K Dramas Quotes

Gossip is like thread wound over a spindle of truth, changing its shape.

Buying loyalty can be as effective as fear when one’s rival is poorer than oneself.

Whither be the heart of Justice?             Lo, in stone, child. Lo, in stone.             Whither be the heart of Justice?             Lo, tis fast in stone.

Mead. O sweet elixir, Ye bless the lips and steal the wits.  

At what point does faith become insanity?

Which is the greater sin? To care too much? Or too little?

If one does not react to gossip, the informer hushes more quickly.

The early women rise before I do. Their lamps splinter the gloom of the kitchens. They chatter in whispers as they brew tea for the cooks. Windows are open to counter the heat of the ovens. Outside, the sky is as black as my soul.

This world would be a pleasant place if people didn’t inhabit it.

I saw myself driving through Eternity in a timeless taxi.

As much as his heart remained rooted here, what lay beyond his country, beyond his nation, called to him like a cord buried deep within, pulling taut, drawing him away.

Wait, Korban, are you vexed?" "That woman, she confounds, and insults me." "Women can perplex as easily as changing a cloak." "The princess is delicate, not like our women." "Yes, she is very delicate, pretty like a sweet flower." "Well, I care not for her. I will think no more about her, ever.

No man, no matter how smart or strong, can compete with a motivated woman.

One of the largest barbarians spouted after donning Trantan royalty clothing, "I would be a great nobleman. I look splendid.

Pretty isn’t permanent.

Mary Miracle would always recall with clarity the moment she decided to kill her husband.

Karen was radiant in a beautiful blue gown. Even her mother, for once, had said so. “Not just pretty, honey—you reek of class. Like Princess Grace from Morocco,” she’d said, beaming at her daughter.

From the start, I told you! We should’a just handled this ourselves. You should’ve handled it the way my daddy would’ve.” She paused, looking at Tom, and lowered her voice, “Just like Crockett.

It’s a divorce, not cancer.

This evening I spied her in the back orchard. I decided to sacrifice one of my better old shirts and carried it out to her. The weather’s been warm of late. Buds on the apple trees are ready to burst. Usually by this time of the year, at that time of day, the back orchard is full of screaming children. Damut’s boys were the only two. They were on the terrace below her, running through the slanted sunlight, chasing each other around tree trunks. She stood above them, like a merlin watching rabbits play.

He was shy in her presence the next morning, his brittle spirit quenched enough not to shatter. The children did not see the ghost she saw, only his longed-for presence.

Are you saying these Christians believe we will never be good enough to marry their daughters because of our race?

I led you here, only to bring you into something I would have spared you. Could I have known we would have what we dreamed of, only to watch it taken away?

If only their life could continue as it was it would be enough. It had always been enough for her, but never enough to keep him from righting wrongs of far wider consequences.

It is true we enjoy self-government, but we live in fear. We find ourselves in the paw of a lion. Convenience may induce him to crush us, and with a faint struggle, we may cease to be.

He was her fire, had always been from the start, his burning, radiant spirit, a beacon worthy of following.

Now the ash of their aspirations lay bitter on his tongue. He was certain he would not have done differently, but oh, if only he had known how briefly the taste of the possible would be sweet on his lips.

Yes, he is a fluent and forward young man, with a great deal of Indian Pride. If only his heart were subdued by Divine grace, he might be exceedingly useful to his people.

After the princess challenged the Field Marshall of all Tranta, Korban had to speak to her. "Princess, have you thought about this challenge? You could have benefitted from much more training and practice." "I know that, Korban. I'm not stupid. This bloated man hasn't had a serious fight in...forever. I think I can win, even in my infant stage of martial skills.

I sometimes think with Moliere, Mr. Ridge, that ‘there is no folly equal to he who attempts to mend the world.’” A single, unsuppressed laugh escaped him. “Yes,” he reluctantly replied, “but I cannot but help to attempt it, nonetheless.

The summer of 2019 had overstayed its welcome in Florida, lingering well into September. As if to make a point about global warming, the rabid sun scorched the waters of Biscayne Bay for weeks, generating a haze of humidity that blurred the line between the windless sea and the sky above. Not to be accused of playing favorites, the sun’s rays beat down on the land with equal spite, pummeling grass, palms, and bushes into limp submission. The heat weaponized asphalt roads and cement sidewalks, the shimmery mirages above them a clear warning to all living things to stay away or burn.

There was nothing between the ranch and the nearest town except a windy, two-lane mountain road edged with pine trees, meadows, cliffs and boulders. No Dairy Queen, no Circle K, nothing.

They stood in the pool of lantern light, the house still around them. She placed a hand to calm his still heaving chest, the heat of his body fresh from travel. The coolness of her hand made him start, then he pulled her close. It was more than her body he needed.

It was golden hour in Tarrytown. An incandescent sun cast long shadows that pointed in unison toward nightfall. Birds sang. But their melodies were drowned out by crescendos of cicadas’ chattering. Not to be outdone, the wind came and went in gusts, rising up and across the hills from the lake below. As it did, it blew through the trees agitating the millions of leaves in the canopy, the rustle and crackle of which drew the eyes upward, where an infinite canvas of burnt orange and purple was visible through the branches of proud oaks.

Hi, Anya. Can I join you?" Anya looked up from her meal with a dour expression. "I'm not a blond." An obvious statement, it made no sense without a context. She added, "I'm not a twig." "You're not a twig, that's also true." He gave her a smile, curious where this was going.

Family is the theatre of the spiritual drama, the place where things happen, especially the things that matter.

Megan placed the eye loupe over the toile. Hoping to decipher the texture and composition she moved the loupe ever so meticulously. “This is so detailed.” A blue green eyeball suddenly stared back at her and blinked. Megan gasped.

Taking a deep breath, I am about to shout for Glenna when Moira says, No need to yell. Just use the k’bug, dear.
Oh. That’s better than alerting the whole monastery.

Peter muttered, shaking his head in dismay. "Megan is some piece of work. I was a little worried that guy she supplied to Anya would try to throw-down. He was one of those bodybuilder types that stand in front of the mirror all day admiring themselves." Christy replied, "I know the type. They can't believe all people aren't equally in love with their muscles. Most of them can't even finish a sentence, or put down their muscle magazines.

Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.  The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become. As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.  She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale. Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?” I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.  “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”             I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”  I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank. “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”   I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”   So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.

All the towering materialism which dominates the modern mind rests ultimately upon one assumption; a false assumption. It is supposed that if a thing goes on repeating itself it is probably dead; a piece of clockwork. People feel that if the universe was personal it would vary; if the sun were alive it would dance. This is a fallacy even in relation to known fact. For the variation in human affairs is generally brought into them, not by life, but by death; by the dying down or breaking off of their strength or desire. A man varies his movements because of some slight element of failure or fatigue. He gets into an omnibus because he is tired of walking; or he walks because he is tired of sitting still. But if his life and joy were so gigantic that he never tired of going to Islington, he might go to Islington as regularly as the Thames goes to Sheerness. The very speed and ecstacy of his life would have the stillness of death. The sun rises every morning. I do not rise every morning; but the variation is due not to my activity, but to my inaction. Now, to put the matter in a popular phrase, it might be true that the sun rises regularly because he never gets tired of rising. His routine might be due, not to a lifelessness, but to a rush of life. The thing I mean can be seen, for instance, in children, when they find some game or joke that they specially enjoy. A child kicks his legs rhythmically through excess, not absence, of life. Because children have abounding vitality, because they are in spirit fierce and free, therefore they want things repeated and unchanged. They always say, “Do it again”; and the grown-up person does it again until he is nearly dead. For grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, “Do it again” to the sun; and every evening, “Do it again” to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God makes every daisy separately, but has never got tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we. The repetition in Nature may not be a mere recurrence; it may be a theatrical ENCORE. Heaven may ENCORE the bird who laid an egg. If the human being conceives and brings forth a human child instead of bringing forth a fish, or a bat, or a griffin, the reason may not be that we are fixed in an animal fate without life or purpose. It may be that our little tragedy has touched the gods, that they admire it from their starry galleries, and that at the end of every human drama man is called again and again before the curtain. Repetition may go on for millions of years, by mere choice, and at any instant it may stop. Man may stand on the earth generation after generation, and yet each birth be his positively last appearance.

This has been a novel about some people who were punished entirely too much for what they did. They wanted to have a good time, but they were like children playing in the street; they could see one after another of them being killed--run over, maimed, destroyed--but they continued to play anyhow. We really all were very happy for a while, sitting around not toiling but just bullshitting and playing, but it was for such a terrible brief time, and then the punishment was beyond belief: even when we could see it, we could not believe it. For example, while I was writing this I learned that the person on whom the character Jerry Fabin is based killed himself. My friend on whom I based the character Ernie Luckman died before I began the novel. For a while I myself was one of these children playing in the street; I was, like the rest of them, trying to play instead of being grown up, and I was punished. I am on the list below, which is a list of those to whom this novel is dedicated, and what became of each. Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car. You would call that not a disease but an error in judgment. When a bunch of people begin to do it, it is a social error,a life-style. In this particular life-style the motto is "Be happy now because tomorrow you are dying," but the dying begins almost at once, and the happiness is a memory. It is, then, only a speeding up, an intensifying, of the ordinary human existence. It is not different from your life-style, it is only faster. It all takes place in days or weeks or months instead of years. "Take the cash and let the credit go," as Villon said in 1460. But that is a mistake if the cash is a penny and the credit a whole lifetime. There is no moral in this novel; it is not bourgeois; it does not say they were wrong to play when they should have toiled;it just tells what the consequences were. In Greek drama they were beginning, as a society, to discover science, which means causal law. Here in this novel there is Nemesis: not fate, because any one of us could have chosen to stop playing in the street, but, as I narrate from the deepest part of my life and heart, a dreadful Nemesis for those who kept on playing. I myself,I am not a character in this novel; I am the novel. So, though, was our entire nation at this time. This novel is about more people than I knew personally. Some we all read about in the newspapers. It was, this sitting around with our buddies and bullshitting while making tape recordings, the bad decision of the decade, the sixties, both in and out of the establishment. And nature cracked down on us. We were forced to stop by things dreadful. If there was any "sin," it was that these people wanted to keep on having a good time forever, and were punished for that, but, as I say, I feel that, if so, the punishment was far too great, and I prefer to think of it only in a Greek or morally neutral way, as mere science, as deterministic impartial cause-and-effect. I loved them all. Here is the list, to whom I dedicate my love: To Gaylene deceased To Ray deceased To Francy permanent psychosis To Kathy permanent brain damage To Jim deceased To Val massive permanent brain damage To Nancy permanent psychosis To Joanne permanent brain damage To Maren deceased To Nick deceased To Terry deceased To Dennis deceased To Phil permanent pancreatic damage To Sue permanent vascular damage To Jerri permanent psychosis and vascular damage . . . and so forth. In Memoriam. These were comrades whom I had; there are no better. They remain in my mind, and the enemy will never be forgiven. The "enemy" was their mistake in playing. Let them all play again, in some other way, and let them be happy.

When I opened the last [401k] statement, I jumped out of the window. True, it was the kitchen window and I only fell two feet, so the whole scene lacked drama, but I thought that was the required reaction to extreme financial turmoil in America. And I am nothing if not patriotic.

I think I realized a lot of things. When it comes to loving yourself, I think it’s about asking yourself a lot of questions and learning more about who you are. I think that’s the foundation and beginning of learning to love yourself” - Jimin told fans what he learned about loving yourself.

Simon had the child's belief that the rest of the world exists as staging for their personal drama; destiny hung over him, casting clues and signs in his path, and he could not help feeling that ha had been vouchsafed a sign, a celestial wink.

All the great groups that stood about the Cross represent in one way or another the great historical truth of the time; that the world could not save itself. Man could do no more. Rome and Jerusalem and Athens and everything else were going down like a sea turned into a slow cataract. Externally indeed the ancient world was still at its strongest; it is always at that moment that the inmost weakness begins. But in order to understand that weakness we must repeat what has been said more than once; that it was not the weakness of a thing originally weak. It was emphatically the strength of the world that was turned to weakness and the wisdom of the world that was turned to folly. In this story of Good Friday it is the best things in the world that are at their worst. That is what really shows us the world at its worst. It was, for instance, the priests of a true monotheism and the soldiers of an international civilisation. Rome, the legend, founded upon fallen Troy and triumphant over fallen Carthage, had stood for a heroism which was the nearest that any pagan ever came to chivalry. Rome had defended the household gods and the human decencies against the ogres of Africa and the hermaphrodite monstrosities of Greece. But in the lightning flash of this incident, we see great Rome, the imperial republic, going downward under her Lucretian doom. Scepticism has eaten away even the confident sanity of the conquerors of the world. He who is enthroned to say what is justice can only ask: ‘What is truth?’ So in that drama which decided the whole fate of antiquity, one of the central figures is fixed in what seems the reverse of his true role. Rome was almost another name for responsibility. Yet he stands for ever as a sort of rocking statue of the irresponsible. Man could do no more. Even the practical had become the impracticable. Standing between the pillars of his own judgement-seat, a Roman had washed his hands of the world.

EVERYONE WHO CAN should write a memoir, whether for publication or just to deposit in a drawer or beam to the cloud. There is drama in every life. Fame is irrelevant to one’s worth and can sometimes be an obstacle to an appropriate appreciation of others. Further, the effort to reflect on our opportunities and choices is, for all of us, a challenge worth attempting.

These were the girls who had boyfriends. Not girls with keratosis on their upper arms, or morning breath, or who spent an inordinate number of evenings watching K dramas with their dads, or … girls who at the age of seventeen still hadn’t had boyfriends.

A life of ease and plenty dangled over his head like a great bulging pinata, which he might smash open if only he had a stick big enough, and the knowledge of when to strike. Simon had the child's belief that the rest of the world exists as staging for their personal drama; that destiny hung over him, casting clues and signs in his path, and he could not help feeling that he had been vouchsafed a sign, a celestial wink.

Everyone’s so soft, everyone’s so sensitive. Do i offend you? Your hanging on my sentences.

There’s another thing you’ve got to remember. You talk about these highbrows having a higher art and a more philosophical drama. But remember what a lot of the philosophy is! Remember what sort of conduct those highbrows often present to the highest! All about the Will to Power and the Right to Live and the Right to Experience — damned nonsense and more than damned nonsense — nonsense that can damn.” Father

Připadám si jako slepice, k terá vyseděla orly; sedím při zemi a kdákám strachy, když jeden po druhém vyletují. Někdy si říkám: to nesmíš, nesmíš být tak malodušná, nesmíš jim překážet – Richarde, to je hrozné, co se z člověka stane, když je mámou!

Nostramo. A lawless and sunless place. It burned not because it was guilty but because we failed to keep it innocent. Our laws failed the moment we sailed away to the stars and in desperate embarrassment our father incinerated the evidence of his failure.

But in order that life should be a story or romance to us, it is necessary that a great part of it, at any rate, should be settled for us without our permission. If we wish life to be a system, this may be a nuisance; but if we wish it to be a drama, it is an essential. It may often happen, no doubt, that a drama may be written by somebody else which we like very little. But we should like it still less if the author came before the curtain every hour or so, and forced on us the whole trouble of inventing the next act. A man has control over many things in his life; he has control over enough things to be the hero of a novel. But if he had control over everything, there would be so much hero that there would be no novel. And the reason why the lives of the rich are at bottom so tame and uneventful is simply that they can choose the events. They are dull because they are omnipotent. They fail to feel adventures because they can make the adventures. The thing which keeps life romantic and full of fiery possibilities is the existence of these great plain limitations which force all of us to meet the things we do not like or do not expect.

We can’t let him win. Even if it takes fifty years, or a hundred. You can’t let the bad guys win. It’s not acceptable.” For Hodda, life is drama. It falls into a set number of clearly defined categories: tragedy, comedy, romance, burlesque, farce. If it’s a comedy, the good guys win and everybody gets married. If it’s a tragedy, the good guys win but everybody dies. But you can’t let the bad guys win. Nobody’s going to pay to see that. Me, I don’t care about the bad guys, so long as they keep the hell away from me. When they get too close, in my face, I tell lies and run away. That means I’ll never be a hero, but I don’t mind that. I do character parts and impersonations.

I feel as if I’ve stepped into a scene from a K-drama. The main characters are Jaewoo, the stalwart class president, and Sori, the chaebol daughter of a huge entertainment company, which I guess would make Nathaniel and I the disreputable American side characters, there to disturb the otherwise idyllic life of the leads.

Merry Christmas," said George. "Don't go downstairs for a bit." "Why not?" said Ron. "Mum's crying again," said Fred heavily. "Percy sent back his Christmas jumper." [I guess that's a sweater, though my jury is still out on it until I get a future confirmation.] "Without a not," added George. "Hasn't asked how Dad is or visit him [in the hospital] or anything..." "We tried to comfort her," said Fred, moving around the bed to look at Harry's portrait. "Told her Percy's nothing but a humongous pile of rat droppings--" "--didn't work," said George, helping himself to a Chocolate Frog. "So Lupin took over. Best let him cheer her up before we go down for breakfast, I reckon.

Your 1% can be someone's 99%

Dobrý recept je jako dobré drama: čím méně řečí, tím lepší jádro.

Destination Kampala! Africa’s postcolonial renaissance.” There would have been few other places in the world where there was such an excitement about new literature, new ideas, and new politics. The inspiration arrived at this conference for a new publishing imprint of literary titles called the African Writers Series, which was soon launched by Heinemann in the U.K., with Achebe as the series editor. The excitement reached as far as my high school in Dar, where literary competitions were held, new drama was produced, and a parade of literary luminaries passed through, including Chinua Achebe.

Our meetinghouses are designed so that we may enjoy socials, dancing, drama, even sports. All of these are important. But these auxiliary activities should be subdued when compared with what the world is doing.

Here's one way that we try to actively and immediately bring in kindness in our meetings and camps: we ask our girls to stop before they speak and reevaluate what they're going to say based on this acronym: True Honest Important Necessary Kind Is what they're out to say True? Is it Honest? Is it Important? Necessary Kind? We ask the to T.H.I.N.K. before they speak text, or type, and try to incorporate it into their daily lives -- especially within their interactions with their friends and classmates -- as much as possible. It's a choice girls can make: Do they want to encourage others with their words, or bring others down? You might think this won't resonate with your middle school girl, but I promise that it works. It's not about self-editing or asking her not to speak her truth, of course; it's about thinking of others too.

We sit here, three silhouettes carved from electronic sleet in the difference storm, and you talk like a cheap period drama. Limited vision, lieutenant, limited vision. Where is the voice that said altered carbon would free us from the cells of our flesh? The vision that said we would be angels.

Didn’t know you liked K-dramas.” “Yeah, I’ve been waiting for this stupid guy to kiss this chick for about ten episodes, and if something doesn’t happen soon, I’m writing an email to the producers.” “It’s subtitled, and it’s a romance? Wow.” He takes in my open mouth. “I won’t judge you for eating a pound of bread when we met, and you don’t judge me for my K-dramas.

Terrorism is theater. Its real targets are not the innocent victims but the spectators. Those on the political side of the dead are to be frightened, intimidated, cowed, perhaps drawn into ugly retaliation that will spoil their image among the disinterested, who in turn are to be impressed with the desperate vitality and significance of the movement behind the terrorism. Those on the side of the gunmen, the bombers, the hijackers, are to be encouraged that the cause is alive. The goal of terrorism is not to deplete the ranks of an army, to destroy an enemy’s weapons, or to capture a military objective. It seeks an impact on attitudes, and so it must be spectacular. It relies on drama, it thrives on attention, it carries within it the seeds of contagion.

True space opera is epic in scale and personal with characters. It is about people taking on something bigger than themselves and their struggles to prevail. Though a setting beyond Earth is central, being on a spaceship or visiting another planet isn’t the only qualifier. There must also be drama and sufficiently large scope to elevate a tale from being simply space-based to being real space opera.

Sometime after midnight, another band of soldiers broke into the tiny chapel in the Imperial Park which had become Rasputin’s tomb and exhumed the coffin. They took it to a clearing in the forest, pried off the lid and, using sticks to avoid touching the putrefying corpse, lifted what remained of Rasputin onto a pile of pine logs. The body and logs were drenched with gasoline and set on fire. For more than six hours, the body burned while an icy wind howled through the clearing and clouds of pungent smoke rose from the pyre. Along with the soldiers, a group of peasants gathered, silent and afraid, to watch through the night as the final scene of this baleful drama was played. It had happened as Rasputin once predicted: he would be killed and his body not left in peace, but burned, with his ashes scattered to the winds.

As adherents to A.A. precepts know, there are many ways to conceive of a higher power. For the humanist, one needs to respect the collective “greater good” of society. For the non-deist scientist it might be recognizing the nature and complexity of the physical universe that leads to humbly identifying oneself as a relatively insignificant character in a grand cosmic drama. Most of us have a deep, abiding sense that there is something bigger than us.

From Chloe's Secret--coming soon “What are you saying?” “I’m saying I want to have a relationship with you. I want to love you.” “Is there a ‘but’ coming next?” “But the funny thing is, when I didn’t want to love you—it happened anyway.” He slipped his arms into my back pockets and hugged the breath out of me. I choked, my eyes stung. “I don’t know what to say.” He smiled. “Say whatever you want to. Just because I said it, you don’t have to.” He was right; I didn’t have to. He wasn’t asking anything of me.

The life of man is a story; an adventure story; and in our vision the same is true even of the story of God. The Catholic faith is the reconciliation because it is the realisation both of mythology and philosophy. It is a story and in that sense one of a hundred stories; only it is a true story. It is a philosophy and in that sense one of a hundred philosophies; only it is a philosophy that is like life. But above all, it is a reconciliation because it is something that can only be called the philosophy of stories. That normal narrative instinct which produced all the fairy tales is something that is neglected by all the philosophies—except one. The Faith is the justification of that popular instinct; the finding of a philosophy for it or the analysis of the philosophy in it. Exactly as a man in an adventure story has to pass various tests to save his life, so the man in this philosophy has to pass several tests and save his soul. In both there is an idea of free will operating under conditions of design; in other words, there is an aim and it is the business of a man to aim at it; we therefore watch to see whether he will hit it. Now this deep and democratic and dramatic instinct is derided and dismissed in all the other philosophies. For all the other philosophies avowedly end where they begin; and it is the definition of a story that it ends differently; that it begins in one place and ends in another. From Buddha and his wheel to Akhen Aten and his disc, from Pythagoras with his abstraction of number to Confucius with his religion of routine, there is not one of them that does not in some way sin against the soul of a story. There is none of them that really grasps this human notion of the tale, the test, the adventure; the ordeal of the free man. Each of them starves the story-telling instinct, so to speak, and does something to spoil human life considered as a romance; either by fatalism (pessimist or optimist) and that destiny that is the death of adventure; or by indifference and that detachment that is the death of drama; or by a fundamental scepticism that dissolves the actors into atoms; or by a materialistic limitation blocking the vista of moral consequences; or a mechanical recurrence making even moral tests monotonous; or a bottomless relativity making even practical tests insecure. There is such a thing as a human story; and there is such a thing as the divine story which is also a human story; but there is no such thing as a Hegelian story or a Monist story or a relativist story or a determinist story; for every story, yes, even a penny dreadful or a cheap novelette, has something in it that belongs to our universe and not theirs. Every short story does truly begin with creation and end with a last judgement.

The biggest fear for homeschooled children is that they will be unable to relate to their peers, will not have friends, or that they will otherwise be unable to interact with people in a normal way. Consider this: How many of your daily interactions with people are solely with people of your own birth year?  We’re not considering interactions with people who are a year or two older or a year or two younger, but specifically people who were born within a few months of your birthday. In society, it would be very odd to section people at work by their birth year and allow you to interact only with persons your same age. This artificial constraint would limit your understanding of people and society across a broader range of ages. In traditional schools, children are placed in grades artificially constrained by the child’s birth date and an arbitrary cut-off day on a school calendar. Every student is taught the same thing as everyone else of the same age primarily because it is a convenient way to manage a large number of students. Students are not grouped that way because there is any inherent special socialization that occurs when grouping children in such a manner. Sectioning off children into narrow bands of same-age peers does not make them better able to interact with society at large. In fact, sectioning off children in this way does just the opposite—it restricts their ability to practice interacting with a wide variety of people. So why do we worry about homeschooled children’s socialization?  The erroneous assumption is that the child will be homeschooled and will be at home, schooling in the house, all day every day, with no interactions with other people. Unless a family is remotely located in a desolate place away from any form of civilization, social isolation is highly unlikely. Every homeschooling family I know involves their children in daily life—going to the grocery store or the bank, running errands, volunteering in the community, or participating in sports, arts, or community classes. Within the homeschooled community, sports, arts, drama, co-op classes, etc., are usually sectioned by elementary, pre-teen, and teen groupings. This allows students to interact with a wider range of children, and the interactions usually enhance a child’s ability to interact well with a wider age-range of students. Additionally, being out in the community provides many opportunities for children to interact with people of all ages. When homeschooling groups plan field trips, there are sometimes constraints on the age range, depending upon the destination, but many times the trip is open to children of all ages. As an example, when our group went on a field trip to the Federal Reserve Bank, all ages of children attended. The tour and information were of interest to all of the children in one way or another. After the tour, our group dined at a nearby food court. The parents sat together to chat and the children all sat with each other, with kids of all ages talking and having fun with each other. When interacting with society, exposure to a wider variety of people makes for better overall socialization. Many homeschooling groups also have park days, game days, or play days that allow all of the children in the homeschooled community to come together and play. Usually such social opportunities last for two, three, or four hours. Our group used to have Friday afternoon “Park Day.”  After our morning studies, we would pack a picnic lunch, drive to the park, and spend the rest of the afternoon letting the kids run and play. Older kids would organize games and play with younger kids, which let them practice great leadership skills. The younger kids truly looked up to and enjoyed being included in games with the older kids.

It was G. K. Chesterton who kept alive the spirit of Kierkegaard and naïve Christianity in modern thought, as when he showed with such style that the characteristics the modern mind prides itself on are precisely those of madness.46 There is no one more logical than the lunatic, more concerned with the minutiae of cause and effect. Madmen are the greatest reasoners we know, and that trait is one of the accompaniments of their undoing. All their vital processes are shrunken into the mind. What is the one thing they lack that sane men possess? The ability to be careless, to disregard appearances, to relax and laugh at the world. They can’t unbend, can’t gamble their whole existence, as did Pascal, on a fanciful wager. They can’t do what religion has always asked: to believe in a justification of their lives that seems absurd. The neurotic knows better: he is the absurd, but nothing else is absurd; it is “only too true.” But faith asks that man expand himself trustingly into the nonlogical, into the truly fantastic. This spiritual expansion is the one thing that modern man finds most difficult, precisely because he is constricted into himself and has nothing to lean on, no collective drama that makes fantasy seem real because it is lived and shared.

Poirot asked: ‘Whatdo you see so plainly? The witnesses? The counsel? The judge? The accused standing in the dock?’ Fogg said quietly: ‘That’s the reason, of course! You’ve put your finger on it. I shall always seeher…Funny thing, romance. She had the quality of it. I don’t know if she was really beautiful…She wasn’t very young-tired looking-circles under her eyes. But it all centered round her. The interest-the drama. And yet, half the time,she wasn’t there. She’d gone away somewhere, quite far away-just left her body there, quiescent, attentive, with the little polite smile on her lips. She was all half tones, you know, lights and shades. And yet, with it all, she was more alive than the other-that girl with the perfect body, and the beautiful face, and the crude young strength. I admired Elsa Greer because she had guts, because she could fight, because she stood up to her tormentors and never quailed! But I admired Caroline Crale because she didn’t fight, because she retreated into her world of half lights and shadows. She was never defeated because she never gave battle.’ He paused: ‘I’m only sure of one thing. She loved the man she killed. Loved him so much that half of her died with him…’ Mr Fogg, K.C., paused and polished his glasses. ‘Dear me,’ he said. ‘I seem to be saying some very strange things! I was quite a young man at the time, you know. Just an ambitious youngster. These things make an impression. But all the same I’m sure that Caroline Crale was a very remarkable woman. I shall never forget her. No-I shall never forget her…

Real Quick" [Intro:] Valuable lesson, man I had to grow up That's why I never ask for help I'll do it for you niggaz and do it for myself [Chorus:] I go 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga! [50 Cent:] I'll run my blade 'cross a nigga ass {"real quick"} I'm so for real I'm on some real real nigga shit You playin boy I'll get you hit {"real quick"} You better hope the parademics come {"real quick"} Got me fucked up you think it's different now a nigga rich Before I get to cuttin know you niggaz better cut the shit Boy, you gon' have ya head popped, pull a trigger for me And my lil' niggaz trigger op' like it's legal homie No game when I bang, boy I empty the clip You run like a bitch, you ain't 'bout that shit Hey hey hey hey, I'll catch you another day day day day It's the Unit back to the bullshit [Tony Yayo:] Yeah! Nothin in life is out of bounds AK hold about a hundred rounds 60 shots like K.D. at the Rucker's Okay! When I see you on respirators Southside nigga 'til the day I'm gone Indulge in the violence when the drama on Yeah, these rap niggaz lukewarm I'm two sleeves of dope, when the mic on [Chorus] [Kidd Kidd:] Real quick, Rida Gang fuck nigga, huh! Don't Tweet me, see me when you see me Down to make the news just to say that I'm on TV (Kidd Kidd) This clip rated R, niggaz PG Them shells burn like a bootleg CD (huh?) Fuck love, I want the money When you get too much of it they gon' say you actin funny "Kidd, how you feel now that the Unit's back?" Like a million bucks, muh'fucker do the math! [Young Buck:] Cold-blooded, boy my heart don't feel shit Get with me, ask 50, I'll take the hit {"real quick"} Balenciagas, you can still get ya ass kicked Take a rapper nigga bitch and make a real flick I know I'm different from what you usually be dealin with Don't need a mic, give me some white to make a million with Single borough, six shots on the Brooklyn Bridge I'll let the nigga Drake tell you what I just did (yeah) [Chorus] [Lloyd Banks:] Nigga gettin money new to you (uh) I give a fuck if shit get ugly, there'll be a beautiful funeral You fit the script I'm gon' assume it's true Can't manuever through the street without a strategy, ain't nobody to tutor you And man was lucky Unit's through, you know why he flows 15 years, switchin dealers like casinos And my goon'll clip you on the arm (uhh) I'm out the country every week and dumpin ash out on the Autobahn Auto-pilot's always on Rather better livin, I've been [?] green bills callin me all day long This is homicide, more tears in your mama eyes More reason to wake up, real niggaz arrive [Chorus]

I am sure that it was only because Michael Angelo was engaged in the ancient and honourable occupation of lying in bed that he ever realised how the roof of the Sistine Chapel might be made into an awful imitation of a divine drama that could only be acted in the heavens.

Todd Billings has articulated the dynamics of theological interpretation in a way that resonates with my account of Derrida’s emphasis on context and communal criteria for what constitutes a “good” interpretation. As Billings winsomely puts it, the ecclesial and theological interpretation of Scripture invites us into “the spacious and yet specified place of wrestling with, chewing on, and performing Scripture.”[422] The generous boundaries (spacious yet specified) of ecclesial interpretation constitute a context for interpreting well, and for knowing what counts as “good” interpretation. Billings captures this dynamic well: Christian readers occupy a spacious territory when they come to know the inexhaustible power of the Spirit’s word through Scripture, a word that is both strangely close to us and yet always meeting us anew as a stranger. Our imaginations need rejuvenation so that we can perceive the wide, expansive drama of salvation into which God incorporates us as readers of Scripture. Yet, as Christians, we also interpret Scripture from a specified location. We are not simply modern individuals looking at an ancient text, or members of a social club looking to an instruction manual on how to make the church run more effectively. We are people who interpret Scripture “in Christ,” as those united to the living Christ by the Holy Spirit’s mediation and power.[423] Such a stipulation of the church (and the canon) as the context for “good” scriptural interpretation is completely consistent with Derrida’s account of iterability and decontextualization.

Real Quick [Intro:] Valuable lesson, man I had to grow up That's why I never ask for help I'll do it for you niggaz and do it for myself [Chorus:] I go 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga! [50 Cent:] I'll run my blade 'cross a nigga ass {"real quick"} I'm so for real I'm on some real real nigga shit You playin boy I'll get you hit {"real quick"} You better hope the parademics come {"real quick"} Got me fucked up you think it's different now a nigga rich Before I get to cuttin know you niggaz better cut the shit Boy, you gon' have ya head popped, pull a trigger for me And my lil' niggaz trigger op' like it's legal homie No game when I bang, boy I empty the clip You run like a bitch, you ain't 'bout that shit Hey hey hey hey, I'll catch you another day day day day It's the Unit back to the bullshit [Tony Yayo:] Yeah! Nothin in life is out of bounds AK hold about a hundred rounds 60 shots like K.D. at the Rucker's Okay! When I see you on respirators Southside nigga 'til the day I'm gone Indulge in the violence when the drama on Yeah, these rap niggaz lukewarm I'm two sleeves of dope, when the mic on [Chorus] [Kidd Kidd:] Real quick, Rida Gang fuck nigga, huh! Don't Tweet me, see me when you see me Down to make the news just to say that I'm on TV (Kidd Kidd) This clip rated R, niggaz PG Them shells burn like a bootleg CD (huh?) Fuck love, I want the money When you get too much of it they gon' say you actin funny "Kidd, how you feel now that the Unit's back?" Like a million bucks, muh'fucker do the math! [Young Buck:] Cold-blooded, boy my heart don't feel shit Get with me, ask 50, I'll take the hit {"real quick"} Balenciagas, you can still get ya ass kicked Take a rapper nigga bitch and make a real flick I know I'm different from what you usually be dealin with Don't need a mic, give me some white to make a million with Single borough, six shots on the Brooklyn Bridge I'll let the nigga Drake tell you what I just did (yeah) [Chorus] [Lloyd Banks:] Nigga gettin money new to you (uh) I give a fuck if shit get ugly, there'll be a beautiful funeral You fit the script I'm gon' assume it's true Can't manuever through the street without a strategy, ain't nobody to tutor you And man was lucky Unit's through, you know why he flows 15 years, switchin dealers like casinos And my goon'll clip you on the arm (uhh) I'm out the country every week and dumpin ash out on the Autobahn Auto-pilot's always on Rather better livin, I've been [?] green bills callin me all day long This is homicide, more tears in your mama eyes More reason to wake up, real niggaz arrive [Chorus]

Prot: I'm not tired. Brewer: I am. Prot: Perhaps you're getting too much sleep. All your beings seem to sleep a lot. Is that because it's so awful to be awake?

In order that life should be a story or romance to us, it is necessary that a great part of it, at any rate, should be settled for us without our permission. If we wish life to be a system, this may be a nuiseance; but if we wish it to be a drama, it is an essential. It may often happen, no doubt, that a drama may be written by somebody else which we like very little. But we should like it still less if the author came before the curtain every hour or so, and forced on us the whole trouble of inventing the next act. A man has control over many things in his life; he has control over enough things to be the hero of a novel. But if he had control over everything, there would be so much hero that there would be no novel.

For students, the highlight of the term is role-play weekend, when they are asked to assume the identities of ambassadors, cabinet ministers, and White House officials while I am privileged to impersonate the president. Since 2017, however, I have been in denial about the presidency and so, for the purpose of role-play, insist that the chief executive’s name is “Pence.” To provide the proper setting and adequate sustenance for our drama, the classrooms are divided into a combination UN Security Council, White House Situation Room, and food court.

You add more protective blocks to your wall, thereby making it higher and higher-all of which begins to isolate you, not only from others, but from your Maker. Your False Self comes to the forefront. Your light becomes weaker and more obscured, thus, continuing to distance you from your real Source. As all of this is happening you accept the role of “actor” rather than purposely choosing that of “author” in which you consciously write your life’s drama. While Be-ing the actor you take directions from anyone and everyone- except your Maker.

A great painting should be more than a sum of technical beauty. At the Barnes, we were taught to look for delicacy, subtlety, power, surprise, grace, firmness, complexity, and drama—but to do so with a scientist’s eye. This was an important point. As an art crime investigator, or an undercover agent posing as a collector, I would have to evaluate and expound upon a wide variety of art, regardless of whether I liked a particular piece.

Maybe he's like Virgil guiding Dante through Hell and Purgatory, showing you who you are so you can start living.

I can see the internal struggle through those vibrant blue orbs, ones I've seen look at me in a way I never thought another man would. So much admiration. So much devotion. So much... love?

When he pulls away, a hint of moisture dots his own eyes. 'We'll always have Tiffany's.' I pull my lips between my teeth as I struggle to swallow through the pain in my throat. 'We'll always have Tiffany's.

So instead, I did what I’d done since I was a child—I took comfort in food. Not in a binge-eating sort of way, which wasn’t focusing at all, but grounding myself in the here and now by noticing exactly what I ate. Right now, in this hotel room in front of a gas fire, the fish was fresh and sturdy beneath its crisp breading, the chips thick and expertly salted. My pint of ale was the color of walnuts, with flavor that had been developed over centuries. Salt eddied through my mouth, grounding me, and I thought of an essay M. F. K. Fisher had written about a meal she’d eaten in Paris after getting stuck on a train. It made me feel cosmopolitan rather than lonely. For the first moment since my mother died, I felt something akin to peace. Maybe I’d write about it in the morning. But for now, it was a relief to be far away from the drama of my life, with a full belly and a sense of quiet stealing over me. As I was falling asleep, my brain fancifully tried to write limericks with fish-and-chips at the center. They were incredibly clever in my compromised state, and I told myself to remember them in the morning. It was probably just as well that I didn’t.

It's less drama when you have more M's than friends.

K-dramas are soft power in action; they subtly and overtly promote Korean values, images, and tastes to their international audience.

K-culture has the potential to be a powerful diplomatic tool. I'm convinced that the late Korean president Kim Daejung will be proven right in his prediction that Haley, not politics will bring north and south together. North Korean black marketers are literally risking their lives to smuggle in copies of South Korean videos and dramas. In 2009, a North Korean defector to the south told Time magazine that in North Korea, bootleg American movies fetched 35 cents on the black market, whereas South Korean movies cost $3.75, because the punishment for being caught with the latter is much more severe.

Elle sighed and seated herself on a couch. Collecting solid facts and enemy plans is much easier—and far more preferable—than trying to make sense of the questionable motives and drama that surround the prince.

The next morning, elements of 23 Punjab who had survived the Dogra ambush were captured. The prisoners were herded on to a bridge and I saw a captain who was their adjutant. He was older than me and I asked him if he had eaten anything. ‘No, we’ve been on the run for the last two days.’ ‘Here,’ I reached into my bag and gave the captain a fistful of shakarpara. ‘Have some,’ I said, ‘these are our emergency rations.’ He stood there looking most uncertain, almost frightened, but he made no move to eat the shakarpara. He was just staring at them. The realization hit me suddenly: he thinks they are coated with poison! I reached out and took a couple of pieces from his hand and popped them into my mouth. The captain burst into tears. The other prisoners and my men had all been watching this little drama unfold. Almost to a man, our boys dug into their kit bags and gave the Pakistanis whatever they could find, a few men even sharing their water canteens. Their adjutant looked at me and said, ‘Thank you.’ I turned to walk away, but he put his hand on my shoulder. ‘You know, I was brought up to believe Indians were the biggest bastards—demons who were cruel and would torture us before killing us. Here you people are giving us your food and water.’ Tears were still streaming down his face. There was nothing to be said, so I moved away, leaving at least one Pakistani soldier to ponder the folly of it all.

Indeed, the telos for a Christian is Christ: Jesus Christ is the very embodiment of what we're made for, of the end to which we are called....and how does this happen? By being regularly immersed in the drama of God in Christ reconciling the world to himself, which is precisely the point of Christian worship--to invite us into that story over and over again, 'character-izing' us as we rehearse the gospel drama over and over.

Chris Good evening, ladies . . . He steps into it. . . . and gentlemen and welcome to the Cornley Polytechnic Society’s spring production of The Murder at Haversham Manor. I would like to personally welcome you to what will be my directorial debut, and my first production as head of the drama society. We are particularly excited to present this play because, for the first time in the society’s history, we have managed to find a play that fits the company’s numbers perfectly. If we’re honest, a lack of numbers has hampered past productions, such as last year’s Chekov play; Two Sisters. Or last Christmas’s The Lion and the Wardrobe, and of course our summer musical, Cat. This will be the first time the society has been able to stage a play of this scale and we are thrilled. It’s no secret we usually have to contend with a small budget, as we had to in last year’s presentation of Roald Dahl’s classic, James and the Peach. Of course, during the run of that particular show the peach went off, and we were forced to present a hastily devised alternative entitled James! Where’s your Peach? Finally we’ve managed to stage a play as it should be, and cast it exceptionally well. I’m sure no one will forget the problems we’ve faced with casting before, such as 2010’s Christmas presentation of Snow White and the Tall, Broad Gentlemen, or indeed our previous year’s pantomime, another Disney classic: Ugly . . . and the Beast. But now, on with the main event, which I am confident will be our best show yet! So without any further ado, please put your hands together for Susie H.K. Brideswell’s thrilling whodunit – The Murder at Haversham Manor.

We don’t want anyone getting sick in Chung Yuna’s fine establishment. It would chase all the K-drama actors away.” He lowers his voice into a stage whisper as he waves across the room at Dohee and Chanwoo. “They’re notoriously weak-stomached.

Parents often look into the eyes of their newborn child and fantasize how this child will serve their needs. Perhaps they see the child becoming a doctor, lawyer, scientist, and doing something that will make the parents look good.

Tú, que dijiste comer mucho porque te sentías sola. Tú, que dijiste dormir mucho porque estabas aburrida. Tú, que dijiste llorar mucho porque estabas triste. Te escribo a ti. Mastica tu acorralado corazón como arroz, porque pase lo que pase, deberás aprender a digerir la vida.

The great drama of history is the tug of war between God and humanity. On one hand, God reaches out to humanity to make himself known. On the other hand, humans desperately seek to avoid knowing him. In the words of theologian Thomas K. Johnson, we “can take the account of Adam and Eve hiding from God behind a bush or tree as a metaphor for the history of the human race.” 18

You have to come try these banchan! Or I guess you've probably already tried them with your friend Sandy. But anyway! There's a kimchi made out of cucumbers stuffed with chili and onions and some kind of garlic chives? Whatever it is, it is amazing, and you must put it in your mouth right now!" I still felt bad about not answering the bartender. But when I turned back around to apologize or at least say something, he was off polishing a glass at the other end of the bar, conversing with one of the old men about the K-drama. So I went with her and put it win my mouth right then. And not just the stuffed cucumber kimchi. We ate seaweed salad with sweet vinegar, and crunchy sesame lotus root, and dried shredded squid with a spicy sauce, and steamed eggs, all with sticky white rice, and then we had bulgogi, thin grilled slices of marinated beef. It was all drool-worthy. I imagined I could taste Luke in every one: the extra shake of vinegar that took the seaweed right to the edge of being too tart but stopped just in time; the intentional lack of spice on the steamed eggs, necessary for a palate cleanser between all of the bright and spicy and sour.

Catastrophizing: Basically, being a drama queen/king. This one makes you overthink and magnify the effects that a situation has on you. Picture the soccer players that flop like theatrical fish when they barely get brushed by an opposing player. Playa, please.

F**k normal. If it means a lifetime of unhappiness, then I don't want that. -Damian Thackeray