“
There was nothing sweet or gentle in our last kiss; it was filled with sorrow and desperation, of the bitter knowledge that we could've had something perfect, but it just wasn't meant to be.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
But sometimes a kiss is not a kiss is not a kiss. Sometimes it’s a poetry.
”
”
Julie Buxbaum (Tell Me Three Things)
“
I think our last kiss was meant to be quick and chaste, but after the first touch of his lips fire leaped up and roared through my belly. My fingers yanked him close, digging into his back, and his arms crushed me to him as if wanting to meld us together. I knotted my fingers in his hair and bit down on his bottom lip, making him groan. His lips parted, and my tongue swept in to dance with his. There was nothing sweet or gentle in our last kiss; it was filled with sorrow and desperation, of the bitter knowledge that we could've had something perfect, but it just wasn't meant to be.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
Sometimes I'm so sweet even I can't stand it.
”
”
Julie Andrews Edwards
“
Oh, isn’t that sweet,” came Jackal’s loud, mocking voice... “Let’s make goo-goo eyes at each other in the middle of a stinking corpse field, how very romantic.
”
”
Julie Kagawa (The Forever Song (Blood of Eden, #3))
“
Names.
What’s in a name, really? I mean, besides a bunch of
letters or sounds strung together to make a word. Does a
rose by any other name really smell as sweet? Would the
most famous love story in the world be as poignant if it was
called Romeo and Gertrude? Why is what we call
ourselves so important?
”
”
Julie Kagawa (Summer's Crossing (Iron Fey, #3.5))
“
Sweet Jesus.
It was The Delicious in the dark shirt and jeans.
”
”
Julie James (Practice Makes Perfect)
“
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.”
“Yeah?” I leaned my forehead against his chest. “What about you?”
“Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her.
“Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.”
“Ouch,” I said with a light laugh. “Sounds painful.”
“Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—”
“—and Chubs makes fun of you for it,” I added.
“Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—”
“—but who’s the coolest little girl on the planet,” I manage to squeeze out.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Listen, you. Don't threaten me. I could make your life a nightmare. He put his hand in front of her face and unfolded three fingers as he said, I'm F-B-I. She smiled. It wasn't the reaction he expected. You want to talk nightmares? she said. She put her hand up to his face and unfolded her three fingers. I'm I-R-S.
”
”
Julie Garwood (Sweet Talk (Buchanan-Renard, #10))
“
Let me sing you a waltz / Out of nowhere, out of my thoughts / Let me sing you a waltz / About this one night stand / You were, for me, that night / Everything I always dreamt of in life / But now you're gone / You are far gone / All the way to your island of rain / It was for you just a one night thing / But you were much more to me, just so you know / I don't care what they say / I know what you meant for me that day / I just want another try, I just want another night / Even if it doesn't seem quite right / You meant for me much more than anyone I've met before / One single night with you, little Jesse, is worth a thousand with anybody / I have no bitterness, my sweet / I'll never forget this one night thing / Even tomorrow in other arms, my heart will stay yours until I die / Let me sing you a waltz / Out of nowhere, out of my blues / Let me sing you a waltz / About this lovely one night stand
”
”
Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
“
I didn't hear the exact moment Sarren ended Zeke's life. I was just aware of his breathing, tagged at first, then seizing up, as if he could no longer gasp for her. And then, a long, agonizingly slow exhale, the last gulp departing his lungs, as Ezekiel's tortured breaths finally, irreversibly, stopped altogether.
"Good night, sweet prince." Sarren crooned, a velvet whisper.
The recording clicked off.
”
”
Julie Kagawa (The Eternity Cure (Blood of Eden, #2))
“
She looked for the deposition transcript she had dropped, she turned around and—
—the entire audience in the galley cried out in shock.
Unbeknownst to Payton, when she had fallen her skirt—those damn slim-fit skirts she liked so much—had torn at the seam and now gaped open, and sweet Jesus, she was wearing a thong and two tiny white butt cheeks peeked out from between the folds of her skirt—
J.D.’s jaw nearly hit the floor.
”
”
Julie James (Practice Makes Perfect)
“
Aw, isn’t that sweet.” And Jackal sauntered into view, smirk firmly in place. “But don’t wait around on my account. It’s not like I can’t wait for yet another riveting night of listening to you people whine at each other. Oh, woe is me, I’m a vampire. I’m a horrible monster who eats babies and murders bunnies, boo hoo hoo.
”
”
Julie Kagawa (The Forever Song (Blood of Eden, #3))
“
I supposed this was one reason why people got married, to make a fiction that was tellable. It wasn’t just movies that couldn’t contain the full cast of characters — it was us. We had to winnow life down so we knew where to put our tenderness and attention; and that was a good, sweet thing. But together or alone, we were still embedded in a kaleidoscope, ruthlessly varied and continuous, until the end of the end.
”
”
Miranda July (It Chooses You)
“
I'll be able to forget you after that." A bald-faced lie. Even if I turned ninety, lost my mind and forgot everything else, the memory of the Winter prince would be a shining beacon that would never fade.
Ash still wavered, looking torn. His eyes flicked to the door, and for a moment I thought he would walk away, leaving me to shrivel into a mortified heap. But then he let out a quiet sigh, and his shoulders slumped in resignation.
Meeting my gaze, he took one step forward, drew me into his arms, and brushed his lips to mine.
I think our last kiss was meant to be quick and chaste, but... There was nothing sweet or gentle in our last kiss; it was filled with sorrow and desperation, of the bitter knowledge that we could've had something perfect, but it just wasn't meant to be.
"Don't ask me this again," he rasped, and I was too breathless to answer.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
Olivia MacKenzie was certain she would have been offered the job if she hadn’t punched the boss during the interview.
”
”
Julie Garwood (Sweet Talk (Buchanan-Renard, #10))
“
And make no mistake, Julie. We are having a relationship.
”
”
Maya Banks (Sweet Seduction (Sweet, #3))
“
our lives are short and shaped by circumstance, and maybe we can’t control most of what’s to come. But we can control how we feel. We can savor the sweetness of a blackberry scone, and the company of our friends, and the warmth of the summer wind at night, and be grateful for it. We can be nothing, and choose to be miserable about it, like you—or we can be nothing, but choose to be happy, and let that be purpose enough.
”
”
Julie Leong (The Teller of Small Fortunes)
“
Every man has a weakness," he patiently explained. "I'll find theirs, I promise you."
"Every man?"
"Yes," he answered emphatically.
His hand moved to the back of her neck. Twisting her curls around his fist, he jerked her head back. His face loomed over hers, his breath warm and sweet as he stared down into her eyes.
"What is your weakness, Brodick?" she asked.
"You.
”
”
Julie Garwood (Ransom (Highlands' Lairds, #2))
“
I saw thee once - only once - years ago:
I must not say how many - but not many.
It was a July midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness, and slumber,
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared stir, unless on tiptoe -
Fell on the upturn'd faces of these roses
That gave out, in return for the love-light,
Their odorous souls in an ecstatic death -
Fell on the upturn'd faces of these roses
That smiled and died in the parterre, enchanted
By thee, and by the poetry of thy presence.
Clad all in white, upon a violet bank
I saw thee half reclining; while the moon
Fell upon the upturn'd faces of the roses,
And on thine own, upturn'd - alas, in sorrow!
Was it not Fate, that, on this July midnight -
Was it not Fate, (whose name is also Sorrow,)
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footsteps stirred: the hated world all slept,
Save only thee and me. (Oh, Heaven! - oh, G**!
How my heart beats in coupling those two words!)
Save only thee and me. I paused - I looked -
And in an instant all things disappeared.
(Ah, bear in mind the garden was enchanted!)
The pearly lustre of the moon went out:
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses' odors
Died in the arms of the adoring airs.
All - all expired save thee - save less than thou:
Save only divine light in thine eyes -
Save but the soul in thine uplifted eyes.
I saw but them - they were the world to me.
I saw but them - saw only them for hours -
Saw only them until the moon went down.
What wild heart-histories seemed to lie enwritten
Upon those crystalline, celestial spheres!
How dark a wo! yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition! yet how deep -
How fathomless a capacity for love!
But now, at length, dear Dian sank from sight,
Into a western couch of thunder-cloud;
And thou, a ghost, amid the entombing trees
Didst glide away. Only thine eyes remained.
They would not go - they never yet have gone.
Lighting my lonely pathway home that night,
They have not left me (as my hopes have) since.
They follow me - they lead me through the years.
They are my ministers - yet I their slave.
Their office is to illumine and enkindle -
My duty, to be saved by their bright fire,
And purified in their electric fire,
And sanctified in their elysian fire.
They fill my soul with Beauty (which is Hope,)
And are far up in Heaven - the stars I kneel to
In the sad, silent watches of my night;
While even in the meridian glare of day
I see them still - two sweetly scintillant
Venuses, unextinguished by the sun!
”
”
Edgar Allan Poe (The Raven and Other Poems)
“
He raised his voice over the crowd’s roar and gestured to Cade’s phone. “Good news?”
Cade tucked the phone back into his pocket. “She said yes.”
Vaughn blinked—clearly having expected Cade to say something else—then threw out his hands. He had no clue what they were talking about, but right then everything was a cause for celebration. “She said yes! Hell, yeah!” He grabbed Huxley and pointed to Cade, shouting over the crowd. “She said yes.”
“Sweet,” Huxley said, tapping his beer to Cade’s. “Who said yes?”
“Brooke Parker. I’m seeing her tonight.”
“Fuck you,” Vaughn said, somewhat in awe. “I knew it. You’ve been digging her from the moment she told you to shove your obstruction of justice threats up your ass.”
“What can I say? I’m a sucker for the shy, quiet types.
”
”
Julie James (Love Irresistibly (FBI/US Attorney, #4))
“
Can we get on with this?" Father Laggan cried out. "In the name of the Father…"
"I'm inviting my aunt Millicent and uncle Herbert to come for a visit, Iain, and I'm not going through the council to get permission first."
"… and of the Son," the priest continued in a much louder voice.
"She'll be wanting King John next," Duncan predicted.
"We can't allow that, lass," Owen muttered.
"Please join hands now and concentrate on this ceremony," Father Laggan shouted, trying to gain everyone's attention.
"I don't want King John to come here," Judith argued. She turned to frown at Owen for making such a shameful suggestion. "I want my aunt and uncle. I'm getting them, too." She turned and had to peek around Graham in order to look up at Iain. "Yes or no, Iain."
"We'll see. Graham, I'm marrying Judith, not you. Let go of her hand. Judith, move over here."
Father Laggan gave up trying to maintain order. He continued on with the ceremony. Iain was paying some attention. He immediately agreed to take Judith for his wife.She wasn't as cooperative. He felt a little sorry for the sweet woman. She looked thoroughly
confused.
"Judith, do you take Iain for your husband?"
She looked up at Iain before giving her answer. "We'll see."
"That won't do, lass. You've got to say I do," he advised.
"Do I?"
Iain smiled. "Your aunt and uncle will be welcomed here."
She smiled back.
....
Judith tried not to laugh. She turned her attention back to Father Laggan. "I will say I do,"
she told him. "Shouldn't we begin now?"
"The lass has trouble following along," Vincent remarked.
Father Laggan gave the final blessing while Judith argued with the elder about his rude comment. Her concentration was just fine, she told him quite vehemently.
She nagged an apology out of Vincent before giving the priest her attention again. "Patrick, would you go and get Frances Catherine? I would like her to stand by my side during the ceremony."
"You may kiss the bride," Father Laggan announced.
”
”
Julie Garwood (The Secret (Highlands' Lairds, #1))
“
As sweet as it was for him to help me with my boots, there’s something powerful about taking off my own clothing and choosing to reveal myself to someone as dear to me as he is.
”
”
Julie Murphy (Ramona Blue)
“
I hand over some files to and her eyes meet mine, all cool and sweet like a snow-cone in July.
”
”
Liz Reinhardt (Fall Guy (Youngblood, #1))
“
We’re not always cheerful and funny. We’ve sadness, and anxiety, and all these other bitter things wrapped up inside, too, and that’s what makes the sweetness all the sweeter.
”
”
Julie Leong (The Teller of Small Fortunes)
“
To Helen
I saw thee once-once only-years ago;
I must not say how many-but not many.
It was a july midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness, and slumber
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared to stir, unless on tiptoe-
Fell on the upturn'd faces of these roses
That gave out, in return for the love-light
Thier odorous souls in an ecstatic death-
Fell on the upturn'd faces of these roses
That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence.
Clad all in white, upon a violet bank
I saw thee half reclining; while the moon
Fell on the upturn'd faces of the roses
And on thine own, upturn'd-alas, in sorrow!
Was it not Fate that, on this july midnight-
Was it not Fate (whose name is also sorrow)
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footstep stirred; the hated world all slept,
Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!)
Save only thee and me. I paused- I looked-
And in an instant all things disappeared.
(Ah, bear in mind this garden was enchanted!)
The pearly lustre of the moon went out;
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses' odors
Died in the arms of the adoring airs.
All- all expired save thee- save less than thou:
Save only the divine light in thine eyes-
Save but the soul in thine uplifted eyes.
I saw but them- they were the world to me.
I saw but them- saw only them for hours-
Saw only them until the moon went down.
What wild heart-histories seemed to lie enwritten
Upon those crystalline, celestial spheres!
How dark a woe! yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition!yet how deep-
How fathomless a capacity for love!
But now, at length, dear Dian sank from sight,
Into western couch of thunder-cloud;
And thou, a ghost, amid the entombing trees
Didst glide away. Only thine eyes remained.
They would not go- they never yet have gone.
Lighting my lonely pathway home that night,
They have not left me (as my hopes have) since.
They follow me- they lead me through the years.
They are my ministers- yet I thier slave
Thier office is to illumine and enkindle-
My duty, to be saved by thier bright light,
And purified in thier electric fire,
And sanctified in thier Elysian fire.
They fill my soul with Beauty (which is Hope),
And are far up in heaven- the stars I kneel to
In the sad, silent watches of my night;
While even in the meridian glare of day
I see them still- two sweetly scintillant
Venuses, unextinguished by the sun!
”
”
Edgar Allan Poe
“
(About a woman's funeral) Do you remember the part in The Wizard of Oz when the witch is dead and the Munchkins start singing? Think that kind of happiness. I swear every woman there was ready to break into song. Maybe a few of the men, too. (p. 80)
”
”
Julie Mulhern (The Deep End (The Country Club Murders #1))
“
And so we know the satisfaction of hate. We know the sweet joy of revenge. How it feels good to get even. Oh, that was a nice idea Jesus had. That was a pretty notion, but you can't love people who do evil. It's neither sensible or practical. It's not wise to the world to love people who do such terrible wrong. There is no way on earth we can love our enemies. They'll only do wickedness and hatefulness again. And worse, they'll think they can get away with this wickedness and evil, because they'll think we're weak and afraid. What would the world come to?
But I want to say to you here on this hot July morning in Holt, what if Jesus wasn't kidding? What if he wasn't talking about some never-never land? What if he really did mean what he said two thousand years ago? What if he was thoroughly wise to the world and knew firsthand cruelty and wickedness and evil and hate? Knew it all so well from personal firsthand experience? And what if in spite of all that he knew, he still said love your enemies? Turn your cheek. Pray for those who misuse you. What if he meant every word of what he said? What then would the world come to?
And what if we tried it? What if we said to our enemies: We are the most powerful nation on earth. We can destroy you. We can kill your children. We can make ruins of your cities and villages and when we're finished you won't even know how to look for the places where they used to be. We have the power to take away your water and to scorch your earth, to rob you of the very fundamentals of life. We can change the actual day into actual night. We can do these things to you. And more.
But what if we say, Listen: Instead of any of these, we are going to give willingly and generously to you. We are going to spend the great American national treasure and the will and the human lives that we would have spent on destruction, and instead we are going to turn them all toward creation. We'll mend your roads and highways, expand your schools, modernize your wells and water supplies, save your ancient artifacts and art and culture, preserve your temples and mosques. In fact, we are going to love you. And again we say, no matter what has gone before, no matter what you've done: We are going to love you. We have set our hearts to it. We will treat you like brothers and sisters. We are going to turn our collective national cheek and present it to be stricken a second time, if need be, and offer it to you. Listen, we--
But then he was abruptly halted.
”
”
Kent Haruf (Benediction (Plainsong, #3))
“
Will you date me when I ask you out? it asked.
Yes.
Even if I’m ugly and you don’t like my personality?
Yes.
No, you won’t.
I will!
You’re just saying that because you’re in a hurry.
Well, it won’t be my fault if I miss the bus.
Goodbye, sweetness.
Bye! Where’s my backpack?
It’s on the counter.
Oh. Bye!
”
”
Miranda July (No One Belongs Here More Than You)
“
Back when Harris and I slept together I would often whisper, Let’s dream the same dream, right after we turned out the lights. He took it as a sweet sign-off, but I yearned for this joint dream so hard my teeth hurt. He didn’t understand that you could create a world—a fantasy, a nightmare—and bring other people into it, not just artistically but in life. I was pretty good at getting people to meet me in my mind, but ultimately no one wanted to stay there.
”
”
Miranda July (All Fours)
“
Brooke stared in surprise. “You brought me lunch?”
“I was in the neighborhood.”
She checked out the label on the bag. “DMK is twenty minutes from here.”
“I was in that neighborhood, and now I’m here,” he said in exasperation. “Seriously, woman, you are impossible to feed.” He strode over and set the bag on her desk. “One cheeseburger with spicy chipotle ketchup and a side of sweet potato fries—chosen specifically for a certain spicy and sweet girl I know—and a green dill pickle for your eyes. So there.” He crossed his arms over his chest.
Brooke studied him. “You seem very ornery right now.”
“As a matter of fact, I am.”
“Why?”
“I don’t know,” he huffed. “Just . . . eat your Brooke Burger. Stop asking so many questions. Sometimes a guy just wants to buy a girl lunch. Any objections to that? Good. Enjoy your Sunday, Ms. Parker.”
He strode out of her office, gone as quickly as he’d appeared.
Brooke stared at the doorway and blinked.
”
”
Julie James (Love Irresistibly (FBI/US Attorney, #4))
“
Sometimes it's easy to forget that quiet moments mean just as much as the loud ones, because it's not always about moving. Sometimes it's about sitting perfectly and quietly still.
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
...we don't like each other much, but we are cursed to love each other.
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
Sometimes it's important to do things for the people you love even when those things don't make a lick of sense to you.
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
That’s because your parents can’t help you breathe if they can’t breathe for themselves. You understand?
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
You know, Julie, someday a man's going to tame you.
”
”
Maya Banks (Sweet Seduction (Sweet, #3))
“
Eating cherries on a hot July afternoon in Michigan is one of the greatest things that can happen to anybody, and here it is right now - three minutes after three - happening to ME, and to you.
”
”
William Saroyan (Short Drive, Sweet Chariot)
“
27 July
Rage-thought to live by: in The General, Buster gets so annoyed at his girlfriend's stupidity for stoking the engine with tiny pieces of wood, he facetiously gives her little toothpicks - which she dutifully feeds into the fire. He then stares at her in disbelief, then delights in her anyway and leaps at her with a kiss. Sweet axiom!
”
”
Guy Maddin (From the Atelier Tovar: Selected Writings)
“
You don't need to live in a mansion to be happy. All you need is to create the right space, something that says this is who you are, and you can always change who you are, just as you change your environment.
”
”
Anthea Syrokou (Eventually Julie (Julie & Friends, #1))
“
Get off me, Bran!" she howled, her sweet breath brushing his lips when she turned her head to look at him. "If you get yourself killed bein' all heroic and brave, I swear on my granddaddy's grave, I'll murder you!
”
”
Julie Ann Walker (Devil and the Deep (Deep Six, #2))
“
Anger will eat at the most tender parts of your heart and make you hard-hearted, bitter, and jaded. A hard heart cannot feel the gentle touch of the Holy Ghost. A bitter heart cannot taste the sweetness of forgiveness. A jaded heart cannot believe in Christ's power to heal all wounds.
”
”
Julie C. Donaldson (Don't Throw Rocks at His Window: Real Advice to Mend a Broken Heart)
“
There’ll be moments in life, sweet pea, that stand out in your memories like a photograph. Scenes captured perfectly in your mind, frozen in time with each detail as colorful as it was that first time you saw it. ‘Flashbulb memories,’ some people call them,” she’d told me, her eyes crinkling up and nearly disappearing in a face etched with too many laugh lines to count. “Most people don’t recognize those moments as they happen. They look back fifty years later, and realize that those were the most important parts of their entire life. But at the time, they’re so busy looking ahead to what’s coming down the line or worrying about their future, they don’t enjoy their present. Don’t be like them, sweet pea. Don’t get so caught up in chasing your dreams that you forget to live them.
”
”
Julie Johnson (Say the Word)
“
...sometimes the moments that shape us are a result of a little bit of mischief.
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
...there's more to marriage than being a parent, and there is oh so much more to being a parent than being married.
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
...maybe part of growing up means letting people and places change so you can find new ways to love them.
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
none of us should waste any time waiting for happiness
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
Just the thought of Dad crying made me cry too
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
Now I am all alone. My only comfort is my sweet little cat. I'm just an old woman, waiting to die.
”
”
Julie Berry (The Passion of Dolssa)
“
Look—it was a simple decision: you or them. I chose you,” she said.
“Aww, honey . . . that’s so sweet of you.” He leaned in and gave her a kiss. Then he pulled back with a knowing gaze. “You already have another job offer, don’t you?”
Taylor smiled proudly. “Three, actually.
”
”
Julie James (Just the Sexiest Man Alive)
“
It was a Saturday that you somehow knew was going to be one of the last beautiful days of fall. The sun was shining hot, like it thought it was still July, and November drizzles were a whole season away. The sky was blue and a few white clouds were easing themselves along like they didn't care. The grass was warm and sweet, like April, but the trees hadn't forgotten it was October. They were all on fire, and behind their leaves, the birds were singing their last songs.
”
”
Gary D. Schmidt (Okay for Now)
“
You don't have to live in a mansion to be happy. All you need is to create the right space; something that says this is who you are, and you can always change who you are, just as you change your environment.
”
”
Anthea Syrokou (Eventually Julie (Julie & Friends, #1))
“
It wasn’t just movies that couldn’t contain the full cast of characters — it was us. We had to winnow life down so we knew where to put our tenderness and attention; and that was a good, sweet thing. But together or alone, we were still embedded in a kaleidoscope, ruthlessly varied and continuous, until the end of the end. I knew I would forget this within the hour, and then remember, and forget, and remember. Each time I remembered it would be a tiny miracle, and forgetting was just as important — I had to believe in my own story.
”
”
Miranda July (It Chooses You)
“
It looks like Kat finally kicked you out,” I say, my words floating just under the sound of traffic behind us. “What’s that saying? ‘The bell tolls for you, motherfucker.’” I give him a sweet smile. “Or something like that.
”
”
Julie Clark (The Lies I Tell)
“
Because I’m here! And why not! Aye, our lives are short and shaped by circumstance, and maybe we can’t control most of what’s to come. But we can control how we feel. We can savor the sweetness of a blackberry scone, and the company of our friends, and the warmth of the summer wind at night, and be grateful for it. We can be nothing, and choose to be miserable about it, like you—or we can be nothing, but choose to be happy, and let that be purpose enough. Which sounds more worthwhile to you?
”
”
Julie Leong (The Teller of Small Fortunes)
“
Right then, they were interrupted by a knock at the front door.
Taylor looked over. “Shit—I forgot to call and cancel the movers. Oh, they are gonna be pissed.” She smiled sweetly at him. “Maybe you could answer it, honey? Go . . . sign some autographs for them or something.
”
”
Julie James (Just the Sexiest Man Alive)
“
A coalition of disgruntled Mattachine members, along with lesbians and gay men who identified with the pro–Black Power, antiwar New Left, called for a meeting on July 24, 1969. The flyer announcing the meeting was headlined, “Do you think homosexuals are revolting? You bet your sweet ass we are.” This
”
”
Michael Bronski (A Queer History of the United States (ReVisioning History Book 1))
“
In May, when the grass was so green it hurt to look at it, the air so overpoweringly sweet you had to go in and turn on the television just to dull your senses- that's when Claire knew it was time to look for the asparagus in the pastures. If it rained she wondered if she should check our secret places for morels. In June, when the strawberries ripened, we made hay and the girls rode on top of the wagon. I was ever mindful of the boy who had fallen off and broken his neck. In July, the pink raspberries, all in brambles in the woods and growing up our front porch, turned black and tart. In August, the sour apples were the coming thing. In September there were the crippled-up pears in the old orchard. In October, we picked the pumpkin and popcorn. And all winter, when there was snow, we lived for the wild trip down the slopes on the toboggan.
”
”
Jane Hamilton (A Map of the World)
“
July"
The figs we ate wrapped in bacon.
The gelato we consumed greedily:
coconut milk, clove, fresh pear.
How we’d dump hot espresso on it
just to watch it melt, licking our spoons
clean. The potatoes fried in duck fat,
the salt we’d suck off our fingers,
the eggs we’d watch get beaten
’til they were a dizzying bright yellow,
how their edges crisped in the pan.
The pink salt blossom of prosciutto
we pulled apart with our hands, melted
on our eager tongues. The green herbs
with goat cheese, the aged brie paired
with a small pot of strawberry jam,
the final sour cherry we kept politely
pushing onto each other’s plate, saying,
No, you. But it’s so good. No, it’s yours.
How I finally put an end to it, plucked it
from the plate, and stuck it in my mouth.
How good it tasted: so sweet and so tart.
How good it felt: to want something and
pretend you don’t, and to get it anyway.
”
”
Cristin O'Keefe Aptowicz
“
...good things are worth fighting for, but sometimes it's hard to remember why something was good to begin with.
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
Sorry, dude.”
“I’m not your dude!” shouts Ricky.
“Whatever, dude,” Greg shouts back
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
how do you just turn it off? How do you just stop loving someone
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
You’re too young to be a middle-aged man
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
Did you just take the newspaper into the bathroom?” she asks through the door.
I sit down on the edge of the tub. “Maybe?”
“You’re too young to be a middle-aged man
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
It’s like there’s a bright neon sign above my head with an arrow pointing right on me. Worst Daughter of the Year
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
I can’t imagine any version of Oscar I wouldn’t want in my life.
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
Hey!” I tell him. “Desperate times called for desperate measures
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
Julie Seagle: I would never in a million years go skydiving.
Finn is God: What if I took you?
”
”
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
“
For one sweet chiming moment, heaven was all around us. All things were possible, and kindness and love could conquer any sorrows, any fears.
”
”
Julie Berry (The Passion of Dolssa)
“
Sweet lovin' Lord. This place was like a Cabela's catalog on crack
”
”
Julie Ann Walker (Hell on Wheels (Black Knights Inc., #1))
Maya Banks (Sweet Seduction (Sweet, #3))
“
You are the love of my life, Caitlyn McClare, and all I can say is thank You, sweet God in heaven . . .
”
”
Julie Lessman (Surprised by Love (The Heart of San Francisco, #3))
“
The sweet-tart mango dribbled cool juices over her eager lips, while the plump cherries burst between her teeth.
”
”
Shveta Thakrar (Uncanny Magazine Issue 5: July/August 2015)
“
You’re much too sweet for me.” “I’m not sweet. I’m tough.” “Said the girl who doesn’t like contact sports and, last time she went to the gym, sprained her va—
”
”
Julie Johnson (Not You It's Me (Boston Love, #1))
“
t’s not very easy to say no to fire-breathing mom dragons.
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
If that sounds confusing to you, join the club
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
We're going to be fine, Julie," said Jason. "Our lives are going to be good."
"You promise?"
"I promise.
”
”
Robert G. Culp (Knight School: A Mystic Brats Novel (The Mystic Brat Journals #1))
“
She was honey-sweet and perfect... But that was just the surface layer; deeper there was more: darkness and sadness and pain
”
”
Eric S. Nylund (Mortal Coils (Mortal Coils, #1))
“
By July, a damp Southern heat had settled down on the town like warm sweet syrup.
”
”
Marti Healy
“
You're seeing a memory sweet as it is. But for your kind, memories of the dead are best seen through the cloudy glass of time and dreams.
”
”
Julie Berry (The Amaranth Enchantment)
“
And with awe he saw her lose her battle with that smile.
It fought first with one corner of her mouth, then the other, and then it broke all over her like a sunrise. The very shape of her face changed. Or rather, she came into focus at last in that moment; she'd simply been awaiting illumination from within.
There were dimples, and a pointed chin, and elegant cheekbones. Her face was heart-shaped, sweetly drawn, very 'alive.' She was 'incandescent' with wicked amusement.
In that moment was an entirely different girl.
He stared, stunned.
”
”
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
“
Finn Is God She takes a different strategy to torture us. Julie Seagle Really? I have more in common with her than my own mother. Finn Is God That’s a horrible thing to say about yourself. Appearances are not everything. Case in point: One summer when I was at day camp, I made her an art project. She spent weeks saying how weird it was that I’d made her a woodcarving that said “WOW.” Julie Seagle ??? Julie Seagle Oh, wait a minute…! Finn Is God Yeah. She had it upside down. It was supposed to read “MOM.” Julie Seagle I’m sorry, but that IS funny! Finn Is God That’s my mother for you. I think she still has it. And is probably still under the wrong impression. Julie Seagle Oh, my. Sort of sweet in a tragic way. Finn
”
”
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
“
I wish I could tell you that everything will be fine, but loving people is risky business. Things don’t always pan out how we think they should. But I gotta think that when the risk is worth it, it’s super worth it
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
What did he say? He is in love? My brain stops, my heart stops, my blood ceases to flow. My appendages go weak and cold, and there is a suspension of all space and time as the universe comes into perfect alignment.
”
”
Julie Sarff (Sweet Delicious Madness and the Many Mysterious Deaths of Silvio Berlusconi (Kissed in Italy Mystery, #1))
“
Agapanthus and peonies in June. Scented stock and sweet peas in July. Sunflowers and sweet William in August. By the time September's oriental lilies and ornamental cabbages appeared, she wasn't hiding upstairs in the workroom anymore. She was spending more time in the shop, answering the phone, dealing with the customers. One Sunday she spent the afternoon at an allotment belonging to a friend of Ciara's, picking lamb's ear and dusty miller and veronica for a wedding, and didn't think about Michael once, but she kept remembering a Patrick Kavanagh poem she'd learned at school, the one about how every old man he saw reminded him of his father.
”
”
Ella Griffin (The Flower Arrangement)
“
Starting at a new school kind of stinks. Even if everyone is pretty cool. But it’s not the same. At my old school me and my friends started a club called Paranormal Appreciation Society. How could I ever find anything that cool again?
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
I don't have anything as exotic as saffron. I hope a jar of blackberry jam will do. As you know, I write often about picking wild native blackberries. It's a chore since they're not easy game like the big purple bubbles that grow all over the sides of the road around here. Whenever I set out to hunt for a hidden patch in an old clear-cut, Francis accuses me of looking like a hobo with my canvas sunhat, khaki trousers, and Folgers cans tied over my shoulders. I don't care. When I'm in the brambles, I'm happy as a clam at high tide. Just writing to you about it makes me wish for July mornings. There's always a perfect moment when the sun strikes the bushes and a deep, sweet, earthy smell rises into the air.
”
”
Kim Fay (Love & Saffron)
“
Did Grandma cry?” Ma flicked off the wipers. “I don’t know, maybe. Not in front of me.” “She didn’t even cry for her own kid?” “She was angry about it—did a lot of slamming, I remember. Pot lids, kitchen cabinets. Eddie was kind of wild. He always took chances.” “Risks,” I said. I hated Grandma, that cold bitch. “Julie Andrews played a good part in that movie today, didn’t she?” Ma said. “She seems so sweet.” “She’s probably a big spoiled snot in real life.” I clicked the radio back on and twisted the knob until I found W-EAS. A song ended and Jack came on. I turned it up loud; his voice filled the car. “The eyebrows, maybe,” Ma said. “What?” “He resembles Eddie a little around the eyebrows. Those blue eyes that look like they’re cooking up trouble.
”
”
Wally Lamb (She's Come Undone)
“
The Dead Father was slaying, in a grove of music and musicians. First he slew a harpist and then a performer upon the serpent and also a banger upon the rattle and also a blower of the Persian trumpet and one upon the Indian trumpet and one upon the Hebrew trumpet and one upon the Roman trumpet and one upon the Chinese trumpet of copper-covered wood. Also a blower upon the marrow trumpet and one upon the slide trumpet and one who wearing upon his head the skin of a cat performed upon the menacing murmurous cornu and three blowers on the hunting horn and several blowers of the conch shell and a player of the double aulos and flautists of all descriptions and a Panpiper and a fagotto player and two virtuosos of the quail whistle and a zampogna player whose fingering of the chanters was sweet to the ear and by-the-bye and during the rest period he slew four buzzers and a shawmist and one blower upon the water jar and a clavicytheriumist who was before he slew her a woman, and a stroker of the theorbo and countless nervous-fingered drummers as well as an archlutist, and then whanging his sword this way and that the Dead Father slew a cittern plucker and five lyresmiters and various mandolinists, and slew too a violist and a player of the kit and a picker of the psaltery and a beater of the dulcimer and a hurdy-gurdier and a player of the spike fiddle and sundry kettledrummers and a triangulist and two-score finger cymbal clinkers and a xylophone artist and two gongers and a player of the small semantron who fell with his iron hammer still in his hand and a trictrac specialist and a marimbist and a maracist and a falcon drummer and a sheng blower and a sansa pusher and a manipulator of the gilded ball.
The Dead Father resting with his two hands on the hilt of his sword, which was planted in the red and steaming earth.
My anger, he said proudly.
Then the Dead Father sheathing his sword pulled from his trousers his ancient prick and pissed upon the dead artists, severally and together, to the best of his ability-four minutes, or one pint.
Impressive, said Julie, had they not been pure cardboard.
My dear, said Thomas, you deal too harshly with him.
I have the greatest possible respect for him and for what he represents, said Julie, let us proceed.
”
”
Donald Barthelme (The Dead Father)
“
In the next moment, and for the first time in many years, Elizabeth found herself wrapped tightly in her mother’s embrace. “Oh, my sweet Lizzy. My poor, sweet girl,” Mrs Bennet said, patting her back as if she were in the nursery again with a skinned knee.
”
”
Julie Cooper (Abandoned at the Altar: A Pride and Prejudice Variation (Obstinate, Headstrong Girl Series))
“
A mysterious and marvelous confectionary utopia, a colorful interior world filled with wonder and sweet marvel. Most of the actors hadn’t seen the Chocolate Room prior to filming, and even my brief peek didn’t prepare me for the sheer magnitude of this set.
”
”
Julie Dawn Cole (I Want it Now! A Memoir of Life on the Set of Willy Wonka and the Chocolate Factory)
“
I burst. A firecracker July-the-Fourth burst. How could Momma call them Miz? The mean nasty things. Why couldn't she have come inside the sweet, cool store when we saw them breasting the hill? What did she prove? And then if they were dirty, mean and impudent, why did Momma have to call them Miz?
She stood another whole song through and then opened the screen door to look down on me crying in rage. She looked until I looked up. Her face was a brown moon that shone on me. She was beautiful. Something had happened out there, which I couldn't completely understand, but I could see that she was happy. Then she bent down and touched me as mothers of the church 'lay hands on the sick and afflicted' and I quieted.
'Go wash your face, Sister.' And she went behind the candy counter and hummed, 'Glory, glory, hallelujah, when I lay my burden down.
”
”
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
“
Wedding Superstitions
The Bridal Gown
White - You have chosen right.
Grey - You'll go far away.
Black - You'll wish yourself back.
Red - You'll wish yourself dead.
Green - Ashamed to be seen.
Blue - You'll always be true.
Pearl - You'll live in a whirl.
Peach - A love out of reach.
Yellow - Ashamed of your fellow.
Pink - Your Spirits will sink.
The Wedding Day
Monday for health, Tuesday for wealth,
Wednesday best of all,
Thursday for losses, Friday for crosses,
Saturday for no luck at all.
The Wedding Month
Marry in May, and you'll rue the day,
Marry in Lent, you'll live to repent.
Married when the year is new,
He'll be loving, kind and true.
When February birds do mate,
You wed nor dread your fate.
If you wed when March winds blow,
Joy and sorrow both you'll know.
Marry in April when you can,
Joy for maiden and the man.
Marry in the month of May,
And you'll surely rue the day.
Marry when the June roses grow,
Over land and sea you'll go.
Those who in July do wed,
Must labour for their daily bread.
Whoever wed in August be,
Many a change is sure to see.
Marry in September's shine,
Your living will be rich and fine.
If in October you do marry,
Love will come, but riches tarry.
If you wed in bleak November,
Only joys will come, remember,
When December's snows fall fast,
Marry and true love will last.
Married in January's roar and rime,
Widowed you'll be before your prime.
Married in February's sleepy weather,
Life you'll tread in time together.
Married when March winds shrill and roar,
Your home will lie on a distant shore.
Married 'neath April's changeful skies,
A checkered path before you lies.
Married when bees o'er May blossoms flit,
Strangers around your board will sit.
Married in month of roses June,
Life will be one long honeymoon.
Married in July with flowers ablaze,
Bitter-sweet memories in after days.
Married in August's heat and drowse,
Lover and friend in your chosen spouse.
Married in September's golden glow,
Smooth and serene your life will go.
Married when leaves in October thin,
Toil and hardships for you begin.
Married in veils of November mist,
Fortune your wedding ring has kissed.
Married in days of December's cheer,
Love's star shines brighter from year to year
”
”
New Zealand Proverb
“
For a moment, there’s nothing but silence. And it’s hard for me not to imagine Mom reaching over and taking Dad’s hand. I know everything has changed for them, but how do you just turn it off? How do you just stop loving someone? Mom and Dad weren’t just Mom and Dad. They were best friends too
”
”
Julie Murphy (Dear Sweet Pea (Dumplin'))
“
Lord, he thought, I can hardly wait. He laughed out loud. When was the last time you said that? When you were a kid, could hardly wait, had a list of hard-to-wait-for things. Christmas, my God, was always a billion miles off. Easter? Half a million. Halloween? Dear sweet Halloween, pumpkins, running, yelling, rapping windows, ringing doorbells, and the mask, cardboard smelling hot with breath over your face. All Hallows! The best. But a lifetime away. And July Fourth with great expectations, trying to be first out of bed, first half-dressed, first jumping out on the lawn, first to light six-inchers, first to blow up the town! Hey, listen! First! July Fourth. Can hardly wait. Hardly wait!
”
”
Ray Bradbury (One More for the Road)
“
ONE All the best things in my life have started with a Dolly Parton song. Including my friendship with Ellen Dryver. The song that sealed the deal was “Dumb Blonde” from her 1967 debut album, Hello, I’m Dolly. During the summer before first grade, my aunt Lucy bonded with Mrs. Dryver over their mutual devotion to Dolly. While they sipped sweet tea in the dining room, Ellen and I would sit on the couch watching cartoons, unsure of what to make of each other. But then one afternoon that song came on over Mrs. Dryver’s stereo. Ellen tapped her foot as I hummed along, and before Dolly had even hit the chorus, we were spinning in circles and singing at the top of our lungs. Thankfully, our love for each other and Dolly ended up running deeper than one song. I
”
”
Julie Murphy (Dumplin' (Dumplin', #1))
“
I played the last Born This Way ball here in Montreal. I was so badly injured, and I had been injured for like, a few shows. And I didn’t want anybody to know, because I didn’t want to disappoint fans, and I didn’t want to cancel. I remember, I was dancing on the stage - Sheisse - with a big castle behind me, and I was in some kinda fuckin’ pain, I’ll tell you. But you just kept cheering, all of you kept cheering for me. And I never told any of you what was wrong, I never said anything. But when I was saying goodbye, some fans that I picked out of the pit, backstage.. These two girls looked at me, and I’ll never forget it. They passed me a McQueen cane with a skull on it. And they looked right at me, and I knew that they knew I needed the cane to walk. I don’t know how they knew, or why they brought it, but it was one of the most special moments of my life, I’ll never forget it. That you could feel what I was thinking, like we’re one. We are friends. I made a decision on that day, and I thought I had made it long ago.. that I would never let you down again, and I would always put my fans first. The music, the magic of this music and these concerts, I hope that you remember them forever. You pretty girls putting flowers in each others hair… And you sweet boys, painting your faces like the sad clown that I was when I no longer heard your applause. How you whisper to each others ears, and you whisper, its okay. I was born this way. I will never forget these moments. you’re my little gypsy kingdom, and I love you.
”
”
Lady Gaga
“
In the history of terrible holidays, this ranks as the worst ever. Worse than the Fourth of July when Granddad showed up to see the fireworks in a kilt and insisted on singing "Flower of Scotland" instead of "America the Beautiful." Worse than the Halloween when Trudy Sherman and I both went to school dressed as Glinda the Good Witch,and she told everyone her costume was better than mine,because you could see my purple "Monday" panties through my dress AND YOU TOTALLY COULD.
I'm not talking to Bridgette.She calls every day,but I ignore her.It's over. The Christmas gift I bought her,a tiny package wrapped in red-and-white striped paper,has been shoved into the bottom of my suitcase.It's a model of Pont Neuf,the oldest bridge in Paris. It was part of a model train set,and because of my poor language skills, St. Clair spent fifteen minutes convincing the shopkeeper to sell the bridge to me seperately.
I hope I can return it.
I've only been to the Royal Midtown 14 once,and even though I saw Hercules, Toph was there,too.And he was like, "Hey, Anna.Why won't you talk to Bridge?" and I had to run into the restroom. One of the new girls followed me in and said she thinks Toph is an insensitive douchebag motherhumping assclown,and that I shouldn't let him get to me.Which was sweet,but didn't really help.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
And thither, ere sweet night had slain sweet day,
Iseult and Tristram took their wandering way,
And rested, and refreshed their hearts with cheer
In hunters' fashion of the woods; and here
More sweet it seemed, while this might be, to dwell
And take of all world's weariness farewell
Than reign of all world's lordship queen and king.
Nor here would time for three moon's changes bring
Sorrow nor thought of sorrow; but sweet earth
Fostered them like her babes of eldest birth,
Reared warm in pathless woods and cherished well.
And the sun sprang above the sea and fell,
And the stars rose and sank upon the sea;
And outlaw-like, in forest wise and free,
The rising and the setting of their lights
Found those twain dwelling all those days and nights.
And under change of sun and star and moon
Flourished and fell the chaplets woven of June,
And fair through fervours of the deepening sky
Panted and passed the hours that lit July,
And each day blessed them out of heaven above,
And each night crowned them with the crown of love.
Nor till the might of August overhead
Weighed on the world was yet one roseleaf shed
Of all their joy's warm coronal, nor aught
Touched them in passing ever with a thought
That ever this might end on any day
Or any night not love them where they lay;
But like a babbling tale of barren breath
Seemed all report and rumour held of death,
And a false bruit the legend tear impearled
That such a thing as change was in the world.
”
”
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
“
She replaced her wardrobe with marvels of the season bought from boutiques of the Palais-Royal and rue de la Chaussee-d'Antin. Outfits for a ball detailed in the fashion pages of the January 1839 edition of Paris Elegant describe dresses of pale pink crépe garnished with lace and velvet roses and accessorized with white gloves, silk stockings, and white cashmere or taffeta shawls. In the spring of that year, misty tulle bonnets came into fashion worn with capes of Alencon lace - “little masterpieces of lightness and freshness.“
Her bed was her stage, raised on a platform and curtained with sumptuous pink silk drapes. The adjoining cabinet de toilette was also a courtesan’s natural habitat, its dressing table a jumble of lace, bows, ribbons, embossed vases, crystal bottles of scents and lotions, brushes and combs of ivory and silver.
She indulged her sweet tooth with cakes from Rollet the patissier, glaceed fruit from Boissier, and on one occasion sent for twelve biscuits, macaroons, and maraschino liqueur.
”
”
Julie Kavanagh (The Girl Who Loved Camellias: The Life and Legend of Marie Duplessis)
“
Pizza Palace?” David asks. It’s just a few doors down. I picture my friends all huddled in a booth in the back. No need to combine David with my real life.
“Nah.”
“I figured you wouldn’t want to go there. Pizza Pizza Pizza is so much better and has that great two-for-one deal. I just didn’t want to suggest it,” David says.
“Why?”
“The name. It’s not like they have three times more pizza than other places. Ridiculous.”
“How about we not get pizza at all?”
“I thought you might say that too, since you had such a hearty, well-balanced lunch.” He pauses. Clears his throat. Stares at the single car making its way down Main Street. “That’s going to be one of those things I said out loud and then will regret later, isn’t it?”
I laugh and it feels good. He looks sweet when he realizes he’s said the wrong thing. His eyes go big and wide. To rescue him, I link my arm with his and start us walking down the street.
“Just so you know, if asked, I would have no idea how to describe your frequency,” I say.
“Honestly, sometimes I think only dogs can hear me,” he says.
“For what it’s worth, I can hear you just fine.”
“It’s worth a lot,” David says, and I blush, and I’m pretty sure he does too
”
”
Julie Buxbaum (What to Say Next)
“
Pet him.” He thrusts the thing at me. I jump back. It’s a rat. The hairless tail flicks around like a snake. “When my winning personality fails me and tech toys don’t tantalize, I find small furry rodents to be reliable chick magnets.” My eyes raise to his face. He’s so weird. So . . . His tender smile at the rat is kind of sweet. “Rattus norvegicus.” The boy releases the rat onto his shoulder. The tail wraps around his neck and I wince, like there’s a rope around mine. “Commonly known as the brown rat or fancy rat. Not because he’s decked out in finery, but it seems some people fancy rats.” He shoots that wide-open grin at me.
”
”
Julie Anne Peters (By the Time You Read This, I'll Be Dead)
“
His eyes light up. “Wait, this is a sakura mochi. How did you remember—"
I glance down and curse internally at the faintly pink, round dessert, pale as a cherry blossom petal. How did I remember his favorite?
His mom used to take us, Cam, and Remy down to San Jose to go around Japantown, picking up bentos from a homey restaurant to eat at the park, and then we’d stop at Shuei-Do Manju Shop. Every time, without fail, Jack would choose sakura mochi. The times that there was only one left in stock, the rest of us purposefully ordered other sweets, just so Jack could get his favorite. And his eyes would shine with delight as he munched on the pink rice cake, the way he’s smiling now.
”
”
Julie Abe (The Charmed List)
“
One thing that has surprised Julie about going through the process of watching herself die is how vivid her world has become. Everything that she used to take for granted produces a sense of revelation, as if she were a child again. Tastes- the sweetness of a strawberry, it’s juice dripping onto her chin; a buttery pastry melting in her mouth. Smells - flowers on a front lawn, a colleague‘s perfume, seaweed washed up on the shore, Matt’s sweaty body in bed at night. Sounds – the strings on a cello, the screech of a car, her nephew’s laughter. Experiences - dancing at a birthday party, people-watching at Starbucks, buying a cute dress, opening the mail. All of this, no matter how mundane, delights her to no end. She’s become hyper-present. When people delude themselves into believing they have all the time in the world, she noticed, they get lazy. She hadn’t expected to experience this pleasure in her grief, to find it invigorating, in a way. But even as she’s dying, she’s realized, life goes on - even as the cancer invades her body, she still checks Twitter. At first she thought, why would I waste even ten minutes of the time I have left checking Twitter? And then she thought, why wouldn’t I? I like Twitter! She also tries not to dwell on what she’s losing. “I can breathe fine now, “Julie says, “but it’ll get harder, and I’ll grieve for that. Until then, I breathe.
”
”
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
“
Psychoanalysis: An Elegy"
What are you thinking about?
I am thinking of an early summer.
I am thinking of wet hills in the rain
Pouring water. Shedding it
Down empty acres of oak and manzanita
Down to the old green brush tangled in the sun,
Greasewood, sage, and spring mustard.
Or the hot wind coming down from Santa Ana
Driving the hills crazy,
A fast wind with a bit of dust in it
Bruising everything and making the seed sweet.
Or down in the city where the peach trees
Are awkward as young horses,
And there are kites caught on the wires
Up above the street lamps,
And the storm drains are all choked with dead branches.
What are you thinking?
I think that I would like to write a poem that is slow as a summer
As slow getting started
As 4th of July somewhere around the middle of the second stanza
After a lot of unusual rain
California seems long in the summer.
I would like to write a poem as long as California
And as slow as a summer.
Do you get me, Doctor? It would have to be as slow
As the very tip of summer.
As slow as the summer seems
On a hot day drinking beer outside Riverside
Or standing in the middle of a white-hot road
Between Bakersfield and Hell
Waiting for Santa Claus.
What are you thinking now?
I’m thinking that she is very much like California.
When she is still her dress is like a roadmap. Highways
Traveling up and down her skin
Long empty highways
With the moon chasing jackrabbits across them
On hot summer nights.
I am thinking that her body could be California
And I a rich Eastern tourist
Lost somewhere between Hell and Texas
Looking at a map of a long, wet, dancing California
That I have never seen.
Send me some penny picture-postcards, lady,
Send them.
One of each breast photographed looking
Like curious national monuments,
One of your body sweeping like a three-lane highway
Twenty-seven miles from a night’s lodging
In the world’s oldest hotel.
What are you thinking?
I am thinking of how many times this poem
Will be repeated. How many summers
Will torture California
Until the damned maps burn
Until the mad cartographer
Falls to the ground and possesses
The sweet thick earth from which he has been hiding.
What are you thinking now?
I am thinking that a poem could go on forever.
”
”
Jack Spicer (My Vocabulary Did This to Me: The Collected Poetry)
“
it is the end of july and
the idle breeze of gentle childhood
befogs my mind once more,
as the foreign dull heat holds my body
so close i feel it’s scarce and quiet breathing
brush against my stomach.
i have not written since paris
and i feel true in my youth at last.
the sun strips me of my fatigued masquerading while summer
feeds me plump peaches and wrinkly with ripeness figs ;
softly reciting the writings of sylvia plath and patti smith.
my bare feet greedily absorb the coolness of the cerulean tiles carpeting the guest bathroom floor.
the sea covers my ears
it’s waves plaiting my hair with the pacific touch of a mother
lulling me to a somnolent state
as the lenient light of the afternoon
blinks through my fluttering eyes
and the sparse flare of wind relieves
the creases between my eyebrows.
”
”
adina s.
“
Maybe you could tell us how you and Jordan met, Nick.”
All conversation at the table stopped.
Frankly, Nick was surprised it had taken this long for someone to ask. Out of the corner of his eye, he saw Jordan take a nervous sip of her wine. He knew this was the part of the evening she’d dreaded, the part where they told more lies to her friends.
Perhaps he could help her out with that.
“Jordan and I met two weeks ago, at her store,” he said. “On the night of the big snowstorm.”
Pete chuckled. “You really must’ve been jonesing for wine to go out in that mess.”
Nick reached across the table and linked his fingers through Jordan’s. “I think Fate had a higher purpose for bringing me to her store that night.” He winked at her. I’ve got this.
Melinda melted. “That’s so sweet.”
“Then what happened?” Corinne prompted.
Nick faced Jordan’s friends. For her sake, he’d tell the truth—perhaps not the whole truth—but at least nothing but. “Well, I asked Jordan a few questions, some quips were exchanged, and I distinctly recall her making a sarcastic comment about chardonnay. I can’t tell you exactly what happened from there, but five days later I found myself at Xander Eckhart’s party drinking pink champagne.”
Her friends laughed. Charles raised his glass. “That’s how it happens, Nick. A cute smile, a few clever words, and five years later you’re watching Dancing with the Stars on Monday nights instead of football.”
“Hey, don’t knock it until you’ve tried it,” Pete said indignantly.
As the group teased Pete, Nick felt Jordan squeeze his knee underneath the table.
She spoke softly as she held his gaze. “Thank you.”
It took far more effort than it should have to make his tone sound as cavalier as always.
“Any time, Rhodes
”
”
Julie James (A Lot like Love (FBI/US Attorney, #2))
“
Subect: Sigh.
Okay. Since we're on the subject...
Q. What is the Tsar of Russia's favorite fish?
A. Tsardines, of course.
Q. What does the son of a Ukranian newscaster and a U.S. congressman eat for Thanksgiving dinner on an island off the coast of Massachusetts?
A.?
-Ella
Subect: TG
A. Republicans.
Nah.I'm sure we'll have all the traditional stuff: turkey, stuffing, mashed potatoes. I'm hoping for apple pie. Our hosts have a cook who takes requests, but the island is kinda limited as far as shopping goes. The seven of us will probably spend the morning on a boat, then have a civilized chow-down. I predict Pictionary. I will win.
You?
-Alex
Subect: Re. TG
Alex,
I will be having my turkey (there ill be one, but it will be somewhat lost among the pumpkin fettuccine, sausage-stuffed artichokes, garlic with green beans, and at least four lasagnas, not to mention the sweet potato cannoli and chocolate ricotta pie) with at least forty members of my close family, most of whom will spend the entire meal screaming at each other. Some will actually be fighting, probably over football.
I am hoping to be seated with the adults. It's not a sure thing.
What's Martha's Vineyard like? I hear it's gorgeous. I hear it's favored by presidential types, past and present.
-Ella
Subject: Can I Have TG with You?
Please??? There's a 6a.m. flight off the island. I can be back in Philadelphia by noon. I've never had Thanksgiving with more than four or five other people. Only child of two only children. My grandmother usually hosts dinner at the Hunt Club. She doesn't like turkey. Last year we had Scottish salmon. I like salmon,but...
The Vineyard is pretty great. The house we're staying in is in Chilmark, which, if you weren't so woefully ignorant of defunct television, is the birthplace of Fox Mulder. I can see the Menemsha fishing fleet out my window. Ever heard of Menemsha Blues? I should bring you a T-shirt. Everyone has Black Dogs; I prefer a good fish on the chest.
(Q. What do you call a fish with no eyes? A. Fish.)
We went out on a boat this afternoon and actually saw a humpback whale. See pics below. That fuzzy gray lump in the bumpy gray water is a fin. A photographer I am not. Apparently, they're usually gone by now, heading for the Caribbean. It's way too cold to swim, but amazing in the summer. I swear I got bumped by a sea turtle here last July 4, but no one believes me.
Any chance of saving me a cannoli?
-A
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
The train was generally empty at that time. Mlle Julie would lean back in a corner of the dimly lighted carriage and I liked to sit opposite and look at her. I could often do so for a long time without indiscretion, for her eyes were shut. No, she wasn't asleep, but tired. I watched the eyelashes on the cheek, the soft resting eyelids. Was it tired she looked? Not so much tired as sad. Not so much sad as serious. No, it wasn't bitterness in the curving corner of her lips, but an extraordinary sweetness, an extraordinary gravity, an extraordinary nobility. What were her thoughts? Behind those closed lids, what was going on? What had her life been? Had she suffered? She must have suffered to look so grave. Had she loved? Whom had she loved? I think the passion that devoured me at the time was the passion of curiosity. Once, as I was watching her like this, she suddenly opened her eyes and caught me. Her glance held me for a moment, and I was too fascinated to look away. Her glance was piercing, not unkind but terrifying. She was searching me. What did she see?
"Come," she said at last. "Come here and sit beside me."
I think she said it to get rid of my intolerable gaze. After I had obeyed, she put her hand on mine for the space of a heartbeat. I turned my eager palm to clasp it, but she withdrew it gently and sank back again into her corner and her reverie.
”
”
Dorothy Strachey (Olivia)
“
Probably, we should all hate you,” he was saying to Cade. “Illinois played against Northwestern that year for our homecoming, and you totally slaughtered us—” He broke off at the sound of a knock on the interior door to the suite.
A woman in her early twenties, dressed in a skirt and a black T-shirt with “Sterling Restaurants” in red letters, walked into the suite pushing a three-tiered dessert cart.
“Sweet Jesus, it’s here,” Charlie whispered reverently.
Brooke fought back a smile. The dessert cart was something Sterling Restaurants had introduced a year ago, as a perk for all of the skyboxes and luxury suites at the sports arenas they collaborated with. Needless to say, it had been a huge success. Four kinds of cake (chocolate with toffee glaze, carrot cake, traditional cheesecake, and a pineapple-raspberry tart), three types of cookies (chocolate chip, M&M, and oatmeal raisin), blond brownies, dark chocolate brownies, lemon squares, peach cobbler, four kinds of dessert liquors, taffy apples, and, on the third tier, a make-your-own sundae bar with all the fixings.
“Wow. That is some spread,” Vaughn said, wide-eyed.
Simultaneously, the men sprang forward, bulldozed their way through the suite door, and attacked the cart like a pack of starving Survivor contestants.
All except for one.
Cade stayed right there, on the terrace. He leaned back against the railing, stretching out his tall, broad-shouldered frame. “Whew. I thought they’d never leave
”
”
Julie James (Love Irresistibly (FBI/US Attorney, #4))
“
Two thousand Jews, for example, lived in and around the small town of Tykocin, northwest of Warsaw on the road to Bialystok in eastern Poland, worshiping in a square, fortified synagogue with a turreted tower and a red mansard roof, built in 1642, more than a century after Jewish settlement began in the region. Lush farm country surrounds Tykocin: wheat fields, prosperous villages, cattle in the fields, black-and-white storks brooding wide, flat nests on the chimneys of lucky houses. Each village maintains a forest, a dense oval stand of perhaps forty acres of red-barked pines harvested for firewood and house and barn construction. Inside the forests, even in the heat of summer, the air is cool and heady with pine; wild strawberries, small and sweet, strew the forest floor. Police Battalions 309 and 316, based in Bialystok, invaded Tykocin on 5 August 1941. They drove Jewish men, women and children screaming from their homes, killed laggards in the streets, loaded the living onto trucks and jarred them down a potholed, winding dirt road past the storks and the cattle to the Lopuchowo village forest two miles southwest. In the center of the Lopuchowo forest, men dug pits, piling up the sandy yellow soil, and then Police Battalions 309 and 316, out for the morning on excursion from Bialystok, murdered the Jews of Tykocin, man, woman and child. For months the forest buzzed and stank of death. (Twenty miles northwest of Tykocin in the village of Jedwabne, Polish villagers themselves, with German encouragement, had murdered their Jewish neighbors on 10 July 1941 by driving them into a barn and burning them alive, a massacre examined in Jan T. Gross’s book Neighbors.)
”
”
Richard Rhodes (Masters of Death: The SS-Einsatzgruppen and the Invention of the Holocaust)
“
Although leaves remained on the beeches and the sunshine was warm, there was a sense of growing emptiness over the wide space of the down. The flowers were sparser. Here and there a yellow tormentil showed in the grass, a late harebell or a few shreds of purple bloom on a brown, crisping tuft of self-heal. But most of the plants still to be seen were in seed. Along the edge of the wood a sheet of wild clematis showed like a patch of smoke, all its sweet-smelling flowers turned to old man's beard. The songs of the insects were fewer and intermittent. Great stretches of the long grass, once the teeming jungle of summer, were almost deserted, with only a hurrying beetle or a torpid spider left out of all the myriads of August. The gnats still danced in the bright air, but the swifts that had swooped for them were gone and instead of their screaming cries in the sky, the twittering of a robin sounded from the top of a spindle tree. The fields below the hill were all cleared. One had already been plowed and the polished edges of the furrows caught the light with a dull glint, conspicuous from the ridge above. The sky, too, was void, with a thin clarity like that of water. In July the still blue, thick as cream, had seemed close above the green trees, but now the blue was high and rare, the sun slipped sooner to the west and, once there, foretold a touch of frost, sinking slow and big and drowsy, crimson as the rose hips that covered the briar. As the wind freshened from the south, the red and yellow beech leaves rasped together with a brittle sound, harsher than the fluid rustle of earlier days. It was a time of quiet departures, of the sifting away of all that was not staunch against winter.
”
”
Richard Adams (Watership Down: Bigwig Learns a Lesson (Watership Down Mini Treasures))
“
it died away, Stu said: “This wasn’t on the agenda, but I wonder if we could start by singing the National Anthem. I guess you folks remember the words and the tune.” There was that ruffling, shuffling sound of people getting to their feet. Another pause as everyone waited for someone else to start. Then a girl’s sweet voice rose in the air, solo for only the first three syllables: “Oh, say can—” It was Frannie’s voice, but for a moment it seemed to Larry to be underlaid by another voice, his own, and the place was not Boulder but upstate Vermont and the day was July 4, the Republic was two hundred and fourteen years old, and Rita lay dead in the tent behind him, her mouth filled with green puke and a bottle of pills in her stiffening hand. A chill of gooseflesh passed over him and suddenly he felt that they were being watched, watched by something that could, in the words of that old song by The Who, see for miles and miles and miles. Something awful and dark and alien. For just a moment he felt an urge to run from this place, just run and never stop. This was no game they were playing here. This was serious business; killing business. Maybe worse. Then other voices joined in. “—can you see, by the dawn’s early light,” and Lucy was singing, holding his hand, crying again, and others were crying, most of them were crying, crying for what was lost and bitter, the runaway American dream, chrome-wheeled, fuel-injected, and stepping out over the line, and suddenly his memory was not of Rita, dead in the tent, but of he and his mother at Yankee Stadium—it was September 29, the Yankees were only a game and a half behind the Red Sox, and all things were still possible. There were fifty-five thousand people in the Stadium, all standing, the players in the field with their caps over their hearts, Guidry on the mound, Rickey Henderson was standing in deep left field (“—by the twilight’s last gleaming—”), and the light-standards were on in the purple gloaming, moths and night-fliers banging softly against them, and New York was around them, teeming, city of night and light. Larry joined the singing too, and when it was done and the applause rolled out once more, he was crying a bit himself. Rita was gone. Alice Underwood was gone. New York was gone. America was gone. Even if they could defeat Randall Flagg, whatever they might make would never be the same as that world of dark streets and bright dreams.
”
”
Stephen King (The Stand)
“
He had a rough idea where he was going, since Rylann had previously mentioned that she lived in Roscoe Village. At the stoplight at Belmont Avenue, he pulled out his cell phone and scrolled through his contacts. The beauty of text messaging, he realized, was in its simplicity. He didn’t have to try to explain things, nor did he have to attempt to parse through all the banter in an attempt to figure out what she might be thinking. Instead, he could keep things short and sweet.
I’D LIKE TO SEE YOU.
He hit send.
To kill time while he waited for her response, he drove in the direction of his sister’s wine shop, figuring he could always drop in and harass Jordan about something.
This time, however, she beat him to the punch.
“So who’s the brunette bombshell?” Jordan asked as soon as he walked into the shop and took a seat at the main bar.
Damn. He’d forgotten about the stupid Scene and Heard column. Kyle helped himself to a cracker and some Brie cheese sitting on the bar. “I’m going to say…Angelina Jolie. Actually, no—Megan Fox.”
“Megan Fox is, like, twenty-five.”
“And this is a problem why, exactly?”
Jordan slapped his hand as he reached for more crackers. “Those are for customers.” She put her hand on her hip. “You know, after reading the Scene and Heard column, I’d kind of hoped it was Rylann they were talking about. And that maybe, just maybe, my ne’er-do-well twin had decided to stop playing around and finally pursue a woman of quality.”
He stole another cracker. “Now, that would be something.”
She shook her head. “Why do I bother? You know, one day you’re going to wake up and…”
Kyle’s cell phone buzzed, and he tuned out the rest of Jordan’s lecture—he could probably repeat the whole thing word for word by now—as he checked the incoming message. It was from Rylann, her response as short and sweet as his original text.
3418 CORNELIA, #3.
He had her address.
With a smile, he looked up and interrupted his sister. “That’s great, Jordo. Hey, by any chance do you have any bottles of that India Ink cabernet lying around?”
She stopped midrant and stared at him. “I’m sure I do. Why, what made you think of that?” Then her face broke into a wide grin. “Wait a second…that was the wine Rylann talked about when she was here. She said it was one of her favorites.”
“Did she? Funny coincidence.”
Jordan put her hand over her heart. “Oh my God, you’re trying to impress her. That is so cute.”
“Don’t be ridiculous,” Kyle scoffed. “I just thought, since I’ve heard such good things about the wine, that I would give it a shot.”
Jordan gave him a look, cutting through all the bullshit. “Kyle. She’s going to love it.”
Okay, whatever. Maybe he was trying to impress Rylann a little. “You don’t think it’s too much? Like I’m trying too hard?”
Jordan put her hand over her heart again. “Oh. It’s like watching Bambi take his first steps.”
“Jordo…” he growled warningly.
With a smile, she put her hand on his shoulder and squeezed affectionately. “It’s perfect. Trust me.
”
”
Julie James (About That Night (FBI/US Attorney, #3))
“
If America stands today as a free country, it's because of those Americans who sacrificed their lives fighting against the redcoats. But there is another side of American history which is not taught in schools. And it's the bitter side of the story, so brace for it. The only reason the country called America even exists is because the native americans who were living in the land for a long time before the pilgrims arrived here from Europe, couldn't organize a large and strong enough uprising to fight them away from their land. This is more reason for each person of this sweet land of liberty to practice assimilation not segregation - this is more reason for each of us to come to the aid of the oppressed and segregated - this is more reason for each of us to stand upright against discrimination, narcissism, prejudice and sectarianism.
”
”
Abhijit Naskar (Hurricane Humans: Give me accountability, I'll give you peace)
“
Without the hard times, the good times wouldn’t taste so sweet.
”
”
Julie Ann Walker (In Moonlight and Memories: Volume One (In Moonlight and Memories, #1))
“
There was nothing sweet or gentle in our last kiss; it was filled with sorrow and desperation, of the bitter knowledge that, had we been born under different stars, we could’ve had something perfect, but it wasn’t meant to be.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
What’s in a name, really? I mean, besides a bunch of letters or sounds strung together to make a word. Does a rose by any other name really smell as sweet? Would the most famous love story in the world be as poignant if it was called Romeo and Gertrude? Why is what we call ourselves so important?
”
”
Julie Kagawa (The Iron Legends (The Iron Fey, #1.5, 3.5, 4.5))
“
I'm one of those strange individuals who doesn't like anything sweet. Not desserts or candy, not pastries or muffins or soda. Not even chocolate. My mom always says it's because she fed me only pureed vegetables as a baby. No sugar for the first three years of my life.
”
”
Julie Cross (On Thin Ice (Juniper Falls #3))
“
Well, I'm not concert caliber if that's what you're asking, but I'm good to the untrained ear."
"You didn't think to pursue that as a career?"
Julie's lip turned up in a look of disgust that was almost too precious given her soft, sweet features. "God no. If I turned my love into a job, it would turn into... well... a job. I want it to be something I do because I love it, not something I'm striving to compete with the whole world for. I don't want to be the best. I just want to be.
”
”
Kitty Thomas (Surrender (Pleasure House, #3))
“
Pretty girl,” I breathed, kissing her neck one last time before kissing my way back up to her mouth. “I want to play with those sweet little panties of yours. I want to push them to the side and see exactly what they’re hiding from me.
”
”
Julie Murphy (A Merry Little Meet Cute)
“
What is it?" I asked.
"Rain," she said.
"It's too early for rain."
"That's what you think. Open the door. You'll see."
I turned off the air conditioner so that we could hear better, slid open the glass door -- and the soft thunder of rain falling onto sand curtained us in. Deaf, we would still have known it was raining: smell would have told us; the smell of dry earth watered, of dehydrated vegetation reconstituted, the smell of resurrection. The first rain in a dry land! It smells better than lilies in July, or the ocean, or the wind in sun-warmed pines, or the irrigated patch of alfalfa you reach after a long haul through dry hills. It is hard to smell that sweetness and believe in death.
”
”
Jessamyn West (A Matter of Time)
“
Listen, Cam. I’m not always good at sensing what people need, but know this. I’ll be anything you want me to be. Someone to talk to, a shoulder to cry on, a distraction. Whatever you need, just say the word. Even if it’s ‘stay the hell away from me,’ all right?” She smiled through glistening eyes. “Stop being so damned sweet. You’re ruining me for all other men.
”
”
Julie Weaver (The Hit (Team Zulu #1))
“
Only looking back at the scene through an adult lens do I see in the cracks of her face the sweet pain Ma Ma must have felt in those moments. Gratitude for the little she had. Heartbreak for needing it. Confusion over what our lives had become.
”
”
Qian Julie Wang (Beautiful Country)
“
One thing that has surprised Julie about going through the process of watching herself die is how vivid her world has become. Everything that she used to take for granted produces a sense of revelation, as if she were a child again. Tastes - the sweetness of a strawberry, its juice dripping onto her chin; a buttery pastry melting in her mouth, Smells - flowers on a front lawn, a colleague's perfume, seaweed washed up on the shore, Matt's sweaty body in bed at night. Sounds - the strings on a cello, the screech of a car, her nephew's laughter. Experiences - dancing at a birthday party, people-watching at Starbucks, buying a cute dress, opening the mail. All of this, no matter how mundane, delights her to no end. She's become hyper-present. When people delude themselves into believing they have all the time in the world, she's noticed, they get lazy. p310
”
”
Lori Gottlieb (Maybe You Should Talk to Someone & Into the Magic Shop 2 Books Collection Set)
“
It was July, and we'd ordered patbingsu to share to stave off the humidity. This rendition was far more elaborate than the homespun efforts of my childhood, its base a perfect soft powder of snow slathered in sweet red beans and garnished with pristinely cut strawberries, perfect squares of ripe mango, and little cushions of multicolored rice cakes. A fine web of condensed milk drizzled over the sides, and vanilla soft serve towered high on top.
”
”
Michelle Zauner (Crying in H Mart)
“
Titles by Julie Garwood Sweet Talk The Ideal Man Sizzle Fire and Ice Shadow Music
”
”
Julie Garwood (For the Roses (Rose, #1))
“
The requiem has started, and when the last melody plays, the only applause will be sweet, eternal silence.
”
”
Julie Kagawa
“
Margaret . . .” The name was part groan, part growl. She was filled with a sweet, aching longing to bridge the lingering space between them. She leaned down and their lips met in a feather touch. Sparks thrilled her every nerve. He angled his head to deepen the kiss, pressing his mouth to hers, fervently, fiercely. Her head felt light, her pulse pounded. What was she doing? The heady, delicious kiss took her off guard. She had never expected such a passionate, forceful embrace from a man she had once thought timid. A man who doesn’t know what he is doing, she reminded herself. Who is dreaming. She, on the other hand, knew very well what she was doing. She tried to pull away but, leaning over as she was, fell forward, her elbows spearing his chest. Crying out, she scrambled out of his hold and to her feet.
”
”
Julie Klassen (The Maid of Fairbourne Hall)
“
Dear Miss Smallwood, I thought it was time you received a real love letter. I am too shy to speak to you of my feelings in person, but I want you to know how pleased I am you are with us. You have an ardent admirer here at Ebbington Manor. I will be watching you. For I could gaze upon your soft green eyes and sweet lips forever. Your Secret Admirer
”
”
Julie Klassen (The Tutor's Daughter)
“
My dear Emma, How sweet to be under the same roof once more. It reminds me of our days at the Smallwood school, when you and I would sit outside and gaze up at the stars, you reminding me of all their names and me gazing at you. Do you recall that time I sneaked into your room late one night? And what we did? I am thinking of that now, as I write this note and prepare to sneak down to your room in a few minutes. As you read this, know that I am thinking of you. When you next see me, please acknowledge this note by pulling on your earlobe. Your delectable earlobe. W.
”
”
Julie Klassen (The Tutor's Daughter)
“
Early July 2012 In one of Andy’s responses, my ex-lover wrote, Young, That sounds great! I look forward to co-writing the fourth book of A Harem Boy Saga with you. This will provide us time to map out the outline of our joint project during the course of our correspondence. As much as I’d love to work with you on this project, I want to be sure that Walter is okay with us going into this venture together. I have no desire to upset your loving relationship and certainly have no wish to be an unwelcome intruder into your lives. Let me know if he agrees. When I was in hospital recovering from my nervous breakdown, I met Jack, a 24-year-old nursing student. He cared for me during my recovery. We dated for several months before his transfer to a hospice in a different city. I did not have the courage to tell Toby that Jack and I were dating. I was afraid Toby would threaten suicide again, until the fateful evening when he discovered Jack and me making out in my flat. My caregiver and I had proceeded to my lodgings after a scrumptious dinner one evening. After several glasses of wine while watching television, Jack leaned his head against my shoulder. His dreamy, doe-like eyes looked adoringly at me, reminding me of your beautiful Asian eyes staring at me during our intimate moments together. Our kisses soon led to lingering sensual foreplay. Before long, our clothes were scattered all over. Jack went on his knees, eagerly caressing my growing hardness and wrapping his luscious lips around me under my briefs. Easing down my underwear, he went to work. His sweetness stirred my longing for you. Closing my eyes to savor his warm fallation, I reclined against the comfortable sofa and enjoyed the pleasurable sensation showered upon my erection. He engulfed my pulsating manhood, suckling away as if to satisfy his hunger. It was similar to the way you used to relish my hardness for hours on end. Like you, he pleasured me with deep, devotional worship; I was overwhelmed by his sexual imperativeness, wanting his warmth to wash over my entirety. His expert titillation did wonders for my soul, causing me to spasm involuntarily. He devoured my length as if deprived of nourishment while I nurtured my feed into Jack’s bobbing head, pressing him against my quivering palpitations.
”
”
Young (Unbridled (A Harem Boy's Saga, #2))
“
What’s in a name? That which we call a rose By any other word would smell as sweet.” —WILLIAM SHAKESPEARE, Romeo and Juliet
”
”
Jeanne Ray (Julie and Romeo)
“
The video for “Sweet Child o’ Mine” was on MTV when we set off in July, but on the first few dates we still got a tepid reaction from the crowd—polite applause. Soon, however, the song became a phenomenon, much to all of our surprise, to be honest. We had not even seen it as a potential single when we put it together.
”
”
Duff McKagan (It's So Easy: And Other Lies)
“
Everything in the bathroom was white. I sat on the toilet and looked at my thighs nostalgically. Soon they would be perpetually entwined in his thighs, never alone, not even when they wanted to be. But it couldn’t be helped. We had a good run, me and me. I imagined shooting an old dog, an old faithful dog, because that’s what I was to myself. Go on, boy, get. I watched myself dutifully trot ahead. Then I lowered my rifle and what actually happened was I began to have a bowel movement. It was unplanned, but once begun it was best to finish. I flushed and washed my hands and only by luck did I happen to glance back at the toilet. It was still there. One had to suppose it was the dog, shot, but refusing to die. This could get out of hand, I could flush and flush and Phillip would wonder what was going on and I’d have to say The dog won’t die gracefully. Is the dog yourself, as you’ve known yourself until now? Yes. No need to kill it, my sweet girl, he’d say, reaching into the toilet bowl with a slotted spoon. We need a dog. But it’s old and has strange, unchangeable habits. So do I, my dear. So do we all. I flushed again and it went down. I could tell him about it later.
”
”
Miranda July (The First Bad Man)
“
What did you 'think' would happen, Miss Eversea, if you ever encountered me alone in the dark?" he murmured.
And then he eased her head back with a final tug of her hair, and brought his mouth down on hers.
He didn't savor or coax or indulge or finesse. He invaded. With a hint of mockery, a hint of self-indulgent cruelty, his sinewy tongue got between her lips and set to work plundering with the same skillful, recklessness he'd kiss a greedy, experienced lover. To show this clever girl how much she didn't know. To breach her defenses before they had a chance to stir.
Her body was rigid with surprise. Her mouth was hot and soft and sweet as cognac. Her lips were a wonder of give.
”
”
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
“
My heart wasn’t where Mike Seaver’s was—or the bulk of the male population’s. I never got a DUI because I didn’t drink. The only thing I ever smoked was a ham for Thanksgiving. Maybe I would have had more free time to get into trouble with girls if I wasn’t so busy killing rats to feed my snakes. All I wanted was to find one girl and be with her for life. July 25, 1987 I really wish that I will meet someone that is so special, and wants to be with me as much as I want to be with her and who will be excited for me about my career and will not be interested in Kirk Cameron the actor, star of Growing Pains. I’m looking for someone who could be my best friend. Someone who is not the least bit phony but who is just so honest and open about her feelings and who genuinely cares about mine and wants to share her feelings with me. Not too long after I wrote that journal entry, I met a girl on the set. She came in for a quick guest role, and we began seeing each other off set. I grew very fond of her and her family—especially her father, who later became very instrumental in answering my questions about God. Within a year, my immaturity had made a royal mess of that relationship and left that sweet girl heartbroken and confused. She was the last girl I went out with until the most breathtaking woman in the world entered my life.
”
”
Kirk Cameron (Still Growing: An Autobiography)
“
Can I keep you, Avery Connor? Will you be mine?”
“Please.”
His smile was brighter than the sun in mid-July. “Good answer.
”
”
Melanie Moreland (It Started with a Kiss (Insta-Spark Collection, #1))
“
My family was here for the annual Fourth of July party. Everyone was here. Even my oldest sister, Sasha, came. And that crazy motherfucker Merc. And insane Uncle James. How did Rory grow up so innocent and sweet when all the family assassins dropped by for the holidays on a regular basis? I mean, I figured that shit out pretty early.
”
”
J.A. Huss (Five (Mister, #6))
“
ON THEIR WAY out, Nick held Huxley’s front door open for her. “Boyfriend, huh? I didn’t realize we had taken things to that level.”
“Oh, I’m sorry—this is my first undercover operation,” Jordan said. “I’m a little unclear about the rules. Are we seeing other people in this fake relationship?”
He followed her down the steps to the sidewalk. “You expect me to make this decision on the spot? I’m a man, Jordan; I can’t be pressured into these kinds of things.”
She flashed him a sweet smile. “Lucky for you, it will all be over soon. Tomorrow you can have a fake freak-out over commitment issues that will lead to our fake breakup. After that, I think our characters will need some very real time apart.” She began walking toward the street.
”
”
Julie James (A Lot like Love (FBI/US Attorney, #2))
“
You’re trying to change the subject, aren’t you?”
“Definitely. In hindsight, that assistant comment probably wasn’t so slick. I should warn you—I may have these momentary Cro-Magnon lapses from time to time. Bygones.”
Jordan opened her mouth to say something, then shut it. She threw her hands into the air. “How do you always do that? You tiptoe right to the edge of thoroughly pissing me off, then somehow you sweet-talk your way out of it.”
Nick grinned. “Aha. I told you when we met that you’d know if I was sweet-talking you.”
Jordan stared out the front windshield, shaking her head. “Seriously, I must’ve killed somebody’s prized goat or something in a former life. And this is my penance.”
He laughed. “Oh, admit it. You love it.”
“That’s the penance part. My slow descent into madness.”
Seeing the grin curling at the edges of her lips, Nick leaned forward in his seat to kiss her. “Aw, you say the sweetest things.” And he wouldn’t have it any other way.
”
”
Julie James (A Lot like Love (FBI/US Attorney, #2))
“
Before she could put Paula in her place, a beautifully attired older woman standing near her said pointedly, “Miss July, please don’t judge we Philadelphians by this graceless visitor from Memphis.
”
”
Beverly Jenkins (Wild sweet love: Love wild)
“
And as if the wink was't crazy enough, now he had the gall to flash that smile of his. It deepened the dimple in his left cheek, the one she'd always thought was sweet enough to launch a thousand lady boners - it'd certainly launched a thousand of her.
”
”
Julie Ann Walker (Full Throttle (Black Knights Inc., #7))
“
I go to farmers' markets all the time. Field-to-table is so my thing. But none of the herbs at any of them comes close to island herbs. Those herbs make Quinnie food- well, those herbs and freshness. Quinnipeague was growing organic and cooking local before farm-to-table was a movement, but, still, we think of the herbs first. I can't write about island cooking without talking about them, but I can't not talk about the people, either. That's where you come in, Charlotte. You've eaten Dorey Jewett's lobster stew and Mary Landry's clam fritters, and you always loved the fruit compote that Bonnie Stroud brought to the Fourth of July dinner each year. These people are all still around. Each has a story. I want to include some in the book, but I'm better at writing about food than people.
”
”
Barbara Delinsky (Sweet Salt Air)
“
Nicole craved sweets. Her list included peach pie, rhubarb pie, and pumpkin pie, all of which would be on hand the following week for the Fourth of July cookout on the bluff, so she knew Quinnie cooks would have their recipe cards nearby. In addition to pies, she wanted recipes for blueberry cobbler, apple crisp, molasses Indian pudding, Isobel Skane's chocolate almond candy, and, of course, Melissa Parker's marble macadamia brownies.
”
”
Barbara Delinsky (Sweet Salt Air)
“
Sweet lovin’ Lord. The place was like a Cabela’s catalog on crack. Ali
”
”
Julie Ann Walker (Hell on Wheels (Black Knights Inc., #1))
“
I knew you forever and you were always old,
soft white lady of my heart. Surely you would scold
me for sitting up late, reading your letters,
as if these foreign postmarks were meant for me.
You posted them first in London, wearing furs
and a new dress in the winter of eighteen-ninety.
I read how London is dull on Lord Mayor's Day,
where you guided past groups of robbers, the sad holes
of Whitechapel, clutching your pocketbook, on the way
to Jack the Ripper dissecting his famous bones.
This Wednesday in Berlin, you say, you will
go to a bazaar at Bismarck's house. And I
see you as a young girl in a good world still,
writing three generations before mine. I try
to reach into your page and breathe it back…
but life is a trick, life is a kitten in a sack.
This is the sack of time your death vacates.
How distant your are on your nickel-plated skates
in the skating park in Berlin, gliding past
me with your Count, while a military band
plays a Strauss waltz. I loved you last,
a pleated old lady with a crooked hand.
Once you read Lohengrin and every goose
hung high while you practiced castle life
in Hanover. Tonight your letters reduce
history to a guess. The count had a wife.
You were the old maid aunt who lived with us.
Tonight I read how the winter howled around
the towers of Schloss Schwobber, how the tedious
language grew in your jaw, how you loved the sound
of the music of the rats tapping on the stone
floors. When you were mine you wore an earphone.
This is Wednesday, May 9th, near Lucerne,
Switzerland, sixty-nine years ago. I learn
your first climb up Mount San Salvatore;
this is the rocky path, the hole in your shoes,
the yankee girl, the iron interior
of her sweet body. You let the Count choose
your next climb. You went together, armed
with alpine stocks, with ham sandwiches
and seltzer wasser. You were not alarmed
by the thick woods of briars and bushes,
nor the rugged cliff, nor the first vertigo
up over Lake Lucerne. The Count sweated
with his coat off as you waded through top snow.
He held your hand and kissed you. You rattled
down on the train to catch a steam boat for home;
or other postmarks: Paris, verona, Rome.
This is Italy. You learn its mother tongue.
I read how you walked on the Palatine among
the ruins of the palace of the Caesars;
alone in the Roman autumn, alone since July.
When you were mine they wrapped you out of here
with your best hat over your face. I cried
because I was seventeen. I am older now.
I read how your student ticket admitted you
into the private chapel of the Vatican and how
you cheered with the others, as we used to do
on the fourth of July. One Wednesday in November
you watched a balloon, painted like a silver abll,
float up over the Forum, up over the lost emperors,
to shiver its little modern cage in an occasional
breeze. You worked your New England conscience out
beside artisans, chestnut vendors and the devout.
Tonight I will learn to love you twice;
learn your first days, your mid-Victorian face.
Tonight I will speak up and interrupt
your letters, warning you that wars are coming,
that the Count will die, that you will accept
your America back to live like a prim thing
on the farm in Maine. I tell you, you will come
here, to the suburbs of Boston, to see the blue-nose
world go drunk each night, to see the handsome
children jitterbug, to feel your left ear close
one Friday at Symphony. And I tell you,
you will tip your boot feet out of that hall,
rocking from its sour sound, out onto
the crowded street, letting your spectacles fall
and your hair net tangle as you stop passers-by
to mumble your guilty love while your ears die.
”
”
Anne Sexton
“
The constitution which emerged from the Assembly after six months of debate—it was passed on July 31, 1919, and ratified by the President on August 31—was, on paper, the most liberal and democratic document of its kind the twentieth century had seen, mechanically well-nigh perfect, full of ingenious and admirable devices which seemed to guarantee the working of an almost flawless democracy. The idea of cabinet government was borrowed from England and France, of a strong popular President from the United States, of the referendum from Switzerland. An elaborate and complicated system of proportional representation and voting by lists was established in order to prevent the wasting of votes and give small minorities a right to be represented in Parliament.* The wording of the Weimar Constitution was sweet and eloquent to the ear of any democratically minded man. The people were declared sovereign: “Political power emanates from the people.” Men and women were given the vote at the age of twenty. “All Germans are equal before the law … Personal liberty is inviolable … Every German has a right … to express his opinion freely … All Germans have the right to form associations or societies … All inhabitants of the Reich enjoy complete liberty of belief and conscience …” No man in the world would be more free than a German, no government more democratic and liberal than his. On paper, at least.
”
”
Anonymous
“
I've seen so much and lived it all. I wanted to bite the earth and taste it. It is both bitter and sweet, and if I had my time to live over again, I wouldn’t change a damn thing — Reg Spiers
”
”
Julie McSorley Marcus McSorley
“
He tries, but I don't let go. I am like the woman who pushes a car off a baby. Adrenaline courses through every inch of my body, and Enrico cannot break free.
”
”
Julie Sarff (Sweet Delicious Madness and the Hordes of Lidias (Kissed in Italy Mystery #2))
“
The Christmas Tree, I swear, is so large it looks like it gave birth to the one in Rockefeller Center.
”
”
Julie Sarff (Sweet Delicious Madness and the Hordes of Lidias (Kissed in Italy Mystery #2))
“
If Jack had a rough night, he didn’t show it. He was playing a rock tape and tapping his fingers on the dashboard. When Julie rushed down the steps and climbed into the truck, he had a poem ready for her:
She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes . . .
Julie laughed as she pulled out her comb and tried to fix her windblown hair. “Thanks, Jack. It’s not very accurate, but I appreciate the thought.”
“You memorized that?” I asked him.
“I tried to, but I gave it up.” He showed me the slip of paper in his hand, then put the truck in gear. “I kept forgetting the middle part.”
Julie reached over and kissed him on the cheek. “That’s sweet.”
Jack grinned. “Hey, you’ve got to work on your aim. You missed my lips by three inches.
”
”
P.J. Petersen (The Freshman Detective Blues)
“
Uh . . . thank you for the coffee, Meg—you brew a very decent pot.” His nervous compliment seemed to dissolve all the years of ridicule she’d suffered at his hand. Tubby. Four eyes. Wallflower, and more. Hurtful names she now realized were nothing more than the barbs of an insecure little boy. And a bully who would never bully her again. “Why, thank you,” she said with a flash of a perfect smile afforded by three years of braces at great expense to her mother. She felt almost giddy as she gave him a wink. “Not too shabby for somebody long on brains, short on beauty, eh?” And with a toss of her newly hennaed hair, she turned on her heel, the taste of vindication sweet solace, indeed.
”
”
Julie Lessman (Surprised by Love (The Heart of San Francisco, #3))
“
I’m guessing you’re a cream-and-sugar type of girl?” “Uh . . . yes, please—heavy on the cream, light on the sugar, thank you.” He followed Linda Marie to the door, shooting a grin over his shoulder. “Thought so—sugar to feed that sweet disposition and cream to enhance the peaches-and-cream glow.
”
”
Julie Lessman (Surprised by Love (The Heart of San Francisco, #3))
“
Oh, my goodness! Megan Maureen McClare—you did, didn’t you?” Her mother’s jaw fell. “Uh-oh.” Alli’s voice squeaked with a nervous giggle, fingertips pressed to her lips as if to restrain further damage. She peeked at Meg out of the corner of her eyes, brows puckered in repentance. “Was I supposed to keep that a secret?” Meg laughed and hugged her tightly. “Not really, Al, so don’t worry. Not only will I have to adjust to this new me, but everyone else will too.” She glanced up at her mother with her usual sweet smile, although she was certain it lacked the timidity to which everyone was accustomed. “Please forgive me, Mother. I know a lady hopping aboard a motorbike with a near stranger is not the most dignified of scenarios. But Paris does something to you—it dares you, entices you, liberates you in ways I never expected.” “Sweet thunderation, Megs, you really and truly got on a motorbike with a complete stranger?” Cassie’s sagging jaw matched Meg’s mother’s. “Not exactly a stranger,” Alli piped up, eager to redeem herself, “a friend of the Rousseaus named Pierre.” She glanced at Meg with a sudden gleam of mischief in her eyes. “Apparently he was one of several smitten young men who asked Megs to marry him.” “What?” Uncle Logan was on his feet in a heartbeat, face ruddy with shock. “Megan Maureen, you best tell me there is nothing going on here, young lady—” “Nothing is going on, Uncle Logan, truly.” Meg offered a conciliatory smile, her gaze darting to where Bram was actually frowning—a most infrequent occurrence—before she returned to her uncle. “Pierre is Dr. Rousseau’s colleague’s son, and a dear friend of the Rousseaus, but I assure you, he and I are only friends.” “So, tell us, Bug,” Bram said, hunkering down on the table with a fold of arms, the lazy bent of his smile at odds with the slight narrowing of his eyes. “Exactly how many hearts did you break in Paris?” “More than I ever have, I can tell you that,” Alli said with a wink, shimmying in to prop her chin in her hand. “So tell us about riding the motorbike, Megs—was it exciting?” Meg’s gaze flitted to Alli with a mischievous grin that made her feel alive, as if she were coming out of the shadows for the very first time. “Oh, yes, very much so! The wind in your face while your hair whips behind you, free and unfettered.” She stole a glance at Bram, wishing his disapproval didn’t bother her so. “And I didn’t ‘break’ any hearts,” she said softly, “just the mold of who the old Meg used to be.
”
”
Julie Lessman (Surprised by Love (The Heart of San Francisco, #3))
“
For the briefest of moments, he paused with his hand on the brass knob of his door, eyes slipping closed to relive for one glorious moment the sweet taste of Cait’s lips. An almost holy reverence settled while his breath stilled in his chest, making him realize all over again that in a mere two days, his very best friend would become his very own wife and lover. The grin returned, so wide he was certain his jaw would ache by the end of the day. Thanksgiving Day, indeed! By
”
”
Julie Lessman (Surprised by Love (The Heart of San Francisco, #3))
“
I'm reminded of how wonderful grace is. We simply accept its healing, loving presence. We allow its sweetness to fill us and nourish us. The only expectation is that we accept it. What acts of grace have appeared in your life? How might you extend grace to those you know?
”
”
Laurie Brock (Forward Day by Day: May, June, July 2016)
“
JULY 12
Making Waves
I would do anything for you. Would you be yourself?
n the Hans Christian Anderson classic, The Little Mermaid, Ariel gives up her beautiful voice in exchange for legs. This is a seemingly innocent fable that captures our deal with the modern devil. For aren't we taught that mobility is freedom, whether it be moving from state to state, or from marriage to marriage, or from adventure to adventure? Aren't we convinced that upward mobility, moving from job to job, is the definition of success?
Of course, there is nothing inherently wrong with change or variety or newness or with improving our condition. The catch is when we are asked to give up our voice in order to move freely, when we are asked to silence what makes us unique in order to be successful. When not making waves means giving up our chance to dive into the deep, then we are bartering our access to God for a better driveway.
As a story about relationship, the lesson of Ariel is crucial. On the surface, her desire for legs seems touching and sweetly motivated by love and the want to belong. Yet here too is another false bargain that plagues everyone who ever tries it. For no matter how badly we want to love or be loved, we cannot alter our basic nature and survive inside, where it counts.
o Sit quietly and consider your own history of love.
o As you exhale, consider a time when you gave up some aspect of yourself in order to be loved.
o As you inhale, allow yourself to reconnect with this silenced part of your nature.
JULY
”
”
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
“
Root Beer For each gallon of water to be used, take hops, burdock, yellow dock, sarsaparilla, dandelion, and spikenard roots, bruised, of each 1/2 oz.; boil about 20 minutes, and strain while hot, add 8 or 10 drops of oils of spruce and sassafras mixed in equal proportions, when cool enough not to scald your hand, put in 2 or 3 table-spoons of yeast; molasses 2/3 of a pint, or white sugar 1/2 lb. gives it about the right sweetness. Keep these proportions for as many gallons as you wish to make. You can use more or less of the roots to suit your taste after trying it; it is best to get the dry roots, or dig them and let them get dry, and of course you can add any other root known to possess medicinal properties desired in the beer. After all is mixed, let it stand in a jar with a cloth thrown over it, to work about two hours, then bottle and set in a cool place. This is a nice way to take alternatives, without taking medicine. And families ought to make it every Spring, and drink freely of it for several weeks, and thereby save, perhaps, several dollars in doctors' bills. Source: Dr. Chase's Recipes: or, Information
”
”
Julie Hutchins (Civil War Era Recipes)
“
looked so sweet, so absolutely adorable
”
”
Julie Smith (Death Before Facebook (Skip Langdon, #4))
“
With a sigh, knowing the explosion that would follow, Lily lifted her fork and smiled as sweetly as she could manage under the circumstances. "Daddy, I hope you'll be happy to hear that I've already made that decision. As a matter of fact, I made that decision before Travis ever got here. Cade understood when I asked for a little time before telling you, but I guess the time is here. Cade and I were married three months ago. I'm expecting his child in July." To say all hell broke loose put it mildly, Lily thought as she rose and left Cade to handle the chaos for which he had built the foundations.
”
”
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
“
You’re much too sweet for me.” “I’m not sweet. I’m tough.” “Said the girl who doesn’t like contact sports and, last time she went to the gym, sprained her va—” “Ah!” I yell, cutting him off. “Okay. No need to go into details.” He
”
”
Julie Johnson (Not You It's Me (Boston Love, #1))
“
During the meal I consume every last bite of my shrimp and grits, relishing the uniquely Southern combinations: tart lemon juice, savory scallions, crisp bacon, and a dash of paprika all mixed in with freshly grated Parmesan and creamy white cheddar. It's been tossed with sautéed wild mushrooms and minced garlic, cayenne pepper, and Gulf shrimp, all atop a bowl of steaming Mississippi Delta stone-cut grits. My belly sings a psalm of thanks with every flavor-punched drop, and that doesn't even count the homemade biscuits baked big as fists and the silver-dollar pickles fried deep with salt. Drown it all together with a swig of syrup-sweet tea, and the name of this country song would be "Welcome Home.
”
”
Julie Cantrell (Perennials)
“
I'm already opening my eyes as the sparrows bring me to life from beneath the sweet gum tree, their simple tune accompanied by migrating songbirds of every vibrant hue. Scarlet tanagers, prothonotary warblers, and my personal favorite, the indigo buntings who have returned with their striking blue feathers and silvery bills. The trees are alive, and they sing to tell us so.
”
”
Julie Cantrell (Perennials)
“
It tasted different from the candies of my youth, not the standard fake lemon flavor but a brighter, more... puckery flavor. Like real lemonade. It reminded me of my mom, of how her hands always smelled. Perhaps these drops really did contain a little bit of kitchen magic. This thought made me smile.
I popped the candy in my mouth and got back into bed, then lay there staring up at the ceiling of my tiny dormer room, sucking on the hard ball, waiting for it to dissolve so I could go to sleep. It was the best lemon drop I'd ever had, the flavor just straddling sour and sweet. It tasted of bright July afternoons, of lemonade stands and paper cups and crunching ice cubes, of wading in the frigid water of Puget Sound, of laughter and a fizzle of joy in my chest for no reason at all.
”
”
Rachel Linden (The Magic of Lemon Drop Pie)
“
Gluten-free acai cupcakes, with a new buttercream frosting I’m testing out.”
“Ooh, my favorite! A fresh batch?” I can almost taste the sweet tingle of the fruity acai, tangling with a hint of coconut and that dollop of extra honey that Ana uses in the frosting. Mmm. She knows acai is one of my favorite flavors at her shop. What Ana doesn’t know is that acai is my go-to because she weaves in a hint of bravery when she purees the fruit. And, being a shy nobody, I need all the bravery I can get.
”
”
Julie Abe (The Charmed List)
“
I parallel park in front of Shuei-Do Manju Shop, one of the best traditional Japanese sweet shops in the area. They’re known for their manju and mochi, soft and chewy rice cakes stuffed with tasty fillings ranging from peanut butter to traditional red bean. It’s so good that the emperor of Japan ate manju from their shop during a visit to the US.
”
”
Julie Abe (The Charmed List)
“
We pass under a sign that declares WELCOME TO PIXLEY’S HIDDEN MAGICAL VILLAGE, ESTABLISHED IN 1875.
I roll down the window, staring at this new world.
At this hour, only a few people are strolling on the sidewalks. It’s a typical small town, with one main road that runs through, with shops and quaint restaurants. But it’s magical. Each shop looks like a world of its own, with stately brick fronts or sleek glass minimalistic buildings or quirky cottages in a rainbow of colors. And the signs take my breath away:
ELIXIRS OF EUPHORIA
MYSTIC HAHN’S HAVEN FOR THE OCCULT
SARAH AND SUE-O’S SCONES AND SWEETS
QUILL TREE FOX ART GALLERY
LEON THE LION’S TOY EMPORIUM
”
”
Julie Abe (The Charmed List)
“
I scoop up a generous mouthful, thankful for something cool to take away the sudden heat flushing up me neck. I can’t believe I agreed to this…. My drawings aren’t good enough.
Then the flavor of the ice cream bursts through my mouth. And it isn’t vanilla or chocolate or any ordinary flavor like that.
Honeysuckle.
Our favorite activity during third-grade recess was to hide behind the classroom, lying under the window so Ms. King wouldn’t see us and ask what we were doing. Jack and I would lie out among the clover and honeysuckle, holding hands and just staring up at the impossibly huge sky.
Some days, I’d bring my sketch pad so we could draw the clouds, and we made those little pictures into stories. A cloud-bunny would go on adventures with the cloud-dragon, and they’d find gleaming treasures and hidden magical lands, always together. When we got bored, we’d suck on the stems of the honeysuckle for a drop of sweetness.
Those honeysuckle days are some of the sweetest moments I ever had growing up.
”
”
Julie Abe (The Charmed List)
“
And Mary is bringing along her famous cakes and sweets,” Lilly said. “Plenty for another,” Mary assured him.
”
”
Julie Klassen (The Apothecary's Daughter)
Julie Garwood (Sweet Talk (Buchanan-Renard #10))
“
Perversion of Justice: The Jeffrey Epstein Story by Julie K. Brown 1 highlight
“What society wants is a victim who is a sweet, adorable, innocent angel that God sent from heaven—and an offender who is this evil horrible sexual predator, a ‘dirty old man in a wrinkled raincoat,’ that’s what we prefer, but that’s not reality,” Lanning said.
”
”
Julie K. Brown (Perversion of Justice: The Jeffrey Epstein Story)
Julie Carobini (The Otter Bay Novel Collection: Sweet Waters, A Shore Thing, Fade to Blue, Books 1-3)
“
(July 29, 1949 letter to Truman Capote, in Tangiers, Morocco)
You have probably never received those delicious epistles which I never wrote—let alone sent. But there you are selling grain in the marketplace with little Jane [Bowles]—and now both of you adored by Berbers and strange wide-eyed men such as have never adored me. When are you coming home to your sweet old bald-head mom?
”
”
Leo Lerman (The Grand Surprise: The Journals of Leo Lerman)
“
What will you name her?" she asked.
"I was thinking 'Susannah.'"
That had certainly been quick out of his mouth. His eyes glinted devilishly.
Susannah tipped her head to the side, pretending to mull this. "Perfect," she pronounced finally. "It's the perfect name for such a beautiful creature."
And then she spun prettily, casting a saucy look at him through her lashes over her shoulder, and headed up the path for home.
And as she walked, she cherished the last expression she'd seen on his face. It hadn't been amusement, for a change. Or indifference. Or impatience.
It had been something else entirely.
And a strange, sweet hope bucked inside her.
”
”
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
“
Kit swiftly lifted Susannah up into his arms as it whipped past; she ducked her head in his chest.
Fortunately the adder's retreat was hasty and complete.
"It's all right," he said softly. "You're all right. It's gone."
Susannah said nothing for a time; just breathed swiftly in and out. She was warm and lithe in his arms; the faintest scent of lavender, and that mysterious sweetness of her own, the scent he'd discovered at the nape of her neck the day he'd caught her spying on him, rose up to him, released by the heat of her skin.
"It was a snake." Her voice, a trifle unsteady, was muffled against his shirt.
"It was, indeed," he said softly. Her breath had found a gap between the buttons of his shirt; it washed over his skin in a very nearly hypnotic rhythm. In... and out. In... and out. In... and---
”
”
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
“
Who was the artist? The line of her body was slim and softly feminine in a way that spoke to every one of his senses. Her hair, a rich mahogany had smelled wonderful, though he'd be hard-pressed to describe just exactly what it smelled like... fresh, he would have said, Or clean. Or sweet. But none of those words really seemed to apply, precisely. How he loved discovering the unique smell of a woman... a good place to start discovering it, he knew, was the nape of the neck. But there were other delightful places, too.
He smiled, a wicked, private smile, which faded when he remembered he was not to be discovering the smells of females while he was in Barnstables.
You were bloody quiet, she'd said. As though he'd thwarted her.
He gave a bark of delighted laughter. It rather sounded like something he would have said.
”
”
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
“
She lifted her head and gazed at him, studying him like a map. He submitted to it without blinking, lost momentarily in the lovely complexity of her eyes. All those colors. Like the pond dappled in morning light, those eyes were, the shifting play of green and gold,; tears had made spikes of her chestnut lashes. It was all he could not to brush a thumb across them, taste the salt of them, to run the cool back of his hand against her flushed cheek, soothing it. He wondered why it had begun to seem more unnatural not to touch her... than to touch her.
At that thought, something kicked sharply inside him, once. And then it unfurled, slowly, slowly, filling him with an ache both unutterably sweet... and as old as time.
It occurred to him then: She might very well be right. She might just be a little dangerous after all.
”
”
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
“
Susannah, listen to me: Do you want this to be over? Do you want to be safe?"
"No, I rather enjoy dodging for my life, and wondering when you'll next be stabbed or crushed on my behalf."
He smiled again, pleased with her the way he always was when she was sarcastic.
"How can you smile?" she wanted to know, irritated.
"You forget, my dear, that danger has been a way of life for me."
She pondered this. "Wouldn't you rather just be a naturalist?" she said weakly.
He didn't answer; he just looked at her for a long moment. And then he leaned forward and touched his mouth to hers.
Her lips were obstinate at first, but then they softened beneath his, and her hand went up to cup his face--- he loved it when she did that---and she parted her lips. For a short, dizzying moment, they feasted tenderly on each other. It was incomparably sweet.
”
”
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
“
His lips touched hers, just a brush, once, twice, over the full softness of her lovely mouth, discovering what she knew of kissing. With devastating instinct, she echoed him, dragging her lips softly across his, with his, until the desire in him was coiled so tightly his limbs trembled from it.
"Susannah." A ragged whisper. She sighed a warm breath out against his lips and brought her other hand up to hold his face; in her hands he could feel her tension and urgency. And he'd meant to linger over this kiss, to take it deeper with delicacy and finesse, and then to end it, but he found he could not. His desire was suddenly untenable; he was convinced only the taste of her could ease it. He touched an impatient tongue to her lips and coaxed them open. When she parted her mouth he sought her tongue, and discovered, with a low sound in the back of his throat, the hot, silken sweetness inside her mouth. Her tongue tentatively moved, tangled with his. Oh, God.
"Like this?" she whispered.
"God, yes," he breathed.
She smiled against his mouth.
"No smiling," he murmured. "Only kissing."
Their mouths moved languidly over each other at first, nipping, delving deeply, retreating. And gradually it built to urgency. He rose up over her to take his kisses deeper still, to taste the contours of her mouth, teeth clashing against her teeth, and still it never seemed enough. The sensation was like soaring in place; Kit couldn't feel the ground beneath him, or the air above him; he was aware only of the sweetness of the woman joined with him, and distantly he marveled, he'd never felt quite so lost. He tucked his hip in firmly against hers, astounded at how painfully aroused he was.
"Sweet," he murmured, moving his lips from hers to kiss, to nip beneath her chin, to draw his tongue down the cord of her throat. Her breathing was rushed, and with the rise and fall of her chest he could see the tight darkness of her nipples beneath the fine fabric of her dress. "Sweet," he sighed again, moving his mouth to breathe against her breast; he touched his tongue to her nipple through the fabric. She caught her breath at the sensation, arced up a little to meet him. And as she did, his fingers, five feathers, began to stroke the tender skin inside her thigh.
”
”
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
“
You think I’d fucking leave you?” Luke said. From behind me in the salon, one of the women said, “Oh, sweet baby Jesus.
”
”
Julie Kriss (Drive Me Wild (Riggs Brothers, #1))
“
I should be honored if you would dance with me, Lady Derring,” Mr. Farraday said, because he possessed excellent manners and because Delilah was smiling sweetly at him and he was as putty in her hands. But then, in the hands of the right woman, Mr. Farraday was the sort who would be putty for the rest of his days.
”
”
Julie Anne Long (Lady Derring Takes a Lover (The Palace of Rogues, #1))
“
January brings the snow,
Makes our feet and fingers glow.
February brings the rain,
Thaws the frozen lake again.
March brings breezes, loud and shrill,
To stir the dancing daffodil.
April brings out the primrose sweet,
Scatters daisies at our feet.
May brings flock of pretty lambs,
Skipping by their fleecy dams,
June brings tulips, lilies, roses,
Fills the children's hands with posies.
Hot July brings cooling showers,
Apricots, and gillyflowers.
August brings the sheaves of corn,
Then the harvest home is borne.
Warm September brings the fruit;
Sportsmen then begin to shoot.
Fresh October brings the pheasant;
Then to gather nuts is pleasant.
Dull November brings the blast;
Then the leaves are whirling fast.
Chill December brings the sleet,
Blazing fire, and Christmas treat.
”
”
Elizabeth Hauge Sword (A Child's Anthology of Poetry)
“
You didn't let me finish," said Julie. "It's weird... because I love you too." Tears poured down Julie's face. "I never told you this, though, since ― since I haven't felt loved in such a long time! The more that I wish it wasn't real, the more I know it is, and it terrifies me as nothing has ever done before."
Jason walked closer to Julie and grasped her hand. "I am not your father, Julie, I would never hurt you." Jason leaned in closer to Julie, so close that it seemed as if their hearts were beating as one, their lips slowly meeting in a passionate kiss. Jason wiped the tears off Julie's snow-white cheeks, which now had the faintest trace of red. As they slowly moved apart, Julie grinned despite herself.
"I just wanted you to know where I stand with us," said Jason. "But if you need time to think about... well... I'll be waiting.
”
”
Robert G. Culp (Knight School: A Mystic Brats Novel (The Mystic Brat Journals #1))
“
We're going to be fine, Julie,” said Jason. “Our lives are going to be good.”
“You promise?”
“I promise.
”
”
Robert G. Culp (Knight School: A Mystic Brats Novel (The Mystic Brat Journals #1))
“
What society wants is a victim who is a sweet, adorable, innocent angel that God sent from heaven
”
”
Julie K. Brown (Perversion of Justice: The Jeffrey Epstein Story)
“
What society wants is a victim who is a sweet, adorable, innocent angel that God sent from heaven—and an offender who is this evil horrible sexual predator, a ‘dirty old man in a wrinkled raincoat,’ that’s what we prefer, but that’s not reality,” Lanning said.
”
”
Julie K. Brown (Perversion of Justice: The Jeffrey Epstein Story)
“
She'd make all the ingredients individually for her kimchi-jjigae," he went on. "Anchovy stock. Her own kimchi, which made the cellar smell like garlic and red pepper all the time. The pork shoulder simmering away. And when she'd mix it all together..." He trailed off, tipping his head back against the seat. It was the first movement he'd made over the course of his speaking; his hands rested still by his sides. "It was everything. Salty, sour, briny, rich, and just a tiny bit sweet from the sesame oil. I've been trying to make it for years, and mine has never turned out like hers."
My anxiety manifestation popped up out of nowhere, hovering invisibly over one off Luke's shoulders. The boy doesn't know that the secret ingredient in every grandma's dish is love. He needs some more love in his life, said Grandma Ruth, eyeing me beadily. Maybe yours. Is he Jewish?
I shook my head, banishing her back to the ether. "I get the feeling," I said. "I can make a mean matzah ball soup, with truffles and homemade broth boiled for hours from the most expensive free-range chickens, and somehow it never tastes as good as the soup my grandma would whip up out of canned broth and frozen vegetables."
Damn straight, Grandma Ruth said smugly.
Didn't I just banish you? I thought, but it was no use.
"So is that the best thing you've ever eaten?" Luke asked. "Your grandma's matzah ball soup?"
I shook my head. I opened my mouth, about to tell him about Julie Chee's grilled cheese with kimchi and bacon and how it hadn't just tasted of tart, sour kimchi and crunchy, smoky bacon and rich, melted cheese but also belonging and bedazzlement and all these feelings that didn't have names, like the dizzy, accomplished feeling you'd get after a Saturday night dinner rush when you were a little drunk but not a lot drunk because you had to wake up in time for Sunday brunch service, but then everything that happened with Derek and the Green Onion kind of changed how I felt about it. Painted over it with colors just a tiny bit off.
So instead I told him about a meal I'd had in Lima, Peru, after backpacking up and down Machu Picchu. "Olive tofu with octopus, which you wouldn't think to put together, or at least I wouldn't have," I said. The olive tofu had been soft and almost impossibly creamy, tasting cleanly of olives, and the octopus had been meaty and crispy charred on the outside, soft on the inside.
”
”
Amanda Elliot (Sadie on a Plate)
“
It suddenly seemed natural and sweet to fuck all my friends. But also my lawyer, who I couldn’t remember the face of because we only communicated through email, and everyone else I worked with, regardless if they were someone’s assistant or the head of a company—what better way to understand other people’s realities? I should have sex with both my parents of course (it was only a matter of time), and obviously my cousins, wherever they were, should all be fucked.
”
”
Miranda July (All Fours)
“
She smelled like utter sweetness and innocence, but she felt like sin incarnate. Like she’d been formed for filthy fun and nothing else.
”
”
Sierra Simone (The Legend of Robin Hood: Conquests of the Longbow - Hintbook (Hint Book))
“
If people believe the government is giving them AIDS and blowing up levees, and that white-owned companies are trying to sterilize them, they would be lacking in normal human emotions if they did not—to put it bluntly—hate the people they believed responsible.
Indeed, vigorous expressions of hatred go back to at least the time of W.E.B. Du Bois, who once wrote, “It takes extraordinary training, gift and opportunity to make the average white man anything but an overbearing hog, but the most ordinary Negro is an instinctive gentleman.”
On another occasion he expressed himself in verse:
'I hate them, Oh!
I hate them well,
I hate them, Christ!
As I hate hell!
If I were God,
I’d sound their knell
This day!'
Such sentiments are still common. Amiri Baraka, originally known as LeRoi Jones, is one of America’s most famous and well-regarded black poets, but his work is brimming with anti-white vitriol. These lines are from “Black Dada Nihilismus:”
'Come up, black dada nihilismus.
Rape the white girls.
Rape their fathers.
Cut the mothers’ throats.'
Here are more of his lines:
'You cant steal nothin from a white man,
he’s already stole it he owes
you anything you want, even his life.
All the stores will open up if you
will say the magic words. The magic words are:
Up against the wall motherfucker this is a stick up!'
In “Leroy” he wrote: “When I die, the consciousness I carry I will to black people. May they pick me apart and take the useful parts, the sweet meat of my feelings. And leave the bitter bullshit rotten white parts alone.” When he was asked by a white woman what white people could do to help the race problem, he replied, “You can help by dying. You are a cancer. You can help the world’s people with your death.”
In July, 2002, Mr. Baraka was appointed poet laureate of New Jersey.
The celebrated black author James Baldwin once said:
“[T]here is, I should think, no Negro living in America who has not felt, briefly or for long periods, . . . simple, naked and unanswerable hatred; who has not wanted to smash any white face he may encounter in a day, to violate, out of motives of the cruelest vengeance, their women, to break the bodies of all white people and bring them low.”
Toni Morrison is a highly-regarded black author who has won the Nobel Prize. “With very few exceptions,” she has written, “I feel that White people will betray me; that in the final analysis they’ll give me up.”
Author Randall Robinson concluded after years of activism that “in the autumn of my life, I am left regarding white people, before knowing them individually, with irreducible mistrust and dull dislike.” He wrote that it gave him pleasure when his dying father slapped a white nurse, telling her not “to put her white hands on him.”
Leonard Jeffries is the chairman of the African-American studies department of the City College of New York and is famous for his hatred of whites. Once in answer to the question, “What kind of world do you want to leave to your children?” he replied, “A world in which there aren’t any white people.
”
”
Jared Taylor (White Identity: Racial Consciousness in the 21st Century)
“
Love is like recognition. It’s the moment when you catch sight of someone and you think There is someone I have business with in this life. There is someone I was born to know. Has that never happened to you?” “It has, but I never took much comfort in it.”
- Your Highlight on page 496 | location 7599-7603 | Added on Saturday, 5 July 2014 13:09:06
“Love is like a baby sleeping on its mother’s breast,” Steppan said. “Inchoate and likely to piss itself?” “Ah, you can play at being a cynic, my friend, but I’ve known you too long. You’re a romantic at heart. You’re in love with the world.” “I’d say I’m inchoate and likely to piss myself,” Asa
Love is like falling from a window and discovering you can fly.” “Unlikely to happen and dangerous to try.”
“Love is like the burst of sweetness when you bite into a strawberry.” “Brief for you and painful for the berry.”
“Love,” Asa said, “is like a pigeon shitting over a crowd.” “How so?” “Where it lands hasn’t got much to do with who deserves it.” The priest made a deep sound in his throat, and frowned. “I think you may be confusing love with a different kind of longing,” he said,
”
”
Daniel Abraham
“
So this happens, only very occasionally. Someone who’s read my book and has somehow managed to recognize me. Generally it’s pretty thrilling. But the problem is that that first book is about, among other things, the sweet certainty of my love for my sainted husband and the particular perfection of our union. It wasn’t a lie, what I wrote. But things are not so simple anymore. It may be that they never were, that I just ignored the complications. In any case, I have either way made a mess of a relationship that people I don’t even know look to as a paragon of the genre, and being spotted making out with some strange man in front of a Mario Batali restaurant strikes me as a dread occurrence. My mind races as the woman chats about my book, how she loved it and gave it to her best friend, and asks what am I doing now?
”
”
Julie Powell (Cleaving: A Story of Marriage, Meat, and Obsession)
“
Ghastek leaned back and crossed his arms. “I had a promising career. I had achieved recognition and some infinitesimal measure of security. And then you came along.”
Aha. He and the dozens of hostages working in this building could cry me a river. “Who taught you to draw, Ghastek? That doesn’t even remotely look like an apple. It looks like a butt.”
“More like a peach,” Rowena said.
“I have an inspection in less than twenty-four hours,” Ghastek said, his voice dry. “If we have quite finished critiquing my ability to draw fruit, I have things to do.”
I leaned back. “Are you worried about it?”
He looked insulted. “No. We can be inspected at any point, and we would stand up to scrutiny.”
“If you are anxious, I can make sure he eats something deliciously sweet before he comes over here. Like a generous helping of tres leches cake or a chocolate sundae.”
Ghastek stared at me. “Get out.”
I rose and made a show of sniffling. “Come on, Julie. Clearly we are not wanted here.
”
”
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
“
I took the train to New York, where Bill Sweets put me up overnight. In Philadelphia I roomed with Frank Gentile, Universalist minister from St. Johnsbury. Progressive Party convention, July, 1948 Frank and I read copies of the proposed platform: plank after plank condemned United States foreign policy. Not that we wholly disagreed, in most instances, but the implication was that our policy was all wrong while the Soviet policy was all right. This rubbed Frank and me the wrong way. In the first place we didn’t believe this was true. In the second place, the press had been predicting that Wallace would allow his Communist allies to dominate the thinking of the convention; this kind of platform would support the charge. A mischievous thought occurred to Frank, and I guess to me at the same moment: a resolution putting the convention on record as not giving blanket approval to the foreign policy of any nation would a) satisfy those of us who were disinclined to blame Washington for ALL the world’s ills, b) demonstrate that our Communist friends were not dictating to the convention, and thus c) give us a defense, however slight, against some of the Red-baiting we knew we were all going to be subjected to in campaigning for Wallace and the “Progressive Party,” as we soon voted to call ourselves.
”
”
Rick Winston (Red Scare in the Green Mountains: The McCarthy Era in Vermont 1946-1960)
“
Psychoanalysis: An Elegy"
What are you thinking?
I think that I would like to write a poem that is slow as a summer
As slow getting started
As 4th of July somewhere around the middle of the second stanza
After a lot of unusual rain
California seems long in the summer.
I would like to write a poem as long as California
And as slow as a summer.
Do you get me, Doctor? It would have to be as slow
As the very tip of summer.
As slow as the summer seems
On a hot day drinking beer outside Riverside
Or standing in the middle of a white-hot road
Between Bakersfield and Hell
Waiting for Santa Claus.
What are you thinking now?
I’m thinking that she is very much like California.
When she is still her dress is like a roadmap. Highways
Traveling up and down her skin
Long empty highways
With the moon chasing jackrabbits across them
On hot summer nights.
I am thinking that her body could be California
And I a rich Eastern tourist
Lost somewhere between Hell and Texas
Looking at a map of a long, wet, dancing California
That I have never seen.
Send me some penny picture-postcards, lady,
Send them.
One of each breast photographed looking
Like curious national monuments,
One of your body sweeping like a three-lane highway
Twenty-seven miles from a night’s lodging
In the world’s oldest hotel.
What are you thinking?
I am thinking of how many times this poem
Will be repeated. How many summers
Will torture California
Until the damned maps burn
Until the mad cartographer
Falls to the ground and possesses
The sweet thick earth from which he has been hiding.
What are you thinking now?
I am thinking that a poem could go on forever.
”
”
Jack Spicer (The Collected Books)
“
Karen, who played Jane, was only seven years old, but was calm and sweet, and had perfect manners. Her father, Roy Dotrice, was a well-known English actor, so Karen had been schooled in performance etiquette.
”
”
Julie Andrews Edwards (Home Work: A Memoir of My Hollywood Years)
“
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JA Deals
“
Aye, our lives are short and shaped by circumstance, and maybe we can’t control most of what’s to come. But we can control how we feel. We can savor the sweetness of a blackberry scone, and the company of our friends, and the warmth of the summer wind at night, and be grateful for it. We can be nothing, and choose to be miserable about it, like you—or we can be nothing, but choose to be happy, and let that be purpose enough. Which sounds more worthwhile to you?
”
”
Julie Leong (The Teller of Small Fortunes)
“
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”
”
Julie Morris (Smart Plants: Power Foods & Natural Nootropics for Optimized Thinking, Focus & Memory)
“
People aren’t like that, Silt, not really. We’re not always cheerful and funny. We’ve sadness and anxiety, and all these other bitter things wrapped up inside, too, and that’s what makes the sweetness all the sweeter.
”
”
Julie Leong