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As I had studied the poetry of Rumi, Jami, Nizami, Hafiz and Amir Khusrau, with some difficulty in the original Persian, and with some ease in various English translations, I realised that Nanak had absorbed the ethos of Islamic poetical mysticism, inherited the belief in ecstasy of union of Baba Farid, Nizam-ud-Din Aulia and Kabir. Of
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