Kent Movie Quotes

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In all those movies, how does Lois fail to see that Clark Kent is really superman? I mean, his disguise is a pair of glasses.
Khristina Chess (The Future Unborn)
Because the thing is that it’s not my fault either. That I was born this way. It’s not my fault that sometimes things get just a little bit harder. It’s not my fault that every day I fight a silent battle. I implode. I don’t make a sound. I don’t say a word. I don’t let anyone know what I’m going through. It’s like I’m blaming myself. And I don’t want to do that anymore. I told you because it’s not my fault. It’s not my fault that some days my goal is just to make it through the day. While others make plans to ace an interview or a test or go see a movie or for a walk, I make plans to just get through the day. It’s not my fault. It’s my achievement. It’s my strength that I fight. Someone told me that I’m a warrior, and that I’m ashamed of it. So this is me…” I nod, unfisting my hands. “Not being ashamed. This is me asking for help.
Saffron A. Kent (Medicine Man (Heartstone #1))
But I’ll tell you about the war in general. You talk to a man like Doyle and he’ll tell you a lot of bullshit. You watch John Wayne and Audie Murphy in the movie house and it probably seems easy killing men. The truth is that when you kill a man it doesn’t matter if he’s your enemy and if he’s trying to kill you. That moment of his death will eat at you for the rest of your life. It’ll dig into bone so deep inside you that not even the hand of God is going to be able to pull it out, I don’t care how much you pray.
William Kent Krueger (Ordinary Grace)
I’m not interested in you. I will never be interested in you. In fact, I’m fucking allergic,” he says, his jaw clenched. “To you. I’m allergic to your big silver eyes and your pouty pink lips. To your blushing cheeks and your breathy voice. I’m allergic to the way you can’t stop watching me. I told you I’m not interested in Disney movies, didn’t I? I meant it. So I suggest you find someone else to play damsel in distress with. Someone else to solve your teenage problems. Someone your age, someone who’s probably still going through a fucking growth spurt or someone who spends his weekends playing video games and jerking off. From now on, if I catch you looking at me across the hallway or if I find you within ten feet of my office or me without reason, my sister’s best friend or not, I’ll personally make sure you never see the outside of that brick wall and those black metal gates for the rest of the year.” And then before he straightens up, he adds, “And I might be closer to your dad’s age than yours, but I do remember what people call you. And I also know what your name is, Bronwyn.
Saffron A. Kent (These Thorn Kisses (St. Mary's Rebels #3))
Alex Honnold, free solo climbing phenom: The Last of the Mohicans soundtrack Rolf Potts, author of Vagabonding and others: ambitones like The Zen Effect in the key of C for 30 minutes, made by Rolfe Kent, the composer of music for movies like Sideways, Wedding Crashers, and Legally Blonde Matt Mullenweg, lead developer of WordPress, CEO of Automattic: “Everyday” by A$AP Rocky and “One Dance” by Drake Amelia Boone, the world’s most successful female obstacle course racer: “Tonight Tonight” by the Smashing Pumpkins and “Keep Your Eyes Open” by NEEDTOBREATHE Chris Young, mathematician and experimental chef: Paul Oakenfold’s “Live at the Rojan in Shanghai,” Pete Tong’s Essential Mix Jason Silva, TV and YouTube philosopher: “Time” from the Inception soundtrack by Hans Zimmer Chris Sacca: “Harlem Shake” by Baauer and “Lift Off” by Jay Z and Kanye West, featuring Beyoncé. “I can bang through an amazing amount of email with the Harlem Shake going on in the background.” Tim Ferriss: Currently I’m listening to “Circulation” by Beats Antique and “Black Out the Sun” by Sevendust, depending on whether I need flow or a jumpstart.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Praise for THIS TENDER LAND “If you liked Where the Crawdads Sing, you’ll love This Tender Land by best-selling author William Kent Krueger. This story is as big-hearted as they come.” —Parade Magazine “If you’re among the millions who raced through Where the Crawdads Sing this year and are looking for another expansive, atmospheric American saga, look to the latest from Krueger.” —Entertainment Weekly “Rich with graceful writing and endearing characters… this is a book for the ages.” —The Denver Post “There are very few books (or movies, for that matter) that you can describe as ‘epic.’ But This Tender Land is just that.… This story will make you look at the world from a variety of viewpoints, as you watch these lost souls befriend one another in order to form their own unbreakable family unit.” —Suspense Magazine “[The characters’] adventures are heartstirring and their view of our complex nation, in particular the upper Midwest, is encyclopedic, if an encyclopedia could stir your heart as well as your brain.” —Sullivan County Democrat “Reminiscent of Huck and Jim and their trip down the Mississippi, the bedraggled youngsters encounter remarkable characters and learn life lessons as they escape by canoe down the Gilead River in Minnesota.” —Bookpage “Long, sprawling, and utterly captivating, readers will eat up every delicious word of it.” —New York Journal of Books “Krueger has crafted an American saga, epic in scope, a glorious and grand adventure that speaks of the heart and history of this country.” —Addison Independent (Vermont) “More than a simple journey; it is a deeply satisfying odyssey, a quest in search of self and home. Richly imagined and exceptionally well plotted and written, the novel is, most of all, a compelling, often haunting story that will captivate both adult and young adult readers.” —Booklist “Absorbing and wonderfully paced, this fictional narrative set against historical truths mesmerizes the reader with its evocations of compassion, courage, and self-discovery.… This Tender Land is a gripping, poignant tale swathed in both mythical and mystical overtones.” —Bob Drury, New York Times bestselling author of The Heart of Everything That Is “This Tender Land is a moving portrait of a time and place receding from the collective memory, but leaving its mark on the heart of what the nation has become.” —CrimeReads
William Kent Krueger (This Tender Land)
She lets her dark hair fall over her face, a real imitation of that horror movie where a girl comes out of a well. Even her movements match that ghost.
Rina Kent (God of Malice (Legacy of Gods, #1))
One of the biggest surprises of my adult life is how unethical reporters are. In movies they’re always the good guys. “In movies they’re always the good guys.” Indeed! If you think about it, superheros are literally portrayed as journalists (that’s the day job of both Clark Kent and Peter Parker), and journalists are likewise portrayed as superheros (see movies like Spotlight and The Post). The Intrepid Reporter is as much of a stock character as the Evil Corporation.70 You don’t hear much about the evil reporter, though. You don’t hear much about the evil communist, either.
Balaji S. Srinivasan (The Network State: How To Start a New Country)
Pretty soon after we start talking with a white person, that white person will bring up Indians, sure as anything.” “It's true, Nerburn,” Grover chimed in. Dan kept on. “They might talk about some other Indian they knew or they might talk about some movie or something to do with Indians. Probably it's to show us how much they claim to like Indians. But you sure know that they're going to bring up Indians. It's like that's the biggest thing when they meet me. I could be the president or have a cure for cancer, but before anyone could talk about it, they'd have to say something about Indians. “Black people have told me it's the same for them, too. You white people just seem to see race first, no matter what. “Then the really funny thing is that you pretend you don't see race. Like the other night, I was sitting with Grover. We were watching a boxing match on TV.” He turned toward Grover for confirmation. “You remember that?” “Sure do. Lousy fight.” “Anyway, the announcer kept talking about the one guy in black trunks with a white stripe and the other guy in black trunks with a gold stripe. Hell, I couldn't even see the difference. But that was how he kept talking about them. And you know what? One guy was white and the other guy was black! But the announcer couldn't say, ‘the white guy’ and ‘the black guy’ because you're not supposed to see that. It was the damndest thing I ever saw.
Kent Nerburn (Neither Wolf nor Dog: On Forgotten Roads with an Indian Elder)
You have the right to remain silent. Anything you say can and will be used against you in a court of law...Do you understand the rights I have just read to you? With these rights in mind, do you wish to speak to me?” Most Americans adults have heard the Miranda rights from countless television and movie crime drams. The first statement of the Miranda rights is a simple but powerful declarative sentence. “You have the right to remain silent.” Not speaking will not be held against you, but the suspect is told that any words spoken “can and will be used against you in a court of law.” U.S. law provides the opportunity for reflection and protection against self-incrimination with the last sentence asking, “Do you wish to speak to me?” Reflect and ask yourself, it is wise to post or send an email containing that information?
Kent Alan Robinson (UnSend: Email, text, and social media disasters...and how to avoid them)
hawk, he would have been bankrupt years ago. I like to build cars and make movies. If you ask me, we would have been better off directing our resources toward making movies than putting up a fancy new building.” “Why did you go along with the plan?” “I didn’t have any choice. I told my father I thought it was a bad idea. He had the final vote. Did you and your father agree on everything when you were growing up?” “Of course not.” “Who usually won the arguments?” “My dad.” He gives me a knowing smile. “Same here. My father wanted to build his dream studio. It was his money. Do you think my opinion on the economic viability of the project carried any weight? He spent his life being told he was a genius. That word isn’t generally used when people talk about me. Now it’s going to cost us a fortune to get out.” Families. Rosie keeps her eye on the ball. “Richard, you told us you left your father’s house around two o’clock. Who was still there?” “My dad, Angelina, and Marty Kent.” “Do you know what time Kent left?” “No.” “Do you have any idea what happened to him?” “I understand he jumped.” Rosie lays the cards on the table. “Do you think he killed your father?” He starts mixing paint again. “I think Angelina killed my father. Then again, nothing Marty did would have surprised me. He was a self-righteous ass. He thought he was the brains behind the operation, and my dad and I were just pawns. And he was really ticked off.” The venom in his tone surprises me. He tells us Kent and his father had been fighting about the China Basin project for months. “Marty thought he was getting screwed. My dad went to the other investors to try to negotiate a bonus for him.” “Did something happen on Friday night?” “Yes. My dad told him that the other investors had vetoed the bonus.” This jibes with the information from Ward. He adds, “There was something else. Marty decided to try to pull some strings at city hall. He hired a consultant to help him get the approvals for the China Basin project.” I decide to play coy. “Do you know his name?” “Armando Rios. Some money may have changed hands. Marty never told me about it. Marty never told me
Sheldon Siegel (Criminal Intent (Mike Daley/Rosie Fernandez Mystery, #3))
Gentile’s office in downtown Las Vegas, I got on the elevator and turned around and there was a TV camera. It was just the two of us in the little box, me and the man with the big machine on his shoulder. He was filming me as I stood there silent. “Turn the camera off,” I said. He didn’t. I tried to move away from him in the elevator, and somehow in the maneuvering he bumped my chin with the black plastic end of his machine and I snapped. I slugged him, or actually I slugged the camera. He turned it off. The maids case was like a county fair compared with the Silverman disappearance, which had happened in the media capital of the world. It had happened within blocks of the studios of the three major networks and the New York Times. The tabloids reveled in the rich narrative of the case, and Mom and Kenny became notorious throughout the Western Hemisphere. Most crimes are pedestrian and tawdry. Though each perpetrator has his own rap sheet and motivation and banged-up psyche, the crime blotter is very repetitive. A wife beater kills his wife. A crack addict uses a gun to get money for his habit. Liquor-store holdups, domestic abuse, drug dealer shoot-outs, DWIs, and so on. This one had a story line you could reduce to a movie pitch. Mother/Son Grifters Held in Millionaire’s Disappearance! My mother’s over-the-top persona, Kenny’s shady polish, and the ridiculous rumors of mother-son incest gave the media a narrative it couldn’t resist. Mom and Kenny were the smart, interesting, evil criminals with the elaborate, diabolical plan who exist in fiction and rarely in real life. The media landed on my life with elephant feet. I was under siege as soon as I returned to my office after my family’s excursion to Newport Beach. The deluge started at 10 A.M. on July 8, 1998. I kept a list in a drawer of the media outlets that called or dropped by our little one-story L-shaped office building on Decatur. It was a tabloid clusterfuck. Every network, newspaper, local news station, and wire service sent troops. Dateline and 20/20 competed to see who could get a Kimes segment on-air first. Dateline did two shows about Mom and Kenny. I developed a strategy for dealing with reporters. My unusual training in the media arts as the son of Sante, and as a de facto paralegal in the maids case, meant that I had a better idea of how to deal with reporters than my staff did. They might find it exciting that someone wanted to talk to them, and forget to stop at “No comment.” I knew better. So I hid from the camera crews in a back room, so there’d be no pictures, and I handled the calls myself. I told my secretary not to bother asking who was on the line and to transfer all comers back to me. I would get the name and affiliation of the reporter, write down the info on my roster, and
Kent Walker (Son of a Grifter: The Twisted Tale of Sante and Kenny Kimes, the Most Notorious Con Artists in America (True Crime (Avon Books)))
Dealmaking is to movie people what the tea ceremony is to the Japanese. They are very, very serious about it.
Nicolas Kent (Naked Hollywood: Money, power, and the movies)
We need laughter. We need joy. As parents, we need to facilitate that or so much of regular life will simply steal it from us. Make a point to find things that are funny and laugh at them. Find ways to laugh at yourselves when things don’t go exactly as you planned. Watch a funny movie or read a funny story or tell a stupid dad joke, but find a way to bring laughter into your home as often as you can. Even in the hard times, laughter is good medicine.
Kent Kraning (Dirt Grenades and Other Explosive Parenting Moments)
I’ve got to stop watching movies where the girl falls in love with her one-night stand. That is never a situation I will find myself in.
Cora Kent (Ruthless Sinner (The Terlizzis #1))
If we all gave to charity as much as we give to movie theaters on a monthly basis, I believe we could end hunger.
Germany Kent