β
Appreciation is the purest,strongest form of love. It is the outward-bound kind of love that asks for nothing and gives everything.
β
β
Kelly Corrigan (The Middle Place)
β
Learn to say no. And when you do, donβt complain and donβt explain. Every excuse you make is like an invitation to ask you again in a different way.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
If John Lennon was right that life is what happens when you're making other plans, parenthood is what happens when everything is flipped over and spilling everywhere and you can't find a towel or a sponge or your "inside" voice.
β
β
Kelly Corrigan (Lift)
β
That's how it works: someone important believes in us, loudly and with conviction and against all substantiation, and over time, we begin to believe, too - not in our shot at perfection, mind you, but in the good enough version of us that they have reflected.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
And it occurs to me that maybe the reason my mother was so exhausted all the time wasnβt because she was doing so much but because she was feeling so much.
β
β
Kelly Corrigan (Glitter and Glue)
β
Accepting things as they are is difficult. A lot of people go to war with reality.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
Even when all the paperwork-a marriage license, a notarized deed, two birth certificates, and seven years of tax returns-clearly indicates you're an adult, but all the same, there you are, clutching the phone and thanking God that you're still somebody's daughter.
β
β
Kelly Corrigan (The Middle Place)
β
The mother is the most essential piece on the board, the one you must protect. Only she has the range. Only she can move in multiple directions. Once she's gone, it's a whole different game.
β
β
Kelly Corrigan (Glitter and Glue)
β
Your father's the glitter but I'm the glue.
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β
Kelly Corrigan (Glitter and Glue)
β
Being in our lives *as they are* is probably one of the most common struggles people have.
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β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
I love you.
The first time the words pass between two people: electrifying.
Ten thousand times later: cause for marvel.
The last time: the dream you revisit over and over and over again.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
Like the padre said, life is a mystery to be lived. Live your mystery.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
We're never ready for the things that happen. When the big stuff happens, we're always looking in the other direction.
β
β
Kelly Corrigan (Lift)
β
But the truth is that Iβm always teetering between a mature acceptance of lifeβs immutables and a childish railing against the very same.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
Thereβs no greater gift than to help a child see their enoughness, their might.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
Minds don't rest; they reel and wander and fixate and roll back and reconsider because it's like this, having a mind. Hearts don't idle; they swell and constrict and break and forgive and behold because it's like this, having a heart. Lives don't last; they thrill and confound and circle and overflow and disappear because it's like this, having a life.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
But now I see there's no such thing as "a" woman, "one" woman. There are dozens inside every one of them. I probably should have figured this out sooner, but what child can see the women inside her mom, what with all the Motherness blocking out everything else?
β
β
Kelly Corrigan (Glitter and Glue)
β
Raising people is not some lark. It's serious work with serious repercussions. It's air-traffic control. You can't step out for a minute; you can barely pause to scratch your ankle.
β
β
Kelly Corrigan (Glitter and Glue)
β
One friend told me her one big takeaway from three years and $11,000 of therapy was Learn to say no. And when you do, don't complain and don't explain. Every excuse you make is like an invitation to ask you again in a different way.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
I had thought a good mother would not elicit such comments, but now I see that a good mother is required to somehow absorb all this ugliness and find a way to fall back in love with her child the next day.
β
β
Kelly Corrigan (Glitter and Glue)
β
He defined me first, as parents do. Those early characterizations can become the shimmering self-image we embrace or the limited, stifling perception we rail against for a lifetime.
β
β
Kelly Corrigan (The Middle Place)
β
Turbulence is the only way to get altitude β to get lift. Without turbulence the sky is just a big blue hole. Without turbulence, you sink.
β
β
Kelly Corrigan (Lift)
β
I try to be one of the exceptional people who can live with the complexity of things, who are at peace with the unknown and the unknowable, who leave all the cages open. I tell myself: There's so much that you don't know, you can't know, you aren't ever going to know.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
The skin hungers for touch, from cradle to grave.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
You can't be really loved if you can't bear to be really known.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
Pulling at the hem of my emotion was the creeping sense that it might well take until 2036 for this child in my arms to feel a fraction of what I already felt for her.
β
β
Kelly Corrigan (Glitter and Glue)
β
When you are in pain, and you see someone else in pain, there is really nothing as satisfying as giving them comfort in the night.
β
β
Kelly Corrigan (The Middle Place)
β
I've come to feel downright uneasy with people who can't say no. What if they yes you to death and then secretly hate you for it? If they never say no, how can you trust their yes? Besides, no makes room for yes, and who doesn't want more room for that?
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
The thing about mothers, I want to say, is that once the containment ends and one becomes two, you don't always fit together so nicely... The living mother-daughter relationship, you learn over and over again, is a constant choice between adaptation and acceptance.
β
β
Kelly Corrigan (Glitter and Glue)
β
I envy my dad and his faith. I envy all people who have someone to beseech, who know where they're going, who sleep under the fluffy white comforter of belief.
β
β
Kelly Corrigan (The Middle Place)
β
How seriously can I take myself? I'm just one of six billion people, right?
β
β
Kelly Corrigan (The Middle Place)
β
I don't know what to saw about a man who calls a perfectly adorable three-year old a fucker, but "my hero" comes to mind.
β
β
Kelly Corrigan (The Middle Place)
β
There's no expectation of some linear progression from agony to okayness. It goes in circles. It's sloppy.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
This tug-of-war often obscures what's also happening between us. I am your mother, the first mile of your road. Me and all my obvious and hidden limitations. That means that in addition to possibly wrecking you, I have the chance to give to you what was given to me: a decent childhood, more good memories than bad, some values, a sense of tribe, a run at happiness. You can't imagine how seriously I take that - even as I fail you. Mothering you is the first thing of consequence that I have ever done.
β
β
Kelly Corrigan (Lift)
β
The only mothers who never embarrass, harass, dismiss, discount, deceive, distort, neglect, baffle, appall, inhibit, incite, insult, or age poorly are dead mothers, perfectly contained in photographs, pressed into two dimensions like a golden autumn leaf.
β
β
Kelly Corrigan (Glitter and Glue)
β
We'll bury our mothers and fathers - shuttling our children off for sleepovers, jumping on red-eyes, telling eachother stories that hurt to hear, about gasping, agonal breaths, hospice nurses, scars and bruises and scabs, and how skin papers shortly after a person passes. We will nod in agreement that it is as much an honor to witness a person leave this world as it is to watch a person come into it.
β
β
Kelly Corrigan (The Middle Place)
β
Reality always comes dressed in a point of view, try as we might to lay it bare.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
Makes you wonder what else people might tell you if you just keep asking questions.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
It may be that loving children, radically and beyond reason, expands our capacity to love others, particularly our own mothers.
β
β
Kelly Corrigan (Glitter and Glue)
β
I've had cancer twice and if I had to pick one fate for you, cancer or fertility problems-I'd pick cancer.
β
β
Kelly Corrigan
β
Why we don't value intellectual honesty beyond easy answers is beyond me.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
Resistance is suffering on permanent repeat.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
The other problem with language is that arranging words into sentences requires we flip on our thinking machine, which necessarily claims some of our focus, so that as soon as we start deciding how to explain a feeling, we're not entirely feeling the feeling anymore, and some feelings want to be felt at full capacity.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
Maybe being wrong is not the same as being bad, I thought, not a sign your insides were rotten. Maybe you can still be a decent-ish person, a person with a personal mission statement, a person who aspires to be someone habitually good and highly effective, and fuck up.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
What is it about a living mother that makes her so hard to see, to feel, to want, to love, to like? What a colossal waste that we can only fully appreciate certain riches--clean clothes, hot showers, good health, mothers--in their absence.
β
β
Kelly Corrigan (Glitter and Glue)
β
On the matter of God, I've stood in every square on the board: obedient believer, secretly hopeful, open-but-dubious. I've walked away from the board entirely, only to circle back. Today, all I can say is: I don't know what I think about God...I do know that I love many believers and pulse with gratitude that wants a locus and I wonder about the wonders I see around me and feel inside me. But I'm not sure of anything.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
There's hardly a positive intention associated with no. Except self-preservation.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
He loved me the way only a nineteen-year old can- suddenly and deliriously.
β
β
Kelly Corrigan (The Middle Place)
β
Is there a broth more restoring than company?
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
It is one thing to be a man's wife - quite another to be the mother of his children. In fact, once you become a mother, being a wife seems like a game you once played or a self-help book you were overly impressed with as a teenager that on second reading is puffy with common ideas. This was one of the many things I had learned since crossing over into the middle place - that sliver of time when childhood and parenthood overlap.
β
β
Kelly Corrigan (The Middle Place)
β
I realized that making people feel irreplaceable was his gift.
β
β
Kelly Corrigan (The Middle Place)
β
It's easy to love kids who make you feel competent.
β
β
Kelly Corrigan (Glitter and Glue)
β
Those early characterizations (Our parents give us) can become the shimmering self-image we embrace or the limited, stifling perception we rail against for a lifetime
β
β
Kelly Corrigan (The Middle Place)
β
Despair defies description.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
As in most situations, itβs not important why someone hurts, only that they do.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
I snap and storm around and then spend long nights thinking of the most damaged adults I know and wondering if my particular brand of maternal fuckups are how they ended up like that.
β
β
Kelly Corrigan (Glitter and Glue)
β
Liberated by the simple act of saying noβwhich I submit is impressive for any woman, and downright radical for one raised in the Niceβn Easy generationβmy mom had always been able to find outs where others could not. Looking back, I think it came down to her impressive willingness to be disliked and her utterly unromantic position that people should take seriousβif not totalβresponsibility for their own happiness.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
named his recollections of Γntonia βMy Γntoniaβ not to show romantic possession, but because he understood that his Γntonia was only one version of her and, at least partially, his creation.
β
β
Kelly Corrigan (Glitter and Glue)
β
Rather than trying to make me happy, as cheap songs and misguided greeting cards suggest is the promise of true love, Edward was doing the one thing that would keep us together: taking care of himself. As with my parents, sometimes the art of relationship is declaring your limits, protecting your boundaries, saying no.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
According to my mother, the cornerstone of a proper apology is taking responsibility, and the capstone is naming the transgression. Contrition must be felt and conveyed. Finally, apologies are better served plain, hold the rationalizations. In other words, I'm sorry should be followed by a pause or period, not by but and never by you.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
Here I thought I was a special person with Special People Problems that would take a long time to diagnose and maybe even require new forms of treatment, or at least a bit of original advice. But I was everybody; a pocket truism that's been circulating for thousands of years would suffice.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
That to fly requires chaotic, sometimes even violent passages--becomes a metaphor for all of life's most meaningful endeavors.
β
β
Kelly Corrigan
β
At first parenthood was as I had expected, exhausting, sometimes heinous, and occasionally divine. I held my children close enough to feel them breathe, laugh, swallow.
β
β
Kelly Corrigan (Glitter and Glue)
β
To love someone is to love the people they love, or at least, try.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
Learn to say no. And when you do, don't complain and don't explain. Every excuse you make is like a invitation to ask you again in a different way.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
But given everything I do know, no matter how hard it is, how lonely or stressful, still, I would not want to leave this earth without being a mother.
β
β
Kelly Corrigan
β
Immediate, often unsolicited, sometimes undeserved forgivenessβthat is what turns the wheel of family life.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
As Voltaire said: βDoubt is not a pleasant condition, but certainty is absurd.
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β
Kelly Corrigan (Tell Me More: Stories about the 12 Hardest Things I'm Learning to Say)
β
Do your work, I tell myself. And after? Find a patch of lawn and sit down and hug your knees to your chest and let everything youβve ever been told and everything youβve ever seen mingle together in a show just for you, your own eye-popping pageant of existence, your own twelve-thousand-line epic poem. The tickle of the grass on your thighs, the sky moving over you, sunless or blue, echoes from a homily or a wedding toast or a letter your grandmother sent. Remember something good, a sunburn you liked the feeling of, a plate of homemade pasta. Do your work, Kelly. Then lean back. Rest from the striving to reduce. Like the padre said, life is a mystery to be lived. Live your mystery.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
My default answer to everything is no. As soon as I hear the inflection of inquiry in your voice, the word no forms in my mind, sometimes accompanies by a reason, often not. Can I open the mail? No. Can I wear your necklace? No. When is dinner? No. What you probably wouldn't believe is how much I want to say yes. Yes, you can take two dozen books home from the library. Yes, you can eat the whole roll of SweeTarts. Yes, you can camp out on the deck. But the books will get lost, and SweeTarts will eventually make your tongue bleed, and if you sleep on the deck, the neighborhood racoons will nibble on you. I often wish I could come back to life as your uncle, so I could give you more. But, when you're the mom, your whole life is holding the rope against those wily secret agents who never, ever stop trying to get you to drop your end.
β
β
Kelly Corrigan (Lift)
β
This forgetting, this slide into smallness, this irritability and shame, this disorienting grief: Itβs like this. Minds donβt rest; they reel and wander and fixate and roll back and reconsider because itβs like this, having a mind. Hearts donβt idle; they swell and constrict and break and forgive and behold because itβs like this, having a heart. Lives donβt last; they thrill and confound and circle and overflow and disappear because itβs like this, having a life.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
Do you know that I love you enough to take in the full reality of your lives? That I can understand the things you think I can't and I can see and know and embrace every bit of you, full frame, no cropping?
β
β
Kelly Corrigan (Lift)
β
In addition to helping the girls parse the world, and all its awful truths - time only goes one way, things end, affections wax and wane - I was the sole distributor of the strongest currency they would ever know: maternal love.
β
β
Kelly Corrigan (Glitter and Glue)
β
She was, as all mothers are, my first everything. First refuge, first rival.
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β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
It's like a good book: You don't have to be able to decode every passage to want to hug it when you finish.
β
β
Kelly Corrigan (Glitter and Glue)
β
Do your work, Kelly. Then lean back. Rest from the striving to reduce. Like the padre said, life is a mystery to be lived. Live your mystery.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
They said, Thank you for the food before us, the people around us, and the love between us.
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β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
Mothering you is the first thing of consequence I have ever done.
β
β
Kelly Corrigan (Lift)
β
Any certainty I pretend is a performance to keep the troops calm and in line. Alone in the campaign tent, with maps spread out on the folding table, I work in pencil with shaky hands.
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β
Kelly Corrigan (Tell Me More: Stories about the 12 Hardest Things I'm Learning to Say)
β
I shift my position on the sofa, so my head is on a big, lumpy pillow in Greenie's lap and Georgia is leanign back against my middle and Claire is just about asleep on the floor. Allison and I catch eyes, and she tilts her head and smiles, and when I smile back, we both well up with tears, I think beause we both recognize that whatever else may be unfolding, this is happiness.
β
β
Kelly Corrigan (The Middle Place)
β
Or maybe, knowing that intercourse involved certain unsavory sights, smells, and sounds, God deliberately left the ingredients for alcohol lying around where man would undoubtedly find them.
β
β
Kelly Corrigan (The Middle Place)
β
He defined me first, as parents do. Those early characterizations can become the shimmering self-image we embrace or the limited, stifling perception we rail against for a lifetime. In my case, he sees me as I would like to be seen. In fact, Iβm not even sure whatβs true about me, since I have always chosen to believe his version.
β
β
Kelly Corrigan (The Middle Place)
β
I have to pick up my kids. I have to register them for school. I have to pack their lunches and get their Hep B shots and wash their hands. They must be spotted on the stairs and potty trained and broken of the binkie. And if that relentless work runs right alongside gauging the risks of bladder surgery on a seventy-four-year-old, well, what did you think was gonna happen? What did you think being an adult was?
β
β
Kelly Corrigan (The Middle Place)
β
I am your mother. The first mile of your road. Me, and all of my obvious and hidden limitations. That means that in addition to possibly wrecking you, I have the chance to give you what was given to me. A decent childhood. More good memories than bad. Some values. A sense of tribe. A run at happiness.
β
β
Kelly Corrigan (Lift)
β
The idea is that readers don't come blank to books. Consciously and not, we bring all the biases that come with our nationality, gender, race, class, age. They you layer onto that the status of our health, employment, relationships, not to mention our particular relationship to each book--who gave it to us, where we read it, what books we've already read--and as my professor put it, 'That massive array of spices has as much to do with the flavor of the soup as whatever the cook intended
β
β
Kelly Corrigan (Glitter and Glue)
β
I live within my means and worship my girlfriends, especially the ones who play cards and rag me about keeping the thermostat set too low. I donβt long for other mothers anymore; I donβt even wonder about them. I was meant to be her daughter, and I consider it a damn good thing that she, of all people, was the principal agent in my development.
β
β
Kelly Corrigan (Glitter and Glue)
β
We all kind of hate each other in this minute, me most of all because I taught them the word bitch and I yell so they yell and Edward missed another brawl so they'll like him more today and he's better anyway and whatever lust for combat my daughters have comes straight from me and I thought I was going to be a good mom like Michelle Constable or Tammy Stedman and I'm not and according to a parenting blog I saw, yelling is as bad as corporal punishment and particularly destructive to self-esteem so oh my God, what am I doing?
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
You canβt be really loved if you canβt bear to be really known.
β
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Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
the reach of language can be laughable
β
β
Kelly Corrigan
β
Raising people is not some lark. Itβs serious work with serious repercussions. Itβs air-traffic control. You canβt step out for a minute; you can barely pause to scratch your ankle.
β
β
Kelly Corrigan (Glitter and Glue)
β
But it's my home, and not just because I grew up pledging my allegiance and taking tests on the Electoral College and Pearl Harbor. It's in me, running through me like my mother's blood.
β
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Kelly Corrigan (Glitter and Glue)
β
Old people and their hyper-calibrated radar. They can't hear a word, and they can barely get out of their chairs, but they've got six or seven other senses, scanning, collecting, decoding.
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Kelly Corrigan (Glitter and Glue)
β
If my mom died and I couldnβt call her up inside myself, Iβd pull on a pair of elastic-waistband pants, pour a touch of Smirnoff over ice, and phone a girlfriend to play cards. If that didnβt work, Iβd try reading a library book on a beach chair, and if that didnβt work, Iβd take her rosary beads and shake them like a shaman until she came back to me, until I could see her and hear her and feel her again.
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Kelly Corrigan (Glitter and Glue)
β
Right then, as the first campers headed down the hill for morning cheers, twelve-year-old Lucy... said what I wish everyone would say - not "I'm sorry" but "I know." Is there a broth more restoring than company?
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
They get on with it. Even after imagining all this finenessβthe girls (check), Edward (check)βI bawled, stuck on the awful thought that the reason Iβd ended up in Ellen Tannerβs house, the reason no one had hired me as a waitress or bartender, the reason Iβd been fired by Eugenia Brown and answered an ad from a widower, was so I could see how a family goes on, so I could witness their suffering, their slow but indisputable survival.
β
β
Kelly Corrigan (Glitter and Glue)
β
MH and Leon had accepted the call to raise a child, not by railroading her into becoming a gratifying mashup of biology and dreams, but by allowing her to reveal her nature over time, in no particular order, with switchbacks and reversals along the way.
β
β
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
β
I have to come clean here: something terrible happens to me when my girls cry, more so now than when they were infants and I was able to remind myself that crying was their only method of communication. I didnβt like it back then, who does?, but, aided by what Edward dubbed a Red Lobster pour of icy cold sauvignon blanc each evening at five, I managed. Now? Crying that indicates existential pain? The possible onslaught of unhappiness? Isolation, despair? That kind of crying is more threatening to me than a lump in my breast. Itβs like being skinned alive.
β
β
Kelly Corrigan
β
Itβs a lonely business, and then sometimes strangely claustrophobic, but this is it. This is what I wanted and what Liz was pulled away from, against her every fiber. This abstract performance art called Family Life is our one run at the ultimate improv. Our chance to be great for someone, to give another person enough of what they need to be happy. Ours to overlook or lose track of or bemoan, ours to recommit to, to apologize for, to try again for. Ours to watch disappear into their next selfβtoddler to tyke, tween to teenβours to drop off somewhere and miss forever. Itβs happening right now, whether we attend to it or not.
β
β
Kelly Corrigan (Tell Me More: Stories about the 12 Hardest Things I'm Learning to Say)
β
In the morning while we were eating breakfast, Edward gave a speech to the kids about how you should only ever fry bacon in a cast-iron pan and I rolled my eyes and Andy joked, βEmbrace the idiosyncrasies.β Edward snapped at me later that day for changing the afternoon plan too many times and Andy put his hands on the kitchen counter to calm himself and said, βSeriously, guys, embrace the idiosyncrasies.β He hasnβt whitewashed your marriage; he remembers the conflict, the push-pull. He says the struggle is what made your marriage your marriage. He can have his way on everything now but about half the time, he does it your way anyway.
β
β
Kelly Corrigan (Tell Me More: Stories about the 12 Hardest Things I'm Learning to Say)
β
Itβs a lonely business, and then sometimes strangely claustrophobic, but this is it. This is what I wanted and what Liz was pulled away from, against her every fiber. This abstract performance art called Family Life is our one run at the ultimate improv. Our chance to be great for someone, to give another person enough of what they need to be happy. Ours to overlook or lose track of or bemoan, ours to recommit to, to apologize for, to try again for. Ours to watch disappear into their next selfβtoddler to tyke, tween to teenβours to drop off somewhere and miss forever. Itβs happening right now, whether we attend to it or not. Like after preparing a nutritious meal that no one really liked and a lot of blame-gaming over who forgot to take out the compost, your peevish, greasy βyoung adultβ tramps off to take the shower she should have taken two days ago and the evening is shot to shit and not one minute of it looked like the thing you prayed for so long ago, but then you hear something. You head up the stairs, hover outside the bathroom door. βAll the single ladies, all the single ladiesβ¦β β The kid is singing in the shower. Your profoundly ordinary kid is singing in the shower and you get to be here to hear it.
β
β
Kelly Corrigan (Tell Me More: Stories about the 12 Hardest Things I'm Learning to Say)