β
There is no poetry where there are no mistakes.
β
β
Joy Harjo
β
I've always had a theory that some of us are born with nerve endings longer than our bodies
β
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Joy Harjo (In Mad Love and War (Wesleyan Poetry Series))
β
I know I walk in and out of several worlds each day.
β
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Joy Harjo
β
I release you, my beautiful and terrible fear. I release you. You were my beloved and hate twin, but now, I don't know you as myself
β
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Joy Harjo
β
It's possible to understand the world from studying a leaf. You can comprehend the laws of aerodynamics, mathematics, poetry and biology through the complex beauty of such a perfect structure.
It's also possible to travel the whole globe and learn nothing.
β
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Joy Harjo (The Woman Who Fell from The Sky: Poems)
β
I was born with eyes that can never close...
β
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Joy Harjo
β
A story matrix connects all of us.
There are rules, processes, and circles of responsibility in this world. And the story begins exactly where it is supposed to begin. We cannot skip any part.
β
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Joy Harjo (Crazy Brave)
β
All acts of kindness are lights in the war for justice.
β
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Joy Harjo (The Woman Who Fell from The Sky: Poems)
β
She exists in me now, just as I will and already do within my grandchildren. No one ever truly dies. The desires of our hearts make a path. We create legacy with our thoughts and dreams.
β
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Joy Harjo (Crazy Brave)
β
I could hear my abandoned dreams making a racket in my soul.
β
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Joy Harjo (Crazy Brave)
β
Be who you are, even if it kills you.
It will. Over and over again.
Even as you live.
Break my heart, why don't you?
β
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Joy Harjo (An American Sunrise)
β
I can hear the sizzle of newborn stars, and know anything of meaning, of the ο¬erce magic emerging here. I am witness to ο¬exible eternity, the evolving past, and I know we will live forever, as dust or breath in the face of stars, in the shifting pattern of winds.
β
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Joy Harjo (Secrets from the Center of the World (Volume 17) (Sun Tracks))
β
My generation is now the door to memory. That is why I am remembering.
β
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Joy Harjo (September 11, 2001: American Writers Respond)
β
True power does not amass through the pain and suffering of others.
β
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Joy Harjo
β
Bless the poets, the workers for justice,
the dancers of ceremony, the singers of heartache,
the visionaries, all makers and carriers of fresh
meaningβWe will all make it through,
despite politics and wars, despite failures
and misunderstandings. There is only love.
β
β
Joy Harjo (Conflict Resolution for Holy Beings: Poems)
β
Someone accompanies every soul from the other side when it enters this place. Usually it is an ancestor with whom that child shares traits and gifts
β
β
Joy Harjo
β
To pray you open your whole self
To sky, to earth, to sun, to moon
To one whole voice that is you
And know there is more
That you can't see, can't hear
Can't know except in moments
Steadly growing, and in languages
That aren't always sound but other
Circles of motion.
Like eagle that Sunday morning
Over Salt River. Circled in blue sky
In wind, swept our hearts clean
With sacred wings.
We see you, see ourselves and know
That we must take the utmost care
And kindness in all things.
Breathe in, knowing we are made of
All this, and breathe, knowing
We are truly blessed because we
Were born, and die soon within a
True circle of motion,
Like eagle rounding out the morning
Inside us.
We pray that it will be done
In beauty.
In beauty.
β
β
Joy Harjo
β
I sit up in the dark drenched in longing. / I am carrying over a thousand names for blue that I didnβt have at dusk.
β
β
Joy Harjo
β
Because Music is a language that lives in the spiritual realms, we can hear it, we can notate it and create it, but we cannot hold it in our hands
β
β
Joy Harjo
β
I listen to the gunfire we cannot hear, and begin this journey with the light of knowing the root of my own furious love.
β
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Joy Harjo (In Mad Love and War (Wesleyan Poetry Series))
β
The heart is a fist. It pockets prayer or holds rage.
β
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Joy Harjo (An American Sunrise)
β
I am a star falling from the night sky
I need you to catch me
I am a rainbow lifting from a dark cloud
I need you to see me
β
β
Joy Harjo (An American Sunrise)
β
Those of fire move about the earth with inspiration and purpose. They are creative, and can consume and be consumed by their desires [...] My father-to-be was of the water and could not find a hold in the banks of earthiness. Water people can easily get lost.
β
β
Joy Harjo (Crazy Brave)
β
In Isleta the rainbow was a crack in the universe. We saw the barest of all life that is possible. Bright horses rolled over and over the dusking sky.
β
β
Joy Harjo
β
My father told me that some voices are so true they can be used as weapons, can maneuver the weather, change time. He said that a voice that powerful can walk away from the singer if it is shamed. After my father left us, I learned that some voices can deceive you. There is a top layer and there is a bottom, and they don't match.
β
β
Joy Harjo
β
Youβre coming with me, poor thing. You donβt know how to listen. You donβt know how to speak. You donβt know how to sing. I will teach you.β I followed poetry.
β
β
Joy Harjo (Crazy Brave: A Memoir)
β
A family is essentially a field of stories, each intricately connected. Death does not sever the connection; rather, the story expands as it continues unwinding inter-dimensionally
β
β
Joy Harjo (Poet Warrior: A Memoir)
β
Remember you are this universe and this
universe is you.
β
β
Joy Harjo (She Had Some Horses)
β
We are all here to serve each other. At some point we have to understand that we do not need to carry a story that is unbearable. We can observe the story, which is mental; feel the story, which is physical; let the story go, which is emotional; then forgive the story, which is spiritual, after which we use the materials of it to build a house of knowledge.
β
β
Joy Harjo (Poet Warrior: A Memoir)
β
When Sun leaves at dusk, it makes a doorway. We have access to ancestors, to eternity. Breathe out. Ask for forgiveness. Let all hurts and failures go. Let them go.
β
β
Joy Harjo (Crazy Brave: A Memoir)
β
Though we have instructions and a map buried in our hearts when we enter this world, nothing quite prepares us for the abrupt shift to the breathing realm.
β
β
Joy Harjo (Crazy Brave: A Memoir)
β
I came into poetry feeling as though, on some level, these words were not just mine but my grandparentsβ, their parentsβ.
β
β
Joy Harjo
β
And whom do I call my enemy?
An enemy must be worthy of engagement.
I turn in the direction of the sun and keep walking.
Itβs the heart that asks the question, not my furious mind.
The heart is the smaller cousin of the sun.
It sees and knows everything.
It hears the gnashing even as it hears the blessing.
The door to the mind should only open from the heart.
An enemy who gets in, risks the danger of becoming a friend.
β
β
Joy Harjo (Crazy Brave)
β
I never got to wash my mother's body when she died.
I return to take care of her in memory.
That's how I make peace when things are left undone.
β
β
Joy Harjo (An American Sunrise)
β
We become lost,
Unsteady.
Take a deep breath,
Pray.
You will not always be lost.
You are right here,
In your time,
In your place.
β
β
Joy Harjo (An American Sunrise)
β
In a way, we [poets] are listeners. I go to poetry because I donβt have the words.β β
β
β
Joy Harjo
β
I thought my dance alone through worlds of
odd and eccentric planets that no one else knew
would sustain me.
β
β
Joy Harjo (She Had Some Horses)
β
and this ache
this trembling ache
haunts me endlessly
like you.
β
β
Joy Harjo (She Had Some Horses)
β
Alive. This music rocks
me. I drive the interstate,
watch faces come and go on either
side. I am free to be sung to;
I am free to sing. This woman
can cross any line.
β
β
Joy Harjo (She Had Some Horses)
β
I walk in and out of several worlds every day.
β
β
Joy Harjo
β
In the end, we must each tend to our own gulfs of sadness, though others can assist us with kindness, food, good words, and music. Our human tendency is to fill these holes with distractions like shopping and fast romance, or with drugs and alcohol.
β
β
Joy Harjo (Crazy Brave: A Memoir)
β
Once there were songs for everything, Songs for planting, for growing, for harvesting, For eating, getting drunk, falling asleep, For sunrise, birth, mind-break, and war. For death (those are the heaviest songs and they Have to be pried from the earth with shovels of grief). Now all we hear are falling-in-love songs and Falling apart after falling in love songs.
β
β
Joy Harjo (An American Sunrise)
β
Don't forget: hold somebody's hand through the dark.
β
β
Joy Harjo (Conflict Resolution for Holy Beings: Poems)
β
There are always flowers,
Love cries, or blood.
Someone is always leaving
By exile, death, or heartbreak.
The heart is a fist.
It pockets prayer or holds rage.
β
β
Joy Harjo (An American Sunrise)
β
No. I was not okay.
And neither was James Baldwin though his essays
Were perfect spinning platters of comprehension of the fight
To assert humanness in a black and white world.
β
β
Joy Harjo (An American Sunrise)
β
Let's not shame our eyes for seeing. Instead, thank them for their bravery.
β
β
Joy Harjo (Conflict Resolution for Holy Beings: Poems)
β
I have a cat, a stripedy cat with tickling whiskers and green electric eyes. She has the softest fur in the world. When I pet her she purrs as if she has a drum near her heart.
β
β
Joy Harjo (The Good Luck Cat)
β
I can't do anything
but talk to the wind,
to the moon
but cry out goddamn goddamn
to stones
and to other deathless voices
that I hope will carry
us all through.
β
β
Joy Harjo (She Had Some Horses)
β
It hasn't always been this way, because glaciers
who are ice ghosts create oceans, carve earth
and shape this city here, by the sound.
They swim backwards in time.
β
β
Joy Harjo (She Had Some Horses)
β
I release you, fear, because you hold
these scenes in front of me and I was born
with eyes that can never close.
β
β
Joy Harjo (She Had Some Horses)
β
I need a song that will keep sky open in my mind. If I think behind me, I might break. If I think forward, I lose now.
β
β
Joy Harjo (Conflict Resolution for Holy Beings: Poems)
β
Someone accompanies every soul from the other side when it enters this place. Usually it is an ancestor with whom that child shares traits and gifts.
β
β
Joy Harjo (Crazy Brave: A Memoir)
β
I wanted to see everything. It was around the time I acquired language, or even before that time, when something happened that changed my relationship to the spin of the world. My concept of language, of what was possible with music was changed by this revelatory moment. It changed even the way I look at the sun.
β
β
Joy Harjo (Suspended)
β
The traditional ways and rituals of all of Earth's peoples are kept in containers of poetry, song, and story. It is how we know who we are, where we are coming from and who we are becoming.
β
β
Joy Harjo (Catching the Light (Why I Write))
β
All for that welcome home dance,
The most favorite of all--
when everyone finds their way back together
to dance, eat and celebrate.
And tell story after story
of how they fought and played
in the story wheel
and how no one
was ever really lost at all.
β
β
Joy Harjo (An American Sunrise)
β
Home is elusive.
It shapeshifts with the currents
of my heart and its will.
Home is a trickster changing
according to the medicine
of the season and its lesson."
-Prodigal Daughters (Kimberly Wesnaut)
β
β
Joy Harjo (When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry)
β
We were never perfect.
Yet, the journey we make together is perfect on this earth who was
once a star and made the same mistakes as humans.
We might make them again, she said.
Crucial to finding the way is this: there is no beginning or end.
You must make your own map.
β
β
Joy Harjo (A Map to the Next World: Poems and Tales)
β
Cut the ties you have to failure and shame. Let go the pain you are holding in your mind, your shoulders, your heart, all the way to your feet. Let go the pain of your ancestors to make way for those who are heading in our direction. Ask for forgiveness. Call upon the help of those who love you. These helpers take many forms: animal, element, bird, angel, saint, stone, or ancestor.
β
β
Joy Harjo (Conflict Resolution for Holy Beings: Poems)
β
I understood why women went back to their abusers. The monster wasn't your real husband, he was a bad dream - an alien of sorts - who took over the spirit of your beloved one. He entered and left your husband. It was your real love you welcomed back in.
β
β
Joy Harjo (Crazy Brave)
β
The most powerful poetry is birthed through cracks in history, through what is broken and unseen.
β
β
Joy Harjo (Catching the Light (Why I Write))
β
Eventually, we all make it home, and we each make an individual path by any means.
β
β
Joy Harjo (Catching the Light (Why I Write))
β
Let the earth stabilize your postcolonial insecure jitters.
β
β
Joy Harjo (Conflict Resolution for Holy Beings: Poems)
β
To the destroyers, Earth is not a person. They will want more until there is no more to steal.
β
β
Joy Harjo (An American Sunrise)
β
History will always find you, and wrap you
In its thousand arms.
β
β
Joy Harjo (An American Sunrise)
β
What shall I do with all this heartache?
β
β
Joy Harjo (Conflict Resolution for Holy Beings: Poems)
β
Be respectful of the small insects, birds and animal people who accompany you.
Ask their forgiveness for the harm we humans have brought down upon them.
β
β
Joy Harjo (Conflict Resolution for Holy Beings: Poems)
β
Nobody goes anywhere
though we are always leaving and returning. It's a ceremony.
Sunrise occurs everywhere, in lizard time, human time, or a fern
uncurling time.
β
β
Joy Harjo (An American Sunrise)
β
Maybe it is the thunders
who breathed life into my body.
They are forever wanting
to lift me high and carry me away."
-Prodigal Daughters (Kimberly Wesnaut)
β
β
Joy Harjo (When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry)
β
All cultures and peoples turn to poetry during times of celebration, transformation and challengeβthose times when ordinary language cannot carry meaning beyond our understanding.
β
β
Joy Harjo
β
But come here, fear
I am alive and you are so afraid
of dying
β
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Joy Harjo (Crazy Brave)
β
And, Wind, I am still crazy. I know there is something larger than the memory of a dispossessed people. We have seen it.
β
β
Joy Harjo
β
But what captured him was a light in the river
folding open and open
blood, heart and stones
shimmering like the Milky Way.
β
β
Joy Harjo (She Had Some Horses)
β
Oh, you have choked me, but I gave you the leash.
You have gutted me but I gave you the knife.
You have devoured me, but I laid myself across the fire.
β
β
Joy Harjo (She Had Some Horses)
β
Call your spirit back. It may be caught in corners and creases of shame, judgment, and human abuse.
You must call in a way that your spirit will want to return.
Speak to it as you would to a beloved child.
Welcome your spirit back from its wandering. It may return in pieces, in tatters. Gather them together. They will be happy to be found after being lost for so long.
Your spirit will need to sleep awhile after it is bathed and given clean clothes.
Now you can have a party. Invite everyone you know who loves and supports you. Keep room for those who have no place else to go.
Make a giveaway, and remember, keep the speeches short.
Then, you must do this: help the next person find their way through the dark.
β
β
Joy Harjo (Conflict Resolution for Holy Beings: Poems)
β
Remember the earth whose skin you are: red earth, black earth, yellow earth, white earth brown earth, we are earth. Remember the plants, trees, animal life who all have their tribes, their families, their histories, too. Talk to them, listen to them. They are alive poems.
β
β
Joy Harjo
β
Poetry keeps the door open to awe and ensures that we will find our way through the broken heart field of wars, losses and betrayals to understanding, compassion and gathering together.
β
β
Joy Harjo
β
She exists in me now, just as I will and already do within my grandchildren. No one ever truly dies. The desires of our hearts make a path. We create legacy with our thoughts and dreams. This legacy either will give those who follow us joy on their road or will give them sorrow.
β
β
Joy Harjo (Crazy Brave: A Memoir)
β
The Poem I Just Wrote
The poem I just wrote is not real.
And neither is the black horse
who is grazing on my belly.
And neither are the ghosts
of old lovers who smile at me
from the jukebox.
β
β
Joy Harjo (She Had Some Horses)
β
How do I say it? In this language there are no words for how the real world collapses. I could say it in my own and the sacred mounds would come into focus, but I couldn't take it in this dingy envelope. So I look at the stars in this strange city, frozen to the back of the sky, the only promises that ever make sense.
β
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Joy Harjo (In Mad Love and War (Wesleyan Poetry Series))
β
My heart is taken by you
and these mornings since I am a horse running towards
a cracked sky where there are countless dawns
breaking simultaneously.
There are two moons on the horizon
and for you
I have broken loose.
β
β
Joy Harjo (She Had Some Horses)
β
All those you thought you lost now circle you
And you are free of pain and heartbreak.
Don't look back, keep going.
We will carry your memory here, until we join you
In just a little while, in one blink of star time.
β
β
Joy Harjo (An American Sunrise)
β
A panther poised in the cypress tree about to jump is a
panther poised in a cypress tree about to jump.
The panther is a poem of fire green eyes and a heart charged
by four winds of four directions.
The panther hears everything in the dark: the unspoken
tears of a few hundred human years, storms that will break
what has broken his world, a bluebird swaying on a branch a
few miles away.
He hears the death song of his approaching prey:
I will always love you, sunrise.
I belong to the black cat with fire green eyes.
There, in the cypress tree near the morning star.
β
β
Joy Harjo (Conflict Resolution for Holy Beings: Poems)
β
My path is made of poetry and music, characterized by rowdiness and sunflowers, and given life by everyone I have met along the way in this process of becoming human. (When I say "everyone," I don't mean just us ornery two-legged beings.)
β
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Joy Harjo (Catching the Light (Why I Write))
β
I grow tired of the heartache
Of every small and large war
Passed from generation
To generation.
But it is not in me to give up.
I was taught to give honor to the house of the warriors
Which cannot exist without the house of the peacemakers.
β
β
Joy Harjo (An American Sunrise)
β
Call your spirit back. It may be caught in corners and creases of shame, judgment, and human abuse.
You must call in a way that your spirit will want to return.
Speak to it as you would to a beloved child.
Welcome your spirit back from its wandering. It may return in pieces, in tatters. Gather them together. They will be happy to be found after being lost for so long.
β
β
Joy Harjo (Conflict Resolution for Holy Beings: Poems)
β
But you must have grown out of
a thousand years dreaming
just like I could never imagine you.
You must have
broke open from another sky
to here, because
now I see you as a part of the millions of
other universes that I thought could never occur
in this breathing.
And I know you as myself, traveling.
In your eyes alone are many colonies of stars
and other circling planet motion.
β
β
Joy Harjo (She Had Some Horses)
β
In my community, we are taught that leadership qualities include humility, compassion, a sense of fairness, the ability to listen, preparation and carry-through, a love for the people, and a strong spiritual center that begins with a connection to Earth.
β
β
Joy Harjo (Catching the Light (Why I Write))
β
These are the ice horses, horses
who entered through your head,
and then your heart,
your beaten heart.
These are the ones who loved you.
They are the horses who have held you
so close that you have become
a part of them,
an ice horse
galloping
into fire.
β
β
Joy Harjo (She Had Some Horses)
β
Do not feed the monsters.
Some are wandering thought forms, looking for a place to set up house.
Some are sent to you deliberately. They come from arrows of gossip, jealousy or envy--and inadvertently from thoughtlessness.
They feed on your attention, and feast on your fear.
β
β
Joy Harjo (Conflict Resolution for Holy Beings: Poems)
β
Moonlight
I know when the sun is in China
because the night shining other-light
crawls into my bed. She is moon.
Her eyes slit and yellow she is the last
one out of a dingy bar in Albuquerqueβ
Fourth Street, or from similar avenues
in Hong Kong. Where someone else has also
awakened, the night thrown back and asked,
'where is the moon, my lover'?
And from here I always answer in my dreaming,
'the last time I saw her was in the arms
of another sky'.
β
β
Joy Harjo (She Had Some Horses)
β
Leslie Marmon Silko whispers the story is long. No, longer. Longer than that even. Longer than anything. With Anne Sexton and Sylvia Plath drink at the bar. Laugh the dark laughter in the dark light. Sing a dark drunken song of men. Make a slurry toast. Rock back and forth, and drink the dark, and bask in the wallow of women knowing what women know. Just for a night. When you need to feel the ground of your life and the heart of the world, there will be a bonfire at the edge of a canyon under a night sky where Joy Harjo will sing your bonesong. Go ahead-with Anne Carson - rebuild the wreckage of a life a word at a time, ignoring grammar and the forms that keep culture humming. Make word war and have it out and settle it, scattering old meanings like hacked to pieces paper doll confetti. The lines that are left β¦ they are awake and growling. With Virginia Woolf there will perhaps be a long walk in a garden or along a shore, perhaps a walk that will last all day. She will put her arm in yours and gaze out. At your backs will be history. In front of you, just the ordinary day, which is of course your entire life. Like language. The small backs of words. Stretching out horizonless. I am in a midnight blue room. A writing room. With a blood red desk. A room with rituals and sanctuaries. I made it for myself. It took me years. I reach down below my desk and pull up a bottle of scotch. Balvenie. 30 year. I pour myself an amber shot. I drink. Warm lips, throat. I close my eyes. I am not Virginia Woolf. But there is a line of hers that keeps me well: Arrange whatever pieces come your way. I am not alone. Whatever else there was or is, writing is with me.
β
β
Lidia Yuknavitch (The Chronology of Water)
β
You canβt take a class if taking a class feels like itβs going to kill you. Faking it never works. If you donβt believe me, read Richard Wright. Read Charlotte BrontΓ«. Read Joy Harjo. Read Toni Morrison. Read William Trevor. Read the entire Western canon. Or just close your eyes and remember everything you already know. Let whatever mysterious starlight that guided you this far guide you onward into whatever crazy beauty awaits. Trust that all you learned during your college years was worth learning, no matter what answer you have or do not have about what use it is. Know that all those stories, poems, plays, and novels are a part of you now and that they are bigger than you and they will always be.
β
β
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Someone Who's Been There)
β
Our physical living is held together by plant sacrifice. We eat, wear, and are sheltered by plants and plant material. Nearly all of our medicines are plant-derived. We need to take time with them, get to know them. Itβs as one of the elders from a nearby pueblo told me once when she came to visit. She admired the two aloe vera plants who took up a large part of the living room as they basked in the sunlight filtered through the skylight. They loved her attention. βThese are the knowledge bearers. They are the ones we need to be listening to, not your computer, your internet that is pulling you into a world that will never feed you, only make you hungrier,β she told me.
~Joy Harjo, from Poet Warrior
β
β
Joy Harjo (Poet Warrior: A Memoir)
β
WASHING MY MOTHERβS BODY I never got to wash my motherβs body when she died. I return to take care of her in memory. Thatβs how I make peace when things are left undone. I go back and open the door. I step in to make my ritual. To do what should have been done, what needs to be fixed so that my spirit can move on, So that the children and grandchildren are not caught in a knot Of regret they do not understand.
β
β
Joy Harjo (An American Sunrise)
β
Vision
The rainbow touched down
'somewhere in the Rio Grande,'
we said. And saw the light of it
from your mother's house in Isleta.
How it curved down between earth
and the deepest sky to give us horses
of color
horses that were within us all of this time
but we didn't see them because
we wait for the easiest vision
to save us.
In Isleta the rainbow was a crack
in the universe. We saw the barest
of all life that is possible.
Bright horses rolled over
and over the dusking sky.
I heard the thunder of their beating
hearts. Their lungs hit air
and sang. All the colors of horses
formed the rainbow,
and formed us
watching them.
β
β
Joy Harjo (She Had Some Horses)
β
I Give You Back'
I release you, my beautiful and terrible fear. I release you. You were my beloved and hated twin, but now, I don't know you as myself. I release you with all the pain I would know at the death of my daughters.
You are not my blood anymore.
I give you back the white soldiers who burned down my home, beheaded my children, raped and sodomized my brothers and sisters. I give you back to those who stole the food from our plates when we were starving.
I release you, fear, because you hold these scenes in front of me and I was born with eyes that can never close.
I release you, fear, so you can no longer keep me naked and frozen in the winter, or smothered under blankets in the summer.
I release you
I release you
I release you
I release you
I am not afraid to be angry.
I am not afraid to rejoice.
I am not afraid to be black.
I am not afraid to be white.
I am not afraid to be hungry.
I am not afraid to be full.
I am not afraid to be hated.
I am not afraid to be loved,
to be loved, to be loved, fear.
Oh, you have choked me, but I gave you the leash. You have gutted me, but I gave you the knife. You have devoured me, but I lay myself across the fire. You held y mother down and raped her, but I gave you the heated thing.
I take myself back, fear.
You are not my shadow any longer.
I won't hold you in my hands.
You can't live in my eyes, my ears, my voice, my belly, or in my heart my heart
my heart my heart
But come here, fear
I am alive and you are so afraid
of dying.
β
β
Joy Harjo
β
Once I traveled far above the earth. This beloved planet we call home was covered with an elastic web of light. I watched in awe as it shimmered, stretched, dimmed, and shined, shaped by the collective effort of all life within it. Dissonance attracted more dissonance. Harmony attracted harmony. I saw revolutions, droughts, famines, and the births of new nations. The most humble kindnesses made the brightest lights. Nothing was wasted.
β
β
Joy Harjo (Crazy Brave)
β
I would rather not speak with history but history came to me.
It was dark before daybreak when the fire sparked.
The men left on a hunt from the Pequot village here where I stand.
The women and children left behind were set afire.
I do not want to know this, but my gut knows the language of bloodshed.
Over six hundred were killed, to establish a home for Godβs people, crowed the Puritan leaders in their Sunday sermons.
And then history was gone in a betrayal of smoke.
There is still burning though we live in a democracy erected over the burial ground.
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Joy Harjo (Conflict Resolution for Holy Beings: Poems)
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On May 28, 1830, President Andrew Jackson unlawfully signed the Indian Removal Act to force move southeastern peoples from our homelands to the West. We were rounded up with what we could carry. We were forced to leave behind houses, printing presses, stores, cattle, schools, pianos, ceremonial grounds, tribal towns, churches. We witnessed immigrants walking into our homes with their guns, Bibles, household goods and families, taking what had been ours, as we were surrounded by soldiers and driven away like livestock at gunpoint.
There were many trails of tears of tribal nations all over North America of indigenous peoples who were forcibly removed from their homelands by government forces.
The indigenous peoples who are making their way up from the southern hemisphere are a continuation of the Trail of Tears.
May we all find the way home.
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Joy Harjo (An American Sunrise)
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In my family Monahwee is known for his magic with horses. My Aunt Lois Harjo said he was gifted in the ability to travel on a horse. He could leave for a destination at the same time as everyone else, but arrive before anyone, a feat impossible in linear time.
The world doesn't always happen in a linear manner. Nature is much more creative than that, especially when it comes to time and the manipulation of time and space. Europe has gifted us with inventions, books and the intricate mechanics of imposing structures on the earth, but there are other means to knowledge and the structuring of knowledge that have no context in the European mind.
When the explorer Magellan traveled around the world by ship, he stopped at Tierra del Fuego. The indigenous people who resided there could not see the huge flags of his ships as they docked out in the natural harbor. They had not previously imagined such structures and could not see them. Conversely, neither could European explorers see the particular meaning of indigenous realities.
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Joy Harjo (She Had Some Horses)