Keith Moon Quotes

Keith Moon, God rest his soul, once drove his car through the glass doors of a hotel, driving all the way up to the reception desk, got out and asked for the key to his room.

I mean, you want the truth as you wanna hear it? I can't do that. You couldn't afford me.

Keith had basically died from an incurable case of being Keith Moon.

Keith Moon had no off-switch and there was no way of controlling him.

Think of Keith Moon next time you hear of a modern-day rock star tipping his bed over in a hotel room, or you watch some of these prankster programmes on the telly. It’s all been done before.

JIMI HENDRIX LEAD GUITAR JOHN LENNON RHYTHM GUITAR PHIL LINOTT BASS GUITAR KEITH MOON DRUMS

...his favorite books, those he'd read over and over so he knew just the lurch his heart would make when he turned the page and encountered the illustration of the despondent dragon under a half-moon or the fervor with which he flipped the final pages of another, the story so vivid he felt his relationship with that book was less an act of reading than a visit, a place he went to.

Favorite food? Blues (speed). Miscellaneous likes? Birds. Professional ambition? To smash one hundred drum kits. Personal ambition? To stay young forever. There you have it, the world of Keith Moon effectively encapsulated in a few choice words. Straightforward hedonistic pleasures, cheerfully destructive tendencies, and an unattainable goal, except in the words that Townshend had just written and which Moon alone would live up/down to: 'Hope I die before I get old.

So much misinformation has been published and broadcast over the years about Jimi’s short but spectacular life by people with an interest only in self-aggrandizement, that a few years ago I finally decided to break my silence of twenty years and record my version of events. This is not just a story about Jimi, but it's about me, and others who I knew in those early days and who are no longer with us, like Keith Moon, Brian Jones and Chas Chandler, and it's about what it was like to live in those extraordinary times.

Personally, I like my gods old, grizzled and *here*. I'll take Dylan; the pirate raiding party of the Stones; the hope-I-get-very-old-before-I-die, present live power of the Who; a fat, still-mesmerizing-until-his-death Brando—they all suit me over the alternative. I would've liked to have seen that last Michael Jackson show, a seventy-year-old Elvis reinventing and relishing in his talents, where Jimi Hendrix might've next taken the electric guitar, Keith Moon, Janis Joplin, Kurt Cobain and all the others whose untimely deaths and lost talents stole something from the music I love, living on, enjoying the blessings of their gifts and their audience's regard. Aging is scary but fascinating, and great talent morphs in strange and often enlightening ways.

Still dark. The Alpine hush is miles deep. The skylight over Holly’s bed is covered with snow, but now that the blizzard’s stopped I’m guessing the stars are out. I’d like to buy her a telescope. Could I send her one? From where? My body’s aching and floaty but my mind’s flicking through the last night and day, like a record collector flicking through a file of LPs. On the clock radio, a ghostly presenter named Antoine Tanguay is working through Nocturne Hour from three till four A.M. Like all the best DJs, Antoine Tanguay says almost nothing. I kiss Holly’s hair, but to my surprise she’s awake: “When did the wind die down?” “An hour ago. Like someone unplugged it.” “You’ve been awake a whole hour?” “My arm’s dead, but I didn’t want to disturb you.” “Idiot.” She lifts her body to tell me to slide out. I loop a long strand of her hair around my thumb and rub it on my lip. “I spoke out of turn last night. About your brother. Sorry.” “You’re forgiven.” She twangs my boxer shorts’ elastic. “Obviously. Maybe I needed to hear it.” I kiss her wound-up hair bundle, then uncoil it. “You wouldn’t have any ciggies left, perchance?” In the velvet dark, I see her smile: A blade of happiness slips between my ribs. “What?” “Use a word like ‘perchance’ in Gravesend, you’d get crucified on the Ebbsfleet roundabout for being a suspected Conservative voter. No cigarettes left, I’m ’fraid. I went out to buy some yesterday, but found a semiattractive stalker, who’d cleverly made himself homeless forty minutes before a whiteout, so I had to come back without any.” I trace her cheekbones. “Semiattractive? Cheeky moo.” She yawns an octave. “Hope we can dig a way out tomorrow.” “I hope we can’t. I like being snowed in with you.” “Yeah well, some of us have these job things. Günter’s expecting a full house. Flirty-flirty tourists want to party-party-party.” I bury my head in the crook of her bare shoulder. “No.” Her hand explores my shoulder blade. “No what?” “No, you can’t go to Le Croc tomorrow. Sorry. First, because now I’m your man, I forbid it.” Her sss-sss is a sort of laugh. “Second?” “Second, if you went, I’d have to gun down every male between twelve and ninety who dared speak to you, plus any lesbians too. That’s seventy-five percent of Le Croc’s clientele. Tomorrow’s headlines would all be BLOODBATH IN THE ALPS AND LAMB THE SLAUGHTERER, and the a vegetarian-pacifist type, I know you wouldn’t want any role in a massacre so you’d better shack up”—I kiss her nose, forehead, and temple—“with me all day.” She presses her ear to my ribs. “Have you heard your heart? It’s like Keith Moon in there. Seriously. Have I got off with a mutant?” The blanket’s slipped off her shoulder: I pull it back. We say nothing for a while. Antoine whispers in his radio studio, wherever it is, and plays John Cage’s In a Landscape. It unscrolls, meanderingly. “If time had a pause button,” I tell Holly Sykes, “I’d press it. Right”—I press a spot between her eyebrows and up a bit—“there. Now.” “But if you did that, the whole universe’d be frozen, even you, so you couldn’t press play to start time again. We’d be stuck forever.” I kiss her on the mouth and blood’s rushing everywhere. She murmurs, “You only value something if you know it’ll end.

Because so many people were betting against GameStop —and brick-and-mortar retail in general — the overall short position was enormous, almost comically so. At certain points over the past six months, it had bounced between 50 and even 100 percent of the overall float, meaning nearly all the shares of GameStop in existence had been borrowed and sold by short sellers, all of whom had an obligation to rebuy those shares at some point in the future. So, what if Keith was right, and the stock went up instead of down? It would be like watching investors trying to get out of a burning building, through a single, narrow door. The stock would rocket. As a financial educator, Keith knew that short selling could be one of the riskiest plays on the market. You really needed to be certain a stock was going down, because your upside was limited, but your losses could, theoretically, be infinite. The fact that so many competent investors were short selling GameStop could mean the stock really was a dog; but it also meant the stock was loaded with rocket fuel, and it wouldn't take much to ignite and sent it right to the moon.

The heart of rock will always remain a primal world of action. The music revives itself over and over again in that form, primitive rockabilly, punk, hard soul and early rap. Integrating the world of thought and reflection with the world of primitive action is *not* a necessary skill for making great rock 'n' roll. Many of the music's most glorious moments feel as though they were birthed in an explosion of raw talent and creative instinct (some of them even were!). But ... if you want to burn bright, hard *and* long, you will need to depend on more than your initial instincts. You will need to develop some craft and a creative intelligence that will lead you *farther* when things get dicey. That's what'll help you make crucial sense and powerful music as time passes, giving you the skills that may also keep you alive, creatively and physically. The failure of so many of rock's artists to outlive their expiration date of a few years, make more than a few great albums and avoid treading water, or worse, I felt was due to the misfit nature of those drawn to the profession. These were strong, addictive personalities, fired by compulsion, narcissism, license, passion and an inbred entitlement, all slammed over a world of fear, hunger and insecurity. That's a Molotov cocktail of confusion that can leave you unable to make, or resistant to making, the lead of consciousness a life in the field demands. After first contact knocks you on your ass, you'd better have a plan, for some preparedness and personal development will be required if you expect to hang around any longer than your fifteen minutes. Now, some guys' five minutes are worth other guys' fifty years, and while burning out in one brilliant supernova will send record sales through the roof, leave you living fast, dying young, leaving a beautiful corpse, there *is* something to be said for living. Personally, I like my gods old, grizzled and *here*. I'll take Dylan; the pirate raiding party of the Stones; the hope-I-get-very-old-before-I-die, present live power of the Who; a fat, still-mesmerizing-until-his-death Brando—they all suit me over the alternative. I would've liked to have seen that last Michael Jackson show, a seventy-year-old Elvis reinventing and relishing in his talents, where Jimi Hendrix might've next taken the electric guitar, Keith Moon, Janis Joplin, Kurt Cobain and all the others whose untimely deaths and lost talents stole something from the music I love, living on, enjoying the blessings of their gifts and their audience's regard. Aging is scary but fascinating, and great talent morphs in strange and often enlightening ways. Plus, to those you've received so much from, so much joy, knowledge and inspiration, you wish life, happiness and peace. These aren't easy to come by.

Experiencing the outdoors or – even better, the untamed wilderness – imparts a certain wisdom about what is truly needed to be happy. Though material pleasures do provide a sense of achievement, a feel-good factor if you like, I worked out many moons ago that the feeling is only ever temporary. Two weeks after buying a car it’s just a car. Your bright, shiny new mobile phone is exciting for a couple of days and then you look for the improved version. It’s only a fake pleasure. If you’re after true fulfilment, I say take a walk in the wilderness.

In the car on the way to our third gig, somewhere in the No Man’s Land between Louisiana and Alabama, Moon Pie starts horking up dinner.

Keith was sophisticated enough to understand the inherent risk of options; buying options wasn't as dangerous as short selling, because your potential for loss was capped, because you could always let the options expire. You paid a fee for the right to buy a certain number of shares of a stock at a certain price by a certain date. Sold in 100-share blocks, the fee was based on demand, which related to where people thought the stock price was going. Because the fee you paid for those 100-share blocks was a fraction of the pegged price, you could leverage yourself into a very large position with a relatively small amount of money. If the price went up, you could make a lot; if it went down, your options were worthless, but you only lost what you initially paid. A full 80 percent of the options bought by retail traders like him expired worthless; but when you only had a little to work with, there was no better way to shoot for the moon. Fifty-three thousand dollars was a lot, considering he had a two-year-old, a house, a wife. It was as much money as his dad earned in a year when he was younger. But Keith was that sure, even when the stock was hovering around $5 a share, that he had found value that others had missed.

Does quantum physics really say, he asked, that the moon doesn't exist when no one is looking at it? He found the idea that matter was described by probabilities especially upsetting. "God does not play dice with the universe!" he declared. To which Bohr supposedly replied, "Albert, don't tell God what to do.

The freedom of my eyes to scan the face of the earth, the mountains, trees, fields, and the sea, without barbed wire across my vision. The freedom of my body to walk with the wind, and no sentry to stop me. Opportunity to earn the food to keep me strong. The ability to look each month at a new moon without asking, How many more times must this beauty shine on my captivity? I will never give up these rights again. There may be more to life than these things. But there is no life without them.

Keith Moon made the earth rumble whenever he drummed. The dexterity he displayed while adding bone frames to those taut skins surrounding him elevated the atmosphere to frenetic heights.

Keith Moon in Wembley, England, all facts attested to by the writing on the memorials.

And in a way, what could be more rock and roll than lying around on deck being served caviar and champagne off a surfboard? If Keith Moon had lived long enough, he’d have loved it. Although come to that, he might have tried to push the mini-golf buggy into the pool.

Tom pulled at my hand. He wanted to go to church. He was taken sometimes by June, and always embarrassed us by singing very loudly, with no tune whatsoever, out of the hymn book held upside down. Keith had once reversed the hymn book for him, but Tom had responded to this with a howl of protest which brought all the congregation’s eyes to our pew. Tom knew which was right way up, and preferred the other. Sometimes he would sing by himself in the middle of the minister’s prayers. People enjoyed that, I think. Extempore prayers are often long. “Half

The smack helped my siege mentality. It was my wall against all of that daily stuff, because rather than deal with it, I shut it out, to concentrate on what I wanted to do. You could go out and about, totally insulated. Without it, in certain cases you wouldn’t have walked into that room at that time to deal with something. With it, you could go in there, brazen it off and be very smooth. And then go back and get the guitar out and finish what it was you were doing. It made everything possible. Whereas straight, I don’t know, there were too many things going on. While you’re insulated like this, you live in a world where other people go round with the sun and the moon. They wake up, go to sleep.… If you break that cycle and you’ve been up for four, five days, your perception of these people who have just got up, who have crashed out, is very distant. You’ve been working, writing songs, transferring tape to tape, and these people come in and they’ve been to bed and everything! They’ve even eaten stuff! Meanwhile, you’re sitting at this desk with a guitar and this pen and paper. “Where the fuck you been?” It got to the point where I’d be thinking, how can I help these poor people who have to sleep every day?

classic single ‘Down In The Tube Station at Midnight

In the early noughties, his fiancee Mayte Garcia - the singer and dancer formerly married to Prince - kissed Lee on the neck, and the drummer had her lip print turned into a tattoo as well.

In the early to mid-’70s, a small loft located up a short set of wooden stairs in the Rainbow led to the lair of the Hollywood Vampires. In short, the Vampires were a celebrity drinking club. Formed by my friend Alice Cooper, it consisted of a rotating cast of characters depending on who was in town at any given time. The principles were, aside from Alice and myself, Ringo Starr, Micky Dolenz, Harry Nilsson, Keith Moon, and on occasion, John Lennon. Outside of these gatherings I didn’t spend a whole lot of time in the Rainbow; it just wasn’t my sort of place.

We have here an unusual opportunity to appraise the human mind, or to examine, in Earth terms, the roles of good and evil in a man. His negative side, which you call hostility, lust, violence. And his positive side, which Earth people express as compassion, love, tenderness. —Star Trek, “The Enemy Within” (Spock) Suppose some mathematical creature from the moon were to reckon up the human body; he would at once see that the essential thing about it was that it was duplicate. A man is two men, he on the right exactly resembling him on the left. Having noted that there was an arm on the right and one on the left, a leg on the right and one on the left, he might go further and still find on each side the same number of fingers, the same number of toes, twin eyes, twin ears, twin nostrils, and even twin lobes of the brain. At last he would take it as a law; and then, where he found a heart on one side, would deduce that there was another heart on the other. And just then, where he most felt he was right, he would be wrong. —Gilbert Keith Chesterton

Any of these acts whose impact on rock music may not be apparent given their modest commercial success could never be denied the enormity of their artistic influence.

Townshend secretly longed to be rendered irrelevant, but his audience – which stretched further into the new generation than he liked to admit – would not let him go.

I was never a stellar student, but I paid attention to the interesting parts — and as I understand it, gravity between the sun, our planet, and the moon pulls the ocean in a rhythm as reliable as night and day, summer and winter, or spring and fall. It creates ebbs and floods in a pattern that the rotation of a clock, the breath in a pair of lungs, or the beating of a heart could never match. The tide was turning long before life existed, and it will keep turning long after we’re gone.

whirlwind of somewhat belligerent delight.

A musical revolution so long in coming was finally on the march.