” said Roshar.
“You can’t bring the tiger to the banquet.”
“Little Arin has missed me. I will not be parted from him.”
“Would you consider changing his name?”
“No.”
“What if I begged?”
“Not a chance.”
“Roshar, the tiger has grown.”
“And what a sweet big boy he is.”
“You can’t bring him into a dining hall filled with hundreds of people.”
“He’ll behave. He has the mien and manners of a prince.”
“Oh, like you?”
“I resent your tone.”
“I’m not sure you can control him.”
“Has he ever been aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you’ll get married, and make babies--”
“Gods, Roshar, shut up.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Yet when she returned to the house, Sarsine had a smile on her face. “Go into the salon,” she said.
Her piano. Its surface gleamed like wet ink. An emotion flooded through Kestrel, but she didn’t want to name it. It wasn’t right that she should feel it, simply because Arin had given back to her something that he had more or less taken.
Kestrel shouldn’t play. She shouldn’t sit on that familiar velvet bench or think about how transporting a piano across the city was no mean feat. It meant people. Pulleys. Horses straining to haul a cart. She shouldn’t wonder how Arin had found the time and begged his people’s goodwill to bring her piano here.
She shouldn’t touch the cool keys, or feel that delicious tension between silence and sound.
She remembered that Arin had refused to sing for who knows how long.
Kestrel didn’t have that particular kind of strength.
She sat and played.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
She sat at her dressing table, eyeing her reflection warily. Her hair was loose, spilling over her shoulders, a few shades darker than the dress. She gathered a handful and began to braid.
“I hear you’re going to the ball tonight.”
Kestrel glanced in the mirror to see Arin standing behind her. Then she focused on her own shadowed eyes. “You’re not allowed in here,” Kestrel said. She didn’t look again at him, but sensed him waiting. She realized that she was waiting, too--waiting for the will to send him away.
She sighed and continued to braid.
He said, “It’s not a good idea for you to attend the ball.”
“I hardly think you’re in a position to advise me on what I should or shouldn’t do.” She glanced back at his reflection. His face frayed her already sheer nerves. The braid slipped from her fingers and unraveled. “What?” she snapped. “Does this amuse you?”
The corner of his mouth lifted, and Arin looked like himself, like the person she had grown to know since summer’s end. “‘Amuse’ isn’t the right word.”
Heavy locks fell forward to curtain her face. “Lirah usually does my hair,” she muttered. She heard Arin inhale as if to speak, but he didn’t.
Then, quietly, he said, “I could do it.”
“What?”
“I could braid your hair.”
“You?”
“Yes.”
Kestrel’s pulse bit at her throat. She opened her mouth, but before she could say anything he had crossed the room and swept her hair into his hands. His fingers began to move.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
She opened the book.
“Don’t,” said Arin. “Please.”
But she had already seen the inscription.
For Arin, it read, from Amma and Etta, with love.
This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago.
Kestrel breathed slowly. Her fingers rested on the page, just below the black line of writing. She lifted her gaze to meet Irex’s smirk.
Her mind chilled. She assessed the situation as her father would a battle. She knew her objective. She knew her opponent’s. She understood what she could afford to lose, and what she could not.
Kestrel closed the book, set it on a table, and turned her back to Arin. “Lord Irex,” she said, her voice warm. “It is but a book.”
“It is my book,” Irex said.
There was a choked sound behind her. Without looking, Kestrel said in Herrani, “Do you wish to be removed from the room?”
Arin’s answer was low. “No.”
“Then be silent.” She smiled at Irex. In their language, she said, “This is clearly not a case of theft. Who would dare steal from you? I’m certain he meant only to look at it. You can’t blame him for being curious about the luxuries your house holds.”
“He shouldn’t have even been inside the library, let alone touching its contents. Besides, there were witnesses. A judge will rule in my favor. This is my property, so I will decide the number of lashes.”
“Yes, your property. Let us not forget that we are also discussing my property.”
“He will be returned to you.”
“So the law says, but in what condition? I am not eager to see him damaged. He holds more value than a book in a language no one has any interest in reading.”
Irex’s dark eyes flicked to look behind Kestrel, then returned to her. They grew sly. “You take a decided interest in your slave’s well-being. I wonder to what lengths you will go to prevent a punishment that is rightfully mine to give.” He rested a hand on her arm. “Perhaps we can settle the matter between us.”
Kestrel heard Arin inhale as he understood Irex’s suggestion. She was angry, suddenly, at the way her mind snagged on the sound of that sharp breath. She was angry at herself, for feeling vulnerable because Arin was vulnerable, and at Irex for his knowing smile. “Yes.” Kestrel decided to twist Irex’s words into something else. “This is between us, and fate.”
Having uttered the formal words of a challenge to a duel, Kestrel stepped back from Irex’s touch, drew her dagger, and held it sideways at the level of her chest like a line drawn between him and her.
“Kestrel,” Irex said. “That isn’t what I had in mind when I said we might solve the matter.”
“I think we’ll enjoy this method more.”
“A challenge.” He tsked. “I’ll let you take it back. Just this one.”
“I cannot take it back.”
At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades.
“I’ll even let you choose the weapons,” Irex said.
“Needles. Now it is to you to choose the time and place.”
“My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.”
This gave Kestrel pause. But she nodded, and finally turned to Arin.
He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up.
“You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--”
“Not a word. Don’t speak until we are in the carriage.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Arin was becoming the sort of person her father admired. Remorseless. Able to make a decision, walk through it, and close it behind him. Kestrel felt that Arin was a shadow of herself--or rather of who she was supposed to be.
General Trajan’s daughter would not be in this positon.
She would not be frightened.
Her feet ground into the rocks.
Then she heard something, and stopped.
When the first note opened into the cold dark, Kestrel didn’t understand what it was. A sound of pure, low, belled beauty. She waited, and it came again.
Song.
It welled like sap from a tree, golden beads on wood. Then a rich glide. A singer testing his range.
Loosening. Arin’s voice lifted beyond the garden wall. It poured around her fear, and into it. The wordless warmth of music took a familiar shape.
A lullaby. Enai had sung it to Kestrel long ago, and Arin sang it to her now.
Maybe he had seen her in his garden, or heard her restless walk. Kestrel didn’t know how he knew that she needed his comfort as much as she needed the stone wall between them. Yet when she song stopped and the night resonated with a silence that was itself a kind of music, Kestrel was no longer afraid.
And she believed Arin. She believed everything he had ever said to her.
She believed his silence on the other side of the wall, which said that he would stay there as long as she needed.
When Kestrel went inside, she carried his song with her.
It was a candle that lit her way and kept watch while she slept.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
You know, there’s no need for you to stay here against your will. You could come home.”
Kestrel splattered oil onto Cheat’s feet and smeared it into the rough skin. “No. There’s nothing there I want.”
She felt his gaze on her bowed head, on her hands moving over his feet. “Do you do this for Arin?”
“No.”
“What do you do for him?”
Kestrel straightened. Her palms were greasy. She rubbed them into her skirts, not caring that disgust was at least one of the things Cheat wanted to see.
Why, why would he want that?
She turned to leave.
“We’re not done,” he said.
“We are,” said Kestrel, “unless you’d like to see how much my father taught me about unarmed combat. I’ll drown you in that fountain. If I can’t, I’ll scream loud enough to bring every Herrani in this house running, and make them wonder what kind of man their leader is, that a Valorian girl so easily snapped his self-control.”
She walked away, and he didn’t follow, though she felt his eyes on her until she turned a corner. She found the kitchens, the most populated place in the house, and stood by a fire, listening to the metal clatter of kettles. She ignored the strange looks.
Then she was shaking, as much with fury as anything else.
Tell Arin.
Kestrel waved that thought away. What good would telling Arin do?
Arin was a black box hidden below a smooth tile. A trap door opening beneath her. He wasn’t what she’d thought he was.
Maybe Arin had known that this would happen, or something like it.
Maybe he wouldn’t even mind.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Then, quietly, he said, “I could do it.”
“What?”
“I could braid your hair.”
“You?”
“Yes.”
Kestrel’s pulse bit at her throat. She opened her mouth, but before she could say anything he had crossed the room and swept her hair into his hands. His fingers began to move.
It was strange that the room was so silent. It seemed that there should have been some kind of sound when a fingertip grazed her neck. Or when he drew a lock taut and pinned it in place. When he let a ribbon-thin braid fall forward so that it tapped her cheek. Every gesture of his was as resonant as music, and Kestrel didn’t quite believe that she couldn’t hear any notes, high or low. She let out a slow breath.
His hands stilled. “Did I hurt you?”
“No.”
Pins disappeared from the dressing table at a rapid rate. Kestrel watched small braids lose themselves inside larger ones, dip in and under and out of an increasingly intricate design. She felt a gentle tug. A twist. A shiver of air.
Although Arin wasn’t touching her, he was touching no living part of her, it felt as if a fine net had been cast over Kestrel, one that hazed her vision and shimmered against her skin.
“There,” he said.
Kestrel watched her reflection lift a hand to her head. She couldn’t think of what to say. Arin had drawn back, hands in his pockets. But his eyes held hers in the mirror, and his face had softened, like when she had played the piano for him. She said, “How…?”
He smiled. “How did a blacksmith pick up such an unexpected skill?”
“Well, yes.”
“My older sister used to make me do this when I was little.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
As he rowed the launch toward Wensan’s ship, which was Herrani-made and studded with Valorian cannon, Arin remembered the exhaustion of that work, but also how it had corded his muscles until the ache in his arms became stone. He was grateful to the Valorians for having made him strong. If he was strong enough, he might live through this night. If he lived, he could reclaim the shreds of who he had been, and explain himself to Kestrel in a way she would understand.
She sat silent next to him in the launch. The other Herrani at the oars watched as she lifted her bound hands to tug at the black cloth covering her hair. It was an awkard business. It was also necessary, since a new twist in the plan called for Kestrel to be seen and recognized.
The Herrani watched her struggle. They watched Arin drop an oar in its lock to offer a hand. She flinched hard enough that her shifted weight shook the boat It was only a slight tremor along wood, but they all felt it.
Shame ate into his gut.
Kestrel pulled the cloth from her head. Even though clouds swelled in the sky, swallowing the moon and deepening the dark around them, Kestrel’s hair and pale skin seemed to glow. It looked like she was lit from within.
It wasn’t something Arin could bear to see. He returned to the oars and rowed.
Arin knew, far better than any of the ten Herrani in the launch, that Kestrel could be devious. That he shouldn’t trust her plan any more than he should have fallen for her ploys at Bite and Sting, or followed her blindly into the trap she had set and sprung for him the morning of the duel.
Her plan to seize the ship was sound. Their best option. Still, he kept examining it like he might a horse’s hoof, tapping the surface for a flaw, a dangerous split.
He couldn’t see it. He thought that there must be one, then realized that the flaw he sensed lay inside him. Tonight had cracked Arin open. It had brought the battle inside him to a boiling war.
Of course he was certain that something was wrong.
Impossible. It was impossible to love a Valorian and also love his people.
Arin was the flaw.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
In the silence, Kestrel heard a falling leaf scratch the glass of the window, opened out toward the dimming sky. It was warm, but summer was almost over.
“Play your tiles,” Arin said roughly.
Kestrel turned them over, taking no joy in the fact that she had surely won. She had four scorpions.
Arin flipped his. The sound of ivory clacking against the wooden table was unnaturally loud.
Four vipers.
“I win,” he said, and swept the matches into his hand.
Kestrel stared at the tiles, feeling a numbness creep along her limbs. “Well,” she said. She cleared her throat. “Well played.”
He gave her a humorless smile. “I did warn you.”
“Yes. You did.”
He stood. “I think I’ll take my leave while I have the advantage.”
“Until next time.” Kestrel realized she had offered him her hand. He looked at it, then took it in his own. She felt the numbness ebb, only to be replaced by a different kind of surprise.
He dropped her hand. “I have things to do.”
“Like what?” She tried for a lighthearted tone.
He answered in kind. “Like contemplate what I am going to do with my sudden windfall of matches.” He widened his eyes in pretend glee, and Kestrel smiled.
“I’ll walk you out,” she said.
“Do you think I will lose my way? Or steal something as I go?”
She felt her expression turn haughty. “I am leaving the villa anyway,” she said, though she had had no such plans until the words left her mouth.
They walked in silence through the house until they had reached the ground floor. Kestrel saw his stride pause, almost imperceptibly, as they passed the closed doors that hid her piano.
She stopped. “What is your interest in that room?”
The look he gave her was cutting. “I have no interest in the music room.”
Her eyes narrowed as she watched him walk away.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
I began to think that you wouldn’t play someone you couldn’t beat,” said Arin.
Kestrel looked up from her piano to see him standing by the doors she had left open, then glanced at the Bite and Sting set lying on a table by the garden windows.
“Not at all,” said Kestrel. “I have been busy.”
His gaze flicked to the piano. “So I’ve heard.”
Kestrel moved to sit at the table and said, “I’m intrigued by your choice of room.”
He hesitated, and she thought he was ready to deny any responsibility of choice, to pretend that a ghost had left that tile on the piano. Then he shut the doors behind him. The room, though large, felt suddenly small. Arin crossed the room to join her at the table. He said, “I didn’t like playing in your suite.”
She decided not to take offense. She had asked him to be honest. Kestrel mixed the tiles, but when she set a box of matches on the table, he said, “Let’s play for something else.”
Kestrel didn’t move her hand from the box’s lid. Again she wondered what he could offer her, what he could gamble, and she could think of nothing.
Arin said, “If I win, I will ask a question, and you will answer.”
She felt a nervous flutter. “I could lie. People lie.”
“I’m willing to risk it.”
“If those are your stakes, then I assume my prize would be the same.”
“If you win.”
She still could not quite agree. “Questions and answers are highly irregular stakes in Bite and Sting,” she said irritably.
“Whereas matches make the perfect ante, and are so exciting to win and lose.”
“Fine.” Kestrel tossed the box to the carpet, where it landed with a muffled sound.
Arin didn’t look satisfied or amused or anything at all. He simply drew his hand. She did the same. They played in intent concentration, and Kestrel was determined to win.
She didn’t.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Kestrel listened to the slap of waves against the ship, the cries of struggle and death. She remembered how her heart, so tight, like a scroll, had opened when Arin kissed her. It had unfurled.
If her heart were truly a scroll, she could burn it. It would become a tunnel of flame, a handful of ash. The secrets she had written inside herself would be gone. No one would know.
Her father would choose the water for Kestrel if he knew.
Yet she couldn’t. In the end, it wasn’t cunning that kept her from jumping, or determination. It was a glassy fear.
She didn’t want to die. Arin was right. She played a game until its end.
Suddenly, Kestrel heard his voice. She opened her eyes. He was shouting. He was shouting her name. He was barreling past people, driving a path between the mainmast and the railing alongside the launch. Kestrel saw the horror in him mirror what she had felt when facing the water.
Kestrel gathered the strength in her legs and jumped onto the deck.
Her feet hit the planks, the force of movement toppling her. But she had learned from fighting Rax how to protect her hands. She tucked them to her, pressed the hard knots of her bonds against her chest, fell shoulder first, and rolled.
Arin hauled her to her feet. And even though he had seen her choice, must have seen it still blazing on her face, he shook her. He kept saying the words he had been shouting as he had neared the railing. “Don’t, Kestrel. Don’t.”
His hands cradled her face.
“Don’t touch me,” she said.
Arin’s hands fell. “Gods,” he said hoarsely.
“Yes, it would be rather unfortunate for you, wouldn’t it, if you lost your little bargaining chip against the general? Never fear.” She smiled a brittle smile. “It turns out that I am a coward.”
Arin shook his head. “It’s harder to live.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
She let her bad mood seethe into the silence of the carriage. Finally, she couldn’t bear the vicious cycle of her thoughts, the way they kept returning to Irex and her stupid decision to humiliate him at Bite and Sting. “Well?” she asked Arin.
He sat across from her in the carriage, but didn’t lift his eyes to meet hers. He studied his hands. “Well, what?”
“What do you think?”
“About?”
“About the party. About anything. About the bargain we made that you could at least pretend to uphold.”
“You want to gossip about the party.” He seemed tired.
“I want you to speak to me.”
He looked at her then. She found that she had clenched her silk skirts in a fist. She let go. “For example, I know you overheard about Senator Andrax. Do you think he merits torture? Death?”
“He deserves what he gets,” he said, and went quiet again.
Kestrel gave up. She sank into her anger.
“That isn’t what’s bothering you.” Arin sounded reluctant, almost incredulous, as if he couldn’t believe the words coming from his mouth.
Kestrel waited.
He said, “That man is an ass.”
It was clear whom he meant. It was clear that no slave should ever say that of any Valorian. But it was magic to hear the words out loud. Kestrel breathed a laugh. “And I am a fool.” She pressed chilly hands to her forehead. “I knew what he’s like. I should have never played Bite and Sting with him. Or I should have let him win.”
The corner of Arin’s mouth twitched. “I enjoyed watching him lose.”
There was silence, and Kestrel, though she felt comforted, knew that Arin’s understanding of the afternoon had been fairly complete. He had waited beyond the laran trees, listening to her and Irex. Would he have continued to do nothing, had something else happened?
“Do you know how to play Bite and Sting?” she asked.
“Maybe.”
“Either you do or you don’t.”
“Whether I know or don’t doesn’t matter.”
She made an impatient noise. “Because?”
His teeth flashed in the late, shifting light. “Because you would not want to play against me.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Someone--a man--came up behind her and snaked an arm around her waist.
Not flirtation. Aggression.
Kestrel sidestepped and spun, pulling her dagger from its sheath.
Irex. His dagger was drawn, too.
“A fight, dear Kestrel?” His stance was easy. He didn’t know how to play Bite and Sting, but his skill at weapons outmatched hers.
“Not here,” she said stiffly.
“No, not here.” His voice was soft. “But anywhere, if you want it.”
“Exactly what do you think you are doing, Irex?”
“You mean, a moment ago? Oh, I don’t know. Maybe I was trying to pick your pocket.” His tone hinted at a coarse double meaning.
Kestrel slid her dagger into its sheath. “Theft is the only way you will get my gold.” She walked from the cover of trees and saw, with shaky gratitude, that the party was still there, that the sound of porcelain and spoons still tinkled over low talk, and that no one had noticed anything.
No one, except perhaps Arin. He was waiting for her. She felt a flash of something unpleasant--embarrassment, perhaps, as she wondered how much of this afternoon he had overheard. Dismay to think that he might have witnessed that last exchange with Irex, and misunderstood it. Or was she troubled by something else? Maybe it was the thought that Arin knew perfectly well what had been taking place behind the trees and had made no move to interfere, to help.
It was not his place to interfere, she reminded herself. She had not needed his help.
“We are leaving,” she told him.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
It doesn’t matter what they think. Dance with me.”
He took her hand, and for the first time in a long while, she felt safe. He pulled her to the center of the floor and into the motions of the dance.
Ronan didn’t speak for a few moments, then touched a slim braid that curved in a tendril along Kestrel’s cheek. “This is pretty.”
The memory of Arin’s hands in her hair made her stiffen.
“Gorgeous?” Ronan tried again. “Transcendent? Kestrel, the right adjective hasn’t been invented to describe you.”
She attempted a light tone. “What will ladies do, when this kind of exaggerated flirtation is no longer the fashion? We shall be spoiled.”
“You know it’s not mere flirtation,” Ronan said. “You’ve always known.”
And Kestrel had, it was true that she had, even if she hadn’t wanted to shake the knowledge out of her mind and look at it, truly see it. She felt a dull spark of dread.
“Marry me, Kestrel.”
She held her breath.
“I know things have been hard lately,” Ronan continued, “and that you don’t deserve it. You’ve had to be so strong, so proud, so cunning. But all of this unpleasantness will go away the instant we announce our engagement. You can be yourself again.”
But she was strong. Proud. Cunning. Who did he think she was, if not the person who mercilessly beat him at every Bite and Sting game, who gave him Irex’s death-price and told him exactly what to do with it? Yet Kestrel bit back her words. She leaned into the curve of his arm. It was easy to dance with him. It would be easy to say yes.
“Your father will be happy. My wedding gift to you will be the finest piano the capital can offer.”
Kestrel glanced into his eyes.
“Or keep yours,” he said hastily. “I know you’re attached to it.”
“It’s just…you are very kind.”
He gave a short, nervous laugh. “Kindness has little to do with it.”
The dance slowed. It would end soon.
“So?” Ronan had stopped, even though the music continued and dancers swirled around them. “What…well, what do you think?”
Kestrel didn’t know what to think. Ronan was offering everything she could want. Why, then, did his words sadden her? Why did she feel like something had been lost? Carefully, she said, “The reasons you’ve given aren’t reasons to marry.”
“I love you. Is that reason enough?
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
So we’ve made a truce. I have agreed that, in the spring, I will either enlist or marry.”
He stopped spinning the tile in his fingers. “You’ll marry, then.”
“Yes. But at least I will have six months of peace first.”
Arin dropped the tile to the table. “Let’s play again.”
This time Kestrel won, and wasn’t prepared for how her blood buzzed with triumph.
Arin stared at the tiles. His mouth thinned to a line.
A thousand questions swam into Kestrel’s mind, nudging, fighting to be first. But she was as taken aback as Arin seemed to be by the one that slipped out of her mouth. “Why were you trained as a blacksmith?”
For a moment, Kestrel thought he wouldn’t answer. His jaw tightened. Then he said, “I was chosen because I was the last nine-year-old boy in the world suited to be a blacksmith. I was scrawny. I daydreamed. I cringed. Have you looked at the tools in the forge? At the hammer? You’d want to think carefully about what kind of slave you’d let pick that up. My first slaver looked at me and decided I wasn’t the type to raise my hand in anger. He chose me.” Arin’s smile was cold. “Well, do you like your answer?”
Kestrel couldn’t speak.
Arin pushed his tiles away. “I want to go into the city.”
Even though Kestrel had said that he could, and knew that there was nothing wrong with a slave hoping to see his sweetheart, she wanted to say no. “So soon?” she managed.
“It’s been a month.”
“Oh.” Kestrel told herself that a month must be a long time to go without seeing the person one loves. “Of course. Go.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Softly, he said, “Why are you crying?”
His words made the tears flow faster.
“Kestrel.”
She drew a shaky breath. “Because when my father comes home, I will tell him that he has won. I will join the military.”
There was a silence. “I don’t understand.”
Kestrel shrugged. She shouldn’t care whether he understood or not.
“You would give up your music?”
Yes. She would.
“But your bargain with the general was for spring.” Arin still sounded confused. “You have until spring to marry or enlist. Ronan…Ronan would ask the god of souls for you. He would ask you to marry him.”
“He has.”
Arin didn’t speak.
“But I can’t,” she said.
“Kestrel.”
“I can’t.”
“Kestrel, please don’t cry.” Tentative fingers touched her face. A thumb ran along the wet skin of her cheekbone. She suffered for it, suffered for the misery of knowing that whatever possessed him to do this could be no more than compassion. He valued her that much. But not enough.
“Why can’t you marry him?” he whispered.
She broke her word to herself and looked at him. “Because of you.”
Arin’s hand flinched against her cheek. His dark head bowed, became lost in its own shadow. Then he slipped from his seat and knelt before hers. His hands fell to the fists on her lap and gently opened them. He held them as if cupping water. He took a breath to speak.
She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable.
Yet his hands held hers, and she could do nothing.
He said, “I want the same thing you want.”
Kestrel pulled back. It wasn’t possible his words could mean what they seemed.
“It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name.
Hope.
“But you’ve already given your heart,” she said.
His brow furrowed, then smoothed. “Oh. No, not the way you think.” He laughed a little, the sound soft yet somehow wild. “Ask me why I went to the market.”
This was cruel. “We both know why.”
He shook his head. “Pretend that you’ve won a game of Bite and Sting. Why did I go? Ask me. It wasn’t to see a girl who doesn’t exist.”
“She…doesn’t?”
“I lied.”
Kestrel blinked. “Then why did you go to the market?”
“Because I wanted to feel free.” Arin raised a hand to brush the air by his temple, then awkwardly let it fall.
Kestrel suddenly understood this gesture she’d seen many times. It was an old habit. He was brushing away a ghost, hair that was no longer there because she had ordered it cut.
She leaned forward, and kissed his temple.
Arin’s hand held her lightly to him. His cheek slid against hers. Then his lips touched her brow, her closed eyes, the line where her jaw met her throat.
Kestrel’s mouth found his. His lips were salted with her tears, and the taste of that, of him, of their deepening kiss, filled her with the feeling of his quiet laugh moments ago. Of a wild softness, a soft wildness. In his hands, running up her thin dress. In his heat, burning through to her skin…and into her, sinking into him.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Lady Kestrel?” said an anxious voice.
Kestrel opened her eyes to see a girl dressed in a Herrani serving uniform. “Yes?”
“Will you please follow me? There is a problem with your escort.”
Kestrel stood. “What’s wrong?”
“He has stolen something.”
Kestrel rushed from the room, wishing the girl would move more quickly down the villa’s halls. There must be some mistake. Arin was intelligent, far too canny to do something so dangerous. He must know what happened to Herrani thieves.
The girl led Kestrel into the library. Several men were gathered there: two senators, who held Arin by his arms, and Irex, whose expression when he saw Kestrel was gloating, as if he had just drawn a high tile in Bite and Sting. “Lady Kestrel,” he said, “what exactly did you bring into my house?”
Kestrel looked at Arin, who refused to return her gaze. “He wouldn’t steal.” She heard something desperate in her voice.
Irex must have, too. He smiled.
“We saw him,” said one of the senators. “He was slipping that inside his shirt.” He nodded at a book that had fallen to the floor.
No. The accusation couldn’t be true. No slave would risk a flogging for theft, not for a book. Kestrel steadied herself. “May I?” she asked Irex, nodding at the fallen book.
He swept a hand to indicate permission.
Kestrel stooped to retrieve the book, and Arin’s eyes flashed to hers.
Her heart failed. His face was twisted with misery.
She considered the closed, leather-bound book in her hands. She recognized the title: it was a volume of Herrani poetry, a common one. There was a copy in her library as well. Kestrel held the book, not understanding, not seeing anything worth the risk of theft--at least not here, from Irex’s library, when her own could easily serve Arin’s purposes.
A suspicion whispered in her mind. She recalled Arin’s odd question in the carriage. Where are we going? His tone had been incredulous. Yet he had known their destination. Now Kestrel wondered if he had recognized something in the passing landscape that she hadn’t, and if his question had been less a question than the automatic words of someone sickened by a sudden understanding.
She opened the book.
“Don’t,” said Arin. “Please.”
But she had already seen the inscription.
For Arin, it read, from Amma and Etta, with love.
This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Arin said, “If I win, I will ask a question, and you will answer.”
She felt a nervous flutter. “I could lie. People lie.”
“I’m willing to risk it.”
“If those are your stakes, then I assume my prize would be the same.”
“If you win.”
She still could not quite agree. “Questions and answers are highly irregular stakes in Bite and Sting,” she said irritably.
“Whereas matches make the perfect ante, and are so exciting to win and lose.”
“Fine.” Kestrel tossed the box to the carpet, where it landed with a muffled sound.
Arin didn’t look satisfied or amused or anything at all. He simply drew his hand. She did the same. They played in intent concentration, and Kestrel was determined to win.
She didn’t.
“I want to know,” Arin said, “why you are not already a soldier.”
Kestrel couldn’t have said what she had thought he would ask, but this was not it, and the question recalled years of arguments she would rather forget. She was curt. “I’m seventeen. I’m not yet required by law to enlist or marry.”
He settled back in his chair, toying with one of his winning pieces. He tapped a thin side against the table, spun the tile in his fingers, and tapped another side. “That’s not a full answer.”
“I don’t think we specified how short or long these answers should be. Let’s play again.”
“If you win, will you be satisfied with the kind of answer you have given me?”
Slowly, she said, “The military is my father’s life. Not mine. I’m not even a skilled fighter.”
“Really?” His surprise seemed genuine.
“Oh, I pass muster. I can defend myself as well as most Valorians, but I’m not good at combat. I know what it’s like to be good at something.”
Arin glanced again at the piano.
“There is also my music,” Kestrel acknowledged. “A piano is not very portable. I could hardly take it with me if I were sent into battle.”
“Playing music is for slaves,” Arin said. “Like cooking or cleaning.”
Kestrel heard anger in his words, buried like bedrock under the careless ripple of his voice. “It wasn’t always like that.”
Arin was silent, and even though Kestrel had initially tried to answer his question in the briefest of ways, she felt compelled to explain the final reason behind her resistance to the general. “Also…I don’t want to kill.” Arin frowned at this, so Kestrel laughed to make light of the conversation. “I drive my father mad. Yet don’t all daughters? So we’ve made a truce. I have agreed that, in the spring, I will either enlist or marry.”
He stopped spinning the tile in his fingers. “You’ll marry, then.”
“Yes. But at least I will have six months of peace first.”
Arin dropped the tile to the table. “Let’s play again.”
This time Kestrel won, and wasn’t prepared for how her blood buzzed with triumph.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
That wasn’t necessary,” Benix told Kestrel.
“It was,” she said. “He’s tiresome. I don’t mind taking his money, but I cannot take his company.”
“You couldn’t spare a thought for me before chasing him away? Maybe I would like a chance to win his gold.”
“Lord Irex can spare it,” Ronan added.
“Well, I don’t like poor losers,” said Kestrel. “That’s why I play with you two.”
Benix groaned.
“She’s a fiend,” Ronan agreed cheerfully.
“Then why do you play with her?”
“I enjoy losing to Kestrel. I will give anything she will take.”
“While I live in hope to one day win,” Benix said, and gave Kestrel’s hand a friendly pat.
“Yes, yes,” Kestrel said. “You are both fine flatterers. Now ante up.”
“We lack a fourth player,” Benix pointed out. Bite and Sting was played in pairs or fours.
Despite herself, Kestrel looked at Arin standing not too far away, considering the garden or the house beyond it. From his position he would have had a view of Irex’s tiles, and Ronan’s. He would not, however, have been able to see hers. She wondered what he had made of the game--if he had bothered to follow it.
Perhaps feeling her gaze on him, Arin glanced her way. His eyes were calm, uninterested. She could read nothing in them.
“I suppose our game is over then,” she told the two lords in a bright voice. “Shall we join the others?”
Ronan poured the gold into her purse and slipped its velvet strap over her wrist, unnecessarily fiddling with the broad ribbon until it lay flat against Kestrel’s skin without a winkle. He offered his arm and she took it, resting her palm on the cool silk of his sleeve. Benix fell in step, and the three walked toward the heart of the murmuring party. Kestrel knew, rather than saw, that Arin shifted position and followed, like the shadow line of a sundial.
This was precisely what he was supposed to do as her attendant at Lady Faris’s picnic, yet she had the uncomfortable impression of being tracked.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Kestrel came often. One day, when she knew from Sarsine that Arin had returned home but she had not yet seen him, she went to the suite. She touched one of his violins, reaching furtively to pluck the highest string of the largest instrument. The sound was sour. The violin was ruined--no doubt all of them were. That is what happens when an instrument is left strung and uncased for ten years.
A floorboard creaked somewhere in one of the outer chambers.
Arin. He entered the room, and she realized that she had expected him. Why else had she come here so frequently, almost every day, if she hadn’t hoped that someone would notice and tell him to find her there? But even though she admitted to wanting to be here with him in his old rooms, she hadn’t imagined it would be like this.
With her caught touching his things.
Her gaze dropped. “I’m sorry,” she murmured.
“It’s all right,” he said. “I don’t mind.” He lifted the violin off its nails and set it in her hands. It was light, but Kestrel’s arms lowered as if the violin’s hollowness were terribly heavy.
She cleared her throat. “Do you still play?”
He shook his head. “I’ve mostly forgotten how. I wasn’t good at it anyway. I loved to sing. Before the war, I worried that gift would leave me, the way it often does with boys. We grow, we change, our voices break. It doesn’t matter how well you sing when you’re nine years old, you know. Not when you’re a boy. When the change comes you just have to hope for the best…that your voice settles into something you can love again. My voice broke two years after the invasion. Gods, how I squeaked. And when my voice finally settled, it seemed like a cruel joke. It was too good. I hardly knew what to do with it. I felt so grateful to have this gift…and so angry, for it to mean so little. And now…” He shrugged, a self-deprecating gesture. “Well, I know I’m rusty.”
“No,” Kestrel said. “You’re not. Your voice is beautiful.”
The silence after that was soft.
Her fingers curled around the violin. She wanted to ask Arin a question yet couldn’t bear to do it, couldn’t say that she didn’t understand what had happened to him the night of the invasion. It didn’t make sense. The death of his family was what her father would call a “waste of resources.” The Valorian force had had no pity for the Herrani military, but it had tried to minimize civilian casualties. You can’t make a dead body work.
“What is it, Kestrel?”
She shook her head. She set the violin back on the wall.
“Ask me.”
She remembered standing outside the governor’s palace and refusing to hear his story, and was ashamed once more.
“You can ask me anything,” he said.
Each question seemed the wrong one. Finally, she said, “How did you survive the invasion?”
He didn’t speak at first. Then he said, “My parents and sister fought. I didn’t.”
Words were useless, pitifully useless--criminal, even, in how they could not account for Arin’s grief, and could not excuse how her people had lived on the ruin of his. Yet again Kestrel said, “I’m sorry.”
“It’s not your fault.”
It felt as if it was.
Arin led the way out of his old suite. When they came to the last room, the greeting room, he paused before the outermost door. It was the slightest of hesitations, no longer than if the second hand of a clock stayed a beat longer on its mark than it should. But in that fraction of time, Kestrel understood that the last door was not paler than the others because it had been made from a different wood.
It was newer.
Kestrel took Arin’s battered hand in hers, the rough heat of it, the fingernails still ringed with carbon from the smith’s coal fire. His skin was raw-looking: scrubbed clean and scrubbed often. But the black grime was too ingrained.
She twined her fingers with his. Kestrel and Arin walked together through the passageway and the ghost of its old door, which her people had smashed through ten years before.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Kestrel came often. One day, when she knew from Sarsine that Arin had returned home but she had not yet seen him, she went to the suite. She touched one of his violins, reaching furtively to pluck the highest string of the largest instrument. The sound was sour. The violin was ruined--no doubt all of them were. That is what happens when an instrument is left strung and uncased for ten years.
A floorboard creaked somewhere in one of the outer chambers.
Arin. He entered the room, and she realized that she had expected him. Why else had she come here so frequently, almost every day, if she hadn’t hoped that someone would notice and tell him to find her there? But even though she admitted to wanting to be here with him in his old rooms, she hadn’t imagined it would be like this.
With her caught touching his things.
Her gaze dropped. “I’m sorry,” she murmured.
“It’s all right,” he said. “I don’t mind.” He lifted the violin off its nails and set it in her hands. It was light, but Kestrel’s arms lowered as if the violin’s hollowness were terribly heavy.
She cleared her throat. “Do you still play?”
He shook his head. “I’ve mostly forgotten how. I wasn’t good at it anyway. I loved to sing. Before the war, I worried that gift would leave me, the way it often does with boys. We grow, we change, our voices break. It doesn’t matter how well you sing when you’re nine years old, you know. Not when you’re a boy. When the change comes you just have to hope for the best…that your voice settles into something you can love again. My voice broke two years after the invasion. Gods, how I squeaked. And when my voice finally settled, it seemed like a cruel joke. It was too good. I hardly knew what to do with it. I felt so grateful to have this gift…and so angry, for it to mean so little. And now…” He shrugged, a self-deprecating gesture. “Well, I know I’m rusty.”
“No,” Kestrel said. “You’re not. Your voice is beautiful.”
The silence after that was soft.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Arin had bathed. He was wearing house clothes, and when Kestrel saw him standing in the doorway his shoulders were relaxed. Without being invited, he strode into the room, pulled out the other chair at the small table where Kestrel waited, and sat. He arranged his arms in a position of negligent ease and leaned into the brocaded chair as if he owned it. He seemed, Kestrel thought, at home.
But then, he had also seemed so in the forge. Kestrel looked away from him, stacking the Bite and Sting tiles on the table. It occurred to her that it was a talent for Arin to be comfortable in such different environments. She wondered how she would fare in his world.
He said, “This is not a sitting room.”
“Oh?” Kestrel mixed the tiles. “And here I thought we were sitting.”
His mouth curved slightly. “This is a writing room. Or, rather”--he pulled his six tiles--“it was.”
Kestrel drew her Bite and Sting hand. She decided to show no sign of curiosity. She would not allow herself to be distracted. She arranged her tiles facedown.
“Wait,” he said. “What are the stakes?”
She had given this careful consideration. She took a small wooden box from her skirt pocket and set it on the table. Arin picked up the box and shook it, listening to the thin, sliding rattle of its contents. “Matches.” He tossed the box back onto the table. “Hardly high stakes.”
But what were appropriate stakes for a slave who had nothing to gamble? This question had troubled Kestrel ever since she had proposed the game. She shrugged and said, “Perhaps I am afraid to lose.” She split the matches between them.
“Hmm,” he said, and they each put in their ante.
Arin positioned his tiles so that he could see their engravings without revealing them to Kestrel. His eyes flicked to them briefly, then lifted to examine the luxury of his surroundings. This annoyed her--both because she could glean nothing from his expression and because he was acting the gentleman by averting his gaze, offering her a moment to study her tiles without fear of giving away something to him. As if she needed such an advantage.
“How do you know?” she said.
“How do I know what?”
“That this was a writing room. I have never heard of such a thing.” She began to position her own tiles. It was only when she saw their designs that she wondered whether Arin had really been polite in looking away, or if he had been deliberately provoking her.
She concentrated on her draw, relieved to see that she had a good set. A tiger (the highest tile); a wolf, a mouse, a fox (not a bad trio, except the mouse); and a pair of scorpions. She liked the Sting tiles. They were often underestimated.
Kestrel realized that Arin had been waiting to answer her question. He was watching her.
“I know,” he said, “because of this room’s position in your suite, the cream color of the walls, and the paintings of swans. This was where a Herrani lady would pen her letters or write journal entries. It’s a private room. I shouldn’t be allowed inside.”
“Well,” said Kestrel, uncomfortable, “it is no longer what it was.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
It wasn’t until she had almost reached its lights that she heard another rider in the hills behind her.
Ice slid down Kestrel’s spine. Fear, that the rider was Arin.
Fear, at her sudden hope that it was.
She pulled Javelin to a stop and swung to the ground. Better to go on foot through the narrow streets to the harbor. Stealth was more important now than speed.
Beating hooves echoed in the hills. Closer.
She hugged Javelin hard around the neck, then pushed him away while she still could bear to do it. She slapped his rump in an order to head home. Whether he’d go to her villa or Arin’s, she couldn’t say. But he left, and might draw the other rider after him if she was indeed being pursued.
She slipped into the city shadows.
And it was magic. It was as if the Herrani gods had turned on their own people. No one noticed Kestrel skulking along walls or heard her cracking the thin ice of a puddle. No late-night wanderer looked in her face and saw a Valorian. No one saw the general’s daughter. Kestrel made it to the harbor, down to the docks.
Where Arin waited.
His breath heaved white clouds into the air. His hair was black with sweat. It hadn’t mattered that Kestrel had been ahead of him on the horse path. Arin had been able to run openly through the city while she had crept through alleys.
Their eyes met, and Kestrel felt utterly defenseless.
But she had a weapon. He didn’t, not that she could see. Her hand instinctively fell to her knife’s jagged edge.
Arin saw. Kestrel wasn’t sure what came first: his quick hurt, so plain and sharp, or her certainty--equally plain, equally sharp--that she could never draw a weapon on him.
He straightened from his runner’s crouch. His expression changed. Until it did, Kestrel hadn’t perceived the desperate set of his mouth. She hadn’t recognized the wordless plea until it was gone, and his face aged with something sad. Resigned.
Arin glanced away. When he looked back it was as if Kestrel were part of the pier beneath her feet. A sail stitched to a ship. A black current of water.
As if she were not there at all.
He turned away, walked into the illuminated house of the new Herrani harbormaster, and shut the door behind him.
For a moment Kestrel couldn’t move. Then she ran for a fishing boat docked far enough from its fellows that she might cast off from shore unnoticed by an sailors on the other vessels. She leaped onto the deck and took rapid stock of the boat. The tiny cabin was bare of supplies.
As she lifted the anchor and uncoiled the rope tethering the boat to its dock, she knew, even if she couldn’t see, that Arin was talking with the harbormaster, distracting him while Kestrel prepared to set sail.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
She thought that she had been seeking a light distraction. But when she heard the clang of metal on metal and saw Arin scraping a shaft of steel across the anvil with one set of tools and beating at it with another, Kestrel knew she had come to the wrong place.
“Yes?” he said, keeping his back to her. His workshirt was soaked through with sweat. His hands were sooty. He left the blade of the sword to cool on the anvil and moved to place another, shorter length of metal on the fire, which lined his profile with unsteady light.
She willed her voice to be her own. “I thought we could play a game.”
His dark brows drew together.
“Of Bite and Sting,” Kestrel said. More firmly, she added, “You implied you know how to play.”
He used tongs to stoke the fire. “I did.”
“You implied that you could beat me.”
“I implied that there was no reason a Valorian would want to play with a Herrani.”
“No, you worded things carefully so that what you said could be interpreted that way. But that isn’t what you meant.”
He faced her then, arms folded across his chest. “I have no time for games.” The tips of his fingers had black rings of charcoal dust buried under the nail and into the cuticle. “I have work to do.”
“Not if I say you don’t.”
He turned away. “I like to finish what I start.”
She meant to leave. She meant to leave him to the noise and heat. She meant to say nothing more. Instead, Kestrel found herself issuing a challenge. “You are no match for me anyway.”
He gave her the look she recognized well, the one of measured disdain. But this time, he also laughed. “Where do you propose we play?” He swept a hand around the forge. “Here?”
“My rooms.”
“Your rooms.” Arin shook his head disbelievingly.
“My sitting room,” she said. “Or the parlor,” she added, though it bothered her to think of playing Bite and Sting with him in a place so public to the household.
He leaned against the anvil, considering. “Your sitting room will do. I’ll come when I’ve finished this sword. After all, I have house privileges now. Might as well use them.” Arin started to say something else, then stopped, his gaze roving over her face. She grew uneasy.
He was staring, she realized. He was staring at her.
“You have dirt on your face,” he said shortly.
He returned to his work.
Later, in her bathing room, Kestrel saw it. The moment she tilted the mirror to catch the low, amber light of late afternoon, she saw what he had seen, as had Lirah, who had tried to tell her. A faint smudge traced the slope of her high cheekbone, darkened her cheek, and skimmed the line of her jaw. It was a handprint. It was the shadow left from her father’s gritty hand, from when he had touched her face to seal the bargain between them.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))