Kate Chopin Quotes

We've searched our database for all the quotes and captions related to Kate Chopin. Here they are! All 50 of them:

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The voice of the sea speaks to the soul.
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Kate Chopin (The Awakening)
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She wanted something to happen - something, anything: she did not know what.
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Kate Chopin
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Perhaps it is better to wake up after all, even to suffer, rather than to remain a dupe to illusions all one's life.
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Kate Chopin (The Awakening, and Selected Stories (Modern Library College Editions))
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The voice of the sea is seductive, never ceasing, whispering, clamoring, murmuring, inviting the soul to wander in abysses of solitude.
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Kate Chopin (The Awakening)
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but whatever came, she had resolved never again to belong to another than herself.
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Kate Chopin (The Awakening)
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She was becoming herself and daily casting aside that fictitious self which we assume like a garment with which to appear before the world.
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Kate Chopin (The Awakening)
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There were days when she was unhappy, she did not know why,--when it did not seem worthwhile to be glad or sorry, to be alive or dead; when life appeared to her like a grotesque pandemonium and humanity like worms struggling blindly toward inevitable annihilation.
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Kate Chopin
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The bird that would soar above the level plain of tradition and prejudice must have strong wings. It is a sad spectacle to see the weaklings bruised, exhausted, fluttering back to earth.
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Kate Chopin (The Awakening)
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I would give up the unessential; I would give up my money, I would give up my life for my children; but I wouldn't give myself. I can't make it more clear; it's only something I am beginning to comprehend, which is revealing itself to me.
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Kate Chopin (The Awakening)
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The bird that would soar above the level plain of tradition and prejudice must have strong wings.
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Kate Chopin (The Awakening)
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Even as a child she had lived her own small life within herself. At a very early period she had apprehended instinctively the dual life - that outward existence which conforms, the inward life which questions.
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Kate Chopin (The Awakening)
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The artist must possess the courageous soul that dares and defies
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Kate Chopin (The Awakening and Selected Stories)
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He could see plainly that she was not herself. That is, he could not see that she was becoming herself and daily casting aside that fictitious self which we assume like a garment with which to appear before the world.
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Kate Chopin (The Awakening)
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We shall be everything to each other. Nothing else shall be of any consequence.
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Kate Chopin (The Awakening)
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The delicious breath of rain was in the air.
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Kate Chopin
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She missed him the days when some pretext served to take him away from her, just as one misses the sun on a cloudy day without having thought much about the sun when it was shining.
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Kate Chopin (The Awakening and Selected Stories)
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Goodbye -- Because I love you.
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Kate Chopin (The Awakening)
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It was not despair, but it seemed to her as if life were passing by, leaving its promises broken and unfulfilled. Yet there were other days when she listened, was led on and deceived by fresh promises which her youth had held out to her.
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Kate Chopin (The Awakening)
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The past was nothing to her; offered no lesson which she was willing to heed. The future was a mystery which she never attempted to penetrate. The present alone was significant.
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Kate Chopin
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The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inward contemplation. The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace.
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Kate Chopin (The Awakening)
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She turned her face seaward to gather in an impression of space and solitude, which the vast expanse of water, meeting and melting with the moonlit sky, conveyed to her excited fancy. As she swam she seemed to be reaching out for the unlimited in which to lose herself.
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Kate Chopin (The Awakening)
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A certain light was beginning to dawn dimly within her,β€”the light which, showing the way, forbids it.
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Kate Chopin (The Awakening)
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There were days when she was very happy without knowing why. She was happy to be alive and breathing, when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day. She liked then to wander alone into strange and unfamiliar places. She discovered many a sunny, sleepy corner, fashioned to dream in. And she found it good to dream and to be alone and unmolested. There were days when she was unhappy, she did not know whyβ€”when it did not seem worth while to be glad or sorry, to be alive or dead; when life appeared to her like a grotesque pandemonium and humanity like worms struggling blindly toward inevitable annihilation.
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Kate Chopin (The Awakening)
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She's got some sort of notion in her head concerning the eternal rights of women.
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Kate Chopin (The Awakening)
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But the beginning of things, of a world especially, is necessarily vague, chaotic, and exceedingly disturbing. How few of us ever emerge from such beginning! How many souls perish in its tumult! The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inward contemplation. The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace.
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Kate Chopin (The Awakening)
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There was a dull pang of regret because it was not the kiss of love which had inflamed her, because it was not love which had held this cup of life to her lips.
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Kate Chopin (The Awakening)
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There was no despondency when she fell asleep that night; nor was there hope when she awoke in the morning.
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Kate Chopin (The Awakening)
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Who can tell what metals the gods use in forging the subtle bond which we call sympathy, which we might as well call love.
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Kate Chopin (The Awakening)
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At a very early period she had apprehended the instinctively the dual life - that outward existence which conforms, the inward life which questions.
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Kate Chopin
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one who awakens gradually out of a dream, a delicious, grotesque, impossible dream, to feel again the realities pressing into her soul
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Kate Chopin (The Awakening)
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She was moved by a kind of commiseration... a pity for that colorless existence which never uplifted its possessor beyond the region of blind contentment, in which no moment of anguish ever visited her soul, in which she would never have the taste of life's delirium.
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Kate Chopin (The Awakening)
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She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves.
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Kate Chopin (The Awakening)
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The morning was full of sunlight and hope.
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Kate Chopin (The Awakening)
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She was still under the spell of her infatuation. She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing.
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Kate Chopin (The Awakening)
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When the doctors came they said she had died of heart disease - of the joy that kills.
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Kate Chopin (The Story of an Hour)
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when I left her to-day, she put her arms around me and felt my shoulder blades, to see if my wings were strong, she said. 'The bird that would soar above the level plain of tradition and prejudice must have strong wings. It is a sad spectacle to see the weaklings bruised, exhausted, fluttering back to earth.'Β 
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Kate Chopin (The Awakening)
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Does he write to you? Never a line. Does he send you a message? Never a word. It is because he loves you, poor fool, and is trying to forget you, since you are not free to listen to him or to belong to him.
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Kate Chopin (The Awakening)
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Perhaps it is better to wake up after all, even to suffer, rather than to remain a dupe to illusions all one’s life.
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Kate Chopin (The Awakening)
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You have been a very foolish boy, wasting your time dreaming of impossible things when you speak of Mr. Pontellier setting me free! I am no longer one of Mr. Pontelliere's possessions to dispose of or not. I give myself where I choose. If he were to say, 'Here Robert, take her and be happy; she is yours,' I should laugh at you both.
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Kate Chopin (The Awakening)
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She was flushed and felt intoxicated with the sound of her own voice and the unaccustomed taste of candor. It muddled her like wine, or like a first breath of freedom.
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Kate Chopin (The Awakening)
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There are some people who leave impressions not so lasting as the imprint of an oar upon the water.
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Kate Chopin (The Awakening)
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No, I only think you cruel, as I said the other day. Maybe not intentionally cruel; but you seem to be forcing me into disclosures which can result in nothing; as if you would have me bare a wound for the pleasure of looking at it, without the intention or power of healing it.
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Kate Chopin (The Awakening)
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I don't mind walking. I always feel so sorry for women who don't like to walk; they miss so much--so many rare little glimpses of life; and we women learn so little of life on the whole.
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Kate Chopin (The Awakening)
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To be an artist includes much; one must possess many gift -absolute gifts- which have not been acquired by one's effort. And, moreover, to succeed, the artist must possess the courageous soul.
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Kate Chopin (The Awakening)
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There would be no one there to live for her during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistance with which men and women believe they have a right to impose a private will upon a fellow-creature. A kind intention or a cruel intention made the act seem no less a crime as she looked upon it in that brief moment of illumination.
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Kate Chopin (The Story of an Hour)
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Why?" asked her companion. "Why do you love him when you ought not to?" Edna, with a motion or two, dragged herself on her knees before Mademoiselle Reisz, who took the glowing face between her two hands. "Why? Because his hair is brown and grows away from his temples; because he opens and shuts his eyes, and his nose is a little out of drawing; because he has two lips and a square chin, and a little finger which he can't straighten from having played baseball too energetically in his youth. Because - " "Because you do, in short," laughed Mademoiselle.
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Kate Chopin (The Awakening)
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In short, Mrs. Pontellier was beginning to realize her position in the universe as a human being, and to recongize her relations as an individual to the world within and about her. This may seem like a ponderous weight of wisdom to descend upon the soul of a young woman of twenty-eight - perhaps more wisdom than the Holy Ghost is usually pleased to vouchsafe to any woman.
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Kate Chopin (The Awakening)
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For the first time, she recognized the symptoms of infatuation which she had felt incipiently as a child, as a girl in her early teens, and later as a young woman. The recognition did not lessen the reality, the poignancy of the revelation by any suggestion or promise of instability. The past was nothing to her; offered no lesson which she was willing to heed. The future was a mystery which she never attempted to penetrate. The present alone was significant; was hers, to torture her as it was doing then with the biting conviction that she had lost that which she had held, she had been denied that which her impassioned, newly awakened being demanded.
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Kate Chopin (The Awakening)
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there would be no powerful will binding hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow creature…And yet she had loved him- sometimes. Often she had not. What did it matter! What could love, the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being.
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Kate Chopin (The Story of an Hour)
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Some people are born with a vital and responsive energy. It not only enables them to keep abreast of the times; it qualifies them to furnish in their own personality a good bit of the motive power to the mad pace. They are fortunate beings. They do not need to apprehend the significance of things. They do not grow weary nor miss step, nor do they fall out of rank and sink by the wayside to be left contemplating the moving procession. Ah! that moving procession that has left me by the road-side! Its fantastic colors are more brilliant and beautiful than the sun on the undulating waters. What matter if souls and bodies are failing beneath the feet of the ever-pressing multitude! It moves with the majestic rhythm of the spheres. Its discordant clashes sweep upward in one harmonious tone that blends with the music of other worlds--to complete God's orchestra. It is greater than the stars--that moving procession of human energy; greater than the palpitating earth and the things growing thereon. Oh! I could weep at being left by the wayside; left with the grass and the clouds and a few dumb animals. True, I feel at home in the society of these symbols of life's immutability. In the procession I should feel the crushing feet, the clashing discords, the ruthless hands and stifling breath. I could not hear the rhythm of the march. Salve! ye dumb hearts. Let us be still and wait by the roadside.
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Kate Chopin (The Awakening)