Keith Haring Quotes

We've searched our database for all the quotes and captions related to Keith Haring. Here they are! All 50 of them:

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Nothing is important...so everything is important.
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Keith Haring (Keith Haring Journals)
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Art should be something that liberates your soul, provokes the imagination and encourages people to go further.
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Keith Haring
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Children know something that most people have forgotten.
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Keith Haring (Journals)
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You have to be objective about money to use it fairly. It doesn't make you any better or any more useful than any other person. Even if you use your money to help people...that doesn't make you better than somebody who has no money but is sympathetic and genuinely loving to fellow human beings.
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Keith Haring (Keith Haring Journals)
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Most of the time they buy what other people buy. They move in great schools, like bluefish, all identical. There is safety in numbers. If one wants Schnabel, they all want Schnabel, if one buys a Keith Haring, two hundred Keith Harings will be sold.
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Robert Hughes
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Good and Evil are very hard to explain or understand. I'm sure that evil exists, but it is hard to isolate. Good and evil are intertwined and impossible to separate. They are not completely opposites and in fact are often one and the same.
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Keith Haring (Keith Haring Journals)
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Touching people’s lives in a positive way is as close as I can get to an idea of religion.
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Keith Haring (Keith Haring Journals)
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I am a necessary part of an important search to which there is no end.
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Keith Haring
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See, when I paint, it is an experience that, at its best, is transcending reality.
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Keith Haring
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Keith Haring wrote " You see that's why I work like a dog and I worked like a dog all my life. I am not interested in the academic status of what I am doing because my problem is my own transformation. Thats the reason also why, when people say. " Well you thought this a few years ago and now you say something else," my answer is[laughter]" well, do you think that I have worked like that all those years and not be changed?" This transformation of ones self by ones own knowledge is,I think something rather close to the aesthetic experience. Why should a painter work if he is not transformed by his own painting.
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Keith Haring
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The public has a right to art The public is being ignored by most contemporary artists. ... Art is for everybody. ... I am interested in making art to be experienced and explored by as many individuals as possible with as many different individual ideas about the given piece with no final meaning attached. The viewer creates the reality, the meaning, the conception of the piece.
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Keith Haring (Keith Haring Journals)
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The public needs art, and it is the responsibility of a β€œself-proclaimed artist” to realize the public needs art, and not to make bourgeois art for the few and ignore the masses.
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Keith Haring (Journals)
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Nothing is an end because it always can be a basis for something new and different.
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Keith Haring (Journals)
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I only wish that I could have more confidence and try to forget all my silly preconceptions, misconceptions, and just live. Just live. Just. Live. Just live till I die.
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Keith Haring (Keith Haring Journals)
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I am not a beginning. I am not an end. I am a link in a chain.
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Keith Haring (Keith Haring Journals)
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This, I feel, is the advantage to creating art at this point in time: When we realize that we are temporary, we are facing our self-destruction, we are realizing our fate and we must confront it. Art is the only sensible primal response to an outlook of possible destruction (obliteration).
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Keith Haring (Keith Haring Journals)
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Art is life. Life is art. The importance of both is over-exaggerated as well as misunderstood.
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Keith Haring (Journals)
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I am becoming very hard on the outside and even softer on the inside.
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Keith Haring (Journals)
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Poems do not necessarily need words. Words do not necessarily make poems.
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Keith Haring (Journals)
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Art is for everybody. To think that theyβ€”the publicβ€”do not appreciate art because they don’t understand it, and to continue to make art that they don’t understand and therefore become alienated from, may mean that the artist is the one who doesn’t understand or appreciate art and is thriving in this β€œself-proclaimed knowledge of art” that is actually bullshit.
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Keith Haring (Journals)
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There is one question George is asked about life and art and which is more important, and George said art is more important because it is immortal. This struck a very deep note inside me. For I am quite aware of the chance that I have or will have AIDS. The odds are very great and, in fact, the symptoms already exist. My friends are dropping like flies and I know in my heart that it is only divine intervention that has kept me alive this long. I don’t know if I have five months or five years, but I know my days are numbered. This is why my activities and projects are so important now. To do as much as possible as quickly as possible. I’m sure that what will live on after I die is important enough to make sacrifices of my personal luxury and leisure time. Work is all I have and art is more important than life.
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Keith Haring (Keith Haring Journals)
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Risks are what make the difference between new ideas and re-worked old ideas.
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Keith Haring (Journals)
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As in all things: Time will clarify the events that are presently unclear.
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Keith Haring (Journals)
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I think I was born an artist. I think I have a responsibility to live up to that. I’ve spent my life up to this point trying to find out just what that responsibility
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Keith Haring (Journals)
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Money is the opposite of magic. Art is magic. The
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Keith Haring (Journals)
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Art has no meaning because it has many meanings, infinite meanings. Art is different for every individual, and is definable only by the given individual.
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Keith Haring (Keith Haring Journals)
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People, I realize, cannot live like a patch of grass. They could, I suppose, at one time, but we are so far removed from that time that it is hard to conceive. People can, however, live their lives with the realization that they are constantly changing, products of their changing environment and changing situations, and time. They can live, at least, in harmony with the knowledge and co-exist with it instead of working against it.
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Keith Haring (Keith Haring Journals)
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Art will never leave me and never should. So as I go into the next part of the trip I hope it will be more creative and more work involved and less talk and more doing, seeing, learning, being, loving, feeling, maybe less feeling, and just work my ass off, ’cause that, my friend, is where it’s at!
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Keith Haring (Keith Haring Journals)
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March 28, 1987: Today I read in the New York Times that all of the officers who killed Michael Stewart were again dismissed of charges. Continually dismissed, but in their minds they will never forget. They know they killed him. They will never forget his screams, his face, his blood. The must live with that forever. I hope in their next life they are tortured like they tortured him. They should be birds captured early in life, put in cages, purchased by a fat, smelly, ugly lady who keeps them in a small dirty cage up near the ceiling while all day she cooks bloody sausages and the blood spatters their cage and the frying fat burns their matted feathers and they can nerf escape the horrible fumes of her burnt meat. One day the cage will fall to the ground and a big fat ugly cat will kick them about, play with them like a toy, and slowly kill them and leave their remains to be accidentally stepped on by the big fat pig lady who can’t see her own feet because of her huge sagging tits. An eye for an eye … I’m not afraid of anything I’d ever done. Not ashamed of anything.
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Keith Haring (Keith Haring Journals)
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July 7, 1986: Montreux It is only now that I realize the importance of a biography. I mean I always have realized that I enjoy to read (and have learned many things from) the biographies of artists whom I admire. It is probably my main source of education. In the beginning of my β€œcareer” (what an awful word) I was misled by a teacher who thought the things I was writing to be pretentious and self important. Years later, when I read those things I wrote in 1978, it didn’t seem so pretentious for almost everything I wrote about β€œwanting to do,” I actually did in the four or five years that followed.
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Keith Haring (Keith Haring Journals)
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Inspire kids to dream big, work hard, give back!
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Kay Haring (Keith Haring: The Boy Who Just Kept Drawing)
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am interested in making art to be experienced and explored by as many individuals as possible with as many different individual ideas about the given piece with no final meaning attached. The viewer creates the reality, the meaning, the conception of the piece. I am merely a middleman trying to bring ideas together.
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Keith Haring (Journals)
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The destructive element exists in all art, but ultimately is determined only by the ideas of the viewer.
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Keith Haring (Journals)
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I don’t really know exactly what I want to be, but I know what I don’t want to be.
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Keith Haring (Journals)
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I am now 28 years old on the outside and nearly 12 years old on the inside. I always want to stay 12 years old on the inside.
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Keith Haring (Journals)
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I wish I was not so determined to feel secure about everything. I want everything to be comfortable and in reality nothing ever is.
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Keith Haring (Journals)
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BLACK LEATHER ITALIAN DOMINATION CALLING AFTER HE SAID BLACK EYES HIT HARD
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Keith Haring (Journals)
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Knowing that it is up to me what happens next. (And knowing when it is out of my hands.)
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Keith Haring (Journals)
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I am filled with a certain kind of doubt about my role in the world. But that does not stop me from participating in the world. It only keeps me from expecting something from the world. It
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Keith Haring (Journals)
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Suzy said my hair looks like there are dead animals living in it. At least they’re dead.
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Keith Haring (Journals)
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I paint differently every day. every hour. every minute. every instant.
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Keith Haring (Journals)
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eight different cities before he was sixteen years old. Georgia O’Keeffe lived in the shadow of her β€œperfect” older brother Francis. And Jean-Michel Basquiat triumphed over poverty to become one of the world’s most influential artists. Kid Artists tells their stories and more with full-color cartoon illustrations on nearly every page. Other subjects include Claude Monet, Jacob Lawrence, Leonardo da Vinci, Vincent van Gogh, Pablo Picasso, Frida Kahlo, Beatrix Potter, Yoko Ono, Dr. Seuss, Emily Carr, Keith Haring, Charles Schulz, and Louise Nevelson.
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David Stabler (Kid Legends: True Tales of Childhood from the BooksΒ Kid Artists, Kid Athletes, Kid Presidents, and Kid Authors)
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I had my baby shower at the Garage when I was pregnant with Paulo. Debbie Harry of Blondie and Andy Warhol threw it for me. That’s showing you normal. (Paulo and Keith Haring would also become very close; to Paulo, he was Uncle Keith. They would draw together, like it was the most fun you could have in the world.)
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Grace Jones (I'll Never Write My Memoirs)
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But I also understand why Steve, who'd sewn his share of panels over the years, would fly into a rage as the end approached: 'And don't put me in that fucking quilt!' Being of a mind to have his body dumped instead on the White House lawn. The guilt had begun to seem too passive, even too nice, letting the war criminals off the hook and providing the media with far too easy a wrap up. Much neater than trying to unravel the Gordian knot of AIDS activism, the Byzantine infighting and turf protection, the in-your-face bad manners of those who wouldn't go quietly. The quilted dead made for prettier sound bites, especially effective at zeroing in on the "innocent" victims, the kids and the hemophiliacs. At the same time there began to appear a certain overview phenomenon under the general rubric of AIDS-and-the-Arts. Typically these were hand-wringing accounts of the impact of so much cultured dying, lamenting for instance the White Way silence left by Michael Bennett, the songs unsung. This litany was something of a mixed bag, bringing under the same umbrella the likes of Way Bandy and Halston, Miss Kitty and Keith Haring. Though it was surely true what Fran Lebowitz so scathingly observed If you removed all of the homosexuals and homosexual influence from what is generally regarded as American culture, you would be pretty much left with 'Let's Make a Deal.' these roundups of the arts tended to foster in the general populace ever new heights of Not me.
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Paul Monette (Last Watch of the Night: Essays Too Personal and Otherwise)
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a Keith Haring wristwatch,
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Brad Meltzer (The Escape Artist (Escape Artist #1))
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Individuality is the enemy of this mass society. Individuality speaks for the individual and makes him a significant factor. Art is individuality.
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Keith Haring (Keith Haring Journals)
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Inspire kids to think big, work hard, give back!
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Kay Haring (Keith Haring: The Boy Who Just Kept Drawing)
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Every five years or so, my life catches me completely off guard and my inner voice starts screwing around. I have come to accept these phases, and, despite numerous initial doubts, I treat them seriously. Each phase centres on the suggestion of a major life change, regardless of whether I think I am happy at that precise time or not. These are not, initially, conscious decisions. My inner voice proposes that I’m unhappy and, to resolve this, suggests I make some alterations, presents some hare-brained idea from nowhere, lays the cards on the table and demands a decision. As ludicrous as the cards seem, and despite my protestations, they gradually start to nibble away at my sanity until my hesitation dwindles and, most of the time, I happily accept this new idea.
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Keith Foskett (High and Low: How I Hiked Away From Depression Across Scotland (Outdoor Adventure Book 6))
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It wouldn’t matter if you lived until you were seventy-five, there would still be things that you wished you would have accomplished. You could work for several lifetimes. If I could clone myself there will still be too much work to do, even if there were five of me. And there are no regrets, really. Part of the reason that I’m not having trouble facing the reality of death is that it’s not a limitation, in a way. It could have happened any time and it is going to happen to someone any time. If you live your life according to that, death is irrelevant. Everything I’m doing right now is exactly what I want to do.
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Brad Gooch (Radiant: The Life and Line of Keith Haring)
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He decided to call his birthday event the Party of Life, implying a celebration not just of his own birth but of everyone’s birth and of life itself.
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Brad Gooch (Radiant: The Life and Line of Keith Haring)