Keats Quotes

Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul?

Heard melodies are sweet, but those unheard, are sweeter

I almost wish we were butterflies and liv'd but three summer days - three such days with you I could fill with more delight than fifty common years could ever contain.

You should date a girl who reads. Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve. Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn. She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book. Buy her another cup of coffee. Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice. It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does. She has to give it a shot somehow. Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world. Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two. Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series. If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are. You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype. You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads. Or better yet, date a girl who writes.

Give me books, French wine, fruit, fine weather and a little music played out of doors by somebody I do not know.

The poetry of the earth is never dead.

Touch has a memory.

A thing of beauty is a joy forever.

Nothing ever becomes real 'til it is experienced.

I am certain of nothing but the holiness of the Heart's affections and the truth of the Imagination.

We are going to die, and that makes us the lucky ones. Most people are never going to die because they are never going to be born. The potential people who could have been here in my place but who will in fact never see the light of day outnumber the sand grains of Arabia. Certainly those unborn ghosts include greater poets than Keats, scientists greater than Newton. We know this because the set of possible people allowed by our DNA so massively exceeds the set of actual people. In the teeth of these stupefying odds it is you and I, in our ordinariness, that are here.We privileged few, who won the lottery of birth against all odds, how dare we whine at our inevitable return to that prior state from which the vast majority have never stirred?

I have good reason to be content, for thank God I can read and perhaps understand Shakespeare to his depths.

I am in that temper that if I were under water I would scarcely kick to come to the top.

I have been astonished that men could die martyrs for their religion-- I have shuddered at it, I shudder no more. I could be martyred for my religion. Love is my religion and I could die for that. I could die for you. My Creed is Love and you are its only tenet.

A thing of beauty is a joy for ever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing.

Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know

The only means of strengthening one's intellect is to make up one's mind about nothing -- to let the mind be a thoroughfare for all thoughts.

Tis "the witching time of night", / Orbed is the moon and bright, / And the stars they glisten, glisten, / Seeming with bright eyes to listen —

Life is but a day; A fragile dew-drop on its perilous way From a tree’s summit.

Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on.

When you read, don't just consider what the author thinks, consider what you think

I want a brighter word than bright

My heart aches, a drowsy numbness pains as if of hemlock I had drunk." Ode To A NIghtengale, John Keats

You are always new. The last of your kisses was even the sweetest; the last smile the brightest; the last movement the gracefullest.

My love is selfish. I cannot breathe without you.

Carpe Diem,” Keating whispered loudly. “Seize the day. Make your lives extraordinary.

Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a musèd rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad In such an ecstasy!

I have so much of you in my heart.

I was never afraid of failure; for I would sooner fail than not be among the greatest.

My imagination is a monastery, and I am its monk

Whatever the imagination seizes as Beauty must be truth -whether it existed before or not

We read fine things but never feel them to the full until we have gone the same steps as the author.

I wish I was either in your arms full of faith, or that a Thunder bolt would strike me.

Women don't want all that. Women just want a partner who is considerate and attentive, who will spoon with them while reciting Keats, and feed them organic yogurt by candlelight on a seaside cliff at sunset.

There is nothing stable in the world; uproar's your only music.

Now a soft kiss - Aye, by that kiss, I vow an endless bliss.

Two souls with but a single thought, Two hearts that beat as one!

I died for beauty, but was scarce Adjusted in the tomb, When one who died for truth was lain In an adjoining room. He questioned softly why I failed? “For beauty,” I replied. “And I for truth,—the two are one; We brethren are,” he said. And so, as kinsmen met a night, We talked between the rooms, Until the moss had reached our lips, And covered up our names.

It ought to come like the leaves to the trees, or it better not come at all.

Here lies one whose name was writ on water.

If poetry comes not as naturally as the leaves to a tree it had better not come at all.

My mind has been the most discontented and restless one that ever was put into a body too small for it.

The excellence of every Art is its intensity.

Carpe diem.Seize the day, boys. Make your lives extraordinary

Bright star, would I were steadfast as thou art— Not in lone splendour hung aloft the night And watching, with eternal lids apart, Like nature's patient, sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth's human shores, Or gazing on the new soft-fallen mask Of snow upon the mountains and the moors— No—yet still stedfast, still unchangeable, Pillow'd upon my fair love's ripening breast, To feel for ever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever—or else swoon to death. Bright Star

I cannot exist without you - I am forgetful of every thing but seeing you again - my Life seems to stop there - I see no further. You have absorb'd me. I have a sensation at the present moment as though I were dissolving... I have been astonished that Men could die Martyrs for religion - I have shudder'd at it - I shudder no more - I could be martyr'd for my Religion - Love is my religion - I could die for that - I could die for you. My creed is Love and you are its only tenet - You have ravish'd me away by a Power I cannot resist.

A thing of beauty is a joy forever: Its loveliness increases; It will never Pass into nothingness.

Don't be discouraged by a failure. It can be a positive experience. Failure is, in a sense, the highway to success, inasmuch as every discovery of what is false leads us to seek earnestly after what is true, and every fresh experience points out some form of error which we shall afterwards carefully avoid.

I wish to believe in immortality-I wish to live with you forever.

O for a life of Sensations rather than of Thoughts!

It keeps eternal whisperings around desolate shores

I have met with women whom I really think would like to be married to a Poem and to be given away by a Novel.

Dancing music, music sad, Both together, sane and mad…

You cannot conceive how I ache to be with you: how I would die for one hour...

To feel forever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever-or else swoon in death.

was it a vision or a waking dream? Fled is that music--do I wake or sleep?

Like a mermaid in sea-weed, she dreams awake, trembling in her soft and chilly nest.

Thou art a dreaming thing, A fever of thyself.

Show me the heart unfettered by foolish dreams, and I'll show you a happy man." Keating: "But only in their dreams can men be truly free. 'Twas always thus, and always thus will be.

We have woven a web, you and I, attached to this world but a separate world of our own invention.

John Keats / John Keats / John / Please put your scarf on.

Touch has a memory. O say, love, say, What can I do to kill it and be free?

My chest of books divide amongst my friends--

You have absorb'd me. I have a sensation at the present moment as though I was dissolving.

Nothing ever becomes real till experienced – even a proverb is no proverb until your life has illustrated it

If I should die, I have left no immortal work behind me — nothing to make my friends proud of my memory — but I have loved the principle of beauty in all things, and if I had had time I would have made myself remembered.

O Solitude! if I must with thee dwell, Let it not be among the jumbled heap Of murky buildings; climb with me the steep,— Nature’s observatory—whence the dell, Its flowery slopes, its river’s crystal swell, May seem a span; let me thy vigils keep ’Mongst boughs pavillion’d, where the deer’s swift leap Startles the wild bee from the fox-glove bell. But though I’ll gladly trace these scenes with thee, Yet the sweet converse of an innocent mind, Whose words are images of thoughts refin’d, Is my soul’s pleasure; and it sure must be Almost the highest bliss of human-kind, When to thy haunts two kindred spirits flee.

He is simply a shiver looking for a spine to run up.

I bade good morrow, And thought to leave her far away behind; But cheerly, cheerly, She loves me dearly; She is so constant to me, and so kind. - To Sorrow

The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.

Vanish. Pass into nothingness: the Keats line that frightened her. Fade as the blue nights fade, go as the brightness goes. Go back into the blue. I myself placed her ashes in the wall. I myself saw the cathedral doors locked at six. I know what it is I am now experiencing. I know what the frailty is, I know what the fear is. The fear is not for what is lost. What is lost is already in the wall. What is lost is already behind the locked doors. The fear is for what is still to be lost. You may see nothing still to be lost. Yet there is no day in her life on which I do not see her.

The creature has a purpose, and his eyes are bright with it.

Fade far away, dissolve, and quite forget...

And when thou art weary I'll find thee a bed, Of mosses and flowers to pillow thy head.

I will clamber through the clouds and exist.

I scarcely remember counting upon happiness—I look not for it if it be not in the present hour—nothing startles me beyond the moment. The setting sun will always set me to rights, or if a sparrow come before my Window I take part in its existence and pick about the gravel.

You are always new. THe last of your kisses was ever the sweetest; the last smile the brightest; the last movement the gracefullest. When you pass'd my window home yesterday, I was fill'd with as much admiration as if I had then seen you for the first time...Even if you did not love me I could not help an entire devotion to you.

I never was in love - yet the voice and the shape of a woman has haunted me these two days.

We are absurdly accustomed to the miracle of a few written signs being able to contain immortal imagery, involutions of thought, new worlds with live people, speaking, weeping, laughing. We take it for granted so simply that in a sense, by the very act of brutish routine acceptance, we undo the work of the ages, the history of the gradual elaboration of poetical description and construction, from the treeman to Browning, from the caveman to Keats. What if we awake one day, all of us, and find ourselves utterly unable to read? I wish you to gasp not only at what you read but at the miracle of its being readable.

it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously - I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.

You speak of Lord Byron and me; there is this great difference between us. He describes what he sees I describe what I imagine. Mine is the hardest task.

Poetry should be great and unobtrusive, a thing which enters into one's soul, and does not startle it or amaze it with itself, but with its subject.

Despite what you’ve read, your sadness is not beautiful. No one will see you in the bookstore, curled up with your Bukowski, and want to save you. Stop waiting for a salvation that will not come from the grey-eyed boy looking for an annotated copy of Shakespeare, for an end to your sadness in Keats. He coughed up his lungs at 25, and flowery words cannot conceal a life barely lived. Your life is fragile, just beginning, teetering on the violent edge of the world. Your sadness will bury you alive, and you are the only one who can shovel your way out with hardened hands and ragged fingernails, bleeding your despair into the unforgiving earth. Darling, you see, no heroes are coming for you. Grab your sword, and don your own armor.

I never knew before, what such a love as you have made me feel, was; I did not believe in it; my Fancy was afraid of it, lest it should burn me up. But if you will fully love me, though there may be some fire, 'twill not be more than we can bear when moistened and bedewed with Pleasures.

Through buried paths, where sleepy twilight dreams The summer time away.

Silence is God's first language; everything else is a poor translation.

Every form of happiness is private. Our greatest moments are personal, self-motivated, not to be touched. The things which are sacred or precious to us are the things we withdraw from promiscuous sharing. But now we are taught to throw everything within us into public light and common pawing. To seek joy in meeting halls. We haven't even got a word for the quality I mean--for the self-sufficiency of man's spirit. It's difficult to call it selfishness or egotism, the words have been perverted, they've come to mean Peter Keating. Gail, I think the only cardinal evil on earth is that of placing your prime concern within other men. I've always demanded a certain quality in the people I liked. I've always recognized it at once--and it's the only quality I respect in men. I chose my friends by that. Now I know what it is. A self-sufficient ego. Nothing else matters.

I must choose between despair and Energy──I choose the latter.

Then on the shore Of the wide world I stand alone, and think Till love and fame to nothingness do sink.

Ask yourself my love whether you are not very cruel to have so entrammelled me, so destroyed my freedom. Will you confess this in the Letter you must write immediately, and do all you can to console me in it — make it rich as a draught of poppies to intoxicate me —write the softest words and kiss them that I may at least touch my lips where yours have been. For myself I know not how to express my devotion to so fair a form: I want a brighter word than bright, a fairer word than fair.

Finally, to hinder the description of illness in literature, there is the poverty of the language.  English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache.  It has all grown one way.  The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry.  There is nothing ready made for him.  He is forced to coin words himself, and, taking his pain in one hand, and a lump of pure sound in the other (as perhaps the people of Babel did in the beginning), so to crush them together that a brand new word in the end drops out.  Probably it will be something laughable.

When I have fears that I may cease to be Before my pen has glean’d my teeming brain, Before high piled books, in charact’ry, Hold like rich garners the full-ripen’d grain; When I behold, upon the night’s starr’d face, Huge cloudy symbols of a high romance, And think that I may never live to trace Their shadows, with the magic hand of chance; And when I feel, fair creature of an hour! That I shall never look upon thee more, Never have relish in the faery power Of unreflecting love!—then on the shore Of the wide world I stand alone, and think Till Love and Fame to nothingness do sink. When I Have Fears That I May Cease To Be

This living hand, now warm and capable Of earnest grasping, would, if it were cold And in the icy silence of the tomb, So haunt thy days and chill thy dreaming nights That thou would wish thine own heart dry of blood, So in my veins red life might stream again, And thou be conscience-calm'd. See, here it is-- I hold it towards you.

My love has made me selfish. I cannot exist without you – I am forgetful of everything but seeing you again – my Life seems to stop there – I see no further. You have absorb’d me. I have a sensation at the present moment as though I was dissolving – I should be exquisitely miserable without the hope of soon seeing you … I have been astonished that Men could die Martyrs for religion – I have shudder’d at it – I shudder no more – I could be martyr’d for my Religion – Love is my religion – I could die for that – I could die for you.

The Fourth Sign of The Zodiac (Part 3) by Mary Oliver I know, you never intended to be in this world. But you’re in it all the same. So why not get started immediately. I mean, belonging to it. There is so much to admire, to weep over. And to write music or poems about. Bless the feet that take you to and fro. Bless the eyes and the listening ears. Bless the tongue, the marvel of taste. Bless touching. You could live a hundred years, it’s happened. Or not. I am speaking from the fortunate platform of many years, none of which, I think, I ever wasted. Do you need a prod? Do you need a little darkness to get you going? Let me be as urgent as a knife, then, and remind you of Keats, so single of purpose and thinking, for a while, he had a lifetime. Mary oliver

We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, "O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled with the foolish; what good amid these, O me, O life?" Answer. That you are here - that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play *goes on* and you may contribute a verse. What will your verse be?

I want to share something Virginia Woolf wrote: 'English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache...The merest schoolgirl when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry.' And we're such language-based creatures that to some extent we cannot know what we cannot name. And so we assume it isn't real. We refer to it with catch-all terms, like crazy or chronic pain, terms that both ostracize and minimize. The term chronic pain captures nothing of the grinding, constant, ceaseless,inescapable hurt. And the term crazy arrives at us with none of the terror and worry you live with. Nor do either of those terms connote the courage people in such pains exemplify, which is why I'd ask you to frame your mental health around a word other than crazy.

Bright star, would I were stedfast as thou art-- Not in lone splendour hung aloft the night And watching, with eternal lids apart, Like nature's patient, sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth's human shores, Or gazing on the new soft-fallen mask Of snow upon the mountains and the moors-- No--yet still stedfast, still unchangeable, Pillow'd upon my fair love's ripening breast, To feel for ever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever--or else swoon to death. Glanzvoller Stern! wär ich so stet wie du, Nicht hing ich nachts in einsam stolzer Pracht! SchautŽ nicht mit ewigem Blick beiseite zu, Einsiedler der Natur, auf hoher Wacht Beim Priesterwerk der Reinigung, das die See, Die wogende, vollbringt am Meeresstrand; Noch starrt ich auf die Maske, die der Schnee Sanft fallend frisch um Berg und Moore band. Nein, doch unwandelbar und unentwegt MöchtŽ ruhn ich an der Liebsten weicher Brust, Zu fühlen, wie es wogend dort sich regt, Zu wachen ewig in unruhiger Lust, Zu lauschen auf des Atems sanftes Wehen - So ewig leben - sonst im Tod vergehen!

A thing of beauty is a joy for ever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing. Therefore, on every morrow, are we wreathing A flowery band to bind us to the earth, Spite of despondence, of the inhuman dearth Of noble natures, of the gloomy days, Of all the unhealthy and o'er-darkn'd ways Made for our searching: yes, in spite of all, Some shape of beauty moves away the pall From our dark spirits. Such the sun, the moon, Trees old and young, sprouting a shady boon For simple sheep; and such are daffodils With the green world they live in; and clear rills That for themselves a cooling covert make 'Gainst the hot season; the mid-forest brake, Rich with a sprinkling of fair musk-rose blooms: And such too is the grandeur of the dooms We have imagined for the mighty dead; An endless fountain of immortal drink, Pouring unto us from the heaven's brink.

Shed no tear! oh, shed no tear! The flower will bloom another year. Weep no more! oh, weep no more! Young buds sleep in the root’s white core. Dry your eyes! oh, dry your eyes! For I was taught in Paradise To ease my breast of melodies,— Shed no tear. Overhead! look overhead! ‘Mong the blossoms white and red— Look up, look up! I flutter now On this fresh pomegranate bough. See me! ’tis this silvery bill Ever cures the good man’s ill. Shed no tear! oh, shed no tear! The flower will bloom another year. Adieu, adieu—I fly—adieu! I vanish in the heaven’s blue,— Adieu, adieu! - Fairy Song