Kansas City Chiefs Quotes

Sigsby One. Kansas City Chiefs.

a 1960 self-published broadside, A Business Man Looks at Communism, Koch claimed that “the Communists have infiltrated both the Democrat [sic] and Republican Parties.” Protestant churches, public schools, universities, labor unions, the armed services, the State Department, the World Bank, the United Nations, and modern art, in his view, were all Communist tools. He wrote admiringly of Benito Mussolini’s suppression of Communists in Italy and disparagingly of the American civil rights movement. The Birchers agitated to impeach Chief Justice Earl Warren after the Supreme Court voted to desegregate the public schools in the case Brown v. Board of Education, which had originated in Topeka, in the Kochs’ home state of Kansas. “The colored man looms large in the Communist plan to take over America,” Fred Koch claimed in his pamphlet. Welfare in his view was a secret plot to attract rural blacks to cities, where he predicted that they would foment “a vicious race war.” In a 1963 speech, Koch claimed that Communists would “infiltrate the highest offices of government in the U.S. until the President is a Communist, unknown to the rest of us.

The inhabitants of the place came to call this ethos the “Kansas City Spirit,” the idea that something small would become something grand if only the people believed.

Varner must have recognized quickly that Markel was exactly the kind of person that Charles Koch was searching for to fill the corporate ranks. If there is a single example of the prototypical Koch employee, it was Lynn Markel. He was born and raised on a farm outside of Dodge City, Kansas, so he was accustomed to a seven-day workweek. He attended Kansas State University and had no illusions that a college degree conferred on him anything more than the right to work hard for a living. After graduating, he became an officer in the US Air Force, where he served for four years, so he learned to think of himself as part of a larger organization and put the needs of his teammates before his own. Markel had moved to Wichita right after his stint in the air force to work as a financial controller with the Cessna Aircraft Company. Working for a large, publicly traded firm hadn’t agreed with Markel. There was a lot of bureaucracy to contend with; he wanted to be more entrepreneurial. He left Cessna and joined a large real estate firm that was expanding rapidly. But that firm went bust, and Markel landed in his current job as chief financial officer for the chain of television stations.

The Jacksonville Jaguars felt they already had their future with Blake Bortles and took running back Leonard Fournette instead. The Jets were okay with Geno Smith and Josh McCown and instead took safety Jamal Adams. The Bengals decided to hold onto Andy Dalton and drafted wide receiver John Ross.i It was like heaven for the Kansas City Chiefs.

Chiefs Kingdom Anthem October 3, 2024 at 11:04 AM (Verse 1) We’re gearing up on game day, Kansas City Chiefs, ready to fight. With Mahomes and Kelce, we’re on a roll, The crowd’s on fire, the lights are bright. (Chorus) Arrowhead’s rocking, what a sight, Three-peat to the Super Bowl, feels so right. Kansas City Chiefs, let’s go, let’s go, In Chiefs Kingdom, we steal the show. (Verse 2) From the tailgates to the final play, Red and gold, we’re here to stay. With every touchdown, the crowd goes wild, In this heartland, we’re running miles. (Chorus) Arrowhead’s rocking, what a sight, Three-peat to the Super Bowl, feels so right. Kansas City Chiefs, let’s go, let’s go, In Chiefs Kingdom, we steal the show. (Bridge) Through the highs and the lows, we stand tall, With our team, we’ve got it all. From the first snap to the final score, In Chiefs Kingdom, we roar for more. (Chorus) Arrowhead’s rocking, what a sight, Three-peat to the Super Bowl, feels so right. Kansas City Chiefs, let’s go, let’s go, In Chiefs Kingdom, we steal the show. (Outro) Kansas City, we’re proud and strong, In Chiefs Kingdom, we all belong. With Mahomes and Kelce, leading the way, We’re the Chiefs, and we’re here to stay.

Dungy sees something that no one else does. He sees proof that his plan is starting to work. Tony Dungy had waited an eternity for this job. For seventeen years, he prowled the sidelines as an assistant coach, first at the University of Minnesota, then with the Pittsburgh Steelers, then the Kansas City Chiefs, and then back to Minnesota with the Vikings. Four times in the past decade, he had been invited to interview for head coaching positions with NFL teams. All four times, the interviews hadn’t gone well. Part of the problem was Dungy’s coaching philosophy. In his job interviews, he would patiently explain his belief that the key to winning was changing players’ habits. He wanted to get players to stop making so many decisions during a game, he said. He wanted them to react automatically, habitually. If he could instill the right habits, his team would win. Period. “Champions don’t do extraordinary things,” Dungy would explain. “They do ordinary things, but they do them without thinking, too fast for the other team to react. They follow the habits they’ve learned.” How, the owners would ask, are you going to create those new habits? Oh, no, he wasn’t going to create new habits, Dungy would answer. Players spent their lives building the habits that got them to the NFL. No athlete is going to abandon those patterns simply because some new coach says to. So rather than creating new habits, Dungy was going to change players’ old ones. And the secret to changing old habits was using what was already inside players’ heads. Habits are a three-step loop—the cue, the routine, and the reward—but Dungy only wanted to attack the middle step, the routine. He knew from experience that it was easier to convince someone to adopt a new behavior if there was something familiar at the beginning and end.3.5 His coaching strategy embodied an axiom, a Golden Rule of habit change that study after study has shown is among the most powerful tools for creating change. Dungy recognized that you can never truly extinguish bad habits. Rather, to change a habit, you must keep the old cue, and deliver the old reward, but insert a new routine. That’s the rule: If you use the same cue, and provide the same reward, you can shift the routine and change the habit. Almost any behavior can be transformed if the cue and reward stay the same.

Boogie Woogie to the Superbowl New Country, Rock and roll August 18, 2024 at 9:00 AM (Verse 1) We’re gearing up on game day, Kansas City Chiefs, ready to fight. With Mahomes and Kelce, we’re on a roll, Boogie woogie to the Super Bowl. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Verse 2) The crowd’s on fire, the lights are bright, Arrowhead’s rocking, what a sight. With every pass and every throw, Boogie woogie to the Superbowl. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Bridge) From the first down to the final play, We’re bringing the heat, come what may. With Mahomes leading, and Kelce too, There’s nothing this team can’t do. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Outro) So raise your voices, let 'em hear, Kansas City Chiefs, this is our year. With every cheer and every goal, Boogie woogie to the Superbowl.

Boogie Woogie to the Superbowl August 18, 2024 at 9:00 AM (Verse 1) We’re gearing up on game day, Kansas City Chiefs, ready to fight. With Mahomes and Kelce, we’re on a roll, Boogie woogie to the Super Bowl. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Verse 2) The crowd’s on fire, the lights are bright, Arrowhead’s rocking, what a sight. With every pass and every throw, Boogie woogie to the Superbowl. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Bridge) From the first down to the final play, We’re bringing the heat, come what may. With Mahomes leading, and Kelce too, There’s nothing this team can’t do. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Outro) So raise your voices, let 'em hear, Kansas City Chiefs, this is our year. With every cheer and every goal, Boogie woogie to the Superbowl.

Chiefs Kingdom Forever” (Verse 1) We’re Kansas City Chiefs fans born and raised, True and blue, we stand amazed, Mahomes and Kelce, leading the way, With their trick plays, they light up the day. (Chorus) We’re goin’ for three in a row, To the Super Bowl, let’s go, let’s go! Chiefs Kingdom, loud and proud, We’ll cheer 'em on, in every crowd. (Verse 2) From Arrowhead to the big stage, Our team’s the best, we set the gauge, With every pass and every run, We’re in it till the game is won. (Chorus) We’re goin’ for three in a row, To the Super Bowl, let’s go, let’s go! Chiefs Kingdom, loud and proud, We’ll cheer 'em on, in every crowd. (Bridge) Through the highs and the lows, In the rain, in the snow, We’re Chief fans till the end, With our team, we’ll always stand. (Chorus) We’re goin’ for three in a row, To the Super Bowl, let’s go, let’s go! Chiefs Kingdom, loud and proud, We’ll cheer 'em on, in every crowd. (Outro) So raise your voices, let it be known, In Chiefs Kingdom, we’ve found our home, Mahomes and Kelce, leading the way, We’re Chiefs fans, come what may.

(Verse 1) We’re gearing up, on game day, Kansas City Chiefs, ready to fight. With Mahomes and Kelce, we’re on a roll, Boogie woogie to the Super Bowl. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Verse 2) The crowd’s on fire, the lights are bright, Arrowhead’s rocking, what a sight. With every pass and every throw, Boogie woogie to the Superbowl. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Bridge) From the first down to the final play, We’re bringing the heat, come what may. With Mahomes leading, and Kelce too, There’s nothing this team can’t do. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Outro) So raise your voices, let 'em hear, Kansas City Chiefs, this is our year. With every cheer and every goal, Boogie woogie to the Superbowl.

Boogie Woogie to the Superbowl” (Verse 1) We’re gearing up, on game day, Kansas City Chiefs, ready to fight. With Mahomes and Kelce, we’re on a roll, Boogie woogie to the Super Bowl. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Verse 2) The crowd’s on fire, the lights are bright, Arrowhead’s rocking, what a sight. With every pass and every throw, Boogie woogie to the Superbowl. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Bridge) From the first down to the final play, We’re bringing the heat, come what may. With Mahomes leading, and Kelce too, There’s nothing this team can’t do. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Outro) So raise your voices, let 'em hear, Kansas City Chiefs, this is our year. With every cheer and every goal, Boogie woogie to the Superbowl.

There, at 5650 Ward Parkway, Pendergast hired a Nichols architect to design him an ostentatious mansion that was near equal parts French Regency, Italian Renaissance, and American Prairie.

General Hospital No. 2, a public hospital that served the Black working class and poor. The community held the hospital in high regard despite political corruption and racist policies stunting its development. Its all-Black administration and staff were a first for a municipal hospital in the United States, and the hospital’s training programs were nationally recognized. Around one-third to one-half of the country’s Black medical school graduates in the 1920s found internships in Kansas City and St. Louis.

Sure, you could grab a drink during Prohibition in plenty of cities, but Kansas City stood out for its blatant disregard of federal law. Most of the bars weren’t even speakeasies. At the Chesterfield Club in downtown, naked waitresses—with their pubic hair shaved to represent diamonds, hearts, clubs, or spades—served cocktails to distinguished businessmen.

As America suffered from the Depression, Kansas City soared, thanks to the Ten-Year Plan. “In Kansas City,” said Conrad Mann, the president of the chamber of commerce, “we are building the greatest inland city the world has ever seen.” New skyscrapers sprouted from the ground every year, and jazz clubs rollicked into the morning, at a time when, as one agent put it, the rest of the country “couldn’t afford three dollars a night for a musician.” Pendergast liked to think generosity was at the core of his power. When a British parliamentarian named Marjorie Graves visited his Main Street office in 1933, he told her he helped “the poor through our organizations.” It was true that Tom’s Town was built on undervalued workers—immigrants, Black labor, the poor. “The Boss” hosted a fancy dinner for the needy every Christmas and kept quarters in his pockets for the homeless. By the early 1930s, with police brutality against the Black community on the rise, Pendergast seized control of the Kansas City Police Department, taking it back from the state of Missouri, which had assumed leadership in the Civil War era. Pendergast assigned staffing oversight to “Brother John” Lazia, the leader of the Fifth Democratic Ward and a charismatic crime boss, and when dozens more loyal Pendergast supporters were appointed to the force, The Kansas City Call reported that police brutality had declined. But Pendergast’s Ten-Year Plan funds rarely made it to Black communities, and the occasional gifts from his patronage system masked the need for lasting racial reforms.

The city had never been more corrupt, with local government by fiat and the threat of political violence never far away, and, strangely, it had never been more relevant. Under the watchful eye of Pendergast, Walt Disney opened Laugh-O-Gram Studios near Thirty-First and Troost Avenue. Cub reporter Ernest Hemingway wrote short, declarative sentences at The Kansas City Star (abiding by the paper’s house style). Nell Donnelly popularized gingham for American mothers and built a fashion empire. Baseball stars Paige and O’Neil turned the Kansas City Monarchs into a Negro Leagues powerhouse. Homer B. Roberts invested profits to open another car dealership in Chicago. Even Pendergast’s detractors fed off his power. During his reign, local boosters were crazy enough to talk about Kansas City becoming a city of one million people, more than double its size. It still felt like the city could turn into something great, following the trajectory of the many jazz musicians who passed through. Basie stuck around for nine years. Kansas City, in his eyes, was “a cracker town but a happy town.

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