Join Hands Together Quotes

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Light is the left hand of darkness and darkness the right hand of light. Two are one, life and death, lying together like lovers in kemmer, like hands joined together, like the end and the way.
Ursula K. Le Guin (The Left Hand of Darkness)
Oh, Will," she said, "What can we do? Whatever can we do? I want to live with you forever. I want to kiss you and lie down with you and wake up with you every day of my life till I die, years and years and years away. I don't want a memory, just a memory..." "No," he said. "Memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much. Oh, Lyra, I wish this night would never end! If only we could stay here like this, and the world could stop turning, and everyone else could fall into a sleep..." "Everyone except us! And you and I could live here forever and just love each other." "I will love you forever; whatever happens. Till I die and after I die, and when I find my way out of the land of the dead, I'll drift about forever, all my atoms, till I find you again..." "I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you...We'll live in birds and flowers and dragonflies and pin trees and in clouds and in those little specks of light you see floating in sunbeams...And when they use our atoms to make new lives, they won't just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight..." They lay side by side, hand in hand, looking at the sky.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
Wraith rubbed his hands together in cheesy horror-movie glee. “Join us or die.” He grinned. “I’ve always wanted to say that.
Larissa Ione (Pleasure Unbound (Demonica, #1))
I have a dream that one day this nation will rise up and live out the true meaning of its creed: "We hold these truths to be self-evident, that all men are created equal." I have a dream that one day on the red hills of Georgia, the sons of former slaves and the sons of former slave owners will be able to sit down together at the table of brotherhood. I have a dream that one day even the state of Mississippi, a state sweltering with the heat of injustice, sweltering with the heat of oppression, will be transformed into an oasis of freedom and justice. I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character. I have a dream today! I have a dream that one day, down in Alabama, with its vicious racists, with its governor having his lips dripping with the words of "interposition" and "nullification" -- one day right there in Alabama little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers. I have a dream today! I have a dream that one day every valley shall be exalted, and every hill and mountain shall be made low, the rough places will be made plain, and the crooked places will be made straight; "and the glory of the Lord shall be revealed and all flesh shall see it together.
Martin Luther King Jr.
Zhi yin. Jem had told her once that it meant understanding music, and also a bond that went deeper than friendship. Jem played, and he played the years of Will's life as he had seen them. He played two little boys in the training room, one showing the other how to throw knives, and he played the ritual of parabatai: the fire and the vows and burning runes. He played two young men running through the streets of London in the dark, stopping to lean up against a wall and laugh together. He played the day in the library when he and Will had jested with Tessa about ducks, and he played the train to Yorkshire on which Jem had said that parabatai were meant to love each other as they loved their own souls. He played that love, and he played their love for Tessa, and hers for them, and he played Will saying, In your eyes I have always found grace. He played the too few times he had seen them since he had joined the Brotherhood- the brief meetings at the Institute; the time when Will had been bitten by a Shax demon and nearly died, and Jem had come from the Silent City and sat with him all night, risking discovery and punishment. And he played the birth of their first son, and the protection ceremony that had been carried out on the child in the Silent City. Will would have no other Silent Brother but Jem perform it. And Jem played the way he had covered his scarred face with his hands and turned away when he'd found out the child's name was James. He played of love and loss and years of silence, words unsaid and vows unspoken, and all the spaces between his heart and theirs; and when he was done, and he'd set the violin back in its box, Will's eyes were closed, but Tessa's were full of tears. Jem set down his bow, and came toward the bed, drawing back his hood, so she could see his closed eyes and his scarred face. And he had sat down beside them on the bed, and taken Will's hand, the one that Tessa was not holding, and both Will and Tessa heard Jem's voice in their minds. I take your hand, brother, so that you may go in peace. Will had opened the blue eyes that had never lost their color over all the passing years, and looked at Jem and then Tessa, and smiled, and died, with Tessa's head on his shoulder and his hand in Jem's.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
A million zeros joined together do not, unfortunately, add up to one. Ultimately everything depends on the quality of the individual, but our fatally shortsighted age thinks only in terms of large numbers and mass organizations, though one would think that the world had seen more than enough of what a well-disciplined mob can do in the hands of a single madman. Unfortunately, this realization does not seem to have penetrated very far - and our blindness is extremely dangerous.
C.G. Jung (The Essential Jung: Selected Writings)
Naturally, society has an indisputable right to protect itself against arrant subjectivisms, but, in so far as society is itself composed of de-individualized human beings, it is completely at the mercy of ruthless individualists. Let it band together into groups and organizations as much as it likes – it is just this banding together and the resultant extinction of the individual personality that makes it succumb so readily to a dictator. A million zeros joined together do not, unfortunately, add up to one. Ultimately everything depends on the quality of the individual, but our fatally short-sighted age thinks only in terms of large numbers and mass organizations, though one would think that the world had seen more than enough of what a well-disciplined mob can do in the hand of a single madman.
C.G. Jung (The Undiscovered Self)
I helped Jiko to her feet and we walked back to the bus stop together, holding hands again. I was still thinking about what she said about waves, and it made me sad because I knew that her little wave was not going to last and soon she would join the sea again, and even though I know you can't hold on to water , still I gripped her fingers a little more tightly to keep her from leaking away.
Ruth Ozeki (A Tale for the Time Being)
Light is the left hand of darkness and darkness the right hand of light. Two are one, life and death, lying together like lovers in kemmer, like hands joined together, like the end and the way.
Ursula K. Le Guin (The Left Hand of Darkness)
On Drinking Alone by Moonlight Here are flowers and here is wine, But where’s a friend with me to join Hand in hand and heart to heart In one full cup before we part? Rather than to drink alone, I’ll make bold to ask the moon To condescend to lend her face The hour and the scene to grace. Lo, she answers, and she brings My shadow on her silver wings; That makes three, and we shall be. I ween, a merry company The modest moon declines the cup, But shadow promptly takes it up, And when I dance my shadow fleet Keeps measure with my flying feet. But though the moon declines to tipple She dances in yon shining ripple, And when I sing, my festive song, The echoes of the moon prolong. Say, when shall we next meet together? Surely not in cloudy weather, For you my boon companions dear Come only when the sky is clear.
Li Bai (The Works Of Li Po: The Chinese Poet (1922))
We were just discussing Earth’s relationship with Luna when you deigned to join us.” Kai clasped his hands together. “Right. Now, is that the one where the dominatrix queen throws a tantrum and threatens war every time she doesn’t get her way? That relationship?
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
He waited for me to stand and join him, then he threaded our fingers together. My best friend, the boy I'd loved my entire life, was holding my hand.
Kelly Siskind (Licks (One Wild Wish, #3))
At last, Sturmhond straightened the lapels of his teal frock coat and said, “Well, Brekker, it’s obvious you only deal in half-truths and outright lies, so you’re clearly the man for the job.” “There’s just one thing,” said Kaz, studying the privateer’s broken nose and ruddy hair. “Before we join hands and jump off a cliff together, I want to know exactly who I’m running with.” Sturmhond lifted a brow. “We haven’t been on a road trip or exchanged clothes, but I think our introductions were civilized enough.” “Who are you really, privateer?” “Is this an existential question?” “No proper thief talks the way you do.” “How narrow-minded of you.” “I know the look of a rich man’s son, and I don’t believe a king would send an ordinary privateer to handle business this sensitive.” “Ordinary,” scoffed Sturmhond. “Are you so schooled in politics?” “I know my way around a deal. Who are you? We get the truth or my crew walks.” “Are you so sure that would be possible, Brekker? I know your plans now. I’m accompanied by two of the world’s most legendary Grisha, and I’m not too bad in a fight either.” “And I’m the canal rat who brought Kuwei Yul-Bo out of the Ice Court alive. Let me know how you like your chances.” His crew didn’t have clothes or titles to rival the Ravkans, but Kaz knew where he’d put his money if he had any left. Sturmhond clasped his hands behind his back, and Kaz saw the barest shift in his demeanor. His eyes lost their bemused gleam and took on a surprising weight. No ordinary privateer at all. “Let us say,” said Sturmhond, gaze trained on the Ketterdam street below, “hypothetically, of course, that the Ravkan king has intelligence networks that reach deep within Kerch, Fjerda, and the Shu Han, and that he knows exactly how important Kuwei Yul-Bo could be to the future of his country. Let us say that king would trust no one to negotiate such matters but himself, but that he also knows just how dangerous it is to travel under his own name when his country is in turmoil, when he has no heir and the Lantsov succession is in no way secured.” “So hypothetically,” Kaz said, “you might be addressed as Your Highness.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Another pair of hands joined us, but I was so completely submerged into myself that I might as well have closed my eyes and disappeared in the dark. In here, nothing could touch me. In here, Henry was everywhere. In here, it was winter again, and we curled up together underneath the down comforter in the Underworld as the hours passed by. His chest was warm under my palm, and his heart beat against my fingers, steady and eternal. In here, no one died.
Aimee Carter (The Goddess Inheritance (Goddess Test, #3))
For Love, to which we may now return, has two faces; one white, the other black; two bodies; one smooth, the other hairy. It has two hands, two feet, two tails, two, indeed, of every member and each one is the exact opposite of the other. Yet, so strictly are they joined together that you cannot separate them. In this case, Orlando’s love began her flight towards him with her white face turned, and her smooth and lovely body outwards. Nearer and nearer she came wafting before her airs of pure delight. All of a sudden (at the sight of the Archduchess presumably) she wheeled about, turned the other way round; showed herself black, hairy, brutish; and it was Lust the vulture, not Love, the Bird of Paradise that flopped, foully and disgustingly, upon his shoulders. Hence he ran; hence he fetched the footman.
Virginia Woolf (Orlando)
He hopped lightly from the stairs and jogged off to join his friends. “Wish me luck!” he called over his shoulder. “Good luck,” I said automatically and then wanted to kick myself. Good luck? Have a lovely time, Mal. Hope you find a pretty Grisha, fall deeply in love, and make lots of gorgeous, disgustingly talented babies together. I sat frozen on the steps, watching them disappear down the path, still feeling the warm pressure of Mal’s hand in mine. Oh well, I thought as I got to my feet. Maybe he’ ll fall into a ditch on his way there. I
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
Jason shot to his feet, nostrils flaring. Ben stopped dead. The cafeteria went still. Everyone watched the boys square off. "Im not a violent person, Blue." Jason bit off the words. "But Ive had enough of your mouth. Ill kick your ass right here." Ben's jaw tightened. "You think so, rich boy?" "You heard me." A vein was bulging in Jason's neck. Ben's breathing quickened. The tiniest spark of gold flickered in his irises. My stomach backflipped. Oh my God! He's going to flare! "Get him out of here!" I hissed at Shelton and Hi. "Hurry!" Recognizing the danger, Hi jumped to his feet, planted both hands on Ben's chest and pushed him towards the door, whispering, "Use your head, use your head, use your head!" Ben tried to hold his ground, but Shelton joined the effort. "Get it together! People are watching. Dont lose control!" Slowly, the duo managed to back Ben away, but his glare never strayed from Jason. At the exit, Ben shrugged free, and stalked down the hall alone. I took my first breath since Jason stood. Crisis averted, but only barely.
Kathy Reichs (Code (Virals, #3))
A human heart is the size of two hands clasped together. Imagine your own hands joined, or your hand in someone else’s, because that is what hands are for, and what hearts are for: holding each other. This can be very, very hard to remember when hearts have been so broken.
Deb Caletti (A Heart in a Body in the World)
Her eyes took hold upon mine and clung there, and bound us together like the joining of hands; and the moments we thus stood face to face, drinking each other in, were sacramental and the wedding of souls.
Robert Louis Stevenson (The Strange Case of Dr. Jekyll and Mr. Hyde and Other Tales of Terror)
Even now, so many years later, all this is somehow a very evil memory. I have many evil memories now, but ... hadn't I better end my "Notes" here? I believe I made a mistake in beginning to write them, anyway I have felt ashamed all the time I've been writing this story; so it's hardly literature so much as a corrective punishment. Why, to tell long stories, showing how I have spoiled my life through morally rotting in my corner, through lack of fitting environment, through divorce from real life, and rankling spite in my underground world, would certainly not be interesting; a novel needs a hero, and all the traits for an anti-hero are expressly gathered together here, and what matters most, it all produces an unpleasant impression, for we are all divorced from life, we are all cripples, every one of us, more or less. We are so divorced from it that we feel at once a sort of loathing for real life, and so cannot bear to be reminded of it. Why, we have come almost to looking upon real life as an effort, almost as hard work, and we are all privately agreed that it is better in books. And why do we fuss and fume sometimes? Why are we perverse and ask for something else? We don't know what ourselves. It would be the worse for us if our petulant prayers were answered. Come, try, give any one of us, for instance, a little more independence, untie our hands, widen the spheres of our activity, relax the control and we ... yes, I assure you ... we should be begging to be under control again at once. I know that you will very likely be angry with me for that, and will begin shouting and stamping. Speak for yourself, you will say, and for your miseries in your underground holes, and don't dare to say all of us-- excuse me, gentlemen, I am not justifying myself with that "all of us." As for what concerns me in particular I have only in my life carried to an extreme what you have not dared to carry halfway, and what's more, you have taken your cowardice for good sense, and have found comfort in deceiving yourselves. So that perhaps, after all, there is more life in me than in you. Look into it more carefully! Why, we don't even know what living means now, what it is, and what it is called? Leave us alone without books and we shall be lost and in confusion at once. We shall not know what to join on to, what to cling to, what to love and what to hate, what to respect and what to despise. We are oppressed at being men--men with a real individual body and blood, we are ashamed of it, we think it a disgrace and try to contrive to be some sort of impossible generalised man. We are stillborn, and for generations past have been begotten, not by living fathers, and that suits us better and better. We are developing a taste for it. Soon we shall contrive to be born somehow from an idea. But enough; I don't want to write more from "Underground." [The notes of this paradoxalist do not end here, however. He could not refrain from going on with them, but it seems to us that we may stop here.]
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
Vishous came up onto the dais, his eyes down. He accepted the silver glove from Z and slipped it over the black leather he already wore on his hand. Then he scored himself with a quick flash of the black blade and stared at the skull as his blood dripped down into the basin, joining the others'. "My flesh," he whispered. He seemed to hesitate before turning to Butch. Then he pivoted and their eyes met. As candlelight flickered over V's hard face and got caught in his diamond irises, Butch felt his breath get tight: At that moment, his roommate looked as powerful as a god...and maybe even as beautiful. Vishous stepped in close and slid his hand from Butch's shoulder to the back of his neck. "Your flesh," V breathed. Then he paused, as if asking for something. Without thinking, Butch titled his chin up, aware that he was offering himself, aware the he...oh, fuck. He stopped his thoughts, completely weirded out by the vibe that had sprung up from God only knew where. In slow motion Vishous's dark head dropped down and there was a silken brush as his goatee moved against Butch's throat. With delicious precision, V's fangs pressed against the vein that ran up from Butch's heart, then slowly, inexorably, punched through skin. Their chests merged. Butch closed his eyes and absorbed the feel of it all, the warmth of their bodies so close, the way V's hair felt soft on his jaw, the slide of a powerful male arm as it slipped around his waist. On their own accord, Butch's hands left the pegs and came to rest on V's hips, squeezing that hard flesh, bringing them together from head to foot. A tremor went through one of them. Or maybe...shit, it was more likely they both shuddered.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
You know," he said with unusual somberness, "I asked my father once why kenders were little, why we weren't big like humans and elves. I really wanted to be big," he said softly and for a moment he was quiet. "What did your father say?" asked Fizban gently. "He said kenders were small because we were meant to do small things. 'If you look at all the big things in the world closely,' he said, 'you'll see that they're really made up of small things all joined together.' That big dragon down there comes to nothing but tiny drops of blood, maybe. It's the small things that make the difference." "Very wise, your father." "Yes." Tas brushed his hand across his eyes. "I haven't seen him in a long time." The kender's pointed chin jutted forward, his lips tightened. His father, if he had seen him, would not have known this small, resolute person for his son. "We'll leave the big things to others," Tas announced finally. "They've got Tanis and Sturm and Goldmoon. They'll manage. We'll do the small thing, even if it doesn't seem very important. We're going to rescue Sestun.
Margaret Weis
She had been wrong in thinking Christ had been called up against his will to fight in a war. He didn't look - in spite of the crown of thorns - like someone making a sacrifice. Or even like someone determined to "do his bit". He looked instead like Marjorie had looked telling Polly she'd joined the Nursing Service, like Mr Humphreys had looked filling buckets with water and sand to save Saint Paul's, like Miss Laburnum had looked that day she came to Townsend Brothers with the coats. He looked like Captain Faulknor must have looked, lashing the ships together. Like Ernest Shackleton, setting out in that tiny boat across icy seas. Like Colin helping Mr Dunworthy across the wreckage. He looked ... contented. As if he was where he wanted to be, doing what he wanted to do. Like Eileen had looked, telling Polly she'd decided to stay. Like Mike must have looked in Kent, composing engagement announcements and letters to the editor. Like I must have looked there in the rubble with Sir Godfrey, my hand pressed against his heart. Exalted. Happy. To do something for someone or something you loved - England or Shakespeare or a dog or the Hodbins or history - wasn't a sacrifice at all. Even if it cost you your freedom, your life, your youth.
Connie Willis (All Clear (All Clear, #2))
I'm turning away when Prince Harold says, his voice thick and fleshy through his swollen nose, "I don't understand." His eyes are on Primrose and Charm, on the place where their hands are joined together so tightly they look like a single creature. "Well, Harold," I say gently. "They're lesbians.
Alix E. Harrow (A Spindle Splintered (Fractured Fables, #1))
A wedding ritual in my part of Wales. A man and woman exchange vows with a stone held between their joined hands. After the ceremony, they go together to cast the stone into a lake, and the earth itself becomes part of their oath. From then on, they are bound to each other for as long as the world exists.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
The modern world, which denies personal guilt and admits only social crimes, which has no place for personal repentance but only public reforms, has divorced Christ from His Cross; the Bridegroom and Bride have been pulled apart. What God hath joined together, men have torn asunder. As a result, to the left is the Cross; to the right is Christ. Each has awaited new partners who will pick them up in a kind of second and adulterous union. Communism comes along and picks up the meaningless Cross; Western post-Christian civilization chooses the unscarred Christ. Communism has chosen the Cross in the sense that it has brought back to an egotistic world a sense of discipline, self-abnegation, surrender, hard work, study, and dedication to supra-individual goals. But the Cross without Christ is sacrifice without love. Hence, Communism has produced a society that is authoritarian, cruel, oppressive of human freedom, filled with concentration camps, firing squads, and brain-washings. The Western post-Christian civilization has picked up the Christ without His Cross. But a Christ without a sacrifice that reconciles the world to God is a cheap, feminized, colourless, itinerant preacher who deserves to be popular for His great Sermon on the Mount, but also merits unpopularity for what He said about His Divinity on the one hand, and divorce, judgment, and hell on the other. This sentimental Christ is patched together with a thousand commonplaces, sustained sometimes by academic etymologists who cannot see the Word for the letters, or distorted beyond personal recognition by a dogmatic principle that anything which is Divine must necessarily be a myth. Without His Cross, He becomes nothing more than a sultry precursor of democracy or a humanitarian who taught brotherhood without tears.
Fulton J. Sheen (Life of Christ)
Dear Father, thank You for this beautiful day, fulfilling Willa’s and my desire to join our two souls together with Your holy blessing. Hand in hand, we come before You, giving our hearts to You, and in return, we trust our faith to guide us through the journey You have set forth for us. “Make our marriage as flexible as this cord I wrap around our wrists so that our love will continue to grow through the years. Make our marriage as strong as the diamond I placed on her hand. I promise to give Willa a smile for every smile, a kiss for every kiss, to hurt every time she hurts until our bond is as unbreakable as our devotion to You. Amen
Jamie Begley (Lucky's Choice (The Last Riders, #7))
Their love was equal; on the hills they roamed together, and together they would go back to their cave; and this time too they went into the Lapith's palace side by side and side by side were fighting in the fray. A javelin (no knowing from whose hand) came from the left and wounded Cyllarus, landing below the place where the chest joins neck--slight wound, but when the point was pulled away, cold grew his damaged heart and cold his limbs. Hylonome embraced him as he died, caressed the wound and, putting lips to lips, she tried to stay his spirit as it fled. And when she saw him lifeless, she moaned words that in that uproar failed to reach my ears; and fell upon the spear that pierced her love, and, dying, held her husband in her arms.
Ovid (Metamorphoses)
When I met you — somehow you healed me. From the inside out, the outside in. We conquered fears together, we learned, we laughed, and we loved. I swear, you caused my heart to soar more in the past few months than it has in my entire existence. My heart is whole because you chose to share yours with me, and it’s for that reason that I get down on not one, but both knees…” I knelt in front of her and gripped her hand. “And say thank you. Thank you for saving my life, thank you for loving me enough to treasure your own, and thank you for being my strength when I had none. I’d like to think our hearts are joined — forever entwined — but considering that’s not technically a legal joining, I have a question for you Marry me? Make me the happiest man alive.” I opened the box revealing my mom’s ring.
Rachel Van Dyken
Libertate. Liberty. It was happening. It really was happening! Romanians were joining in hand and heart. And together they were finally calling-- For freedom.
Ruta Sepetys (I Must Betray You)
Global warming will not end by Earth finding a shade under the trees but under our hands joined together
Agona Apell (The Success Genome Unravelled: Turning men from rot to rock)
If You Respect Their Preparation, You never Drop the Baton
Vineet Raj Kapoor
Even if they join us, we won’t save all of them.” It was a grim truth. “Then,” Sahara said, the fingers of one hand locking tightly with Kaleb’s, “we save the ones we can. Together.” “Always.
Nalini Singh (Heart of Obsidian (Psy-Changeling, #12))
Injurious Hermia! most ungrateful maid! Have you conspired, have you with the contrived To bait me with this foul derision? Is all the counsel that we two have shared, The sisters' vows, the hours that we have spent, When we have chid the hasty-footed time For parting us,-O, and is all forgot? All school=days' friendship, childhood innocence? We, Hermia, like two artificial gods, Have with our neelds created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key; As if our hands, our sides, voices, and minds, Had been incorporate. So we grew together, Like to a double cherry, seeming parted, But yet an union in partition; Two lovely berries moulded on one stem; So, with two seeming bodies, but one heart, Two of the first, like coats in heraldry, Due but to one, and crowned with one crest, And will you rent our ancient love asunder, To join with men in scorning your poor friend? It is not friendly, 'tis not maidenly: Our sex, as well as I, may chide you for it, Though I alone do feel the injury.
William Shakespeare (A Midsummer Night’s Dream)
Flowers bloom in spring Oh, the sky spreads in summer They’re engraved and sparkling In my heart Rain falls in the morning Even on a day when I shut the window The light overflowing to my chest Is from above the clouds Joy and sorrow I hold everything close while I’m walking They’re things that firmly join My hand And your hand together Autumn is at the waterside Winter lurks at the treetop There’s a boundless kindness Deep in the world Every time when night comes Let’s offer a prayer Let’s quietly greet The day to come tomorrow Oh, a voice calling out from far, far away Guides me As if it smiles As if it sings The sound of wind echoes Joy and sorrow I hold everything close while I’m walking They’re things that firmly join My hand And your hand together
Kobato
Simon and Emily." I blinked up at Chris, surprised to hear our names being used. She dropped a wink at me. "As your hands are bound together now, so your lives and spirits are joined in a union of love and trust. Above you are the stars and below you is the earth. Like the stars, your love should be a constant source of light, and like the earth, a firm foundation from which to grow." I couldn't think of a better way to start a relationship.
Jen DeLuca (Well Met (Well Met, #1))
Falling for him would be like cliff diving. It would be either the most exhilarating thing that ever happened to me or the stupidest mistake I’d ever make. It would make my life worth living or it would crush me against stony rocks and break me utterly. Perhaps the wise thing to do would be to slow things down. Being friends would be so much simpler. Ren came back, picked up my empty dinner packet, and stowed it in the backpack. Sitting down across from me, he asked, “What are you thinking about?” I kept staring glassily at the fire. “Nothing much.” He tilted his head and considered me for a moment. He didn’t press me, for which I was grateful-another characteristic I could add to the pro relationship side of my mental list. Pressing his hands together palm to palm, he rubbed them slowly, mechanically, as if cleaning them of dust. I watched them move, mesmerized. “I’ll take the first watch, even though I really don’t think it’ll be necessary. I still have my tiger senses, you know. I’ll be able to hear or smell the Kappa if they decide to emerge from the water. “Fine.” “Are you alright?” I mentally shook myself. Sheesh! I needed a cold shower! He was like a drug, and what did you do with drugs? You pushed them as far away as possible. “I’m fine,” I said brusquely, then got up to dig through the backpack. “You let me know when your spidey-senses start to tingle.” “What?” I put my hand on my hip. “Can you also leap tall buildings in a single bound?” “Well, I still have my tiger strength, if that’s what you mean.” I grunted, “Fabulous. I’ll add superhero to your list of pros.” He frowned. “I’m no superhero, Kells. The most important consideration right now is that you get some rest. I’ll keep an eye out for a few hours. Then, if nothing happens,” he said with a grin, “I’ll join you.” I froze and suddenly became very nervous. Surely, he didn’t mean what that sounded like. I searched his face for a clue, but he didn’t seem to have any hidden agenda or be planning anything.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I wanted to putt my hand on this hand and hold it still under mine, made still by his made still. Oh he was bright and I was dark and I gave him all my darkness on that ship; but we joined, for all good things in the world, and to find somethin together; and loved, I never knew I could do it and was afraid; and on the bow of the ship that night that he said, "What have we done Christy?" I said, wonderin too, "But somethin good will come of this, I know somethin good will come of this..." Only sorrow came.
William Goyen (The House of Breath)
And something happened in Katie's heart, and she realized it wasn't just two people being joined together, not even two families. She felt as if she were joining hands with everyone who'd done this before her, just as she'd done after giving birth to Jacob, a feeling that she finally belonged, that she was part of the whole enterprise, a brick in that great arch which rose out of the dark behind you and swung over your head and curved into the future, and she was helping to keep it strong and solid, and helping to protect everyone beneath it.
Mark Haddon
By the grace of God, we two unworthy souls were joined together in holy marriage. Branded by the flames of sin, bowed by the burdens of sin, we came together at the portals of God’s house; together we received the Savior’s Host from the hand of the priest. Should I now complain if God is testing my faith? Should I now think about anything else but that I am his wife and he is my husband for as long as we both shall live?
Sigrid Undset (Kristin Lavransdatter)
Best not to look back. Best to believe there will be happily ever afters all the way around- and so there may be; who is to say there will to be such endings? Not all boats which sail away into darkness never find the sun again, or the hand of another child; if life teaches anything at all, it teaches that there are so many happy endings that the man who believes there is no God needs his rationality called into serious question… And if you spare a last though, maybe it’s ghosts you wonder about… the ghosts of children standing in the water at sunset, standing in a circle, standing with their hands joined together, their faces young, sure, but tough… tough enough, anyway, to give birth to the people they will become, tough enough understand, maybe, that the people they will become must necessarily birth the people they were before they can get on with trying to understand simple morality. The circle closes, the wheel rolls, and that’s all there is. You don’t have to look back to see those children; part of you mind wills them forever, live with them forever, love with them forever. They are not necessarily the best part of you, but were once the repository of all you could become. Children I love you. I love you so much. So drive away quick, drive away while the last of the light slips away,drive away from Derry, from memory… but not from desire. That stays, the bright cameo of all we were and all we believed as children, all that shone in our eyes even when we were lost and the wind blew in the night. Drive away and try to keep smiling. Get a little rock and roll on the radio and go toward all the life there is with all the courage you can and all the belief you can muster. Be true, be brave, stand. All the rest is darkness.
Stephen King (It)
Her body gripped him in rapturous spasms as she went over the edge, lost in the pulsing intensity of feeling. His breath caught, and then he made a sound low in his throat, a velvety growl, while the heat of his release spread inside her. They relaxed together slowly in the aftermath, their joined flesh resonant with deep twitches and throbs of pleasure. Cassandra sighed and purred as his hands coasted over her tired limbs. "I think I was begging," she admitted, "near the end." Tom pressed a soft laugh against the side of her throat, and kissed her flushed skin. "No, sweet. I'm sure that was me.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
For Love, to which we may now return, has two faces; one white, the other black; two bodies; one smooth, the other hairy. It has two hands, two feet, two tails, two, indeed, of every member and each one is the exact opposite of the other. Yet, so strictly are they joined together that you cannot separate them.
Virginia Woolf (Orlando: A Biography)
When summer and winter in autumn divide The sun will uncover a secret inside. Should winter from summer irrevocably part The whole of the book will fall quickly apart. Yet if the seasons join hands together The order of things will last forever. These are the words of Endymion spring. Bring only the insight the Inside brings. The child may see what the man does not A future time which time forgot: Books yet to be and books already written Within these pages lie dormant and hidden. Yet darkness seeks what light reveals A shadow grows: these truths conceal. These are my words, Endymion spring. Bring only the insight the Inside brings. The silence will end-the sum approaches Mark my word-the shadow encroaches. The present had passed-the past has gone The future will come-once Two become One. The sun must look the shadow in the eye Then forfeit the book lest one half die. The lesion of darkness cannot be healed Until, with Child's Blood, the whole is sealed. These are the words of Endymion spring. Bring only the insight the Inside brings.
Matthew Skelton (Endymion Spring)
Christ Jesus Eve. The girl's shattered like glass, and it'll take a blood miracle to put her together again. And you're standing here talking about fucking games?" She met fire with ice. "Obviously your heartstrings are playing a tune." "It might be because I have them," he shot back. "Because I'm not so caught up trying to win some shagging game that I consider a young woman a logical choice. She's still alive, Lieutenant. She's not on your side of the board yet." "Why don't you go back to the waiting area. You can all join hands. Maybe hold a prayer meeting. You go ahead and do that while the one who put her in the OR is chuckling up his sleeve. I've got better things to do." She strode away, steeling both her heart and belly against the hurt. It wasn't just the body she thought that could shatter. And it wasn't only fists and pipes and bats that could shatter it.
J.D. Robb (Fantasy in Death (In Death, #30))
Anne was now at hand to take up her own cause, and the sincerity of her manner being soon sufficient to convince him, where conviction was at least very agreeable, he had no farther scruples as to her being left to dine alone, though he still wanted her to join them in the evening, when the child might be at rest for the night, and kindly urged her to let him come and fetch her; but she was quite unpersuadable and this being the case, she had ere long the pleasure of seeing them set off together in high spirits. They were gone, she hoped, to be happy, however oddly constructed such happiness might seem; as for herself, she was left with as many sensations of comfort, as were, perhaps ever likely to be hers. She knew herself to be of the first utility to the child; and what was it to her, if Frederick Wentworth were only half a mile distant, making himself agreeable to others!
Jane Austen (Persuasion)
My father always used to tell one of his dreams, because it somehow seemed of a piece with what was to follow. He believed that it was a consequence of the thing's presence in the next room. My father dreamed of blood. It was the vividness of the dreams that was impressive, their minute detail and horrible reality. The blood came through the keyhole of a locked door which communicated with the next room. I suppose the two rooms had originally been designed en suite. It ran down the door panel with a viscous ripple, like the artificial one created in the conduit of Trumpingdon Street. But it was heavy, and smelled. The slow welling of it sopped the carpet and reached the bed. It was warm and sticky. My father woke up with the impression that it was all over his hands. He was rubbing his first two fingers together, trying to rid them of the greasy adhesion where the fingers joined." ("The Troll")
T.H. White (Ghostly, Grim and Gruesome)
Nearly two hundred and fifty years ago, Americans of all classes and regions joined together to fight a revolution against the rich, powerful, and entrenched hereditary monarchy of Great Britain for the right to govern ourselves. The Constitution our Founding Fathers wrote made it official—in America, power would be vested in the hands of the ordinary man, in “We the People.
KT McFarland (Revolution: Trump, Washington and “We the People”)
Those whom God hath joined together, let no man put asunder. A shiver raced down Daphne’s spine, causing her to sway. In just a moment, she would belong to this man forever. Simon’s head turned slightly, his eyes darting to her face. Are you all right? his eyes asked. She nodded, a tiny little jog of her chin that only he could see. Something blazed in his eyes— could it be relief? I now pronounce you— Gregory sneezed for a fourth time, then a fifth and sixth, completely obliterating the archbishop’s “man and wife.” Daphne felt a horrifying bubble of mirth pushing up her throat. She pressed her lips together, determined to maintain an appropriately serious facade. Marriage, after all, was a solemn institution, and not one to be treating as a joke. She shot a glance at Simon, only to find that he was looking at her with a queer expression. His pale eyes were focused on her mouth, and the corners of his lips began to twitch. Daphne felt that bubble of mirth rising ever higher. You may kiss the bride. Simon grabbed her with almost desperate arms, his mouth crashing down on hers with a force that drew a collective gasp from the small assemblage of guests. And then both sets of lips— bride and groom— burst into laughter, even as they remained entwined. Violet Bridgerton later said it was the oddest kiss she’d ever been privileged to view. Gregory Bridgerton— when he finished sneezing— said it was disgusting. The archbishop, who was getting on in years, looked perplexed. But Hyacinth Bridgerton, who at ten should have known the least about kisses of anyone, just blinked thoughtfully, and said, “I think it’s nice. If they’re laughing now, they’ll probably be laughing forever.” She turned to her mother. “Isn’t that a good thing?” Violet took her youngest daughter’s hand and squeezed it. “Laughter is always a good thing, Hyacinth. And thank you for reminding us of that.
Julia Quinn (The Duke and I (Bridgertons, #1))
We’re joined in every way possible. My cock inside him, our tongues fused together, his powerful body straining against mine. I reach around him and grip his erection, slowing the movement of my hips. I jerk him in long, lazy strokes that match the languid thrusts of my cock. “I don’t come until you do,” I whisper. Then I slip my tongue in his mouth and suck on his tongue ring, and that’s all it takes for him to shoot all over my hand.
Sarina Bowen (Him (Him, #1))
Children need to see that they are part of a history and that the story of their family is a living thing. God tells it, a new story in each generation, and each must hold hands across the sea of time, joining together the ones who went before and the ones who come after. It is given from above. Little do we understand this in the beginning, but time teaches us many things we did not expect to learn. That is life. It is the same everywhere.
Michael D. O'Brien (Theophilos)
Before every performance of New Power Generation—or any version of Prince that I was around—we all gathered in his dressing room to pray. No matter what else was happening, we came together and joined hands. He’d ask for God’s hand on us, that He would give us strength and send angels to protect us from injury, that the Holy Spirit would lift up the music, that the audience would be blessed and happy and safe from harm. It was a powerful ritual, centering, and we never took the stage without it. The Tokyo Dome was filled almost to capacity—an audience of forty-eight thousand—and the torrent of energy that came from the crowd made me feel like a fork in a light socket. I’d spent two-thirds of my life onstage, but this was a whole new level of performance high. The show started with a stirring rendition of “Take My Hand, Precious Lord” and ended with “Peter Gunn” and visited some of his
Mayte Garcia (The Most Beautiful: My Life with Prince)
У меня в Москве — купола горят! У меня в Москве — колокола звонят! И гробницы в ряд у меня стоят, — В них царицы спят, и цари. И не знаешь ты, что зарёй в Кремле Легче дышится — чем на всей земле! И не знаешь ты, что зарёй в Кремле Я молюсь тебе — до зари! И проходишь ты над своей Невой О ту пору, как над рекой-Москвой Я стою с опущенной головой, И слипаются фонари. Всей бессонницей я тебя люблю, Всей бессонницей я тебе внемлю — О ту пору, как по всему Кремлю Просыпаются звонари… Но моя река — да с твоей рекой, Но моя рука — да с твоей рукой Не сойдутся, Радость моя, доколь Не догонит заря — зари. 7 мая 1916 At home in Moscow - where the domes are burning, at home in Moscow - in the sound of bells, where I live the tombs - in their rows are standing and in them Tsaritsas - are asleep and tsars. And you don't know how - at dawn the Kremlin is the easiest place to - breathe in the whole wide earth and you don't know when - dawn reaches the Kremlin I pray to you until - the next day comes and I go with you - by your river Neva even while beside - the Moscow river I am standing here - with my head lowered and the line of street lights - sticks fast together. With my insomnia - I love you wholly. With my insomnia - I listen for you, just at the hour throughout - the Kremlin, men who ring the bells - begin to waken, Still my river - and your river still my hand - and your hand will never join, or not until one dawn catches up another dawning.
Marina Tsvetaeva (Selected Poems)
He followed the lines of her face and arms. Livia bit the inside of her cheek as he outlined her breasts. He knelt in front of her and traced her legs in the air. Livia held her breath. Will he stay? Can he stay? Please stay. On his knees, Blake kept his eyes on hers as he slowly pulled off his glove, finger by finger, until the sun shone on his bare hand. She saw the panic run through his eyes and lips. Livia broke her silence and grabbed his uncovered hand. “I don’t believe your skin is glass, but I believe in you.” Blake took another breath and squeezed her hand. He smiled as he looked at their hands in sunlight together. He released her to take off his second glove and stood up. He grabbed both her hands, and they were joined.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Socrates sat up on the bed, bent his leg and rubbed it with his hand, and as he rubbed he said: "What a strange thing that which men call pleasure seems to be, and how astonishing the relation it has with what is thought to be its opposite, namely pain! A man cannot have both at the same time. Yet if he pursues and catches the one, he is almost always bound to catch the other also, like two creatures with one head. I think c that if Aesop had noted this he would have composed a fable that a god wished to reconcile their opposition but could not do so, so he joined their two heads together, and therefore when a man has the one, the other follows later. This seems to be happening to me. My bonds caused pain in my leg, and now pleasure seems to be following.
Plato (Phaedo)
I imagine a man coming out of an alley and stabbing me a number of times until I die. Face-down, mouth-open in the snow. What would that change about me. Would I love it. Would I think that the stabbing was painful and that I didn’t like it. Does it actually hurt or is it great. I see my killer being given a wreath and a box of candy by the mayor of Chicago at some kind of ceremony (a ceremony for killing me, you see). And people are cheering for him. I see myself stab-holed and crawling out of an alley to join the periphery of the celebration. Then I hold one hand over the stab wounds and with the other hand I give the thumbs-up sign to my killer as he accepts the wreath from the mayor. I pass more people who are out walking. I’m on Ashland Avenue. A lot of times when I encounter someone else out walking or running past me, it feels like we should be more united than we end up acting. We’re both outside at the same time together. Why doesn’t that mean anything to anyone. Goddamn. No, I don’t think I actually care about that. I thought I cared about it just now.
Sam Pink (Person)
I have a dream that one day the state of Alabama, whose governor’s lips are presently dripping with the words of interposition and nullification, will be transformed into a situation where little black boys and black girls will be able to join hands with little white boys and white girls and walk together as sisters and brothers. I have a dream today. I have a dream that one day every valley shall be exalted, every hill and mountain shall be made low, the rough places will be made plain, and the crooked places will be made straight, and the glory of the Lord shall be revealed, and all flesh shall see it together. This is our hope. This is the faith with which I return to the South. With this faith we will be able to hew out of the mountain of despair a stone of hope. With this faith we will be able to transform the jangling discords of our nation into a beautiful symphony of brotherhood. With this faith we will be able to work together, to pray together, to struggle together, to go to jail together, to stand up for freedom together, knowing that we will be free one day.
Martin Luther King Jr.
I have a dream that one day this nation will rise up and live out the true meaning of its creed: We hold these truths to be self-evident, that all men are created equal. ‘I have a dream that one day, on the red hills of Georgia, the sons of former slaves and the sons of former slave owners will be able to sit down to gether at the table of brotherhood – I have a dream. ‘That one day even the state of Mississippi – a state sweltering with the heat of injustice, sweltering with the heat of op pression – will be transformed into an oasis of freedom and justice. I have a dream.’ He had hit a rhythm, and two hundred thousand people felt it sway their souls. It was more than a speech: it was a poem and a canticle and a prayer as deep as the grave. The heartbreaking phrase ‘I have a dream’ came like an amen at the end of each ringing sentence. ‘. . . That my four little children will one day live in a nation where they will not be judged by the colour of their skin but by the content of their character – I have a dream today. ‘I have a dream that one day down in Alabama – with its vicious racists, with its governor having his lips dripping with the words of interposition and nullification – one day right there in Alabama, little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers – I have a dream today. ‘With this faith we will be able to hew, out of the mountain of despair, a stone of hope. ‘With this faith we will be able to transform the jangling discords of our nation into a beautiful symphony of brotherhood. ‘With this faith we will be able to work together, to pray together, to struggle together, to go to jail together, to stand up for freedom together, knowing that we will be free one day.’ Looking around, Jasper saw that black and white faces alike were running with tears. Even he felt moved, and he had thought himself immune to this kind of thing. ‘And when this happens; when we allow freedom to ring; when we let it ring from every village and every hamlet, from every state and every city; we will be able to speed up that day when all of God’s children, black men and white men, Jews and Gentiles, Protestants and Catholics, will be able to join hands . . .’ Here he slowed down, and the crowd was almost silent. King’s voice trembled with the earthquake force of his passion. ‘. . . and sing, in the words of the old Negro spiritual: ‘Free at last! ‘Free at last! ‘Thank God Almighty, we are free at last!
Ken Follett (Edge of Eternity (The Century Trilogy, #3))
I said, somewhat confused, “What’s the problem?” [Kristy] rolled her eyes. Beside her, Monica said, “Donneven.” “Kristy.” Delia shook her head. “This isn’t the time or the place, okay?” “The time or the place for what?” Caroline asked. “There is never,” Kristy said adamantly, “a time or place for true love. It happens accidentally, in a heartbeat, in a single flashing, throbbing moment.” “Throbbing?” my mother said, leaning forward and looking at me. “Who’s throbbing?” “Macy and Wes,” Kristy told her. “We are not,” I said indignantly. “Kristy,” Delia said helplessly. “Please God I’m begging you, not now.” “Wait a second, wait a second.” Caroline held her hands up. “Kristy. Explain.” “Yes, Kristy,” my mother said, but she was looking at me. Not really mad as much as confused. Join the club, I thought. “Explain.” Bert said, “This ought to be good.” Kristy ignored him, tucking a piece of hair behind her ear. “Wes wants to be with Macy. And Macy, whether she’ll admit it or not, wants to be with Wes. And yet they’re not together, which is not only unjust, but really, when you think about it, tragical.” “That’s not a word,” Bert pointed out. “It is now,” she said. “How else can you explain a situation where Wes, a truly extraordinary boy, would be sent packing in favor of some brainiac loser…” “Why,” I said, feeling embarrassed, “do we have to keep talking about this?” “Because it’s tragical!” Kristy said….”I’ll tell you what it is. It’s wrong. You should be with Wes, Macy. The whole time you guys were hanging out, talking about how you were both with other people, it was so obvious to everyone. It was even obvious to Wes. You were the only one who couldn’t see it, just like you can’t see it now.” “Mmm-hmm,” Monica said aloud.
Sarah Dessen (The Truth About Forever)
Cam paused, staring down at her with dilated eyes, the irises bright gold rims around circles of fathomless midnight. “Amelia, love…” His kiss tasted of salt and intimacy. “Can you take a little more of me?” She fought to think above the confusion of pleasure, and shook her head jerkily. The corners of his lips deepened with a smile. He whispered, “I think you can.” His hands played over her, solicitous fingertips sliding to the place they were joined. He pressed inside her, a low rhythmic movement, and his fingers were astonishingly gentle, almost delicate, as they stroked in time to the patient thrusts. Gasping, she arched to take him deeper, and deeper still. Every time he pushed, his body rubbed hers in exactly the right way. She began to lift eagerly, anticipating each invasion, panting for it, sensation building on sensation until it culminated in a blinding swell of delight … and another … another … she felt him begin to withdraw and she moaned and twined her legs around his hips. “Amelia,” he gasped, “no, let me … I’ve got to…” Shuddering, he spent helplessly inside her, while her body gripped and stroked the hard length of him. Still locked together, Cam rolled Amelia to her side. He muttered something in Romany. Although she didn’t understand a word, it sounded highly complimentary. Limp with pleasure and exhaustion, Amelia rested her head on the solid curve of his biceps, her breath catching as she felt the occasional twitch and pulse of him in the depths of her body.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
By that tomb grows Gibran's sorrow together with the cypress trees, and above the tomb his spirit flickers every night commemorating Selma, joining the branches of the trees in sorrowful wailing, mourning and lamenting the going of Selma, who, yesterday was a beautiful tune on the lips of life and today is a silent secret in the bosom of the earth. . Solitude has soft, silky hands, but with strong fingers it grasps the heart and makes it ache with sorrow. Solitude is the ally of sorrow as well as a companion of spiritual exaltation. . He lives spiritually in the past because the present passes swiftly, and the future seems to him an approach to the oblivion of the grave. . Now I know that there is something higher than heaven and deeper than the ocean and stranger than life and death and time. I know now what I did not know before. . When I walked in the fields, I saw the token of Eternity in the awakening of nature, and when I sat by the seashore I heard the waves singing the song of Eternity. . We were three people, gathered and crushed by the hands of destiny; and all of us were toys in the hands of fate. . Be happy because I shall live in you after my death. . This is the only friend I shall have after you are gone, but how can he console me when he is suffering also? How can a broken heart find consolation in a disappointed soul? A sorrowful woman cannot be comforted by her neighbour's sorrow, nor can a bird fly with broken wings. . It is hard to write down in words the memories of those hours when I met Selma −−those heavenly hours, filled with pain, happiness, sorrow, hope, and misery. . A bird with broken wings cannot fly in the spacious sky. . He was born like a thought and died like a sigh and disappeared like a shadow. . His life began at the end of the night and ended at the beginning of the day.
Kahlil Gibran (The Broken Wings)
The curtain rises. A vista opens across the lake. The moon hangs low above the horizon and is reflected in the water. NINA, dressed in white, is seen seated on a great rock. NINA. All men and beasts, lions, eagles, and quails, horned stags, geese, spiders, silent fish that inhabit the waves, starfish from the sea, and creatures invisible to the eye—in one word, life—all, all life, completing the dreary round imposed upon it, has died out at last. A thousand years have passed since the earth last bore a living creature on her breast, and the unhappy moon now lights her lamp in vain. No longer are the cries of storks heard in the meadows, or the drone of beetles in the groves of limes. All is cold, cold. All is void, void, void. All is terrible, terrible—[A pause] The bodies of all living creatures have dropped to dust, and eternal matter has transformed them into stones and water and clouds; but their spirits have flowed together into one, and that great world-soul am I! In me is the spirit of the great Alexander, the spirit of Napoleon, of Caesar, of Shakespeare, and of the tiniest leech that swims. In me the consciousness of man has joined hands with the instinct of the animal; I understand all, all, all, and each life lives again in me.
Anton Chekhov (The Seagull)
At his leisure, the lieutenant allowed the unforgettable spectacle to engrave itself upon his mind. With one hand he fondled the hair, with the other he softly stroked the magnificent face, implanting kisses here and there where his eyes lingered. The quiet coldness of the high, tapering forehead, the closed eyes with their long lashes beneath faintly etched brows, the set of the finely shaped nose, the gleam of teeth glimpsed between full, regular lips, the soft cheeks and the small, wise chin… Wherever the lieutenant's eyes moved his lips faithfully followed. The high, swelling breasts, surmounted by nipples like the buds of a wild cherry, hardened as the lieutenant's lips closed about them. The arms flowed smoothly downward from each side of the breast, tapering toward the wrists, yet losing nothing of their roundness or symmetry…The natural hollow curving between the bosom and the stomach carried in its lines a suggestion not only of softness but of resilient strength, and while it gave forewarning to the rich curves spreading outward from here to the hips it had, in itself, an appearance only of restraint and proper discipline. The whiteness and richness of the stomach and hips was like milk brimming in a great bowl, and the sharply shadowed dip of the navel could have been the fresh impress of a raindrop, fallen there that very moment. Where the shadows gathered more thickly, hair clustered, gentle and sensitive, and as the agitation mounted in the now no longer passive body there hung over this region a scent like the smoldering of fragrant blossoms, growing steadily more pervasive… Passionately they held their faces close, rubbing cheek against cheek…Their breasts, moist with sweat, were tightly joined, and every inch of the young and beautiful bodies had become so much one with the other that it seemed impossible there should ever again be a separation…From the heights they plunged into the abyss, and from the abyss they took wing and soared once more to dizzying heights…As one cycle ended, almost immediately a new wave of passion would be generated, and together -with no trace of fatigue- they would climb again in a single breathless movement to the very summit.
Yukio Mishima (Patriotism)
Evie…” His shaking hand fumbled for hers, feebly trapping her fingers on his bare chest. Under their joined hands, the wedding band on the chain pressed against his unsteady heartbeat. “Go with Westcliff,” he murmured, his eyes closing. “After.” After what? Evie stared into his face, his gray complexion, and realized that he was referring to his own death. As she felt his hand slide away from hers, she gripped it firmly. His hand had changed…no longer smooth and manicured, but harder, callused, the nails cut ruthlessly short. “No,” she said with soft intensity, “there will be no ‘after.’ I will stay with you every moment. I will keep you with me. I won’t let you go.” Suddenly her breath was coming hard, and she felt the pressure of panic against the inner wall of her chest. Continuing to lean over him, she turned her hand so that their palms matched, their pulses pressed together…one weak, one strong. “If my love can hold you, I’ll keep you with me.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
I picked him up and set him against the steering wheel, facing me, his feet on my thighs. The huge lament continued, wave on wave. It was a sound so large and pure I could almost listen to it, try consciously to apprehend it, as one sets up a mental register in a concert hall or theater. He was not sniveling or blubbering. He was crying out, saying nameless things in a way that touched me with its depth and richness. This was an ancient dirge all the more impressive for its resolute monotony. Ululation. I held him upright with a hand under each arm. As the crying continued, a curious shift developed in my thinking. I found that I did not necessarily wish him to stop. It might not be so terrible, I thought, to have to sit and listen to this a while longer. We looked at each other. Behind that dopey countenance, a complex intelligence operated. I held him with one hand, using the other to count his fingers inside the mittens, aloud, in German. The inconsolable crying went on. I let it wash over me, like rain in sheets. I entered it, in a sense. I let it fall and tumble across my face and chest. I began to think he had disappeared inside this wailing noise and if I could join him in his lost and suspended place we might together perform some reckless wonder of intelligibility. I let it break across my body. It might not be so terrible, I thought, to have to sit here for four more hours, with the motor running and the heater on, listening to this uniform lament. It might be good, it might be strangely soothing. I entered it, fell into it, letting it enfold and cover me. He cried with his eyes open, his eyes closed, his hands in his pockets, his mittens on and off. I sat there nodding sagely.
Don DeLillo (White Noise)
I took her face in my hands and brought her close so only she could hear. “This is the day we meet for the first time and the rest of forever.” “I still don’t understand,” she cried, so I kissed her lips and prepared myself for what came next. “You promised me a long time ago that when it was all over, you’d bring me to my knees.” I let go of her face and took her hand. “I hope one will do.” I lowered myself to one knee and looked her in her eyes. “You chased away the monsters and became my reason—my forever. I’m yours, Lake Monroe. Will you marry me today?” “Yes, I fucking will,” she screamed. Just then, a light showering of flower petals rained down on us, and when she looked up, her breath caught. Buddy sat on the edge of the monkey bars with a handful flowers, sprinkling them over us. “Buddy!” “You were my hero.” He grinned. She smiled up at him and then turned to face me, and I nodded at the priest to begin. “We are gathered together to celebrate the very special love between bride and groom, by joining them in marriage…
B.B. Reid (Fearless (Broken Love, #5))
My Wild Woman welcomed me with open arms into the womb of my cave. She grasped me by the hand and, one by one, introduced me to my shadow creatures. I roamed, I raged, I roared, I explored and when I thought I was done, that I couldn’t possibly go any further, my Wild Woman drew me into her lap. She comforted me in the circle of her fierce embrace and affectionally whispered tendernesses to me. She firmly sent me back out to play until the creatures became my friends. She revealed to me the place where the soft glow of my inner hearth resided and there, we were joined by my Wise Woman, Together, they showed me how to ignite the fire with the parts of myself which no longer served the woman I was becoming and they held me while I grieved.
Tanya Valentin (When She Wakes, She Will Move Mountains - 5 Steps to Reconnecting With Your Wild Authentic Inner Queen)
Nahuel’s face took on a relaxed expression as his eyes clouded over turning white. “This pairing is blessed by Spirit.” As Sadie and Brett held hands, Nahuel began to braid the four strings together. “I join your souls as one. May you have no secrets from one another. I join your souls as one. May you protect one another until death. I join your souls as one. May you respect each other as equals, regardless of pack rank. I join your souls as one. May fertility be bestowed upon your family. I join your souls as one. May you love each other for the rest of your long, long lives. It is done, so be it.” The braid was complete and the entire altar was coated in fine mist. Sadie and Brett stared into each other’s eyes and silent tears began to fall on their cheeks.
Leia Stone (Matefinder (Matefinder #1))
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond. But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen. Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now. Now, not then. I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it. There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together. There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.' I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now. He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on. Even when broken it still works.
Cecelia Ahern (Thanks for the Memories)
But when vague rumours got abroad, that in this Protestant association a secret power was mustering against the government for undefined and mighty purposes; when the air was filled with whispers of a confederacy among the Popish powers to degrade and enslave England, establish an inquisition in London, and turn the pens of Smithfield market* into stakes and cauldrons; when terrors and alarms which no man understood were perpetually broached, both in and out of Parliament, by one enthusiast who did not understand himself, and by-gone bugbears which had lain quietly in their graves for centuries, were raised again to haunt the ignorant and credulous; when all this was done, as it were, in the dark, and secret invitations to join the Great Protestant Association in defence of religion, life, and liberty, were dropped in the public ways, thrust under the house-doors, tossed in at windows, and pressed into the hands of those who trod the streets by night; when they glared from every wall, and shone on every post and pillar, so that stocks and stones appeared infected with the common fear, urging all men to join together blindfold in resistance of they knew not what, they knew not why;—then the mania spread indeed, and the body, still increasing every day, grew forty thousand strong.
Charles Dickens (Barnaby Rudge)
The silence stretched out, heartbeat after heartbeat – taut, excruciating. And then, finally, came the first sound: a slow, deliberate clapping. Startled, Maddy opened her eyes to see Harvir leaning back in his desk, his dark gaze steady on her as his hands came together, unhurried, almost leisurely, announcing his approval. A second later, from across the room, Kara joined in, followed by August, and Paul and Jeremy and Theresa. Ms. Mousumi got to her feet with a broad smile on her face, then Rhonda began to applaud, and Nikki. Not everyone followed suit – Ken continued to sit stonefaced, as did Julie and her retinue. David, too, remained motionless, staring at his desktop. Elliot gazed out the classroom windows; Sheng played with a pen. Still, the heartbeat clapping continued on, and Maddy realized she would never forget the gift of it. If it didn’t include everyone, it was enough. She had her soul back.
Beth Goobie (The Pain Eater)
Why not?” I asked, letting my tears spill over. It was easy to cry. All I had to do was look at Alex’s limp body, and the tears came effortlessly. “You were happy enough to do it to me.” There was a beat. Then John said cautiously, “What do you mean?” “The consequences, John?” I let out a bitter laugh. “Persephone wasn’t doomed to stay in the Underworld because she ate a pomegranate. She was doomed to stay there because she did with Hades what we did last night. That’s what the pomegranate symbolizes, right?” John stared, speechless. But I could tell I was right by the color that slowly started to suffuse his cheeks…and the fact that he didn’t try to contradict me. And of course the fact that the whole thing was spelled out right in front of me by the statue Hope was sitting on. I didn’t get why the Rectors were so obsessed by the myth of Persephone that they’d put a statue of it in their mausoleum, but it was clear enough they were involved in an underworld of one kind or another. “Don’t worry,” I said, lowering my voice because I didn’t want Frank to overhear. “I don’t blame you. You asked me if I was sure, despite the consequences. I said I was. But I thought by consequences you meant a baby, and I already knew that could never happen. I guess Mr. Smith must have told you last night that he found out the pomegranate symbolized something completely different than babies or death-“ “Pierce.” John grasped my hand. His fingers were like ice, but his voice and his gaze had an urgency that was anything but cold. “That isn’t why I did it. I love you. I’ve always loved you, because you’re good…you’re so good, you make me want to be good, too. But that’s the problem, Pierce. I’m not good. And I’ve always been afraid that when you find out the truth about me, you’d run away again-“ I sucked in my breath to tell him for the millionth time that this wasn’t true, but he cut me off, not allowing me to speak until he’d had his say. “Then you almost died yesterday,” he went on, “and it was my fault. I wanted to show you how much I loved you, and things…things went further than I expected. But you didn’t stop me”-his silver eyes blazed, as if daring me to deny what he was saying-“even though I told you we could slow down if you wanted to.” “I know,” I said softly, dropping my gaze to look down at our joined fingers. We’d each kept a hand on Alex. “I know you did.” “I don’t want to lose you again,” he said fiercely. “I lost you once and I couldn’t bear it. I won’t go through that again. I…I know I did the wrong thing. But it didn’t feel wrong at the time.” I raised my gaze to his. “You’re right about that, at least,” I said. “So am I forgiven?” he asked. I hesitated, confused by the myriad of emotions I was feeling. John had known. He’d known the whole time we had been together the night before that he was forever sealing my destiny to his. Of course, he’d thought I’d known, too. He’d asked if I was sure it was what I wanted, despite the consequences. I might have misunderstood what those consequences were, but I’d been very adamant in my response. I’d said yes. And I’d meant it. “Excuse me,” called Frank’s voice from the opposite wall of vaults. “But you might want to take a look at the boy.” John and I both glanced down. Beneath the hands we’d left on Alex, he’d come back to life.
Meg Cabot (Underworld (Abandon, #2))
We have a long distance to travel,' said the Angel of Death to our friend Gil, as soon as they had left the Villa. 'I will order my chariot.' And he struck the ground with his foot. A hollow rumbling, like that which precedes an earthquake, sounded under the ground. Presently there rose round the two friends an ash-colored cloud of vapor, in the midst of which appeared a species of ivory chariot, resembling the chariots we see in the bas-reliefs of antiquity. A brief glance would have sufficed (we will not disguise the fact from out readers) to show that the chariot was not made of ivory, but solely and simply of human bones polished and joined together with exquisite skill, but retaining still their natural form. The Angel of Death gave his hand to Gil and they ascended the chariot, which rose into the air like the balloons of the present day, but with the difference that it was propelled by the will of its occupants. ("The Friend of Death")
Pedro Antonio de Alarcón (Ghostly By Gaslight)
He reached for Aiden’s hand, which was swinging by the side of Aiden’s chair in a convenient location for Harvard to grab in case Harvard might want to. Harvard not only laced their fingers together, but also brought Aiden’s hand to his lips and kissed the back. Then he let their joined hands rest on the lapel of his uniform blazer, against the golden crown over crossed swords of his captain’s pin… and his heart. Harvard did it all absentmindedly, as though he didn’t have to think about his actions because it came so naturally. Aiden lifted a coffee cup to his lips purely in order to make a Can you believe this? face behind it. There went Harvard again, raising the ideal boyfriend bar to the sky. Could the man not be stopped? “Aw, are you having faith in me, sweetheart?” Aiden murmured. “That’s so nice. And so misplaced.” Harvard murmured, a lovely little sound, patently unconvinced. This is the last time, Aiden thought, and held on. The others ignored Aiden and Harvard’s romantic moment in order to focus on crime.
Sarah Rees Brennan (Striking Distance (Fence, #1))
How do you know she’s telling you the truth?” I say. “I don’t,” he says. “She promised to show me evidence. Tonight.” He takes my hand. “I’d like you to come.” “And Nita will be okay with that?” “I don’t really care.” His fingers slide between mine. “If she really needs my help, she’ll have to figure out how to be okay with it.” I look at our joined fingers, at the fraying cuff of his gray shirt and the worn knee of his jeans. I don’t want to spend time with Nita and Tobias together, knowing that her supposed genetic damage gives her something in common with him that I will never have. But this is important to him, and I want to know if there’s evidence of the Bureau’s wrongdoing as much as he does. “Okay,” I say. “I’ll go. But don’t for a second think that I actually believe she’s not interested in you for more than your genetic code.” “Well,” he says. “Don’t for a second think I’m interested in anyone but you.” He puts his hand on the back of my neck and draws my mouth toward his. The kiss and his words both comfort me, but my unease doesn’t completely disappear.
Veronica Roth (Allegiant (Divergent, #3))
She was too compelling to look at directly. Bright like the sun, bright and terrible. Only one other being could look upon her, and that was Death. And so…they became lovers.” He said the word like a caress, like velvet again, and my face began to heat. “Together they forged great and hellish things,” Jesse murmured. “Lightning and waterfalls that churned into clouds off the tip of the world. Chasms so winding deep that daylight never traced their endings. They dreamed through golden days and silvered nights. All the other creatures envied or adored them, because Death and the Elemental were destruction and creation joined as One. In the natural order of things, they should not have been stronger joined. And yet they were.” He shifted, coming closer to me. A hand settled lightly atop my chest, directly over my heart. At our feet the seawater splashed a little, as if disturbed by something rolling over in the dark, distant deep. “Centuries passed, and mankind began to devour the earth, even the wildest places. They had tools to invent and wars to fight and grubby, short lives. Nothing about them dwelled in the magic of the ancient spirits. So although Death, the Great Hunter, prospered as he sieved through their villages, the Elemental, strong as she once was, thinned into a web of gossamer. Human lives simply tore her apart.” His hand was so warm. Warmer than I, warmer than the air, and still just barely touching me. The light behind my lids never lifted, so I knew he wasn’t glowing, but it felt as if he held a tame coal to my skin. It felt like something painless and ablaze, drawing my heart upward into it. “The time had come for them to divide. Like all the rest of her kind, the goddess would cease to exist; she had no other course. So Death and the Elemental severed their joined hearts. For a few generations more, she drifted alone through the last of the sacred places, deserts, and fjords, lands so savage no human had yet desecrated them.” Jesse’s voice dropped to a whisper. Without moving his hand, he bent down, his breath in my ear. “And Death, who had tasted her brightness, who would never cease to crave it-who knew her better than all the collected souls of all mankind’s weeping dead-became her Hunter.” I was hot and strange. I was light and lighter, and curiously my breath came so slow. “Until at last, one starry night beneath the desert moon, she surrendered to him. She allowed him to come to her, to make love to her. To unravel her…” It was happening. He sat next to her and bore witness to her change, her pulse slowing, her skin blanching, the fans of her lashes stark against the contours of her face. He kept his palm there against her chest, up and down with her respiration, and watched the smoke begin to curl around his fingers. “And by his hand, in the bliss of her unraveling, she touched the stars…” Lora’s breath hitched. Her heart skipped-then stopped. If I could take this from you, Jesse thought fiercely. If I could take this one moment away from you and keep the agony for myself- Her eyes opened, went instantly to his. Panic lit her gaze. Then she was gone. His fingers sank to the floor through her empty blouse, and the blue dragon smoke that was all of Eleanore Jones rose into strands above him.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
So it wasn’t a total surprise that Jay would turn a few heads while they were out tonight. She just hadn’t anticipated the power of the two of them together. Two good-looking guys more than doubled the attention they drew. Even among people they knew at the Java Hut that night, Violet and Chelsea became instantly invisible. Girls not only noticed the pair of boys but also giggled behind cupped hands and waved at the two of them. Jay was either unaware or chose to ignore them altogether. Mike, on the other hand, was not. And did not. Not only did he notice the interest he attracted, he seemed to enjoy it. Violet recognized it immediately for what it was: Mike was as much an attention whore as Chelsea. Violet was fine with that. Chelsea, not so much. Violet let Jay draw her through the crowds that bottlenecked near the entrance. She liked knowing that he belonged to her while all those envious eyes looked on. “I guess Chelsea’s not the only one who’s into Mike,” Violet whispered while Jay dragged her over to stand in line at the counter. Jay glanced back to where Chelsea stood on the outskirts of three girls from school who were animatedly chatting with Mike. “Yeah. She’s not doing too good, is she?” Jay agreed. “I thought she’d have him eating out of her hand by now.” Violet wrinkled her nose, worrying over her friend. “You mean like you have me doing?” Violet smiled up at him and then bumped him with her shoulder. “Yes. Exactly like that.” Chelsea caught the two of them spying on her, and Violet flashed an apologetic smile. Chelsea rolled her eyes in response. She sulked as she made her way over to join them. “Get me some fries.” The lack of a question in her statement was somewhat reassuring. She was still Chelsea. Disheartened but bossy.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
I’ll start in the air,” I said, far more steadily than I thought I could, considering. I knelt to tie the shirt around his thigh, cinching it tight above the wound; he stiffened but let me finish the knot. “The air first, the airship, and then-then I’ll dive.” “You can’t swim,” broke in Armand. “You told me that you can’t.” “Maybe I can now. If I’m a dragon.” “Don’t be an idiot! If you can’t swim, you can’t swim, Eleanore! You’ll drown out there, and what the bloody hell do you think you’re going to do anyway to a U-boat? Bite it open?” I stood again. “Yes! If I must! I don’t hear you coming up with a better-“ “You’ll die out there!” “Or we’ll all die here!” “We’re going to find another way!” “You two work on that. I’m off.” I fixed them both with one last, vehement look, the Turn rising inside me. Remember this. Remember them, this moment, this heartbreak, these two boys. Remember that they loved you. Armand had reached for my shoulders. “I forbid-Eleanore, please, no-“ “No,” echoed Jesse, speaking at last. “You’re not going after the submarine, Lora. You won’t need to.” Armand and I paused together, glancing down at him. I stood practically on tiptoe, so ready to become my other self. Jesse climbed clumsily to his feet. When he swayed, we both lunged to catch him. “Armand will take me to the shore. I’ll handle the U-boat.” “How?” demanded Armand at once. But I understood. I could read him so well now, Jesse-of-the-stars. I understood what he meant to do, and what it would cost him. I felt myself shaking my head. Above us, the airship propellers thumped louder and louder. “Yes,” said Jesse, smiling his lovely smile at me. “I already sense your agreement. Death and the Elemental were stronger joined than apart, remember? This is our joining. Don’t waste any more time quarreling with me about it. That’s not your way.” He leaned down to me, a hand tangled in my hair. His mouth pressed to mine, and for the first time ever I didn’t feel bliss at his touch. I felt misery. “Go on, Lora-of-the-moon,” he murmured against my lips. “You’re going to save us. I know you will.” I glared past him to the harsh, baffled face of Armand. “Will you help him? Do you swear it?” “I-yes, I will. I do.” I disentangled Jesse’s hand, kissed it, stepped back, and let the Turn consume me, smoke rising and rising, leaving the castle and all I loved behind me for the wild open sky.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
Now,” Samite continued, “after Essel has just spent time warning you about generalities and how they often don’t apply, I’m going to use some. Because some generalities are true often enough that we have to worry about them. So here’s one: men will physically fight for status. Women, generally, are more clever. The why of it doesn’t matter: learned, innate, cultural, who cares? You see the chest-bumping, the name-calling, performing for their fellows, what they’re really doing is getting the juices flowing. That interval isn’t always long, but it’s long enough for men to trigger the battle juice. That’s the terror or excitation that leads people to fight or run. It can be useful in small doses or debilitating in large ones. Any of you have brothers, or boys you’ve fought with?” Six of the ten raised their hands. “Have you ever had a fight with them—verbal or physical—and then they leave and come back a little later, and they’re completely done fighting and you’re just fully getting into it? They look like they’ve been ambushed, because they’ve come completely off the mountain already, and you’ve just gotten to the top?” “Think of it like lovemaking,” Essel said. She was a bawdy one. “Breathe in a man’s ear and tell him to take his trousers off, and he’s ready to go before you draw your next breath. A woman’s body takes longer.” Some of the girls giggled nervously. “Men can switch on very, very fast. They also switch off from that battle readiness very, very fast. Sure, they’ll be left trembling, sometimes puking from it, but it’s on and then it’s off. Women don’t do that. We peak slower. Now, maybe there are exceptions, maybe. But as fighters, we tend to think that everyone reacts the way we do, because our own experience is all we have. In this case, it’s not true for us. Men will be ready to fight, then finished, within heartbeats. This is good and bad. “A man, deeply surprised, will have only his first instinctive response be as controlled and crisp as it is when he trains. Then that torrent of emotion is on him. We spend thousands of hours training that first instinctive response, and further, we train to control the torrent of emotion so that it raises us to a heightened level of awareness without making us stupid.” “So the positive, for us Archers: surprise me, and my first reaction will be the same as my male counterpart’s. I can still, of course, get terrified, or locked into a loop of indecision. But if I’m not, my second, third, and tenth moves will also be controlled. My hands will not shake. I will be able to make precision movements that a man cannot. But I won’t have the heightened strength or sensations until perhaps a minute later—often too late. “Where a man needs to train to control that rush, we need to train to make it closer. If we have to climb a mountain more slowly to get to the same height to get all the positives, we need to start climbing sooner. That is, when I go into a situation that I know may be hazardous, I need to prepare myself. I need to start climbing. The men may joke to break the tension. Let them. I don’t join in. Maybe they think I’m humorless because I don’t. Fine. That’s a trade I’m willing to make.” Teia and the rest of the girls walked away from training that day somewhat dazed, definitely overwhelmed. What Teia realized was that the women were deeply appealing because they were honest and powerful. And those two things were wed inextricably together. They said, I am the best in the world at what I do, and I cannot do everything. Those two statements, held together, gave them the security to face any challenge. If her own strengths couldn’t surmount an obstacle, her team’s strengths could—and she was unembarrassed about asking for help where she needed it because she knew that what she brought to the team would be equally valuable in some other situation.
Brent Weeks (The Blinding Knife (Lightbringer, #2))
A slave in serving dress presented Kestrel with wine, then led the way to an open solarium with a low fountain and hothouse flowers. Musicians played discreetly behind an ebony screen as guests greeted each other, some chatting where they stood, others retreating for quiet conversations on the stone benches lining the fountain. Kestrel turned to face Arin. His eyes were dazed with anger, his hands clenched. “Arin,” she began, concerned, but his gaze flicked away and settled on some point across the room. “Your friends are here,” he said. She followed his line of sight to see Jess and Ronan laughing at something Benix had said. “Dismiss me,” Arin said. “What?” she said, though in fact he was the only escort in the room. The slaves who threaded through the crowd were servers, and Irex’s. “Join your friends. I don’t want to stay here anymore. Send me to the kitchens.” She took a breath, then nodded. He spun on his heel and was gone. She felt instantly alone. She hadn’t expected this. But when she asked herself what she had expected, she had a foolish image of her and Arin sitting on a bench together. Kestrel looked up at the glass roof, a pyramid of purple sky. She saw the sharp cut of the moon, and remembered Enai saying that it was best to recognize the things one cannot change. She crossed the room to greet her friends.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Well, guys”—he spread his arms—“I could thank Reyna all day long. She has given so much to the legion. She’s been the best mentor and friend. She can never be replaced. On the other hand, I’m up here all alone now, and we have an empty praetor’s chair. So I’d like to take nominations for—” Lavinia started the chant: “HA-ZEL! HA-ZEL!” The crowd quickly joined in. Hazel’s eyes widened. She tried to resist when those sitting around her pulled her to her feet, but her Fifth Cohort fan club had evidently been preparing for this possibility. One of them produced a shield, which they hoisted Hazel onto like a saddle. They raised her overhead and marched her to the middle of the senate floor, turning her around and chanting, “HAZEL! HAZEL!” Reyna clapped and yelled right along with them. Only Frank tried to remain neutral, though he had to hide his smile behind his fist. “Okay, settle down!” he called at last. “We have one nomination. Are there any other—?” “HAZEL! HAZEL!” “Any objections?” “HAZEL! HAZEL!” “Then I recognize the will of the Twelfth Legion. Hazel Levesque, you are hereby promoted to praetor!” More wild cheering. Hazel looked dazed as she was dressed in Reyna’s old cloak and badge of office, then led to her chair. Seeing Frank and Hazel side by side, I had to smile. They looked so right together—wise and strong and brave. The perfect praetors. Rome’s future was in good hands. “Thank you,” Hazel managed at last. “I—I’ll do everything I can to be worthy of your trust. Here’s the thing, though. This leaves the Fifth Cohort without a centurion, so—” The entire Fifth Cohort started chanting in unison: “LAVINIA! LAVINIA!” “What?” Lavinia’s face turned pinker than her hair. “Oh, no. I don’t do leadership!” “LAVINIA! LAVINIA!” “Is this a joke? Guys, I—” “Lavinia Asimov!” Hazel said with a smile. “The Fifth Cohort read my mind. As my first act as praetor, for your unparalleled heroism in the Battle of San Francisco Bay, I hereby promote you to centurion—unless my fellow praetor has any objections?” “None,” Frank said. “Then come forward, Lavinia!
Rick Riordan (The Tyrant's Tomb (The Trials of Apollo, #4))
You look beautiful, Rena." Gently he laid a hand on the mound of her belly. His sister, he thought as wonder and pride mixed together. His baby sister. "I can't get used to it," he murmured. Serena put her hand on his. "You don't have a great deal more time to get used to it." She felt the baby move under their joined hands and grinned as Alan's gaze dropped to them. "He or she is impatient to begin." Tilting her head, she studied Alan's face. "Dad's suddenly gotten it into his head there might be two...I wonder who might have planted that seed?" His eyes smiled as he lifted them to his sister's. "It was purely a defensive maneuver." "Mmm-hmm." Turning, she held out both hands. "You must be Shelby. I'm glad you could come." Shelby felt the warmth, more carefres than Alan's, the welcome, less curious than Caine's. "So am I.I've been wanting to meet the woman who broke Alan's nose." With a muffled chuckle, Serena jerked her head toward Caine. "It was supposed to be his." She narrowed her eyes a moment as Caine dipped his hands into his pockets and grinned. "It should have been his. Come on in and meet the rest of the family," she continued as she tucked her arm through Shelby's. "God,I hope Alan prepared you." "In his own way." "If you start to feel overwhelmed, just shoot me a look. These days all I have to do is sigh to distract Dad's attention for an hour and a half.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Scott still stares at Sid, then turns to Alice and hands her the Scotch. “We’re going to go see Joanie today,” he says. Alice grins. “And Chachi?” she asks. Sid bursts out laughing and Scott turns back to him, then places a hand on his shoulder, which makes me fear for his life. “You be quiet, son,” Scott says. “I could kill you with this hand. This hand has been places.” I shake my head and look at both Sid and Alex. Scott lifts his hand off Sid’s shoulder and turns again to his wife. “No, Alice. Our Joanie. Our daughter. We’re going to give her anything she wants.” He glares at me. “Think about what she would want, Alice. We’re going to get it for her and bring it to her. Bring it right to her bed.” “Joanie and Chachi,” Alice chants. “Joanie and Chachi!” “Shut up, Alice!” Scott yells. Alice looks at Scott as though he just said “Cheese.” She clasps her hands together and smiles, staying in the pose for a few seconds. He looks at her face and squints. “Sorry, old gal,” he says. “You go ahead and say whatever you want.” “It was funny,” Sid says. “All I was doing was laughing. She has a good sense of humor. That’s all. Maybe she knows she’s being funny. I think she does.” “I’m going to hit you,” Scott says. His arms hang alongside him, the muscles flexed, veins big like milk-shake straws. I know he’s going to hit Sid because that’s what he does. I’ve seen him hit Barry. I, too, have been hit by Scott after I beat him and his buddies at a game of poker. His hands are in fists, and I can see his knobby old-man knuckles, the many liver spots almost joining to become one big discoloration, like a burn. Then he pops his fist up toward Sid, a movement like a snake rearing its head and lunging forth. I see Sid start to bring his arm up to block his face, but then he brings it down and clutches his thigh. It’s almost as if he decided not to protect himself. The end result is a punch in his right eye, a screaming older daughter, a frightened younger daughter, a father trying to calm many people at once, and a mother-in-law cheering wildly as though we have all done something truly amazing.
Kaui Hart Hemmings (The Descendants)
I've been ordered to take you men with me. I've been told that if you don't come I can shoot you. Well, you know I won't do that. Not Maine men. I won't shoot any man who doesn't want this fight. Maybe someone else will, but I won't. So that's that." He paused again. There was nothing on their faces to lead him. "Here's the situation. I've been ordered to take you along, and that's what I'm going to do. Under guard if necessary. But you can have your rifles if you want them. The whole Reb army is up the road a ways waiting for us and this is no time for an argument like this. I tell you this: we sure can use you. We're down below half strength and we need you, no doubt of that. But whether you fight or not is up to you. Whether you come along, well, you're coming." Tom had come up with Chamberlain's horse. Over the heads of the prisoners Chamberlain could see the regiment falling into line out in the flaming road. He took a deep breath. "Well, I don't want to preach to you. You know who we are and what we're doing here. But if you're going to fight alongside us there's a few things I want you to know." He bowed his head, not looking at eyes. He folded his hands together. "This regiment was formed last fall, back in Maine. There were a thousand of us then. There's not three hundred of us now." He glanced up briefly. "But what is left is choice." He was embarrassed. He spoke very slowly, staring at the ground. "Some of us volunteered to fight for Union. Some came in mainly because we were bored at home and this looked like it might be fun. Some came because we were ashamed not to. Many of us came...because it was the right thing to do. All of us have seen men die. Most of us never saw a black man back home. We think on that, too. Freedom...is not just a word." He looked into the sky, over silent faces. "This is a different kind of army. If you look at history you'll see men fight for pay, or women, or some other kind of loot. They fight for land, or because a king makes them, or just because they like killing. But we're here for something new. I don't...this hasn't happened much in the history of the world. We're an army going out to set other men free." He bent down, scratched the black dirt into his fingers. He was beginning to warm to it; the words were beginning to flow. No one in front of him was moving. He said, "This is free ground. All the way to the Pacific Ocean. No man has to bow. No man born to royalty. Here we judge you by what you do, not by what your father was. Here you can be something. Here's a place to build a home. It isn't the land- there's always more land. It's the idea that we all have value, you and me, we're worth something more than the dirt. I never saw dirt I'd die for, but I'm not asking you to come join us and fight for dirt. What we're all fighting for, in the end, is each other.
Michael Shaara (The Killer Angels: A Novel of the Civil War)
We’ve come because we need to track down the original location of the Fall,” Daniel said, “the place where Lucifer and the host of Heaven will appear. We have to stop him.” Dee looked strangely undeterred from her tea service, continuing to divvy up the cucumber sandwiches. The angels waited for her to respond. A log in the fire splintered, cracked, and tumbled from the grate. “And all because a boy loved a girl,” she said at last. “Quite disturbing. Really brings out the worst in all the old enemies, doesn’t it? Scale coming unhinged, Elders killing innocents. So much unpleasantness. As if all you fallen angels didn’t have enough to bother with. I say, you must be awfully tired.” She have Luce a reassuring smile and gestured again for them to sit down. Roland pulled out the chair at the head of the table for Dee and sat down in the seat to her left. “Maybe you can help us.” He motioned for the others to join him. Annabelle and Arriane sat beside him, and Luce and Daniel sat across the table. Luce slid her hand over Daniel’s, twining her fingers around his. Dee passed the cups of tea around the table. After a clattering of china and spoons stirring sugar into tea, Luce cleared her throat. “We’re going to stop Lucifer, Dee.” “I should hope so.” Daniel grasped Luce’s fingers. “Right now we’re searching for three objects that tell the early history of the fallen. When brought together, they should reveal the original location of the Fall.” Dee sipped her tea. “Clever boy. Had any luck?
Lauren Kate (Rapture (Fallen, #4))
and drew her strength directly from our magickal Oklahoma earth. “U-we-tsi-a-ge-ya, it seems I need help at the lavender booth. I simply cannot believe how busy we are.” Grandma had barely spoken when a nun hurried up. “Zoey, Sister Mary Angela could use your help filling out cat adoption forms.” “I’ll help you, Grandma Redbird,” Shaylin said. “I love the smell of lavender.” “Oh, honey, that would be so sweet of you. First, could you run to my car and get into the trunk. There is another box of lavender soaps and sachets tucked back there. Looks like I’m going to sell out completely,” Grandma said happily. “Sure thing.” Shaylin caught the keys Grandma tossed to her and hurried toward the main exit of the school grounds which led to the parking lot, as well as the tree-lined road that joined Utica Street. “And I’ll call my momma. She said just let her know if we get too busy over here. She and the PTA moms will be back here in a sec,” said Stevie Rae. “Grandma, do you mind if I give Street Cats a hand? I’ve been dying to check out their new litter of kittens.” “Go on, u-we-tsi-a-ge-ya. I think Sister Mary Angela has been missing your company.” “Thanks, Grandma.” I smiled at her. Then I turned to Stevie Rae. “Okay, if your mom’s group is coming back, I’m gonna go help the nuns.” “Yeah, no problem.” Stevie Rae, shielding her eyes and peering through the crowd, added, “I see her now, and she’s got Mrs. Rowland and Mrs. Wilson with her.” “Don’t worry. We can handle this,” Shaunee said. “’Kay,” I said, grinning at both of them. “I’ll be back as soon as I can.” I left the cookie booth and noticed Aphrodite, clutching her big purple Queenies cup, was right on my heels. “I thought you didn’t want a lecture from the nuns.” “Better than a lecture from PTA moms.” She shuddered. “Plus, I like cats more than people.” I shrugged. “Okay, whatever.” We’d only gotten partway to the Street Cats tent when Aphrodite slowed way down. “Seriously. Effing. Pathetic.” She was muttering around her straw, narrowing her eyes, and glaring. I followed her gaze and joined her frown. “Yeah, no matter how many times I see them together, I still don’t get it.” Aphrodite and I had stopped to watch Shaunee’s ex-Twin BFF, Erin, hang all over Dallas. “I really thought she was better than that.” “Apparently not,” Aphrodite said. “Eeew,” I said, looking away from their way too public display of locked lips. “I’m telling you, there’s not enough booze in Tulsa to make watching those two suck face okay.” She made a gagging sound, which changed to a snort and a laugh. “Check out the wimple, twelve o’clock.” Sure enough, there was a nun I vaguely recognized as Sister Emily (one of the more uptight of the nuns) descending on the too-busy-with-their-tongues-to-notice couple. “She looks serious,” I said. “You know, a nun may very well be the direct opposite of an aphrodisiac. This should be entertaining. Let’s watch.” “Zoey! Over here!” I looked from the train wreck about to happen to see Sister Mary Angela waving me over to her.
P.C. Cast (Revealed (House of Night #11))
Naturally, society has an indisputable right to protect itself against arrant subjectivisms, but, in so far as society is itself composed of de-individualized human beings, it is completely at the mercy of ruthless individualists. Let it band together into groups and organizations as much as it likes – it is just this banding together and the resultant extinction of the individual personality that makes it succumb so readily to a dictator. A million zeros joined together do not, unfortunately, add up to one. Ultimately everything depends on the quality of the individual, but our fatally short-sighted age thinks only in terms of large numbers and mass organizations, though one would think that the world had seen more than enough of what a well-disciplined mob can do in the hand of a single madman. Unfortunately, this realization does not seem to have penetrated very far - and our blindness is extremely dangerous. People go on blithely organizing and believing in the remedy of mass action, without the least consciousness of the fact that the most powerful organizations can be maintained only by the greatest ruthlessness of their leaders and the cheapest of slogans. Curiously enough, the Churches too want to avail themselves of mass action in order to cast out the devil with Beelzebub – the very Churches whose care is the salvation of the individual soul. They too do not appear to have heard anything of the elementary axiom of mass psychology, that the individual becomes morally and spiritually inferior in the mass, and for this reason they do not burden themselves overmuch with their real task of helping the individual to achieve a metanoia, or rebirth of the spirit – deo concedente. It is, unfortunately, only too clear that if the individual is not truly regenerated in spirit, society cannot be either, for society is the sum total of individuals in need of redemption. I can therefore see it only as a delusion when the Churches try – as they apparently do – to rope the individual into a social organization and reduce him to a condition of diminished responsibility, instead of raising him out of the torpid, mindless mass and making clear to him that he is the one important factor and that the salvation of the world consists in the salvation of the individual soul.
C.G. Jung
Looking down on the assembly, standing patiently in the drizzle awaiting a verdict, I suddenly had a vivid understanding of something. Like so many, I had heard, appalled, the reports that trickled out of postwar Germany; the stories of deportations and mass murder, of concentration camps and burnings. And like so many others had done, and would do, for years to come, I had asked myself, “How could the people have let it happen? They must have known, must have seen the trucks, the coming and going, the fences and smoke. How could they stand by and do nothing?” Well, now I knew. The stakes were not even life or death in this case. And Colum’s patronage would likely prevent any physical attack on me. But my hands grew clammy around the porcelain bowl as I thought of myself stepping out, alone and powerless, to confront that mob of solid and virtuous citizens, avid for the excitement of punishment and blood to alleviate the tedium of existence. People are gregarious by necessity. Since the days of the first cave dwellers, humans—hairless, weak, and helpless save for cunning—have survived by joining together in groups; knowing, as so many other edible creatures have found, that there is protection in numbers. And that knowledge, bred in the bone, is what lies behind mob rule. Because to step outside the group, let alone to stand against it, was for uncounted thousands of years death to the creature who dared it. To stand against a crowd would take something more than ordinary courage; something that went beyond human instinct. And I feared I did not have it, and fearing, was ashamed. It
Diana Gabaldon (Outlander (Outlander, #1))
Ronan was waiting in his family’s stables. He played with the gloves in his hands as he stood watching Kestrel and Arin ride toward him. “I thought you would take the carriage,” Ronan said to Kestrel. “To go riding? Really, Ronan.” “But your escort.” His eyes cut to Arin sitting easily on the stallion. “I didn’t think any of your slaves rode.” Kestrel watched Ronan tug at the gloves’ fingers. “Is there a problem?” “Now that you are here, certainly not.” Yet his voice was strained. “Because if you don’t like the way in which I have come, you may ride to my house the next time you invite me, then escort me back to your estate, then see me safely home again, and go back the way you came.” He responded to her words as if they had been flirtatious. “It would be my pleasure. Speaking of pleasure, let’s take some together.” He mounted his horse. “Where is Jess?” “Sick with a headache.” Somehow Kestrel doubted that. She said nothing, however, and let Ronan lead the way out of the stables. She turned to follow, and Arin did the same. Ronan glanced back, blond hair brushing over his shoulder. “Surely you don’t intend for him to join us.” Arin’s horse, perfectly calm up until this point, began to shift and balk. It was sensing the tension Kestrel couldn’t see in its rider, who looked impassively at her, waiting for her to translate Ronan’s words into Herrani so that he could pretend it was necessary. “Wait here,” she told him in his language. He wheeled the horse back toward the stables. “You should vary your escorts,” Ronan told Kestrel as Arin rode away. “That one stays too close to your heels.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Lambspun’s Whodunnit Shell   Very Easy Knit with Bulky Yarn GAUGE: 2 sts/in   MATERIALS: US size 15 needles (or size to obtain gauge), 14-inch straight Very bulky yarn with gauge of 2 sts per inch   INSTRUCTIONS:     BACK: With yarn required for gauge, CO 40, 44, 46, 50, 52 sts. Work in garter stitch, (knit every row) or if you like an edge that rolls, work in stockinette (knit one row, purl one row) throughout garment. Continue in garter or stockinette until piece measures 8, 8.5, 9, 9, 9 inches or desired length to armhole. At armhole edges BO 3 sts once, 2 sts once, 1 st once. Work on remaining 28, 32, 34, 38, 40 sts until piece measures 14.5, 15, 15.5, 16, 16.5 inches.   NECK SHAPING: Work 11, 12, 12, 14, 15 sts. Join second ball of yarn and bind off center 6, 8, 10, 10, 10 sts. Work remaining sts, turn. Working both sides at once, bind off 1 st from the neck edge 3 times. Continue working on reaming sts until piece measures 17, 18, 18.5, 19, 19.5 inches. Place remaining 8, 9, 9, 11, 12 sts on holders.   FRONT: CO 39, 43, 45, 49, 51 sts. Work in garter stitch, (knit every row) or if you like an edge that rolls, work in stockinette (knit one row, purl one row) throughout garment. Continue in garter or stockinette until piece measures 8, 8.5, 9, 9, 9 inches or desired length to armhole. At armhole edges BO 3 sts once, 2 sts once, 1 st once. Work on remaining 28, 32, 34, 38, 40 sts until piece measures 14.5, 15, 15.5, 16, 16.5 inches.   NECK SHAPING: Same as for back.   FINISHING: Join shoulders with three-needle bind off. Single crochet around every edge. Hand seam sides together. Pattern courtesy of Lambspun of Colorado, Fort Collins, Colorado.
Maggie Sefton (Double Knit Murders (A Knitting Mystery #1-2))
I’m sorry,” she said, wishing she could say something more meaningful. “I’m not. If he’d been a good uncle, I’d have stayed in Boston. Never would have found my way to San Francisco,” he said. Camille knew where the rest of his story led and grinned. “And you never would have rescued my father from a pickpocket,” she added. He started to laugh, a quiet, almost personal chuckle, like he was thinking about some funny memory. Camille caught the bug of laughter and wanted to join in. “What is it?” she asked. “Your father didn’t need a rescuer. He caught the pickpocket himself,” Oscar answered, a hand on his abdomen from all his laughter. “And then he invited him inside for dinner.” Her smile fell flat. She stared at him, trying to comprehend what he’d just said. “You?” she asked, dumbfounded. “You were the pickpocket?” Oscar nodded, scratching the back of his head. “Yeah. I wasn’t very good at it.” Her father could have had him arrested or shooed him away without thinking twice. But he’d invited Oscar inside. He gave him work, food…a real chance. “Why didn’t he tell me?” she asked, feeling like she’d been duped once again. All the lies her father had woven to cover up his secrets had become so frayed, Camille wondered if she had truly known him at all. “To give me a clean slate with everyone. Even you.” Oscar moved toward her in cautious, deliberate steps. “We’re alone. We should talk.” The pantry was cramped and dismal despite the oil lamp, and Camille had a sudden urge to flee. “About what?” she asked, her ears burning. She still reeled with the knowledge that the pickpocket story hadn’t been real, just like her mother’s story hadn’t been real. Oscar stopped within a few inches from her and reached a hand around her waist. “About our night together, Camille,” he answered, his dimples forming. “There’s a lot to say.
Angie Frazier (Everlasting (Everlasting, #1))
It would be really wonderful if all this could be a dream,” I said. “Come now, you’ll get there. Focus on one aura at a time; that helps. What do you see when you look at me?” I took a breath. “A kind of idiosyncratic bluish with a happy patch of crimson right around your middle. You’re a bit dark—but also very light in funny little ways.” I blinked. “There are also notes of a sort of rosy color hanging all around both you and Jenny. No, not rosy, exactly. How would you describe it—a buoyant sort of flush?” “Buoyant is not a color,” said Jackaby. “You sound ridiculous. But an excellent start! The sight will take time to understand. I’m here to help.” “I’m here for you, too, Abigail,” Jenny assured me, putting a hand on Jackaby’s shoulder as she glided forward to join us. “We can practice together and take it slow. It’s the least I could do after everything you’ve done to help me figure out my own abilities.” I nodded. “It’s nice to see that you’re not having any more trouble in that area,” I said. Jenny’s hand was still on Jackaby’s shoulder. The flush around their auras increased when I mentioned it. “I’m not even sure how it happened,” Jenny said. “I just needed it to happen, and it did.” “Not surprised about it at all,” said Jackaby. “Not surprised?” Jenny said. “Yesterday I couldn’t so much as brush a hair out of your eyes, but today I reached inside your chest and held your heart in my hands—and you’re not surprised?” “Not at all. My heart was always yours,” said Jackaby. Jenny leaned back and looked at him, startled. “That is about the sweetest thing I think you’ve ever said.” “Was it good?” He gave her a goofy grin. “I was trying to work out how to phrase it the whole ride over.” “Not good at all, no,” she said, trying unsuccessfully to keep a smile off her face. “It was sappy and maudlin and positively terrible. Sweet, though. Excellent effort.” “You’re just jealous because we’re both technically undead now, and I’m clearly so much better at it.” “Jealous? I’m not jealous. For the first time since I’ve known you, I have the power to shut you up.” She leaned in and kissed him right on the lips.
William Ritter (The Dire King (Jackaby, #4))
It’s nice when grown people whisper to each other under the covers. Their ecstasy is more leaf-sigh than bray and the body is the vehicle, not the point. They reach, grown people, for something beyond, way beyond and way, way down underneath tissue. They are remembering while they whisper the carnival dolls they won and the Baltimore boats they never sailed on. The pears they let hang on the limb because if they plucked them, they would be gone from there and who else would see that ripeness if they took it away for themselves? How could anybody passing by see them and imagine for themselves what the flavor would be like? Breathing and murmuring under covers both of them have washed and hung out on the line, in a bed they chose together and kept together nevermind one leg was propped on a 1916 dictionary, and the mattress, curved like a preacher’s palm asking for witnesses in His name’s sake, enclosed them each and every night and muffled their whispering, old-time love. They are under the covers because they don’t have to look at themselves anymore; there is no stud’s eye, no chippie glance to undo them. They are inward toward the other, bound and joined by carnival dolls and the steamers that sailed from ports they never saw. That is what is beneath their undercover whispers. But there is another part, not so secret. The part that touches fingers when one passes the cup and saucer to the other. The part that closes her neckline snap while waiting for the trolley; and brushes lint from his blue serge suit when they come out of the movie house into the sunlight. I envy them their public love. I myself have only known it in secret, shared it in secret and longed, aw longed to show it—to be able to say out loud what they have no need to say at all: That I have loved only you, surrendered my whole self reckless to you and nobody else. That I want you to love me back and show it to me. That I love the way you hold me, how close you let me be to you. I like your fingers on and on, lifting, turning. I have watched your face for a long time now, and missed your eyes when you went away from me. Talking to you and hearing you answer —that’s the kick. But I can’t say that aloud; I can’t tell anyone that I have been waiting for this all my life and that being chosen to wait is the reason I can. If I were able I’d say it. Say make me, remake me. You are free to do it and I am free to let you because look, look. Look where your hands are. Now.
Toni Morrison (Jazz (Beloved Trilogy, #2))
So you were bored and decided to come looking for me?” He trailed a finger over the exposed part of her upper chest. “Something like that.” Blushing prettily, she brushed his hand away, but not before giving his fingers a squeeze. “Well, I’m busy, so unless you want to help Heather and me in our endeavors, you will have to find some way to amuse yourself.” Grey sighed. “All right, I’ll go, but only because I’m likely to ruin whatever beautification potions you two lovely witches are brewing.” Behind Rose, the maid Heather giggled. Grey grinned at Rose’s wide-eyed disbelief as she looked at first her maid and then him. “Have you always charmed women so easily?” Grey’s humor faded. “I’m afraid so.” And then softly, “It if offends you…” She shoved her palm into his shoulder. “Don’t be an idiot. Flirt with my maid all you want. But I don’t want to hear anything from you when I smile at the footmen.” God she was amazing. He slipped his arms around her, no caring that the maid could see, even though she made a great pretense of not looking. “Are you going out tonight?” Rose pushed against his chest. “Grey, I’m all sweat and grime.” “I don’t care. Answer me, are you going out?” She arched a brow. “Are you trying to get rid of me?” “No.” He held her gaze as he lowered his head, but he didn’t kiss her. He simply let the words drift across her sweet lips. “I’d keep you here every night if I could.” She shivered delicately. Christ, he could kiss her. He could make love to her right there. “All you have to do is ask.” “I won’t have you give up your society for me.” Something flickered in her dark eyes. “It wouldn’t be much of a sacrifice.” Because of the gossip? How long before she began to resent him for it? He could just push her away and be done with it-tell her to go out and find herself a lover, but he would rather carve up the rest of his face than do that. Instead, he took the coward’s route. He didn’t ask for an explanation. He didn’t want to know what she’d heart about him or what they’d said about her. He simply smiled and decided to take advantage of what time he had left. Because he loved having her with him, and spending what had always been lonely hours in company better than any he might have deserved or ever wished for. “You are sweaty and grimy,” he murmured in his most seductive tones. “And now I find I am as well. Shall we meet in the bath in, say, twenty minutes? I’ll scrub your back if you’ll scrub mine.” Of course, when she joined him later, and their naked bodies came together in the hot, soapy water, all thoughts of scrubbing disappeared. And so did-for a brief while-all of Grey’s misgivings. But he knew they’d be back.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
In the end, it was the little details of the wedding that Daphne remembered. There were tears in her mother's eyes (and then eventually on her face), and Anthony's voice had been oddly hoarse when he stepped forward to give her away. Hyacinth had strewn her rose petals too quickly, and there were none left by the time she reached the altar. Gregory sneezed three times before they even got to their vows. And she remembered the look of concentration on Simon's face as he repeated his vows. Each syllable was uttered slowly and carefully. His eyes burned with intent, and his voice was low but true. To Daphne, it sounded as if nothing in the world could possibly be as important as the words he spoke as they stood before the archbishop. Her heart found comfort in this; no man who spoke his vows with such intensity could possibly view marriage as a mere convenience. Those whom God hath joined together, let no man put asunder. A shiver raced down Daphne's spine, causing her to sway. In just a moment, she would belong to this man forever. Simon's head turned slightly, his eyes darting to her face. Are you all right? his eyes asked. She nodded, a tiny little jog of her chin that only he could see. Something blazed in his eyes—could it be relief? I now pronounce you— Gregory sneezed for a fourth time, then a fifth and sixth, completely obliterating the archbishop's “man and wife.” Daphne felt a horrifying bubble of mirth pushing up her throat. She pressed her lips together, determined to maintain an appropriately serious facade. Marriage, after all, was a solemn institution, and not one to be treating as a joke. She shot a glance at Simon, only to find that he was looking at her with a queer expression. His pale eyes were focused on her mouth, and the corners of his lips began to twitch. Daphne felt that bubble of mirth rising ever higher. You may kiss the bride. Simon grabbed her with almost desperate arms, his mouth crashing down on hers with a force that drew a collective gasp from the small assemblage of guests. And then both sets of lips—bride and groom—burst into laughter, even as they remained entwined. Violet Bridgerton later said it was the oddest kiss she'd ever been privileged to view. Gregory Bridgerton—when he finished sneezing—said it was disgusting. The archbishop, who was getting on in years, looked perplexed. But Hyacinth Bridgerton, who at ten should have known the least about kisses of anyone, just blinked thoughtfully, and said, “I think it's nice. If they're laughing now, they'll probably be laughing forever.” She turned to her mother. “Isn't that a good thing?” Violet took her youngest daughter's hand and squeezed it. “Laughter is always a good thing, Hyacinth. And thank you for reminding us of that.” And so it was that the rumor was started that the new Duke and Duchess of Hastings were the most blissfully happy and devoted couple to be married in decades. After all, who could remember another wedding with so much laughter?
Julia Quinn (The Duke and I (Bridgertons, #1))
Nothing is more certain than that a general profligacy and corruption of manners make a people ripe for destruction. A good form of government may hold the rotten materials together for some time, but beyond a certain pitch, even the best constitution will be ineffectual, and slavery must ensue. On the other hand, when the manners of a nation are pure, when true religion and internal principles maintain their vigour, the attempts of the most powerful enemies to oppress them are commonly baffled and disappointed. . . . [H]e is the best friend to American liberty, who is most sincere and active in promoting true and undefiled religion, and who sets himself with the greatest firmness to bear down profanity and immorality of every kind. Whoever is an avowed enemy to God, I scruple not to call him an enemy to his country. Do not suppose, my brethren, that I mean to recommend a furious and angry zeal for the circumstantials of religion, or the contentions of one sect with another about their peculiar distinctions. I do not wish you to oppose any body’s religion, but every body’s wickedness. Perhaps there are few surer marks of the reality of religion, than when a man feels himself more joined in spirit to a true holy person of a different denomination, than to an irregular liver of his own. It is therefore your duty in this important and critical season to exert yourselves, every one in his proper sphere, to stem the tide of prevailing vice, to promote the knowledge of God, the reverence of his name and worship, and obedience to his laws. . . . Many from a real or pretended fear of the imputation of hypocrisy, banish from their conversation and carriage every appearance of respect and submission to the living God. What a weakness and meanness of spirit does it discover, for a man to be ashamed in the presence of his fellow sinners, to profess that reverence to almighty God which he inwardly feels: The truth is, he makes himself truly liable to the accusation which he means to avoid. It is as genuine and perhaps a more culpable hypocrisy to appear to have less religion than you really have, than to appear to have more. . . . There is a scripture precept delivered in very singular terms, to which I beg your attention; “Thou shalt not hate thy brother in thy heart, but shalt in any wise rebuke him, and not suffer sin upon him.” How prone are many to represent reproof as flowing from ill nature and surliness of temper? The spirit of God, on the contrary, considers it as the effect of inward hatred, or want of genuine love, to forbear reproof, when it is necessary or may be useful. I am sensible there may in some cases be a restraint from prudence, agreeably to that caution of our Saviour, “Cast not your pearls before swine, lest they trample them under their feet, and turn again and rent you.” Of this every man must judge as well as he can for himself; but certainly, either by open reproof, or expressive silence, or speedy departure from such society, we ought to guard against being partakers of other men’s sins.
John Witherspoon
That man,” she announced huffily, referring to their host, “can’t put two words together without losing his meaning!” Obviously she’d expected better of the quality during the time she was allowed to mix with them. “He’s afraid of us, I think,” Elizabeth replied, climbing out of bed. “Do you know the time? He desired me to accompany him fishing this morning at seven.” “Half past ten,” Berta replied, opening drawers and turning toward Elizabeth for her decision as to which gown to wear. “He waited until a few minutes ago, then went of without you. He was carrying two poles. Said you could join him when you arose.” “In that case, I think I’ll wear the pink muslin,” she decided with a mischievous smile. The Earl of Marchman could scarcely believe his eyes when he finally saw his intended making her way toward him. Decked out in a frothy pink gown with an equally frothy pink parasol and a delicate pink bonnet, she came tripping across the bank. Amazed at the vagaries of the female mind, he quickly turned his attention back to the grandfather trout he’d been trying to catch for five years. Ever so gently he jiggled his pole, trying to entice or else annoy the wily old fish into taking his fly. The giant fish swam around his hook as if he knew it might be a trick and then he suddenly charged it, nearly jerking the pole out of John’s hands. The fish hurtled out of the water, breaking the surface in a tremendous, thrilling arch at the same moment John’s intended bride deliberately chose to let out a piercing shriek: “Snake!” Startled, John jerked his head in her direction and saw her charging at him as if Lucifer himself was on her heels, screaming, “Snake! Snake! Snnnaaaake!” And in that instant his connection was broken; he let his line go slack, and the fish dislodged the hook, exactly as Elizabeth had hoped. “I saw a snake,” she lied, panting and stopping just short of the arms he’d stretched out to catch her-or strangle her, Elizabeth thought, smothering a smile. She stole a quick searching glance at the water, hoping for a glimpse of the magnificent trout he’d nearly caught, her hands itching to hold the pole and try her own luck. Lord Marchman’s disgruntled question snapped her attention back to him. “Would you like to fish, or would you rather sit and watch for a bit, until you recover from your flight from the serpent?” Elizabeth looked around in feigned shock. “Goodness, sir, I don’t fish!” “Do you sit?” he asked with what might have been sarcasm. Elizabeth lowered her lashes to hide her smile at the mounting impatience in his voice. “Of course I sit,” she proudly told him. “Sitting is an excessively ladylike occupation, but fishing, in my opinion, is not. I shall adore watching you do it, however.” For the next two hours she sat on the boulder beside him, complaining about its hardness, the brightness of the sun and the dampness of the air, and when she ran out of matters to complain about she proceeded to completely spoil his morning by chattering his ears off about every inane topic she could think of while occasionally tossing rocks into the stream to scare off his fish.
Judith McNaught (Almost Heaven (Sequels, #3))
Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist. Mindy giggles as she replies, ”I guess so.” After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles. Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?” “We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.” Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering. I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy. Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.” I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.” Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle? Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers. “Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear. I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.” Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says. Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.” Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.” “Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs. “Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.” Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.
Mary Crawford (Until the Stars Fall from the Sky (Hidden Beauty #1))
Are you ready, children?” Father Mikhail walked through the church. “Did I keep you waiting?” He took his place in front of them at the altar. The jeweler and Sofia stood nearby. Tatiana thought they might have already finished that bottle of vodka. Father Mikhail smiled. “Your birthday today,” he said to Tatiana. “Nice birthday present for you, no?” She pressed into Alexander. “Sometimes I feel that my powers are limited by the absence of God in the lives of men during these trying times,” Father Mikhail began. “But God is still present in my church, and I can see He is present in you. I am very glad you came to me, children. Your union is meant by God for your mutual joy, for the help and comfort you give one another in prosperity and adversity and, when it is God’s will, for the procreation of children. I want to send you righteously on your way through life. Are you ready to commit yourselves to each other?” “We are,” they said. “The bond and the covenant of marriage was established by God in creation. Christ himself adorned this manner of life by his first miracle at a wedding in Cana of Galilee. A marriage is a symbol of the mystery of the union between Christ and His Church. Do you understand that those whom God has joined together, no man can put asunder?” “We do,” they said. “Do you have the rings?” “We do.” Father Mikhail continued. “Most gracious God,” he said, holding the cross above their heads, “look with favor upon this man and this woman living in a world for which Your Son gave His life. Make their life together a sign of Christ’s love to this sinful and broken world. Defend this man and this woman from every enemy. Lead them into peace. Let their love for each other be a seal upon their hearts, a mantle upon their shoulders, and a crown upon their foreheads. Bless them in their work and in their friendship, in their sleeping and in their waking, in their joys and their sorrows, in their life and in their death.” Tears trickled down Tatiana’s face. She hoped Alexander wouldn’t notice. Father Mikhail certainly had. Turning to Tatiana and taking her hands, Alexander smiled, beaming at her unrestrained happiness. Outside, on the steps of the church, he lifted her off the ground and swung her around as they kissed ecstatically. The jeweler and Sofia clapped apathetically, already down the steps and on the street. “Don’t hug her so tight. You’ll squeeze that child right out of her,” said Sofia to Alexander as she turned around and lifted her clunky camera. “Oh, wait. Hold on. Let me take a picture of the newlyweds.” She clicked once. Twice. “Come to me next week. Maybe I’ll have some paper by then to develop them.” She waved. “So you still think the registry office judge should have married us?” Alexander grinned. “He with his ‘of sound mind’ philosophy on marriage?” Tatiana shook her head. “You were so right. This was perfect. How did you know this all along?” “Because you and I were brought together by God,” Alexander replied. “This was our way of thanking Him.” Tatiana chuckled. “Do you know it took us less time to get married than to make love the first time?” “Much less,” Alexander said, swinging her around in the air. “Besides, getting married is the easy part. Just like making love. It was the getting you to make love to me that was hard. It was the getting you to marry me…” “I’m sorry. I was so nervous.” “I know,” he said. He still hadn’t put her down. “I thought the chances were twenty-eighty you were actually going to go through with it.” “Twenty against?” “Twenty for.” “Got to have a little more faith, my husband,” said Tatiana, kissing his lips.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Spellbinders are characterized by pathological egotism. Such a person is forced by some internal causes to make an early choice between two possibilities: the first is forcing other people to think and experience things in a manner similar to his own; the second is a feeling of being lonely and different, a pathological misfit in social life. Sometimes the choice is either snake-charming or suicide. Triumphant repression of selfcritical or unpleasant concepts from the field of consciousness gradually gives rise to the phenomena of conversive thinking (twisted thinking), or paralogistics (twisted logic), paramoralisms (twisted morality), and the use of reversion blockades (Big Lies). They stream so profusely from the mind and mouth of the spellbinder that they flood the average person’s mind. Everything becomes subordinated to the spellbinder’s over-compensatory conviction that they are exceptional, sometimes even messianic. An ideology emerges from this conviction, true in part, whose value is supposedly superior. However, if we analyze the exact functions of such an ideology in the spellbinder’s personality, we perceive that it is nothing other than a means of self-charming, useful for repressing those tormenting selfcritical associations into the subconscious. The ideology’s instrumental role in influencing other people also serves the spellbinder’s needs. The spellbinder believes that he will always find converts to his ideology, and most often, they are right. However, they feel shock (or even paramoral indignation) when it turns out that their influence extends to only a limited minority, while most people’s attitude to their activities remains critical, pained and disturbed. The spellbinder is thus confronted with a choice: either withdraw back into his void or strengthen his position by improving the ef ectiveness of his activities. The spellbinder places on a high moral plane anyone who has succumbed to his influence and incorporated the experiential method he imposes. He showers such people with attention and property, if possible. Critics are met with “moral” outrage. It can even be proclaimed that the compliant minority is in fact the moral majority, since it professes the best ideology and honors a leader whose qualities are above average. Such activity is always necessarily characterized by the inability to foresee its final results, something obvious from the psychological point of view because its substratum contains pathological phenomena, and both spellbinding and self-charming make it impossible to perceive reality accurately enough to foresee results logically. However, spellbinders nurture great optimism and harbor visions of future triumphs similar to those they enjoyed over their own crippled souls. It is also possible for optimism to be a pathological symptom. In a healthy society, the activities of spellbinders meet with criticism effective enough to stifle them quickly. However, when they are preceded by conditions operating destructively upon common sense and social order; such as social injustice, cultural backwardness, or intellectually limited rulers sometimes manifesting pathological traits, spellbinders’ activities have led entire societies into large-scale human tragedy. Such an individual fishes an environment or society for people amenable to his influence, deepening their psychological weaknesses until they finally join together in a ponerogenic union. On the other hand, people who have maintained their healthy critical faculties intact, based upon their own common sense and moral criteria, attempt to counteract the spellbinders’ activities and their results. In the resulting polarization of social attitudes, each side justifies itself by means of moral categories. That is why such commonsense resistance is always accompanied by some feeling of helplessness and deficiency of criteria.
Andrew Lobabczewski