“
You’re joking, right?”
“No. I’ve been living here for a while—like a couple of years with my roommate. You know, the fucktard who put poor Raphael outside.”
“Hey!” the guy yelled from inside their apartment. “I have a name. It’s Señor Fucktard!
”
”
J. Lynn (Wait for You (Wait for You, #1))
“
Do stories, apart from happening, being, have something to say? For all my skepticism, some trace of irrational superstition did survive in me, the strange conviction, for example, that everything in life that happens to me also has a sense, that it means something, that life speaks to us about itself through its story, that it gradually reveals a secret, that it takes the form of a rebus whose message must be deciphered, that the stories we live compromise the mythology of our lives and in that mythology lies the key to truth and mystery. Is it an illusion? Possibly, even probably, but I can’t rid myself of the need continually to decipher my own life.
”
”
Milan Kundera (The Joke)
“
None of this is important in itself, but I feel somewhere that it has a lot to do with why I have always felt separate, why I have always felt unable to join in, to let go, to become part of the tribe, why I have always sniped or joked from the sidelines, why I have never, ever, lost my overwhelmingly self-conscious self-consciousness.
It's not all that bad. Heightened self-consciousness, apartness, an inability to join in, physical shame and self-loathing - they are not all bad. Those devils have also been my angels. Without them I would never have disappeared into language, literature, the mind, laughter and all the mad intensities that made and unmade me.
”
”
Stephen Fry (Moab Is My Washpot (Memoir, #1))
“
They make a fuss about Hogsmeade, but I assure you, Harry, it's not all it's cracked up to be. All right, the sweetshop's rather good, and Zonko's Joke Shop's frankly dangerous, and yes, the Shrieking Shack is always worth a visit, but really, Harry, apart from that, you're not missing anything.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
We laugh at a man who, stepping out of his room at the very minute when the sun is rising, says, “It is my will that the sun shall rise”; or at him who, unable to stop a wheel, says, “I wish it to roll”; or, again, at him who, thrown in a wrestling match, says, “Here I lie, but here I wish to lie.” But, joking apart, do we not act like one of these three persons whenever we use the expression “I wish”?
”
”
Friedrich Nietzsche (Daybreak: Thoughts on the Prejudices of Morality)
“
Yes, you’re sleeping in my apartment,” I said. “On my sofa. It was an exciting night, but not that exciting. I’d really hope you’d remember if it had been.
”
”
Kelley Armstrong (Omens (Cainsville, #1))
“
We are the centuries... We have your eoliths and your mesoliths and your neoliths. We have your Babylons and your Pompeiis, your Caesars and your chromium-plated (vital-ingredient impregnated) artifacts. We have your bloody hatchets and your Hiroshimas. We march in spite of Hell, we do – Atrophy, Entropy, and Proteus vulgaris, telling bawdy jokes about a farm girl name of Eve and a traveling salesman called Lucifer. We bury your dead and their reputations. We bury you. We are the centuries. Be born then, gasp wind, screech at the surgeon’s slap, seek manhood, taste a little godhood, feel pain, give birth, struggle a little while, succumb: (Dying, leave quietly by the rear exit, please.) Generation, regeneration, again, again, as in a ritual, with blood-stained vestments and nail-torn hands, children of Merlin, chasing a gleam. Children, too, of Eve, forever building Edens – and kicking them apart in berserk fury because somehow it isn’t the same. (AGH! AGH! AGH! – an idiot screams his mindless anguish amid the rubble. But quickly! let it be inundated by the choir, chanting Alleluias at ninety decibels.)
”
”
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
“
What are you smiling about? Do you have gas?" Drew joked.
"Hey, Mommy, Carter has a HUGE wiener," Gavin said around a mouthful of cookie, holding his
hands up in the air about three feet apart, like you do when you're telling someone how big the fish is you
just caught.
Claire quickly reached over and pushed Gavin's arms down while everyone else at the table laughed.
I just sat back and smiled and tried to keep my anaconda penis tucked under the table so it wouldn't scare
anyone.
”
”
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
“
David furrowed his brow. "I ... I don't understand half of what goes on around me. I don't get jokes or sunsets or poetry, but I know metal." His fingers flexed unconsciously as if he were physically grasping for words. "Beauty was your armor. Fragile stuff, all show. But what's inside you? That's steel. It's brave and unbreakable. And it doesn't need fixing." He drew in a deep breath then awkwardly stepped forward. He took her face in his hands and kissed her.
Genya went regid. I thought she'd push him away. But then she threw her arms around him and kissed him back. Emphatically.
Mal cleared his throat, and Tamar gave a low whistle. I had to bite my lip to stifle a nervous laugh.
They broke apart. David was blushing furiously. Genya's grin was so dazzling it made my heart twist in my chest.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
It was all a big joke. I could see that now. There was no rhyme or reason to whether we lived or died. One day it might be the man next to you at roll call who is torn apart by dogs. The next day it might be you who is shot through the head. You could play the game perfectly and still lose, so why bother playing at all?
”
”
Alan Gratz (Prisoner B-3087)
“
the violence intensified, grandiose funerals became routine, with rousing graveside orations and caskets draped in tricolor flags. People took to joking that there was no social life in Belfast anymore, apart from wakes.
”
”
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
“
I felt like a Jane Austen heroine all of a sudden, confusedly looking on at all the people she loves, their myriad unpredictable couplings and uncouplings. There would be no marriages at the end of this Austen novel, though, no happy endings, no endings at all. Just jokes and friendships and romances and delicious declarations of independence.
”
”
Julie Powell (Julie and Julia: 365 Days, 524 Recipes, 1 Tiny Apartment Kitchen)
“
Boundary construction is most evident in three-year-olds. By this time, they should have mastered the following tasks:
1. The ability to be emotionally attached to others, yet without giving up a sense of self and one‘s freedom to be apart,
2. The ability to say appropriate no's to others without fear of loss of love,
3. The ability to take appropriate no's from others without withdrawing emotionally.
Noting these tasks, a friend said half-joking, "They need to learn this by age three? How about by fourty-three?" Yes, these are tall orders but boundary development is essential in the early years of life.
”
”
Henry Cloud (Boundaries: When to Say Yes, How to Say No to Take Control of Your Life)
“
Peter pushed off from the roof and stalked a few feet away, his back to her. “Please tell me this is all some kind of a sick joke.”
“It’s the truth. All of it. That’s why hunters are after me.”
“How did they find out?” Peter asked, swiveling toward her now.
“I think Beck ratted me out. I went to his house this morning and told him what had happened. He was furious, Peter. I’ve never seen anyone that angry.”
“Duh! Now there’s a surprise,” her friend replied sarcastically. “I saw the way he looked at you at your dad’s funeral. Of course he’d be mad. You’re about the only one on the planet who doesn’t realize how he feels about you.”
“He never said anything,” she retorted.
“Hey, we guys don’t blurt out that kind of stuff,” he replied. “It’s against the man code. Beck may never have said how he felt, but everything he did for you should have been a big clue. I mean, come on, how slow are you?”
She glowered at her friend. “I figured he was doing it because of my father.”
“Maybe, but the guy is really into you, Riley.”
“No way. If he’d liked me, he wouldn’t have blown me off and—”
“Ancient history, girl!” he countered. “You were, what, fifteen? Your dad would have torn him apart if he’d touched you. Beck had no other choice.”
“He didn’t have to be so mean.”
“God, will you listen to yourself?” Peter retorted.
“You have no idea how much he hurt me,” she shot back.
“Give it up, will you? You’re my best friend, but you can be a real self-centered asshat sometimes.
”
”
Jana Oliver (Forgiven (The Demon Trappers, #3))
“
You selfish bitch!"
She had known for a long time that putting her needs above those of Adam's wife and children was indeed selfish. She had no real answer to the accusation thrown at her.
"I'm sorry" she said, with her head in her hands.
"you're sorry?" came her adversary's disbelieving reply.
"I am. I'm sorry he married you when he was in love with me. I'm sorry I couldn't have loved someone else. I'm sorry your marriage is a joke and I'm sorry that I'm alone. I'm sorry for a lot of things - for you, for your kids, for me and for him. I spend most of my time being sorry."
For a moment there was silence at the end of the line.
"all you had to do was stay away"
"if only I could have." tears escaped and raced down her cheeks.
"I hate you!
”
”
Anna McPartlin (Apart from the Crowd)
“
Anna Petrovna (to Shabelsky): You can't make a simple joke without an injection of venom. You are a poisonous man.
Joking apart, Count, you're very poisonous. It's hideously boring to live with you. You're always grumpy, complaining, you find everyone bad, good for nothing. Tell me frankly, Count, did you ever speak well of anyone?
”
”
Anton Chekhov (Ivanov (Plays for Performance Series))
“
Ranette said a lot of mean things, but they weren't ... well, they weren't actually mean. He joked, and she joked. And sure, sometimes there was an edge of truth to it, but that's what friends was about. Making you look a little silly when you were together, so that you didn't look really stupid when you were apart.
”
”
Brandon Sanderson (The Lost Metal (Mistborn, #7))
“
But what makes our marriage holy, what makes it “set apart” and sacramental, isn’t the marriage certificate filed away in the basement or the degree to which we follow a list of rules and roles, it’s the way God shows up in those everyday moments—loading the dishwasher, sharing a joke, hosting a meal, enduring an illness, working through a disagreement—and gives us the chance to notice, to pay attention to the divine. It’s the way the God of resurrection makes all things new.
”
”
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
“
We came here unarmed." Donegan said cheerfully, and Gracious looked at him.
"You're unarmed?" he asked, surprised.
"Yes," Donegan said. "Aren't you?"
"Well I suppose so. Apart from my gun."
Donegan glared at him. "What? Why did you bring a gun? I told you to come unarmed."
"I thought you were joking."
"Why would I be joking?"
"I don't know, I thought that's what made it funny.
”
”
Derek Landy
“
To hear a cultivated person of today joking almost boastfully that they are completely ignorant about science is as depressing as hearing a scientist bragging that they have never read a poem. Poetry and science are both manifestations of the spirit that creates new ways of thinking the world, in order to understand it better. Great science and great poetry are both visionary, and sometimes may arrive at the same insights. The culture of today that keeps science and poetry so far apart is essentially foolish, to my way of thinking, because it makes us less able to see the complexity and the beauty of the world as revealed by both.
”
”
Carlo Rovelli (There Are Places in the World Where Rules Are Less Important Than Kindness)
“
I made my way to the living room and sat down on the sofa. Hannah followed a moment later and sat down opposite me. She looked exhausted. ‘You look exhausted,’ I told her. ‘Thank you.’ ‘No, no, it’s not that you look bad,’ I said, backtracking. ‘You just look more tired than usual.’ ‘Mmm hmmm,’ said Hannah. ‘Not that you usually look tired.’ Hannah rolled her eyes. I decided I was talking too much and turned my attention to the pitiful collection of ‘80s music cassettes that she’d inherited when she moved into the apartment. Then I started talking again. ‘You know, you’re only one album away from owning Bananarama’s full back catalogue.’ I looked over to Hannah. She wasn’t laughing. That felt strange. She always laughed at my crappy music cassette jokes. I tried another.
”
”
Andy Marr (Hunger for Life)
“
Welcome to the 21st century where love is now conditional, where those who are honest are betrayed, teared apart. A time where your faithfulness to someone is trashed. A time where your transparency to someone is just meaningless, a joke.
”
”
Tinashe Hodhera
“
Me"
( Notice Me)
I was sent here on a journey that has no end.
I hear you joke of going nowhere fast.
Well, maybe life’s a joke and I’m the fool
That dreams of being first but ends up last.
Life’s a trial—a sentence I can’t escape.
Confusion and desperation tear me down and turn to hate.
There’s so much more to figure out,
But it’s growing way too late.
If I could answer half the questions in my mind,
If I could find the place where I belong,
If words were near as strong and deep as the wall of emotions I climb
Then sorrow wouldn’t be so wrong.
There’s no way to make you understand.
An entire symphony could not play the broken notes in one child’s soul.
That child screams and no one hears her,
Until the tears have dried and now she’s just too old.
I don’t want to hear the philosophies, the opinions,
The remarks, the horrible reasonings.
Words are to pad the mind and fight with the solitude of the heart.
Still, silence chills to the bone and tears the soul apart.
She never means to hurt or harm, only to belong.
To find the truth ‘mid mortal lies, to sing her only song.
But someday this race will end, and if she comes in last,
I pray the first will look deeper than the others, smile, and then pass.
"Copyright 1985
”
”
Richelle E. Goodrich
“
Does your knee still hurt, Sassenach?” he asked, seeing me rub it. It hadn’t ever quite recovered from being strained during our adventures on the Pitt, and climbing stairs provoked it. “Oh, just part of the general decline,” I said, trying to make a joke of it. I flexed my right arm, gingerly, feeling a twinge in the elbow. “Things don’t bend quite so easily as they used to. And other things hurt. Sometimes I think I’m falling apart.” Jamie closed one eye and regarded me. “I’ve felt like that since I was about twenty,” he observed. “Ye get used to it.” He stretched, making his spine give off a series of muffled pops, and held out a hand. “Come to bed, a nighean. Nothing hurts when ye love me.” He was right; nothing did.
”
”
Diana Gabaldon (An Echo in the Bone (Outlander, #7))
“
You say you've seen too many things,
that turn out to be too good to be true.
Against your better judgment, opened up your heart,
'til you found the joke was on you.
Looking out on the rest of our lives,
If we're gonna be together or apart
About the only way I know how to come,
is right straight from my heart.
”
”
Brian McKnight
“
None of this is important in itself, but I feel somewhere that it has a lot to do with why I have always felt separate, why I have always felt unable to join in, to let go, to become part of the tribe, why I have always sniped or joked from the sidelines, why I have never, ever, lost my overwhelmingly self-conscious self-consciousness. It’s not all bad. Heightened self-consciousness, apartness, an inability to join in, physical shame and self-loathing – they are not all bad. Those devils have also been my angels. Without them I would never have disappeared into language, literature, the mind, laughter and all the mad intensities that made and unmade me.
”
”
Stephen Fry (Moab Is My Washpot)
“
She looked at Rose sitting between Jasper and Prue. How odd that one's child should do that! How odd to see them sitting there, in a row, her children, Jasper, Rose, Prue, Andrew, almost silent, but with some joke of their own going on, she guessed, from the twitching at their lips. It was something quite apart from everything else, something they were hoarding up to laugh over in their own room...There was all that hoarded behind those rather set, still, mask like faces, for they did not join in easily; they were like watchers, surveyors, a little raised or set apart from the grown-up people.
”
”
Virginia Woolf (To the Lighthouse)
“
After he got back to his apartment that evening, Arthur remembered how completely he'd thought he'd solved the problem of his own childhood once he'd claimed Lillian and enveloped her in his dream--no one idle, no one beset by solitude, everyone laughing. The problem he had not solved, or even known existed, was how quickly it passed, every joke, every embrace, every babyhood and childhood, every moment of thinking that he had things figured out for good.
”
”
Jane Smiley (Early Warning (Last Hundred Years: A Family Saga, #2))
“
No one ever stops to ask glue how it’s holding up. If it’s tired of sticking things together or worried about falling apart or wondering how it will pay its bills next week. Kenji is kind of like that. He’s like glue. He works behind the scenes to keep things together and I’ve never stopped to think about what his story might be. Why he hides behind the jokes and the snark and the snide remarks. But he was right. Everything he said to me was right. Yesterday was a good idea. I needed to get away, to get out, to be productive. And now I need to take Kenji’s advice and get over myself. I need to get my head straight.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Reading the book now means that one can, if one wants, play Fantasy Literature--match writers off against each other and see who won over the long haul. Faulkner or Henry Green? I reckon the surprise champ was P.G. Wodehouse, as elegant and resourceful a prose stylist as anyone held up for our inspection here...he has turned out to be as enduring as anyone apart from Orwell. Jokes, you see. People do like jokes.
(Hornby's thoughts after reading "Enemies of Promise" by Cyril Connolly)
”
”
Nick Hornby (The Polysyllabic Spree)
“
Jokes, secrets, complicities; a glance here, a word there: that is their way of being together, of being apart.
”
”
J.M. Coetzee (Elizabeth Costello)
“
Why do I have to exhaust myself trying to pretend to enjoy someone’s company? Or to like something? It hurts everyone involved. I laugh at their bad jokes and they continue to say them. I answer, “I’m great,” and we grow farther apart, or I say “yes” and lose another night where I could be alone instead. The nicest thing we can tell some people is that we are better off without them.
”
”
Kristian Ventura (The Goodbye Song)
“
If I were your mother, I would also warn you to beware of buildings that claim to be the houses of God. If heard it said once, jokingly, that on their days off, when they are not actively intervening in human affairs or shoring up the sweetness of the earth, the orishas get together in a little apartment in a poor section of Havana around a very big screen television and laugh themselves silly a the unceasing soap opera that is our lives, all the while puffing on good Cuban cigars and swigging cheap rum. And, darling, whether you imagine one big white distant god or many more particular brown ones who like their little pleasures, I would tell you to get off your butt and out of the house if you want to make contact. If you go to a mausoleum, you'll find dead bodies. Living gods inhabit a living world.
”
”
Joyce Thompson
“
In those moments, she felt something deeper than the mere need to survive, a glimpse at what it might mean if she could simply learn and stop trying so hard all the time time.
She found herself fantasizing about a life not only without fear but without ambition. She would read, and go to class, and live in an apartment with good light. She would feel curious instead of panicked when people mentioned artists she didn't know, authors she'd never read. She would have a stack of books by her bedside table. She would listen to Morning Becomes Eclectic. She would get the jokes, speak the language; she would become fluent in leisure.
”
”
Leigh Bardugo (Hell Bent (Alex Stern, #2))
“
if you so much as make a single joke right now or butcher a playground nursery rhyme about trees and kissing and baby carriages, I'll let myself into your apartment and use your comic book collection as kindling. Capiche?
”
”
Alexandria Bellefleur (Written in the Stars (Written in the Stars, #1))
“
The train gives off an earsplitting insect hum. It seems like you’re watching something physically impossible, like a person lifting a house, or hearing a joke so funny the laughter threatens to rip you apart, and then, with a puff of air, it’s over. When
”
”
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
“
I'm at your apartment and ready to go through your underwear drawer.
She'd written back immediately, You're early. I'll be there in ten. Don't leave drool stains on my lace ones. Or worse.
No promises, he'd answered, and she'd replied, Just spare the pink bra, please.
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
The creators took each of us out for lunch, too, to get to know us, so they could incorporate some aspects of our real personalities into the show. At my lunch I said two things: one, that even though I considered myself not unattractive, I had terrible luck with women and that my relationships tended toward the disastrous; and two, that I was not comfortable in any silence at all—I have to break any such moment with a joke. And this became a built-in excuse for Chandler Bing to be funny—perfect for a sitcom—and Chandler wasn’t much good with women, either (as he shouts at Janice as she leaves his apartment, “I’ve scared ya; I’ve said too much; I’m awkward and hopeless and desperate for love!”). But think of a better character for a sitcom: someone who is uncomfortable in silence and has to break the silence with a joke.
”
”
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
“
Two people, locked safely inside, briefly released from their complicated histories, and the weighty expectations of the town around them, ate good food, and laughed.
...
And while there was barely a touch between them, apart from the accidental brushing of skin against skin, while passing bread or refiling a glass, [she] rediscovered a little part of her that she hadn't known she'd missed. The flirtatious young woman who liked to talk about things she had read, seen, and thought about, as much as she liked to ride a mountain track.
In turn, [he] enjoyed a woman's full attention. A ready laugh at his jokes, and the challenge of an idea that might differ from his own.
Time flew. And each ended the night full and happy with the rare glow that comes from knowing your very being has been understood by somebody else. And that there might just be someone out there, who will only ever see the best in you.
”
”
Jojo Moyes (The Giver of Stars)
“
"If you prefer it, Your Excellency, a private room will be free directly: Prince Golitsin with a lady. Fresh oysters have come in."
"Ah, oysters!" Stepan Arkadyevich became thoughtful.
"How if we were to change our program, Levin?" he said, keeping his finger on the bill of fare. And his face expressed serious hesitation. "Are the oysters good? Mind, now!"
"They're Flensburg, Your Excellency. We've no Ostend."
"Flensburg will do -- but are they fresh?"
"Only arrived yesterday."
"Well, then, how if we were to begin with oysters, and so change the whole program? Eh?"
"It's all the same to me. I should like cabbage soup and porridge better than anything; but of course there's nothing like that here."
"Porridge a la Russe, Your Honor would like?" said the Tatar, bending down to Levin, like a nurse speaking to a child.
"No, joking apart, whatever you choose is sure to be good. I've been skating, and I'm hungry. And don't imagine," he added, detecting a look of dissatisfaction on Oblonsky's face, "that I shan't appreciate your choice. I don't object to a good dinner."
"I should hope so! After all, it's one of the pleasures of life," said Stepan Arkadyevich. "Well, then, my friend, you give us two -- or better say three-dozen oysters, clear soup with vegetables..."
"Printaniere," prompted the Tatar. But Stepan Arkadyevich apparently did not care to allow him the satisfaction of giving the French names of the dishes.
"With vegetables in it, you know. Then turbot with thick sauce, then... roast beef; and mind it's good. Yes, and capons, perhaps, and then stewed fruit."
The Tatar, recollecting that it was Stepan Arkadyevich's way not to call the dishes by the names in the French bill of fare, did not repeat them after him, but could not resist rehearsing the whole menu to himself according to the bill: "Soupe printaniere, turbot sauce Beaumarchais, poulard a l'estragon, Macedoine de fruits..." and then instantly, as though worked by springs, laying down one bound bill of fare, he took up another, the list of wines, and submitted it to Stepan Arkadyevich.
"What shall we drink?"
"What you like, only not too much. Champagne," said Levin.
"What! to start with? You're right though, I dare say. Do you like the white seal?"
"Cachet blanc," prompted the Tatar.
"Very well, then, give us that brand with the oysters, and then we'll see."
"Yes, sir. And what table wine?"
"You can give us Nuits. Oh, no -- better the classic Chablis."
"Yes, sir. And your cheese, Your Excellency?"
"Oh, yes, Parmesan. Or would you like another?"
"No, it's all the same to me," said Levin, unable to suppress a smile.
”
”
Leo Tolstoy (Anna Karenina)
“
The blond man beside him was about the same height and equally stunning, but less intimidating. The good-humored expression on his face set him apart from the other man. He looked as though he was recalling the punch line to a good joke. The men walked through the waiting area and stood near the large windows, away from the crowd.
”
”
S.L. Morgan (The Legacy of the Key (Ancient Guardians, #1))
“
I don’t need to speed-read Architecture for Dummies and pretend I can tell Gothic and art deco apart?” He turns to me, stone-faced. “You’re joking.” “Please look ahead.” “You can, right? You are able to tell apart—” “Husband, darling, deep inside you know the answer to that, and please look at the road when you’re landing a plane.
”
”
Ali Hazelwood (Bride (Bride, #1))
“
Sometimes there was humor in Max Vandenburg’s voice, though its physicality was like friction—like a stone being gently rubbed across a large rock. It was deep in places and scratched apart in others, sometimes breaking off altogether. It was deepest in regret, and broken off at the end of a joke or a statement of self-deprecation.
”
”
Anonymous
“
Soon after Justine Sacco’s shaming, I was talking with a friend, a journalist, who told me he had so many jokes, little observations, potentially risqué thoughts, that he wouldn’t dare to post online anymore. “I suddenly feel with social media like I’m tiptoeing around an unpredictable, angry, unbalanced parent who might strike out at any moment,” he said. “It’s horrible.” He didn’t want me to name him, he said, in case it sparked something off. We see ourselves as nonconformist, but I think all of this is creating a more conformist, conservative age. “Look!” we’re saying. “WE’RE normal! THIS is the average!” We are defining the boundaries of normality by tearing apart the people outside it.
”
”
Jon Ronson (So You've Been Publicly Shamed)
“
Your thoughts turned from a romantic comedy to a psychological suspense. A genre switch. What a joke. Wedged in-between all of the good memories were dark slivers: fights, text messages, dissonance. You remembered how lonely you’d been feeling, and the dark slivers became more pronounced. They pushed apart the good memories until they stood on their own.
”
”
Tarryn Fisher (Bad Mommy)
“
She would read, and go to class, and live in an apartment with good light. She would feel curious instead of panicked when people mentioned artists she didn’t know, authors she’d never read. She would have a stack of books by her bedside table. She would listen to Morning Becomes Eclectic. She would get the jokes, speak the language; she would become fluent in leisure.
”
”
Leigh Bardugo (Hell Bent (Alex Stern, #2))
“
Jackie and Phil are the most boring people in the southeast of England, possibly because they've been married too long, and therefore have nothing to talk about, apart from how long they've been married. In the end, I am reduced to asking them, in a joking sort of way, for the secret of their success; I was only saving time, because I think they would have told me anyway.
”
”
Nick Hornby (High Fidelity)
“
The land was torn apart in a legal dispute. Soon it was so devastated, nothing could live here- not plant or animal. Only lawyers. But eventually the place fell into lawlessness, and lawyers can't exist in an area of lawlessness, so they went feral. Some say they still roam the land. You'll suddenly hear someone yell, 'Objection!' and then you'll be torn apart like an improperly witnessed contract.
”
”
Frank J. Fleming
“
When they reached the table, Hannah started to introduce them. “Layla, this is Joe. Joe, this is—”
“We’ve already met,” said Joseph, extending his hand and smiling.
“Have we?” asked Layla, baffled.
“Have you?” said Hannah. This was news to her.
“Yeah, we have,” continued Joseph. “A couple of hours ago. On the road into the village. You tried to kill me, remember?”
“Kill you?” gasped Layla. “You’re the biker? The one I knocked over?”
“You knocked him over?” repeated Hannah in horror.
“I didn’t mean to,” explained Layla quickly. “It was an accident. I was going to tell you about it. I just haven’t had the chance yet.”
Turning to Joseph, Hannah asked, “Are you okay? Are you hurt at all?”
“Well,” he replied somberly, “apart from my right arm, which I’m not sure is going to be of much use to me ever again, I’m fine.”
As Layla’s jaw dropped open, he added quickly, “I’m joking. Really, it’s just a joke. I’m fine.”
“Right, well, in that case,” Hannah continued, “as I was saying, Layla, this is Joseph Scott. Joe, this is Layla Lewis, your would-be killer, next door neighbor, and my best friend. She’s house-sitting whilst Lenny’s in Scotland.”
“Next door neighbor, huh?” replied Joseph, taking a swig from his pint glass. “That could prove interesting.
”
”
Shani Struthers (The Runaway Year (The Runaway Series, #1))
“
I watch, and the mothers watch. I do not know how to interact with the mothers. Am I them? They occasionally try to include me in a conversation, but it’s clear they don’t know what to make of me. I look over and smile when one of them makes a joke that is laughed at by all. They laugh, I chuckle—not too much, I don’t want to seem overeager, but enough to say “I hear you. I laugh with you. I share in the moment.” But when the chuckling is over I am still apart, something else, and no one is sure what I am. They don’t want to invest their time in the brother sent to pick up Toph while his mother cooks dinner or is stuck at work or in traffic. To them I’m a temp. A cousin maybe. The young boyfriend of a divorcee? They don’t care.
Fuck it. I don’t want to be friends with these women, anyway. Why would I care? I am not them. They are the old model and we are the new.
”
”
Dave Eggers (A Heartbreaking Work of Staggering Genius)
“
She found herself fantasizing about a life not only without fear but without ambition. She would read, and go to class, and live in an apartment with good light. She would feel curious instead of panicked when people mentioned artists she didn’t know, authors she’d never read. She would have a stack of books by her bedside table. She would listen to Morning Becomes Eclectic. She would get the jokes, speak the language; she would become fluent in leisure.
”
”
Leigh Bardugo (Hell Bent (Alex Stern, #2))
“
But every single day after work Tatiana brushed her hair and ran outside, thinking, please be there, and every single day after work Alexander was. Though he never asked her to go to the Summer Garden anymore or to sit on the bench under the trees with him, his hat was always in his hands. Exhausted and slow, they meandered from tram to canal to tram, reluctantly parting at Grechesky Prospekt, three blocks away from her apartment building. During their walks sometimes they talked about Alexander’s America or his life in Moscow, and sometimes they talked about Tatiana’s Lake Ilmen and her summers in Luga, and sometimes they chatted about the war, though less and less because of the anxiety over Pasha, and sometimes Alexander taught Tatiana a little English. Sometimes they told jokes, and sometimes they barely spoke at all. A few times Alexander let Tatiana carry his rifle as a balancing stick while she walked a high ledge on the side of Obvodnoy Canal. “Don’t fall into the water, Tania,” he once said, “because I can’t swim.” “Is that true?” she asked incredulously, nearly toppling over. Grabbing the end of his rifle to steady her, Alexander said with a grin, “Let’s not find out, shall we? I don’t want to lose my weapon.” “That’s all right,” Tatiana said, precariously teetering on the ledge and laughing. “I can swim perfectly well. I’ll save your weapon for you. Want to see?” “No, thank you.” And sometimes, when Alexander talked, Tatiana found her lower jaw drifting down and was suddenly and awkwardly aware that she had been staring at him so long that her mouth had dropped open. She didn’t know what to look at when he talked—his caramel eyes that blinked and smiled and shined and were grim or his vibrant mouth that moved and opened and breathed and spoke. Her eyes darted from his eyes to his lips and circled from his hair to his jaw as if they were afraid she would miss something if she didn’t stare at everything all at once. There were some pieces of his fascinating life that Alexander did not wish to talk about—and didn’t. Not about the last time he saw his father, not about how he became Alexander Belov, not about how he received his medal of valor. Tatiana didn’t care and never did more than gently press him. She would take from him what he needed to give her and wait impatiently for the rest.
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
How odd to see them sitting there, in a row, her children, Jasper, Rose, Prue, Andrew, almost silent, but with some joke of their own going on, she guessed, from the twitching at their lips. It was something quite apart from everything else, something they were hoarding up to laugh over in their own room. It was not about their father, she hoped. No, she thought not. What was it, she wondered, sadly rather, for it seemed to her that they would laugh when she was not there.
”
”
Virginia Woolf (To the Lighthouse)
“
I shrug, suddenly remembering how Adam never called me this morning, even though he said he would. “I should probably go back to Adam’s apartment to have a look at his door.”
“Want some company?” Wes asks. “I can bring along my spy tool. I’ve got a cool UV-light device that picks up all traces of bodily fluids.”
“You’re kidding, right?” Kimmie asks.
“You know you want to give it a try.” He winks. “I’ll even let you borrow my latex gloves.”
“Say no more,” she jokes. “I’m in.
”
”
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
“
On the other hand, maybe what attracts us aren't the stories of falling apart so much as the stories of self-creation. The falling apart stuff is just a byproduct, a hazard of the trade. Maybe what I loved about Camille Claudel was what she created out of what she smashed to bits. How did a bourgeois girl become an artist and a woman? What was the female equivalent of the Great Man? If it didn't exist, why not? Who said it didn't? Who said it couldn't? What were the conditions that made it so hard? Rodin was the image Claudel identified with and against which she defined herself. Scott was this image for Zelda. A woman could not be a great artist and have a traditional marriage - not unless her husband was a Leonard Woolf. One boyfriend I had in college used to joke, 'Only one artist in the family,' meaning not me. I didn't get it then, but I get it now. There was always something self-annihilating in the act of loving, for a girl with creative aspirations - always - but far more then than now. The message, invariably, was that youthful passions lead to middle-age breakdowns, so choose your institution wisely. Marriage or the nuthouse. One or the other. It started to dawn on me that it wasn't that I was attracted to stories about girls who went mad, I was attracted to stories about girls with ambitions who wound up institutionalized. Getting locked up was not the result of adventure, it was the price you paid for adventure, it was your punishment. I had mistaken correlation for causation. Rookie mistake.
”
”
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
“
Not everyone will share your liberal views, so you might want to keep comments of a sexual nature to a minimum."
Layla laughed. "If you think doing it in the shower is liberal, I'll definitely never tell you what I got up to when I found a three-foot-high can of whipped cream at Costco and asked the New York Dolphins men's water polo team to help me carry it home."
"I didn't want to know that." Sam's jaw tightened. "And I suspect Faroz didn't, either."
"I'm joking, Sam. Lighten up. My apartment wasn't big enough to hold all of them at once.
”
”
Sara Desai (The Marriage Game (Marriage Game, #1))
“
I watch, and the mothers watch. I do not know how to interact with the mothers. Am I them? They occasionally try to include me in a conversation, but it’s clear they don’t know what to make of me. I look over and smile when one of them makes a joke that is laughed at by all. They laugh, I chuckle—not too much, I don’t want to seem overeager, but enough to say “I hear you. I laugh with you. I share in the moment.” But when the chuckling is over I am still apart, something else, and no one is sure what I am. They don’t want to invest their time
”
”
Dave Eggers (A Heartbreaking Work of Staggering Genius)
“
You have to stop letting me do this,” he bit off, half-angrily.
“If you’ll stop leaning on me so that I can get my hands on a blunt object, I’ll be happy to…!”
He kissed the words into oblivion. “It isn’t a joke,” he murmured into her mouth. His hips moved in a gentle, sensuous sweep against her hips. He felt her shiver.
“That’s…new,” she said with a strained attempt at humor.
“It isn’t,” he corrected. “I’ve just never let you feel it before.” He kissed her slowly, savoring the submission of her soft, warm lips. His hands swept under the blouse and up under her breasts in their lacy covering. He was going over the edge. If he did, he was going to take her with him, and it would damage both of them. He had to stop it, now, while he could. “Is this what Colby gets when he comes to see you?” he whispered with deliberate sarcasm.
It worked. She stepped on his foot as hard as she could with her bare instep. It surprised him more than it hurt him, but while he recoiled, she pushed him and tore out of his arms. Her eyes were lividly green through her glasses, her hair in disarray. She glared at him like a female panther.
“What Colby gets is none of your business! You get out of my apartment!” she raged at him.
She was magnificent, he thought, watching her with helpless delight. There wasn’t a man alive who could cow her, or bend her to his will. Even her drunken, brutal stepfather hadn’t been able to force her to do something she didn’t want to do.
“Oh, I hate that damned smug grin,” she threw at him, swallowing her fury. “Man, the conqueror!”
“That isn’t what I was thinking at all.” He sobered little by little. “My mother was a meek little thing when she was younger,” he recalled. “But she was forever throwing herself in front of me to keep my father from killing me. It was a long time until I grew big enough to protect her.”
She stared at him curiously, still shaken. “I don’t understand.”
“You have a fierce spirit,” he said quietly. “I admire it, even when it exasperates me. But it wouldn’t be enough to save you from a man bent on hurting you.”
He sighed heavily. “You’ve been…my responsibility…for a long time,” he said, choosing his words carefully. “No matter how old you grow, I’ll still feel protective about you. It’s the way I’m made.”
He meant to comfort, but the words hurt. She smiled anyway. “I can take care of myself.”
“Can you?” he said softly. He searched her eyes. “In a weak moment…”
“I don’t have too many of those. Mostly, you’re responsible for them,” she said with black humor. “Will you go away? I’m supposed to try to seduce you, not the reverse. You’re breaking the rules.”
His eyebrow lifted. Her sense of humor seemed to mend what was wrong between them. “You stopped trying to seduce me.”
“You kept turning me down,” she pointed out. “A woman’s ego can only take so much rejection.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
He laughed. “If you’ve been here for a while and now you’re doing shots, it’s going to be an easy win for my team of highly trained, entirely sober intellectual giants.” “Want to bet?” “Sure.” “Twenty dollars?” “Dinner.” Nina studied his face, but he wasn’t joking. “Dinner it is. If I win, you can take me to Denny’s.” “Really?” She nodded. “I love Denny’s.” “Moons Over My Hammy?” “Every time. And if you win?” “Chicken and waffles.” She laughed. “We’re a classy pair.” He nodded. “I wonder what else we have in common apart from lowbrow tastes?” He smiled slowly at her, and she had no comeback at all. She swallowed.
”
”
Abbi Waxman (The Bookish Life of Nina Hill)
“
Early the next morning, I was driving westward toward the ranch. Marlboro Man had called the night before--a rare evening we’d spent apart--and had asked me to come out early.
I’d just turned onto the highway that led out of my hometown when my car phone rang. It was dewy outside, foggy. “Hurry up,” Marlboro Man’s voice playfully commanded. “I want to see my future wife.” My stomach lurched. Wife. It would take me a while to get used to that word.
“I’m coming,” I announced. “Hold your horses!” We hung up, and I giggled. Hold your horses. Heh-heh. I had a lifetime of these jokes ahead. This was going to be loads of fun.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Emilio quit making exaggerated leering faces at Boyd and opened the door. "Hey sexy," he drawled, grabbing Owen's shirt and hauling him into the apartment. "Boyd is here, so I'll have to teach you about dick sucking another time. Actually, I dunno, maybe he wants to watch."
Owen looked startled while Boyd rolled his eyes.
"I could probably teach you pointers on that one," Boyd drawled to Emilio. "I don't need to watch anything."
Emilio shoved Owen in another step and kicked his door closed as he released what had once been his typical loud, charismatic laugh. "Believe me, baby, I sure as fuck know that," he said with a wink. "But I was talking about pointers for Owen here. I'm no joke at the trade myself."
"Whoa, whoa," Owen said, lifting his hands. "Information to place in the 'deleted' folder and recycled, man. Give a guy some notice." Even so, he didn't seem too bothered by the topic as he immediately perked up when he saw the coffee table. "Oh! Score, is that food? Well, obviously it is. Hey, can I have some?" He was already walking over as he asked.
"Unless Sir Sucks A Lot is sharing his shit, you better back off mine or I'll shoot you in the face," Emilio said as he flipped the locks to his door. "And why the fuck are you here, anyways?
”
”
Ais (Fade (In the Company of Shadows, #4))
“
Completely confused as to who the real criminals were in this case, the jury had voted to wash their hands of everybody and they let him off. That had been the meaning of the conversation I'd had with him that afternoon, but I hadn't understood what was happening at all. There were many moments in the Vine like that one—where you might think today was yesterday, and yesterday was tomorrow, and so on. Because we all believed we were tragic, and we drank. We had that helpless, destined feeling. We would die with handcuffs on. We would be put a stop to, and it wouldn't be our fault. So we imagined. And yet we were always being found innocent for ridiculous reasons.
...We bought heroin with the money and split the heroin down the middle. Then he went looking for his girlfriend, and I went looking for mine, knowing that when there were drugs around, she surrendered. But I was in a bad condition—drunk, and having missed a night's sleep. As soon as the stuff entered my system, I passed out. Two hours went by without my noticing. I felt I'd only blinked my eyes, but when I opened them my girlfriend and a Mexican neighbor were working on me, doing everything they could to bring me back. The Mexican was saying, "There, he's coming around now."
We lived in a tiny, dirty apartment. When I realized how long I'd been out and how close I'd come to leaving it forever, our little home seemed to glitter like cheap jewelry. I was overjoyed not to be dead. Generally the closest I ever came to wondering about the meaning of it all was to consider that I must be the victim of a joke. There was no touching the hem of mystery, no little occasion when any of us thought—well, speaking for myself only, I suppose— that our lungs were filled with light, or anything like that. I had a moment's glory that night, though. I was certain I was here in this world because I couldn't tolerate any other place. As for Hotel, who was in exactly the same shape I was and carrying just as much heroin, but who didn't have to share it with his girlfriend, because he couldn't find her that day: he took himself to a rooming house down at the end of Iowa Avenue, and he overdosed, too. He went into a deep sleep, and to the others there he looked quite dead. The people with him, all friends of ours, monitored his breathing by holding a pocket mirror under his nostrils from time to time, making sure that points of mist appeared on the glass. But after a while they forgot about him, and his breath failed without anybody's noticing. He simply went under. He died.
I am still alive.
”
”
Denis Johnson (Jesus’ Son)
“
In explaining this Somalia-to-Sweden continuum, with poor violent repressive unhappy countries at one end and rich peaceful liberal happy ones at the other, correlation is not causation, and other factors like education, geography, history, and culture may play roles.60 But when the quants try to tease them apart, they find that economic development does seem to be a major mover of human welfare.61 In an old academic joke, a dean is presiding over a faculty meeting when a genie appears and offers him one of three wishes—money, fame, or wisdom. The dean replies, “That’s easy. I’m a scholar. I’ve devoted my life to understanding. Of course I’ll
”
”
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
“
Soon after Justine Sacco's shaming, I was talking with a friend, a journalist, who told me he had so many jokes, little observations, potentially risqué thoughts, that he wouldn't dare to post online anymore.
'I suddenly feel with social media like I'm tiptoeing around an unpredictable, angry, unbalanced parent who might strike out at any moment,' he said. 'It's horrible.'
He didn't want me to name him, he said, in case it sparked something off.
We see ourselves as nonconformist, but I think all of this is creating a more conformist, conservative age.
'Look!' we're saying. 'WE'RE normal! THIS is the average!'
We are defining the boundaries of normality by tearing apart the people outside of it.
”
”
Jon Ronson (So You've Been Publicly Shamed)
“
up for it, and I’m sorry. That’s not enough. You’re going to search until you find something, and you’re going to tell me. Right now. Sheri. Please. You do it now or we’re gone. You give me some way to have some sympathy for you as I stand in this nice house, all lovingly redone, and think about the broken house you left us in, with its leaky roof and no heat and no insulation and nothing. Tell your sob story about the fucking war, whatever it was that my mom thought you were so broken about. My grandfather closed his eyes. No story ever explains. But I’ll give you what you want. I think I know the moment you want, because I made a kind of decision. There was some change. But I can’t start the story at the beginning. I’ve never been able to do that. I have to start at the end and then go back, and it doesn’t finish, because you can go back forever. Do it, my mother said. I don’t think Caitlin should hear. She can hear. Okay. You’re her mother. That’s right. So I won’t give the awful details, but I was lying in a pile of bodies. My friends. The closest friends I’ve ever had. Not piled there on purpose, but just the way it ended up because I had been working on the axle, lying on the ground. And the thing is, the war was over. It had been over for days, and we were laughing and a bit drunk, telling jokes. There was something unbearable about the fact that we’d all be going our separate ways now. The truth is that we didn’t want to leave. We wanted the war over, but we didn’t want what we had together to be over. I think we all had some sense that this was the closest we’d ever be to anyone, and that our families might feel like strangers now. So that’s it? You couldn’t be a father and husband because you weren’t done being a buddy? No. No. It’s the way it happened, in a moment that was supposed to be safe. After every moment of every day in fear for years, we were finally safe, and that’s when the slugs came and I watched my friends torn apart and landing on me, dying. That’s the point. We were supposed to be safe. And with your mother, too, I was supposed to be safe. A wife, a family. The story doesn’t make any sense unless you know every moment before it, every time we thought we were going to die, all the times we weren’t safe. You can’t just be told about that. You have to feel it, how long one night can be, and then all of them put together, hundreds of nights and then more, and there’s a kind of deal that’s made, a deal with god. You do certain terrible things, you endure things, because there’s a bargain made. And then when god says the deal’s off later, after you’ve already paid, and you see your friends ripped through, yanked like puppets on a day that was safe, and you find out your wife is going to die young, and you get to watch her dying, something that again is going to be for years, hundreds of nights more, all deals are off.
”
”
David Vann (Aquarium)
“
It got crowded in Heaven, so Saint Peter decided to accept only people who’d had a really bad day on the day they died. On the first morning of the new policy, Saint Peter said to the first man in line, “Tell me about the day you died.” The man said,“Oh, it was awful. I was sure my wife was having an affair, so I came home early from work to catch her in the act. I searched all over the apartment and couldn’t find her lover anywhere. So finally I went out on the balcony, where I found this man hanging over the edge by his fingertips. So I went inside, got a hammer, and started hitting his hands. He fell, but landed in some bushes and survived. So I went inside, picked up the refrigerator, and pushed it out over the balcony. It crushed him, but the strain of hefting the fridge gave me a heart attack and I died.” Saint Peter couldn’t deny this was an awful day and that it was a crime of passion, so he let the man enter Heaven. He then asked the next man in line about the day he died. “Well, sir, it was terrible. I was doing aerobics on the balcony of my apartment when I slipped over the edge. I managed to grab the balcony of the apartment below me but then some maniac came out and started pounding my fingers with a hammer! I fell, but I landed in some bushes and lived! But then this guy came out again and dropped a refrigerator on me! That did it!” Saint Peter chuckled a bit, and let him into Heaven. “Tell me about the day you died,” he said to the third man. “Okay, picture this. I’m naked, hiding in a refrigerator . . .
”
”
Thomas Cathcart (Heidegger and a Hippo Walk Through Those Pearly Gates: Using Philosophy (and Jokes!) to Explore Life, Death, the Afterlife, and Everything in Between)
“
Shazad embraced me last. "Bring each other home safe," she said finally, before letting me go and looking at Sam.
His mouth pulled up at the side, and I recognized the prelude to a joke--some gallows humor before we all headed off to try our hardest to stay alive to see another dawn like the one rising behind us now.
But before he could say anything, Shazad grabbed the front of his shirt and yanked him toward her abruptly, kissing him squarely on the mouth.
And suddenly everyone else was looking at their feet. Or at the sky. Or just about anything that wasn't Sam and Shazad.
That was one way to shut him up. Finally the two of them broke apart. "Well," Sam said, looking flushed and unbearably pleased with himself as he riffled his hands through his hair. "That's one hell of a motivation to come back alive.
”
”
Alwyn Hamilton (Hero at the Fall (Rebel of the Sands, #3))
“
You are not my father."
So it all meant nothing, all those years of shared jokes, of affection, of defending her, of caring for her children, of assisting her and Hector with money and time. Love and family meant nothing to her? Nothing mattered to her at this moment but her pride. Did she think she was being brave in disobeying him? She, Hector, the whole mad lot of them, they knew nothing of courage. Everything had been given to them, everything had been assumed as rightfully theirs. She even believed her defense of her friend was the matter of honour. One war, one bomb, one misfortune and she would fall apart. He meant noting to her because like all of them she was truly selfish. She had no idea of the world and so she believed her drama to be significant. [........] She had no humility and no generosity. Monsters, they had bred monsters.
”
”
Christos Tsiolkas (The Slap)
“
A thug. In peacetime Fitch would be hanging around a pool table giving the cops trouble. He was perfect for war. Tibbets had chosen his men well - most of them, anyway. Moving back past Haddock January stopped to stare at the group of men in the navigation cabin. They joked, drank coffee. They were all a bit like Fitch: young toughs, capable and thoughtless. They're having a good time, an adventure. That was January's dominant impression of his companions in the 509th; despite all the bitching and the occasional moments of overmastering fear, they were having a good time. His mind spun forward and he saw what these young men would grow up to be like as clearly as if they stood before him in businessmen's suits, prosperous and balding. They would be tough and capable and thoughtless, and as the years passed and the great war receded in time they would look back on it with ever-increasing nostalgia, for they would be the survivors and not the dead. Every year of this war would feel like ten in their memories, so that the war would always remain the central experience of their lives - a time when history lay palpable in their hands, when each of their daily acts affected it, when moral issues were simple, and others told them what to do - so that as more years passed and the survivors aged, bodies falling apart, lives in one rut or another, they would unconsciously push harder and harder to thrust the world into war again, thinking somewhere inside themselves that if they could only return to world war then they would magically be again as they were in the last one - young, and free, and happy. And by that time they would hold the positions of power, they would be capable of doing it.
”
”
Kim Stanley Robinson (Lucky Strike (PM's Outspoken Authors, #2))
“
We're going to be married and hardly touch each other and have to work and work and never have any fun and we're just going to be okay with it because that's how life is and that's how relationships go, but I don't want that. I want our marriage to be... fun. I love joking around while we fool around. I want to hold hands everywhere we go. I want to make out in the back of a movie theater, steal kisses in coffee shops, have sex over every inch of our apartment or house or wherever we live. And I'm scared marriage will change the fun part of our relationship. The part that keeps us young, keeps us in love, and I'm terrified you'll wake up when you're fifty and realize you're stuck with the decision you made when you were twenty-seven, and we haven't touched in months, we don't go out. I just want to know when that happens... that you'll still... you'll still love me.
”
”
Cassie Mae (Doing It for Love (All About Love, #1))
“
Long before history began we men have got together apart from the women and done things. We had to. And to like doing what must be done is a characteristic that has survival value. We not only had to do the things, we had to talk about them. We had to plan the hunt and the battle. When they were over we had to hold a post mortem and draw conclusions for future use. We liked this even better. We ridiculed or punished the cowards and bunglers, we praised the star-performers. We revelled in technicalities. (‘He might have known he’d never get near the brute, not with the wind that way’ . . . ‘You see, I had a lighter arrowhead; that’s what did it’ . . . ‘What I always say is—’ . . . ‘stuck him just like that, see? Just the way I’m holding this stick’ . . .). In fact, we talked shop. We enjoyed one another’s society greatly: we Braves, we hunters, all bound together by shared skill, shared dangers and hardships, esoteric jokes—away from the women and children.
”
”
C.S. Lewis (The Four Loves)
“
Dear Kenny,
It’s the last day of camp and possibly the last time I will ever see you because we live so far apart. Remember on the second day, I was scared to do archery and you made a joke about minnows and it was so funny I nearly peed my pants?
I stop reading. A joke about minnows? How funny could it have been?
I was really homesick but you made me feel better. I think I might’ve left camp early if it hadn’t been for you, Kenny. So, thank you. Also you’re a really amazing swimmer and I like your laugh. I wish it had been me you kissed at the bonfire last night and not Blaire H.
Take care, Kenny. Have a really good rest of the summer and a really good life.
Love, Lara Jean
I clutch the letter to my chest.
This is the first love letter I ever wrote. I’m glad it came back to me. Though, I suppose it wouldn’t have been so bad if Kenny Donati got to know that he helped two people at camp that summer--the kid who almost drowned in the lake and twelve-year-old Lara Jean Song Covey.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Our neighborhood ramen place was called Aoba. That's a joke. There were actually more than fifty ramen places with in walking distance of our apartment. But this one was our favorite.
Aoba makes a wonderful and unusual ramen with a mixture of pork and fish broth. The noodles are firm and chewy, and the pork tender and almost smoky, like ham. I also liked how they gave us a small bowl for sharing with Iris without our even asking.
What I really appreciated about this place, however, were two aspects of ramen that I haven't mentioned yet: the eggs and the dipping noodles. After these two, I will stop, but there's so much more to ramen. Would someone please write an English-language book about ramen? Real ramen, not how to cook with Top Ramen noodles? Thanks. (I did find a Japanese-language book called State-of-the-Art Technology of Pork Bone Ramen on Amazon. Wish-listed!)
One of the most popular ramen toppings is a soft-boiled egg. Long before sous vide cookery, ramen cooks were slow-cooking eggs to a precise doneness. Eggs for ramen (ajitsuke tamago) are generally marinated in a soy sauce mixture after cooking so the whites turn a little brown and the eggs turn a little sweet and salty. I like it best when an egg is plunked whole into the broth so I can bisect it with my chopsticks and reveal the intensely orange, barely runny yolk. A cool egg moistened with rich broth is alchemy. Forget the noodles; I want a ramen egg with a little broth for breakfast.
Finding hot and cold in the same mouthful is another hallmark of Japanese summer food, and many ramen restaurants, including Aoba, feature it in the form of tsukemen, dipping noodles. Tsukemen is deconstructed ramen, a bowl of cold cooked noodles and a smaller bowl of hot, ultra-rich broth and toppings. The goal is to lift a tangle of noodles with your chopsticks and dip them in the bowl of broth on the way to your mouth. This is a crazy way to eat noodles and, unless you've been inculcated with the principles of noodle-slurping physics from birth, a great way to ruin your clothes.
”
”
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
“
- You as a good catholic, he observed, talking of body and soul, believe in the soul...Do you?
Thus cornered, Stephen had to make a superhuman effort of memory to try and concentrate and remember before he could say:
- They tell me on the best authority it is a simple substance and therefore incorruptible. It would be immortal, I understand, but for the possibility of its annihilation by its First Cause Who, from all I can hear, is quite capable of adding that to the number of His other practical jokes, corruptio per se and corruptio per accidens both being excluded by court etiquette.
Mr Bloom thoroughly acquiesced in the general gist of this...still he felt bound to enter a demurrer on the head of simple, promptly rejoining:
- Simple? I shouldn’t think that is the proper word...but it’s a horse of quite another color to say you believe in the existence of a supernatural God.
- Oh that, Stephen expostulated, has been proved conclusively by several of the best known passages in Holy Writ, apart from circumstantial evidence.
”
”
James Joyce (Ulysses)
“
The business is a simple one. Hiro gets information. It may be gossip,
videotape, audiotape, a fragment of a computer disk, a xerox of a document. It
can even be a joke based on the latest highly publicized disaster.
He uploads it to the CIC database -- the Library, formerly the Library of
Congress, but no one calls it that anymore. Most people are not entirely clear
on what the word "congress" means.
And even the word "library" is getting hazy. It used to be a place full of
books, mostly old ones. Then they began to include videotapes, records, and
magazines. Then all of the information got converted into machine-readable
form, which is to say, ones and zeroes. And as the number of media grew, the
material became more up to date, and the methods for searching the Library
became more and more sophisticated, it approached the point where there was no
substantive difference between the Library of Congress and the Central
Intelligence Agency. Fortuitously, this happened just as the government was
falling apart anyway. So they merged and kicked out a big fat stock offering.
”
”
Neal Stephenson (Snow Crash)
“
When I finally calmed down, I saw how disappointed he was and how bad he felt. I decided to take a deep breath and try to think this thing through.
“Maybe it’s not that bad,” I said. (I think I was trying to cheer myself up as much as I was trying to console Chip.) “If we fix up the interior and just get it to the point where we can get it onto the water, at least maybe then we can turn around, sell it, and get our money back.”
Over the course of the next hour or so, I really started to come around. I took another walk through the boat and started to picture how we could make it livable--maybe even kind of cool. After all, we’d conquered worse. We tore a few things apart right then and there, and I grabbed some paper and sketched out a new layout for the tiny kitchen. I talked to him about potentially finishing an accent wall with shiplap--a kind of rough-textured pine paneling that fans of our show now know all too well.
“Shiplap?” Chip laughed. “That seems a little ironic to use on a ship, doesn’t it?”
“Ha-ha,” I replied. I was still not in the mood for his jokes, but this is how Chip backs me off the ledge--with his humor.
”
”
Joanna Gaines (The Magnolia Story)
“
At such a time [at dawn] I would dream of being a baker who delivers bread, a fitter from the electric company, or an insurance man collecting the weekly installments. Or at least a chimney sweep. In the morning, at dawn, I would enter some half-opened gateway, still lighted by the watchman's lantern. I would put two fingers to my hat, crack a joke, and enter the labyrinth to leave late in the evening, at the other end of the city. I would spend all day going from apartment to apartment, conducting one never-ending conversation from one end of the city to the other, divided into parts among the householders; I would ask something in one apartment and receive a reply in another, make a joke in one place and collect the fruits of laughter in the third or fourth. Among the banging of doors I would squeeze through narrow passages, through bedrooms full of furniture, I would upset chamberpots, walk into squeaking perambulators in which babies cry, pick up rattles dropped by infants. I would stop for longer than necessary in kitchens and hallways, where servant girls were tidying up. The girls, busy, would stretch their young legs, tauten their high insteps, play with their cheap shining shoes, or clack around in loose slippers.
”
”
Bruno Schulz (Sanatorium Under the Sign of the Hourglass)
“
had spent more than a year writing a second draft of his book during the hours he wasn’t at one of his jobs. He worked late at night in a small room we’d converted to a study at the rear of our apartment—a crowded, book-strewn bunker I referred to lovingly as the Hole. I’d sometimes go in, stepping over his piles of paper to sit on the ottoman in front of his chair while he worked, trying to lasso him with a joke and a smile, to tease him back from whatever far-off fields he’d been galloping through. He was good-humored about my intrusions, but only if I didn’t stay too long. Barack, I’ve come to understand, is the sort of person who needs a hole, a closed-off little warren where he can read and write undisturbed. It’s like a hatch that opens directly onto the spacious skies of his brain. Time spent there seems to fuel him. In deference to this, we’ve managed to create some version of a hole inside every home we’ve ever lived in—any quiet corner or alcove will do. To this day, when we arrive at a rental house in Hawaii or on Martha’s Vineyard, Barack goes off looking for an empty room that can serve as the vacation hole. There, he can flip between the six or seven books he’s reading simultaneously and toss his newspapers on the floor. For him, the Hole is a kind of sacred high place, where insights are birthed and clarity comes to visit. For me, it’s an off-putting and disorderly mess. One requirement has always been that the Hole, wherever it is, have a door
”
”
Michelle Obama (Becoming)
“
Early the next morning, I was driving westward toward the ranch. Marlboro Man had called the night before--a rare evening we’d spent apart--and had asked me to come out early.
I’d just turned onto the highway that led out of my hometown when my car phone rang. It was dewy outside, foggy. “Hurry up,” Marlboro Man’s voice playfully commanded. “I want to see my future wife.” My stomach lurched. Wife. It would take me a while to get used to that word.
“I’m coming,” I announced. “Hold your horses!” We hung up, and I giggled. Hold your horses. Heh-heh. I had a lifetime of these jokes ahead. This was going to be loads of fun.
He met me at my car, wearing jeans, boots, and a soft, worn denim shirt. I climbed out of the car and stepped right into his arms. It was just after 8:00 A.M., and within seconds we were leaning against my car, sharing a passionate, steamy kiss. Leave it to Marlboro Man to make 8:00 A.M. an acceptable time to make out. I never would have known this if I hadn’t met him.
“So…what are we gonna do today?” I asked, trying to remember what day it was.
“Oh, I thought we’d drive around for a while…,” he said, his arms still grasping my waist, “and talk about where we might want to live.” I’d heard him mention before, in passing, that someday he wanted to move to a different spot on the ranch, but I’d never paid much attention to it. I’d never really cared much where he lived, just as long as he took his Wranglers with me. “I want it to be your decision, too.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Henry had taught Eddie how to play basketball in the playground near the apartment building where they lived--this was in a cement suburb where the towers of Manhattan stood against the horizon like a dream and the welfare check was king. Eddie was eight years younger than Henry and much smaller, but he was also much faster. He had a natural feel for the game; once he got on the cracked, hilly cement of the court with the ball in his hands, the moves seemed to sizzle in his nerve-endings. He was faster, but that was no big deal. The big deal was this: he was BETTER than Henry. If he hadn't known it from the results of the pick-up games in which they sometimes played, he would have known it from Henry's thunderous looks and the hard punches to the upper arm Henry often dealt out on their way home afterwards. These punches were supposedly Henry's little jokes--"Two for flinching!" Henry would cry cheerily, and then whap-whap into Eddie's bicep with one knuckle extended--but they didn't FEEL like jokes. They felt like warnings. They felt like Henry's way of saying You better not fake me out and make me look stupid when you drive for the basket; you better remember that I'm Watching Out for You.
The same was true with reading...baseball...Ring-a-Levio...math...even jump-rope, which was a girl's game. That he was better at these tings, or COULD be better, was a secret that had to be kept at all costs. Because Eddie was the younger brother. Because Henry was Watching Out for him. But the most important part of the underneath reason was also the simplest: these things had to be kept secret because Henry was Eddie's big brother, and Eddie adored him.
”
”
Stephen King (The Waste Lands (The Dark Tower, #3))
“
Growling softly, Peril opened her mouth again. The next two pieces sailed straight past her head, but the third finally splatted between her teeth, and she snapped her jaws shut around it. It felt like a cold slimy frog had just leaped into her mouth. She chewed for a moment, as long as she could bear it, and then swallowed fast. “No,” she said. “Definitely no. Horrifying amounts of no. That was one hundred percent disgusting.” Turtle laughed. “You’re so wrong,” he said. “It’s awesome. That’s how fish should be eaten.” “Blergh,” Peril said strongly. She hopped to the next boulder, heading for the shore. “I’m going to find something that is the opposite of fish, scorch it, and then coat my tongue with char to get that taste out of my mouth. YUUUCK. You are the worst. I would be so justified in setting you on fire while you’re asleep tonight.” “Duly noted,” Turtle said serenely. “Did I mention I’ll be sleeping at the bottom of the river? You know, if you’re looking for me.” He grinned at her. Peril paused on the riverbank, squinting at him. She had been joking, of course. There were a number of excellent reasons not to set Turtle on fire, which outweighed any potential benefits to doing so. But it unsettled her for a moment to realize that by sleeping in the river — even by standing in the river right now — he could foil any plan she did make, if she ever needed to burn him up. Not that I would. Probably. I most likely would never need to. And I wouldn’t want to, of course, that, too. But she’d never run into a situation where someone could stop her like that, apart from Clay. Maybe I did have an unfair advantage fighting SeaWings in the arena. If I were fighting them in their own part of the world —
”
”
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
“
I just realized I know nothing about you. Do you have a family? Where are you from?” The idea that I just invited a relative stranger, who owns nothing, to live in my apartment gave me a stomachache, but the weird thing was that I felt like I had known him forever.
“I’m from Detroit; my entire family still lives there. My mom works in a bakery at a grocery store and my dad is a retired electrician. I have twelve brothers and sisters.”
“Really? I’m an only child. I can’t imagine having a huge family like that—it must have been awesome!”
Relaxing his stance, he leaned his tattooed forearm onto the dresser and crossed his feet. Jackson came over and sat next to him. Will unconsciously began petting Jackson’s head. It made my heart warm. “Actually, I don’t have twelve brothers and sisters. I have one brother and eleven sisters.” He paused. “I’m dead serious. My brother Ray is the oldest and I’m the youngest with eleven girls in between. I swear my parents just wanted to give Ray a brother, so they kept having more babies. By the time I was born, Ray was sixteen and didn’t give a shit. On top of it, they all have R names except me. It’s a f**king joke.”
“You’re kidding? Name ‘em,” I demanded.
In a super-fast voice Will recited, “Raymond, Reina, Rachelle, Rae, Riley, Rianna, Reese, Regan, Remy, Regina, Ranielle, Rebecca, and then me, Will.”
“Surely they could have figured out another R name?”
“Well my brother was named after my dad, so my mom felt like I should be named after someone too, being the only other boy and all. So I was named after my grandfather… Wilbur Ryan.”
“Oh my god!” I burst into laughter. “Your name is Wilbur?”
“Hey, woman, that’s my poppy’s name, too.”
Still giggling, I said, “I’m sorry, I just expected William.”
“Yeah, it’s okay. Everyone does.” He smiled and winked at me again.
”
”
Renee Carlino (Sweet Thing (Sweet Thing, #1))
“
I missed you," I said.
"Missed you, too. Welcome home."
We moved in to hug each other, then I sprang back seconds before getting smushed against his still-sopping-wet sweater.
"Ben!"
"Ooh, poor form on my part," he said, and peeled off his sodden sweater. He wore a thin white T-shirt underneath. The coffee spill had left the shirt a bit damp, and it clung slightly to his chest in a way that made me stare and caught my voice in my throat.
That was ridiculous, of course. Ben and I had the kind of friendship where we talked about things like that. I could tease him about his suddenly well-toned body; he'd make some kind of self-effacing joke and parry by bringing up something absurd he'd seen about me in a magazine...
But I didn't say a word. And I didn't stop looking. Clearly I was in a sleep-deprived haze.
"You could still try the coffee," he offered. "There's plenty in the sweater. I can just wring it right into the mug."
I shook off my reverie. "Tempting offer, but no thanks. You really need to give up on the coffee thing. I'm never converting from tea."
"We'll see," he said. He set the wet sweater on the hand towel, then turned to me with his arms out. "Better?"
"Much," I said, and closed the distance between us so he could fold me into his arms.
"Hel-lo! Please tell me I'm interrupting something!" It was Rayna, and at the sound of her voice, Ben and I sheepishly pulled apart. Again, ridiculous. Hugging was nothing unusual for us. Granted, Ben was usually wearing more than a thin T-shirt at the time...
"Why is it I'm hearing no one when they come into the house?"
"Big house," Rayna said. "Come on-my mom's throwing us a welcome home party at our place."
"Tonight?" I asked.
"Immediately. Unless I can tell my mom there are...extenuating circumstances."
She said the last part with a leer that lingered on Ben's chest and made him blush. Rayna's entire family had spent the last two years dying for Ben and me to get together. They seemed to be under the impression that my parents hired him to be my boyfriend, not my international adviser.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
When I finally calmed down, I saw how disappointed he was and how bad he felt. I decided to take a deep breath and try to think this thing through.
“Maybe it’s not that bad,” I said. (I think I was trying to cheer myself up as much as I was trying to console Chip.) “If we fix up the interior and just get it to the point where we can get it onto the water, at least maybe then we can turn around, sell it, and get our money back.”
Over the course of the next hour or so, I really started to come around. I took another walk through the boat and started to picture how we could make it livable--maybe even kind of cool. After all, we’d conquered worse. We tore a few things apart right then and there, and I grabbed some paper and sketched out a new layout for the tiny kitchen. I talked to him about potentially finishing an accent wall with shiplap--a kind of rough-textured pine paneling that fans of our show now know all too well.
“Shiplap?” Chip laughed. “That seems a little ironic to use on a ship, doesn’t it?”
“Ha-ha,” I replied. I was still not in the mood for his jokes, but this is how Chip backs me off the ledge--with his humor.
Then I asked him to help me lift something on the deck, and he said, “Aye, aye, matey!” in his best pirate voice, and slowly but surely I came around.
I can’t believe I’m saying this, but by the end of that afternoon I was actually a little bit excited about taking on such a big challenge. Chip was still deflated that he’d allowed himself to get duped, but he put his arm around me as we started walking back to the truck. I put my head on his shoulder. And the camera captured the whole thing--just an average, roller-coaster afternoon in the lives of Chip and Joanna Gaines.
The head cameraman came jogging over to us before we drove away. Chip rolled down his window and said sarcastically, “How’s that for reality TV?” We were both feeling embarrassed that this is how we had spent our last day of trying to get this stinkin’ television show.
“Well,” the guy said, breaking into a great big smile, “if I do my job, you two just landed yourself a reality TV show.”
What? We were floored. We couldn’t believe it. How was that a show? But lo and behold, he was right. That rotten houseboat turned out to be a blessing in disguise.
”
”
Joanna Gaines (The Magnolia Story)
“
As Oliver and Freddy pulled away from the Blue Swan, Oliver paid little heed to the lad’s chatter about his spectacular meal. All he could hear was Maria calling him my lord, as if she hadn’t just been trembling in his arms.
And the look on her face! Had she been insulted? Or just ashamed? How the devil had she stayed so collected, when he’d felt ready to explode after seeing her find her pleasure so sweetly in his arms? He’d actually come in his trousers, like a randy lad with no control over his urges. Now he had to keep his cloak buttoned up until he could reach Halstead Hall and change his clothes.
She’d made light of their encounter, damn her. Though I thank you for the lesson in passion…Had it meant nothing more to her? Apparently not, since she’d said, It isn’t something we should repeat.
Though the idea grated, she was right. They should stay apart, for his sake as well as hers. He’d actually offered to make her his mistress! He, who’d never kept a mistress in his life, who’d joked to his friends that mistresses were more trouble than they were worth since one woman was as good as another.
He’d always been driven by the fear that a mistress might tempt him to let down his guard and reveal his secrets. Then even his family would desert him, and he couldn’t bear that.
Even with his friends, he kept the strongbox of his secrets firmly closed. But with Maria…
He stared out the window, trying to figure out at what point in their conversation he’d lost all good sense. Had it been when she’d said she didn’t believe the gossip about him? Or before that, when she’d chastised Pinter for telling it to her?
No. Astonishing as those things had been, what had prompted his rash offer was the lost look on her face after he’d pointed out that Hyatt might not wish to be found. Even now he could see the fear rising in her eyes, much like the fear he’d seen in Mother’s eyes-of being inconsequential, unwanted.
And suddenly he’d desired nothing more than to make Maria feel wanted.
Not that he’d succeeded very well. She could hardly be flattered that he wanted her only for a mistress. He hadn’t meant it to insult her-he’d just been utterly swept up in the idea of her and him in a cottage together somewhere, without the rest of the rest of the world to muddy their lives.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
Two nights after the Chaworth ball, Gabriel practiced at the billiards table in the private apartments above Jenner's. The luxurious rooms, which had once been occupied by his parents in the earlier days of their marriage, were now reserved for the convenience of the Challon family. Raphael, one of his younger brothers, usually lived at the club, but at the moment was on an overseas trip to America. He'd gone to source and purchase a large quantity of dressed pine timber on behalf of a Challon-owned railway construction company. American pine, for its toughness and elasticity, was used as transom ties for railways, and it was in high demand now that native British timber was in scarce supply.
The club wasn't the same without Raphael's carefree presence, but spending time alone here was better than the well-ordered quietness of his terrace at Queen's Gate. Gabriel relished the comfortably masculine atmosphere, spiced with scents of expensive liquor, pipe smoke, oiled Morocco leather upholstery, and the acrid pungency of green baize cloth. The fragrance never failed to remind him of the occasions in his youth when he had accompanied his father to the club.
For years, the duke had gone almost weekly to Jenner's to meet with managers and look over the account ledgers. His wife Evie had inherited it from her father, Ivo Jenner, a former professional boxer. The club was an inexhaustible financial engine, its vast profits having enabled the duke to improve his agricultural estates and properties, and accumulate a sprawling empire of investments. Gaming was against the law, of course, but half of Parliament were members of Jenner's, which had made it virtually exempt from prosecution.
Visiting Jenner's with his father had been exciting for a sheltered boy. There had always been new things to see and learn, and the men Gabriel had encountered were very different from the respectable servants and tenants on the estate. The patrons and staff at the club had used coarse language and told bawdy jokes, and taught him card tricks and flourishes. Sometimes Gabriel had perched on a tall stool at a circular hazard table to watch high-stakes play, with his father's arm draped casually across his shoulders. Tucked safely against the duke's side, Gabriel had seen men win or lose entire fortunes in a single night, all on the tumble of dice.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Priests, because they hear confessions and forgive sins and give counsel, are often called doctors of souls. You might call us the specialist surgeons of souls. We find the hidden problems, that people won’t speak about and couldn’t even if they would. We delve into the worst that human beings do—into the things that even they can’t explain—in order to find the person buried underneath the sin. Then we do our best to bring them back up with us. We see some of the harshest ugliness there is. Do you know why a person would cheat on their loving spouse with the full knowledge that it will wreck their children’s lives when the family falls apart? Do you know why a man would turn his own children against their mother so that they refuse to talk to her? Do you know why a woman would torture her children without leaving a mark, and scare them into not telling anyone? Do you know why people fake crimes and get their spouse arrested and sent to prison?” He stared at her expecting an answer, with an intensity that was almost frightening. She tried to voice an answer or two, but in the face of that earnest inquiry, they died unspoken. Easy answers and joking evasions wouldn’t do. She shook her head in the negative. “I do,” he said. “I’ve seen every one of those at least twice. And do you know what it’s taught me?” “What?” she asked, faintly. Sonia felt like she was talking with a monster. She was almost afraid of what lessons it had learned from the worst that human beings had to offer. “That the love of God is greater than all human evil. That where sin abounds, grace abounds more. I’ve seen some of the worst there is, and it doesn’t prove that life is meaningless. It proves that life is worth living. And it proves that we need God. I’m probably the most cynical person you’ve ever met, or ever will meet. But that doesn’t mean that I think life is bad. It means I know how much evil can exist in a good world. That’s what the faith gives me: I can stare evil in the face without blinking, because I know that it’s not the whole story.” He took a deep breath, then continued, a little more relaxed. “I’m sure that’s scary, if you’re used to blinking. I don’t know what to tell you, except that closing your eyes is not the way to be happy. If there’s something that you’re not supposed to look at, then look at it. If there’s something you’re not supposed to think about, then think about it. If something is too horrible to face, face it. Because the truth will set you free.” “You scare me,” she said, but it was an observation, neither a criticism nor a request to stop. He shrugged his shoulders. “Comfort is overrated,” he said. They stood there in silence for a few moments.
”
”
Christopher Lansdown (The Dean Died Over Winter Break (The Chronicles of Brother Thomas, #1))
“
I don’t think I’ve ever seen a girl ditch Darius like that,” an amused voice came from behind me and I turned to find a guy looking at me from a seat at a table in the corner.
He had dark hair that curled in a messy kind of way, looking like it had broken free of his attempts to tame it. His green eyes sparkled with restrained laughter and I couldn’t help but stare at his strong features; he looked almost familiar but I was sure I’d never met him before.
“Well, even Dragons can’t just get their own way all of the time,” I said, moving closer to him.
Apparently that had been the right thing to say because he smiled widely in response to it.
“What’s so great about Dragons anyway, right?” he asked, though a strange tightness came over his posture as he said it.
“Who’d want to be a big old lizard with anger management issues?” I joked. “I think I’d rather be a rabbit shifter - at least bunnies are cute.”
“You don’t have a very rabbity aura about you,” he replied with a smile which lit up his face.
“I’m not sure if that’s a compliment or not.”
“It is. Although a rabbit might be exactly the kind of ruler we need; shake it up from all these predators.”
“Maybe that’s why I can’t get on board with this fancy food. It’s just not meant for someone of my Order... although I’m really looking for a sandwich rather than a carrot,” I said wistfully.
He snorted a laugh. “Yeah I had a pizza before I came to join the festivities. I’m only supposed to stay for an hour or so anyway... show my face, sit in the back, avoid emotional triggers...”
He didn’t seem to want to elaborate on that weird statement so I didn’t push him but I did wonder why he’d come if that was all he was going to do.
“Well, I didn’t really want to come at all so maybe I can just hide out back here with you?” I finished the rest of my drink and placed my glass on the table as I drifted closer to him. Aside from Hamish, he was the first person I’d met at this party who seemed at least halfway genuine.
“Sure. If you don’t mind missing out on all the fun,” he said. “I’m sorry but am I talking to Roxanya or Gwendalina? You’re a little hard to tell apart.”
I rolled my eyes at those stupid names. “I believe I originally went by Roxanya but my name is Tory.”
“You haven’t taken back your royal name?” he asked in surprise.
“I haven’t taken back my royal anything. Though I won’t say no to the money when it comes time to inherit that. You didn’t give me your name either,” I prompted.
You don’t know?” he asked in surprise.
“Oh sorry, dude, are you famous? Must be a bummer to meet someone who isn’t a fan then,” I teased.
He snorted a laugh. “I’m Xavier,” he said. “The Dragon’s younger brother.”
“Oh,” I said. Well that was a quick end to what had seemed like a pleasant conversation. “Actually... I should probably go... mingle or something.” I started to back away, searching the crowd for Darcy. I spotted her on the far side of the room, engaged in conversation with Hamish and a few of his friends. The smile on her face was genuine enough so I was at least confident she didn’t need rescuing.
(Tory)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
That black horse we used for packin’ up here is the most cantankerous beast alive,” Jake grumbled, rubbing his arm.
Ian lifted his gaze from the initials on the tabletop and turned to Jake, making no attempt to hide his amusement. “Bit you, did he?”
“Damn right he bit me!” the older man said bitterly. “He’s been after a chuck of me since we left the coach at Hayborn and loaded those sacks on his back to bring up here.”
“I warned you he bites anything he can reach. Keep your arm out of his way when you’re saddling him.”
“It weren’t my arm he was after, it was my arse! Opened his mouth and went for it, only I saw him outter the corner of my eye and swung around, so he missed.” Jakes’s frown darkened when he saw the amusement in Ian’s expression. “Can’t see why you’ve bothered to feed him all these years. He doesn’t deserve to share a stable with your other horses-beauties they are, every one but him.”
“Try slinging packs over the backs of one of those and you’ll see why I took him. He was suitable for using as a pack mule; none of my other cattle would have been,” ian said, frowning as he lifted his head and looked about at the months of accumulated dirt covering everything.
“He’s slower’n a pack mule,” Jake replied. “Mean and stubborn and slow,” he concluded, but he, too, was frowning a little as he looked around at the thick layers of dust coating every surface. “Thought you said you’d arranged for some village wenches to come up here and clean and cook fer us. This place is a mess.”
“I did. I dictated a message to Peters for the caretaker, asking him to stock the place with food and to have two women come up here to clean and cook. The food is here, and there are chickens out in the barn. He must be having difficulty finding two women to stay up here.”
“Comely women, I hope,” Jake said. “Did you tell him to make the wenches comely?”
Ian paused in his study of the spiderwebs strewn across the ceiling and cast him an amused look. “You wanted me to tell a seventy-year-old caretaker who’s half-blind to make certain the wenches were comely?”
“Couldn’ta hurt ‘t mention it,” Jake grumbled, but he looked chastened.
“The village is only twelve miles away. You can always stroll down there if you’ve urgent need of a woman while we’re here. Of course, the trip back up here may kill you,” he joked referring to the winding path up the cliff that seemed to be almost vertical.
“Never mind women,” Jake said in an abrupt change of heart, his tanned, weathered face breaking into a broad grin. “I’m here for a fortnight of fishin’ and relaxin’, and that’s enough for any man. It’ll be like the old days, Ian-peace and quiet and naught else. No hoity-toity servants hearin’ every word what’s spoke, no carriages and barouches and matchmaking mamas arrivin’ at your house. I tell you, my boy, though I’ve not wanted to complain about the way you’ve been livin’ the past year, I don’t like these servents o’ yours above half. That’s why I didn’t come t’visit you very often. Yer butler at Montmayne holds his nose so far in t’air, it’s amazin’ he gets any oxhegen, and that French chef o’ yers practically threw me out of his kitchens. That what he called ‘em-his kitchens, and-“ The old seaman abruptly broke off, his expression going from irate to crestfallen, “Ian,” he said anxiously, “did you ever learn t’ cook while we was apart?”
“No, did you?”
“Hell and damnation, no!” Jake said, appalled at the prospect of having to eat anything he fixed himself.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
But, all joking apart, there are more serious objections. The sociology of knowledge is not only self-destructive, not only a rather gratifying object of socio-analysis, it also shows an astounding failure to understand precisely its main subject, the social aspects of knowledge, or rather, of scientific method. It looks upon science or knowledge as a process in the mind or ‘consciousness’ of the individual scientist, or perhaps as the product of such a process. If considered in this way, what we call scientific objectivity must indeed become completely ununderstandable, or even impossible; and not only in the social or political sciences, where class interests and similar hidden motives may play a part, but just as much in the natural sciences. Everyone who has an inkling of the history of the natural sciences is aware of the passionate tenacity which characterizes many of its quarrels. No amount of political partiality can influence political theories more strongly than the partiality shown by some natural scientists in favour of their intellectual offspring. If scientific objectivity were founded, as the sociologistic theory of knowledge naïvely assumes, upon the individual scientist’s impartiality or objectivity, then we should have to say good-bye to it. Indeed, we must be in a way more radically sceptical than the sociology of knowledge; for there is no doubt that we are all suffering under our own system of prejudices (or ‘total ideologies’, if this term is preferred); that we all take many things as self-evident, that we accept them uncritically and even with the naïve and cocksure belief that criticism is quite unnecessary; and scientists are no exception to this rule, even though they may have superficially purged themselves from some of their prejudices in their particular field. But they have not purged themselves by socio-analysis or any similar method; they have not attempted to climb to a higher plane from which they can understand, socio-analyse, and expurgate their ideological follies. For by making their minds more ‘objective’ they could not possibly attain to what we call ‘scientific objectivity’. No, what we usually mean by this term rests on different grounds8. It is a matter of scientific method. And, ironically enough, objectivity is closely bound up with the social aspect of scientific method, with the fact that science and scientific objectivity do not (and cannot) result from the attempts of an individual scientist to be ‘objective’, but from the friendly-hostile co-operation of many scientists. Scientific objectivity can be described as the intersubjectivity of scientific method. But this social aspect of science is almost entirely neglected by those who call themselves sociologists of knowledge.
”
”
Karl Popper (The Open Society and Its Enemies)
“
The old joke is that a Buddhist is someone who is either meditating or feeling guilty about not meditating.
”
”
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times (Shambhala Classics))
“
A sardarji comes up to the Pakistan border on his bike. He's got two large bags over his shoulders.
The guard Iqbal stops him and says, 'What's in the bags?' 'Sand,' answered the Sardarji. Iqbal says, 'We'll just see about that. Get off the bike.' Iqbal's guard takes the bags and rips them apart, he empties them out and finds nothing in them but sand. He detains the sardarji all night and has the sand analyzed, only to discover that there is nothing but pure sand in the bags. Iqbal releases the sardaji, puts the sand into new bags, hefts them onto the sardarji's shoulders, and lets him cross the border. A week later, the same thing happens. Iqbal asks, 'What have you got?' 'Sand,' says the Sardarji. Iqbal does his thorough examination and discovers that the bags contain nothing but sand. He gives the sand back to the Sardar, and crosses the border on his bike. This sequence of events is repeated every day for three years. Finally, the Sardarji doesn't show up one day and the guard, Iqbal, meets him in a 'Dhaba' in Islamabad.
'Hey, Buddy,' says Iqbal, 'I know you are smuggling something. It's driving me crazy. It's all I think about...I can't sleep. Just between you and me, what are you smuggling?'
The Sardaji, sips his Lassi and says, 'Bikes
”
”
Sunny Kodwani (Jokes and SMS (Hindi) - New)
“
The next morning, Steve took his boat out and saw what had happened. The big male had triggered the trap and was snared in the mesh--sort of. Even though the rectangular-shaped net was the biggest he had, the croc’s tail and back leg stuck out. But the black ghost had finally been caught.
At Steve’s approach, the animal thrashed wildly, smashing apart mangrove trees on either side of the trap. Steve tried to top-jaw-rope the croc, but it was fighting too violently. Normally Chilli acted as a distraction, giving Steve the chance to secure the croc. But the dog wanted no part of this. She cowered on the floor of the dinghy, unwilling to face this monstrously large croc. Steve was truly on his own.
He finally secured a top-jaw rope and tied the other end to a tree. With a massive “death roll”--a defensive maneuver in which the reptile spins its enormous body--the big croc smashed the tree flat and snapped it off. Steve tried again; the croc thrashed, growling and roaring in protest at the trapper in khaki, lunging again and again to tear Steve apart.
Finally, the giant croc death-rolled so violently that he came off the bank and landed in the boat, which immediately sank. Chilli had jumped out and was swimming for shore as Steve worked against time. With the croc underwater, Steve lashed the croc, trap and all, in the dinghy. But moving the waterlogged boat and a ton of crocodile was simply too much. Steve sprinted several miles in the tropical heat to reach a cane farm, where he hoped to get help. The cane farmers were a bit hesitant to lend a hand, so Steve promised them a case of beer, and a deal was made. With a sturdy fishing boat secured to each side of Steve’s dinghy, they managed to tow it downriver where they could winch croc and boat onto dry land to get him into a crate. By this time, a crowd of spectators had gathered.
When Steve told me the story of the capture, I got the sense that he felt sorry he had to catch the crocodile at all.
“It seemed wrong to remove the king of the river,” Steve said. “That croc had lasted in his territory for decades. Here I was taking him out of it. The local people just seemed relieved, and a couple even joked about how many boots he’d make.”
Steve was very clever to include the local people and soon won them over to see just how special this crocodile really was. Just as he was dragged into his crate, the old croc attempted a final act of defiance, a death roll that forced Steve to pin him again.
“I whispered to him to calm him down,” Steve said.
“What did you say to him?” I asked.
“Please don’t die.”
The black crocodile didn’t die. Steve brought him back to Beerwah, named him Acco, and gave him a beautiful big pond that Bob had prepared, with plenty of places to hide.
We were in the Crocodile Environmental Park at the zoo when Steve first told me the story of Acco’s capture. I just had to revisit him after hearing his story. There he was, the black ghost himself, magnificently sunning on the bank of his billabong.
”
”
Terri Irwin (Steve & Me)
“
She laughed.
She thought it was a joke.
It wasn’t. This is what should have happened. We shouldn’t have spent a minute away from each other while we had a chance. Nothing bad would have happened if I told nine-year-old Sparrow that she was mine.
No Paddy.
No Catalina.
No Brock.
I would never lay a finger on her mother’s body, let alone hide it in the woods.
And now we were going to spend the rest of our lives apart.
”
”
L.J. Shen (Sparrow)
“
Yo momma's so skinny, when I locked myself out of my apartment, she slipped under the door and let me in.
”
”
THE CLOWN FACTORY (Yo Mama Jokes Encyclopedia.....The Worlds Funniest Yo Momma Jokes!: Try Not to Cry Your Eyes Out!)
“
The news never meant anything to us on “SNL” because we always looked at it just to see how to satirize it. Nothing in our personal lives was sacred. We used all of it for material on the show. The most important thing was those ninety minutes live on Saturday night. So what if your whole world was falling apart as long as you could find a joke in it and make up a scene. Millions of Americans saw what we did, and it was a charmed time. We thought we were immortal, at least for five years. But that doesn’t exist anymore. Now real stuff happens.
”
”
Gilda Radner (It's Always Something: Twentieth Anniversary Edition)
“
George chortled alongside her before trying to move her hair away from her face. He picked up a golden strand that ran over her eyes and pushed it gently behind her ear, the way a father might do with a child. The pair paused for a moment, both of them getting that uncomfortable feeling someone was watching them. George looked over his shoulder and noticed two well-dressed ladies walking by and whispering to one another. He pulled away from Mabel immediately. Red-faced and windswept, the pair moved slightly further apart from one another, and their smiles faded.
"I do wish they wouldn't stare," Mabel said sulkily.
"Don’t mind them, you can’t change what they do." George reminded her of the words that helped her through her sister's marriage.
"I just don't know what will get them to stop!" she wailed.
"You could never talk to me ever again?" George joked. He stared at Mabel as the words left his mouth, waiting on her reaction to be sure she knew he was kidding. For so long now, she had been the most stable part of his existence. She would be there for him after every shift, the person he hoped he could always rely on. He was relieved when she laughed in response.
"Yes, either that or marry you!" she sneered, turning to him and expecting him to turn pink with embarrassment and tell her she was mad. But he didn't.
”
”
Ida O'Flynn (The Distressing Case of a Young Married Woman)
“
Were they taken apart like this? But they seemed to be able to function after, though I couldn’t imagine how we would. We clung to each other. After a while I started to cry. Annalise held me.
“‘In the book,’ she said, ‘they say that after fucking one is omnivorously sad.’
“‘It’s not that.’
“‘What then?’
“‘It’s so easy for you.’
“‘Easy?’ She looked at me and her grin slipped off, right off into nowhere. ‘Easy? We could die of this. Don’t you feel it? Right now, we could be dying of each other. How do you think that feels, when I could be thrown out like garbage any day? And you, you are the heir to everything.’
“She had never talked about it before. Now I was so far into my own fear that it took me time to realize they were the same fears. We lay in silence, holding each other tight, until I caught up to it and passed ahead.
“‘How can she hurt them?’ I said finally. ‘What if…?’
“‘You are not her,’ said Annalise, which she had said before, but now, she took my shoulders fiercely and held me so she could look into my face. ‘You are not hers,’ she said. The difference was immense, and she struck my fear away easily. I was washed with gratitude, relief. ‘Stop it,’ she said. ‘You never cry.’
“‘I never knew stuff before,’ I said. ‘How this changes everything. How it’s full of fear. In the books I read, it’s full of joy. In the books you read, it shows you how to put your hands into me and pull my heart out.’
“‘Poor princess,’ she said. ‘And what have you done with mine heart? You have eaten it all up.’
“After that we were shy and had to start to make stupid jokes, though I could not imagine ever seeing the light of day again, I felt so different.
”
”
Candas Jane Dorsey (Black Wine)
“
And so yes, I rested in my tiny apartment in a dying city on a dying planet. But I also traveled. Things are multiple, stupid.
And there, I called you stupid one last time. And we’re only on chapter seven! I bet you thought I would wait till the epilogue? No, I wanted to get my stupid jokes about calling you stupid out of the way. And we’re about halfway through this thing. Whatever this thing is.
”
”
Samuel Jaye Tanner (The Person on the Other Side of This Book)
“
When I’d asked for a drum machine for Christmas my family had been confused – none of them knew what a drum machine was. But I’d noticed that a lot of my musical heroes who’d started off as punk-rockers, like New Order and Killing Joke, were now using synthesizers and drum machines, and I wanted to join them.
”
”
Moby (Then It Fell Apart)