Journalism 101 Quotes

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Documenting little details of your everyday life becomes a celebration of who you are.
Carolyn V. Hamilton (Art Improv 101: How to Create a Personal Art Journal)
76. David Hume – Treatise on Human Nature; Essays Moral and Political; An Enquiry Concerning Human Understanding 77. Jean-Jacques Rousseau – On the Origin of Inequality; On the Political Economy; Emile – or, On Education, The Social Contract 78. Laurence Sterne – Tristram Shandy; A Sentimental Journey through France and Italy 79. Adam Smith – The Theory of Moral Sentiments; The Wealth of Nations 80. Immanuel Kant – Critique of Pure Reason; Fundamental Principles of the Metaphysics of Morals; Critique of Practical Reason; The Science of Right; Critique of Judgment; Perpetual Peace 81. Edward Gibbon – The Decline and Fall of the Roman Empire; Autobiography 82. James Boswell – Journal; Life of Samuel Johnson, Ll.D. 83. Antoine Laurent Lavoisier – Traité Élémentaire de Chimie (Elements of Chemistry) 84. Alexander Hamilton, John Jay, and James Madison – Federalist Papers 85. Jeremy Bentham – Introduction to the Principles of Morals and Legislation; Theory of Fictions 86. Johann Wolfgang von Goethe – Faust; Poetry and Truth 87. Jean Baptiste Joseph Fourier – Analytical Theory of Heat 88. Georg Wilhelm Friedrich Hegel – Phenomenology of Spirit; Philosophy of Right; Lectures on the Philosophy of History 89. William Wordsworth – Poems 90. Samuel Taylor Coleridge – Poems; Biographia Literaria 91. Jane Austen – Pride and Prejudice; Emma 92. Carl von Clausewitz – On War 93. Stendhal – The Red and the Black; The Charterhouse of Parma; On Love 94. Lord Byron – Don Juan 95. Arthur Schopenhauer – Studies in Pessimism 96. Michael Faraday – Chemical History of a Candle; Experimental Researches in Electricity 97. Charles Lyell – Principles of Geology 98. Auguste Comte – The Positive Philosophy 99. Honoré de Balzac – Père Goriot; Eugenie Grandet 100. Ralph Waldo Emerson – Representative Men; Essays; Journal 101. Nathaniel Hawthorne – The Scarlet Letter 102. Alexis de Tocqueville – Democracy in America 103. John Stuart Mill – A System of Logic; On Liberty; Representative Government; Utilitarianism; The Subjection of Women; Autobiography 104. Charles Darwin – The Origin of Species; The Descent of Man; Autobiography 105. Charles Dickens – Pickwick Papers; David Copperfield; Hard Times 106. Claude Bernard – Introduction to the Study of Experimental Medicine 107. Henry David Thoreau – Civil Disobedience; Walden 108. Karl Marx – Capital; Communist Manifesto 109. George Eliot – Adam Bede; Middlemarch 110. Herman Melville – Moby-Dick; Billy Budd 111. Fyodor Dostoevsky – Crime and Punishment; The Idiot; The Brothers Karamazov 112. Gustave Flaubert – Madame Bovary; Three Stories 113. Henrik Ibsen – Plays 114. Leo Tolstoy – War and Peace; Anna Karenina; What is Art?; Twenty-Three Tales 115. Mark Twain – The Adventures of Huckleberry Finn; The Mysterious Stranger 116. William James – The Principles of Psychology; The Varieties of Religious Experience; Pragmatism; Essays in Radical Empiricism 117. Henry James – The American; The Ambassadors 118. Friedrich Wilhelm Nietzsche – Thus Spoke Zarathustra; Beyond Good and Evil; The Genealogy of Morals;The Will to Power 119. Jules Henri Poincaré – Science and Hypothesis; Science and Method 120. Sigmund Freud – The Interpretation of Dreams; Introductory Lectures on Psychoanalysis; Civilization and Its Discontents; New Introductory Lectures on Psychoanalysis 121. George Bernard Shaw – Plays and Prefaces
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
I journal my joy, and my joy expands exponentially forevermore. So be it.
Amy Leigh Mercree (Joyful Living: 101 Ways to Transform Your Spirit and Revitalize Your Life)
Labelling is no longer a liberating political act but a necessity in order to gain entrance into the academic industrial complex and other discussions and spaces. For example, if so called “radical” or “progressive” people don’t hear enough “buzz” words (like feminist, anti-oppression, anti-racist, social justice, etc.) in your introduction, then you are deemed unworthy and not knowledgeable enough to speak with authority on issues that you have lived experience with. The criteria for identifying as a feminist by academic institutions, peer reviewed journals, national bodies, conferences, and other knowledge gatekeepers is very exclusive. It is based on academic theory instead of based on lived experiences or values. Name-dropping is so elitist! You're not a "real" feminist unless you can quote, or have read the following white women: (insert Women's Studies 101 readings).
Krysta Williams (Feminism FOR REAL: Deconstructing the Academic Industrial Complex of Feminism)
It is surprising how few people really understand or see what goes on around them, and how many fewer can recall it later on. The key is to practice your observational skills.
Leticia Supple (Music Journalism 101: The definitive resource for new and established writers)
grace is a small white butterfly, and life is a semi trailer careening up 101.
Anne Lamott (Some Assembly Required: A Journal of My Son's First Son)
How do the day’s event(s) compare with the famous quote you’ve picked to write about in So This Just Happened: The Journal for USA Current Events? Journal your thoughts on current events inside, in light of the 101 famous and thought-provoking quotes about the United States of America, democracy and more. Abnormal times call for first person accounts: witness current events compared to the United States of America’s values, laws, and principles. So This Just Happened: The Journal for USA Current Events includes 101 thought-provoking and insightful quotes by Founding Fathers’, famous historical figures, past Presidents and more for you to compare and contrast with current events. With a quote on every other lined journal page; you can write in order or flip to the most relevant quote for the day’s events to write about. Each lined page for you to write on has a spot to write the date at the top.
Samuel B. Jonathan (So This Just Happened: The Journal for USA Current Events)
Presently we discovered two or three villages, and the people all came down to the shore, calling out to us, and giving thanks to God. Some brought us water, and others victuals: others seeing that I was not disposed to land, plunged into the sea and swam out to us, and we perceived that they interrogated us if we had come from heaven. An old man came on board my boat; the others, both men and women cried with loud voices—‘Come and see the men who have come from heavens. Bring them victuals and drink.’ There came many of both sexes, every one bringing something, giving thanks to God, prostrating themselves on the earth, and lifting up their hands to heaven . . . I could conquer the whole of them with fifty men, and govern them as I pleased.” —Christopher Columbus, from his journal entry of October 14, 1492
Tom Head (World History 101: From ancient Mesopotamia and the Viking conquests to NATO and WikiLeaks, an essential primer on world history (Adams 101 Series))
It is an opinion of mine - borne through long experience - that the best music writers are writers first. Hopefully they have an understanding of music, too, in any of its forms. It's bloody hard work to write about a time signatures when you have not a clue what a time signature is!
Leticia Supple (Music Journalism 101: The definitive resource for new and established writers)
You still need to be able to write, and to have a habit of writing - and if you can do this creatively, so much the better.
Leticia Supple (Music Journalism 101: The definitive resource for new and established writers)
Ethnography is something you have actively be aware of doing; it's not passive work. It takes considerable conscious effort to do it well.
Leticia Supple (Music Journalism 101: The definitive resource for new and established writers)
It is in their works, their intelligence, and in the deployment of their art that makes critics great, not necessarily the formal training they undertake.
Leticia Supple (Music Journalism 101: The definitive resource for new and established writers)
The defining elements of criticism, the theory, the philosophy, and ideas behind it, are the same no matter what type of critique you're writing.
Leticia Supple (Music Journalism 101: The definitive resource for new and established writers)
You want to evaluate musical art on its own terms, first. It is only when you have a solid grasp of that, that you can start to speculate.
Leticia Supple (Music Journalism 101: The definitive resource for new and established writers)
The best advice I can give you at this point, though, is to trust your gut and be honest. Write your own opinion into the review, support every single statement with good reasoning, so your readers know exactly why you are making hat statement. And make sure that nothing you write is generic.
Leticia Supple (Music Journalism 101: The definitive resource for new and established writers)
CHAPTER 4 SUMMARY: BEST WAYS 71–80 71. When it comes to ensuring your family’s financial well-being, and securing a meaningful and rewarding job, you need to create a written action plan or a MAP (Meticulous Action Plan). 72. When you create a MAP, you are actually programming your own “employment GPS” so you can go from where you are to where you want to be. 73. When you’re done developing your action plan, you’ll have a highly structured schedule of activities for each day of the week. This includes your job transition campaign as well as your personal, social, and fitness activities. 74. If you are unemployed, you should invest 50, 60, or 70 hours a week on your job campaign. If you have a full-time job, you need to set aside a defined number of hours every week as your investment in your future. 75. Whether you are employed and looking for a better job or out of work seeking a new one, you must hold yourself fully accountable for putting in as many hours as possible and getting the most out of every hour you put in. 76. The first question you will need to address is, how many hours a week will you commit to your job transition campaign? Then, based on the number of weekly hours you’ll invest in getting a new job, your next step is to break weekly hours down into daily hours. 77. There are 13 primary job transition strategies for landing a job in troubled economic times. Your job is to determine which 4 to 6 strategies will be most effective for you. a. Networking and contact development b. Target marketing (identifying companies you want to work for) c. Internet searches and postings d. Federal jobs e. Search firms and employment agencies f. Blogs with job listings g. Classified advertisements in newspapers and trade journals h. Job fairs i. College placement departments and alumni associations j. Workforce System and One-Stops k. Volunteer work l. Job transition strategists m. Creative self-marketing 78. Once you have identified which job transition strategies will work best for your campaign, determine when, during the week, you will work on each. You want to create a structured weekly schedule. When you create a structured weekly schedule, you will have a detailed plan with specific daily tasks both for your job campaign and for personal and social activities. 79. Once you have a structured weekly schedule, you must set goals that you want to achieve from your weekly activities. A MAP without specific goals is not an effective plan. You will want to set specific goals for each strategy so you can track your success or modify the MAP if you are not achieving your weekly goals. 80. Prepare for the worst-case scenario. It is vitally important to remain in a positive, optimistic, and enthusiastic state of mind. But sometimes your plan won’t come to fruition as quickly as you’d like. So expect the best, but plan for the worst. This would include looking at your long- and short-term finances and health and other issues that need to be addressed to free you up to concentrate on getting your next job.
Jay A. Block (101 Best Ways to Land a Job in Troubled Times)