Jokes Apart Quotes

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You’re joking, right?” “No. I’ve been living here for a while—like a couple of years with my roommate. You know, the fucktard who put poor Raphael outside.” “Hey!” the guy yelled from inside their apartment. “I have a name. It’s Señor Fucktard!
J. Lynn (Wait for You (Wait for You, #1))
Do stories, apart from happening, being, have something to say? For all my skepticism, some trace of irrational superstition did survive in me, the strange conviction, for example, that everything in life that happens to me also has a sense, that it means something, that life speaks to us about itself through its story, that it gradually reveals a secret, that it takes the form of a rebus whose message must be deciphered, that the stories we live compromise the mythology of our lives and in that mythology lies the key to truth and mystery. Is it an illusion? Possibly, even probably, but I can’t rid myself of the need continually to decipher my own life.
Milan Kundera (The Joke)
None of this is important in itself, but I feel somewhere that it has a lot to do with why I have always felt separate, why I have always felt unable to join in, to let go, to become part of the tribe, why I have always sniped or joked from the sidelines, why I have never, ever, lost my overwhelmingly self-conscious self-consciousness. It's not all that bad. Heightened self-consciousness, apartness, an inability to join in, physical shame and self-loathing - they are not all bad. Those devils have also been my angels. Without them I would never have disappeared into language, literature, the mind, laughter and all the mad intensities that made and unmade me.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
They make a fuss about Hogsmeade, but I assure you, Harry, it's not all it's cracked up to be. All right, the sweetshop's rather good, and Zonko's Joke Shop's frankly dangerous, and yes, the Shrieking Shack is always worth a visit, but really, Harry, apart from that, you're not missing anything.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
We laugh at a man who, stepping out of his room at the very minute when the sun is rising, says, “It is my will that the sun shall rise”; or at him who, unable to stop a wheel, says, “I wish it to roll”; or, again, at him who, thrown in a wrestling match, says, “Here I lie, but here I wish to lie.” But, joking apart, do we not act like one of these three persons whenever we use the expression “I wish”?
Friedrich Nietzsche (Daybreak: Thoughts on the Prejudices of Morality)
We are the centuries... We have your eoliths and your mesoliths and your neoliths. We have your Babylons and your Pompeiis, your Caesars and your chromium-plated (vital-ingredient impregnated) artifacts. We have your bloody hatchets and your Hiroshimas. We march in spite of Hell, we do – Atrophy, Entropy, and Proteus vulgaris, telling bawdy jokes about a farm girl name of Eve and a traveling salesman called Lucifer. We bury your dead and their reputations. We bury you. We are the centuries. Be born then, gasp wind, screech at the surgeon’s slap, seek manhood, taste a little godhood, feel pain, give birth, struggle a little while, succumb: (Dying, leave quietly by the rear exit, please.) Generation, regeneration, again, again, as in a ritual, with blood-stained vestments and nail-torn hands, children of Merlin, chasing a gleam. Children, too, of Eve, forever building Edens – and kicking them apart in berserk fury because somehow it isn’t the same. (AGH! AGH! AGH! – an idiot screams his mindless anguish amid the rubble. But quickly! let it be inundated by the choir, chanting Alleluias at ninety decibels.)
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
Yes, you’re sleeping in my apartment,” I said. “On my sofa. It was an exciting night, but not that exciting. I’d really hope you’d remember if it had been.
Kelley Armstrong (Omens (Cainsville, #1))
What are you smiling about? Do you have gas?" Drew joked. "Hey, Mommy, Carter has a HUGE wiener," Gavin said around a mouthful of cookie, holding his hands up in the air about three feet apart, like you do when you're telling someone how big the fish is you just caught. Claire quickly reached over and pushed Gavin's arms down while everyone else at the table laughed. I just sat back and smiled and tried to keep my anaconda penis tucked under the table so it wouldn't scare anyone.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
David furrowed his brow. "I ... I don't understand half of what goes on around me. I don't get jokes or sunsets or poetry, but I know metal." His fingers flexed unconsciously as if he were physically grasping for words. "Beauty was your armor. Fragile stuff, all show. But what's inside you? That's steel. It's brave and unbreakable. And it doesn't need fixing." He drew in a deep breath then awkwardly stepped forward. He took her face in his hands and kissed her. Genya went regid. I thought she'd push him away. But then she threw her arms around him and kissed him back. Emphatically. Mal cleared his throat, and Tamar gave a low whistle. I had to bite my lip to stifle a nervous laugh. They broke apart. David was blushing furiously. Genya's grin was so dazzling it made my heart twist in my chest.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
It was all a big joke. I could see that now. There was no rhyme or reason to whether we lived or died. One day it might be the man next to you at roll call who is torn apart by dogs. The next day it might be you who is shot through the head. You could play the game perfectly and still lose, so why bother playing at all?
Alan Gratz (Prisoner B-3087)
the violence intensified, grandiose funerals became routine, with rousing graveside orations and caskets draped in tricolor flags. People took to joking that there was no social life in Belfast anymore, apart from wakes.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
I felt like a Jane Austen heroine all of a sudden, confusedly looking on at all the people she loves, their myriad unpredictable couplings and uncouplings. There would be no marriages at the end of this Austen novel, though, no happy endings, no endings at all. Just jokes and friendships and romances and delicious declarations of independence.
Julie Powell (Julie and Julia: 365 Days, 524 Recipes, 1 Tiny Apartment Kitchen)
Boundary construction is most evident in three-year-olds. By this time, they should have mastered the following tasks: 1. The ability to be emotionally attached to others, yet without giving up a sense of self and one‘s freedom to be apart, 2. The ability to say appropriate no's to others without fear of loss of love, 3. The ability to take appropriate no's from others without withdrawing emotionally. Noting these tasks, a friend said half-joking, "They need to learn this by age three? How about by fourty-three?" Yes, these are tall orders but boundary development is essential in the early years of life.
Henry Cloud (Boundaries: When to Say Yes, How to Say No to Take Control of Your Life)
Peter pushed off from the roof and stalked a few feet away, his back to her. “Please tell me this is all some kind of a sick joke.” “It’s the truth. All of it. That’s why hunters are after me.” “How did they find out?” Peter asked, swiveling toward her now. “I think Beck ratted me out. I went to his house this morning and told him what had happened. He was furious, Peter. I’ve never seen anyone that angry.” “Duh! Now there’s a surprise,” her friend replied sarcastically. “I saw the way he looked at you at your dad’s funeral. Of course he’d be mad. You’re about the only one on the planet who doesn’t realize how he feels about you.” “He never said anything,” she retorted. “Hey, we guys don’t blurt out that kind of stuff,” he replied. “It’s against the man code. Beck may never have said how he felt, but everything he did for you should have been a big clue. I mean, come on, how slow are you?” She glowered at her friend. “I figured he was doing it because of my father.” “Maybe, but the guy is really into you, Riley.” “No way. If he’d liked me, he wouldn’t have blown me off and—” “Ancient history, girl!” he countered. “You were, what, fifteen? Your dad would have torn him apart if he’d touched you. Beck had no other choice.” “He didn’t have to be so mean.” “God, will you listen to yourself?” Peter retorted. “You have no idea how much he hurt me,” she shot back. “Give it up, will you? You’re my best friend, but you can be a real self-centered asshat sometimes.
Jana Oliver (Forgiven (The Demon Trappers, #3))
You selfish bitch!" She had known for a long time that putting her needs above those of Adam's wife and children was indeed selfish. She had no real answer to the accusation thrown at her. "I'm sorry" she said, with her head in her hands. "you're sorry?" came her adversary's disbelieving reply. "I am. I'm sorry he married you when he was in love with me. I'm sorry I couldn't have loved someone else. I'm sorry your marriage is a joke and I'm sorry that I'm alone. I'm sorry for a lot of things - for you, for your kids, for me and for him. I spend most of my time being sorry." For a moment there was silence at the end of the line. "all you had to do was stay away" "if only I could have." tears escaped and raced down her cheeks. "I hate you!
Anna McPartlin (Apart from the Crowd)
Ranette said a lot of mean things, but they weren't ... well, they weren't actually mean. He joked, and she joked. And sure, sometimes there was an edge of truth to it, but that's what friends was about. Making you look a little silly when you were together, so that you didn't look really stupid when you were apart.
Brandon Sanderson (The Lost Metal (Mistborn, #7))
Anna Petrovna (to Shabelsky): You can't make a simple joke without an injection of venom. You are a poisonous man. Joking apart, Count, you're very poisonous. It's hideously boring to live with you. You're always grumpy, complaining, you find everyone bad, good for nothing. Tell me frankly, Count, did you ever speak well of anyone?
Anton Chekhov (Ivanov (Plays for Performance Series))
But what makes our marriage holy, what makes it “set apart” and sacramental, isn’t the marriage certificate filed away in the basement or the degree to which we follow a list of rules and roles, it’s the way God shows up in those everyday moments—loading the dishwasher, sharing a joke, hosting a meal, enduring an illness, working through a disagreement—and gives us the chance to notice, to pay attention to the divine. It’s the way the God of resurrection makes all things new.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
We came here unarmed." Donegan said cheerfully, and Gracious looked at him. "You're unarmed?" he asked, surprised. "Yes," Donegan said. "Aren't you?" "Well I suppose so. Apart from my gun." Donegan glared at him. "What? Why did you bring a gun? I told you to come unarmed." "I thought you were joking." "Why would I be joking?" "I don't know, I thought that's what made it funny.
Derek Landy
To hear a cultivated person of today joking almost boastfully that they are completely ignorant about science is as depressing as hearing a scientist bragging that they have never read a poem. Poetry and science are both manifestations of the spirit that creates new ways of thinking the world, in order to understand it better. Great science and great poetry are both visionary, and sometimes may arrive at the same insights. The culture of today that keeps science and poetry so far apart is essentially foolish, to my way of thinking, because it makes us less able to see the complexity and the beauty of the world as revealed by both.
Carlo Rovelli (There Are Places in the World Where Rules Are Less Important Than Kindness)
I made my way to the living room and sat down on the sofa. Hannah followed a moment later and sat down opposite me. She looked exhausted. ‘You look exhausted,’ I told her. ‘Thank you.’ ‘No, no, it’s not that you look bad,’ I said, backtracking. ‘You just look more tired than usual.’ ‘Mmm hmmm,’ said Hannah. ‘Not that you usually look tired.’ Hannah rolled her eyes. I decided I was talking too much and turned my attention to the pitiful collection of ‘80s music cassettes that she’d inherited when she moved into the apartment. Then I started talking again. ‘You know, you’re only one album away from owning Bananarama’s full back catalogue.’ I looked over to Hannah. She wasn’t laughing. That felt strange. She always laughed at my crappy music cassette jokes. I tried another.
Andy Marr (Hunger for Life)
Welcome to the 21st century where love is now conditional, where those who are honest are betrayed, teared apart. A time where your faithfulness to someone is trashed. A time where your transparency to someone is just meaningless, a joke.
Tinashe Hodhera
Jokes, secrets, complicities; a glance here, a word there: that is their way of being together, of being apart.
J.M. Coetzee (Elizabeth Costello)
Me" ( Notice Me) I was sent here on a journey that has no end. I hear you joke of going nowhere fast. Well, maybe life’s a joke and I’m the fool That dreams of being first but ends up last. Life’s a trial—a sentence I can’t escape. Confusion and desperation tear me down and turn to hate. There’s so much more to figure out, But it’s growing way too late. If I could answer half the questions in my mind, If I could find the place where I belong, If words were near as strong and deep as the wall of emotions I climb Then sorrow wouldn’t be so wrong. There’s no way to make you understand. An entire symphony could not play the broken notes in one child’s soul. That child screams and no one hears her, Until the tears have dried and now she’s just too old. I don’t want to hear the philosophies, the opinions, The remarks, the horrible reasonings. Words are to pad the mind and fight with the solitude of the heart. Still, silence chills to the bone and tears the soul apart. She never means to hurt or harm, only to belong. To find the truth ‘mid mortal lies, to sing her only song. But someday this race will end, and if she comes in last, I pray the first will look deeper than the others, smile, and then pass. "Copyright 1985
Richelle E. Goodrich
Does your knee still hurt, Sassenach?” he asked, seeing me rub it. It hadn’t ever quite recovered from being strained during our adventures on the Pitt, and climbing stairs provoked it. “Oh, just part of the general decline,” I said, trying to make a joke of it. I flexed my right arm, gingerly, feeling a twinge in the elbow. “Things don’t bend quite so easily as they used to. And other things hurt. Sometimes I think I’m falling apart.” Jamie closed one eye and regarded me. “I’ve felt like that since I was about twenty,” he observed. “Ye get used to it.” He stretched, making his spine give off a series of muffled pops, and held out a hand. “Come to bed, a nighean. Nothing hurts when ye love me.” He was right; nothing did.
Diana Gabaldon (An Echo in the Bone (Outlander, #7))
You say you've seen too many things, that turn out to be too good to be true. Against your better judgment, opened up your heart, 'til you found the joke was on you. Looking out on the rest of our lives, If we're gonna be together or apart About the only way I know how to come, is right straight from my heart.
Brian McKnight
After he got back to his apartment that evening, Arthur remembered how completely he'd thought he'd solved the problem of his own childhood once he'd claimed Lillian and enveloped her in his dream--no one idle, no one beset by solitude, everyone laughing. The problem he had not solved, or even known existed, was how quickly it passed, every joke, every embrace, every babyhood and childhood, every moment of thinking that he had things figured out for good.
Jane Smiley (Early Warning (Last Hundred Years: A Family Saga, #2))
None of this is important in itself, but I feel somewhere that it has a lot to do with why I have always felt separate, why I have always felt unable to join in, to let go, to become part of the tribe, why I have always sniped or joked from the sidelines, why I have never, ever, lost my overwhelmingly self-conscious self-consciousness. It’s not all bad. Heightened self-consciousness, apartness, an inability to join in, physical shame and self-loathing – they are not all bad. Those devils have also been my angels. Without them I would never have disappeared into language, literature, the mind, laughter and all the mad intensities that made and unmade me.
Stephen Fry (Moab Is My Washpot)
She looked at Rose sitting between Jasper and Prue. How odd that one's child should do that! How odd to see them sitting there, in a row, her children, Jasper, Rose, Prue, Andrew, almost silent, but with some joke of their own going on, she guessed, from the twitching at their lips. It was something quite apart from everything else, something they were hoarding up to laugh over in their own room...There was all that hoarded behind those rather set, still, mask like faces, for they did not join in easily; they were like watchers, surveyors, a little raised or set apart from the grown-up people.
Virginia Woolf (To the Lighthouse)
No one ever stops to ask glue how it’s holding up. If it’s tired of sticking things together or worried about falling apart or wondering how it will pay its bills next week. Kenji is kind of like that. He’s like glue. He works behind the scenes to keep things together and I’ve never stopped to think about what his story might be. Why he hides behind the jokes and the snark and the snide remarks. But he was right. Everything he said to me was right. Yesterday was a good idea. I needed to get away, to get out, to be productive. And now I need to take Kenji’s advice and get over myself. I need to get my head straight.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
In those moments, she felt something deeper than the mere need to survive, a glimpse at what it might mean if she could simply learn and stop trying so hard all the time time. She found herself fantasizing about a life not only without fear but without ambition. She would read, and go to class, and live in an apartment with good light. She would feel curious instead of panicked when people mentioned artists she didn't know, authors she'd never read. She would have a stack of books by her bedside table. She would listen to Morning Becomes Eclectic. She would get the jokes, speak the language; she would become fluent in leisure.
Leigh Bardugo (Hell Bent (Alex Stern, #2))
Reading the book now means that one can, if one wants, play Fantasy Literature--match writers off against each other and see who won over the long haul. Faulkner or Henry Green? I reckon the surprise champ was P.G. Wodehouse, as elegant and resourceful a prose stylist as anyone held up for our inspection here...he has turned out to be as enduring as anyone apart from Orwell. Jokes, you see. People do like jokes. (Hornby's thoughts after reading "Enemies of Promise" by Cyril Connolly)
Nick Hornby (The Polysyllabic Spree)
Why do I have to exhaust myself trying to pretend to enjoy someone’s company? Or to like something? It hurts everyone involved. I laugh at their bad jokes and they continue to say them. I answer, “I’m great,” and we grow farther apart, or I say “yes” and lose another night where I could be alone instead. The nicest thing we can tell some people is that we are better off without them.
Kristian Ventura (The Goodbye Song)
If I were your mother, I would also warn you to beware of buildings that claim to be the houses of God. If heard it said once, jokingly, that on their days off, when they are not actively intervening in human affairs or shoring up the sweetness of the earth, the orishas get together in a little apartment in a poor section of Havana around a very big screen television and laugh themselves silly a the unceasing soap opera that is our lives, all the while puffing on good Cuban cigars and swigging cheap rum. And, darling, whether you imagine one big white distant god or many more particular brown ones who like their little pleasures, I would tell you to get off your butt and out of the house if you want to make contact. If you go to a mausoleum, you'll find dead bodies. Living gods inhabit a living world.
Joyce Thompson
if you so much as make a single joke right now or butcher a playground nursery rhyme about trees and kissing and baby carriages, I'll let myself into your apartment and use your comic book collection as kindling. Capiche?
Alexandria Bellefleur (Written in the Stars (Written in the Stars, #1))
The train gives off an earsplitting insect hum. It seems like you’re watching something physically impossible, like a person lifting a house, or hearing a joke so funny the laughter threatens to rip you apart, and then, with a puff of air, it’s over. When
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
I'm at your apartment and ready to go through your underwear drawer. She'd written back immediately, You're early. I'll be there in ten. Don't leave drool stains on my lace ones. Or worse. No promises, he'd answered, and she'd replied, Just spare the pink bra, please.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
The creators took each of us out for lunch, too, to get to know us, so they could incorporate some aspects of our real personalities into the show. At my lunch I said two things: one, that even though I considered myself not unattractive, I had terrible luck with women and that my relationships tended toward the disastrous; and two, that I was not comfortable in any silence at all—I have to break any such moment with a joke. And this became a built-in excuse for Chandler Bing to be funny—perfect for a sitcom—and Chandler wasn’t much good with women, either (as he shouts at Janice as she leaves his apartment, “I’ve scared ya; I’ve said too much; I’m awkward and hopeless and desperate for love!”). But think of a better character for a sitcom: someone who is uncomfortable in silence and has to break the silence with a joke.
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
Two people, locked safely inside, briefly released from their complicated histories, and the weighty expectations of the town around them, ate good food, and laughed. ... And while there was barely a touch between them, apart from the accidental brushing of skin against skin, while passing bread or refiling a glass, [she] rediscovered a little part of her that she hadn't known she'd missed. The flirtatious young woman who liked to talk about things she had read, seen, and thought about, as much as she liked to ride a mountain track. In turn, [he] enjoyed a woman's full attention. A ready laugh at his jokes, and the challenge of an idea that might differ from his own. Time flew. And each ended the night full and happy with the rare glow that comes from knowing your very being has been understood by somebody else. And that there might just be someone out there, who will only ever see the best in you.
Jojo Moyes (The Giver of Stars)
"If you prefer it, Your Excellency, a private room will be free directly: Prince Golitsin with a lady. Fresh oysters have come in." "Ah, oysters!" Stepan Arkadyevich became thoughtful. "How if we were to change our program, Levin?" he said, keeping his finger on the bill of fare. And his face expressed serious hesitation. "Are the oysters good? Mind, now!" "They're Flensburg, Your Excellency. We've no Ostend." "Flensburg will do -- but are they fresh?" "Only arrived yesterday." "Well, then, how if we were to begin with oysters, and so change the whole program? Eh?" "It's all the same to me. I should like cabbage soup and porridge better than anything; but of course there's nothing like that here." "Porridge a la Russe, Your Honor would like?" said the Tatar, bending down to Levin, like a nurse speaking to a child. "No, joking apart, whatever you choose is sure to be good. I've been skating, and I'm hungry. And don't imagine," he added, detecting a look of dissatisfaction on Oblonsky's face, "that I shan't appreciate your choice. I don't object to a good dinner." "I should hope so! After all, it's one of the pleasures of life," said Stepan Arkadyevich. "Well, then, my friend, you give us two -- or better say three-dozen oysters, clear soup with vegetables..." "Printaniere," prompted the Tatar. But Stepan Arkadyevich apparently did not care to allow him the satisfaction of giving the French names of the dishes. "With vegetables in it, you know. Then turbot with thick sauce, then... roast beef; and mind it's good. Yes, and capons, perhaps, and then stewed fruit." The Tatar, recollecting that it was Stepan Arkadyevich's way not to call the dishes by the names in the French bill of fare, did not repeat them after him, but could not resist rehearsing the whole menu to himself according to the bill: "Soupe printaniere, turbot sauce Beaumarchais, poulard a l'estragon, Macedoine de fruits..." and then instantly, as though worked by springs, laying down one bound bill of fare, he took up another, the list of wines, and submitted it to Stepan Arkadyevich. "What shall we drink?" "What you like, only not too much. Champagne," said Levin. "What! to start with? You're right though, I dare say. Do you like the white seal?" "Cachet blanc," prompted the Tatar. "Very well, then, give us that brand with the oysters, and then we'll see." "Yes, sir. And what table wine?" "You can give us Nuits. Oh, no -- better the classic Chablis." "Yes, sir. And your cheese, Your Excellency?" "Oh, yes, Parmesan. Or would you like another?" "No, it's all the same to me," said Levin, unable to suppress a smile.
Leo Tolstoy (Anna Karenina)
The blond man beside him was about the same height and equally stunning, but less intimidating. The good-humored expression on his face set him apart from the other man. He looked as though he was recalling the punch line to a good joke. The men walked through the waiting area and stood near the large windows, away from the crowd.
S.L. Morgan (The Legacy of the Key (Ancient Guardians, #1))
I don’t need to speed-read Architecture for Dummies and pretend I can tell Gothic and art deco apart?” He turns to me, stone-faced. “You’re joking.” “Please look ahead.” “You can, right? You are able to tell apart—” “Husband, darling, deep inside you know the answer to that, and please look at the road when you’re landing a plane.
Ali Hazelwood (Bride (Bride, #1))
Sometimes there was humor in Max Vandenburg’s voice, though its physicality was like friction—like a stone being gently rubbed across a large rock. It was deep in places and scratched apart in others, sometimes breaking off altogether. It was deepest in regret, and broken off at the end of a joke or a statement of self-deprecation.
Anonymous
Soon after Justine Sacco’s shaming, I was talking with a friend, a journalist, who told me he had so many jokes, little observations, potentially risqué thoughts, that he wouldn’t dare to post online anymore. “I suddenly feel with social media like I’m tiptoeing around an unpredictable, angry, unbalanced parent who might strike out at any moment,” he said. “It’s horrible.” He didn’t want me to name him, he said, in case it sparked something off. We see ourselves as nonconformist, but I think all of this is creating a more conformist, conservative age. “Look!” we’re saying. “WE’RE normal! THIS is the average!” We are defining the boundaries of normality by tearing apart the people outside it.
Jon Ronson (So You've Been Publicly Shamed)
Your thoughts turned from a romantic comedy to a psychological suspense. A genre switch. What a joke. Wedged in-between all of the good memories were dark slivers: fights, text messages, dissonance. You remembered how lonely you’d been feeling, and the dark slivers became more pronounced. They pushed apart the good memories until they stood on their own.
Tarryn Fisher (Bad Mommy)
pyjamas with an expression that said he was wholly amused. “What are you staring at?” I demanded, but heat slammed into my cheeks beneath my defensive facade. “I thought I was coming here to collect a couple of eighteen-year-olds. Must have gotten the wrong apartment, little bunny.” He laughed at his own joke, and I cocked my head, fury bubbling up inside me.
Caroline Peckham (The Awakening (Zodiac Academy, #1))
She would read, and go to class, and live in an apartment with good light. She would feel curious instead of panicked when people mentioned artists she didn’t know, authors she’d never read. She would have a stack of books by her bedside table. She would listen to Morning Becomes Eclectic. She would get the jokes, speak the language; she would become fluent in leisure.
Leigh Bardugo (Hell Bent (Alex Stern, #2))
Jackie and Phil are the most boring people in the southeast of England, possibly because they've been married too long, and therefore have nothing to talk about, apart from how long they've been married. In the end, I am reduced to asking them, in a joking sort of way, for the secret of their success; I was only saving time, because I think they would have told me anyway.
Nick Hornby (High Fidelity)
The land was torn apart in a legal dispute. Soon it was so devastated, nothing could live here- not plant or animal. Only lawyers. But eventually the place fell into lawlessness, and lawyers can't exist in an area of lawlessness, so they went feral. Some say they still roam the land. You'll suddenly hear someone yell, 'Objection!' and then you'll be torn apart like an improperly witnessed contract.
Frank J. Fleming
When they reached the table, Hannah started to introduce them. “Layla, this is Joe. Joe, this is—” “We’ve already met,” said Joseph, extending his hand and smiling. “Have we?” asked Layla, baffled. “Have you?” said Hannah. This was news to her. “Yeah, we have,” continued Joseph. “A couple of hours ago. On the road into the village. You tried to kill me, remember?” “Kill you?” gasped Layla. “You’re the biker? The one I knocked over?” “You knocked him over?” repeated Hannah in horror. “I didn’t mean to,” explained Layla quickly. “It was an accident. I was going to tell you about it. I just haven’t had the chance yet.” Turning to Joseph, Hannah asked, “Are you okay? Are you hurt at all?” “Well,” he replied somberly, “apart from my right arm, which I’m not sure is going to be of much use to me ever again, I’m fine.” As Layla’s jaw dropped open, he added quickly, “I’m joking. Really, it’s just a joke. I’m fine.” “Right, well, in that case,” Hannah continued, “as I was saying, Layla, this is Joseph Scott. Joe, this is Layla Lewis, your would-be killer, next door neighbor, and my best friend. She’s house-sitting whilst Lenny’s in Scotland.” “Next door neighbor, huh?” replied Joseph, taking a swig from his pint glass. “That could prove interesting.
Shani Struthers (The Runaway Year (The Runaway Series, #1))
I watch, and the mothers watch. I do not know how to interact with the mothers. Am I them? They occasionally try to include me in a conversation, but it’s clear they don’t know what to make of me. I look over and smile when one of them makes a joke that is laughed at by all. They laugh, I chuckle—not too much, I don’t want to seem overeager, but enough to say “I hear you. I laugh with you. I share in the moment.” But when the chuckling is over I am still apart, something else, and no one is sure what I am. They don’t want to invest their time in the brother sent to pick up Toph while his mother cooks dinner or is stuck at work or in traffic. To them I’m a temp. A cousin maybe. The young boyfriend of a divorcee? They don’t care. Fuck it. I don’t want to be friends with these women, anyway. Why would I care? I am not them. They are the old model and we are the new.
Dave Eggers (A Heartbreaking Work of Staggering Genius)
She found herself fantasizing about a life not only without fear but without ambition. She would read, and go to class, and live in an apartment with good light. She would feel curious instead of panicked when people mentioned artists she didn’t know, authors she’d never read. She would have a stack of books by her bedside table. She would listen to Morning Becomes Eclectic. She would get the jokes, speak the language; she would become fluent in leisure.
Leigh Bardugo (Hell Bent (Alex Stern, #2))
But every single day after work Tatiana brushed her hair and ran outside, thinking, please be there, and every single day after work Alexander was. Though he never asked her to go to the Summer Garden anymore or to sit on the bench under the trees with him, his hat was always in his hands. Exhausted and slow, they meandered from tram to canal to tram, reluctantly parting at Grechesky Prospekt, three blocks away from her apartment building. During their walks sometimes they talked about Alexander’s America or his life in Moscow, and sometimes they talked about Tatiana’s Lake Ilmen and her summers in Luga, and sometimes they chatted about the war, though less and less because of the anxiety over Pasha, and sometimes Alexander taught Tatiana a little English. Sometimes they told jokes, and sometimes they barely spoke at all. A few times Alexander let Tatiana carry his rifle as a balancing stick while she walked a high ledge on the side of Obvodnoy Canal. “Don’t fall into the water, Tania,” he once said, “because I can’t swim.” “Is that true?” she asked incredulously, nearly toppling over. Grabbing the end of his rifle to steady her, Alexander said with a grin, “Let’s not find out, shall we? I don’t want to lose my weapon.” “That’s all right,” Tatiana said, precariously teetering on the ledge and laughing. “I can swim perfectly well. I’ll save your weapon for you. Want to see?” “No, thank you.” And sometimes, when Alexander talked, Tatiana found her lower jaw drifting down and was suddenly and awkwardly aware that she had been staring at him so long that her mouth had dropped open. She didn’t know what to look at when he talked—his caramel eyes that blinked and smiled and shined and were grim or his vibrant mouth that moved and opened and breathed and spoke. Her eyes darted from his eyes to his lips and circled from his hair to his jaw as if they were afraid she would miss something if she didn’t stare at everything all at once. There were some pieces of his fascinating life that Alexander did not wish to talk about—and didn’t. Not about the last time he saw his father, not about how he became Alexander Belov, not about how he received his medal of valor. Tatiana didn’t care and never did more than gently press him. She would take from him what he needed to give her and wait impatiently for the rest.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
How odd to see them sitting there, in a row, her children, Jasper, Rose, Prue, Andrew, almost silent, but with some joke of their own going on, she guessed, from the twitching at their lips. It was something quite apart from everything else, something they were hoarding up to laugh over in their own room. It was not about their father, she hoped. No, she thought not. What was it, she wondered, sadly rather, for it seemed to her that they would laugh when she was not there.
Virginia Woolf (To the Lighthouse)
I shrug, suddenly remembering how Adam never called me this morning, even though he said he would. “I should probably go back to Adam’s apartment to have a look at his door.” “Want some company?” Wes asks. “I can bring along my spy tool. I’ve got a cool UV-light device that picks up all traces of bodily fluids.” “You’re kidding, right?” Kimmie asks. “You know you want to give it a try.” He winks. “I’ll even let you borrow my latex gloves.” “Say no more,” she jokes. “I’m in.
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
On the other hand, maybe what attracts us aren't the stories of falling apart so much as the stories of self-creation. The falling apart stuff is just a byproduct, a hazard of the trade. Maybe what I loved about Camille Claudel was what she created out of what she smashed to bits. How did a bourgeois girl become an artist and a woman? What was the female equivalent of the Great Man? If it didn't exist, why not? Who said it didn't? Who said it couldn't? What were the conditions that made it so hard? Rodin was the image Claudel identified with and against which she defined herself. Scott was this image for Zelda. A woman could not be a great artist and have a traditional marriage - not unless her husband was a Leonard Woolf. One boyfriend I had in college used to joke, 'Only one artist in the family,' meaning not me. I didn't get it then, but I get it now. There was always something self-annihilating in the act of loving, for a girl with creative aspirations - always - but far more then than now. The message, invariably, was that youthful passions lead to middle-age breakdowns, so choose your institution wisely. Marriage or the nuthouse. One or the other. It started to dawn on me that it wasn't that I was attracted to stories about girls who went mad, I was attracted to stories about girls with ambitions who wound up institutionalized. Getting locked up was not the result of adventure, it was the price you paid for adventure, it was your punishment. I had mistaken correlation for causation. Rookie mistake.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
Not everyone will share your liberal views, so you might want to keep comments of a sexual nature to a minimum." Layla laughed. "If you think doing it in the shower is liberal, I'll definitely never tell you what I got up to when I found a three-foot-high can of whipped cream at Costco and asked the New York Dolphins men's water polo team to help me carry it home." "I didn't want to know that." Sam's jaw tightened. "And I suspect Faroz didn't, either." "I'm joking, Sam. Lighten up. My apartment wasn't big enough to hold all of them at once.
Sara Desai (The Marriage Game (Marriage Game, #1))
I watch, and the mothers watch. I do not know how to interact with the mothers. Am I them? They occasionally try to include me in a conversation, but it’s clear they don’t know what to make of me. I look over and smile when one of them makes a joke that is laughed at by all. They laugh, I chuckle—not too much, I don’t want to seem overeager, but enough to say “I hear you. I laugh with you. I share in the moment.” But when the chuckling is over I am still apart, something else, and no one is sure what I am. They don’t want to invest their time
Dave Eggers (A Heartbreaking Work of Staggering Genius)
You have to stop letting me do this,” he bit off, half-angrily. “If you’ll stop leaning on me so that I can get my hands on a blunt object, I’ll be happy to…!” He kissed the words into oblivion. “It isn’t a joke,” he murmured into her mouth. His hips moved in a gentle, sensuous sweep against her hips. He felt her shiver. “That’s…new,” she said with a strained attempt at humor. “It isn’t,” he corrected. “I’ve just never let you feel it before.” He kissed her slowly, savoring the submission of her soft, warm lips. His hands swept under the blouse and up under her breasts in their lacy covering. He was going over the edge. If he did, he was going to take her with him, and it would damage both of them. He had to stop it, now, while he could. “Is this what Colby gets when he comes to see you?” he whispered with deliberate sarcasm. It worked. She stepped on his foot as hard as she could with her bare instep. It surprised him more than it hurt him, but while he recoiled, she pushed him and tore out of his arms. Her eyes were lividly green through her glasses, her hair in disarray. She glared at him like a female panther. “What Colby gets is none of your business! You get out of my apartment!” she raged at him. She was magnificent, he thought, watching her with helpless delight. There wasn’t a man alive who could cow her, or bend her to his will. Even her drunken, brutal stepfather hadn’t been able to force her to do something she didn’t want to do. “Oh, I hate that damned smug grin,” she threw at him, swallowing her fury. “Man, the conqueror!” “That isn’t what I was thinking at all.” He sobered little by little. “My mother was a meek little thing when she was younger,” he recalled. “But she was forever throwing herself in front of me to keep my father from killing me. It was a long time until I grew big enough to protect her.” She stared at him curiously, still shaken. “I don’t understand.” “You have a fierce spirit,” he said quietly. “I admire it, even when it exasperates me. But it wouldn’t be enough to save you from a man bent on hurting you.” He sighed heavily. “You’ve been…my responsibility…for a long time,” he said, choosing his words carefully. “No matter how old you grow, I’ll still feel protective about you. It’s the way I’m made.” He meant to comfort, but the words hurt. She smiled anyway. “I can take care of myself.” “Can you?” he said softly. He searched her eyes. “In a weak moment…” “I don’t have too many of those. Mostly, you’re responsible for them,” she said with black humor. “Will you go away? I’m supposed to try to seduce you, not the reverse. You’re breaking the rules.” His eyebrow lifted. Her sense of humor seemed to mend what was wrong between them. “You stopped trying to seduce me.” “You kept turning me down,” she pointed out. “A woman’s ego can only take so much rejection.
Diana Palmer (Paper Rose (Hutton & Co. #2))
He laughed. “If you’ve been here for a while and now you’re doing shots, it’s going to be an easy win for my team of highly trained, entirely sober intellectual giants.” “Want to bet?” “Sure.” “Twenty dollars?” “Dinner.” Nina studied his face, but he wasn’t joking. “Dinner it is. If I win, you can take me to Denny’s.” “Really?” She nodded. “I love Denny’s.” “Moons Over My Hammy?” “Every time. And if you win?” “Chicken and waffles.” She laughed. “We’re a classy pair.” He nodded. “I wonder what else we have in common apart from lowbrow tastes?” He smiled slowly at her, and she had no comeback at all. She swallowed.
Abbi Waxman (The Bookish Life of Nina Hill)
Early the next morning, I was driving westward toward the ranch. Marlboro Man had called the night before--a rare evening we’d spent apart--and had asked me to come out early. I’d just turned onto the highway that led out of my hometown when my car phone rang. It was dewy outside, foggy. “Hurry up,” Marlboro Man’s voice playfully commanded. “I want to see my future wife.” My stomach lurched. Wife. It would take me a while to get used to that word. “I’m coming,” I announced. “Hold your horses!” We hung up, and I giggled. Hold your horses. Heh-heh. I had a lifetime of these jokes ahead. This was going to be loads of fun.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Emilio quit making exaggerated leering faces at Boyd and opened the door. "Hey sexy," he drawled, grabbing Owen's shirt and hauling him into the apartment. "Boyd is here, so I'll have to teach you about dick sucking another time. Actually, I dunno, maybe he wants to watch." Owen looked startled while Boyd rolled his eyes. "I could probably teach you pointers on that one," Boyd drawled to Emilio. "I don't need to watch anything." Emilio shoved Owen in another step and kicked his door closed as he released what had once been his typical loud, charismatic laugh. "Believe me, baby, I sure as fuck know that," he said with a wink. "But I was talking about pointers for Owen here. I'm no joke at the trade myself." "Whoa, whoa," Owen said, lifting his hands. "Information to place in the 'deleted' folder and recycled, man. Give a guy some notice." Even so, he didn't seem too bothered by the topic as he immediately perked up when he saw the coffee table. "Oh! Score, is that food? Well, obviously it is. Hey, can I have some?" He was already walking over as he asked. "Unless Sir Sucks A Lot is sharing his shit, you better back off mine or I'll shoot you in the face," Emilio said as he flipped the locks to his door. "And why the fuck are you here, anyways?
Ais (Fade (In the Company of Shadows, #4))
Completely confused as to who the real criminals were in this case, the jury had voted to wash their hands of everybody and they let him off. That had been the meaning of the conversation I'd had with him that afternoon, but I hadn't understood what was happening at all. There were many moments in the Vine like that one—where you might think today was yesterday, and yesterday was tomorrow, and so on. Because we all believed we were tragic, and we drank. We had that helpless, destined feeling. We would die with handcuffs on. We would be put a stop to, and it wouldn't be our fault. So we imagined. And yet we were always being found innocent for ridiculous reasons. ...We bought heroin with the money and split the heroin down the middle. Then he went looking for his girlfriend, and I went looking for mine, knowing that when there were drugs around, she surrendered. But I was in a bad condition—drunk, and having missed a night's sleep. As soon as the stuff entered my system, I passed out. Two hours went by without my noticing. I felt I'd only blinked my eyes, but when I opened them my girlfriend and a Mexican neighbor were working on me, doing everything they could to bring me back. The Mexican was saying, "There, he's coming around now." We lived in a tiny, dirty apartment. When I realized how long I'd been out and how close I'd come to leaving it forever, our little home seemed to glitter like cheap jewelry. I was overjoyed not to be dead. Generally the closest I ever came to wondering about the meaning of it all was to consider that I must be the victim of a joke. There was no touching the hem of mystery, no little occasion when any of us thought—well, speaking for myself only, I suppose— that our lungs were filled with light, or anything like that. I had a moment's glory that night, though. I was certain I was here in this world because I couldn't tolerate any other place. As for Hotel, who was in exactly the same shape I was and carrying just as much heroin, but who didn't have to share it with his girlfriend, because he couldn't find her that day: he took himself to a rooming house down at the end of Iowa Avenue, and he overdosed, too. He went into a deep sleep, and to the others there he looked quite dead. The people with him, all friends of ours, monitored his breathing by holding a pocket mirror under his nostrils from time to time, making sure that points of mist appeared on the glass. But after a while they forgot about him, and his breath failed without anybody's noticing. He simply went under. He died. I am still alive.
Denis Johnson (Jesus’ Son)
In explaining this Somalia-to-Sweden continuum, with poor violent repressive unhappy countries at one end and rich peaceful liberal happy ones at the other, correlation is not causation, and other factors like education, geography, history, and culture may play roles.60 But when the quants try to tease them apart, they find that economic development does seem to be a major mover of human welfare.61 In an old academic joke, a dean is presiding over a faculty meeting when a genie appears and offers him one of three wishes—money, fame, or wisdom. The dean replies, “That’s easy. I’m a scholar. I’ve devoted my life to understanding. Of course I’ll
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
Soon after Justine Sacco's shaming, I was talking with a friend, a journalist, who told me he had so many jokes, little observations, potentially risqué thoughts, that he wouldn't dare to post online anymore. 'I suddenly feel with social media like I'm tiptoeing around an unpredictable, angry, unbalanced parent who might strike out at any moment,' he said. 'It's horrible.' He didn't want me to name him, he said, in case it sparked something off. We see ourselves as nonconformist, but I think all of this is creating a more conformist, conservative age. 'Look!' we're saying. 'WE'RE normal! THIS is the average!' We are defining the boundaries of normality by tearing apart the people outside of it.
Jon Ronson (So You've Been Publicly Shamed)
up for it, and I’m sorry. That’s not enough. You’re going to search until you find something, and you’re going to tell me. Right now. Sheri. Please. You do it now or we’re gone. You give me some way to have some sympathy for you as I stand in this nice house, all lovingly redone, and think about the broken house you left us in, with its leaky roof and no heat and no insulation and nothing. Tell your sob story about the fucking war, whatever it was that my mom thought you were so broken about. My grandfather closed his eyes. No story ever explains. But I’ll give you what you want. I think I know the moment you want, because I made a kind of decision. There was some change. But I can’t start the story at the beginning. I’ve never been able to do that. I have to start at the end and then go back, and it doesn’t finish, because you can go back forever. Do it, my mother said. I don’t think Caitlin should hear. She can hear. Okay. You’re her mother. That’s right. So I won’t give the awful details, but I was lying in a pile of bodies. My friends. The closest friends I’ve ever had. Not piled there on purpose, but just the way it ended up because I had been working on the axle, lying on the ground. And the thing is, the war was over. It had been over for days, and we were laughing and a bit drunk, telling jokes. There was something unbearable about the fact that we’d all be going our separate ways now. The truth is that we didn’t want to leave. We wanted the war over, but we didn’t want what we had together to be over. I think we all had some sense that this was the closest we’d ever be to anyone, and that our families might feel like strangers now. So that’s it? You couldn’t be a father and husband because you weren’t done being a buddy? No. No. It’s the way it happened, in a moment that was supposed to be safe. After every moment of every day in fear for years, we were finally safe, and that’s when the slugs came and I watched my friends torn apart and landing on me, dying. That’s the point. We were supposed to be safe. And with your mother, too, I was supposed to be safe. A wife, a family. The story doesn’t make any sense unless you know every moment before it, every time we thought we were going to die, all the times we weren’t safe. You can’t just be told about that. You have to feel it, how long one night can be, and then all of them put together, hundreds of nights and then more, and there’s a kind of deal that’s made, a deal with god. You do certain terrible things, you endure things, because there’s a bargain made. And then when god says the deal’s off later, after you’ve already paid, and you see your friends ripped through, yanked like puppets on a day that was safe, and you find out your wife is going to die young, and you get to watch her dying, something that again is going to be for years, hundreds of nights more, all deals are off.
David Vann (Aquarium)
It got crowded in Heaven, so Saint Peter decided to accept only people who’d had a really bad day on the day they died. On the first morning of the new policy, Saint Peter said to the first man in line, “Tell me about the day you died.” The man said,“Oh, it was awful. I was sure my wife was having an affair, so I came home early from work to catch her in the act. I searched all over the apartment and couldn’t find her lover anywhere. So finally I went out on the balcony, where I found this man hanging over the edge by his fingertips. So I went inside, got a hammer, and started hitting his hands. He fell, but landed in some bushes and survived. So I went inside, picked up the refrigerator, and pushed it out over the balcony. It crushed him, but the strain of hefting the fridge gave me a heart attack and I died.” Saint Peter couldn’t deny this was an awful day and that it was a crime of passion, so he let the man enter Heaven. He then asked the next man in line about the day he died. “Well, sir, it was terrible. I was doing aerobics on the balcony of my apartment when I slipped over the edge. I managed to grab the balcony of the apartment below me but then some maniac came out and started pounding my fingers with a hammer! I fell, but I landed in some bushes and lived! But then this guy came out again and dropped a refrigerator on me! That did it!” Saint Peter chuckled a bit, and let him into Heaven. “Tell me about the day you died,” he said to the third man. “Okay, picture this. I’m naked, hiding in a refrigerator . . .
Thomas Cathcart (Heidegger and a Hippo Walk Through Those Pearly Gates: Using Philosophy (and Jokes!) to Explore Life, Death, the Afterlife, and Everything in Between)
Shazad embraced me last. "Bring each other home safe," she said finally, before letting me go and looking at Sam. His mouth pulled up at the side, and I recognized the prelude to a joke--some gallows humor before we all headed off to try our hardest to stay alive to see another dawn like the one rising behind us now. But before he could say anything, Shazad grabbed the front of his shirt and yanked him toward her abruptly, kissing him squarely on the mouth. And suddenly everyone else was looking at their feet. Or at the sky. Or just about anything that wasn't Sam and Shazad. That was one way to shut him up. Finally the two of them broke apart. "Well," Sam said, looking flushed and unbearably pleased with himself as he riffled his hands through his hair. "That's one hell of a motivation to come back alive.
Alwyn Hamilton (Hero at the Fall (Rebel of the Sands, #3))
You are not my father." So it all meant nothing, all those years of shared jokes, of affection, of defending her, of caring for her children, of assisting her and Hector with money and time. Love and family meant nothing to her? Nothing mattered to her at this moment but her pride. Did she think she was being brave in disobeying him? She, Hector, the whole mad lot of them, they knew nothing of courage. Everything had been given to them, everything had been assumed as rightfully theirs. She even believed her defense of her friend was the matter of honour. One war, one bomb, one misfortune and she would fall apart. He meant noting to her because like all of them she was truly selfish. She had no idea of the world and so she believed her drama to be significant. [........] She had no humility and no generosity. Monsters, they had bred monsters.
Christos Tsiolkas (The Slap)
A thug. In peacetime Fitch would be hanging around a pool table giving the cops trouble. He was perfect for war. Tibbets had chosen his men well - most of them, anyway. Moving back past Haddock January stopped to stare at the group of men in the navigation cabin. They joked, drank coffee. They were all a bit like Fitch: young toughs, capable and thoughtless. They're having a good time, an adventure. That was January's dominant impression of his companions in the 509th; despite all the bitching and the occasional moments of overmastering fear, they were having a good time. His mind spun forward and he saw what these young men would grow up to be like as clearly as if they stood before him in businessmen's suits, prosperous and balding. They would be tough and capable and thoughtless, and as the years passed and the great war receded in time they would look back on it with ever-increasing nostalgia, for they would be the survivors and not the dead. Every year of this war would feel like ten in their memories, so that the war would always remain the central experience of their lives - a time when history lay palpable in their hands, when each of their daily acts affected it, when moral issues were simple, and others told them what to do - so that as more years passed and the survivors aged, bodies falling apart, lives in one rut or another, they would unconsciously push harder and harder to thrust the world into war again, thinking somewhere inside themselves that if they could only return to world war then they would magically be again as they were in the last one - young, and free, and happy. And by that time they would hold the positions of power, they would be capable of doing it.
Kim Stanley Robinson (Lucky Strike (PM's Outspoken Authors, #2))
Growling softly, Peril opened her mouth again. The next two pieces sailed straight past her head, but the third finally splatted between her teeth, and she snapped her jaws shut around it. It felt like a cold slimy frog had just leaped into her mouth. She chewed for a moment, as long as she could bear it, and then swallowed fast. “No,” she said. “Definitely no. Horrifying amounts of no. That was one hundred percent disgusting.” Turtle laughed. “You’re so wrong,” he said. “It’s awesome. That’s how fish should be eaten.” “Blergh,” Peril said strongly. She hopped to the next boulder, heading for the shore. “I’m going to find something that is the opposite of fish, scorch it, and then coat my tongue with char to get that taste out of my mouth. YUUUCK. You are the worst. I would be so justified in setting you on fire while you’re asleep tonight.” “Duly noted,” Turtle said serenely. “Did I mention I’ll be sleeping at the bottom of the river? You know, if you’re looking for me.” He grinned at her. Peril paused on the riverbank, squinting at him. She had been joking, of course. There were a number of excellent reasons not to set Turtle on fire, which outweighed any potential benefits to doing so. But it unsettled her for a moment to realize that by sleeping in the river — even by standing in the river right now — he could foil any plan she did make, if she ever needed to burn him up. Not that I would. Probably. I most likely would never need to. And I wouldn’t want to, of course, that, too. But she’d never run into a situation where someone could stop her like that, apart from Clay. Maybe I did have an unfair advantage fighting SeaWings in the arena. If I were fighting them in their own part of the world —
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
We're going to be married and hardly touch each other and have to work and work and never have any fun and we're just going to be okay with it because that's how life is and that's how relationships go, but I don't want that. I want our marriage to be... fun. I love joking around while we fool around. I want to hold hands everywhere we go. I want to make out in the back of a movie theater, steal kisses in coffee shops, have sex over every inch of our apartment or house or wherever we live. And I'm scared marriage will change the fun part of our relationship. The part that keeps us young, keeps us in love, and I'm terrified you'll wake up when you're fifty and realize you're stuck with the decision you made when you were twenty-seven, and we haven't touched in months, we don't go out. I just want to know when that happens... that you'll still... you'll still love me.
Cassie Mae (Doing It for Love (All About Love, #1))
Long before history began we men have got together apart from the women and done things. We had to. And to like doing what must be done is a characteristic that has survival value. We not only had to do the things, we had to talk about them. We had to plan the hunt and the battle. When they were over we had to hold a post mortem and draw conclusions for future use. We liked this even better. We ridiculed or punished the cowards and bunglers, we praised the star-performers. We revelled in technicalities. (‘He might have known he’d never get near the brute, not with the wind that way’ . . . ‘You see, I had a lighter arrowhead; that’s what did it’ . . . ‘What I always say is—’ . . . ‘stuck him just like that, see? Just the way I’m holding this stick’ . . .). In fact, we talked shop. We enjoyed one another’s society greatly: we Braves, we hunters, all bound together by shared skill, shared dangers and hardships, esoteric jokes—away from the women and children.
C.S. Lewis (The Four Loves)
Dear Kenny, It’s the last day of camp and possibly the last time I will ever see you because we live so far apart. Remember on the second day, I was scared to do archery and you made a joke about minnows and it was so funny I nearly peed my pants? I stop reading. A joke about minnows? How funny could it have been? I was really homesick but you made me feel better. I think I might’ve left camp early if it hadn’t been for you, Kenny. So, thank you. Also you’re a really amazing swimmer and I like your laugh. I wish it had been me you kissed at the bonfire last night and not Blaire H. Take care, Kenny. Have a really good rest of the summer and a really good life. Love, Lara Jean I clutch the letter to my chest. This is the first love letter I ever wrote. I’m glad it came back to me. Though, I suppose it wouldn’t have been so bad if Kenny Donati got to know that he helped two people at camp that summer--the kid who almost drowned in the lake and twelve-year-old Lara Jean Song Covey.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Our neighborhood ramen place was called Aoba. That's a joke. There were actually more than fifty ramen places with in walking distance of our apartment. But this one was our favorite. Aoba makes a wonderful and unusual ramen with a mixture of pork and fish broth. The noodles are firm and chewy, and the pork tender and almost smoky, like ham. I also liked how they gave us a small bowl for sharing with Iris without our even asking. What I really appreciated about this place, however, were two aspects of ramen that I haven't mentioned yet: the eggs and the dipping noodles. After these two, I will stop, but there's so much more to ramen. Would someone please write an English-language book about ramen? Real ramen, not how to cook with Top Ramen noodles? Thanks. (I did find a Japanese-language book called State-of-the-Art Technology of Pork Bone Ramen on Amazon. Wish-listed!) One of the most popular ramen toppings is a soft-boiled egg. Long before sous vide cookery, ramen cooks were slow-cooking eggs to a precise doneness. Eggs for ramen (ajitsuke tamago) are generally marinated in a soy sauce mixture after cooking so the whites turn a little brown and the eggs turn a little sweet and salty. I like it best when an egg is plunked whole into the broth so I can bisect it with my chopsticks and reveal the intensely orange, barely runny yolk. A cool egg moistened with rich broth is alchemy. Forget the noodles; I want a ramen egg with a little broth for breakfast. Finding hot and cold in the same mouthful is another hallmark of Japanese summer food, and many ramen restaurants, including Aoba, feature it in the form of tsukemen, dipping noodles. Tsukemen is deconstructed ramen, a bowl of cold cooked noodles and a smaller bowl of hot, ultra-rich broth and toppings. The goal is to lift a tangle of noodles with your chopsticks and dip them in the bowl of broth on the way to your mouth. This is a crazy way to eat noodles and, unless you've been inculcated with the principles of noodle-slurping physics from birth, a great way to ruin your clothes.
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
- You as a good catholic, he observed, talking of body and soul, believe in the soul...Do you? Thus cornered, Stephen had to make a superhuman effort of memory to try and concentrate and remember before he could say: - They tell me on the best authority it is a simple substance and therefore incorruptible. It would be immortal, I understand, but for the possibility of its annihilation by its First Cause Who, from all I can hear, is quite capable of adding that to the number of His other practical jokes, corruptio per se and corruptio per accidens both being excluded by court etiquette. Mr Bloom thoroughly acquiesced in the general gist of this...still he felt bound to enter a demurrer on the head of simple, promptly rejoining: - Simple? I shouldn’t think that is the proper word...but it’s a horse of quite another color to say you believe in the existence of a supernatural God. - Oh that, Stephen expostulated, has been proved conclusively by several of the best known passages in Holy Writ, apart from circumstantial evidence.
James Joyce (Ulysses)
The business is a simple one. Hiro gets information. It may be gossip, videotape, audiotape, a fragment of a computer disk, a xerox of a document. It can even be a joke based on the latest highly publicized disaster. He uploads it to the CIC database -- the Library, formerly the Library of Congress, but no one calls it that anymore. Most people are not entirely clear on what the word "congress" means. And even the word "library" is getting hazy. It used to be a place full of books, mostly old ones. Then they began to include videotapes, records, and magazines. Then all of the information got converted into machine-readable form, which is to say, ones and zeroes. And as the number of media grew, the material became more up to date, and the methods for searching the Library became more and more sophisticated, it approached the point where there was no substantive difference between the Library of Congress and the Central Intelligence Agency. Fortuitously, this happened just as the government was falling apart anyway. So they merged and kicked out a big fat stock offering.
Neal Stephenson (Snow Crash)
When I finally calmed down, I saw how disappointed he was and how bad he felt. I decided to take a deep breath and try to think this thing through. “Maybe it’s not that bad,” I said. (I think I was trying to cheer myself up as much as I was trying to console Chip.) “If we fix up the interior and just get it to the point where we can get it onto the water, at least maybe then we can turn around, sell it, and get our money back.” Over the course of the next hour or so, I really started to come around. I took another walk through the boat and started to picture how we could make it livable--maybe even kind of cool. After all, we’d conquered worse. We tore a few things apart right then and there, and I grabbed some paper and sketched out a new layout for the tiny kitchen. I talked to him about potentially finishing an accent wall with shiplap--a kind of rough-textured pine paneling that fans of our show now know all too well. “Shiplap?” Chip laughed. “That seems a little ironic to use on a ship, doesn’t it?” “Ha-ha,” I replied. I was still not in the mood for his jokes, but this is how Chip backs me off the ledge--with his humor.
Joanna Gaines (The Magnolia Story)
Our youngest writer was Donald Glover. He had just graduated from NYU’s writing program and was still living in a dorm and working as an RA. Donald was our only African American writer at the time, but his real diversity was that he was our only “cool young person” who could tell us what the “kids were listening to these days.” Also, because he came from a large family in Georgia, he was very helpful in writing for the character Kenneth the Page. MVP joke: a scene where Jenna (Jane Krakowski) is trying to teach Kenneth (Jack McBrayer) how to brag about himself in a passive-aggressive way. JENNA Not even a “back door” brag? KENNETH What’s a “back door” brag? JENNA It’s sneaking something wonderful about yourself into everyday conversation. Like when I tell people, “It’s hard for me to watch ‘American Idol,’ because I have perfect pitch.” KENNETH Oh… ew. JENNA Now you try. KENNETH It’s hard for me to watch “American Idol” ’cause there’s a water bug on my channel changer. It’s hard for me to pinpoint what I like most about that joke. Is it that Kenneth is truly incapable of bragging? The revelation that Kenneth’s apartment is crawling with water bugs? No, I think it’s the use of the grandmotherly expression “channel changer.
Tina Fey (Bossypants)
At such a time [at dawn] I would dream of being a baker who delivers bread, a fitter from the electric company, or an insurance man collecting the weekly installments. Or at least a chimney sweep. In the morning, at dawn, I would enter some half-opened gateway, still lighted by the watchman's lantern. I would put two fingers to my hat, crack a joke, and enter the labyrinth to leave late in the evening, at the other end of the city. I would spend all day going from apartment to apartment, conducting one never-ending conversation from one end of the city to the other, divided into parts among the householders; I would ask something in one apartment and receive a reply in another, make a joke in one place and collect the fruits of laughter in the third or fourth. Among the banging of doors I would squeeze through narrow passages, through bedrooms full of furniture, I would upset chamberpots, walk into squeaking perambulators in which babies cry, pick up rattles dropped by infants. I would stop for longer than necessary in kitchens and hallways, where servant girls were tidying up. The girls, busy, would stretch their young legs, tauten their high insteps, play with their cheap shining shoes, or clack around in loose slippers.
Bruno Schulz (Sanatorium Under the Sign of the Hourglass)
had spent more than a year writing a second draft of his book during the hours he wasn’t at one of his jobs. He worked late at night in a small room we’d converted to a study at the rear of our apartment—a crowded, book-strewn bunker I referred to lovingly as the Hole. I’d sometimes go in, stepping over his piles of paper to sit on the ottoman in front of his chair while he worked, trying to lasso him with a joke and a smile, to tease him back from whatever far-off fields he’d been galloping through. He was good-humored about my intrusions, but only if I didn’t stay too long. Barack, I’ve come to understand, is the sort of person who needs a hole, a closed-off little warren where he can read and write undisturbed. It’s like a hatch that opens directly onto the spacious skies of his brain. Time spent there seems to fuel him. In deference to this, we’ve managed to create some version of a hole inside every home we’ve ever lived in—any quiet corner or alcove will do. To this day, when we arrive at a rental house in Hawaii or on Martha’s Vineyard, Barack goes off looking for an empty room that can serve as the vacation hole. There, he can flip between the six or seven books he’s reading simultaneously and toss his newspapers on the floor. For him, the Hole is a kind of sacred high place, where insights are birthed and clarity comes to visit. For me, it’s an off-putting and disorderly mess. One requirement has always been that the Hole, wherever it is, have a door
Michelle Obama (Becoming)
Early the next morning, I was driving westward toward the ranch. Marlboro Man had called the night before--a rare evening we’d spent apart--and had asked me to come out early. I’d just turned onto the highway that led out of my hometown when my car phone rang. It was dewy outside, foggy. “Hurry up,” Marlboro Man’s voice playfully commanded. “I want to see my future wife.” My stomach lurched. Wife. It would take me a while to get used to that word. “I’m coming,” I announced. “Hold your horses!” We hung up, and I giggled. Hold your horses. Heh-heh. I had a lifetime of these jokes ahead. This was going to be loads of fun. He met me at my car, wearing jeans, boots, and a soft, worn denim shirt. I climbed out of the car and stepped right into his arms. It was just after 8:00 A.M., and within seconds we were leaning against my car, sharing a passionate, steamy kiss. Leave it to Marlboro Man to make 8:00 A.M. an acceptable time to make out. I never would have known this if I hadn’t met him. “So…what are we gonna do today?” I asked, trying to remember what day it was. “Oh, I thought we’d drive around for a while…,” he said, his arms still grasping my waist, “and talk about where we might want to live.” I’d heard him mention before, in passing, that someday he wanted to move to a different spot on the ranch, but I’d never paid much attention to it. I’d never really cared much where he lived, just as long as he took his Wranglers with me. “I want it to be your decision, too.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Henry had taught Eddie how to play basketball in the playground near the apartment building where they lived--this was in a cement suburb where the towers of Manhattan stood against the horizon like a dream and the welfare check was king. Eddie was eight years younger than Henry and much smaller, but he was also much faster. He had a natural feel for the game; once he got on the cracked, hilly cement of the court with the ball in his hands, the moves seemed to sizzle in his nerve-endings. He was faster, but that was no big deal. The big deal was this: he was BETTER than Henry. If he hadn't known it from the results of the pick-up games in which they sometimes played, he would have known it from Henry's thunderous looks and the hard punches to the upper arm Henry often dealt out on their way home afterwards. These punches were supposedly Henry's little jokes--"Two for flinching!" Henry would cry cheerily, and then whap-whap into Eddie's bicep with one knuckle extended--but they didn't FEEL like jokes. They felt like warnings. They felt like Henry's way of saying You better not fake me out and make me look stupid when you drive for the basket; you better remember that I'm Watching Out for You. The same was true with reading...baseball...Ring-a-Levio...math...even jump-rope, which was a girl's game. That he was better at these tings, or COULD be better, was a secret that had to be kept at all costs. Because Eddie was the younger brother. Because Henry was Watching Out for him. But the most important part of the underneath reason was also the simplest: these things had to be kept secret because Henry was Eddie's big brother, and Eddie adored him.
Stephen King (The Waste Lands (The Dark Tower, #3))
I just realized I know nothing about you. Do you have a family? Where are you from?” The idea that I just invited a relative stranger, who owns nothing, to live in my apartment gave me a stomachache, but the weird thing was that I felt like I had known him forever. “I’m from Detroit; my entire family still lives there. My mom works in a bakery at a grocery store and my dad is a retired electrician. I have twelve brothers and sisters.” “Really? I’m an only child. I can’t imagine having a huge family like that—it must have been awesome!” Relaxing his stance, he leaned his tattooed forearm onto the dresser and crossed his feet. Jackson came over and sat next to him. Will unconsciously began petting Jackson’s head. It made my heart warm. “Actually, I don’t have twelve brothers and sisters. I have one brother and eleven sisters.” He paused. “I’m dead serious. My brother Ray is the oldest and I’m the youngest with eleven girls in between. I swear my parents just wanted to give Ray a brother, so they kept having more babies. By the time I was born, Ray was sixteen and didn’t give a shit. On top of it, they all have R names except me. It’s a f**king joke.” “You’re kidding? Name ‘em,” I demanded. In a super-fast voice Will recited, “Raymond, Reina, Rachelle, Rae, Riley, Rianna, Reese, Regan, Remy, Regina, Ranielle, Rebecca, and then me, Will.” “Surely they could have figured out another R name?” “Well my brother was named after my dad, so my mom felt like I should be named after someone too, being the only other boy and all. So I was named after my grandfather… Wilbur Ryan.” “Oh my god!” I burst into laughter. “Your name is Wilbur?” “Hey, woman, that’s my poppy’s name, too.” Still giggling, I said, “I’m sorry, I just expected William.” “Yeah, it’s okay. Everyone does.” He smiled and winked at me again.
Renee Carlino (Sweet Thing (Sweet Thing, #1))
I missed you," I said. "Missed you, too. Welcome home." We moved in to hug each other, then I sprang back seconds before getting smushed against his still-sopping-wet sweater. "Ben!" "Ooh, poor form on my part," he said, and peeled off his sodden sweater. He wore a thin white T-shirt underneath. The coffee spill had left the shirt a bit damp, and it clung slightly to his chest in a way that made me stare and caught my voice in my throat. That was ridiculous, of course. Ben and I had the kind of friendship where we talked about things like that. I could tease him about his suddenly well-toned body; he'd make some kind of self-effacing joke and parry by bringing up something absurd he'd seen about me in a magazine... But I didn't say a word. And I didn't stop looking. Clearly I was in a sleep-deprived haze. "You could still try the coffee," he offered. "There's plenty in the sweater. I can just wring it right into the mug." I shook off my reverie. "Tempting offer, but no thanks. You really need to give up on the coffee thing. I'm never converting from tea." "We'll see," he said. He set the wet sweater on the hand towel, then turned to me with his arms out. "Better?" "Much," I said, and closed the distance between us so he could fold me into his arms. "Hel-lo! Please tell me I'm interrupting something!" It was Rayna, and at the sound of her voice, Ben and I sheepishly pulled apart. Again, ridiculous. Hugging was nothing unusual for us. Granted, Ben was usually wearing more than a thin T-shirt at the time... "Why is it I'm hearing no one when they come into the house?" "Big house," Rayna said. "Come on-my mom's throwing us a welcome home party at our place." "Tonight?" I asked. "Immediately. Unless I can tell my mom there are...extenuating circumstances." She said the last part with a leer that lingered on Ben's chest and made him blush. Rayna's entire family had spent the last two years dying for Ben and me to get together. They seemed to be under the impression that my parents hired him to be my boyfriend, not my international adviser.
Hilary Duff (Elixir (Elixir, #1))
When I finally calmed down, I saw how disappointed he was and how bad he felt. I decided to take a deep breath and try to think this thing through. “Maybe it’s not that bad,” I said. (I think I was trying to cheer myself up as much as I was trying to console Chip.) “If we fix up the interior and just get it to the point where we can get it onto the water, at least maybe then we can turn around, sell it, and get our money back.” Over the course of the next hour or so, I really started to come around. I took another walk through the boat and started to picture how we could make it livable--maybe even kind of cool. After all, we’d conquered worse. We tore a few things apart right then and there, and I grabbed some paper and sketched out a new layout for the tiny kitchen. I talked to him about potentially finishing an accent wall with shiplap--a kind of rough-textured pine paneling that fans of our show now know all too well. “Shiplap?” Chip laughed. “That seems a little ironic to use on a ship, doesn’t it?” “Ha-ha,” I replied. I was still not in the mood for his jokes, but this is how Chip backs me off the ledge--with his humor. Then I asked him to help me lift something on the deck, and he said, “Aye, aye, matey!” in his best pirate voice, and slowly but surely I came around. I can’t believe I’m saying this, but by the end of that afternoon I was actually a little bit excited about taking on such a big challenge. Chip was still deflated that he’d allowed himself to get duped, but he put his arm around me as we started walking back to the truck. I put my head on his shoulder. And the camera captured the whole thing--just an average, roller-coaster afternoon in the lives of Chip and Joanna Gaines. The head cameraman came jogging over to us before we drove away. Chip rolled down his window and said sarcastically, “How’s that for reality TV?” We were both feeling embarrassed that this is how we had spent our last day of trying to get this stinkin’ television show. “Well,” the guy said, breaking into a great big smile, “if I do my job, you two just landed yourself a reality TV show.” What? We were floored. We couldn’t believe it. How was that a show? But lo and behold, he was right. That rotten houseboat turned out to be a blessing in disguise.
Joanna Gaines (The Magnolia Story)
As Oliver and Freddy pulled away from the Blue Swan, Oliver paid little heed to the lad’s chatter about his spectacular meal. All he could hear was Maria calling him my lord, as if she hadn’t just been trembling in his arms. And the look on her face! Had she been insulted? Or just ashamed? How the devil had she stayed so collected, when he’d felt ready to explode after seeing her find her pleasure so sweetly in his arms? He’d actually come in his trousers, like a randy lad with no control over his urges. Now he had to keep his cloak buttoned up until he could reach Halstead Hall and change his clothes. She’d made light of their encounter, damn her. Though I thank you for the lesson in passion…Had it meant nothing more to her? Apparently not, since she’d said, It isn’t something we should repeat. Though the idea grated, she was right. They should stay apart, for his sake as well as hers. He’d actually offered to make her his mistress! He, who’d never kept a mistress in his life, who’d joked to his friends that mistresses were more trouble than they were worth since one woman was as good as another. He’d always been driven by the fear that a mistress might tempt him to let down his guard and reveal his secrets. Then even his family would desert him, and he couldn’t bear that. Even with his friends, he kept the strongbox of his secrets firmly closed. But with Maria… He stared out the window, trying to figure out at what point in their conversation he’d lost all good sense. Had it been when she’d said she didn’t believe the gossip about him? Or before that, when she’d chastised Pinter for telling it to her? No. Astonishing as those things had been, what had prompted his rash offer was the lost look on her face after he’d pointed out that Hyatt might not wish to be found. Even now he could see the fear rising in her eyes, much like the fear he’d seen in Mother’s eyes-of being inconsequential, unwanted. And suddenly he’d desired nothing more than to make Maria feel wanted. Not that he’d succeeded very well. She could hardly be flattered that he wanted her only for a mistress. He hadn’t meant it to insult her-he’d just been utterly swept up in the idea of her and him in a cottage together somewhere, without the rest of the rest of the world to muddy their lives.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Two nights after the Chaworth ball, Gabriel practiced at the billiards table in the private apartments above Jenner's. The luxurious rooms, which had once been occupied by his parents in the earlier days of their marriage, were now reserved for the convenience of the Challon family. Raphael, one of his younger brothers, usually lived at the club, but at the moment was on an overseas trip to America. He'd gone to source and purchase a large quantity of dressed pine timber on behalf of a Challon-owned railway construction company. American pine, for its toughness and elasticity, was used as transom ties for railways, and it was in high demand now that native British timber was in scarce supply. The club wasn't the same without Raphael's carefree presence, but spending time alone here was better than the well-ordered quietness of his terrace at Queen's Gate. Gabriel relished the comfortably masculine atmosphere, spiced with scents of expensive liquor, pipe smoke, oiled Morocco leather upholstery, and the acrid pungency of green baize cloth. The fragrance never failed to remind him of the occasions in his youth when he had accompanied his father to the club. For years, the duke had gone almost weekly to Jenner's to meet with managers and look over the account ledgers. His wife Evie had inherited it from her father, Ivo Jenner, a former professional boxer. The club was an inexhaustible financial engine, its vast profits having enabled the duke to improve his agricultural estates and properties, and accumulate a sprawling empire of investments. Gaming was against the law, of course, but half of Parliament were members of Jenner's, which had made it virtually exempt from prosecution. Visiting Jenner's with his father had been exciting for a sheltered boy. There had always been new things to see and learn, and the men Gabriel had encountered were very different from the respectable servants and tenants on the estate. The patrons and staff at the club had used coarse language and told bawdy jokes, and taught him card tricks and flourishes. Sometimes Gabriel had perched on a tall stool at a circular hazard table to watch high-stakes play, with his father's arm draped casually across his shoulders. Tucked safely against the duke's side, Gabriel had seen men win or lose entire fortunes in a single night, all on the tumble of dice.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Priests, because they hear confessions and forgive sins and give counsel, are often called doctors of souls. You might call us the specialist surgeons of souls. We find the hidden problems, that people won’t speak about and couldn’t even if they would. We delve into the worst that human beings do—into the things that even they can’t explain—in order to find the person buried underneath the sin. Then we do our best to bring them back up with us. We see some of the harshest ugliness there is. Do you know why a person would cheat on their loving spouse with the full knowledge that it will wreck their children’s lives when the family falls apart? Do you know why a man would turn his own children against their mother so that they refuse to talk to her? Do you know why a woman would torture her children without leaving a mark, and scare them into not telling anyone? Do you know why people fake crimes and get their spouse arrested and sent to prison?” He stared at her expecting an answer, with an intensity that was almost frightening. She tried to voice an answer or two, but in the face of that earnest inquiry, they died unspoken. Easy answers and joking evasions wouldn’t do. She shook her head in the negative. “I do,” he said. “I’ve seen every one of those at least twice. And do you know what it’s taught me?” “What?” she asked, faintly. Sonia felt like she was talking with a monster. She was almost afraid of what lessons it had learned from the worst that human beings had to offer. “That the love of God is greater than all human evil. That where sin abounds, grace abounds more. I’ve seen some of the worst there is, and it doesn’t prove that life is meaningless. It proves that life is worth living. And it proves that we need God. I’m probably the most cynical person you’ve ever met, or ever will meet. But that doesn’t mean that I think life is bad. It means I know how much evil can exist in a good world. That’s what the faith gives me: I can stare evil in the face without blinking, because I know that it’s not the whole story.” He took a deep breath, then continued, a little more relaxed. “I’m sure that’s scary, if you’re used to blinking. I don’t know what to tell you, except that closing your eyes is not the way to be happy. If there’s something that you’re not supposed to look at, then look at it. If there’s something you’re not supposed to think about, then think about it. If something is too horrible to face, face it. Because the truth will set you free.” “You scare me,” she said, but it was an observation, neither a criticism nor a request to stop. He shrugged his shoulders. “Comfort is overrated,” he said. They stood there in silence for a few moments.
Christopher Lansdown (The Dean Died Over Winter Break (The Chronicles of Brother Thomas, #1))
I don’t think I’ve ever seen a girl ditch Darius like that,” an amused voice came from behind me and I turned to find a guy looking at me from a seat at a table in the corner. He had dark hair that curled in a messy kind of way, looking like it had broken free of his attempts to tame it. His green eyes sparkled with restrained laughter and I couldn’t help but stare at his strong features; he looked almost familiar but I was sure I’d never met him before. “Well, even Dragons can’t just get their own way all of the time,” I said, moving closer to him. Apparently that had been the right thing to say because he smiled widely in response to it. “What’s so great about Dragons anyway, right?” he asked, though a strange tightness came over his posture as he said it. “Who’d want to be a big old lizard with anger management issues?” I joked. “I think I’d rather be a rabbit shifter - at least bunnies are cute.” “You don’t have a very rabbity aura about you,” he replied with a smile which lit up his face. “I’m not sure if that’s a compliment or not.” “It is. Although a rabbit might be exactly the kind of ruler we need; shake it up from all these predators.” “Maybe that’s why I can’t get on board with this fancy food. It’s just not meant for someone of my Order... although I’m really looking for a sandwich rather than a carrot,” I said wistfully. He snorted a laugh. “Yeah I had a pizza before I came to join the festivities. I’m only supposed to stay for an hour or so anyway... show my face, sit in the back, avoid emotional triggers...” He didn’t seem to want to elaborate on that weird statement so I didn’t push him but I did wonder why he’d come if that was all he was going to do. “Well, I didn’t really want to come at all so maybe I can just hide out back here with you?” I finished the rest of my drink and placed my glass on the table as I drifted closer to him. Aside from Hamish, he was the first person I’d met at this party who seemed at least halfway genuine. “Sure. If you don’t mind missing out on all the fun,” he said. “I’m sorry but am I talking to Roxanya or Gwendalina? You’re a little hard to tell apart.” I rolled my eyes at those stupid names. “I believe I originally went by Roxanya but my name is Tory.” “You haven’t taken back your royal name?” he asked in surprise. “I haven’t taken back my royal anything. Though I won’t say no to the money when it comes time to inherit that. You didn’t give me your name either,” I prompted. You don’t know?” he asked in surprise. “Oh sorry, dude, are you famous? Must be a bummer to meet someone who isn’t a fan then,” I teased. He snorted a laugh. “I’m Xavier,” he said. “The Dragon’s younger brother.” “Oh,” I said. Well that was a quick end to what had seemed like a pleasant conversation. “Actually... I should probably go... mingle or something.” I started to back away, searching the crowd for Darcy. I spotted her on the far side of the room, engaged in conversation with Hamish and a few of his friends. The smile on her face was genuine enough so I was at least confident she didn’t need rescuing. (Tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
That black horse we used for packin’ up here is the most cantankerous beast alive,” Jake grumbled, rubbing his arm. Ian lifted his gaze from the initials on the tabletop and turned to Jake, making no attempt to hide his amusement. “Bit you, did he?” “Damn right he bit me!” the older man said bitterly. “He’s been after a chuck of me since we left the coach at Hayborn and loaded those sacks on his back to bring up here.” “I warned you he bites anything he can reach. Keep your arm out of his way when you’re saddling him.” “It weren’t my arm he was after, it was my arse! Opened his mouth and went for it, only I saw him outter the corner of my eye and swung around, so he missed.” Jakes’s frown darkened when he saw the amusement in Ian’s expression. “Can’t see why you’ve bothered to feed him all these years. He doesn’t deserve to share a stable with your other horses-beauties they are, every one but him.” “Try slinging packs over the backs of one of those and you’ll see why I took him. He was suitable for using as a pack mule; none of my other cattle would have been,” ian said, frowning as he lifted his head and looked about at the months of accumulated dirt covering everything. “He’s slower’n a pack mule,” Jake replied. “Mean and stubborn and slow,” he concluded, but he, too, was frowning a little as he looked around at the thick layers of dust coating every surface. “Thought you said you’d arranged for some village wenches to come up here and clean and cook fer us. This place is a mess.” “I did. I dictated a message to Peters for the caretaker, asking him to stock the place with food and to have two women come up here to clean and cook. The food is here, and there are chickens out in the barn. He must be having difficulty finding two women to stay up here.” “Comely women, I hope,” Jake said. “Did you tell him to make the wenches comely?” Ian paused in his study of the spiderwebs strewn across the ceiling and cast him an amused look. “You wanted me to tell a seventy-year-old caretaker who’s half-blind to make certain the wenches were comely?” “Couldn’ta hurt ‘t mention it,” Jake grumbled, but he looked chastened. “The village is only twelve miles away. You can always stroll down there if you’ve urgent need of a woman while we’re here. Of course, the trip back up here may kill you,” he joked referring to the winding path up the cliff that seemed to be almost vertical. “Never mind women,” Jake said in an abrupt change of heart, his tanned, weathered face breaking into a broad grin. “I’m here for a fortnight of fishin’ and relaxin’, and that’s enough for any man. It’ll be like the old days, Ian-peace and quiet and naught else. No hoity-toity servants hearin’ every word what’s spoke, no carriages and barouches and matchmaking mamas arrivin’ at your house. I tell you, my boy, though I’ve not wanted to complain about the way you’ve been livin’ the past year, I don’t like these servents o’ yours above half. That’s why I didn’t come t’visit you very often. Yer butler at Montmayne holds his nose so far in t’air, it’s amazin’ he gets any oxhegen, and that French chef o’ yers practically threw me out of his kitchens. That what he called ‘em-his kitchens, and-“ The old seaman abruptly broke off, his expression going from irate to crestfallen, “Ian,” he said anxiously, “did you ever learn t’ cook while we was apart?” “No, did you?” “Hell and damnation, no!” Jake said, appalled at the prospect of having to eat anything he fixed himself.
Judith McNaught (Almost Heaven (Sequels, #3))
Until this night, this awful night, he’d had a little joke about himself. He didn’t know who he was, or where he’d come from, but he knew what he liked. And what he liked was all around him-the flower stands on the corners, the big steel and glass buildings filled with milky evening light, the trees, of course, the grass beneath his feet. And the telephones-it didn’t matter. He liked to figure them out, master them, then crush them into tiny hard multicolored balls which he could then juggle or toss through plate glass windows when nobody was about. He liked piano music, the motion pictures, and the poems he found in books. He also liked the automobiles that burnt oil from the earth like lamps. And the great jet planes that flew on the same scientific principles, above the clouds. He always stopped and listened to the people laughing and talking up there when one of the people laughing and talking up there when one of the planes flew overhead. Driving was an extraordinary pleasure. In a silver Mercedes-Benz, he had sped on smooth empty roads from Rome to Florence to Venice in one night. He also liked television-the entire electric process of it, with tiny bits of lights. How soothing it was to have the company of the television, the intimacy with so many artfully painted faces speaking to you in friendship from the glowing screen. The rock and roll, he liked that too. He liked the music. He liked the Vampire Lestat singing “Requiem for the Marquise”. He didn’t pay attention to the words much. It was the melancholy and the dark undertone of drums and cymbals. Made him want to dance. He liked the giant yellow machines that dug into the earth late at night in the big cities with men in uniforms, crawling all over them; he liked the double-decker buses of London, and the people-the clever mortals everywhere-he liked, too, of course. He liked walking in Damascus during the evening, and seeing in sudden flashes of disconnected memory the city of the ancients. Romans, Greeks, Persians, Egyptians in these streets. He liked the libraries where he could find photographs of ancient monuments in big smooth good-smelling books. He took his own photographs of the new cities around him and sometimes he could put images on those pictures which came from his thoughts. For example, in his photograph of Rome there were Roman people in tunics and sandals superimposed upon the modern versions in their thick ungraceful clothes. Oh, yes, much to like around him always-the violin music of Bartók, little girls in snow white dresses coming out of the church at midnight having sung at the Christmas mass. He liked the blood of his victims too, of course. That went without saying. It was no part of his little joke. Death was not funny to him. He stalked his prey in silence; he didn’t want to know his victims. All a mortal had to do was speak to him and he was turned away. Not proper, as he saw it, to talk to these sweet, soft-eyed things and then gobble their blood, break their bones and lick the marrow, squeeze their limbs to dripping pulp. And that was the way he feasted now, so violently. He felt no great need for blood anymore; but he wanted it. And the desire overpowered him in all its ravening purity, quite apart from the thirst. He could have feasted upon three or four mortals a night.
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))
Quinn pauses his sit-ups on his punching bag. “What…like her…?” He gestures to his crotch. I roll my eyes and unravel my black hand-wraps. Donnelly tosses his towel over his shoulder. “Her clit? It’s not a big bad word.” Oscar butts in, “Everyone lay off Quinn—alright, my little bro is young, impressionable, and still has his innocence and virtue; whereas the rest of us have lost our ever-loving minds.” Quinn chucks his green boxing glove at his older brother, ten years apart in age. “Bro, I can say clit every day easily. Clit, clit, clit, clit—” “We get it,” I say, dropping my hand-wraps on the mats. Quinn scratches his unshaven jaw, sweat built on his golden-brown skin, and a tiny scar sits beneath his eye. Likewise, his nose is a little crooked from a short stint and bad blow in a pro-boxing circuit. Oscar has similar lasting marks. Security jokes that no matter how many punches Oscar and Quinn have taken as pro-boxers in the past, they’ll always be handsome motherfuckers. “I purposefully censored myself,” Quinn clarifies. “I wasn’t about to mention a teenage girl’s…you know.” “Clit,” Donnelly says. “Jelly bean,” Oscar adds. “Magic button.” Donnelly smirks. Quinn shakes his head like we’re all the fucked-up ones. My brows spike. “You’re the one who assumed ‘clitoris piercing’ at the word ‘unmentionable’.” I tilt my head at him. “And weren’t you like a teenager like one year ago?” Oscar and Donnelly laugh loudly, and Quinn gives me a faint death-glare. He needs to work on his “intimidation” a bit—he’s very green: brand new to security detail, and at twenty, he’s the youngest bodyguard in the whole team. If he screws up, that
Krista Ritchie (Damaged Like Us (Like Us, #1))
Were they taken apart like this? But they seemed to be able to function after, though I couldn’t imagine how we would. We clung to each other. After a while I started to cry. Annalise held me. “‘In the book,’ she said, ‘they say that after fucking one is omnivorously sad.’ “‘It’s not that.’ “‘What then?’ “‘It’s so easy for you.’ “‘Easy?’ She looked at me and her grin slipped off, right off into nowhere. ‘Easy? We could die of this. Don’t you feel it? Right now, we could be dying of each other. How do you think that feels, when I could be thrown out like garbage any day? And you, you are the heir to everything.’ “She had never talked about it before. Now I was so far into my own fear that it took me time to realize they were the same fears. We lay in silence, holding each other tight, until I caught up to it and passed ahead. “‘How can she hurt them?’ I said finally. ‘What if…?’ “‘You are not her,’ said Annalise, which she had said before, but now, she took my shoulders fiercely and held me so she could look into my face. ‘You are not hers,’ she said. The difference was immense, and she struck my fear away easily. I was washed with gratitude, relief. ‘Stop it,’ she said. ‘You never cry.’ “‘I never knew stuff before,’ I said. ‘How this changes everything. How it’s full of fear. In the books I read, it’s full of joy. In the books you read, it shows you how to put your hands into me and pull my heart out.’ “‘Poor princess,’ she said. ‘And what have you done with mine heart? You have eaten it all up.’ “After that we were shy and had to start to make stupid jokes, though I could not imagine ever seeing the light of day again, I felt so different.
Candas Jane Dorsey (Black Wine)
omeone who would support me and joke with me through every situation; Someone who would be there for me and help, no questions asked, and would never make me feel like I was asking for too much. I dreamt up a Someone who would crush spiders in my apartment, eat ice cream with me because I felt embarrassed indulging alone, and Irish goodbye out of parties alongside me because a party of just the two of us would be even better than some random packed place
S C Kate
When you said you wanted to serve me, a foot massage isn’t quite what I had in mind,” I joked, my voice turning hoarse. His face angled toward my leg, his lips nearly brushing my ankle. “Tell me then, my Queen, how would you like me to serve you?” Both palms dragged down my legs, resting low on my thighs and nudging them apart with the faintest pressure. “Shall I get back down on my knees until I earn another kiss?
Penn Cole (Glow of the Everflame (Kindred's Curse, #2))
Once, when Molly was complaining that her roommate never left the apartment, that all this roommate did was rattle on and on about her undiagnosed anxiety, Darren joked that Molly's roommate had traded dependence on one Molly for another.
Anthony Veasna So (Songs on Endless Repeat: Essays and Outtakes)
You need to find your mate, Kel,” I finally manage. “Dance with someone who you feel a spark—” “It’s not a spark. It’s an eternal fire that burns from deep within my heart and reaches out to you.” Ferocity flickers in Kel’s gaze. “And every moment I am not touching you, it eats my soul inside out, tearing me apart, until merely looking at you is an anguish I would only wish upon my worst enemy.” I stare stupidly at him before I burst out laughing. “Just because I called you funny one time doesn’t mean you can make jokes like that now.
Elizabeth Helen (Bonded by Thorns (Beasts of the Briar, #1))
Too many jokes didn’t make sense when you broke them apart, not logically.
Brandon Sanderson (Redemption (Infinity Blade, #2))
And then there’s Jenny. My little sister—my best friend. But I know she’s not the source of my emptiness. She’s the primary source of my happiness, even though we’re complete opposites. She’s outgoing, spontaneous, and loud and has a laugh I’d kill for. I’m quieter than she is, and more often than not, my laughter is forced. It’s a running joke between us that we are so different, if we weren’t sisters, we would hate each other. She’d find me boring and I’d find her annoying, but because we’re sisters, and only twelve months apart, our differences somehow work. We have our moments of tension, but we never let an argument end without a resolution. And the older we get, the less we argue and the more we hang out. Especially now that she’s dating Chris’s best friend, Jonah. The four of us have spent almost every waking hour together as a group since Chris and Jonah graduated high school last month. My mother could be the source of my recent mood, but that wouldn’t make sense. Her absence isn’t anything new. In fact, I’m more used to it now than I used to be, so if anything, I’ve become more accepting of the fact that Jenny and I got the short end of the stick in the parent department. She’s been inactive in our lives since our father died five years ago. I was more bitter about having to parent Jenny back then than I am now. And the older I get, the less it bothers me that she’s not the type of mother to meddle in our lives, or give us a curfew,
Colleen Hoover (Regretting You)
Ana and Reid had entered the housing lottery for the Deptford Apartment as a joke when they first started looking for a place together a little over a decade ago.
Nat Cassidy (Nestlings)
I’m getting divorced,” I told him. Knowing me, I probably laughed darkly. I probably made some joke about my life falling apart not being great for my health. This is what I do. I hear myself doing it even now: When I get to the most painful part of the telling, I laugh. I break that part into bits. I laugh through the words I have to say, have to hear myself say, have to let hang in the air.
Maggie Smith (You Could Make This Place Beautiful)
My mom used to always quote Woody Allen. If you want to make God laugh, tell him about your plans. I thought I understood that when I was a little girl. I thought even more so when I was a young woman, a young wife. But now, thinking about the plans I’d made, the way those plans had fallen apart, the path life had led me on that I never would have imagined… I think I finally truly understood it. I must have been God’s favorite joke.
Kandi Steiner (The Christmas Blanket)
Each of us is trapped in the reality-tunnel (assumption-consumption) his or her brain has manufactured. We do not “see” it or “sense” it as a model our brain has created. We automatically, unconsciously, mechanically “see” and “sense” it out there, apart from us, and we consider it “objective.” When we meet somebody whose separate tunnel-reality is obviously far different from ours, we are a bit frightened and always disoriented. We tend to think they are mad, or that they are crooks trying to con us in some way, or that they are hoaxters playing a joke.
Robert Anton Wilson (Prometheus Rising)
These differences between the sexes emerge early on. A Canadian study invited boys and girls aged nine and ten to play games that measured competitiveness. Girls were reluctant to take toys away from each other unless it was the only way to win, but boys claimed toys regardless of how this affected the game’s outcome. Girls competed only if necessary, but boys seemed to do so just for the sake of it. Similarly, upon meeting for the first time, men check each other out by picking something “anything” to fight over, often getting worked up about a topic they normally don’t care about. They adopt threatening body postures’ legs apart and chests pushed out, make expansive gestures, speak with booming voices, utter veiled insults, make risque jokes, and so on. They desperately want to find out where they stand relative to one another. They hope to impress the others sufficiently that the outcome will be in their favor. This is a predictable event on the first day of an academic gathering when egos from the far corners of the globe face each other in a seminar room or, for that matter, at a bar. Unlike the women, who tend to stay on the sidelines, the men get so involved in the ensuing intellectual jostle that they sometimes turn red or white. What chimpanzees do with charging displays’ with their hair on end, drumming on anything that amplifies sound, uprooting little trees as they go, the human male does in the more civilized manner of making mincemeat of someone else’s arguments or, more primitively, giving others no time to open their mouths. Clarification of the hierarchy is a top priority. Invariably, the next encounter among the same men will be calmer, meaning that something has been settled, though it’s hard to know what exactly that is.
Frans de Waal (Our Inner Ape: A Leading Primatologist Explains Why We Are Who We Are)
joking apart, I believe that to understand love one must first make a mistake and then correct it,
Leo Tolstoy (Anna Karenina)
Keep that firefighter’s body in shape for the calendar,” I joke with a grin. “Shut up,” he laughs. “You want in an in-shape firefighter when your apartment burns down, Jackson. You don’t want some wimpy kid who can’t toss you over their shoulder and haul your heavy ass out because you inhaled too much smoke.” “Romantic, Dusty. A big, strong firefighter lugging me over his shoulder like a damsel in distress.
Cora Kent (Sweet Revenge (Blackmore University #3))
I am a smart guy. I recycle. Once I found a lost cat and took it to a shelter. Sometimes I make jokes. If there’s something wrong with your car, I can tell what by listening to it. I like kids, except the ones who are rude to adults and the parents just stand there, smiling. I have a job. I own my apartment. I rarely lie. These are qualities I keep hearing people are looking for. I can only think there must be something else, something no one mentions, because I have no friends, am estranged from my family, and haven’t dated in this decade. There is a guy in Lab Control who killed a woman with his car, and he gets invited to parties. I don’t understand that.
Max Barry (Machine Man)
When I laid the ground plan of my journey, there were definite questions to which I wanted matching answers. ... I suppose they could all be lumped into the single question: 'What are Americans like today?' In Europe it is a popular sport to describe what Americans are like. Everyone seems to know. And we are equally happy in this game. How many times have I not heard one of my fellow countrymen, after a three-week tour of Europe, describe with certainty the nature of the French, the British, the Italians, the Germans, and above all the Russians? Traveling about, I early learned the difference between an American and the Americans. They are so far apart that they might be opposites. Often when a European has described the Americans with hostility and scorn he has turned to me and said, 'Of course, I don't mean you. I am speaking of those others.' It boils down to this: the Americans, the British are that faceless clot you don't know, but a Frenchman or an Italian is your acquaintance and your friend. He has none of the qualities your ignorance causes you to hate. I had always considered this a kind of semantic deadfall, but moving about in my own country I am not at all sure that is so. Americans as I saw them and talked to them were indeed individuals, each one different from the others, but gradually I began to feel that the Americans exist, that they really do have generalized characteristics regardless of their states, their social and financial status, their education, their religious and political convictions. But if there is indeed an American image built of truth rather than reflecting either hostility or wishful thinking, what is this image? What does it look like? What does it do? If the same song, the same joke, the same style sweeps through all parts of the country at once, it must be that all Americans are alike in something. The fact that the same joke, the same style, has no effect in France or England or Italy makes this contention valid. But the more I inspected this American image, the less sure I became of what it is. It appeared to me increasingly paradoxical, and it has been my experience that when paradox crops up too often for comfort, it means that certain factors are missing in the equation.
John Steinbeck (Travels with Charley: In Search of America)
Your wedding will be the prettiest thing I’ll ever be apart of,” Jenna says. I look over at her and raise my eyebrows. “Who said you’ll be part of it? Did you—Did you just throw a marker at me?” “Don’t joke about that. I’m your maid of honor. End of story.” “Okay, calm down, Sparky. I’m not even engaged.
Bracyn Daniels (The Second Time Around: A Cedar Hollow Novel Book One)
Hello, Minister!” bellowed Percy, sending a neat jinx straight at Thicknesse, who dropped his wand and clawed at the front of his robes, apparently in awful discomfort. “Did I mention I’m resigning?” “You’re joking, Perce!” shouted Fred as the Death Eater he was battling collapsed under the weight of three separate Stunning Spells. Thicknesse had fallen to the ground with tiny spikes erupting all over him; he seemed to be turning into some form of sea urchin. Fred looked at Percy with glee. “You actually are joking, Perce. . . . I don’t think I’ve heard you joke since you were —” The air exploded. They had been grouped together, Harry, Ron, Hermione, Fred, and Percy, the two Death Eaters at their feet, one Stunned, the other Transfigured; and in that fragment of a moment, when danger seemed temporarily at bay, the world was rent apart. Harry felt himself flying through the air, and all he could do was hold as tightly as possible to that thin stick of wood that was his one and only weapon, and shield his head in his arms: He heard the screams and yells of his companions without a hope of knowing what had happened to them — And then the world resolved itself into pain and semidarkness: He was half buried in the wreckage of a corridor that had been subjected to a terrible attack. Cold air told him that the side of the castle had been blown away, and hot stickiness on his cheek told him that he was bleeding copiously. Then he heard a terrible cry that pulled at his insides, that expressed agony of a kind neither flame nor curse could cause, and he stood up, swaying, more frightened than he had been that day, more frightened, perhaps, than he had been in his life. . . . And Hermione was struggling to her feet in the wreckage, and three redheaded men were grouped on the ground where the wall had blasted apart. Harry grabbed Hermione’s hand as they staggered and stumbled over stone and wood. “No — no — no!” someone was shouting. “No! Fred! No!” And Percy was shaking his brother, and Ron was kneeling beside them, and Fred’s eyes stared without seeing, the ghost of his last laugh still etched upon his face. CHAPTER THIRTY-TWO THE ELDER WAND The world had ended, so why had the battle not ceased, the castle fallen silent in horror, and every combatant laid down their arms? Harry’s mind was in free fall, spinning out of control, unable to grasp the impossibility, because Fred Weasley could not be dead, the evidence of all his senses must be lying —
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
And then there’s Jenny. My little sister—my best friend. But I know she’s not the source of my emptiness. She’s the primary source of my happiness, even though we’re complete opposites. She’s outgoing, spontaneous, and loud and has a laugh I’d kill for. I’m quieter than she is, and more often than not, my laughter is forced. It’s a running joke between us that we are so different, if we weren’t sisters, we would hate each other. She’d find me boring and I’d find her annoying, but because we’re sisters, and only twelve months apart, our differences somehow work. We have our moments of tension, but we never let an argument end without a resolution. And the older we get, the less we argue and the more we hang out.
Colleen Hoover (Regretting You)
One evening a husband comes home to his apartment very roughed up. When his wife sees him she asks, "What happened to you?"       "I got into a fight with the apartment manager."        "Whatever for?"       "He said he had slept with every woman in the complex except one!"       The woman replied, "I bet it's that snooty Mrs. Gellar on the third floor.
E. King (Best Adult Jokes Ever)
Andy’s Message Around the time I received Arius’ email, Andy’s message arrived. He wrote: Young, I do remember Rick Samuels. I was at the seminar in the Bahriji when he came to lecture. Like you I was at once mesmerized by his style and beauty, which of course was a false image manufactured by the advertising agencies and sales promoters. I was surprised to hear your backroom story of him being gangbanged in the dungeon. We are not ones to judge since both of us had been down that negative road of self-loathing. This seems to be a common thread with people whom others considered good-looking or beautiful. In my opinion, it’s a fake image that handsome people know they cannot live up to. Instead of exterior beauty being an asset, it often becomes a psychological burden. During the years when I was with Toby, I delved in some fashion modeling work in New Zealand. I ventured into this business because it was my subconscious way of reminding me of the days we posed for Mario and Aziz. It was also my twisted way of hoping to meet another person like me, with the hope of building a loving long-term relationship. It was also a desperate attempt to break loose from Toby’s psychosomatic grip on my person. Ian was his name and he was a very attractive 24 year old architecture student. He modeled to earn some extra spending money. We became fast friends, but he had this foreboding nature which often came on unexpectedly. A sentence or a word could trigger his depression, sending the otherwise cheerful man into bouts of non-verbal communication. It was like a brightly lit light bulb suddenly being switched off in mid-sentence. We did have an affair while I was trying to patch things up with Toby. As delightful as our sexual liaisons were there was a hidden missing element, YOU! Much like my liaisons with Oscar, without your presence, our sexual communications took on a different dynamic which only you as the missing link could resolve. There were times during or after sex when Ian would abuse himself with negative thoughts and self-denigration. I tried to console him, yet I was deeply sorrowed about my own unresolved issues with Toby. It was like the blind leading the blind. I was gravely saddened when Ian took his own life. Heavily drugged on prescriptive anti-depressant and a stomach full of extensive alcohol consumption, he fell off his ten story apartment building. He died instantly. This was the straw that threw me into a nervous breakdown. Thank God I climbed out of my despondencies with the help of Ari and Aria. My dearest Young, I have a confession to make; you are the only person I have truly loved and will continue to love. All these years I’ve tried to forget you but I cannot. That said I am not trying to pry you away from Walter and have you return to me. We are just getting to know each other yet I feel your spirit has never left. Please make sure that Walter understands that I’m not jeopardizing your wonderful relationship. I am happy for the both of you. You had asked jokingly if I was interested in a triplet relationship. Maybe when the time and opportunity arises it may happen, but now I’m enjoying my own company after Albert’s passing. In a way it is nice to have my freedom after 8 years of building a life with Albert. I love you my darling boy and always will. As always, I await your cheerful emails. Andy. Xoxoxo
Young (Unbridled (A Harem Boy's Saga, #2))
I don’t want to go. I’ll just go back to the apartment.” “What? Rachel, why?” Candice cleared her throat and straightened her spine. “Rachel can’t stand Blake.” Eli laughed softly. “Right. You only had the biggest crush on him growing up.” My eyebrows shot up. “You knew about that?” “Who didn’t know about that? You weren’t exactly subtle about your feelings for him.” His expression darkened suddenly. “I could’ve killed him for that.” Wait . . . What?! “Killed him for what? For me having a crush on him? It’s not like it was his fault.” Oh my God, was I really sitting here defending Blake West for anything? “No,” he snorted. “I was making fun of him because he never dated or hooked up with anyone. He told me he was just waiting for you to get older, that he was going to marry you someday. I thought he was joking at first, but I was wrong. Do you remember when Blake got in that fight and his nose got broken?” When Candice and I both nodded, he continued. “That was because of that. Dad had to pull me off him.” “You beat him up because he wanted to be with me?” I wanted to pull Eli away and tell him everything that had happened. Candice didn’t believe me, but Eli would. “Of course I did. You were like my sister, but it wasn’t just that. You were only twelve at the time and he was . . . what, seventeen? It was fucking disgusting.” So that was why Blake had started ignoring me. I’ll never forget the way he looked after that fight. I had run up to him wanting to take care of him and began fawning all over him. He’d pushed me away and started dating Jenn not long after. I still saw him all the time since he was always with Eli, but it was like I didn’t exist to him anymore after that. I’d been hurt, but not discouraged in my quest to win his affection. Chills spread through my body. Eli’s words made everything that had happened with Blake so much worse. And the fact that Jenn had been an older version of me was now incredibly disturbing. “Um . . . well. Things changed. I grew up. And I don’t like the person he’s become.” Candice
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
She laughed. She thought it was a joke. It wasn’t. This is what should have happened. We shouldn’t have spent a minute away from each other while we had a chance. Nothing bad would have happened if I told nine-year-old Sparrow that she was mine. No Paddy. No Catalina. No Brock. I would never lay a finger on her mother’s body, let alone hide it in the woods. And now we were going to spend the rest of our lives apart.
L.J. Shen (Sparrow)
The joke went that everyone gained 5 pounds in baking class. I could see what they meant. It was held in the morning, when everyone was starving, and after a few hours of hard labor, hefting heavy sacks of flour, balling and kneading dough, loading giant deck and windmill ovens with cinammon buns, croissants, breads and rolls for the various school-operated dining rooms, the room would fill with the smell. When the finished product started coming out of the ovens, the students would fall on it, slathering the still-hot bread and buns with gobs of butter, tearing it apart and shoveling it in their faces. Brownies, pecan diamonds, cookies, profiteroles — around 10 percent of the stuff disappeared into our faces and our knife rolls before it was loaded into proof racks and packed off to its final destinations. It was not a pretty sight, all these pale, gangly, pimpled youths, in a frenzy of hunger and sexual frustration, shredding bread. It was like Night of the Living Dead, everyone seemed always to be chewing.
Anthony Bourdain
They were the highly civilized people of Cosmopolis itself. It was a fools’ carnival indeed, all split into high-spirited warring factions spilling over into masquerade. Heads were broken, and people laughed, as if it had been a thousand years before. The “Ban and Beyond” people had their banners flying, and flying wedges of opponents, with and without mottos, pulled them down in a glorious melee. The “Sackcloth and Ashes” faction was marching and joking. The newly-appointed (or self-appointed) Metropolitan of Astrobe had put that whole world under interdict, until penance be done and until certain conditions should be fulfilled; and groups were making up and singing ballads about it. High Ladies of Astrobe dressed up like old crones and hawked candy heads and skulls in honor of the beheading tomorrow. Wooly Rams were found somewhere, and spitted and barbecued over the bonfires, about fifty people devouring each Wooly Ram as they tore it apart in pieces, half seared and half raw. The feast of the Wooly Ram had not been held on Astrobe for more than three hundred years, and only antiquarians could have known about it.
R.A. Lafferty (Past Master)
A sardarji comes up to the Pakistan border on his bike. He's got two large bags over his shoulders. The guard Iqbal stops him and says, 'What's in the bags?' 'Sand,' answered the Sardarji. Iqbal says, 'We'll just see about that. Get off the bike.' Iqbal's guard takes the bags and rips them apart, he empties them out and finds nothing in them but sand. He detains the sardarji all night and has the sand analyzed, only to discover that there is nothing but pure sand in the bags. Iqbal releases the sardaji, puts the sand into new bags, hefts them onto the sardarji's shoulders, and lets him cross the border. A week later, the same thing happens. Iqbal asks, 'What have you got?' 'Sand,' says the Sardarji. Iqbal does his thorough examination and discovers that the bags contain nothing but sand. He gives the sand back to the Sardar, and crosses the border on his bike. This sequence of events is repeated every day for three years. Finally, the Sardarji doesn't show up one day and the guard, Iqbal, meets him in a 'Dhaba' in Islamabad. 'Hey, Buddy,' says Iqbal, 'I know you are smuggling something. It's driving me crazy. It's all I think about...I can't sleep. Just between you and me, what are you smuggling?' The Sardaji, sips his Lassi and says, 'Bikes
Sunny Kodwani (Jokes and SMS (Hindi) - New)
Across the various iterations, the 'real housewives' flaunted their refusal to conform to the happy modern housewife ideal as though they were breaking the law by spending their days drinking, sparring, and shopping. They proudly showed off their incompetence in the kitchen (as when Adrienne of Beverly Hills washed a chicken with hand soap), or their disinterest in sex (as when Lisa Vanderpump joked about treating sex as a twice-annual gift to her husband), or their limited patience for parenthood (like Camille, who gave birth to her kids via a surrogate and employed one nanny per kid). Some, like Camille, made a point of treating their employees like beloved friends and their beloved friends like employees, whereas others, like Larsa Pippen, bragged to friends about their deep-seated nanny hatred and their compulsive need to fire them. Their lives were constantly being exposed as shams in the tabloids as they continued to deconstruct the feminine mystique on-screen and reconstruct it for the New New Gilded Age (Gilded Age III: More for Me). They hawked their lifestyle brands. When wronged, they became pure vessels for sorrow. They fell apart in public and wasted away in plain sight. They suffered exquisitely.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
I was an I, an opera of feeling with a very small audience, a writer of articles about culture but with no real voice, living in a tiny one-bedroom apartment in the Crown Heights section of Brooklyn, a dream of love growing ever more expansive because it was impossible, especially in the gay bars I sometimes frequented in Manhattan, where AIDS loved everyone up the wrong way, or in a way some people weren’t surprised by, particularly by those gay men who were too indifferent to be sad — in any case night sweats were a part of the conversation people weren’t having in those bars, in any case, taking your closest friend in because he was shunned by his family was part of the conversation people weren’t having, still, there was this to contend with: that friend’s shirt collars getting bigger, still, there was this to contend with: his coughing and wheezing in the little room off your bedroom in Brooklyn because TB was catching, your friends didn’t want you to catch it, loving a man was catching, your friends didn’t want you to get it; his skin was thin as onionskin, there was a lesion, he couldn’t control his shit, not to mention the grief in his eyes, you didn’t want to catch that; those blue eyes filled with why? Causing one’s sphincter to contract, your heart to look away, a child’s question you couldn’t answer, what happened to our plans, why was the future happening so fast? You didn’t want to catch that, nor the bitterness of the sufferer’s family after death, nor the friends competing for a bigger slice of the death pie after the sufferer’s death, you certainly didn’t want to catch what it left: night sweats, but in your head, and all day, the running to a pay phone to share a joke, but that number’s disconnected, your body forgets, or rushes toward the love you remember, but it’s too late, he’s closer to the earth now than you are, and you certainly don’t want to catch any of that.
Hilton Als (White Girls)
His phone rang just as he was tucking it back into his coat. He saw that it was his brother, Matt, and answered. “I had a feeling you’d call.” “Anyone ever tell you that you’re a douchebag?” Nick grinned at the inside joke. Back when he and his brothers were younger, they’d once gotten carried away and “accidentally” tossed three footballs through Tommy Angolini’s second-floor apartment windows after he’d claimed during recess that Scottish douchebags couldn’t throw for shit. Tommy had been wrong on two counts: first, in not knowing that they were only half-Scottish douchebags, and second, in doubting the athletic prowess of the McCall brothers. Not surprisingly, that bit of good-natured fun had put an end to any trash talk from Tommy Angolini, but also had royally pissed off their father. A sergeant on the NYPD at the time, he had rounded up Nick and his brothers, brought them down to the Sixty-third Precinct, and locked them up in an empty jail cell. For six hours. Needless to say, after that the McCall brothers had all developed a healthy appreciation for the benefits of being lawabiding ten-, nine-, and seven-year-olds. The only person more traumatized by the lockup had been their mother, who’d spent the six hours crying, refusing to speak to their father, and making lasagna and cannoli—three helpings of which she’d practically force-fed each of her sons immediately upon their homecoming from the Big House
Julie James (A Lot like Love (FBI/US Attorney, #2))
It’s not a joke, my friend. The world is like that. You have to take things that you want, by your own hands. No one is going to gift you your dreams wrapped in a glittery paper. Always remember there are other boys too in this college apart from you who can take advantage of your timidity”, said Tarun in a rare serious tone. “Yes...and
Subrat Mohanty (The Half Story)
As I was leaving work this evening, riding down in the elevator alone and depressed, the doors opened on the floor below mine. And there he was. Garner. He grinned at me and stepped into the elevator. The doors slid closed. “Did I finally stay at work as late as you?” he asked. I mumbled in the affirmative. It’s hard to be witty when happiness is shooting through you like rockets. “Staying as late as you is a first,” he said. “I’m trying to get a life,” I told him. Inside joke. Which I suddenly worried wasn’t very funny. But, thank you Lord, he chuckled and we kept staring at each other. Still smiling. Then the humor began to fade from his face. And then! Then he kissed me. I barely had time to adjust, to kiss him back, before the elevator binged to signal that we’d reached the lobby. We stepped apart quickly and walked side by side through the first floor of Bradford Shipping without glancing at each other once. I mostly looked down because I didn’t want anyone, including him, to see my blush, which felt about as hot as the Arabian Peninsula. I was both thrilled and terrified that he’d find a reason to regret the kiss. When
Becky Wade (Then Came You (A Bradford Sisters Romance, #0.5))
That line again. For Ian, a joke was not a single-use item but something you brought out again and again until it fell apart in your hands like a cheap umbrella.
David Nicholls
Victoria closes her eyes, breathing in the familiar scent, and for a moment it's as if they've never been apart. They're still Vixen and Cassandra, summer sisters forever. The rest is a mistake, a crazy joke.
Judy Blume
Here they are," she exclaims, packet of biscuits in hand. They’re his favorite: chocolate with cream filling. "Nice," he says, arching his chest towards her. "Can I have one?" "I brought them on purpose," she smiles. She opens the packet and offers him one. He shakes his head. "Open it for me," he says, kissing her neck. "Hold the two sides, turn slowly and pull them apart." She does so and hands him the half with the cream on. Andrew grabs her wrist, puts his thumb in her palm and her breathing alters. He brings her hand closer and licks a hole in the cream with just the tip of his firm tongue. He looks at her and swallows the sweet, strong fingertip. She’s startled and her hand begins to shake. Then, he slowly licks all the cream with light movements as he intertwines his fingers in hers. He imagines that he’s licking her, her skin, his precious Susy. Then, he leans forward for a kiss. "Thank you." She’s enveloped in embarrassment, her cheeks painted red. "Do you always eat biscuits like that?" she jokes. He caresses her neck with his lips, licks, kisses and nibbles it slightly. "If my girlfriend’s not wearing anything under her dress, yes." She
Key Genius (Heart of flesh)
Paulette awoke with an ache in her heart, a grinding in her gut. If there really was a God, why would He have let anyone put a child through that? … She had survived, but at what cost? She was an itinerant professor, living in her head, not her heart. She had broken away, but abandoned her sister; hadn’t contacted her family in years. Paulette wondered what she was looking for in these weekend workshops. Absolution wasn’t on the curriculum. What could she possibly hope to accomplish? To be a healer you need to connect with people. You need to touch, and let yourself be touched. And not just with your hands. Watching these nurses, she envied them their friendships. Here were real buddies truly caring about each other, taking jabs, sharing private jokes and fears. She’d never had that. Even witnessing it from across a room, or a yard, only made her feel that much more lonely. She got along with people well enough. Agreed with whatever they said, watched their pets, helped them move from one apartment to another. But no one really knew her. Paulette had never been flush with self-confidence. People took that as humility, but humility isn’t painful and crippling. She hadn’t yet learned that humble and self-destructive aren’t the same thing at all. They’re not even on the same team. And now here she was at a workshop for healers. Had she come here to heal; or to be healed? It was one of those warm, charming days that write poems about themselves, and then settle these very softly into your mind. Paulette sensed what felt like a rain-laced breeze stirring her soul; sodden, and yet beautiful; laden with both the dismal, and the promising. - From “The Gardens of Ailana”, a fiction largely based around adults still traumatized by having been abused as children, in the name of their parents’ religion.
Edward Fahey (The Gardens of Ailana)
I need men to define me: to give me an idea of what I am. If I didn't have boyfriends I don't think I would exist. I would fly apart in all directions. So I must live my life in perpetual pain, if I want to live at all.
Fay Weldon (The Fat Woman's Joke)
They was always joking that Jonte fell in love with Farren’s old ass but she really wasn’t old to him; they were eight or nine years apart. But Farren was still childish. In his eyes, he felt way older than she was. Jonte
Nako (The Connect's Wife 4)
I walked to the drawing room door and opened it, expecting to find Alan listening in. Instead I found Alan face down on the floor with Diana standing above him, her foot on the small of his back. “Trouble?” Diana shook her head. “He was unflattering. I corrected him.” “I only grabbed her behind. It was very friendly,” Alan pleaded. “Did I ask you to grab my bottom?” Diana asked. “A gentleman knows when a woman wants her bottom grabbed,” Alan said. Diana looked down at Alan with disgust. “Can I tear his arms off ?” “Later,” I said. “Alan, at what point in your life were you led to believe that grabbing the behind of any woman who has stated her desire to tear you apart was a good idea?” “I thought it would break the ice a little,” Alan explained. “You know, I grab her, she laughs, and I make a funny joke.” “And that works?” Diana asked. Alan remained quiet for a second. “There’s always a first time.” “You’re an idiot,” I told him and motioned for Diana to let him up. She did as I asked and then punched him in the jaw the second he was upright. The blow lifted him off his feet and dumped him some distance back, where he tried to get back to his feet and thought better of it. “Now I’m good,” Diana said with a smirk.
Steve McHugh (Lies Ripped Open (Hellequin Chronicles #5))
Bill rents an apartment in Chicago and goes immediately to the lobby to put his name on the group mailbox. While he’s standing there, an attractive young lady comes out of the apartment next to the mailboxes, wearing a robe. Bill smiles at her and they begin to chat. As they talk her robe slips open, and it’s quite obvious that she has nothing on underneath it. Poor Bill breaks into a sweat trying to maintain eye contact. After a few minutes, she places her hand on his arm and says, “Let’s go into my apartment. I hear someone coming.” Bill follows her inside, and once the door is closed she leans against the wall, allowing her robe to fall off completely. As she reveals her beautiful nude body she purrs, “What would you say is my best feature?” Flustered, Bill manages to squeak out, “Oh, your best feature has to be your ears!” She’s astounded! “Why my ears? Looks at these breasts! They’re full, they don’t sag, and they’re one hundred percent natural! My ass is taut and round and completely without cellulite! My waist is slim and inviting. My skin is silky and begs to be touched. Why in the world would you say my EARS are my best feature?” “Be-be-because,” he stammers, “when we were in the hallway you said you heard someone coming... That was me!
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
A client of mine once joked, “If your employer likes you, the rest is history, the raise and everything else will come.” That intangible attitude in the workplace is what sets apart those who get promoted and those who don’t.
Derric Yuh Ndim
The Huge Artifice: an interim assessment Enough of this great work has now appeared For sightings to be taken, the ground cleared, Though the main purpose - what it's all about In the thematic sense - remains in doubt. We can be certain, even at this stage, That seriousness adequate to engage Our deepest critical concern is not To be found here. First: what there is of plot Is thin, repetitive, leaning far too much On casual meetings, parties, fights and such, With that excessive use of coincidence Which betrays authorial inexperience. We note, besides these evident signs of haste, A great deal in most questionable taste: Too many sex-scenes, far too many coarse Jokes, most of which have long lost all their force. It might be felt that, after a slow start, Abundance incident made amends for art, But the work's 'greatness' is no more than size, While the shaping mind, and all that implies, Is on a trivial scale, as can be guessed From the brash nature of the views expressed By a figure in an early episode, who Was clearly introduced in order to Act as some kind of author-surrogate, Then hastily killed off - an unfortunate Bid to retrieve a grave strategic lapse. More damaging than any of this, the gaps In sensitivity displayed are vast. Concepts that have not often been surpassed For ignorance or downright nastiness - That the habit of indifference is less Destructive than the embrace of love, that crimes Are paid for never or a thousand times, That the gentle come to grief - all these are forced Into scenes, dialogue, comment, and endorsed By the main action, manifesting there An inhumanity beyond despair. One final point remains: it has been urged That a few characters are not quite submerged In all this rubbish, the they can display Reason, justice and forethought on their day, And that this partly exculpates the mind That was their author. Not at all. We find Many of these in the history of art (So this reviewer feels), who stand apart, Who by no purpose but their own begin To struggle free from a base origin.
Kingsley Amis (Collected Poems: 1944-1979 (NYRB Poets))
The next morning, Steve took his boat out and saw what had happened. The big male had triggered the trap and was snared in the mesh--sort of. Even though the rectangular-shaped net was the biggest he had, the croc’s tail and back leg stuck out. But the black ghost had finally been caught. At Steve’s approach, the animal thrashed wildly, smashing apart mangrove trees on either side of the trap. Steve tried to top-jaw-rope the croc, but it was fighting too violently. Normally Chilli acted as a distraction, giving Steve the chance to secure the croc. But the dog wanted no part of this. She cowered on the floor of the dinghy, unwilling to face this monstrously large croc. Steve was truly on his own. He finally secured a top-jaw rope and tied the other end to a tree. With a massive “death roll”--a defensive maneuver in which the reptile spins its enormous body--the big croc smashed the tree flat and snapped it off. Steve tried again; the croc thrashed, growling and roaring in protest at the trapper in khaki, lunging again and again to tear Steve apart. Finally, the giant croc death-rolled so violently that he came off the bank and landed in the boat, which immediately sank. Chilli had jumped out and was swimming for shore as Steve worked against time. With the croc underwater, Steve lashed the croc, trap and all, in the dinghy. But moving the waterlogged boat and a ton of crocodile was simply too much. Steve sprinted several miles in the tropical heat to reach a cane farm, where he hoped to get help. The cane farmers were a bit hesitant to lend a hand, so Steve promised them a case of beer, and a deal was made. With a sturdy fishing boat secured to each side of Steve’s dinghy, they managed to tow it downriver where they could winch croc and boat onto dry land to get him into a crate. By this time, a crowd of spectators had gathered. When Steve told me the story of the capture, I got the sense that he felt sorry he had to catch the crocodile at all. “It seemed wrong to remove the king of the river,” Steve said. “That croc had lasted in his territory for decades. Here I was taking him out of it. The local people just seemed relieved, and a couple even joked about how many boots he’d make.” Steve was very clever to include the local people and soon won them over to see just how special this crocodile really was. Just as he was dragged into his crate, the old croc attempted a final act of defiance, a death roll that forced Steve to pin him again. “I whispered to him to calm him down,” Steve said. “What did you say to him?” I asked. “Please don’t die.” The black crocodile didn’t die. Steve brought him back to Beerwah, named him Acco, and gave him a beautiful big pond that Bob had prepared, with plenty of places to hide. We were in the Crocodile Environmental Park at the zoo when Steve first told me the story of Acco’s capture. I just had to revisit him after hearing his story. There he was, the black ghost himself, magnificently sunning on the bank of his billabong.
Terri Irwin (Steve & Me)
Apart from this common Lassan tendency to procrastinate, Kumar’s chief defects were an adventurous nature and a fondness for sometimes risky practical jokes. This,
Arthur C. Clarke (The Songs Of Distant Earth)
After the ceremony, all of us walked over, about one block, to Sonia's and Nachman's apartment, where Grandmother, who was bed-ridden was anxiously waiting for the young marrieds and the wedding guests. We ate a well-prepared, festive meal and talked and joked. I met Yuda's Tel Aviv family for the first time and we all became acquainted with my two cousins. Mr. Schleien, the cousin from Nahalal, a veteran settler, a farmer, brought as a wedding gift ten eggs. There was no symbolism intended, it was a practical present of a rare and precious food for city dwellers.
Pearl Fichman (Before Memories Fade)
When I’d asked for a drum machine for Christmas my family had been confused – none of them knew what a drum machine was. But I’d noticed that a lot of my musical heroes who’d started off as punk-rockers, like New Order and Killing Joke, were now using synthesizers and drum machines, and I wanted to join them.
Moby (Then It Fell Apart)
So it seems like your biggest expenses fall in this miscellaneous category. Part of setting a budget is figuring out how much you should be spending and then discipline yourself to stay under that amount. You should also be looking at monthly expenditures that maybe are unnecessary. Like . . .” He scrolled down a bit and said, “Do you really need Netflix?” That was like asking me if I needed my firstborn child. “Uh, yes. I need it. That’s nonnegotiable. If for no other reason than it allows me to consume television the same way I do ice cream and alcohol.” He laughed and said, “Okay, okay. You win. Netflix stays. What about this expense for Sephora? A hundred and thirty-two dollars?” While I’d had to downgrade my hair dye, makeup, cleanser, and toner, I was not willing to give this up. “That’s for my moisturizer.” He blinked at me a couple of times, as if he hadn’t heard me correctly. “You paid a hundred and thirty-two dollars for lotion for your face?” “It’s not lotion. It’s moisturizer.” “For one bottle? What’s in it? Dragon’s blood and the scraping of a unicorn’s horn?” I wasn’t about to tell him it wasn’t for a whole bottle, but for like two ounces. “Ha-ha. I need it. My face needs it.” “You don’t need it. You’re beautiful.” “It’s why I’m beautiful!” I was caught between sheer delight and disbelief at his words, and partial terror that he was going to make me stop using it. But then I started thinking about the way he’d complimented me—he’d said it so matter-of-factly, like it wasn’t his personal opinion, just a truth he happened to agree with. I wasn’t sure how to feel about that. While I was trying to figure out his deeper meaning, he chuckled and shook his head. “Come on, you’re easily the hottest girl in this apartment.” If I thought I’d been thrilled before, it was nothing compared to what I was feeling now. A flush started at the top of my scalp and went down to my toes—unpainted because I couldn’t afford to get a pedicure. Then I realized that Tyler was quoting back to me what I’d said about him at the charity event. Did that mean . . . it was a joke? A callback and he didn’t really mean anything by it? Or was he trying to butter me up so that he could pry my moisturizer out of my cold, soon-to-be dehydrated hands? Not willing to be taken in, I said, “You’re not going to flatter me to get me to change my mind. I’ll remind you that I’m the only girl in this apartment.” “That’s not true. Pidge is here and she’s gorgeous. Aren’t you?” he asked his dog, bending over to pet her. She licked his cheek and I had never felt more of a kinship to her, ever. He turned his attention back to me. “Do you really need it?” “The only time I get a facial now is when I open the dishwasher midcycle and the steam hits me in my face. I don’t buy the moisturizer every month. I’m really careful with how much I use on a daily basis. But I’ve had to give up so many other things. Let me have this one.” “All right, all right.
Sariah Wilson (Roommaid)
Andrei avoided the internet as well and this evasion only added to his gloom. He loved music, especially old songs, and he loved movies, of all sorts. If he had the patience, sometimes he would read. While most of the pages he turned bored him to sleep, certain books with certain lines disarranged him. Some literature brought him to his feet, laughing and howling in his room. When the book was right, it was bliss and he wept. His room hushed with serenity and indebtedness. When he turned to his computer, however, or took out his phone, he would inevitably come across a viral trend or video that took the art he loved and turned it into a joke. The internet, in Andrei’s desperate eyes, managed to make fun of everything serious. And if one did not laugh, they were not intelligent. The internet could not be slowed and no protest to criticize its exploitation of art could be made because recreations of art hid perfectly under the veneer of mockery and was thus, impenetrable. It was easy to use Chopin’s ‘Sonata No. 2’ for a quick laugh, to reduce the ‘Funeral March’ to background music. It was a sneaky way for a digital creator to be considered an artist—and parodying the classics made them appear cleverer than the original artist. Meanwhile, Andrei’s body had healed playing Chopin alone in his apartment. He would frailly replay movie moments, too, that he later found the world edited and ripped apart with its cheap teeth. And everyone ate the internet’s crumbs. This cruel derision was impossible to escape. But enough jokes, memes, and glam over someone’s precious source of life would eventually make a sensitive body numb. And Andrei was afraid of that. He needed his fountain of hope unblemished. For this reason, he escaped the internet’s claws and only surrendered to it for e-mails, navigation, and the weather.
Kristian Ventura (A Happy Ghost)
Jenny. My little sister—my best friend. But I know she’s not the source of my emptiness. She’s the primary source of my happiness, even though we’re complete opposites. She’s outgoing, spontaneous, and loud and has a laugh I’d kill for. I’m quieter than she is, and more often than not, my laughter is forced. It’s a running joke between us that we are so different, if we weren’t sisters, we would hate each other. She’d find me boring and I’d find her annoying, but because we’re sisters, and only twelve months apart, our differences somehow work. We have our moments of tension, but we never let an argument end without a resolution. And the older we get, the less we argue and the more we hang out.
Colleen Hoover (Regretting You)
But when I landed in college, I noticed what looked like a gleaming. A goofy, doofy, curly-haired man with broad shoulders brushed by me in the hallway one day. He smelled like cinnamon. He had teddy-brown eyes and performed in the college’s improv group. He was the best one by far, made big gestures, made jokes from a place of kindness and whimsy, pulled ripples of laughter out of this cold, hard world. I used to sit in the audience and marvel. He seemed like an impossibility. It took years. Years of slowly befriending him through mutual friends. Years of calling into his late-night, freestyle-rap radio show, daring my tongue to try… to rhyme on the fly! I even joined the improv group. And eventually, one night I told him how I felt and instead of flinching away, as I had assumed he would, as the boys in the hallway had made it seem that he would, he kissed me. After graduating college, we moved in together, to a small one-bedroom apartment in Brooklyn with a red Formica table and a great front stoop. I finagled my way into a job helping produce a radio program all about science and wonder. He was continuing with comedy—stand-up and improv and writing—and working as a yellow-cab driver to support himself. We stayed up late into the night, sipping beers on the stoop, talking about our days, turning awkward moments and missteps into jokes. I felt like I had found the thing I had thought could never exist. Refuge. It smelled like cinnamon and its walls were made of bad puns and cheap rhymes, piling higher and higher against the chill of the world. My head became full of visions for the future. The TV shows we would write, the tree houses we would build, the way the grass would curl between our toes as we chased our kids through the yard. Until, seven years into it, I toppled the whole thing. Late one night on a beach five hundred miles away from him, possessed by moonlight and red wine and the smell of a bonfire, I reached out for the bouncing blond girl I had been trying not to eye all night. She was wet from swimming; she was prickled in goose bumps, hundreds of goose bumps, that I wanted to press flat with my tongue. She smiled as I placed my hand on her waist, as I touched my lips to her neck. The stars wrapped around us. Her steam became mine. When I told the curly-haired man what I had done, he told me it was over.
Lulu Miller (Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life)
She was lonely, that was the truth, really lonely. Her working hours were so long she’d given up on the idea of having a family—she couldn’t even hold down a relationship—and when she went on an expedition, she was set apart from her male colleagues by problems they didn’t have to think about. Not only periods, or where to pee safely, not even the endless jokes about her physical strength. But the sense she was never really going to get what she wanted. More than a few times a colleague had reached out a hand when she didn’t need help, and squeezed too hard. She’d been talked down and talked over. She’d missed a couple of promotions she should have got. And yet, deep down, she knew she couldn’t really blame anyone else. Out of some strange mad desire not to upset the status quo, she’d become complicit. She had laughed when she should have been angry, or said nothing when she should have said a lot. She’d belittled her own achievements, calling them small or unformed or even lucky when they were none of those things. And it wasn’t simply opportunities at work she’d lost out on: she had—and, again, this was her own choice—missed the weddings of her closest friends, just as she’d missed their children’s christenings. Only a month ago her oldest friend had written, inviting her to Scotland for her godson’s birthday, “But I guess it will be difficult for you to get away.” And it was true. Some nights Freya worked so late, she took her sleeping bag out of her locker and slept on the floor under her desk. She actually kept a toothbrush there and a set of spare clothes.
Rachel Joyce (Miss Benson's Beetle)
In that book of yours, Emma, what happens to her?" he asked Naina as she looked over some paperwork they were about to submit to Naman's office. They were in Yash's apartment, a.k.a. their temporary office, working long after everyone else had left. She raised a brow at him, all the accusations she'd thrown at him---not entirely inaccurately---flashing guiltily in her eyes. "The one who tries to be a matchmaker so she can feel good about herself and fill her boredom?" She smiled, but there was an apology in her eyes. A hot apology. "She learns that having more privilege than other people doesn't mean you know what's best for them. She learns to admit her mistakes and listen to others, and it teaches her to listen to her own feelings too." He laughed. "And she finds the love of her life and they live happily ever after." He'd been joking, but her face said that was exactly what happened. "You're kidding me," he said. "And this is a book you liked?" Which, come to think of it, gave him great hope. "You're a romantic, Naina Kohli," he said, and got all up in her face. "You wish," she said, but she did kiss every last of breath out of him.
Sonali Dev (The Emma Project (The Rajes, #4))
George chortled alongside her before trying to move her hair away from her face. He picked up a golden strand that ran over her eyes and pushed it gently behind her ear, the way a father might do with a child. The pair paused for a moment, both of them getting that uncomfortable feeling someone was watching them. George looked over his shoulder and noticed two well-dressed ladies walking by and whispering to one another. He pulled away from Mabel immediately. Red-faced and windswept, the pair moved slightly further apart from one another, and their smiles faded. "I do wish they wouldn't stare," Mabel said sulkily. "Don’t mind them, you can’t change what they do." George reminded her of the words that helped her through her sister's marriage. "I just don't know what will get them to stop!" she wailed. "You could never talk to me ever again?" George joked. He stared at Mabel as the words left his mouth, waiting on her reaction to be sure she knew he was kidding. For so long now, she had been the most stable part of his existence. She would be there for him after every shift, the person he hoped he could always rely on. He was relieved when she laughed in response. "Yes, either that or marry you!" she sneered, turning to him and expecting him to turn pink with embarrassment and tell her she was mad. But he didn't.
Ida O'Flynn (The Distressing Case of a Young Married Woman)
And so yes, I rested in my tiny apartment in a dying city on a dying planet. But I also traveled. Things are multiple, stupid. And there, I called you stupid one last time. And we’re only on chapter seven! I bet you thought I would wait till the epilogue? No, I wanted to get my stupid jokes about calling you stupid out of the way. And we’re about halfway through this thing. Whatever this thing is.
Samuel Jaye Tanner (The Person on the Other Side of This Book)
...Ken explained to me why everybody over here hates the new money. It has to do with the Englishman's need to be different. The decimal system is much simpler than the old h'penny-tuppenny-guinea-tenner-tanner system, but the old money was theirs; no other country had it and nobody else could understand it. He said they hate entering the Common Market for the same reason. They don't want to be part-of-Europe, they want to be separate, different, set apart. He illustrated this by quoting an old headline which has become a cliché joke over here. During a spell of bad weather when the whole island was enveloped in fog, one English newspaper headline read: FOG ISOLATES CONTINENT.
Helene Hanff (84, Charing Cross Road)
The old joke is that a Buddhist is someone who is either meditating or feeling guilty about not meditating.
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times (Shambhala Classics))
After returning from Bali, Barack had spent more than a year writing a second draft of his book during the hours he wasn’t at one of his jobs. He worked late at night in a small room we’d converted to a study at the rear of our apartment—a crowded, book-strewn bunker I referred to lovingly as the Hole. I’d sometimes go in, stepping over his piles of paper to sit on the ottoman in front of his chair while he worked, trying to lasso him with a joke and a smile, to tease him back from whatever far-off fields he’d been galloping through. He was good-humored about my intrusions, but only if I didn’t stay too long.
Michelle Obama (Becoming)
The news never meant anything to us on “SNL” because we always looked at it just to see how to satirize it. Nothing in our personal lives was sacred. We used all of it for material on the show. The most important thing was those ninety minutes live on Saturday night. So what if your whole world was falling apart as long as you could find a joke in it and make up a scene. Millions of Americans saw what we did, and it was a charmed time. We thought we were immortal, at least for five years. But that doesn’t exist anymore. Now real stuff happens.
Gilda Radner (It's Always Something: Twentieth Anniversary Edition)
If you’re going to be a muck-raker it’s best to be a queen, don’t you think? . . . Of course, the whole point of muck-raking, apart from all the jokes, is to try to do something about what you’ve been writing about. You may not be able to change the world but at least you can embarrass the guilty.’ Afterwards she rushed to the library to look up ‘muck-raker’ in the Oxford English Dictionary. It said ‘often made to refer generally to a depraved interest in what is morally “unsavoury” or scandalous’, and Decca concluded comfortably, ‘Yes, I fear that does rather describe me.
Mary S. Lovell (The Sisters: The Saga of the Mitford Family)
I was sick of being the joke. I was sick of him acting like he didn’t know he was breaking me apart piece by piece. I was more than anything sick of biting my tongue.
Cosmo Knox (Under His Touch)
We stopped and got bottles of water. Picking out the water, standing in line, him paying with his debit card—these simple things were such a pleasure for some reason, they stood apart from all the many grocery experiences of my past. We drank the water in the parking lot and it seemed to be drawn from the deepest, purest crack in the world. I drank and drank and when I could drink no more I just held my mouth open and let the water pour over my lips and chin and down my dress, the whole while smiling at him while he smiled at me. When the bottle was empty I daintily put the cap back on. He took it and threw it in the recycling for me. A different kind of person would have commented on what had just happened, made a joke or offered to get me napkins. By not doing any of these things, he was complicit, inside the performance with me. But it wasn’t a performance, was it? No, nothing I did ever was. It was only ever the truth of the moment, coming out freely and expecting to be understood, not made much of, just taken seriously like any honest speech. It was dumb, but anything smarter would miss the point. I was speaking now to all my friends and family: You have all missed the point of me.
Miranda July (All Fours)
I don’t suppose you’d care to explain the we-don’t-have-a-choice aspect to Naomi?” Javier rejoined sarcastically. “Why bother? She’s bound and determined to fight her beast and in turn, her shifter nature. I say let her.” Incredulity marked Javier’s expression. “Isn’t that counterproductive to your, make that our, goal?” “No, it is simple biology,” Ethan explained. “She will eventually come to us. Keep in mind, the longer she denies the pull to mate, the harder the desire to claim us will ride her.” “That sounds kind of callous,” Javier remarked. “I’m surprised. I expected more of you.” “You didn’t let me explain what my plan was while she fought her nature. I plan to stay glued to her side, apart from practices and games, of course. I will get to know her, and in turn, she will come to know me. Befriend her, in other words, and if I’m lucky, perhaps she’ll even come to love me. I know I’m already half way there.” A romantic like his father, Ethan believed in love at first sight despite his more pragmatic friend’s comments. Javier snorted. “Gods, don’t let the opposing team ever hear you yapping like a woman. For a giant bear, you’re awfully sentimental.” A dark look shot Javier’s way made his feline friend grin. Ethan growled. “You are lucky I am holding her, or I’d make you swallow your words.” “Down Smokey,” Javier joked. “Actually, your plan is a good one. She is most definitely intriguing, and if we’re going to spend the rest of our lives with her, then I guess becoming her friend before her lover is a good start. But I warn you, if she insists on sex, I will sacrifice myself for the greater good to please her.” “Whatever,” Ethan scoffed. “You might be the oral master, but I will still always have the bigger cock.” And with that parting shot, Ethan stood with his precious burden and lumbered upstairs to find her bedroom.
Eve Langlais (Delicate Freakn' Flower (Freakn' Shifters, #1))
Within months, our vocal cadence merged, until even we couldn’t tell our voices apart, and sometimes we went so long without saying anything that wasn’t a reference or an inside joke that we might as well have been speaking some feral bog twin language.
Lindy West (Shrill: Notes from a Loud Woman)
Yo momma's so skinny, when I locked myself out of my apartment, she slipped under the door and let me in.
Humor Books (The Worlds Funniest Yo Momma Jokes)
The Great Expansion has come to Earth at last. We will celebrate Mogadorian Progress together, granddaughter.’ 2 From the cracked second-floor window of an abandoned textile factory, I watch an old man in a ragged trench coat and filthy jeans crouch down in the doorway of the boarded-up building across the street. Once he’s settled, the man pulls a brown-bagged bottle from his coat and starts drinking. It’s the middle of the afternoon – I’m on watch – and he’s the only living soul I’ve seen in this abandoned part of Baltimore since we got here yesterday. It’s a quiet, deserted place, and yet it’s still preferable to the version of Washington, D.C. I saw in Ella’s vision. For now at least, it doesn’t look like the Mogadorians have pursued us from Chicago. Although, technically, they wouldn’t have to. There’s already a Mogadorian among us. Behind me, Sarah stomps her foot. We’re in what used to be the foreman’s office, dust everywhere, the floorboards swollen and mildewed. I turn around just in time to see her frowning at the remains of a cockroach on the bottom of her sneaker. ‘Careful. You might go crashing right through the floor,’ I tell her, only half joking. ‘I guess it was too much to ask for all your secret bases to be in penthouse apartments, huh?’ Sarah asks, fixing me with a teasing smile. We slept in this old factory last night, our sleeping bags laid on the sunken floorboards. Both of us are filthy, it’s been a couple of days since our last real shower, and Sarah’s blond hair is caked with dirt. She’s still beautiful to me. Without her at my side, I might’ve totally lost it
Pittacus Lore (The Revenge of Seven (Lorien Legacies, #5))
Do stories, apart from happening, being, have something to say? For all my skepticism, some trace of irrational superstition did survive in me, the strange conviction, for example, that everything in life that happens to me also has a sense, that it means something, that life speaks to us about itself through its story, that it gradually revels a secret, that it takes the form of a rebus whose message must be deciphered, that the stories we live comprise the mythology of our lives and in that mythology lies the key to truth and mystery. Is it an illusion? Possibly, even probably, but i can't rid myself of the need continually to decipher my own life.
Milan Kundera (The Joke)
The one thing that has set us apart had been taken from us, and thought we would joke again, and tease, and strive to recover a flavor of the old exuberance, we would never again laugh as we once had.
Kate Mulgrew (How to Forget: A Daughter's Memoir)
And my apartment is a wreck, I’m getting kicked out, and I know that I can go and rob a bank right now and no one will be able to stop me.” “You better hurry. They close soon.” I let out a laugh. “Was that a joke?
Gerhard Gehrke (Red Wrath (Blood of the Masked God #1))
Three men were standing in line to get into heaven one day. Apparently it had been a pretty busy day, though, so Peter had to tell the first one, "Heaven’s getting pretty close to full today, and I’ve been asked to admit only people who have had particularly horrible deaths. So what’s your story?" So the first man replies: "Well, for a while I’ve suspected my wife has been cheating on me, so today I came home early to try to catch her red-handed. As I came into my 25th floor apartment, I could tell something was wrong, but all my searching around didn’t reveal where this other guy could have been hiding. Finally, I went out to the balcony, and sure enough, there was this man hanging off the railing, 25 floors above ground! By now I was really mad, so I started beating on him and kicking him, but wouldn’t you know it, he wouldn’t fall off. So finally I went back into my apartment and got a hammer and starting hammering on his fingers. Of course, he couldn’t stand that for long, so he let go and fell, but even after 25 stories, he fell into the bushes, stunned but okay. I couldn’t stand it anymore, so I ran into the kitchen, grabbed the fridge and threw it over the edge where it landed on him, killing him instantly. But all the stress and anger got to me, and I had a heart attack and died there on the balcony." "That sounds like a pretty bad day to me," said Peter, and let the man in. The second man comes up and Peter explains to him about heaven being full, and again asks for his story. "It’s been a very strange day. You see, I live on the 26th floor of my apartment building, and every morning I do my exercises out on my balcony. Well, this morning I must have slipped or something, because I fell over the edge. But I got lucky, and caught the railing of the balcony on the floor below me. I knew I couldn’t hang on for very long, when suddenly this man burst out onto the balcony. I thought for sure I was saved, when he started beating on me and kicking me. I held on the best I could until he ran into the apartment and grabbed a hammer and started pounding on my hands. Finally I just let go, but again I got lucky and fell into the bushes below, stunned but all right. Just when I was thinking I was going to be okay, this refrigerator comes falling out of the sky and crushes me instantly, and now I’m here." Once again, Peter had to concede that that sounded like a pretty horrible death. The third man came to the front of the line, and again Peter explained that heaven was full and asked for his story. "Picture this," says the third man, "I’m hiding inside a refrigerator..." A
Adam Smith (Funny Jokes: Ultimate LoL Edition (Jokes, Dirty Jokes, Funny Anecdotes, Best jokes, Jokes for Adults) (Comedy Central Book 1))
But, all joking apart, there are more serious objections. The sociology of knowledge is not only self-destructive, not only a rather gratifying object of socio-analysis, it also shows an astounding failure to understand precisely its main subject, the social aspects of knowledge, or rather, of scientific method. It looks upon science or knowledge as a process in the mind or ‘consciousness’ of the individual scientist, or perhaps as the product of such a process. If considered in this way, what we call scientific objectivity must indeed become completely ununderstandable, or even impossible; and not only in the social or political sciences, where class interests and similar hidden motives may play a part, but just as much in the natural sciences. Everyone who has an inkling of the history of the natural sciences is aware of the passionate tenacity which characterizes many of its quarrels. No amount of political partiality can influence political theories more strongly than the partiality shown by some natural scientists in favour of their intellectual offspring. If scientific objectivity were founded, as the sociologistic theory of knowledge naïvely assumes, upon the individual scientist’s impartiality or objectivity, then we should have to say good-bye to it. Indeed, we must be in a way more radically sceptical than the sociology of knowledge; for there is no doubt that we are all suffering under our own system of prejudices (or ‘total ideologies’, if this term is preferred); that we all take many things as self-evident, that we accept them uncritically and even with the naïve and cocksure belief that criticism is quite unnecessary; and scientists are no exception to this rule, even though they may have superficially purged themselves from some of their prejudices in their particular field. But they have not purged themselves by socio-analysis or any similar method; they have not attempted to climb to a higher plane from which they can understand, socio-analyse, and expurgate their ideological follies. For by making their minds more ‘objective’ they could not possibly attain to what we call ‘scientific objectivity’. No, what we usually mean by this term rests on different grounds8. It is a matter of scientific method. And, ironically enough, objectivity is closely bound up with the social aspect of scientific method, with the fact that science and scientific objectivity do not (and cannot) result from the attempts of an individual scientist to be ‘objective’, but from the friendly-hostile co-operation of many scientists. Scientific objectivity can be described as the intersubjectivity of scientific method. But this social aspect of science is almost entirely neglected by those who call themselves sociologists of knowledge.
Karl Popper (The Open Society and Its Enemies)
God, help me overcome my selfishness. I want to love the way You asked me to. I don't want to say another insulting word to or about another person, not even jokingly. I want to shock my enemies with Christian love. I want to joyfully sacrifice for the poor, and to see You when I see them. I don't want to fit in anymore. Holy Spirit, save me. Set me apart. Make me worthy.
Francis Chan (Erasing Hell: What God Said About Eternity, and the Things We've Made Up)
a shrewd and tawdry city, shining like toyland between the swamps and the sea. The night was weighted with derelicts and dancers, terminal breathing in wards, clenched fists of women as they pushed each time the pains came, chips in perfect alignment on green felt as men thumbed up the corners of the hole cards just enough to read the news, giggling young men in a chickenwire apartment painting the body of one of their chums a lovely gold, ambulances and tow trucks moving away in separate directions with a load of torn flesh or a load of ripped metal, thousands and thousands of picture tubes all telling the same jokes at the same instant to a hundred thousand living rooms, frantic rumps ram-packing the beach sand under the spread towelling, the simultaneous squirts of red tomato and yellow mustard in a hundred different places to disguise the flannelly taste of fried meat, a thousand simultaneous sobbings, thrashings, swallowings, vomitings, ejaculations, coughings, scratchings, cursings, shy touchings, whisperings, kickings. . . . He had never considered himself particularly imaginative. Never before had he felt this way about a city, and he knew that it could only be possible in a strange city, and at a time when grief and uncertainty and introspection had sharpened and heightened awareness. This great Gold Coast became a gigantic cruise ship moving through time rather than space, constantly assimilating the foods, the newborn, the gadgetry, spewing aft the unending tonnage of garbage and waste and dead bodies and broken toys, rolling imperceptibly in the slow tides of history, the passengers unaware that no city is forever, that it will end one day and the eternality of time will cover it in a silence of dust, sand and vines.
John D. MacDonald (The Last One Left (Murder Room))
Her daughter Nicole had often joked with her, “If Daddy dies, and you would be nothing.” But during the past three years, sitting in the stands week after week had become a nightmare for her as she listened to the fans tear apart her husband and the teenagers who played for him with unrelenting venom, not caring one whit that she, the wife of the coach, was sitting within easy earshot. Sometimes she couldn’t stand it and had to move to one of the portals to get away from it all. “I don’t think they realize these are sixteen, seventeen, eighteen-year-old kids,” she once said. “I don’t think they realize these are coaches. They are men, they are not gods. They don’t realize it’s a game and they look at them like they’re professional football players. They are kids, high school kids, the sons of somebody, and they expect them to be perfect.” Yes, they did, and they had too much invested in it emotionally to ever change. Permian football had become too much a part of the town and too much a part of their own lives, as intrinsic and sacred a value as religion, as politics, as making money, as raising children. That was the nature of sports in a town like this. Football stood at the very core of what the town was about, not on the outskirts, not on the periphery. It had nothing to do with entertainment and everything to do with how people felt about themselves.
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
Oh, that’s fucked up. You don’t bring someone’s parents into it unless it’s a funny dead dad joke,” Fang mutters. “Don’t worry. He’s going to be as dead as my dad soon,” I deadpan. Everyone in the room gapes apart from Fang, who bursts into laughter. “Oh, what about knock-knock jokes? Who’s there? Not your dad.
K.A. Knight (Court of Evil (Courts and Kings))
Oh!” the Queen said, visibly shaken. “Is that a cupcake?” The crowning glory of the dessert table was a tower of pink flamingo feather cupcakes. Red turned to the royal baker, who was quivering in their boots. “Ma’am…Your Majesty, I’m so sorry….I found an old recipe of yours….” “Get it out of my sight!” the Queen hissed. Then she patted her brow with a red handkerchief. Red wondered what that was all about. She’d never seen her mother fall apart at the sight of a cupcake before. Then again, she realized she’d never really seen a cupcake before either. She wondered what they tasted like. But perhaps she’d never know, since the baker was taking a tray of them away. The Queen clapped again, back to looking like herself. “So! Birthdays are still illegal. Treats are discouraged! Especially cupcakes. What’s more, all laughter should be avoided before noon—it simply is not good for your heart to laugh so early! Perhaps it’s better not to laugh at all! This obviously means that jokes shall only be told every other Saturday, if one feels the absolute need.” But from her tone it was clear that no one should ever feel the need to tell a joke.
Melissa de la Cruz (Beyond the Isle of the Lost (The Descendants #5))
This installation is my interpretation of something scientific to show how fate has more influence than we think. When visitors come by, they’re supposed to grab a Fate Note and write on it,” I explain, uncapping my red pen to write something onto the wrinkled note as an example. “Here, I’ll show you how it works. People can write a joke, a wish, whatever they want. They slip the note between the web of string and grab one in return. By doing this, they’ll become linked with the person who wrote the note. They’ll be influenced no matter how far apart they are.
Lauren Kung Jessen (Red String Theory)
Warmth is not my forte. As far as the rich palette of human experience goes, I live on a gray scale. Aristotle said that drama was an imitation of an action. I am, of necessity, an imitation of myself — a sharp smile, an acid joke, an abyss where a woman should be. ... Except when I'm seeing theater, good theater. When I'm in the dark, at that safe remove from daily life, I feel it all — rage, joy, surprise. Until the houselights come on and break it all apart again, I am alive.
Alexis Soloski (Here in the Dark)
I pictured in detail my bodily decomposition. What would go first? Would I stay fresh longer if I left the air conditioning on high? How long before the smell seeped into the apartment hallway, or through ventilation shafts into other apartments? My poor neighbors. I should send them flowers. I had an overwhelming desire to turn in my body and donate it wholesale. "I have so many organs!" I'd declare to anyone who'd listen, mutter to myself several times a day. This is just weird enough to sound like a sick joke to another human being but for me it never was: I was gobsmacked by my own wasteful monopoly on body parts. Dozens of people die every day awaiting organs, and here I was hogging so many of them—perfectly good pancreas, lungs, liver, kidneys that could save the lives of people who could then go on to win Nobel Prizes or solve refugee crises. That aspiration ran so deep, I felt cheated to discover you can only donate organs inf you die while stabilized, on a ventilator—not if you're dead on arrival at a hospital. (If that fact doesn't sound devastating to you, you clearly don't dream up suicides designed so that no one will find you for at least thirty hours.)
Anna Mehler Paperny (Hello I Want to Die Please Fix Me: Depression in the First Person)
Tater Tot is not a nickname," I snapped. "It's an insult, and you're welcome to have it." "No." She shook her head, sending her straight hair over her shoulders in a glinting wave. "I'd need something else. Something to signify our deep connection." I held in my gag admirably, but I found myself speaking without forethought. "How about 'Mirror'? Since you both love gazing into them." As soon as I said it, I knew it was unkind. Sam's pretty face flushed bright pink, and she launched herself from the foot of my bed. "Sam, I didn't mean---" "No," she cut in sharply. "You said what you said. You know, Saint is right; you can't help but pick people apart." "Excuse me while I choke on the irony," I shot back. "Always with a joke," Sam said, even though I hadn't been joking. She crossed her arms over her chest. "Your problem is that you don't know how to play the game." "The game? Life isn't a game." "Bullshit. It always has been and always will be. Smile whether you want to or not; compliment the people in position to help you or have your back." She counted her points off on her fingers. "When everyone assumes you're the sweetest, most helpful or honest person in their world, they'll let you get away with anything." "This is what you think I should be?" I cut in. "A fake schemer?" Sam shrugged then. "Fake or not, it's how the most successful people get ahead. They plot, forge alliances, and they execute their plans." "If that's success, then I want no part of it. I'd rather fail and have a conscience.
Kristen Callihan (Dear Enemy)
It was an evening of that feeling you wanted to bottle, the feeling that no drug or orgasm could replicate - the skyrocketing high of limerence. I was delighted by everything: the way he paused to think before answering any question, as if whether or not he liked pickles was worthy of deep contemplation; the way he laughed loudly at my offhand jokes; the way his chest looked in his button-down shirt. And he delighted equally in me. It was delightful to be delighted in. By the time we made it back to his apartment, which was just a short walk away, it was not a question of whether the night was ending but, rather, where were we going next. The idea of parting was simply unthinkable. When I gathered my things to return home forty-eight hours later, he seemed adorably confused. "Where are you going?" he asked. "Home." I laughed. "I've been here two nights. How long did you think I would stay?" He looked at me as if it was the strangest thing I'd ever said. "Pippa," he said, "I thought you'd stay forever.
Sally Hepworth (The Soulmate)
Peter, Mike and Tony’s background is a world away from mine. Our schooling, class, family—on paper, we couldn’t be farther apart. For all of early Genesis’ gigging and recording experience, they’ve been somewhat cloistered. I’ve been schooled in the rough and tumble of the life of a gigging performer and musician. I’ve been on the stage in London’s West End, a regular down the front at the Marquee, the drummer for an almost comically diverse array of groups, bands and combos. I have ducked and dived through swinging sixties Soho, and I have the energy, momentum and enthusiasm to prove it. I can apply all of that to the rather more conservative, rather less worldly Genesis. I’m also quick with a joke, a mood-lightening attribute that will come in very handy when Peter, Mike and Tony revert to school playground bickering. When they start arguing about who stole whose protractor, I can always step in with some distracting bonhomie. My personality, and my ability to break the ice, is exactly what these buttoned-up public schoolboys need, even if they don’t know it. English reserve will only take you so far. In the same way that my very limited experience as a songwriter means I will end up being the band’s musical arranger in these early days, I can also rearrange the mood.
Phil Collins (Not Dead Yet: The Memoir)
door. Thankfully, I was the only one in the office, so Kenneth didn’t see me chasing two ferrets around a four-bedroom apartment. If the ferrets pooped before I caught them, at least there was newspaper everywhere. I got used to the ferret smell after a while and got down to work, but I screwed up during my first week (and not just because I almost lost the ferrets). Before Kenneth left to cover a game, he told me to finish researching for a story he was working on. So I did and then headed home. What I didn’t do is tell him where on the computer I had stored the completed files. While I was away for the weekend, visiting family and unreachable, Kenneth had to redo all of my work from the week because he couldn’t find what I’d already done. I learned an important lesson about communication that day, as well as how to stare at the floor when your boss is yelling at you. I spent most of the next week on ferret duty. Yes, the pun is intentional. Over the next few weeks, I got better at completing my job, and I started enjoying it, too. I mainly did research for Kenneth’s books, but there were perks. One day, I had to go to the NHL’s offices to pick up a packet of media clips that Kenneth needed for a story. Beaming with pride, I walked into the NHL’s office and picked up an envelope—a job any bicycle courier would have found boring. But this was the office of a professional sports league. To me, that manila envelope was magic. Kenneth began trusting me more and more and even let me contribute a few quips for a column he wrote for a newspaper in upstate New York. His column always ended with one-liner observations about sports (and occasionally about music for old people). Kenneth’s one-liners were usually spot-on but fairly dry, so I started writing jokes. After the first few weeks of Kenneth using some of my work, he gave me space in his column, referring to me as his intrepid young reporter or other such terms usually found in Superman comics from the
Steve Hofstetter (Ginger Kid: Mostly True Tales from a Former Nerd)
Unless you want to tell him you’re fucking the cop he told you to keep watch over.” “One time,” I grunted. “Yeah, for now,” Gin joked.
Brea Alepoú (Take Me Apart (Vitale Brothers, #1))
Apart from the hooker or the scrum half.” Ben had the common sense of the true rugby fan not to make any snide jokes about the man in the number two shirt.
Charlie Cochrane (Lock, Stock and Peril (Lindenshaw Mysteries #6))
Why did you get a divorce? Well, my wife did not greet me on my birthday, my ungrateful brats took after their mother and did not greet me. To make things worse, even my parents forgot my birthday! When I went to work, my colleagues did not greet me (and there is a freaking bulletin board with the birthday celebrant on it) but alas, my kind and sexy secretary greeted me with a smile and invited me for a lunch in her apartment nearby! Of course I felt flattered! At the apartment, she said, I’ll just go to the bedroom for a minute, I got excited and said Okkkaayyy! 3 minutes after, there she was with a huugge cake with my wife, the kids, my proud parents and yes, even my colleagues yelling “SURRRRPRRISSSEEE!” And me? I was waiting on the sofa…. Butt naked….
Kevin Murphy (Jokes : Best Jokes 2016 [Best Of] (Joke Books, Funny Books, Jokes For Kids & Adults, Best jokes))