John Mcphee Quotes

If by some fiat I had to restrict all this writing to one sentence, this is the one I would choose: The summit of Mt. Everest is marine limestone.

If you free yourself from the conventional reaction to a quantity like a million years, you free yourself a bit from the boundaries of human time. And then in a way you do not live at all, but in another way you live forever.

When the climbers in 1953 planted their flags on the highest mountain, they set them in snow over the skeletons of creatures that had lived in the warm clear ocean that India, moving north, blanked out. Possibly as much as twenty thousand feet below the seafloor, the skeletal remains had turned into rock. This one fact is a treatise in itself on the movements of the surface of the earth. If by some fiat I had to restrict all this writing to one sentence, this is the one I would choose: The summit of Mt. Everest is marine limestone.

A piece of writing has to start somewhere, go somewhere, and sit down when it gets there.

In six thousand years, you could never grow wings on a reptile. With sixty million, however, you could have feathers, too.

No one will ever write in just the way that you do, or in just the way that anyone else does. Because of this fact, there is no real competition between writers. What appears to be competition is actually nothing more than jealousy and gossip. Writing is a matter strictly of developing oneself. You compete only with yourself. You develop yourself by writing.

A million years is a short time - the shortest worth messing with for most problems. You begin tuning your mind to a time scale that is the planet's time scale. For me, it is almost unconscious now and is a kind of companionship with the earth.

If you lack confidence in setting one word after another and sense that you are stuck in a place from which you will never be set free, if you feel sure that you will never make it and were not cut out to do this, if your prose seems stillborn and you completely lack confidence, you must be a writer.

I used to sit in class and listen to the terms come floating down the room like paper airplanes.

going to have an industrial society you must have places that will look terrible. Other places you set aside—to say, ‘This is the way it was.’

He said, “Americans look upon water as an inexhaustible resource. It’s not, if you’re mining it. Arizona is mining groundwater.

Jim Harrison’s novels, John McPhee’s nonfiction, Flannery O’Connor’s short stories, and the crime novels of John Sandford, Ken Bruen, and T. Jefferson Parker. His books

It doesn’t matter that something you’ve done before worked out well. Your last piece is never going to write your next one for you.

Remember about mountains: what they are made of is not what made them.

The doctor listens in with a stethoscope and hears sounds of a warpath Indian drum.

Only once in the historical record has a jump on the San Andreas exceeded the jump of 1906. In 1857, near Tejon Pass outside Los Angeles, the two sides shifted thirty feet.

Another mantra, which I still write in chalk on the blackboard, is “A Thousand Details Add Up to One Impression.” It’s actually a quote from Cary Grant.

Sometimes in a nervous frenzy I just fling words as if I were flinging mud at a wall. Blurt out, heave out, babble out something—anything—as a first draft.

It takes as long as it takes.

Writers come in two principal categories -- those who are overtly insecure and those who are covertly insecure.

Writing is selection. Just to start a piece of writing you have to choose one word and only one from more than a million in the language. Now keep going. What is your next word?

We are surrounded with people who think that what we have been doing for that one-fortieth of a second can go on indefinitely. They are considered normal, but they are stark, raving mad.

I'm addicted to the entire planet. I don't want to leave it. I want to get down into it. I want to say hello. On the beach, I could have stopped all day long and looked at those damned shells, looked for all the messages that come not in bottles but in shells...

Travel by canoe is not a necessity, and will nevermore be the most efficient way to get from one region to another, or even from one lake to another anywhere. A canoe trip has become simply a rite of oneness with certain terrain, a diversion off the field, an art performed not because it is a necessity but because there is value in the art itself.

I’d much rather watch people do what they do than talk to them across a desk.

A lead is good not because it dances, fires cannons, or whistles like a train but because it is absolute to what follows.

Ideas are where you find them

The sea is not all that responds to the moon. Twice a day the solid earth bobs up and down, as much as a foot. That kind of force and that kind of distance are more than enough to break hard rock. Wells will flow faster during lunar high tides.

Some miners’ wives take in washing and make more money than their husbands do. In every gold rush from this one to the Klondike, the suppliers and service industries will gather up the dust while ninety-nine per cent of the miners go home with empty pokes.

Geologists on the whole are inconsistent drivers. When a roadcut presents itself, they tend to lurch and weave. To them, the roadcut is a portal, a fragment of a regional story, a proscenium arch that leads their imaginations into the earth and through the surrounding terrane.

Certain English geologists produced confusion by embracing continental drift and then drawing up narratives and maps that showed continents moving all over the earth with respect to a fixed and undriftable England.

George Sears, called Nessmuk, whose “Woodcraft,” published in 1884, was the first American book on forest camping, and is written with so much wisdom, wit, and insight that it makes Henry David Thoreau seem alien, humorless, and French.

Despite the recurrence of events in which the debris-basin system fails in its struggle to contain the falling mountains, people who live on the front line are for the most part calm and complacent. It appears that no amount of front-page or prime-time attention will ever prevent such people from masking out the problem.

The Himalayas are the crowning achievement of the Indo-Australian plate. India in the Oligocene crashed head on into Tibet, hit so hard that it not only folded and buckled the plate boundaries but also plowed into the newly created Tibetan plateau and drove the Himalayas five and a half miles into the sky. The mountains are in some trouble. India has not stopped pushing them, and they are still going up. Their height and volume are already so great they are beginning to melt in their own self-generated radioactive heat. When the climbers in 1953 planted their flags on the highest mountain, they set them in snow over the skeletons of creatures that had lived in a warm clear ocean that India, moving north, blanked out. Possibly as much as 20,000 feet below the sea floor, the skeletal remains had turned into rock. This one fact is a treatise in itself on the movements of the surface of the earth. If by some fiat, I had to restrict all this writing to one sentence; this is the one I would choose: the summit of Mount Everest is marine limestone.

She has the sort of body you go to see in marble. She has golden hair. Quickly, deftly, she reaches with both hands behind her back and unclasps her top. Setting it on her lap, she swivels ninety degrees to face the towboat square. Shoulders back, cheeks high, she holds her pose without retreat. In her ample presentation there is defiance of gravity. There is no angle of repose. She is a siren and these are her songs.

I wrote a fair amount of poetry in college. It was really, really bad. I mean, bad. And that’s how I found out—by doing it.

For nonfiction projects, ideas are everywhere. They just go by in a ceaseless stream.

On each of two porches lie big chunks of serpentine—smooth as talc, mottled black and green. When you see rocks like that on a porch, a geologist is inside.

If you have to ask that question, you wouldn't understand the answer.

published in 1980, John McPhee noted that even then one American geologist in eight still didn’t believe in plate tectonics. Today

author and journalism professor John McPhee tells his students at Princeton, “A thousand details make one impression.

John McPhee in Basin and Range,

John McPhee’s 1989 book The Control of Nature, for

Altogether, according to John McPhee, [geological ages] number in the „tens of dozens.” Fortunately, unless you take up geology as a career, you are unlikely ever to hear any of them again.

To write well, study writers. I would guide you to Steinbeck’s The Grapes of Wrath and to Coming into the Country by John McPhee. McPhee is among the best who craft nonfiction in literary style.

The routine produces. But each day, nevertheless, when you try to get started you have to transmogrify, transpose yourself; you have to go through some kind of change from being a normal human being, into becoming some kind of slave. I simply don’t want to break through that membrane. I’d do anything to avoid it. You have to get there and you don’t want to go there because there’s so much pressure and so much strain and you just want to stay on the outside and be yourself. And so the day is a constant struggle to get going. And if somebody says to me, You’re a prolific writer—it seems so odd. It’s like the difference between geological time and human time. On a certain scale, it does look like I do a lot. But that’s my day, all day long, sitting there wondering when I’m going to be able to get started. And the routine of doing this six days a week puts a little drop in a bucket each day, and that’s the key. Because if you put a drop in a bucket every day, after three hundred and sixty-five days, the bucket’s going to have some water in it. http://is.gd/ouArv5

Speaking of libraries: A big open-stack academic or public library is no small pleasure to work in. You're, say, trying to do a piece on something in Nevada, and you go down to C Floor, deep in the earth, and out to what a miner would call a remote working face. You find 10995.497S just where the card catalog and the online computer thought it would be, but that is only the initial nick. The book you knew about has led you to others you did not know about. To the ceiling the shelves are loaded with books about Nevada. You pull them down, one at a time, and sit on the floor and look them over until you are sitting on a pile five feet high, at which point you are late home for dinner and you get up and walk away. It's an incomparable boon to research, all that; but it is also a reason why there are almost no large open-stack libraries left in the world.

Above all, geology makes explicit challenges to our understanding of time. It giddies the sense of here-and-now. The imaginative experience of what the writer John McPhee memorably called ‘deep time’–the sense of time whose units are not days, hours, minutes or seconds but millions of years or tens of millions of years–crushes the human instant; flattens it to a wafer." ... "Yet there is also something curiously exhilarating about the contemplation of deep time. True, you learn yourself to be a blip in the larger projects of the universe. But you are also rewarded with the realization that you do exist–as unlikely as it may seem, you do exist.

On this scale, according to John McPhee in Basin and Range, the distance from the fingertips of one hand to the wrist of the other is Precambrian. All of complex life is in one hand, “and in a single stroke with a medium-grained nail file you could eradicate human history.

The home terms still apply. The enthusiasm geologists show for adding new words to their conversation is, if anything, exceeded by their affection for the old. They are not about to drop granite. They say granodiorite when they are in church and granite the rest of the week.

Since most callers have until moments before been completely unaware that there are bears in New Jersey, there is often in their voices a component of alarm, up to and including terror. McConnell’s response is calmer than pavement. She speaks in tones that range from ho to hum. “Yes, there are bears in your area,” she says, and goes on to say, with an added hint of congratulation, “You live in beautiful bear habitat.

A quarter-horse jockey learns to think of a twenty-second race as if it were occurring across twenty minutes--in distinct parts, spaced in his consciousness. Each nuance of the ride comes to him as he builds his race. If you can do the opposite with deep time, living in it and thinking in it until the large numbers settle into place, you can sense how swiftly the initial earth packed itself together, how swiftly continents have assembled and come apart, how far and rapidly continents travel, how quickly mountains rise and how quickly they disintegrate and disappear.

Young writers find out what kinds of writers they are by experiment. If they choose from the outset to practice exclusively a form of writing because it is praised in the classroom or otherwise carries appealing prestige, they are vastly increasing the risk inherent in taking up writing in the first place.

If basketball was going to enable Bradley to make friends, to prove that a banker's son is as good as the next fellow, to prove that he could do without being the greatest-end-ever at Missouri, to prove that he was not chicken, and to live up to his mother's championship standards, and if he was going to have some moments left over to savor his delight in the game, he obviously needed considerable practice, so he borrowed keys to the gym and set a schedule for himself that he adhereded to for four full years—in the school year, three and a half hours every day after school, nine to five on Saturday, one-thirty to five on Sunday, and, in the summer, about three hours a day.

the Courts of Justice had once ruled that a man carrying bagpipes was a man carrying a weapon—so inspiring was the music of the pipers to the clans in battle.

the editor-in-chief of Screw Machine Engineering, a magazine whose name a hyphen would have improved. In

He flings pros into the air like skeet, and one by one he shatters them with cons.

The dictionary definitions of words you are trying to replace are far more likely to help you out than a scattershot wad from a thesaurus.

They sold box turtles by the gross to people in Philadelphia, who used the turtles to keep cellars free of snails—a market that has declined.

Since you may take a month, or ten months, or several years to turn one idea into a piece of writing,

The sea is not all that responds to the moon. Twice a day the solid earth bobs up and down, as much as a foot.

Don’t assume that everyone on earth has seen every movie you have seen.

You find your lead, you build your structure, you are now free to write.

Imperial is like Robert Caro’s The Power Broker with the attitude of Mike Davis’s City of Quartz, if Robert Caro had been raised in an abandoned grain silo by a band of feral raccoons, and if Mike Davis were the communications director of a heavily armed libertarian survivalist cult, and if the two of them had somehow managed to stitch John McPhee’s cortex onto the brain of a Gila monster, which they then sent to the Mexican border to conduct ten years of immersive research, and also if they wrote the entire manuscript on dried banana leaves with a toucan beak dipped in hobo blood, and then the book was line-edited during a 36-hour peyote séance by the ghosts of John Steinbeck, Jack London, and Sinclair Lewis, with 200 pages of endnotes faxed over by Henry David Thoreau’s great-great-great-great grandson from a concrete bunker under a toxic pond behind a maquiladora, and if at the last minute Herman Melville threw up all over the manuscript, rendering it illegible, so it had to be re-created from memory by a community-theater actor doing his best impression of Jack Kerouac. With photographs by Dorothea Lange. (Viking has my full blessing to use that as a blurb.)

This, after all, was Switzerland, where everything works; Switzerland, where trains run like clocks, and clocks run like watches, and watches are synchronous with the pulse of the universe; Switzerland,

The lead—like the title—should be a flashlight that shines down into the story. A lead is a promise. It promises that the piece of writing is going to be like this. If it is not going to be so, don’t use the lead.

Now, at Suiattle Pass, Brower was still talking about butterflies. He said he had raised them from time to time and had often watched them emerge from the chrysalis--first a crack in the case, then a feeler, and in an hour a butterfly. He said he had felt that he wanted to help, to speed them through the long and awkward procedure; and he had once tried. The butterflies came out with extended abdomens, and their wings were balled together like miniature clenched fists. Nothing happened. They sat there until they died. 'I have never gotten over that,' he said. 'That kind of information is all over in the country, but it's not in town.

It has been Anita’s style as a geologist to begin with an outcrop and address herself to history from there—to begin with what she can touch, and then to reason her way back through time as far as she can go. A river conglomerate, as tangible rock, unarguably presents the river. The river speaks of higher ground. The volume of sediment that the river has carried can imply a range of mountains. To find Precambrian jaspers in the beds of younger rivers means that the Precambrian, the so-called basement rock, was lifted to form the mountains. These are sensible inferences drawn cleanly through an absence of alternatives. To go back in this way, retrospectively, from scene to shifting scene, is to go down the rock column, groping toward the beginning of the world. There is firm ground some of the way. Eventually, there comes a point where inference will shade into conjecture. In recesses even more remote, conjecture may usurp the original franchise of God.

In the view of conservationists, there is something special about dams, something—as conservation problems go—that is disproportionately and metaphysically sinister. The outermost circle of the Devil’s world seems to be a moat filled mainly with DDT. Next to it is a moat of burning gasoline. Within that is a ring of pinheads each covered with a million people—and so on past phalanxed bulldozers and bicuspid chain saws into the absolute epicenter of Hell on earth, where stands a dam.

The authors of literary works may not have intended all the subtleties, complexities, undertones, and overtones that are attributed to them by critics and by students writing doctoral theses." "That's what God says about geologists," I told him...

Reviewing our experiences, we had become more and more convinced that carrying arms was not only unnecessary in most grizzly country but was certainly no good for the desired atmosphere and proper protocol in obtaining good film records. If we were to obtain such film and fraternize successfully with the big bears, it would be better to go unarmed in most places. The mere fact of having a gun within reach, cached somewhere in a pack or a hidden holster, causes a man to act with unconscious arrogance and thus maybe to smell different or to transmit some kind of signal objectionable to bears. The armed man does not assume his proper role in association with the wild ones, a fact of which they seem instantly aware at some distance. He, being wilder than they, whether he likes to admit it or not, is instantly under even more suspicion than he would encounter if unarmed. One must follow the role of an uninvited visitor—an intruder—rather than that of an aggressive hunter, and one should go unarmed to insure this attitude.

If you lack confidence in setting one word after another and sense that you are stuck in a place from which you will never be set free, if you feel sure that you will never make it and were not cut out to do this, if your prose seems stillborn and you completely lack confidence, you must be a writer. If you say you see things differently and describe your efforts positively, if you tell people that you “just love to write,” you may be delusional. How could anyone ever know that something is good before it exists?

Outside the basement door was a covered pen that housed a rooster and a seagull. The rooster had been on his way to Colonel Sanders' when he fell off a truck and broke a drumstick. Someone called Carol, as people often do, and she took the rooster into her care. He was hard of moving, but she had hopes for him. He was so new there he did not even have a name. The seagull, on the other hand, had been with her for years. He had one wing. She had picked him up on a beach three hundred miles away. His name was Garbage Belly. --John McPhee, Travels in Georgia (1973)

The rock there is described as “blue-gray true unfading slate.” It is strong but “soft,” and will accept a polishing that makes it smoother than glass. From Memphis to St. Joe, from Joplin to River City, there is scarcely a hustler in the history of pool who has not racked up his runs over Martinsburg slate. For anybody alive who still hears corruption in the click of pocket billiards, it is worth a moment of reflection that not only did all those pool tables accumulate on the ocean floor as Ordovician guck but so did the blackboards in the schools of all America.

The group was known as Agassiz’s Club, more officially as the Saturday Club. One summer, when the club went off to the Adirondacks on a camping trip, Longfellow refused to go, because Emerson was taking a gun. “Somebody will be shot,” said Longfellow, explaining that Emerson was too vague to be trusted with a gun.

Bradley is one of the few basketball players who have ever been appreciatively cheered by a disinterested away-from-home crowd while warming up. This curious event occurred last March, just before Princeton eliminated the Virginia Military Institute, the year's Southern Conference champion, from the NCAA championships. The game was played in Philadelphia and was the last of a tripleheader. The people there were worn out, because most of them were emotionally committed to either Villanova or Temple-two local teams that had just been involved in enervating battles with Providence and Connecticut, respectively, scrambling for a chance at the rest of the country. A group of Princeton players shooting basketballs miscellaneously in preparation for still another game hardly promised to be a high point of the evening, but Bradley, whose routine in the warmup time is a gradual crescendo of activity, is more interesting to watch before a game than most players are in play. In Philadelphia that night, what he did was, for him, anything but unusual. As he does before all games, he began by shooting set shots close to the basket, gradually moving back until he was shooting long sets from 20 feet out, and nearly all of them dropped into the net with an almost mechanical rhythm of accuracy. Then he began a series of expandingly difficult jump shots, and one jumper after another went cleanly through the basket with so few exceptions that the crowd began to murmur. Then he started to perform whirling reverse moves before another cadence of almost steadily accurate jump shots, and the murmur increased. Then he began to sweep hook shots into the air. He moved in a semicircle around the court. First with his right hand, then with his left, he tried seven of these long, graceful shots-the most difficult ones in the orthodoxy of basketball-and ambidextrously made them all. The game had not even begun, but the presumably unimpressible Philadelphians were applauding like an audience at an opera.

A small cabin stands in the Glacier Peak Wilderness, about a hundred yards off a trail that crosses the Cascade Range. In midsummer, the cabin looked strange in the forest. It was only twelve feet square, but it rose fully two stories and then had a high and steeply peaked roof. From the ridge of the roof, moreover, a ten-foot pole stuck straight up. Tied to the top of the pole was a shovel. To hikers shedding their backpacks at the door of the cabin on a cold summer evening -- as the five of us did -- it was somewhat unnerving to look up and think of people walking around in snow perhaps thirty-five feet above, hunting for that shovel, then digging their way down to the threshold. [1971]

I will believe anything about deer. Deer, in my opinion, are rats with antlers, roaches with split hooves, denizens of the dark primeval suburbs. Deer intensely suggest New Jersey. One of the densest concentrations of wild deer in the United States inhabits the part of New Jersey that, as it happens, I inhabit, too. Deer like people. They like to be near people. They like beanfields, head lettuce, and anybody’s apples. They like hibiscus, begonias, impatiens, azaleas, rhododendrons, boxwood, and wandering Jews. I once saw a buck with a big eight-point rocking-chair rack looking magnificent as he stood between two tractor-trailers in the Frito-Lay parking lot in New Brunswick, New Jersey. Deer use the sidewalks in the heart of Princeton.

Push up some mountains. Cut them down. Drown the land under the sea. Push up some more mountains. Cut them down. Push up a third set of mountains, and let the river cut through them. “Unconformity” is the geologic term for an old, eroded land surface buried under younger rock layers. Put your outspread hand over the Carlin Canyon, Nevada unconformity and your fingers span roughly forty million years- the time that it took to bevel down the first set of mountains and deposit the younger layers on top. What is forty million years? Enough time for a small predatory dinosaur to evolve into a bird. Enough time for a four-legged, deer-like mammal to evolve into a whale. And far more than enough time to turn an ape-like creature in eastern Africa into a big-brained biped who can marvel at such things. The Grand Canyon’s Great Unconformity divides 1.7 billion-year-old rock from 550 million-year-old rock, a gap of more than one billion years. One billion years. I earn my salary studying the Earth and teaching its history, but I admit utter helplessness in comprehending such a span. A billion pages like those of this book would stack up more than forty miles. I had lived one bullion seconds a few days before my thirty-second birthday. A tape measure one billion inches long would stretch two-thirds of the way around the Earth. Such analogies hint at what deep time means- but they don’t get us there. “The human mind may not have evolved enough to be able to comprehend deep time," John McPhee once observed, “it may only be able to measure it.

Life, in short, just wants to be. But—and here’s an interesting point—for the most part it doesn’t want to be much. This is perhaps a little odd because life has had plenty of time to develop ambitions. If you imagine the 4.5 billion odd years of Earth’s history compressed into a normal earthly day, then life begins very early, about 4 A.M., with the rise of the first simple, single-celled organisms, but then advances no further for the next sixteen hours. Not until almost 8:30 in the evening, with the day five-sixths over, has Earth anything to show the universe but a restless skin of microbes. Then, finally, the first sea plants appear, followed twenty minutes later by the first jellyfish and the enigmatic Ediacaran fauna first seen by Reginald Sprigg in Australia. At 9:04 P.M. trilobites swim onto the scene, followed more or less immediately by the shapely creatures of the Burgess Shale. Just before 10 P.M. plants begin to pop up on the land. Soon after, with less than two hours left in the day, the first land creatures follow. Thanks to ten minutes or so of balmy weather, by 10:24 the Earth is covered in the great carboniferous forests whose residues give us all our coal, and the first winged insects are evident. Dinosaurs plod onto the scene just before 11 P.M. and hold sway for about three-quarters of an hour. At twenty-one minutes to midnight they vanish and the age of mammals begins. Humans emerge one minute and seventeen seconds before midnight. The whole of our recorded history, on this scale, would be no more than a few seconds, a single human lifetime barely an instant. Throughout this greatly speeded-up day continents slide about and bang together at a clip that seems positively reckless. Mountains rise and melt away, ocean basins come and go, ice sheets advance and withdraw. And throughout the whole, about three times every minute, somewhere on the planet there is a flashbulb pop of light marking the impact of a Manson-sized meteor or one even larger. It’s a wonder that anything at all can survive in such a pummeled and unsettled environment. In fact, not many things do for long. Perhaps an even more effective way of grasping our extreme recentness as a part of this 4.5-billion-year-old picture is to stretch your arms to their fullest extent and imagine that width as the entire history of the Earth. On this scale, according to John McPhee in Basin and Range, the distance from the fingertips of one hand to the wrist of the other is Precambrian. All of complex life is in one hand, “and in a single stroke with a medium-grained nail file you could eradicate human history.” Fortunately, that moment hasn’t happened, but the chances are good that it will. I don’t wish to interject a note of gloom just at this point, but the fact is that there is one other extremely pertinent quality about life on Earth: it goes extinct. Quite regularly. For all the trouble they take to assemble and preserve themselves, species crumple and die remarkably routinely. And the more complex they get, the more quickly they appear to go extinct. Which is perhaps one reason why so much of life isn’t terribly ambitious.

There is no Weatherfax map on the Stella Lykes—only the barometer, the barographs, the teletypes from NOAA. The radar can see a storm, but that is like seeing a fist just before it hits you. When a storm is out there, somewhere, beyond the visible sky, the ship will let him know. “When you get close to a big storm, you can feel it. For some reason, the ship takes on almost a little uncertainty. She’s almost like a live thing—like they say animals can sense bad weather coming. Sometimes I almost believe a ship can. I know that doesn’t make sense, because she’s steel and wood and metal, but she picks up a little uncertainty, probably something that is being transmitted through the water. It’s hard to define. It’s just a tiny little different motion, a little hesitancy, a little tremble from time to time.” Off

If geologic time could somehow be seen in the perspective of human time, on the other hand, sea level would be rising and falling hundreds of feet, ice would come pouring over continents and as quickly go away . . . continents would crawl like amoebae, rivers would arrive and disappear like rainstreaks down an umbrella, lakes would go away like puddles after rain, and volcanoes would light the earth as if it were a garden of fireflies.

When a volcano lets fly or an earthquake brings down a mountainside, people look upon the event with surprise and report it to each other as news. People, in their whole history, have seen comparatively few such events; and only in the past couple of hundred years have they begun to sense the patterns the events represent. Human time, regarded in the perspective of geologic time, is much too thin to be discerned—the mark invisible at the end of a ruler. If geologic time could somehow be seen in the perspective of human time, on the other hand, sea level would be rising and falling hundreds of feet, ice would come pouring over continents and as quickly go away. Yucatáns and Floridas would be under the sun one moment and underwater the next, oceans would swing open like doors, mountains would grow like clouds and come down like melting sherbet, continents would crawl like amoebae, rivers would arrive and disappear like rainstreaks down an umbrella, lakes would go away like puddles after rain, and volcanoes would light the earth as if it were a garden full of fireflies. At the end of the program, man shows up—his ticket in his hand. Almost at once, he conceives of private property, dimension stone, and life insurance. When a Mt. St. Helens assaults his sensibilities with an ash cloud eleven miles high, he writes a letter to the New York Times recommending that the mountain be bombed.

The scene strongly brings to mind a stack of magazines tied up with string in an attic. It strongly brings to mind that medical superman of yesteryear, the old doc on the cover of The Saturday Evening Post with his stethoscope planted on the chest of a child's doll, the old doc who rode from house to house through deep snows with his black bag beside him and his roan gelding pulling the sleigh, the old doc who did appendectomies on the kitchen table, the old doc who worked nine days a week and rested on the tenth.

On his way home, Giberson met the Devil himself at a bridge. The Devil told him to play his violin, and while Giberson played the Devil danced. Then the Devil played the violin while Giberson danced. Giberson was the kind of dancer of whom people said things like “I seen him put a looking glass on the floor and dance on it—he was that light when he danced.” But the Devil danced even more lightly and beautifully than Giberson, and the Devil played the violin more sweetly. Giberson conceded defeat. The Devil then said that he was going to take Giberson to Hell unless he could play a tune that the Devil had never heard. Out of the air, by Giberson’s account, a tune came to him—a beautiful theme that neither Giberson nor the Devil had ever heard. The Devil let him go. That is what Giberson told people on the following day and for the rest of his life. The tune is known in the Pine Barrens as Sammy Giberson’s Air Tune. No one, of course, knows how it goes, but the Air Tune is there, everywhere, just beyond hearing. Giberson drank a lot, like many of the fiddlers of his time. Fred

Through the spectacles of geology, terra firms becomes terra mobilis, and we are forced to reconsider our beliefs of what is solid and what is not. Although we attribute to stone great power to hold back time, to refuse its claims (cairns, stone tablets, monuments, statuary), this is true only in relation to our own mutability. Looked at in the context of the bigger geological picture, rock is as vulnerable to change as any other substance. Above all, geology makes explicit challenges to our understanding of time. It giddies the sense of here-and-now. The imaginative experience of what the writer John McPhee memorably called 'deep time' - the sense of time whose units are not days, hours, minutes or seconds but millions of years or tens of millions of years - crushes the human instant; flattens it to a wafer. Contemplating the immensities of deep time, you face, in a way that is both exquisite and horrifying, the total collapse of your present, compacted to nothingness by the pressures of pasts and futures too extensive to envisage. And it is a physical as well as a cerebral horror, for to acknowledge that the hard rock of a mountain is vulnerable to the attrition of time is of necessity to reflect on the appalling transience of the human body.

brother-in-law. “Oh, God damn it, Angus, if it weren’t for my sister, I’d fire you,” the brother-in-law said once, and my grandfather said, “John, if it weren’t for your sister, I wouldn’t have to work.” On New Year’s Eve—or, rather, in the first hours of the new year—these Scotsmen in Ohio always went around to one another’s houses, following the Highland custom of first-footing. The first foot to cross a threshold in a new year will bring untold beneficence if it is an acceptable foot. It has to be the foot of a dark-haired person. If the first-footing is done by a fair-haired person, that is all right as long as a lump of coal or some other dark object is thrown across the threshold first. My father remembers all this from his youth, but he raised his own family in Princeton, New Jersey, and there were no first-footings there.

grandfather decided, in the early eighteen-sixties, to go there. The United States was torn up with civil war, and it is interesting to me but not surprising that that did not change his mind. He went into the Ohio mines, and stayed there, and died in 1907. He has about a hundred and thirty descendants who have sprayed out into the American milieu, and they have included railroad engineers, railroad conductors, brakemen, firemen, steelworkers, teachers, football coaches, a chemist, a chemical engineer, a policeman, a grocer, salesmen, doctors, lawyers, druggists, janitors, and postmen. His son Angus, my grandfather, was a heater in a steel mill. He got the ingots white-hot and ready for the roller. He ate his lunch out of a metal box and never developed much loyalty to the steel company, possibly because his immediate superior was his

From seaport to seaport, papers accumulate on the captain’s desk. “Paperwork has become the bane of this job,” he says. “If a ship doesn’t have a good copying machine, it isn’t seaworthy. The more ports, the more papers. South American paperwork is worse than the paperwork anywhere else in the world but the Arab countries and Indonesia.” Deliberately, he allows the pile on his desk to rise until a deep roll on a Pacific swell throws it to the deck and scatters it from bulkhead to bulkhead. This he interprets as a signal that the time has come to do paperwork. The paper carpet may be an inch deep, but he leaves it where it fell. Bending over, he picks up one sheet. He deals with it: makes an entry, writes a letter—does whatever it requires him to do. Then he bends over and picks up another sheet. This goes on for a few days until, literally, he has cleared his deck. The

Turbines designed for low-flow situations would be wasteful in times of high water. Turbines designed for high efficiency at, say, five hundred cubic feet per second might be ineffective in times of low water. Under certain conditions, turbines can go into a state of cavitation, wherein vaporizing water creates bubbles that implode on the metal and riddle it with tiny holes. The ideal turbine for a little mill up a creek somewhere in inconsistent country would be one that was prepared to take whatever might come, to sit there and react calmly in any situation, to respond evenly to wild and sudden demands, to make the best of difficult circumstances, to remain steadfast in time of adversity, to keep going, above all to press on, to persevere, and not vibrate, fibrillate, vacillate, cavitate, or panic - in short, to accept with versatile competence what is known in hydroelectrical engineering as the run of the river.

So, a little desperate and surprisingly inspired, I bought a cap. Not just any cap. I picked one with a bright-gold visor, a gold button at the top, a crown of navy blue, an American flag on the left temple, and—on the forehead emblem—a spread-winged eagle over a rising sun and a red-and-green tractor-trailer and the white letters “America— Spirit of Freedom.” On the back, over my cerebellum, was a starred banner in blue, white, red, green, and gold that said “Carnesville, GA Petro.” I put on that hat and disappeared. The glances died like flies. I could sit anywhere, from Carnesville to Tacoma. In Candler, North Carolina, while Ainsworth was outside fuelling the truck, I sat inside in my freedom hat saying “Biscuits and gravy” to a waitress. She went “Oooooo wheeeee” and I thought my cover wasn’t working, but a trucker passing her had slipped his hand between the cheeks of her buttocks, and she did not stop writing.

The animals I have encountered in my wilderness wanderings have been reluctant to reveal all the things about them I would like to know. The animal that impresses me most, the one I find myself liking more and more, is the grizzly. No sight encountered in the wilds is quite so stirring as those massive, clawed tracks pressed into mud or snow. No sight is quite so impressive as that of the great bear stalking across some mountain slope with the fur of his silvery robe rippling over his mighty muscles. His is a dignity and power matched by no other in the North American wilderness. To share a mountain with him for a while is a privilege and an adventure like no other. I have followed his tracks into an alder hell to see what he had been doing and come to the abrupt end of them, when the maker stood up thirty feet away with a sudden snort to face me. To see a mother grizzly ambling and loafing with her cubs across the broad, hospitable bosom of a flower-spangled mountain meadow is to see life in true wilderness at its best.

I wouldn’t have a person around that wanted to hold on to a crossing or passing situation in which a chance of collision was prevalent,” he continued. “The old rule was that the privileged vessel held its course, the burdened vessel had to give way. They followed that rule for a hundred years and piled up one ship after another. The privileged vessel was required to maintain course and speed until such time that only action by both vessels would prevent collision. You had to hang on so long that even if only you took action it was too late. I myself never hung on to a situation that long, even though that was the court interpretation of the rules, and I didn’t abide my officers’ hanging on to it that long. We were out of there before the situation got that close. The rule has been changed now. You are not required to do that. You have more leeway to play with. It’s more a question of prudence and good seamanship now. When I see certain ships, I seem to have some kind of an instinct that says, ‘Hey, give this guy a little more room.’ In ship channels and rivers, you pass fifty feet apart all the time, but that don’t mean it’s apropos to do it in the middle of an ocean. Hey, it’s just like driving, out here. You sail defensively. You cannot depend on that other fella to always stop at the stop sign or not change lanes or give you the right of way or use his blinker signal. You can’t count on him to do anything. Hey, the only way I’m going to get hit is in the stern. Somebody faster who is really after me is going to have to run me down and hit me in the stern.” In

On April 1, 1865, in Virginia, Pickett was defending an intersection known as Five Forks, six miles south of the Appomattox River and a good bit closer to the Southside Railroad, the last remaining supply line to Richmond. While thirty thousand Union troops led by Little Phil Sheridan approached from the southeast, Pickett’s twelve thousand, spread two miles wide behind fences and in ditches, braced to meet them. Pickett’s supreme commander, Robert E. Lee, was headquartered ten miles away, near Petersburg. Should Pickett fall to Sheridan, Lee would be forced from Petersburg, the Federals would capture Richmond, and the Confederate cause would be lost. Someone mentioned shad. The spring spawning run was in full penetration of the continent. The fish were in the rivers. Tom Rosser, another Confederate general, had caught some, and on the morning of April 1st ordered them baked for his midday dinner, near Hatcher’s Run, several miles from Five Forks. He invited Pickett and Major General Fitzhugh Lee, nephew of Robert E. Lee, to join him. Pickett readily accepted, and rode off from his battle station with Lee. The historian Shelby Foote continues the narrative (“The Civil War,” vol. 3, p. 870): “Neither told any subordinate where he was going or why, perhaps to keep from dividing the succulent fish too many ways; with the result that when the attack exploded—damped from their hearing, as it was, by a heavy stand of pines along Hatcher’s Run—no one knew where to find them. Pickett only made it back to his division after half its members had been shot or captured, a sad last act for a man who gave his name to the most famous charge in a war whose end was hastened by his threehour absence at a shad bake.

Incandescent carbon particles, by the tens of millions, leap free of the log and wave like banners, as flame. Several hundred significantly different chemical reactions are now going on. For example, a carbon atom and four hydrogen atoms, coming out of the breaking cellulose, may lock together and form methane, natural gas. The methane, burning (combining with oxygen), turns into carbon dioxide and water, which also go up the flue. If two carbon atoms happen to come out of the wood with six hydrogen atoms, they are, agglomerately, ethane, which bums to become, also, carbon dioxide and water. Three carbons and eight hydrogens form propane, and propane is there, too, in the fire. Four carbons and ten hydrogens—butane. Five carbons … pentane. Six … hexane. Seven … heptane. Eight carbons and eighteen hydrogens—octane. All these compounds come away in the breaking of the cellulose molecule, and burn, and go up the chimney as carbon dioxide and water. Pentane, hexane, heptane, and octane have a collective name. Logs burning in a fireplace are making and burning gasoline.

Wood was the main source of energy in the world until the eighteen-fifties, and it still could be. Roughly a tenth of the annual growth of all the trees on earth could yield alcohol enough to run everything that now uses coal and petroleum—every airplane, every industry, every automobile.

To be successful at basketball, as author John McPhee once pointed out, you need to have a finely tuned sense of where you are and what’s happening around you at any given moment.

mother like son’ is a saying so true, the world will judge largely of mother by you.

His general shotmaking ability is optimum. He will try anything. “Look at the way he hit that ball, gave it the casual play,” Graebner says to himself. “Instead of trying a silly shot and missing it, he tries a silly shot and makes it.” If Ashe wins the next point, he will have broken Graebner, and the match will be, in effect, even.

Jim Harrison’s novels, John McPhee’s nonfiction, Flannery O’Connor’s short stories, and the crime novels of John Sandford, Ken Bruen, and T. Jefferson Parker.