Jupiter Rising Quotes

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I guess I believe that not everything we humans encounter in our lives can be neatly and convincingly tucked away inside the orderly cabinetry of science. Certainly most things can--including the vast majority of what people ascribe to fate, ghosts, ESP, Jupiter rising--but not all
Mary Roach (Spook: Science Tackles the Afterlife)
I shuffle through the pile of rings. “We have Jupiter, Venus, Neptune, Bacchus, Juno, Mercury, Diana, Ceres … and we have a Minerva right here.” I frown and rummage around. “Hmm. Odd. I can’t find a Pluto.” I look up at him. His eyes are different. Dead. Quiet. “Oh, there’s one.
Pierce Brown (Red Rising (Red Rising Saga, #1))
Imagine you are Siri Keeton: You wake in an agony of resurrection, gasping after a record-shattering bout of sleep apnea spanning one hundred forty days. You can feel your blood, syrupy with dobutamine and leuenkephalin, forcing its way through arteries shriveled by months on standby. The body inflates in painful increments: blood vessels dilate; flesh peels apart from flesh; ribs crack in your ears with sudden unaccustomed flexion. Your joints have seized up through disuse. You're a stick-man, frozen in some perverse rigor vitae. You'd scream if you had the breath. Vampires did this all the time, you remember. It was normal for them, it was their own unique take on resource conservation. They could have taught your kind a few things about restraint, if that absurd aversion to right-angles hadn't done them in at the dawn of civilization. Maybe they still can. They're back now, after all— raised from the grave with the voodoo of paleogenetics, stitched together from junk genes and fossil marrow steeped in the blood of sociopaths and high-functioning autistics. One of them commands this very mission. A handful of his genes live on in your own body so it too can rise from the dead, here at the edge of interstellar space. Nobody gets past Jupiter without becoming part vampire.
Peter Watts (Blindsight (Firefall, #1))
I find her asleep in a suite beside Jupiter’s own. Her golden hair is wild. Her cloak dirtier than my own. It hangs brown and gray, not white. She smells like smoke and hunger. She’s destroyed the room, upturned a dish of food, buried her dagger into the door. The Brown and Pink servants are scared of her, and me. I watch them skitter away. My distant cousins. I see them move, alien things. Like ants. So void of emotion. I feel a pang. Perspective is a wicked creature. This is how Augustus saw Eo as he killed her. An ant. No. He called her a “Red bitch.” She was like a dog in his eyes.
Pierce Brown (Red Rising (Red Rising Saga, #1))
Estates are sometimes held by foolish forms, the breaking of a stick or the payment of a peppercorn. I was willing to hold the whole huge estate of earth and heaven by any such feudal fantasy. It could not well be wilder than the fact that I was allowed to hold it at all. At this stage I give only one ethical instance to show my meaning. I could never mix in the common murmur of the rising generation against monogamy, because no restriction on sex seemed so odd and unexpected as sex itself. To be allowed, like Endymion, to make love to the moon and then to complain that Jupiter kept his own moons in a harem seemed to me (bred on fairy tales like Endymion's) a vulgar anticlimax.Keeping to one woman is a small price for so much as seeing one woman. To complain that I could only be married once was like complaining that I could only be born once. It was incommensurate with the terrible excitement of which one was talking. It showed, not an exaggerated sensibility to sex, but a curious insensibility to it. A man is a fool who complains that he cannot enter Eden by five gates at once. Polygamy is a lack of the realization of sex; it is like a man plucking five pears in mere absence of mind.
G.K. Chesterton
Vampires did this all the time, you remember. It was normal for them, it was their own unique take on resource conservation. They could have taught your kind a few things about restraint, if that absurd aversion to right-angles hadn't done them in at the dawn of civilization. Maybe they still can. They're back now, after all— raised from the grave with the voodoo of paleogenetics, stitched together from junk genes and fossil marrow steeped in the blood of sociopaths and high-functioning autistics. One of them commands this very mission. A handful of his genes live on in your own body so it too can rise from the dead, here at the edge of interstellar space. Nobody gets past Jupiter without becoming part vampire.
Peter Watts (Blindsight (Firefall, #1))
I’m the son of Jupiter!” he shouted, and just for effect, he summoned the winds, rising a few feet off the ground. “I’m a child of Rome, consul to demigods, praetor of the First Legion.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
And when we say also that the Word, who is the first-birth of God, was produced without sexual union, and that He, Jesus Christ, our Teacher, was crucified and died, and rose again, and ascended into heaven, we propound nothing different from what you believe regarding those whom you esteem sons of Jupiter. For you know how many sons your esteemed writers ascribed to Jupiter: Mercury, the interpreting word and teacher of all; Aesculapius, who, though he was a great physician, was struck by a thunderbolt, and so ascended to heaven; and Bacchus too, after he had been torn limb from limb; and Hercules, when he had committed himself to the flames to escape his toils; and the sons of Leda, and Dioscuri; and Perseus, son of Danae; and Bellerophon, who, though sprung from mortals, rose to heaven on the horse Pegasus. For what shall I say of Ariadne, and those who, like her, have been declared to be set among the stars? And what of the emperors who die among yourselves, whom you deem worthy of deification, and in whose behalf you produce some one who swears he has seen the burning Caesar rise to heaven from the funeral pyre? And what kind of deeds are recorded of each of these reputed sons of Jupiter, it is needless to tell to those who already know. This only shall be said, that they are written for the advantage and encouragement of youthful scholars; for all reckon it an honourable thing to imitate the gods. But far be such a thought concerning the gods from every well-conditioned soul, as to believe that Jupiter himself, the governor and creator of all things, was both a parricide and the son of a parricide, and that being overcome by the love of base and shameful pleasures, he came in to Ganymede and those many women whom he had violated and that his sons did like actions. But, as we said above, wicked devils perpetrated these things. And we have learned that those only are deified who have lived near to God in holiness and virtue; and we believe that those who live wickedly and do not repent are punished in everlasting fire.
Justin Martyr (The First Apology of Justin Martyr, Addressed to the Emperor Antoninus Pius; Prefaced by Some Account of the Writings and Opinions of Justin)
They were the cars at the fair that were whirling around her; no, they were the planets, while the sun stood, burning and spinning and guttering in the centre; here they came again, Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, Pluto; but they were not planets, for it was not the merry-go-round at all, but the Ferris wheel, they were constellations, in the hub of which, like a great cold eye, burned Polaris, and round and round it here they went: Cassiopeia, Cepheus, the Lynx, Ursa Major, Ursa Minor, and the Dragon; yet they were not constellations, but, somehow, myriads of beautiful butterflies, she was sailing into Acapulco harbour through a hurricane of beautiful butterflies, zigzagging overhead and endlessly vanishing astern over the sea, the sea, rough and pure, the long dawn rollers advancing, rising, and crashing down to glide in colourless ellipses over the sand, sinking, sinking, someone was calling her name far away and she remembered, they were in a dark wood, she heard the wind and the rain rushing through the forest and saw the tremours of lightning shuddering through the heavens and the horse—great God, the horse—and would this scene repeat itself endlessly and forever?—the horse, rearing, poised over her, petrified in midair, a statue, somebody was sitting on the statue, it was Yvonne Griffaton, no, it was the statue of Huerta, the drunkard, the murderer, it was the Consul, or it was a mechanical horse on the merry-go-round, the carrousel, but the carrousel had stopped and she was in a ravine down which a million horses were thundering towards her, and she must escape, through the friendly forest to their house, their little home by the sea.
Malcolm Lowry (Under the Volcano)
Ladles and Jellyspoons, all rise for...ʻTRIUMPHʼ. And by Jupiter what a triumph it is! ... For yet again the unfeasibly huge, nay the monstrously Gigantic, creative genius of the inimitable Mr. Greg Broadmore, delivers us from evil. Expanding the universe according to Dr.Grordbort, which teems with its ever growing cast of splendiferous characters, creatures, and (most importantly) weapons, and is led by the greatest bombast in the history of fiction, Lord Cockswain himself, GBʼs latest tome of magnificence once more separates the mere pretender from the true originator of fantasy art. This outing has me feeling that we have reached a tipping point in the evolution of the oeuvre, where we cannot BUT believe that this world is real, that these microscopically detailed inventions are not fanciful conceptual constructs, but an authentic a depiction as any of our Glorious past, present... and perhaps our future.
Andy Serkis
I open the bag and dump out its contents. A score of golden sigil rings roll across the table. Lucian watches them roll. “These all come from the dead kids. The kids the medBots couldn’t save. Let’s see.” I shuffle through the pile of rings. “We have Jupiter, Venus, Neptune, Bacchus, Juno, Mercury, Diana, Ceres … and we have a Minerva right here.” I frown and rummage around. “Hmm. Odd. I can’t find a Pluto.” I look up at him. His eyes are different. Dead. Quiet. “Oh, there’s one.
Pierce Brown (Red Rising (Red Rising Saga, #1))
But what did Copernicus say? We must be careful not to attribute to the heavens (Jupiter) what is truly in the Earth-bound observer. I could persuade my daughter that the motion of the Earth, not of Jupiter, gives rise to the retrograde motion. To interpret events, we must know where we stand and understand how that affects what we witness. But we observe the universe from the middle of a most intricate processing device, the human brain. How does that affect our interpretation of what we see?
Julian Barbour (The End of Time: The Next Revolution in Our Understanding of the Universe)
Jupiter! You are next. You are next, you piece of dog shit!” Then Pax bellows my name. And then Tactus’s voice echoes it, then Nyla from a far tower. And soon a hundred voices chant it throughout the conquered castle—from the courtyard to the high parapets and towers. They beat their swords and spears and shields, and then they throw them at the Proctors. A hundred missiles thump harmlessly into pulseShields and many of my army must scatter so that they are not impaled by the falling weapons, but it is a sweet sight, a sweet sound of metal rain on cobbled stone. And again they take up my name. They chant and chant the name of the Reaper at the Proctors, because they know whom we now fight.
Pierce Brown (Red Rising (Red Rising Saga, #1))
Like noiseless nautilus shells, their light prows sped through the sea; but only slowly they neared the foe. As they neared him, the ocean grew still more smooth; seemed drawing a carpet over its waves; seemed a noon-meadow, so serenely it spread. At length the breathless hunter came so nigh his seemingly unsuspecting prey, that his entire dazzling hump was distinctly visible, sliding along the sea as if an isolated thing, and continually set in a revolving ring of finest, fleecy, greenish foam. He saw the vast, involved wrinkles of the slightly projecting head beyond. Before it, far out on the soft Turkish-rugged waters, went the glistening white shadow from his broad, milky forehead, a musical rippling playfully accompanying the shade; and behind, the blue waters interchangeably flowed over into the moving valley of his steady wake; and on either hand bright bubbles arose and danced by his side. But these were broken again by the light toes of hundreds of gay fowl softly feathering the sea, alternate with their fitful flight; and like to some flag-staff rising from the painted hull of an argosy, the tall but shattered pole of a recent lance projected from the white whale's back; and at intervals one of the cloud of soft-toed fowls hovering, and to and fro skimming like a canopy over the fish, silently perched and rocked on this pole, the long tail feathers streaming like pennons. A gentle joyousness—a mighty mildness of repose in swiftness, invested the gliding whale. Not the white bull Jupiter swimming away with ravished Europa clinging to his graceful horns; his lovely, leering eyes sideways intent upon the maid; with smooth bewitching fleetness, rippling straight for the nuptial bower in Crete; not Jove, not that great majesty Supreme! did surpass the glorified White Whale as he so divinely swam.
Herman Melville (Moby-Dick or, The Whale)
FALL, SIERRA NEVADA This morning the hermit thrush was absent at breakfast, His place was taken by a family of chickadees; At noon a flock of humming birds passed south, Whirling in the wind up over the saddle between Ritter and Banner, following the migration lane Of the Sierra crest southward to Guatemala. All day cloud shadows have moved over the face of the mountain, The shadow of a golden eagle weaving between them Over the face of the glacier. At sunset the half-moon rides on the bent back of the Scorpion, The Great Bear kneels on the mountain. Ten degrees below the moon Venus sets in the haze arising from the Great Valley. Jupiter, in opposition to the sun, rises in the alpenglow Between the burnt peaks. The ventriloquial belling Of an owl mingles with the bells of the waterfall. Now there is distant thunder on the east wind. The east face of the mountain above me Is lit with far off lightnings and the sky Above the pass blazes momentarily like an aurora. It is storming in the White Mountains, On the arid fourteen-thousand-foot peaks; Rain is falling on the narrow gray ranges And dark sedge meadows and white salt flats of Nevada. Just before moonset a small dense cumulus cloud, Gleaming like a grape cluster of metal, Moves over the Sierra crest and grows down the westward slope. Frost, the color and quality of the cloud, Lies over all the marsh below my campsite. The wiry clumps of dwarfed whitebark pines Are smoky and indistinct in the moonlight, Only their shadows are really visible. The lake is immobile and holds the stars And the peaks deep in itself without a quiver. In the shallows the geometrical tendrils of ice Spread their wonderful mathematics in silence. All night the eyes of deer shine for an instant As they cross the radius of my firelight. In the morning the trail will look like a sheep driveway, All the tracks will point down to the lower canyon. “Thus,” says Tyndall, “the concerns of this little place Are changed and fashioned by the obliquity of the earth’s axis, The chain of dependence which runs through creation, And links the roll of a planet alike with the interests Of marmots and of men.
Kenneth Rexroth (Collected Shorter Poems)
In many fields—literature, music, architecture—the label ‘Modern’ stretches back to the early 20th century. Philosophy is odd in starting its Modern period almost 400 years earlier. This oddity is explained in large measure by a radical 16th century shift in our understanding of nature, a shift that also transformed our understanding of knowledge itself. On our Modern side of this line, thinkers as far back as Galileo Galilei (1564–1642) are engaged in research projects recognizably similar to our own. If we look back to the Pre-Modern era, we see something alien: this era features very different ways of thinking about how nature worked, and how it could be known. To sample the strange flavour of pre-Modern thinking, try the following passage from the Renaissance thinker Paracelsus (1493–1541): The whole world surrounds man as a circle surrounds one point. From this it follows that all things are related to this one point, no differently from an apple seed which is surrounded and preserved by the fruit … Everything that astronomical theory has profoundly fathomed by studying the planetary aspects and the stars … can also be applied to the firmament of the body. Thinkers in this tradition took the universe to revolve around humanity, and sought to gain knowledge of nature by finding parallels between us and the heavens, seeing reality as a symbolic work of art composed with us in mind (see Figure 3). By the 16th century, the idea that everything revolved around and reflected humanity was in danger, threatened by a number of unsettling discoveries, not least the proposal, advanced by Nicolaus Copernicus (1473–1543), that the earth was not actually at the centre of the universe. The old tradition struggled against the rise of the new. Faced with the news that Galileo’s telescopes had detected moons orbiting Jupiter, the traditionally minded scholar Francesco Sizzi argued that such observations were obviously mistaken. According to Sizzi, there could not possibly be more than seven ‘roving planets’ (or heavenly bodies other than the stars), given that there are seven holes in an animal’s head (two eyes, two ears, two nostrils and a mouth), seven metals, and seven days in a week. Sizzi didn’t win that battle. It’s not just that we agree with Galileo that there are more than seven things moving around in the solar system. More fundamentally, we have a different way of thinking about nature and knowledge. We no longer expect there to be any special human significance to natural facts (‘Why seven planets as opposed to eight or 15?’) and we think knowledge will be gained by systematic and open-minded observations of nature rather than the sorts of analogies and patterns to which Sizzi appeals. However, the transition into the Modern era was not an easy one. The pattern-oriented ways of thinking characteristic of pre-Modern thought naturally appeal to meaning-hungry creatures like us. These ways of thinking are found in a great variety of cultures: in classical Chinese thought, for example, the five traditional elements (wood, water, fire, earth, and metal) are matched up with the five senses in a similar correspondence between the inner and the outer. As a further attraction, pre-Modern views often fit more smoothly with our everyday sense experience: naively, the earth looks to be stable and fixed while the sun moves across the sky, and it takes some serious discipline to convince oneself that the mathematically more simple models (like the sun-centred model of the solar system) are right.
Jennifer Nagel (Knowledge: A Very Short Introduction)
Rapunzel knew exactly when her adopted birthday was coming because of her careful tracking and observation of the heavens. What had started out as a child's interest in the longer days of summer and shorter days of winter had progressed into a study that would have been the praise of any university professor. She knew all the constellations, of course; which ones came and went with the seasons (Orion), which ones stayed wandering the heavens forever (the Big Bear). She could predict when Jupiter would rise. She could predict some lunar eclipses. She had astrolabes and pendulums and squares and straightedges and compasses for measuring the precise height of an astral object above her window ledge.
Liz Braswell (What Once Was Mine)
Meanwhile, back in Rome, the victory of Antony’s conqueror had been Apollo’s triumph as well. The patching-up of Jupiter’s ancient temple on the Capitol had been as nothing compared to the stupefying redevelopment of the hill on the facing side of the Forum. In 36 BC, shortly after the defeat of Sextus Pompey, lightning had struck the Palatine. A god had spoken – but which god? Augurers sponsored by Rome’s most eminent devotee of Apollo had dutifully served up the answer. For almost a decade, in obedience to their ruling, cranes and scaffolding had crowded the summit of the Palatine. Only by October 28 had the work finally been completed.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
On March 29, the Jupiter, Florida Police Department processed Corey for simple battery “in that he did intentionally touch Michelle Fields,” as the official report said. Watch the video, Corey says.
Corey R. Lewandowski (Let Trump Be Trump: The Inside Story of His Rise to the Presidency)
The beautiful Antonia is a thing of the past. The damage she suffered was superficially catastrophic. Left orbital bone pulverized. Nose flattened, crushed so brutally they had to pull it out of her nasal cavity with forceps. Mouth so swollen it makes a hissing sound as air goes between her shattered front teeth. Whiplash and severe concussion. The ship doctors thought she was in a ship crash until they found the imprint of House Jupiter’s lightning crest in several places on her face.
Pierce Brown (Morning Star (Red Rising, #3))
then loudly command her to fetch the wine we scavenged on our trek to Jupiter.
Pierce Brown (Red Rising (Red Rising Saga, #1))
The sun edged up until it caught the first heights of our standards. I saw the raised fist of Jupiter reach for the first rays, folding the light into its majesty so that it blazed with a life all its own. I raised my hand to join it and the cheer that broke along the line was deeper than the enemy drumbeats, lasted longer, grew louder, and harder. It reached the oncoming cavalry and I saw them check in their advance, saw the horses pitch and stumble as they took the first rise of the hill.
M.C. Scott (Rome: The Eagle of the Twelfth (Rome, #3))
Vampires did this all the time, you remember. It was normal for them, it was their own unique take on resource conservation. They could have taught your kind a few things about restraint, if that absurd aversion to right angles hadn’t done them in at the dawn of civilization. Maybe they still can. They’re back now, after all—raised from the grave with the voodoo of paleogenetics, stitched together from junk genes and fossil marrow steeped in the blood of sociopaths and high-functioning autistics. One of them commands this very mission. A handful of his genes live on in your own body so it too can rise from the dead, here at the edge of interstellar space. Nobody gets past Jupiter without becoming part vampire.
Peter Watts (Blindsight (Firefall, #1))