John Meadows Quotes

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On no subject are our ideas more warped and pitiable than on death. ... Let children walk with nature, let them see the beautiful blendings and communions of death and life, their joyous inseparable unity, as taught in woods and meadows, plains and mountains and streams of our blessed star, and they will learn that death is stingless indeed, and as beautiful as life, and that the grave has no victory, for it never fights.
John Muir (A Thousand-Mile Walk To The Gulf)
Raindrops blossom brilliantly in the rainbow, and change to flowers in the sod, but snow comes in full flower direct from the dark, frozen sky.
John Muir (The Mountains of California)
There's an expression in classical music. It goes, 'We went out to the meadow.' It's for those evenings that can only be described in that way: There were no walls, there were no music stands, there weren't even any instruments. There was no ceiling, there was no floor, we all went out to the meadow. It describes a feeling. (Tom Waits quote)
John Green (Turtles All the Way Down)
The finest of the glacier meadow gardens lie ...imbedded in the upper pine forests like lakes of light.
John Muir (Our National Parks)
Walk away quietly in any direction and taste the freedom of the mountaineer. Camp out among the grasses and gentians of glacial meadows, in craggy garden nooks full of nature's darlings. Climb the mountains and get their good tidings, Nature's peace will flow into you as sunshine flows into trees. The winds will blow their own freshness into you and the storms their energy, while cares will drop off like autumn leaves. As age comes on, one source of enjoyment after another is closed, but nature's sources never fail.
John Muir
Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is famed to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:—do I wake or sleep?
John Keats (The Complete Poems)
When you turn off onto whatever secondary road you need to take, and you’re following its twists and turns back into the mountains, and the ground is steep to either side of you, opening every now and then on a meadow, or an old house, you think, 'Here, there are secret places.
John Langan (The Fisherman)
Dr. Larch bent over him and kissed him, very lightly, on his lips. Homer heard Dr. Larch whisper, ‘Good work, Homer.’ He felt a second, even lighter kiss. ‘Good work, my boy,’ the doctor said, and then left him. Homer Wells felt his tears come silently; there were more tears than he remembered crying the last time he had cried – when Fuzzy Stone had died and Homer had lied about Fuzzy to Snowy Meadows and the others. He cried and cried, but he never made a sound; he would have to change Dr. Larch’s pillowcase in the morning, he cried so much. He cried because he had received his first fatherly kisses.
John Irving (The Cider House Rules)
To leave the everpresent tension of Great Meadow was like shedding stiff, formal clothes or kicking off pinching shoes.
John McGahern (Amongst Women)
Walking through a meadow calling the plants by name is like entering a room of friends instead of strangers.
John Hildebrand (Mapping the Farm (Minnesota))
But I awoke at three, feeling terribly sad, and feeling rebelliously that I didn't want to study sadness, madness, melancholy, and despair. I wanted to study triumphs, the rediscoveries of love, all that I know in the world to be decent, radiant, and clear. Then the word "love", the impulse to love, welled up in me somewhere above my middle. Love seemed to flow from me in all directions, abundant as water--love for Cora, love for Flora, love for all my friends and neighbors, love for Penumbra. This tremendous flow of vitality could not be contained within its spelling, and I seemed to seize a laundry marker and write "luve" on the wall. I wrote "luve" on the staircase, "luve" on the pantry, "luve" on the oven, the washing machine, and the coffeepot, and when Cora came down in the morning (I would be nowhere around) everywhere she looked she would read "luve", "luve", "luve." Then I saw a green meadow and a sparkling stream. On the ridge there were thatched-roof cottages and a square church tower, so I knew it must be England. I climbed up from the meadow to the streets of the village, looking for the cottage where Cora and Flora would be waiting for me. There seemed to have been some mistake. No one knew their names. I asked at the post office, but the answer here was the same. Then it occurred to me that they would be at the manor house. How stupid I had been! I left the village and walked up a sloping lawn to a Georgian house, where a butler let me in. The squire was entertaining. There were twenty-five or thirty people in the hall, drinking sherry. I took a glass from a tray and looked through the gathering for Flora and my wife, but they were not there. Then I thanked my host and walked down the broad lawn, back to the meadow and the sparkling brook, where I lay on the grass and fell into a sweet sleep.
John Cheever
...looking at the poems of John Gray when I saw the tiniest rivulet of text meandering through the very largest meadow of margin, I suggested to Oscar Wilde that he should go a step further than these minor poets; he should publish a book all margin; full of beautiful, unwritten thoughts.
Ada Leverson
Land and sea. We may think of them as opposites; as complements. But there is a difference in how we think of them; the sea, and the land. If we are walking around in a forest, a meadow or a town, we see our surroundings as being made up of individual elements. There are many different kinds of trees in varying sizes, those buildings, these streets. The meadow, the flowers, the bushes. Our gaze lingers on details, and if we are standing in a forest in the autumn, we become tongue-tied if we try to describe the richness around us. All this exists on land. But the sea. The sea is something completely different. The sea is one. We may note the shifting moods of the sea. What the sea looks like when the wind is blowing, how the sea plays with the light, how it rises and falls. But still it is always the sea we are talking about. We have given different parts of the sea different names for navigation and identification, but if we are standing before the sea, there is only one whole. The Sea. If we are taken so far out in a small boat that no land is visible in any direction, we may catch sight of the sea. It is not a pleasant experience. The sea is a god, an unseeing, unhearing deity that does not even know we exist. We mean less than a grain of sand on an elephant's back, and if the sea wants us, it will take us. That's just the way it is. The sea knows no limits, makes no concessions. It has given us everything and it can take everything away from us. To other gods we send our prayer: Protect us from the sea.
John Ajvide Lindqvist (Harbor)
The more we are removed from nature, the more we are denied our birthright to play in forests, climb mountains, follow streams, and fall in love with meadows, to become creative, self-actualized, deeply intuitive.
Kim Heacox (John Muir and the Ice That Started a Fire: How a Visionary and the Glaciers of Alaska Changed America)
The snow on the high mountains is melting fast, and the streams are singing bank-full, swaying softly through the level meadows and bogs, quivering with sun-spangles, swirling in pot-holes, resting in deep pools, leaping, shouting in wild, exulting energy over rough boulder dams, joyful, beautiful in all their forms. No Sierra landscape that I have seen holds anything truly dead or dull, or any trace of what in manufactories is called rubbish or waste; everything is perfectly clean and pure and full of divine lessons. This quick, inevitable interest attaching to everything seems marvelous until the hand of God becomes visible; then it seems reasonable that what interests Him may well interest us. When we try to pick out anything by itself, we find it hitched to everything else in the universe.
John Muir
At the southwest corner Malvern joined its fields to that of his nearest neighbor, John MacBain. Pierce held his horse just short of the border and looked across a meadow. Part of the MacBain house had been burned down. He had heard of it, but he had not seen it. Now it was plain. The east wing was grey and gaunt, a skeleton attached to the main house. Strange how crippled the house looked—like a man with his right arm withered! No, he was not going to let himself think about crippled men.
Pearl S. Buck (The Angry Wife)
i almost do. i’d love to live in his musical cartoon world, where witches like maura get vanquished with one heroic word, and all the forest creatures are happy when two gay guys walk hand-in-hand through the meadow, and gideon is the himbo suitor you know the princess can’t marry, because her heart belongs to the beast. i’m sure it’s a lovely world, where these things happen. a rich, spoiled, colorful world. maybe one day i’ll get to visit, but i doubt it. worlds like that don’t tend to issue visas to fuckups like me.
John Green (Will Grayson, Will Grayson)
And nothing in nature is wasted. The bodies of the dead meadow ants will go to nourish the soil of the meadow. Ashes to ashes. Dust to dust. Flesh to flesh.
John Lewis-Stempel (Meadowland: The Private Life of an English Field)
I was bypassing the High Sierra—missing Sequoia and Kings Canyon and Yosemite national parks, Tuolumne Meadows and the John Muir and Desolation wildernesses
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Ahead the sedgy, flower-starred meadow rose up to a knoll, and there grew an oak tree and a thorn together, in deep embrace, inseparable. She
John Crowley (Little, Big)
Past the near meadows, over the still stream, Up the hill-side; and now ‘tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:— Do I wake or sleep?
John Keats
We went out to the meadow that night, talking about college and kissing and religion and art, and I didn't feel like I was watching a movie of our conversation. I was having it. I could listen to her, and I knew she was listening to me.
John Green (Turtles All the Way Down)
Among those who could read, books were prized possessions. Words on paper were powerful magic, seductive as music, sharp as a knife at times, or gentle as a kiss. Friendships and love affairs blossomed as men and women read to each other in summer meadows and winter kitchens. Pages were ambrosia in their hands. A new novel or collection of poems was something everybody talked about. Wordsworth, Coleridge, Shakespeare, Bronte, Austen, Dickens, Keats, Emerson, Cooper, Thoreau, Hawthorne, and Twain. To read these authors was to go on a grand adventure and see things as you never had before, see yourself as you never had before.
Kim Heacox (John Muir and the Ice That Started a Fire: How A Visionary And The Glaciers Of Alaska Changed America)
The right to a trial by jury probably became the bedrock of the legal system in May 1215, when landowners, barons as they were known, forced King John at knifepoint to sign the Magna Carta on the meadow at Runnymede. One clause of it read, “(N)o freeman shall be taken or imprisoned or seized or exiled or in any way destroyed...except by the
Dan Abrams (Lincoln's Last Trial: The Murder Case That Propelled Him to the Presidency)
I don’t know if you’ve spent time in the Catskills. From a distance, say, the parking lot of the old Caldor’s (which became an Ames that became a Stop ‘N’ Shop) in Huguenot, they’ve always made me think of a herd of giant animals, all standing grazing on the horizon. Up close, when you’re driving among them with the early morning light breaking over their round peaks, they seem incredibly present, more real than real, these huge solid heaps of rock that wear their trees like mile-long scarves. You glance at them, trying to keep your eyes on the road, which is already pretty busy with people driving up for a weekend getaway, and somehow you wouldn’t be surprised if the mountain closest to you were to cast off its trees in one titanic shrug and start to lumber away, a vast, unimaginable beast. When you turn off onto whatever secondary road you need to take, and you’re following its twists and turns back into the mountains, and the ground is steep to either side of you, opening every now and then on a meadow, or an old house, you think, Here, there are secret places. Well,
John Langan (The Fisherman)
The Grand Canyon is a land of song. Mountains of music swell in the rivers, hills of music billow in the creeks, and meadows of music murmur in the rills that ripple over the rocks. Altogether it is a symphony of multitudinous melodies. All this is the music of waters. The adamant foundations of the earth have been wrought into a sublime harp, upon which the clouds of the heavens play with mighty tempests or with gentle showers.
John Wesley Powell
The day was warm; but the fact that the sky was covered with a filmy veil of grey clouds gave to the vast plain before him the appearance of a landscape whose dominant characteristic consisted in a patient effacement of all emphatic or outstanding qualities. The green of the meadows was a shy, watery green. The verdure of the elm trees was a sombre, blackish monotony. The yellow of the stubble land was a whitish-yellow, pallid and lustreless.
John Cowper Powys (Wolf Solent)
The construction of castle arbours, monastic cloister gardens and Byzantine courtyards with trees and flowers attested to Western interest in the natural world. Paradise remained synonymous with perfect environments. In Anglo-Saxon, 'paradise' translated as 'meadow' or 'pasture'. Notions of a classical Golden Age, local legends, religion and romantic poetry all perpetuated the concept of nature as a refuge from society. For the nobility, nature signified a retreat for aesthetic pleasure and a venue for spiritual uplift. However, for the average medieval peasant, the organic world meant livestock rearing and crop production.
Karen R. Jones & John Wills (The Invention of the Park: From the Garden of Eden to Disney's Magic Kingdom)
My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot, But being too happy in thine happiness,— That thou, light-winged Dryad of the trees In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease. O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stained mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs, Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow. Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays; But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; White hawthorn, and the pastoral eglantine; Fast fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves. Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that oft-times hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is fam'd to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:—Do I wake or sleep? - Ode to a Nightingale
John Keats (The Complete Poems)
This says Lou can drive, signed, Horace Bricker.” Aunt Lou nodded. “Yes, Horace taught me how to drive. That’s proof.” Papa’s mouth opened. He looked at me, then closed it again. “How about,” said Papa slowly, handing the paper back to Aunt Lou, “you drive on the tractor roads that go through the meadows. Could you do that?” “Oh yes!” said Aunt Lou happily. “You didn’t think I wanted to drive on the main roads, did you? With all the fools out there?” She tapped Grandfather on the shoulder. “How about it, John? Want to go driving? Past the slough and across the far meadows? We can go fast!” She stopped and looked at Papa. “We can go fast, can’t we?” Papa put his hands over his eyes and leaned on the table. Jack put his hands over his eyes and leaned on the table, too.
Patricia MacLachlan (Grandfather's Dance (Sarah, Plain and Tall, #5))
The animals I have encountered in my wilderness wanderings have been reluctant to reveal all the things about them I would like to know. The animal that impresses me most, the one I find myself liking more and more, is the grizzly. No sight encountered in the wilds is quite so stirring as those massive, clawed tracks pressed into mud or snow. No sight is quite so impressive as that of the great bear stalking across some mountain slope with the fur of his silvery robe rippling over his mighty muscles. His is a dignity and power matched by no other in the North American wilderness. To share a mountain with him for a while is a privilege and an adventure like no other. I have followed his tracks into an alder hell to see what he had been doing and come to the abrupt end of them, when the maker stood up thirty feet away with a sudden snort to face me. To see a mother grizzly ambling and loafing with her cubs across the broad, hospitable bosom of a flower-spangled mountain meadow is to see life in true wilderness at its best.
John McPhee (Coming into the Country)
Large-leafed plants at the edge of the jungle reflected the sun rather than soaking it up, their dark green surfaces sparkling white in the sunlight. Some of the smaller ones had literally low-hanging fruit, like jewels from a fairy tale. Behind them was an extremely inviting path into the jungle with giant white shells for stepping-stones. And rather than the muggy, disease-filled forests of books that seemed to kill so many explorers, here the air was cool and pleasant and not too moist- although Wendy could hear the distant tinkle of water splashing from a height. "Oh! Is that the Tonal Spring? Or Diamond Falls?" Wendy withered breathlessly. "Luna, let's go see!" She made herself not race ahead down the path, but moved at a leisurely, measured pace. Like an adventuress sure of herself but wary of her surroundings. (And yet, as she wouldn't realize until later, she hadn't thought to grab her stockings or shoes. Those got left in her hut without even a simple goodbye.) Everywhere she looked, Wendy found another wonder of Never Land, from the slow camosnails to the gently nodding heads of the fritillary lilies. She smiled, imagining John as he peered over his glasses and the snail faded away into the background in fear- or Michael getting his nose covered in honey-scented lily pollen as he enthusiastically sniffed the pretty flowers. The path continued, winding around a boulder into a delightful little clearing, sandy but padded here and there with tuffets of emerald green grass and clumps of purple orchids. It was like a desert island vacation of a perfect English meadow.
Liz Braswell (Straight On Till Morning)
A thing of beauty is a joy for ever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing. …yes, in spite of all, Some shape of beauty moves away the pall From our dark spirits. Such the sun, the moon, Trees old and young, sprouting a shady boon For simple sheep; and such are daffodils With the green world they live in; Nor do we merely feel these essences For one short hour; no, even as the trees That whisper round a temple become soon Dear as the temple’s self, so does the moon, The passion poesy, glories infinite, Haunt us till they become a cheering light Unto our souls, and bound to us so fast, That, whether there be shine, or gloom o’ercast, They alway must be with us, or we die. For ‘twas the morn: Apollo’s upward fire Made every eastern cloud a silvery pyre Of brightness so unsullied, that therein A melancholy spirit well might win Oblivion, and melt out his essence fine Into the winds: rain-scented eglantine Gave temperate sweets to that well-wooing sun; Man’s voice was on the mountains; and the mass Of nature’s lives and wonders puls’d tenfold, To feel this sun-rise and its glories old. With a faint breath of music, which ev’n then Fill’d out its voice, and died away again. Within a little space again it gave Its airy swellings, with a gentle wave, To light-hung leaves, in smoothest echoes breaking Through copse-clad vallies,—ere their death, oer-taking The surgy murmurs of the lonely sea. All I beheld and felt. Methought I lay Watching the zenith, where the milky way Among the stars in virgin splendour pours; And travelling my eye, until the doors Of heaven appear’d to open for my flight, I became loth and fearful to alight From such high soaring by a downward glance: So kept me stedfast in that airy trance, Spreading imaginary pinions wide. When, presently, the stars began to glide, And lo! from opening clouds, I saw emerge The loveliest moon, that ever silver’d o’er A shell for Neptune’s goblet: she did soar So passionately bright, my dazzled soul Commingling with her argent spheres did roll Through clear and cloudy, even when she went At last into a dark and vapoury tent— Whereat, methought, the lidless-eyed train Of planets all were in the blue again. To commune with those orbs, once more I rais’d My sight right upward: but it was quite dazed By a bright something, sailing down apace, Making me quickly veil my eyes and face: What I know not: but who, of men, can tell That flowers would bloom, or that green fruit would swell To melting pulp, that fish would have bright mail, The earth its dower of river, wood, and vale, The meadows runnels, runnels pebble-stones, The seed its harvest, or the lute its tones, Tones ravishment, or ravishment its sweet, If human souls did never kiss and greet?
John Keats
After only eight months in office, Meadows made national headlines by sending an open letter to the Republican leaders of the House demanding they use the “power of the purse” to kill the Affordable Care Act. By then, the law had been upheld by the Supreme Court and affirmed when voters reelected Obama in 2012. But Meadows argued that Republicans should sabotage it by refusing to appropriate any funds for its implementation. And, if they didn’t get their way, they would shut down the government. By fall, Meadows had succeeded in getting more than seventy-nine Republican congressmen to sign on to this plan, forcing Speaker of the House John Boehner, who had opposed the radical measure, to accede to their demands. Meadows later blamed the media for exaggerating his role, but he was hailed by his local Tea Party group as “our poster boy” and by CNN as the “architect” of the 2013 shutdown. The fanfare grew less positive when the radicals in Congress refused to back down, bringing virtually the entire federal government to a halt for sixteen days in October, leaving the country struggling to function without all but the most vital federal services. In Meadows’s district, day-care centers that were reliant on federal aid reportedly turned distraught families away, and nearby national parks were closed, bringing the tourist trade to a sputtering standstill. National polls showed public opinion was overwhelmingly against the shutdown. Even the Washington Post columnist Charles Krauthammer, a conservative, called the renegades “the Suicide Caucus.” But the gerrymandering of 2010 had created what Ryan Lizza of The New Yorker called a “historical oddity.” Political extremists now had no incentive to compromise, even with their own party’s leadership. To the contrary, the only threats faced by Republican members from the new, ultraconservative districts were primary challenges from even more conservative candidates. Statistics showed that the eighty members of the so-called Suicide Caucus were a strikingly unrepresentative minority. They represented only 18 percent of the country’s population and just a third of the overall Republican caucus in the House. Gerrymandering had made their districts far less ethnically diverse and further to the right than the country as a whole. They were anomalies, yet because of radicalization of the party’s donor base they wielded disproportionate power. “In previous eras,” Lizza noted, “ideologically extreme minorities could be controlled by party leadership. What’s new about the current House of Representatives is that party discipline has broken down on the Republican side.” Party bosses no longer ruled. Big outside money had failed to buy the 2012 presidential election, but it had nonetheless succeeded in paralyzing the U.S. government. Meadows of course was not able to engineer the government shutdown by himself. Ted Cruz, the junior senator from Texas, whose 2012 victory had also been fueled by right-wing outside money, orchestrated much of the congressional strategy.
Jane Mayer (Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right)
High summer and one can hear the universe; so overwhelming is e accumulated sound of growing in the meadow and in hedges, of pollen being released, of particles moving in the heat, that all the minute motions together create a continuous him: the sound of summer.
John Lewis-Stempel (Meadowland: The Private Life of an English Field)
Let the children walk with Nature, let them see the beautiful blendings and communions of death and life, their joyous inseparable unity as taught in woods and meadows, plains and mountains and streams of our blessed star, and they will learn that death is stingless indeed, and as beautiful as life.” —John Muir   Many
Loren Mayshark (Death: An Exploration: Learning To Embrace Life's Most Feared Mystery)
That is the normal succession of things in this part of the world; you can see the various stages all over Scratch Flat. There is, for example, a small red maple swamp above my house on the northwest side of the drumlin. The swamp was probably a pond sixty years ago, but now in summer, unless you know your trees, you cannot distinguish it from the surrounding woodlands. It is only in spring, when the groundwater levels are high, that the remnant of the ice sheet makes itself apparent. Then the waters rise around the trunks of the red maple trees and, after reaching a critical level, run down across the small meadow to the north of my house.
John Hanson Mitchell (Ceremonial Time: Fifteen Thousand Years on One Square Mile)
HAVE GUN, WILL TRAVEL, western adventure. BROADCAST HISTORY: (Originated on TV: Sept. 14, 1957–Sept. 21, 1963, CBS.) Radio: Nov. 23, 1958–Nov. 27, 1960, CBS. 30m, Sundays at 6. Multiple sponsorship. CAST: John Dehner as Paladin, soldier of fortune, western knight errant, gunfighter. Ben Wright as Heyboy, the Oriental who worked at the Carlton Hotel in San Francisco, where Paladin lived. Virginia Gregg as Missy Wong, Heyboy’s girlfriend. Virginia Gregg also in many leading dramatic roles. Supporting players from Hollywood’s Radio Row, most of the same personnel listed for Gunsmoke. ANNOUNCER: Hugh Douglas. PRODUCER-DIRECTOR: Frank Paris. CREATORS-WRITERS: Herb Meadow and Sam Rolfe. WRITERS: Gene Roddenberry, John Dawson, Marian Clark, etc. SOUND EFFECTS: Ray Kemper, Tom Hanley. Have Gun, Will Travel was an oddity: the only significant radio show that originated on television. Beginning as a TV series for Richard Boone, Have Gun leaped immediately into the top ten and gained such an enthusiastic following that CBS decided to add it to the fading radio chain.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Water rivers work openly where people dwell, and so does the rain, and the sea, thundering on all the shores of the world; and the universal ocean of air, though invisible, speaks aloud in a thousand voices, and explains its modes of working and its power. But glaciers, back in their white solitudes, work apart from men, exerting their tremendous energies in silence and darkness. Outspread, spirit-like, they brood above the predestined landscapes, work on unwearied through immeasurable ages, until, in the fullness of time, the mountains and valleys are brought forth, channels furrowed for rivers, basins made for lakes and meadows, and arms of the sea, soils spread for forests and fields; then they shrink and vanish like summer clouds.
John Muir (The Yosemite (Modern Library Classics))
12-13 So they left the mountain called Olives and returned to Jerusalem. It was a little over half a mile. They went to the upper room they had been using as a meeting place:   Peter John James Andrew Philip Thomas Bartholomew Matthew James son of Alphaeus Simon the Zealot Judas, son of James.   14 They agreed they were in this for good, completely together in prayer, the women included. Also Jesus’ mother, Mary, and his brothers. REPLACING JUDAS 15-17 During this time, Peter stood up in the company—there were about 120 of them in the room at the time—and said, “Friends, long ago the Holy Spirit spoke through David regarding Judas, who became the guide to those who arrested Jesus. That Scripture had to be fulfilled, and now has been. Judas was one of us and had his assigned place in this ministry. 18-20 “As you know, he took the evil bribe money and bought a small farm. There he came to a bad end, rupturing his belly and spilling his guts. Everybody in Jerusalem knows this by now; they call the place Murder Meadow. It’s exactly what we find written in the Psalms:   Let his farm become haunted So no one can ever live there.   “And also what was written later:   Let someone else take over his post.   21-22 “Judas must now be replaced. The replacement must come from the company of men who stayed together with us from the time Jesus was baptized by John up to the day of his ascension, designated along with us as a witness to his resurrection.” 23-26 They nominated two: Joseph Barsabbas, nicknamed Justus, and Matthias. Then they prayed, “You, O God, know every one of us inside and out. Make plain which of these two men you choose to take the place in this ministry and leadership that Judas threw away in order to go his own way.” They then drew straws. Matthias won and was counted in with the eleven apostles.
Eugene H. Peterson (The Message: The Bible in Contemporary Language--Numbered Edition)
Before I started on my mission to the Mountain Meadows I was told by Brother Haight that his orders to me were the result of full consultation with Bishop Dame and all in authority. The massacre was decided on by the head men of the Church.
John Doyle Lee (The Mormon Menace The Confessions of John Doyle Lee, Danite)
A simple dinner had been prepared. The first course comprised soup a la reine, chicken stew with oysters, fried tripe, and boiled cauliflower; the second course, a wholesome ragout of pig ears, macaroni pie, roast mutton, mushrooms, and cabbage in butter sauce; for dessert there would be jam tartlets and apple pie. Mrs. Tooley had enlisted the help of both Doris and Nancy and they had made a good start. The desserts were prepared, the stew set to simmer, the mutton already darkening to the spit. With an hour left to complete the rest, Agnes rose to the challenge, which she felt better equipped to handle than consorting with thief takers and street rogues. Turning first to the soup, she picked up a pot containing lean beef and a knuckle of veal, onions, carrots, celery, parsnips, leeks, and a little thyme, which had been simmering for most of the morning. She strained it through a muslin cloth, then thickened it with bread crumbs soaked in boiled cream, half a pound of ground almonds, and the yolks of six hard eggs. She licked her little finger thoughtfully and adjusted the seasoning, while issuing a barrage of further instructions to Doris. "Water on for the vegetables, then slice up the ears in strips; then baste the joint- careful, mind- so the fat don't catch on the fire." Cheeks glowing from steam and heat, Agnes wiped a damp hand across her brow, then began on the gravy, adding a pinch of mace and a glassful of claret as the French chef had taught her. She poured the gravy over the sliced ears. "Into the hot cupboard with this, Doris. And then get me the cabbage and cauliflower, please." She basted the mutton with a long-handled spoon, and fried the tripe in a deep pan of lard until it was brown and crisp. She set a pan of mushrooms alongside, and tossed the cabbage leaves in a pan of boiling water and the cauliflower in another. "More cream, Doris. Are the plates warmed?" she called, shaking the mushrooms while tasting the macaroni. "Vegetables need draining. Where are John and Philip?" Without waiting for a reply, she garnished the tripe with parsley and poured the soup into a large tureen.
Janet Gleeson (The Thief Taker)
Theodore took his seat between Nicholas and Lydia, while John, the footman, removed the dome lid of the tureen by its acorn finial, and ladled out the almond soup. Theodore's appetite was always formidable, and now he slurped a spoonful, savoring the creamy sweetness, noting that Mrs. Meadowes had expertly prevented the soup from curdling and had seasoned it to perfection with a melange of nutmeg, pepper, bay, and mace.
Janet Gleeson (The Thief Taker)
shining example of perseverance is renowned pastor John Wesley. Let’s take a peek into his diary . . .   Sunday, A.M. May 5 Preached in St. Anne’s. Was asked not to come back anymore. Sunday, P.M. May 5 Preached in St. Jude’s. Can’t go back there, either. Sunday, A.M. May 19 Preached in St. Somebody Else’s. Deacons called special meeting and said I couldn’t return. Sunday, P.M. May 19 Preached on street. Kicked off street. Sunday, A.M. May 26 Preached in meadow. Chased out of meadow as bull was turned loose during service. Sunday, A.M. June 2 Preached out at the edge of town. Kicked off the highway. Sunday, P.M. June 2 Afternoon, preached in a pasture. Ten thousand people came out to hear me.6
Joyce Meyer (The Confident Woman: Start Today Living Boldly and Without Fear)
Having grown up in such a rich Catholic culture as Poland, John Paul knew that the enrichment of faith usually comes through a convergence of various avenues, channels, and influences. We might understand this idea through a water analogy: A little country brook meandering through a meadow isn’t so impressive. But when a thousand little brooks converge and pour into a mighty river, well, then, we’re dealing with something substantial! Or, to use one of Newman’s own descriptions, an accumulation of influences are “like a bundle of sticks, each of which … you could snap in two, if taken separately from the rest,”112 but as a bundle, they’re virtually unbreakable.
Michael E. Gaitley (The 'One Thing' Is ­Three: How the Most Holy Trinity Explains Everything)
The climb is not for everyone. We all have different gifts, and not everyone is called to this kind of intellectual climb. I don’t mean that the nonclimbers will see less glory or worship with less passion. There are glories in the valleys. And there are paths into beauties of God that are less intellectual. I would not dare to claim that those who do this sort of climbing always see or savor more glory than those with wider eyes for the glory that is right there in the meadow. Nevertheless, some of us are wired to make this climb. There is not much choice in it. We should no more boast about doing it than one should boast about being a morning person. Almost every time we open our Bibles, we see challenges. Puzzles. Mysteries. Paradoxes. Mountain paths beckon us, but seem to lead in opposite directions. We move toward these paths like bumblebees toward morning glories.
John Piper (Does God Desire All to Be Saved?)
I was out every day, and often all night, sleeping but little, studying the so-called wonders and common things ever on show, wading, climbing, sauntering among the blessed storms and calms, rejoicing in almost everything alike that I could see or hear: the glorious brightness of frosty mornings; the sunbeams pouring over the white domes and crags into the groves end waterfalls, kindling marvelous iris fires in the hoarfrost and spray; the great forests and mountains in their deep noon sleep; the good-night alpenglow; the stars; the solemn gazing moon, drawing the huge domes and headlands one by one glowing white out of the shadows hushed and breathless like an audience in awful enthusiasm, while the meadows at their feet sparkle with frost-stars like the sky; the sublime darkness of storm-nights, when all the lights are out; the clouds in whose depths the frail snow-flowers grow; the behavior and many voices of the different kinds of storms, trees, birds, waterfalls, and snow-avalanches in the ever-changing weather.
John Muir (The Yosemite)
Speaking in the tabernacle to a large assembly, he [John Taylor, Mormon] said: Who would not rather die than bow to the yoke of the enemy? It would sweeten death to a man to know that he should lay down his life in defence of freedom and the kingdom of God, rather than to longer bow to the cruelty of the mobs, even when the mob have the name of being legalized by the nation. I thank God, and I rejoice that this people... are determined to have peace, if they have to fight for it. To this stirring appeal, the whole congregation responded with a loud and hearty Amen! Since this sounds suspiciously like treason...
Juanita Brooks (The Mountain Meadows Massacre)
Not long after the raid, a California-bound emigrant traveling with a different party saw what he thought were the tracks of some three hundred cattle, heading from the Muddy toward the Mormons’ Santa Clara fort. Among the cattle tracks were those of “several shod horses and mules,” the emigrant, John Aiken, said. The “drove of Cattle” that ended up at the fort, wrote a Santa Clara resident, “was called the publick herd.
Richard E. Turley (Vengeance Is Mine: The Mountain Meadows Massacre and Its Aftermath)
In the bishop’s eyes the curate tended to run with the hare and hunt with the hounds.
John Brendan Keane (A High Meadow)
Well, this is a deuce of a place to come,’ said Sergeant Berry, as he and Anders walked through the gates of the cemetery at Kensal Green. ‘I’m never happy in graveyards. Reminds me of how little time we have left. Why did they have to build the place so far out? We’ve been walking for hours. It’s damn near in the countryside!’ ‘And even here the long tentacles of London are stretching,’ said Anders. ‘See those houses they are building over there! The last generation would have known so much of this as farmland, but the inexorable grip of the city is closing round what were once pleasant meadows and woodlands. The place’ll spread over half England before it’s done!
John Bainbridge (The Shadow of William Quest (William Quest #1))
From John Haines: I recall an afternoon in October many years ago, when I stood on the edge of that high overlook near Maclaren Summit in the Alaska Range and gazed down onto the wide sweep of the Maclaren River Basin. The cold, late afternoon sun came through broken clouds, and the tundra below me was patched with sunlight. The river, a thin, silvery-blue thread, twisted through the subdued autumn coloration of the land. I was entirely alone at that moment…the land seemed incredibly vast and empty. far below me, a few scattered caribou were feeding in the meadows of the river basin…I felt as if I were looking down on a landscape elementary to our being, and that nothing had occurred to change it since the last of the continental ice melted from the earth, and the first grasses and shrubs began to grow.
David Landis Barnhill (At Home on the Earth: Becoming Native to Our Place: A Multicultural Anthology)
They lounged together at their favorite spot by the river, where a meadow sloped down to the banks. Tall grasses camouflaged them from view as they sat on flat rocks that had been worn smooth by the quietly persistent flow of water. The air was thick with the scents of bog myrtle and sun-warmed heather, a mixture that soothed Aline's senses.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
Even before I could speak, I remember crawling through blueberry patches in the wild meadows on our hillsides. I quickly discovered Nature was filled with Spirit; I never saw any separation between Spirit and Nature. Much later I discovered our culture taught there was supposed to be some kind of separation - that God, Spirit and Nature were supposed to be divided and different. However, at my early age it seemed absolutely obvious that the church of the Earth was the greatest church of all; that the temple of the forest was the supreme temple. When I went to the sanctuary of the mountain, I found Earth's natural altar - Great Spirit's real shrine. Years later I discovered that this path of going into Nature, bonding deeply with it, and seeing Spirit within Nature - God, Goddess, and Great Spirit - was humanity's most ancient, most primordial path of spiritual cultivation and realization.
John P. Milton (Sky Above, Earth Below: Spiritual Practice in Nature)
NOVEMBER 12 THIS IS A TIME OF ABUNDANCE in your life. Your cup runneth over with blessings. After plodding uphill for many weeks, you are now traipsing through lush meadows drenched in warm sunshine. I want you to enjoy to the full this time of ease and refreshment. I delight in providing it for you. Sometimes My children hesitate to receive My good gifts with open hands. Feelings of false guilt creep in, telling them they don’t deserve to be so richly blessed. This is nonsense-thinking because no one deserves anything from Me. My kingdom is not about earning and deserving; it’s about believing and receiving. When a child of Mine balks at accepting My gifts, I am deeply grieved. When you receive My abundant blessings with a grateful heart, I rejoice. My pleasure in giving and your pleasure in receiving flow together in joyous harmony. Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over. —PSALM 23:5 KJV “For God so loved the world that he gave his one and only Son, that whoever believes in him shall not perish but have eternal life.” —JOHN 3:16 “So I say to you: Ask and it will be given to you; seek and you will find; knock and the door will be opened to you. For everyone who asks receives; he who seeks finds; and to him who knocks, the door will be opened.” —LUKE 11:9–10 He who did not spare his own Son, but gave him up for us all—how will he not also, along with him, graciously give us all things? —ROMANS 8:32
Sarah Young (Jesus Calling, with Scripture References: Enjoying Peace in His Presence (A 365-Day Devotional) (Jesus Calling®))
Later, when I was in the Argentine, I used to tell myself that I could not die until I had seen another month of May, here in the mountains. The grass grows knee-high in the meadows and down the centre of the roads between the wheel ruts. If you are with a friend, you walk down the road with the grass between you. In the forest the late beech leaves come out, the greenest leaves in the world. The cows are let out of the stable for the first time. They leap, kick with their hind legs, turn in circles, jump like goats. The month itself is like a homecoming.
John Berger (Pig Earth)
LOOKING FOR THE KINGDOM The north shore of Kauai is one of the most beautiful places on earth, and the pastures above the cliffs overlooking Anini Beach are some of the last open lands in that paradise. From those verdant meadows you can look out on the whales and dolphins playing in the Pacific, watch the breakers roll in and crash over the reef below. It is an enchanting place that casts an Eden-like spell on even the most cynical tourist. A friend of ours has been advocating for the protection of those gorgeous meadows; he took us there last winter to see a view that may soon be available only to the very rich. The pastures have already been marked out for small five-acre “ranchettes,” each plot going for several million; add to that the home required by the development and the bill will run more than $20 million. “The young rich have discovered Kauai,” our friend told us. “Zuckerberg has a home here; so do the guys from Apple and Google. This is the place to be.” We stood there watching the gulls and frigate birds soaring on the warm updrafts, drinking in the beauty only money can apparently buy. It had been raining; a rainbow appeared over the lush cliffs to our right. The untouched beauty of the place feels like it has been held in time since the islands were formed; unblemished beauty. Forgetting what the promise means, my heart began to ache again for life as it was meant to be, and I started to scramble internally trying to figure out how we could grab our own little slice of Eden. “They are looking for the kingdom,” Stasi said. “They are trying to buy the kingdom.” And with that, the spell was broken. Suddenly the emptiness of it all became clear—not the longing for heaven on earth, but the grasping to buy it, to arrange for our piece of it apart from the palingenesia. Now, most of the human race doesn’t have the kind of money that allows them to purchase paradise—we sure don’t—but that doesn’t stop our ravenous hunger or desperate searching
John Eldredge (All Things New: Heaven, Earth, and the Restoration of Everything You Love)