Jump Into The Unknown Quotes

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The fleas would jump and jump to heights unknown. Then a man came along and upturned a glass jar over the fleas. The fleas jumped and hit the top of the jar and could go no farther. Then the man removed the jar and yet the fleas did not jump higher than they had grown accustomed, because they believed there to still be a glass ceiling.
Pierce Brown (Red Rising (Red Rising Saga, #1))
My eyes narrowed and I snapped, “You’re not allowed to do that shift.” His head jerked slightly and he asked, “Say again?” “Be sweet and make me all melty and want to jump you when I ‘m celebrating my heretofore unknown badassness with a bunch of bikers and their bitches. Not to mention, I’m hungry.” Tack grinned as his arm snaked around me and he yanked me close. “You wanna jump me?” he asked. “I always want to jump you,” I answered. “Good to know,” he muttered.
Kristen Ashley (Motorcycle Man (Dream Man, #4))
Trying to reclaim your life is a lot like drowning. You attempt to stay above water as waves of new information hit you sideways, carrying you further into the unknown. People throw life preservers, but the ropes can only reach so far, and once a riptide catches you by the ankle, all you can do is wonder why you ever thought you’d be OK jumping into the deep end, when you could barely manage the shallows.
Tiffany D. Jackson (Grown)
It’s a cliché because it is true. If you are not happy with yourself and willing to show yourself the same kind of love and respect you want to give to others, no relationship will magically fix you. And while it can certainly be tempting to jump from relationship to relationship, because the space in between them is scary and unknown, learning how to demonstrate that love and compassion for yourself is essential (and surprisingly fulfilling). Going on a solo vacation, or even spending a few days alone — leaving your laptop at home, if you can manage it — might seem like a strange way to feel loved, but if you can be happy with your own company, you can be happy with anything.
Chelsea Fagan
When you have come to the edge of all that you know and are about to drop off into the darkness of the unknown, faith is knowing that one of two things will happen,’ the Warmaster had told him. ‘And what are they?’ he had asked. ‘That there will be something solid to stand on or you’ll be taught to fly,’ laughed Horus as he jumped.
Graham McNeill (False Gods (The Horus Heresy, #2))
They will hook me up to a polygraph and ask me if I love you and I will say no but the needle will jump and sputter exactly how you laugh
Unknown
When you jump into the unknown, you will find that a net usually appears to catch you.
Steven P. Aitchison
If you are nervous about making the jump or simply putting it off out of fear of the unknown, here is your antidote. Write down your answers to these questions, and keep in mind that thinking a lot will not prove as fruitful or as prolific as simply brain vomiting on the page. Write and do not edit - aim for volume. Spend a few minutes on each answer. 1. Define your nightmare, the absolute worst that could happen if you did what you are considering. 2. What steps could you take to repair the damage or get things back on the upswing, even if temporarily? 3. What are the outcomes or benefits, both temporary and permanent, of more probably scenarios? 4. If you were fired from your job today, what would you do to get things under financial control? 5. What are you putting off out of fear? 6. What is it costing you - financially, emotionally, and physically - to postpone action? 7. What are you waiting for?
Timothy Ferriss (The 4-Hour Workweek)
Then, still smiling, he kissed me. When he lifted his head he didn’t go far so I heard it when he whispered, “My reward.” My eyes narrowed and I snapped, “You’re not allowed to do that shit.” His head jerked slightly and he asked, “Say again?” “Be sweet and make me all melty and want to jump you when I’m celebrating my heretofore unknown badassness with a bunch of bikers and their bitches. Not to mention, I’m hungry.” Tack grinned as his arm snaked around me and he yanked me close. “You wanna jump me?” he asked.
Kristen Ashley (Motorcycle Man (Dream Man, #4))
who jumped off the Brooklyn Bridge this actually happened and walked away unknown and forgotten into the ghostly daze of Chinatown soup alleyways & firetrucks, not even one free beer
Allen Ginsberg (Howl)
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze. A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that? Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind. In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday. Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us. It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral. All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
The only exercise most people get is jumping to conclusions, running down their friends, sidestepping responsibility, and pushing their luck. —UNKNOWN
Hal Elrod (The Miracle Morning: The Not-So-Obvious Secret Guaranteed to Transform Your Life: Before 8AM)
The unknown can be terrifying, but sometimes it's best to just jump in the deep end.
Lise Gold (Lily's Fire)
Obedience is frequently the opposite. It is a jump into the unknown. A move based on trust, not in a certain future, but in a dependable God.
Ken Wytsma (The Grand Paradox: The Messiness of Life, the Mystery of God and the Necessity of Faith)
For me, doing the actual work to fulfill the vision is the easy part. It's the emotional journey that I go through as I am free falling into the unknown that is the hard part. But each time I jump, I'm learning to trust that God will continue to guide me and help me to land safely.
Yvonne Pierre (The Day My Soul Cried: A Memoir)
It’s scary to jump into the unknown. That’s why many people would rather keep attending seminars, reading books, and pretending to make changes. Ultimately it’s up to you to take responsibility for your life.
Henri Junttila (Find Your Passion: 25 Questions You Must Ask Yourself)
In 1817 the twenty-two-year-old poet John Keats wrote a letter to his brothers in which he explained his most recent thoughts on the creative process. The world around us, he wrote, is far more complex than we can possibly imagine. With our limited senses and consciousness, we only glimpse a small portion of reality. Furthermore, everything in the universe is in a state of constant flux. Simple words and thoughts cannot capture this flux or complexity. The only solution for an enlightened person is to let the mind absorb itself in what it experiences, without having to form a judgment on what it all means. The mind must be able to feel doubt and uncertainty for as long as possible. As it remains in this state and probes deeply into the mysteries of the universe, ideas will come that are more dimensional and real than if we had jumped to conclusions and formed judgments early on. To accomplish this, he wrote, we must be capable of negating our ego. We are by nature fearful and insecure creatures. We do not like what is unfamiliar or unknown. To compensate for this, we assert ourselves with opinions and ideas that make us seem strong and certain. Many of these opinions do not come from our own deep reflection, but are instead based on what other people think. Furthermore, once we hold these ideas, to admit they are wrong is to wound our ego and vanity. Truly creative people in all fields can temporarily suspend their ego and simply experience what they are seeing, without the need to assert a judgment, for as long as possible. They are more than ready to find their most cherished opinions contradicted by reality.
Robert Greene (Mastery)
Imagine there was a table covered with fleas,” he explains. “The fleas would jump and jump to heights unknown. Then a man came along and upturned a glass jar over the fleas. The fleas jumped and hit the top of the jar and could go no farther. Then the man removed the jar and yet the fleas did not jump higher than they had grown accustomed, because they believed there to still be a glass ceiling.
Pierce Brown (Red Rising (Red Rising Saga, #1))
Imagine there was a table covered with fleas, he explains. The fleas would jump and jump to heights unknown. Then a man came along and upturned a glass jar over the fleas. The fleas jumped and hit the top of the jar and could go no farther. Then the man removed the jar and yet the fleas did not jump higher than they had grown accustomed, because they believed there still be a glass ceiling.
Pierce Brown (Red Rising (Red Rising Saga, #1))
Love is that as well, I was forgetting: it is taking a huge gamble, staking your all on a single improbable throw, jumping off a cliff and trusting an unknown person to catch you before you hit the ground.
A.P. . (Sabine)
I Had Experienced Lust Many Times Before..I Had Experienced Desires Before..But This Was Beyond That..This Was Like A Headon Collision..This Was Like Being Pulled Up In A Tornado, And This Was Like The Feeling Of Taking A Bungee Jump In An Unknown Valley!!
Shanaya Taneja
It struck him that if Phillip was in want of money or a house, Ben would give him whatever he could, and gladly. And there would be no shame in Phillip accepting it, because that was what it meant to have a life together. It meant holding hands and jumping together into an unknown future.
Cat Sebastian (It Takes Two to Tumble (Seducing the Sedgwicks, #1))
You're anxious to jump into the river, but you haven't checked to see if the water is deep enough." I don't bother pretending. "Sopeap, you speak in riddles. What are you saying?" "I'm saying that life at the dump has limitations, but it serves a plate of predictability. Stung Meanchey offers boundaries. There are dangers, but they are understood, accepted, and managed. When we step out of that world, we enter an area of unknown. I'm questioning if you are ready. Everyone loves adventure, Sang Ly, when they know how the story ends. In life, however, our own endings are never as perfect.
Camron Wright (The Rent Collector)
It was then that he felt someone silently tap him on the shoulder. He froze as he felt the breath on his ear through his matted hair. “Mi asavo! Non faccio niente!”he yelled [I give up, I didn’t do anything!] But his captor said nothing, only continued his breathing and had even begun making some unknown soft growling noise. In the dark, he could see nothing from the corner of his eye. But his captor could see all. Wondering why this man was suddenly stiff as a board when he had been so entertaining only a few moments before, Kitty decided to ask him in her usual way. Leaning closer to the man’s ear, with her paw on his shoulder, she said very loudly, “Meow!” It was as if a bomb had exploded in his ear. The man jumped in the air, causing Kitty to streak backward, unintentionally marking him with two relatively deep scratches. He shot from the pantry, running straight into a wall, and knocked himself out.
Cece Whittaker (Glorious Christmas (The Serve, #7))
I head to the bathroom. I wash my face, brush my teeth, and try to put the evening behind me. Look, it’s not hard to turn down a drunk girl, because that’s just wrong. But it was hard, for some unknown fucking reason, to turn down her. Those things she was saying. Those wicked, dirty words falling from her red lips. They torched a path up my body. They stirred something inside me. Some wish. Some want. That kiss on the street was one thing. The session on her couch was entirely another. But the cab was a whole new wrinkle. She just combusted, like a rocket of lust, firing off in every direction, jumping me, climbing me, grinding on me. I wanted it all. I wanted her. I still do.
Lauren Blakely (Big Rock (Big Rock, #1))
he disclosed that he had been set upon by two Bedlamites, both of whom had jumped out from behind a bush, roaring at him like a couple of ferocious wild beasts ... The Sergeant cast a doubtful glance at Lieutenant Ottershaw, for, in his opinion, this had a false ring. His men, as he frequently informed them, put him forcibly in mind of many things, ranging from gape-seeds, hedge-birds, slush-buckets, and sheep-biters, to beetles, tailless dogs, and dead herrings, but none of them, least of all the two raw dragoons in question, had ever reminded him of a ferocious wild beast. Field-mice, yes, he thought, remembering the sad loss of steel in those posted to watch the Dower House; but if the young gentleman had detected any resemblance to ferocious wild beasts in his assailants, the Sergeant was prepared to take his Bible oath they had not been the baconbrained knock-in-the-cradles he had posted (much against his will) within the ground of Darracott place. But Sergeant Hoole had never, until this disastrous evening, set eyes on Mr. Claud Darracott. Lieutenant Ottershaw had beheld that Pink of the Ton picking his delicate way across the cobbles in Rye, clad in astonishing but unquestionably modish raiment, and holding a quizzing-glass up to his eye with one fragile white hand, and it did not strike him as remarkable that this Bartholomew baby should liken two overzealous dragoons to wild beasts.
Georgette Heyer (The Unknown Ajax)
Humans are actually reservoir hosts for countless bacteria and viruses that haven’t even been classified yet. About twenty percent of the genetic information in the nose doesn’t match any known or cataloged organism. In the gut, forty to fifty percent of all the DNA is from bacteria and viruses that have never been classified. Even in the blood, up to two percent is a sort of “biological dark matter.” In many ways, this biological dark matter, this sea of unknown viruses and bacteria, is the ultimate frontier. Almost all viruses are harmless until they jump to another host—a life form different from their natural hosts. The virus then combines with a completely new genome and causes a new and unexpected reaction—an illness. That was the ultimate danger with viruses,
A.G. Riddle (The Atlantis Plague (The Origin Mystery, #2))
Life’s shrouded crossing seems to jump off with a hunger to take a blood-quickening journey, a desire to search for enchantment over the next hillock. We launch our feral voyage with a primitive pulsation to explore unknown lands and a desire to become acquainted with both village people and sophisticated ancient civilizations. Along the way, we will meet friends and foes. In our lightest moments, we will make love to a beautiful mate under a canopy of stars. In the darkest hours, we will fret about how to evade danger and scheme how best to conquer our enemies. The rainbow of experiences that we endure will undoubtedly bemuse, bruise, batter, and occasionally sully us. These hard on the hide shards of experience will also reveal our polychromatous character. By undertaking vivid encounters in the wilderness, with any luck, we will discover a numinous interior world. With immersion into a myriad of life shaping experiences, an undeterred person will stumble onto a path leading to personal illumination. The passage of liberation that a crusader must inevitably endure leads to a shocking psychological transformation, a spiritual overhaul allowing the seeker to finally overcome infantile images and febrile delusions that would otherwise continue to derail their fervent urge to forge an emergent personality, acquire wisdom, and attain bliss.
Kilroy J. Oldster (Dead Toad Scrolls)
send my soul over thousands of miles, into the night, the darkness, and the unknown so that I will be with my family and loved ones, and so that I can express my fear for them, my love for them, my agony for them, and my hope that God will save and protect them. Then suddenly in the middle of the night I jump up with a wildly beating heart: somewhere I hear the rat-a-tat-tat of a machine gun. Sometimes it is very close by, like a hail of stones on the roof.
Ivan Alekseyevich Bunin (Cursed Days: Diary of a Revolution)
Pay attention to your dreams and follow them closely to where they may lead you. No matter how crazy or seemingly impossible they appear — to you or the world. Yet, be open to the possibility that the road, even the destination will likely be different than what you had imagined. Then it matters not what actually happens. For the journey becomes the destination, constantly metamorphosing with each and every step along the way. You see, taking a bold leap into the unknown means trusting that you will either land on a feathered bed or you will come to realise that you can fly, perhaps toward undreamed of heights. This, as I conceive, is what flowing through a full life entails: Acknowledging the risks of seeking to materialise your dreams, courageously embracing the uncertainty rather than fearing it, and confidently going for the jump anyway. Abandon the comfort. Float away. Adjust the sails according to the Winds of Change.
Omar Cherif
Fir, cedar, pines, oaks, and maples densely timbered this section. But it was the redwoods that never failed to fill him with awe. Their feathery-looking needles and reddish bark. The way they stretched up to incredible heights and the sheer magnitude of their circumferences. How long ago had God planted their seeds? Hundreds of years? Thousands? As he stood amongst those mighty giants, he realized the land wasn’t his at all. It was God’s. God had formed and planted the seeds. He’d tended the soil and caused it to rain. He’d needed no man. Least of all Joe. Yet over and over Joe had thought of this as his own. My land. My logging camp. My house. My woman. My everything. Picking up his ax, he returned to his work. But in his mind, he reviewed a list of men in the Bible who’d left everything they held dear for parts unknown. Abraham. Jacob. Joseph. Moses. Even a woman. Esther. In every case, their circumstances were much more severe than his. God hadn’t commanded Joe to leave his land, though he’d prayed for guidance. Fasted. Read his Bible. But God had remained silent. Joe simply assumed God was letting him choose. But no matter what he chose, none of it was really his. It was all God’s. And God was sharing it with him. So which did he want? Both. Like a spoiled child, he definitely wanted both. But if he could only have one, wouldn’t he still be a man blessed? Yes. And he’d praise God and thank Him. But that didn’t immediately make the grief shrivel up and blow away. Eyeing where he wanted the tree to fall, he adjusted his stance. I want Anna, Lord. I choose Anna. Yet as long as he lived, he’d always miss this land. He’d miss the Territory. He’d miss the logging. He’d miss his friends. The cypress began to pop and splinter. Jumping away, he braced his feet, threw back his head, and shouted with everything he had. “Timber-r-r-r-r-r-r-r-r-r-r-r-r!” The tree wavered, then crashed to the forest floor. Noise resounded through the copse. The ground shook. Debris flew. Before any of it settled, Joe fell to his knees, doubled over, and sobbed.
Deeanne Gist (A Bride in the Bargain)
The marine underworld stretched below the ship and embodied many secrets. The disappearance of Olga had become one of the mysteries that would remain with Stefania and her family. The disappearance of her baby sister and sudden departure from her home had taught the ten-year-old that life was filled with uncertainties. But she was willing to forget that for a little while. She jumped down from the barrel and headed toward Liam, Felix, and the other shipmates. They would sing shanties and talk of the constellations, the sea, its creatures, and the legends. It would get her through another night. La Suerte was the only stability for her passengers with the infinite unknown all around them. The waters of the sea, the world below the surface, and the sky that stretched beyond the horizon was a representation of the limitless possibilites and dangers awaiting those aboard.
Tiffany Apan (Descent (The Birthrite Series, #1))
RUNNING THE RACE The marathon is one of the most strenuous athletic events in sport. The Boston Marathon attracts the best runners in the world. The winner is automatically placed among the great athletes of our time. In the spring of 1980, Rosie Ruiz was the first woman to cross the finish line. She had the laurel wreath placed on her head in a blaze of lights and cheering. She was completely unknown in the world of running. An incredible feat! Her first race a victory in the prestigious Boston Marathon! Then someone noticed her legs—loose flesh, cellulite. Questions were asked. No one had seen her along the 26.2-mile course. The truth came out: she had jumped into the race during the last mile. There was immediate and widespread interest in Rosie. Why would she do that when it was certain that she would be found out? Athletic performance cannot be faked. But she never admitted her fraud. She repeatedly said that she would run another marathon to validate her ability. Somehow she never did. People interviewed her, searching for a clue to her personality. One interviewer concluded that she really believed that she had run the complete Boston Marathon and won. She was analyzed as a sociopath. She lied convincingly and naturally with no sense of conscience, no sense of reality in terms of right and wrong, acceptable and unacceptable behavior. She appeared bright, normal and intelligent. But there was no moral sense to give coherence to her social actions. In reading about Rosie I thought of all the people I know who want to get in on the finish but who cleverly arrange not to run the race. They appear in church on Sunday wreathed in smiles, entering into the celebration, but there is no personal life that leads up to it or out from it. Occasionally they engage in spectacular acts of love and compassion in public. We are impressed, but surprised, for they were never known to do that before.
Eugene H. Peterson (Run with the Horses: The Quest for Life at Its Best)
Aging and reclusive Hollywood movie icon Evelyn Hugo is finally ready to tell the truth about her glamorous and scandalous life. But when she chooses unknown magazine reporter Monique Grant for the job, no one in the journalism community is more astounded than Monique herself. Why her? Why now? Monique is not exactly on top of the world. Her husband, David, has left her, and her career has stagnated. Regardless of why Evelyn has chosen her to write her biography, Monique is determined to use this opportunity to jump-start her career. Summoned to Evelyn’s Upper East Side apartment, Monique listens as Evelyn unfurls her story: from making her way to Los Angeles in the 1950s to her decision to leave show business in the late ’80s, and, of course, the seven husbands along the way. As Evelyn’s life unfolds—revealing a ruthless ambition, an unexpected friendship, and a great forbidden love—Monique begins to feel a very a real connection to the actress. But as Evelyn’s story catches up with the present, it becomes clear that her life intersects with Monique’s own in tragic and irreversible ways.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
But it’s not about knowing. It is simply about going forward. The cureds want to know; we have chosen faith instead. I asked Grace to trust me. We will have to trust too—that the world won’t end, that tomorrow will come, and that truth will come too. An old line, a forbidden line from a text Raven once showed me, comes back to me now. He who jumps may fall, but he may also fly. It’s time to jump. “Let’s go,” I say to Grace, and let her lead me into the surge of people, keeping a tight hold on her hand the whole time. We push into the shouting, joyful throng, and fight our way toward the wall. Grace scrabbles up a pile of broken-down wood and shards of shattered concrete, and I follow clumsily until I am balancing next to her. She is shouting—louder than I have ever heard her, a babble-language of joy and freedom—and I find that I join in with her as together we begin to tear at chunks of concrete with our fingernails, watching the border dissolve, watching a new world emerge beyond it. Take down the walls. That is, after all, the whole point. You do not know what will happen if you take down the walls; you cannot see through to the other side, don’t know whether it will bring freedom or ruin, resolution or chaos. It might be paradise, or destruction. Take down the walls. Otherwise you must live closely, in fear, building barricades against the unknown, saying prayers against the darkness, speaking verse of terror and tightness. Otherwise you may never know hell, but you will not find heaven, either. You will not know fresh air and flying. All of you, wherever you are: in your spiny cities or your one-bump towns. Find it, the hard stuff, the links of metal and chink, the fragments of stone filling your stomach. And pull, and pull, and pull. I will make a pact with you: I will do it if you will do it, always and forever. Take down the walls.
Lauren Oliver (Requiem (Delirium, #3))
Whatever happened between you and Keefe yesterday—and I know something happened, so there’s no point trying to deny it—are you going to talk to him about it? And I mean really talk to him and tell him how you feel?” Sophie twisted free. “I don’t—” “Yes, you do,” Edaline insisted. “You don’t even know what I was going to say!” Edaline smiled. “Pretty sure I can guess. And I understand the instinct to hide these kinds of feelings—sometimes even from ourselves. But… I know they’re there. And not just for you.” She pointed to Sophie’s new stuffed elf as evidence—and Sophie could’ve sworn its little smile turned a bit smug. “I’m definitely not trying to tell you what to do or who to choose or put any pressure on you in any way,” Edaline assured her. “I also know that what I’m asking you to do isn’t easy. Having an open conversation about feelings with someone can be really scary. Especially when they’re also your friend. It’s natural to be afraid of getting hurt—or of ruining all the good things you already have. And I can’t guarantee that won’t happen. But”—she reached for Sophie’s arms again—“it’s still super important to have that conversation. Because it’s way too easy to jump to the wrong conclusion. So just… talk to him, okay? I’m not saying right this moment. But don’t let it go too long, either. And I know you’re going to tell me you have all these huge things going on and you need to focus on them, but… this is important. I can tell Keefe is important to you. So just… do what you always do when you’re getting ready to face some epic showdown with the Neverseen.” “You’re comparing this to a battle?” Sophie had to ask. “Why not? Sometimes relationships feel like that. So put your shields up if you need to. But don’t let that stop you from charging headfirst into the unknown. Be bold. Be brave. Be honest. And be you. You’re Sophie Foster. I know you can do this!
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
Life is a little like getting on a bus with loads of passengers who are already on when you get on. A bus to nowhere but going with absolute certainty to nowhere or so it seems to you. And, you somehow secure a seat and think as long as you sit quietly, you might be allowed to stay till the destination, whatever it may be. You wonder if you could buy a more secure seat if you become the life and soul of the bus, since then nobody will want you to get off. So, you try. There are people you like on the bus, some you cannot bear to be around with. People keep getting on. The bus is overcrowded. You watch some who gracefully get down, some who literally jump off the running bus and others who are abruptly forced off the bus. You feel sorry for those who have been forced off, happy you are still there. You must be special then for that privilege. You sit there thinking if you are quiet and decent, and minding your business or counting your beads, you should be ok, not realising that you could be the next. There is deep down a fear that you could be, but you hope that all what you had done since you got on would guarantee a longer passage to nowhere. Maybe, to a better destination? Where could the bus be going? Who will be getting off next? Will it be you? What is this strange journey with passengers you cannot choose, stops you cannot decide and destination unknown. Suddenly you cannot bear this torture anymore. This meaningless journey with atrocious company to nowhere. And, you sit there in this tumbling, roller coaster ride, hanging onto dear life and swear to yourself that you will enjoy the journey while it lasts. Amidst it all, the question arises... who am I who is sitting here on the bus on a ride to nowhere? And, you sit there... waiting, pretending, dreaming, smiling, laughing... living a little, dying a little, hoping your stop is not the next and wondering what if it is.
Srividya Srinivasan
Going into a marriage,is like jumping into unknown river with a lot of fishes. It is better to study the characters of the fishes that habits the unknown river,before getting into it.When you get so encited to go into the unknown river because you love swimming,the fishes in the river might be hungry PIRANHAS.
peter irabor
The marine underworld stretched below the ship and embodied many secrets. The disappearance of Olga had become one of the mysteries that would remain with Stefania and her family. The disappearance of her baby sister and sudden departure from her home had taught the ten-year-old that life was filled with uncertainties. But she was willing to forget that for a little while. She jumped down from the barrel and headed toward Liam, Felix, and the other shipmates. They would sing shanties and talk of the constellations, the sea, its creatures, and the legends. It would get her through another night. La Suerte was the only stability for her passengers with the infinite unknown all around them. The waters of the sea, the world below the surface, and the sky that stretched beyond the horizon was a representation of the limitless possibilities and dangers awaiting those aboard.
Tiffany Apan (Descent (The Birthrite Series, #1))
A week later fifty-four sit-ins were under way in fifteen cities in nine states in the South.60 It was obvious from the way that the spark of protest jumped from place to place that black resentments, which had somehow failed to ignite other sit-ins between 1957 and 1959, had exploded. The sit-ins of 1960 arose, as did the civil rights movement in later years, from the collective efforts of unsung local activists: they sprang from the bottom up. Many later leaders, unknown in 1960, jumped into action.
James T. Patterson (Grand Expectations: The United States, 1945-1974 (Oxford History of the United States Book 10))
The photo was published in the majority of Brazilian newspapers in a full-page spread when CNN and all the television channels of the world broadcast the scene, they froze it for a few seconds. Or minutes, hours, I don't know. For me time has infinite duration--I don't know how to measure it by normal parameters. Trying doesn't even interest me. From the World Trade Center buildings, minutes, prior to their collapse--which would appear as a perfect and planned implosion--only a grayish-blue and black vertical lines can be seen. Like a modernist painting--by whom? Which artist painted lines? Mondrian? No, not Mondrian, he painted squares, rectangles. Anyway, in the picture, the man is falling head first. his body straight, one of his legs bent. Did he jump? Slip? Did he faint and then fall? He probably lost consciousness because of the height, the smoke. He fell. He disappeared from the scene, from life, from the city. A million tons of rubble buried him soon after. Nobody knows his name. Impossible for his family to have him identified. He's an unknown who entered into history at the twenty-first century's first great moment of horror--the history of the world, the United States, communications, photography. Without anyone knowing who he is. And nobody will ever know. We'll only have suppositions, families who'll swear that he was theirs. But was he Brazilian, American, Latino, Chinese, Italian, Irish--what? He could have been anything, but now he's nothing. One among thousands gone forever. And, while we're on the subject, what about the firemen who supposedly became such heroes that day--can you name a single one?
Ignácio de Loyola Brandão (Anonymous Celebrity (Brazilian Literature))
The Devil offered Christ the ability to turn stones into bread. Then he offered him the chance to test God, or His angels actually, by throwing himself off a cliff. Which I have always thought was probably not a very tempting temptation. To see if the angels would rescue him, right? Christ says no, like any sane person would if you asked him if he would like to jump off a cliff. “Finally, the Devil offered to make Christ the Ruler of the World. Much more tempting than jumping off a cliff, definitely. “But Christ rejects that too. “He rejects everything for what he cannot know. The Great Unknown. He chooses to take”– she shrugged her shoulders to underline how little it seemed– “whatever. Anything. He is saying that what is unknown is better than anything that is known. That the freedom to go through life without even ever knowing what is going to happen to you is the best possible thing that can happen, better than any miraculous gift could ever be.
Chris F. Westbury (The Bride Stripped Bare By Her Bachelors, Even)
Wilder, an indigent, was walking through Central Park when he decided to rob someone. He hid behind a tree, lying in wait for a victim to approach. Shortly thereafter, Jody, a 16-year-old girl, was strolling in the park when Wilder suddenly jumped from his hiding place and accosted her. Although Wilder intended only to rob his victim, he punched her in the mouth, and she fell to the ground. Wilder then grabbed her pocketbook and fled. Unknown to Wilder, Jody suffered a fractured skull when her head struck the pavement. She subsequently died from her head injuries.
Kaplan Test Prep (Kaplan 101 PMBR Criminal Law Practice Questions (Kaplan Test Prep))
This country has a UFO problem, after all. You might not have been aware we have one, or thought about it in these terms, but we do have a UFO problem: namely, we don't seem to understand what UFO really means. So here it is: a UFO is an unidentified flying object. So any time we see some object flying in the sky that we can't positively identify, we've seen a UFO. But in the same way the words paranormal and supernatural have been conflated, we now equate UFO with alien spacecraft. How this came to be is easily understandable. If we've learned one thing in this book already, people don't like the unknown very much. And so, if we believe we're being visited by other civilizations, we read the piles of books and articles on unexplained lights in the sky, then fill in the massive gaps—with wild tales of alien races, interstellar technology, and government conspiracies. If we don't believe, we hear someone saw an unexplained light in the sky and assume, first, that he's claiming to have seen E.T. Then we figure what he really saw was an airplane, Venus, swamp gas, or a helicopter, and he must be a bit foolish—maybe even a UFO nut. Then we laugh.
Steve Volk (Fringe-ology: How I Tried to Explain Away the Unexplainable-And Couldn't)
Entrepreneurship is not just about building a business. It's about embracing and building your life. It's about making mistakes, facing your fears, love and loss. It's about stepping out into the unknown and having faith in yourself. It's about forward movement and thinking, even when the outlook is foggy. Ready to jump into entrepreneurship? You don’t have to create a business to be an entrepreneur. You only have to realize that everything you ever wanted is just beyond your comfort zone.
Alicia Morga (20 Things I've Learned as an Entrepreneur)
We have to say yes. Even when it’s scary or costly or unknown. We don’t screw up by saying yes to the wrong things; we screw up by letting all the floats in the parade pass us by and never jumping on one of them for a ride to the end.
Annie F. Downs (Let's All Be Brave: Living Life with Everything You Have)
I’d like to share with you a parable: the parable of Bob the Angel. A girl was walking down a darkly lit city street late at night. A man jumped out from the shadows and attacked her, suddenly she was suffocating and disoriented as hands clasped around her neck and the force of his attack started to push her down. She tried to yell as she struggled to pull his arms from her neck while she crumpled backwards to the ground, “God . . . help me!” The next thing she remembers—just as the fear consumed her, and right as she disappeared into the misery and despair of helplessness—was a loud crash and an explosion of glass which rained down upon her and her attacker. The assailant’s lifeless body was suspended above her, held from collapsing on her by an unknown force, and then pulled away from hovering over her and dropped onto the pavement beside her. She opened her eyes in the faint shadowy light, to see black matted hair and a long, black beard framing the eyes of a man. The smell of alcohol on his breath would have knocked her out if the adrenaline was not still trilling through her veins. There he stood, God’s angel, off-kilter and drunk, with a broken whiskey bottle in his hand. “You probably shouldn’t be walking through here this late at night,” was all he said as he turned away. “Wait! What’s your name?” she asked, still stunned half sitting up on the ground. All she heard as he walked away was his trailing voice calling, “Bob’s as good as any. . . .” An angel is a messenger, and sometimes we only want letters sent in white envelopes with beautiful gold print, when sometimes a simple “no” on the back of a gum wrapper is what we are offered. Every postcard from heaven does not come with a picture of the sunset there, nor should it. If it is an answer we want, an answer we will get. As far as pretty postcards, there are many others willing to send us that. If not harps and gold-tipped wings, what then is the mark of an angel? An answer which pierces your soul, and which inspires a question that invites you to look outside of yourself and up to God.
Michael Brent Jones (Dinner Party: Part 2)
Refusing to take any more chances on the death trap, I jump to safety, dragging Gabriel Storm along with me. Behind us, the doors bang shut, and the elevator takes off for parts unknown, leaving us standing in the eighth floor lobby. Alone.
Magda Alexander (Storm Damages (Storm Damages, #1))
When you see a nun, you do not inquire as to the health of her kids, nor do you invite 86-year-old men on a parachute jumping party, even though a few of such age, like Bernard MacFadden, may sometimes do such things. You might fairly expect a Chinaman in a small town to be in the laundry or restaurant business, and a Sicilian member of the Mafia to be mixed up in some kind of crime. Nor is it sensible to insist that skirts are not an indication of females, just because Scotsmen are found in skirts, too, although they are called "kilts". Nobody would be considered mad for presuming a member of the Ku Klux Klan to be a racist, nor a member of the Americans for Democratic Action to hate the Klan. By the same token, simply because we base our views on the weight of previous evidence, we are not crazy or 'hate-mongers' when we presume that any given, unknown Jew is a Zionist or a Communist. The probability that he is one of the two, and at least sympathetic to Communism, is overwhelming. About
George Rockwell (This Time the World)
At the time your book was written, the full story of the monarch migration was unknown to humanity." "When did they find it out?" Preston asked. The answer, to Dellarobia's astonishment, was within Ovid's lifetime. He had been just a bit older than Preston when the discovery was announced in the National Geographic, in 1976. A Canadian scientist chased the mystery his whole life, devising a tag that would stick to butterfly wings, recruiting volunteers to help track them, losing the trail many times. And then one winter's day, as an old man on shaky legs, he climbed a mountain in Michoacan to see what must have looked like his dream of heaven... Ovid could still quote passages of the article from memory: They carpeted the ground in their tremulous legions. He said he remembered exactly where he was when he read that article, and how he felt. "Where were you?" "Outside the post office, sitting on a lobster crate. I spent a lot of Saturdays there. My mother let me read the magazines before they went to their subscribers. I was so excited by the photos in that article, I ran all the way down Crown Street, all the way to West End and out a sandy road called Fortuna to the sea. I must have picked up a stick somewhere, because I remember jumping up and whacking every branch I passed, leaving a trail of flying leaves. When I got to the sea I didn't know what to do, so I threw the stick in Perseverance Bay and ran back. It was the happiest day of my life." Dellarobia wanted, of course, to know why. "Why," he repeated, thinking about it. "It was just like any schoolboy. I thought everything in the world was already discovered. Already in my books. A lot of dead stuff that put me to sleep. That was the day I understood the world is still living.
Barbara Kingsolver (Flight Behavior)
Science used to claim it understood the universe fairly well. Now it says that 95% of the universe is unknown to science. Anyone who scored 5% in a science exam would not be allowed to do science. Yet worshippers of scientism believe they are permitted to pontificate on the nature of reality despite being a 95% epic fail. They literally don’t know anything. Even their 5% of supposed knowledge is absurd since the remaining 95% is exceptionally unlikely to offer a defense of the 5%. Science – the Swiss Cheese System. It’s full of holes. It’s springing leaks everywhere. The rats are jumping off the sinking ship.
Thomas Stark (Extra Scientiam Nulla Salus: How Science Undermines Reason (The Truth Series Book 8))
April 21, 1897, by one of the most prominent citizens in Kansas, Alexander Hamilton. In an affidavit quoted in several recent UFO books and journals, Hamilton states that he was awakened by a noise among the cattle and went out with two other men. He then saw an airship descend gently toward the ground and hover within fifty yards of it. It consisted of a great cigar-shaped portion, possibly three hundred feet long, with a carriage underneath. The carriage was made of glass or some other transparent substance alternating with a narrow strip of some material. It was brilliantly lighted within and everything was plainly visible—it was occupied by six of the strangest beings I ever saw. They were jabbering together, but we could not understand a word they said. Upon seeing the witnesses, the pilots of the strange ship turned on some unknown power, and the ship rose about three hundred feet above them: It seemed to pause and hover directly over a two-year-old heifer, which was bawling and jumping, apparently fast in the fence. Going to her, we found a cable about a half-inch in thickness made of some red material, fastened in a slip knot around her neck, one end passing up to the vessel, and the heifer tangled in the wire fence. We tried to get it off but could not, so we cut the wire loose and stood in amazement to see the ship, heifer and all, rise slowly, disappearing in the northwest. Hamilton was so frightened he could not sleep that night: Rising early Tuesday, I started out by horse, hoping to find some trace of my cow. This I failed to do, but coming back in the evening found that Link Thomas, about three or four miles west of Leroy, had found the hide, legs and head in his field that day. He, thinking someone had butchered a stolen beast, had brought the hide to town for identification, but was greatly mystified in not being able to find any tracks in the soft ground. After identifying the hide by my brand, I went home. But every time I would drop to sleep I would see the cursed thing, with its big lights and hideous people. I don’t know whether they are devils or angels, or what; but we all saw them, and my whole family saw the ship, and I don’t want any more to do with them.
Jacques F. Vallée (Passport to Magonia: From Folklore to Flying Saucers)
You cry, I cry, …you laugh, I laugh…you jump off a cliff I laugh even harder!!” -- Unknown
Saeed Sikiru (Funny Quotes: 560 Humorous Sayings that Will Keep You Laughing Even After Reading Them)
What would Roger do if a wither destroyed his bell?
Mr. Crafty (The Unknown Quest 2: Portal Jumping: An Unofficial Minecraft Novel)
Campaigns A “humble campaign” is very similar to Sean and Alan’s approach: launch a small campaign as your first project to learn the ropes, then launch a more ambitious project later. Humble campaigns aren’t meant to raise $100,000+ from thousands of backers, though. They have humble ambitions. Not only is this good for running the campaign itself, but it also gives you the opportunity to learn how to create and ship something without the pressure of thousands of backers. The other benefit of a humble campaign is that it’s not as all consuming as a big, complex project. You might actually get to sleep and eat on a regular schedule during a humble campaign. A prime example of a humble campaign is Michael Iachini’s light card game, Otters. In a postmortem blog post6 following his successful campaign ($5,321 raised from 246 backers), Michael outlined the five core elements of a humble campaign: • Low funding goal Keep the product simple and find a way to produce it in small print runs. • Paid graphic design Just because a campaign is humble doesn’t mean it shouldn’t look polished and professional. • Creative Commons art The cards in Otters feature photos of actual otters downloaded from Google Images using a filter for images that are available for reuse (even for commercial purposes, pending credit to the photographers). • Efficient marketing Instead of spending every waking hour on social media, Michael targeted specific reviewers and offered them prototype copies of Otters before the campaign. All he had to do during the campaign was share the reviews when they went live. • Limited expandability Michael offered exactly two stretch goals (compared with dozens for many other projects) and one add-on. In doing so, he intentionally limited the growth potential for the project. You might read this and wonder why you would want to run a humble campaign for $12K or $5K when you create something that could raise $100K. Aside from the standard cautionary tales about letting a project spiral out of control, maintaining a manageable project is like having a summer internship before jumping into a career at an unknown organization. It gives you the chance to poke around, experience the pros and cons firsthand, and make a few mistakes without jeopardizing your entire future.
Jamey Stegmaier (A Crowdfunder’s Strategy Guide: Build a Better Business by Building Community)
The purpose of meditation is to steady the mind and prevent it jumping and chattering like a monkey by holding it to one thought. If you suspend its activity without the one thought that is still better. If it becomes too restive the best way of controlling it is either by an act of Self-enquiry, turning steadily to see whether it really exists or not, and what it is that exists, or by an act of faith and submission, resigning yourself to keep still and let the Unknown take charge. That is what Christ meant by laying down one’s life for His sake. He who lays down his conscious mind for Christ’s sake, for the Spirit, the Unknown, will find it; but also he who clings to it, seeking to preserve it, will lose it.
Arthur Osborne (My life and quest)
Pay attention to your dreams and follow them closely to where they may lead you. No matter how crazy or seemingly impossible they appear — to you or the world. Yet, be open to the possibility that the road, even the destination will likely be different than what you had imagined. Then it matters not what actually happens. For the journey becomes the destination, constantly metamorphosing with each and every step along the way. You see, taking a bold leap into the unknown means trusting that you will either land on a feathered bed or you will come to realise that you can fly, perhaps toward undreamed of heights. This, as I conceive, is what flowing through a full and worthy life entails: Acknowledging the risks of seeking to materialise your dreams, courageously embracing the uncertainty rather than fearing it, and confidently going for the jump anyway. Abandon the comfort. Float away. Adjust the sails according to the Winds of Change.
Omar Cherif
Here’s the point: You get out what you put in—to a degree. Your natural ability and strengths play a big role in determining the potential of your output. Don’t work on things that don’t play to your strengths and passions. Don’t work on things that provide opportunities that don’t interest you. It’s easy to get lost in the fight, and continuously bang your head against the wall when people tell you that you get out what you put in. That expression tells us to just keep working harder, regardless of the task. This isn’t always the answer. If you’re working hard and don’t feel like you’re getting out what you’re putting in, you probably need to stop banging your head against the wall and jump ship. There is also a time factor here, which is very important to consider. YouTube was acquired by Google for $1.65 billion in 2006, less than two years after its founding.[28] PopCap, a gaming company, was acquired by Electronic Arts for $750 million in 2011, eleven years after its founding.[29] If you founded or worked for either of these companies and loved every moment of it, the difference in time-to-acquisition is a non-factor. But, if you did not enjoy yourself and didn’t grow along the way, you better hope you were working at YouTube. Two years of stagnant personal growth is far less painful than eleven. The example above includes two companies that both sold for a bunch of money, which is great. But there’s more to life than money. There’s an opportunity cost to everything you do. If you’re hitting a wall for more than a year and you’re unhappy, I recommend jumping ship—even if there’s a potential pile of cash down the road. There are opportunities beyond whatever you’re currently working on. Forget how much time, effort, and money has already been invested and ignore whatever you might be giving up if you leave. Those are sunk costs and unknown outcomes. Instead, think about what you’re working on and who you’re working with right now. Then decide if that’s really how you want to be spending your days. That’s all that really matters.
Jesse Tevelow (The Connection Algorithm: Take Risks, Defy the Status Quo, and Live Your Passions)
They took us into the editing room and showed us some footage of our D-day drop. Planes all over the sky, paratroopers coming down in the dark. My first combat jump. I'll never forget it. Adrenaline pumping, going into the unknown. That scene made me want to relive that jump in the worst way. Those dirty sons of beetles.
William Guarnere (Brothers In Battle, Best of Friends)
Of course I’m going to jump into the abyss. That’s what I do—throw myself into the unknown.
Rob Spillman (All Tomorrow's Parties: A Memoir)
She remembered dating. She remembered feeling excited and reveling in the unknown. Dating was like hopscotch for giants. An adult game that made the heart jump instead of the feet. A game she used to enjoy.
Barbara Avon (The Gift)
I’d like to share with you a parable: the parable of Bob the Angel. A girl was walking down a darkly lit city street late at night. A man jumped out from the shadows and attacked her, suddenly she was suffocating and disoriented as hands clasped around her neck and the force of his attack started to push her down. She tried to yell as she struggled to pull his arms from her neck while she crumpled backwards to the ground, “God . . . help me!” The next thing she remembers—just as the fear consumed her, and right as she disappeared into the misery and despair of helplessness—was a loud crash and an explosion of glass which rained down upon her and her attacker. The assailant’s lifeless body was suspended above her, held from collapsing on her by an unknown force, and then pulled away from hovering over her and dropped onto the pavement beside her. She opened her eyes in the faint shadowy light, to see black matted hair and a long, black beard framing the eyes of a man. The smell of alcohol on his breath would have knocked her out if the adrenaline was not still trilling through her veins. There he stood, God’s angel, off-kilter and drunk, with a broken whiskey bottle in his hand. “You probably shouldn’t be walking through here this late at night,” was all he said as he turned away. “Wait! What’s your name?” she asked, still stunned half sitting up on the ground. All she heard as he walked away was his trailing voice calling, “Bob’s as good as any. . . .” An angel is a messenger, and sometimes we only want letters sent in white envelopes with beautiful gold print, when sometimes a simple “no” on the back of a gum wrapper is what we are offered. Every postcard from heaven does not come with a picture of the sunset there, nor should it. If it is an answer we want, an answer we will get. As far as pretty postcards, there are many others willing to send us that. If not harps and gold-tipped wings, what then is the mark of an angel? An answer which pierces your soul, and which inspires a question that invites you to look outside of yourself and up to God. God is very objective; He wants to make us think, to engage the faculties we have been given, and to learn from the messengers he sends us. He wants us in the ark before the flood; he could come himself—or send a Noah—but most of the time he sends Bob. Bob is in you, Bob is in me, Bob is in the emotionalized, sarcastic, mocking, patronizing, proud or foolish person which points out meaningful things to us in the worst possible moments, or in the worst possible way.
Michael Brent Jones (Dinner Party: Part 2)
I swear conversation is such hard work! To make myself understood, it’s like I have to speak in an unknown foreign language, every minute of every day.’ 'The Reason I Jump' by Naoki Higashida
Naoki Higashida (The Reason I Jump: the Inner Voice of a Thirteen-Year-Old Boy with Autism)
To prevent the accelerated change and Unknown Results of rapid information flow, most societies dim the timebinding function by setting heavy taboos on speech, writing and other communications. Once these taboos began to break down — after the English and American Bills of Rights became widely copied — information flow increased markedly and the world began quantum-jumping from one reality-tunnel to another with dizzying rapidity. This so alarms conservatives (neophobes) that undoing the Bill of Rights has always played a central role in any conservative program.1
Robert Anton Wilson (Quantum Psychology: How Brain Software Programs You and Your World)
Most people go through this world clinging to what they think is safe, having an idea of who they think they need to be in order to be liked, and passing through this society with the least amount of friction. This is what we hope for; this is what we think means success. But then some of us won’t get that chance; some will be ejected right out of the normal way and into the fire, launched into the adventure of becoming. When this happens, we can cling to what we think is safe and try to construct a socially acceptable version of ourselves. Or we can jump into the void, risk everything we think we are for what we are being asked to become, swim far from the safety of the shore for the unknown horizon, answer the call of every wild, bleeding desire we have buried in us, and use this one life we’ve been given to blow every edge, limit, and wall we’ve ever constructed.
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
As 1:00 a.m. approached, Second Officer Lightoller was feeling frustrated. None of the lifeboats on the port side had yet been launched, despite his best efforts. He had managed to get Lifeboat 4 swung out and lowered half an hour ago, even though Chief Officer Wilde had twice told him to wait. Both times Lightoller had jumped rank and gone directly to Captain Smith to get the go-ahead to proceed. The captain had also suggested that Lifeboat 4 be lowered to A deck since he thought it would be easier for the passengers to board from there. But a crewman had just shouted up that the A-deck windows were locked. (Smith may have forgotten that, unlike the Olympic, the Titanic had a glassed-in forward promenade.) Lightoller sent someone to unlock the windows and to recall the passengers who had been sent down there. Meanwhile, he moved aft to prepare Lifeboats 6 and 8, ordering that the masts and sails be lifted out of them. Just then the roaring steam was silenced and Lightoller was slightly startled by the sound of his own voice. Arthur Peuchen overheard the order and, ever handy around boats, jumped in to help cut the lashings and lift the masts out onto the deck. After that the call went out for women and children to come forward. The “women and children only” order would be more strictly enforced here than on the starboard side where men were being allowed into boats. When a crowd of grimy stokers and firemen suddenly appeared carrying their dunnage bags, Chief Officer Wilde was spurred into action. “Down below, you men! Every one of you, down below!” he bellowed in a stern, Liverpool-accented voice. Major Peuchen was very impressed with Wilde’s commanding manner as he drove the men right off the deck, and thought it “a splendid act.” Helen Candee, however, felt sympathy for the stokers whom she later described as a band of unknown heroes who had accepted their fate without protest. She was waiting by Lifeboat 6 with Hugh Woolner, who had been by her side ever since he had gone down to her cabin from the smoking room after the collision. “The Two” had then walked together on the boat deck, amid the roar of venting steam, and had noticed that the ship was listing to starboard. They went into the lounge to escape the cold and the noise, and there a young man came over to them with something in his hand. “Have some iceberg!” he said with a smile as he dropped a piece of ice into Helen’s palm. The ice soon chilled Helen’s fingers, so Woolner dashed it from her and rubbed her hand and then kept it clasped in his.
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
Yes, Life is a bunjee jump into the unknown, in every moment! And your faith in yourself is your harness! Enjoy the journey...the adventure...!!!
AVIS Viswanathan
Life is full of unknowns. But that doesn’t mean you can’t take risks. Make that jump. Because as many things that can go wrong, a million more can go right.” “I know that in my head. But my heart…it’s another story.” … “It tells you to run.” He understood without me having to spell it out. I burrowed deeper into his hold. “But I don’t want to run from you.” He was the first person I’d truly wanted to fight for. To resist the urge to pull away from. “Then you won’t. I’ll help you stay.
Catherine Cowles (Beneath the Wreckage (Wrecked, #5))
Future destinations in our solar system neighborhood include potential probe missions to a few moons of Jupiter, Saturn, and Neptune -- mainly by virtue of them being possible candidates for life, with their large oceans buried beneath icy crusts, plus intense volcanic activity. But getting humans to explore these possibly habitable worlds is a big issue in space travel. The record for the fastest-ever human spaceflight was set by the Apollo 10 crew as they gravita­tionally slingshotted around the Moon on their way back to Earth in May 1969. They hit a top speed of 39,897 kilo­meters per hour (24,791 miles per hour); at that speed you could make it from New York to Sydney and back in under one hour. Although that sounds fast, we've since recorded un-crewed space probes reaching much higher speeds, with the crown currently held by NASA's Juno probe, which, when it entered orbit around Jupiter, was traveling at 266,000 kilometers per hour (165,000 miles per hour). To put this into perspective, it took the Apollo 10 mission four days to reach the Moon; Opportunity took eight months to get to Mars; and Juno took five years to reach Jupiter. The distances in our solar system with our current spaceflight technology make planning for long-term crewed explora­tion missions extremely difficult." "So, will we ever explore beyond the edge of the solar system itself? The NASA Voyager 1 and 2 spacecraft were launched back in 1977 with extended flyby missions to the outer gas giant planets of Jupiter and Saturn. Voyager 2 even had flyby encounters with Uranus and Neptune -- it's the only probe ever to have visited these two planets. "The detailed images you see of Uranus and Neptune were all taken by Voyager 2. Its final flyby of Neptune was in October 1989, and since then, it has been traveling ever farther from the Sun, to the far reaches of the solar sys­tem, communicating the properties of the space around it with Earth the entire time. In February 2019, Voyager 2 reported a massive drop off in the number of solar wind particles it was detecting and a huge jump in cosmic ray particles from outer space. At that point, it had finally left the solar system, forty-one years and five months after being launched from Earth. "Voyager 1 was the first craft to leave the solar system in August 2012, and it is now the most distant synthetic object from Earth at roughly 21.5 billion kilometers (13.5 billion miles) away. Voyager 2 is ever so slightly closer to us at 18 billion kilometers (11 billion miles) away. Although we may ultimately lose contact with the Voyager probes, they will continue to move ever farther away from the Sun with nothing to slow them down or impede them. For this reason, both Voyager crafts carry a recording of sounds from Earth, including greetings in fifty-five differ­ent languages, music styles from around the world, and sounds from nature -- just in case intelligent life forms happen upon the probes in the far distant future when the future of humanity is unknown.
Rebecca Smethurst
The unknown can be terrifying, but sometimes it’s best to just jump in the deep end. You never know what wonderful things you might come across.
Lise Gold (Lily's Fire)
The jump from ten to twenty-five was a lifetime. The leap from twenty-five to forty was but a long weekend.
Amy Harmon (The Unknown Beloved)
What are the consequences if I do nothing? What opportunity could I be throwing away?” By not doing it, you are not getting away with anything. In the short term, it might appear that way, but this is an illusion. It’s a lie that you tell yourself. Ask yourself: What are the consequences of not looking for a new job? What will I lose by staying in the same place doing the same thing, surrounded by the same negative environment? You must visualize the life you want to lead, and not what is expected of you. You can change your life, but only if you take charge and lead the way. Nobody will step in and do what is best for you. The unknown is waiting for you to jump in and discover all you can be. But you must trust yourself and start your journey.
Scott Allan (Do the Hard Things First: How to Win Over Procrastination and Master the Habit of Doing Difficult Work (Do the Hard Things First Series Book 1))
The fleas would jump and jump to heights unknown. Then a man came along and upturned a glass jar over the fleas. The fleas jumped and hit the top of the jar and could go no farther. Then the man removed the jar and yet the fleas did not jump higher than they had grown accustomed, because they believed there to still be a glass ceiling.” He breathes out smoke. I see his eyes glow through it like the ember tip of his burner. “We are the fleas who jump high. Now let me show you just how high.
Pierce Brown (Red Rising (Red Rising Saga, #1))
Rouhani, was elected in 2013. Obama had set his sights on working out a deal with the mad mullahs as early as 2008. You mean he came into office to do the deal? Now you got the rest of the story. He was handpicked to do the deal. Where did this unknown ghost come from? This man, this administration, was handpicked by foreign powers that manipulated him into the presidency. Because of the liars in the media, he has been able to get away with virtual murder. The murder of the truth, the murder of our national security. I know many lives were, let us say, seriously challenged during the HUAC hearings of the McCarthy era, but I want to ask you something. Have you read the Venona papers? The Soviet-era secret correspondence that came out a little over two decades ago, which confirmed that almost everything that Joseph McCarthy had been saying about the news media and Hollywood was true? That there were communists who were openly subverting America? Can anyone tell me the name of someone whose life was actually ruined by HUAC who was not really working to subvert America, who was not really a communist or fellow traveler? I’d like to know whose life was ruined. I think it’s a myth that lives of innocent people were ruined. I know there were movies made, I remember The Front with Zero Mostel, in which he played an innocent actor who jumped out of a window because the House Un-American Activities Committee was after him. Hollywood has made many, many movies about the blacklist. We hear about the blacklist. But how many innocent people’s lives were actually ruined? The operative word here is innocent. I’d like to know their names.
Michael Savage (Scorched Earth: Restoring the Country after Obama)
In a way, Schoenberg's journey resembles that of Theodor Herzi, the progenitor of political Zionism, whose early attacks on self-satisfied assimilated urban Jews could be mistaken for anti-Semitic diatribes. The scholar Alexander Ringer has argued that Schoenberg's atonality may have been an oblique affirmation of his Jewishness. In this reading, it is a kind of musical Zion, a promised land in whose dusty desert climate the Jewish composer could escape the ill-concealed hatred of bourgeois Europe. Schoenberg would prove uncannily alert to the murderousness of Nazi anti-Semitism. In 1934, he predicted that Hitler was planning "no more and no less than the extermination of all Jews!" Such thoughts were presumably not on his mind circa 1907 and 1908, yet to be Jewish in Vienna was to live under a vague but growing threat. Anti-semitism was shifting from a religious to a racial basis, meaning that a conversion to Catholicism or Protestantism no longer sufficed to solve one's Jewish problem. Rights and freedoms were being picked off one by one. Jews were expelled from student societies, boycotts instituted. There were beatings in the streets. Rabble-rousers spouted messages of hate. Hitler himself was somewhere in the background, trying to make his way as an artist, building a cathedral of resentment in his mind. As the historian Steven Beller writes, Jews were "at the center of culture but the edge of society." Mahler ruled musical Vienna; at the same time, Jewish men never felt safe walking the streets at night. All told, a Freudian host of urges, emotions, and ideas circled Schoenberg as he put his fateful chords on paper. He endured violent disorder in his private life; he felt ostracized by a museum-like concert culture; he experienced the alienation of being a Jew in Vienna; he sensed a historical tendency from consonance to dissonance; he felt disgust for a tonal system grown sickly. But the very multiplicity of possible explanations points up something that cannot be explained. There was no "necessity" driving atonality; no irreversible current of history made it happen. It was one man's leap into the unknown. It became a movement when two equally gifted composers jumped in behind him.
Alex Ross (THE REST IS NOISE : ? L'?COUTE DU XXE SI?CLE by ALEX ROSS)
In a way, Schoenberg's journey resembles that of Theodor Herzi, the progenitor of political Zionism, whose early attacks on self-satisfied assimilated urban Jews could be mistaken for anti-Semitic diatribes. The scholar Alexander Ringer has argued that Schoenberg's atonality may have been an oblique affirmation of his Jewishness. In this reading, it is a kind of musical Zion, a promised land in whose dusty desert climate the Jewish composer could escape the ill-concealed hatred of bourgeois Europe. Schoenberg would prove uncannily alert to the murderousness of Nazi antisemitism. In 1934, he predicted that Hitler was planning "no more and no less than the extermination of all Jews!" Such thoughts were presumably not on his mind circa 1907 and 1908, yet to be Jewish in Vienna was to live under a vague but growing threat. Antisemitism was shifting from a religious to a racial basis, meaning that a conversion to Catholicism or Protestantism no longer sufficed to solve one's Jewish problem. Rights and freedoms were being picked off one by one. Jews were expelled from student societies, boycotts instituted. There were beatings in the streets. Rabble-rousers spouted messages of hate. Hitler himself was somewhere in the background, trying to make his way as an artist, building a cathedral of resentment in his mind. As the historian Steven Beller writes, Jews were "at the center of culture but the edge of society." Mahler ruled musical Vienna; at the same time, Jewish men never felt safe walking the streets at night. All told, a Freudian host of urges, emotions, and ideas circled Schoenberg as he put his fateful chords on paper. He endured violent disorder in his private life; he felt ostracized by a museum-like concert culture; he experienced the alienation of being a Jew in Vienna; he sensed a historical tendency from consonance to dissonance; he felt disgust for a tonal system grown sickly. But the very multiplicity of possible explanations points up something that cannot be explained. There was no "necessity" driving atonality; no irreversible current of history made it happen. It was one man's leap into the unknown. It became a movement when two equally gifted composers jumped in behind him.
Alex Ross (The Rest Is Noise: Listening to the Twentieth Century)
I was never going to jump.” Eight bites her lip, but it sounds like the truth. “I just… it’s the unknown. I’ve never feared it before. Now, I have something to lose. I’m terrified of not knowing the future.
J. Rose (Desecrated Saints (Blackwood Institute, #3))
subsistence living was often the norm. One learned to expect lean times and to jump at work when it was offered, and so people were especially vulnerable to those who, pretending to be reasonable, preyed upon the natural instinct to provide for one’s family. And those people, she had told him, were brutal. They controlled through unpredictable violence and fear, and left one choice: obey and be richly rewarded, or disobey and be killed painfully. No matter how much they might, on some level, realize that they could be in the line of fire at any time, people kept their heads down out of instinct. They told themselves that everyone did whatever they needed to do to survive. They told themselves that they and their families had to be their first priority. Even
Natalie Grey (Challenges (Frank Kurns Stories of the UnknownWorld, #4))
share important moments, and provide comfort for one another’s challenges and disappointments. Each had been robbed of years when the world should have given them more. It was a time when all one could do to survive was flee, leave all else behind, and jump into the unknown. They had been uprooted and tossed and turned by events that could not have been imagined in their youth, events that had shaped their lives, struggles that had destroyed millions of their generation, a history they shared in common.
Ralph Webster (The Other Mrs. Samson)
Everything had been fine, until one day it wasn’t enough anymore. Jack had tasted this other world, this other life, and wouldn’t go back to how things were. The only way was forward and that was where he was headed. Even if it meant jumping in the unknown.
Charlotte Kluskens (The Art of Becoming)
Cleo meowed in my face and batted at my chin, making me wince, before she jumped down and took off for places unknown.
Lucy Smoke (Iris Boys Box Set (Iris Boys #1-4))
It’s scary to jump into the unknown. That’s why many people would rather keep attending seminars, reading books, and pretending to make changes.
Henri Junttila (Find Your Passion: 25 Questions You Must Ask Yourself)
What a strange vortex the years suddenly seemed. The jump from ten to twenty-five was a lifetime. The leap from twenty-five to forty was but a long weekend.
Amy Harmon (The Unknown Beloved)
I was very close to the age where I would have been sent to train, but was saved from that fate when we were forced out of Pinyudo, all forty thousand of us, by the Ethiopian forces that overthrew President Mengistu. ... The area near the river was marshy and the group was soaked, wading through the heavy water. The river, when we arrived, was high and moving quickly. Trees and debris flew with the current. The first shots seemed small and distant. I turned to follow the sound. I saw nothing, but the gunfire continued and grew louder. The attackers were nearby. The sounds multiplied, and I heard the first screams. A woman up the river spat a stream of blood from her mouth before falling, lifeless, into the water. She had been shot by an unseen assailant, and the current soon took “her toward my group. Now the panic began. Tens of thousands of us splashed through the shallows of the river, too many unable to swim. To stay on the bank meant certain death, but to jump into that river, swollen and rushing, was madness. “The Ethiopians were attacking, their Eritrean cohorts with them, the Anyuak doing their part. They wanted us out of their country, they were avenging a thousand crimes and slights. I paddled and kicked. I looked again for the spot on the riverbank where I had last seen the crocodiles. They were gone. —The crocodiles! —Yes. We must swim fast. Come. There are so many of us. We’re at a mathematical advantage. Swim, Achak, just keep paddling. A scream came from very close. I turned to see a boy in the jaws of a crocodile. The river bloomed red and the boy’s face disappeared. —Keep going. Now he’s too busy to eat you. We were halfway across the river now, and my ears heard the hiss under the water and the bullets and mortars cracking the air. Each time my ears fell below the surface, a hiss overtook my head, and it felt like the sound of the crocodiles coming for me. I tried to keep my ears above the surface, but when my head was too high, I pictured a bullet entering the back of my skull. ... I pushed my face into the dirt, but secretly I watched the slaughter below. Thousands of boys and men and women and babies were crossing the river, and soldiers were killing them randomly and sometimes with great care. There were a few SPLA troops fighting from our side of the river, but for the most part they had already escaped, leaving the Sudanese civilians alone and unprotected. The Ethiopians, then, had their choice of targets, most of them unarmed. “they chased the Sudanese from their land with machetes and the few rifles they possessed. They hacked and shot those running to the river, and they shot those flailing across the water. Shells exploded, sending plumes of white twenty feet into the air. Women dropped babies in the river. Boys who could not swim simply drowned... Some of the dead were then eaten by crocodiles. The river ran in many colors that day, green and white, black and brown and red. “—Come here!" a woman said. I looked to find the source of the voice, and turned to see an Ethiopian woman in a soldier’s uniform. —Come here and I will help you find Pochalla! she said. The other boys began walking toward her. —No! I said. —See how she’s dressed! —Don’t fear me, she said. I am just a woman! I am a mother trying to help you boys. Come to me, children! I am your mother! Come to me! The unknown boys ran toward her. Achor stayed with me. When they were twenty feet from her, the woman turned, lifted a gun from the grass, and with her eyes full of white, she shot the taller boy through the heart. I could see the bullet leaving his back. His body kneeled and then fell on its side, his head landing before his shoulder. “Run! he said, grabbing my shirt from behind. We ran from her, diving into the grass and then crawling and hurtling away fom the woman, who was still shouting at us. "Come back!" she said. "I am your mother, come back, my children!
Dave Eggers (What Is the What)
Unknown Regions.” “I understood travel into the Unknown Regions was difficult.” “Indeed,” Thrawn said. “The hyperlanes are few and not easy to traverse. But system jumps are possible if a traveler has sufficient time and is content with traversing limited distances.” “And if one was not content with limited distances?” “One would need a careful study of the border,” Thrawn said. “Millennia ago a set of chained supernova explosions throughout this particular region threw planet- and moon-sized masses at high speeds across the stars. The movements of those masses continually alter the hyperlanes, changing the paths in ways that are difficult to calculate. Other phenomena in other parts of the border created similar barriers. The hyperlanes that remain largely intact are beset with other dangers.
Timothy Zahn (Thrawn: Alliances (Star Wars: Thrawn, #2))
There is a compression in technology and it is getting smaller and smaller. The speed of processors is defined by how tightly the dies can be cast together. Which is why blue-shifting is related to consciousness. But this detail is, as far as I can tell, unknown to the Terran scientific community, despite every article relating to computing summarizing this fact.
Rico Roho (Pataphysics: Mastering Time Line Jumps for Personal Transformation)
Our mortal knowledge may not be visible in all of our moves, but it shines through in some: we shrink back from the balcony’s edge, from the animal with unknown intent; we buckle up for safety; we look both ways before crossing; we don’t jump in the tiger cage; we refrain from the third serving of fried ice cream; we even entertain not swimming after eating. If dogs know about death, it might show in how they act. I
Alexandra Horowitz (Inside of a Dog: What Dogs See, Smell, and Know)
Don’t we all, at some level, want to join the outsiders? Their stories tear at our hearts and uplift our souls. The lessons they learned took the human race down unknown roads. One could do worse than to jump the track of everyday life and follow them. Deepak Chopra April 2012
Deepak Chopra (God: A Story of Revelation (Enlightenment Collection Book 4))
It shows how a leap into the unknown – whether it’s a bungee jump or a marriage proposal – can lead to joy, not disaster. Come to the Edge by Christopher Logue Come to the edge. We might fall. Come to the edge. It’s too high! COME TO THE EDGE! And they came, And he pushed, And they flew.
William Sieghart (The Poetry Pharmacy: Tried-and-True Prescriptions for the Heart, Mind and Soul)
Scores of people killed themselves, or tried to, rather than face that journey into the unknown. There were a reported 430 suicides and 252 suicide attempts in Terezín between 1941 and 1943 – most of them during the transports. Those who couldn’t face leaving their loved ones jumped from windows, slashed their wrists, hanged themselves, or took overdoses of barbiturates stolen or bought from the infirmary.
Wendy Holden (Born Survivors: Three Young Mothers and Their Extraordinary Story of Courage, Defiance, and Hope)
The old propaganda campaign will slowly influence you over time to believe that things cannot change and you are stuck the way you are. This door is open only for a short while, and you must make the decision to leap through it to the unknown that waits on the other side. I encourage you with all of my heart to make the jump. While the potential fall might be scary, the world around you will hold you up. There are thousands of people out there who want to be your friend, and thousands more who want to date you, sleep with you, marry you, and start a family with you. The world is waiting for you to show up as your full, authentic self. Do not keep it waiting. May you have the courage to be who you are.
Aziz Gazipura (The Solution To Social Anxiety: Break Free From The Shyness That Holds You Back)
Most who avoid quitting their jobs entertain the thought that their course will improve with time or increases in income. This seems valid and is a tempting hallucination when a job is boring or uninspiring instead of pure hell. Pure hell forces action, but anything less can be endured with enough clever rationalization. Do you really think it will improve or is it wishful thinking and an excuse for inaction? If you were confident in improvement, would you really be questioning things so? Generally not. This is fear of the unknown disguised as optimism. Are you better off than you were one year ago, one month ago, or one week ago? If not, things will not improve by themselves. If you are kidding yourself, it is time to stop and plan for a jump. Barring any James Dean ending, your life is going to be LONG. Nine to five for your working lifetime of 40–50 years is a long-ass time if the rescue doesn’t come. About 500 months of solid work. How many do you have to go? It’s probably time to cut your losses.
Timothy Ferriss (The 4 Hour Workweek, Expanded And Updated: Expanded And Updated, With Over 100 New Pages Of Cutting Edge Content)
Looking at him felt like a torment. Her heart was beating faster with every second, trying to jump out of her chest. Fear and desire, before unknown, were coming over her like strong, powerful waves, breaking somewhere below her waist.
Tatiana Vedenska (Two Months and Three Days (Sinister Romance, #1))
Ever since William of Ockham,119 scientists and philosophers have preferred simpler, more compact explanations over longer, more complex ones. For example, suppose you came home one day and your pool smelled like baboons. Would it make more sense to assume that an international crime organization put drops of baboon perfume in your pool as part of a complicated heist involving Justin Bieber and three professional basketball players, or would it make more sense to simply assume your pet baboon disobeyed your order and jumped in the pool to cool off?
Jorge Cham (We Have No Idea: A Guide to the Unknown Universe)
Love is so unknown, and I need to know the unknown. I’ve never met someone who I could feel secure enough with, I suppose. Never met someone who could be there consistently.” Rooney nods, listening intently. I continue talking. “Being in love seems like jumping into the deep end without knowing how to swim. Or going to space without a crew in Mission Control helping guide you.
Lauren Kung Jessen (Red String Theory)