John Carpenter Quotes

John Keats / John Keats / John / Please put your scarf on.

Later, I went back and looked at it and realized that the walrus was the bad guy in the story and the carpenter was the good guy. I thought, Oh, shit, I picked the wrong guy. I should have said, ‘I am the carpenter.’ But that wouldn’t have been the same, would it? ‘I am the carpenter….

Each one of us is the sum total of every moment that we’ve ever experienced with all the people we’ve ever known.

I met this six-year-old child, with this blank, pale, emotionless face, and the blackest eyes... the devil's eyes." ~Dr. Sam Loomis/Halloween

I dunno what the hell's in there, but it's weird and pissed off, whatever it is." -The Thing, 1982, Directed by John Carpenter

Why do we insist on being the carpenters of our own crosses?

How strange that there would be exactly twenty-four German carpenters in Chicago when the all-night manicure place on the corner of Oakley and Lawrence is called "24/7 Nails.

Alexander Smollett, master; David Livesey, ship's doctor; Abraham Gray, carpenter's mate; John Trelawney, owner; John Hunter and Richard Joyce, owner's servants, landsmen--being all that is left faithful of the ship's company--with stores for ten days at short rations, came ashore this day and flew British colours on the log-house in Treasure Island. Thomas Redruth, owner's servant, landsman, shot by the mutineers; James Hawkins, cabin boy--' And at the same time, I was wondering over poor Jim Hawkins' fate.

Monsters in movies are us, always us, one way or the other. They’re us with hats on. The zombies in George Romero’s movies are us. They’re hungry. Monsters are us, the dangerous parts of us. The part that wants to destroy. The part of us with the reptile brain. The part of us that’s vicious and cruel. We express these in our stories as these monsters out there.

When some wild-eyed, eight-foot-tall maniac grabs your neck, taps the back of your favorite head up against the barroom wall, and he looks you crooked in the eye and he asks you if ya paid your dues, you just stare that big sucker right back in the eye, and you remember what ol' Jack Burton always says at a time like that: "Have ya paid your dues, Jack?" "Yessir, the check is in the mail.

Although the ending was more John Carpenter than John Updike, Carroll hadn't come across anything like it in any of the horror magazines, either, not lately. It was, for twenty-five pages, the almost completely naturalistic story of a woman being destroyed a little at a time by the steady wear of survivor's guilt. It concerned itself with tortured family relationships, shitty jobs, the struggle for money. Carroll had forgotten what it was like to come across the bread of everyday life in a short story. Most horror fiction didn't bother with anything except rare bleeding meat. ("Best New Horror")

I have got acquainted with Lofty John. Ilse is a great friend of his and often goes there to watch him working in his carpenter shop. He says he has made enough ladders to get to heaven without the priest but that is just his joke.

All at once John was strong enough to bear the impatience of others, and with that the game was at an end. He moved at his own pace. He gave orders the way a carpenter drives nails, each straight and deep until it held. He paused where he wanted to, and not where others interrupted him.

Jonesy is in his third-floor John Jay College office, looking out at his little slice of Boston and thinking how wrong T. S. Eliot had been to call April the cruelest month just because an itinerant carpenter from Nazareth supposedly got himself crucified then for fomenting rebellion. Anyone who lives in Boston knows that it’s March that’s the cruelest, holding out a few days of false hope and then gleefully hitting you with the shit.

Let the trees be consulted before you take any action every time you breathe in thank a tree let tree roots crack parking lots at the world bank headquarters let loggers be druids specially trained and rewarded to sacrifice trees at auspicious times let carpenters be master artisans let lumber be treasured like gold let chain saws be played like saxophones let soldiers on maneuvers plant trees give police and criminals a shovel and a thousand seedlings let businessmen carry pocketfuls of acorns let newlyweds honeymoon in the woods walk don't drive stop reading newspapers stop writing poetry squat under a tree and tell stories.

My Lord and my God!’ Thomas exclaimed.” (John 20:26-28). Jesus accepted Thomas’s acknowledgment of him as God. He rebuked Thomas for his unbelief but not for his worship.

The carpenter has done a great job of restoring the door’s broken lock and handle.

On the hearth, in front of a back-brand to give substance, blazed a fire of thorns, that crackled 'like the laughter of the fool.' Nineteen persons were gathered here. Of these, five women, wearing gowns of various bright hues, sat in chairs along the wall; girls shy and not shy filled the window-bench; four men, including Charley Jake the hedge-carpenter, Elijah New the parish-clerk, and John Pitcher, a neighboring dairyman, the shepherd's father-in-law, lolled in the settle; a young man and maid, who were blushing over tentative pourparlers on a life companionship, sat beneath the corner-cupboard; and an elderly engaged man of fifty or upward moved restlessly about from spots where his betrothed was not to the spot where she was. Enjoyment was pretty general, and so much the more prevailed in being unhampered by conventional restrictions. Absolute confidence in each other's good opinion begat perfect ease, while the finishing stroke of manner, amounting to a truly princely serenity, was lent to the majority by the absence of any expression or trait denoting that they wished to get on in the world, enlarge their minds, or do any eclipsing thing whatever - which nowadays so generally nips the bloom and bonhomie of all except the two extremes of the social scale. ("The Three Strangers")

He was leading those who risked their lives over that bridge in Selma, not Janice Joplin, Columbia University, or a labor union. It wasn’t John Lennon that taught people about love and peaceful resistance — that job fell on the shoulders of a Jewish carpenter.

I read the passage Owen had underlined most fervently in his copy of St. Thomas Aquinas—“ Demonstration of God’s Existence from Motion.” I read the passage over and over, sitting on Owen Meany’s bed. Since everything that is moved functions as a sort of instrument of the first mover, if there was no first mover, then whatever things are in motion would be simply instruments. Of course, if an infinite series of movers and things moved were possible, with no first mover, then the whole infinity of movers and things moved would be instruments. Now, it is ridiculous, even to unlearned people, to suppose that instruments are moved but not by any principal agent. For, this would be like supposing that the construction of a box or bed could be accomplished by putting a saw or a hatchet to work without any carpenter to use them. Therefore, there must be a first mover existing above all—and this we call God.

Most important of all, individual believers can experience the power of the risen Christ in their lives today. First of all, they can know that their sins are forgiven (see Luke 24:46-47; 1 Corinthians 15:3). Second, they can be assured of eternal life and their own resurrection from the grave (see 1 Corinthians 15:19-26). Third, they can be released from a meaningless and empty life and be transformed into new creatures in Jesus Christ (see John 10:10; 2 Corinthians 5:17).

Even in the coldest weather, the harbor, the fields, the woods, all are alive. Blue jays fly, and brown winter wrens; finches feed on birch seed. Tiny, unseen things crawl, hunt, live, die. Lacewings hibernate under the loose bark on the trees. Caddis-fly larvae carry houses made from plant debris on their backs, and aphids huddle on the alders. Wood frogs sleep frozen beneath piles of leaf mold, and beetles and back swimmers, newts and spotted salamanders, their tails thick with stored fat, all flicker in the icy waters above. There are carpenter ants, and snow fleas, and spiders, and black mourning cloak butterflies that flit across the snow like burned paper. White-footed mice and woodland voles and pygmy shrews scurry through the slash, ever-wary of the foxes and weasels and the vicious, porcupine-hunting fishers that share the habitat. The snowshoe hare changes its coat to white in response to the diminishing daylight hours, the better to hide itself from its predators. Because the predators never go away.

read slowly, moving his lips over the words. “Everything is only for a day, both that which remembers and that which is remembered. “Observe constantly that all things take place by change, and accustom thyself to consider that the nature of the universe loves nothing so much as to change things which are and to make new things like them. For everything that exists is in a manner the seed of that which will be.” Lee glanced down the page. “Thou wilt die soon and thou are not yet simple nor free from perturbations, nor without suspicion of being hurt by external things, nor kindly disposed towards all; nor dost thou yet place wisdom only in acting justly.” Lee looked up from the page, and he answered the book as he would answer one of his ancient relatives. “That is true,” he said. “It’s very hard. I’m sorry. But don’t forget that you also say, ‘Always run the short way and the short way is the natural’—don’t forget that.” He let the pages slip past his fingers to the fly leaf where was written with a broad carpenter’s pencil, “Sam’l Hamilton.

A good writer is likely to know and use, or find out and use, the words for common architectural features, like "lintel," "newel post," "corbelling," "abutment," and the concrete or stone "hems" alongisde the steps leading up into churches or public buildings; the names of carpenters' or pumbers' tools, artists' materials, or whatever furniture, implements, or processes his characters work with; and the names of common household items, including those we do not usually hear named, often as we use them. Above all, the writer should stretch his vocabulary of ordinary words and idioms--words and idioms he sees all the time and knows how to use but never uses. I mean here not language that smells of the lamp but relatively common verbs, nouns, and adjectives. The serious-mined way to vocabulary is to read through a dictionary, making lists of all the common words one happens never to use. And of course the really serious-minded way is to study languages--learn Greek, Latin, and one or two modern languages. Among writers of the first rank one can name very few who were not or are not fluent in at least two. Tolstoy, who spoke Russian, French, and English easily, and other languages and dialects with more difficulty, studied Greek in his forties.

Before drawing any affirmative conclusions let us first note the absence of the concept of imitation as a general pastoral or moral guideline. There is in the New Testament no Franciscan glorification of barefoot itinerancy. Even when Paul argues the case for celibacy, it does not occur to him to appeal to the example of Jesus. Even when Paul explains his own predilection for self-support there is no appeal to Jesus' years of village artisan. Even when the Apostle argues strongly the case for his teaching authority, there is no appeal to the rabbinic ministry of Jesus. Jesus' trade as a carpenter, his association with fishermen, and his choice of illustrations from the life of the sower and the shepherd have through Christian history given momentum to the romantic glorification of the handcrafts and the rural life; but there is none of this in the New Testament, which testifies throughout to the life and mission of a church going intentionally into the cities in full knowledge of the conflicts which awaited here there. That the concept of imitation is not applied by the New Testament at some of those points where Franciscan and romantic devotion has tried most piously to apply it, is all the more demonstration of how fundamental the thought of participation in the suffering of Christ is when the New Testament church sees it as guiding and explaining her attitude to the powers of the world. Only at one point, only on one subject - but then consistently, universally - is Jesus our example: in his cross.

Paradiso, XXXI,108 Diodorus Siculus tells the story of a god that is cut into pieces and scattered over the earth. Which of us, walking through the twilight or retracing some day in our past, has never felt that we have lost some infinite thing? Mankind has lost a face, an irrecoverable face, and all men wish they could be that pilgrim (dreamed in the empyrean, under the Rose) who goes to Rome and looks upon the veil of St. Veronica and murmurs in belief: My Lord Jesus Christ, very God, is this, indeed, Thy likeness in such fashion wrought?* There is a face in stone beside a path, and an inscription that reads The True Portrait of the Holy Face of the Christ of Jaén. If we really knew what that face looked like, we would possess the key to the parables, and know whether the son of the carpenter was also the Son of God. Paul saw the face as a light that struck him to the ground; John, as the sun when it shines forth in all its strength; Teresa de Jesús, many times, bathed in serene light, although she could never say with certainty what the color of its eyes was. Those features are lost to us, as a magical number created from our customary digits can be lost, as the image in a kaleidoscope is lost forever. We can see them and yet not grasp them. A Jew's profile in the subway might be the profile of Christ; the hands that give us back change at a ticket booth may mirror those that soldiers nailed one day to the cross. Some feature of the crucified face may lurk in every mirror; perhaps the face died, faded away, so that God might be all faces. Who knows but that tonight we may see it in the labyrinths of dream, and not know tomorrow that we saw it.

I read the passage Owen had underlined most fervently in his copy of St. Thomas Aquinas—“Demonstration of God’s Existence from Motion.” I read the passage over and over, sitting on Owen Meany’s bed. Since everything that is moved functions as a sort of instrument of the first mover, if there was no first mover, then whatever things are in motion would be simply instruments. Of course, if an infinite series of movers and things moved were possible, with no first mover, then the whole infinity of movers and things moved would be instruments. Now, it is ridiculous, even to unlearned people, to suppose that instruments are moved but not by any principal agent. For, this would be like supposing that the construction of a box or bed could be accomplished by putting a saw or a hatchet to work without any carpenter to use them. Therefore, there must be a first mover existing above all—and this we call God.

...the letters begin to cross vast spaces in slow sailing ships and everything becomes still more protracted and verbose, and there seems no end to the space and the leisure of those early nineteenth century days, and faiths are lost and the life of Hedley Vicars revives them; aunts catch cold but recover; cousins marry; there is the Irish famine and the Indian Mutiny, and both sisters remain, to their great, but silent grief, for in those days there were things that women hid like pearls in their breasts, without children to come after them. Louisa, dumped down in Ireland with Lord Waterford at the hunt all day, was often very lonely; but she stuck to her post, visited the poor, spoke words of comfort (‘I am sorry indeed to hear of Anthony Thompson's loss of mind, or rather of memory; if, however, he can understand sufficiently to trust solely in our Saviour, he has enough’) and sketched and sketched. Thousands of notebooks were filled with pen and ink drawings of an evening, and then the carpenter stretched sheets for her and she designed frescoes for schoolrooms, had live sheep into her bedroom, draped gamekeepers in blankets, painted Holy Families in abundance, until the great Watts exclaimed that here was Titian's peer and Raphael's master! At that Lady Waterford laughed (she had a generous, benignant sense of humour); and said that she was nothing but a sketcher; had scarcely had a lesson in her life—witness her angel's wings, scandalously unfinished. Moreover, there was her father's house for ever falling into the sea; she must shore it up; must entertain her friends; must fill her days with all sorts of charities, till her Lord came home from hunting, and then, at midnight often, she would sketch him with his knightly face half hidden in a bowl of soup, sitting with her notebook under a lamp beside him. Off he would ride again, stately as a crusader, to hunt the fox, and she would wave to him and think, each time, what if this should be the last? And so it was one morning. His horse stumbled. He was killed. She knew it before they told her, and never could Sir John Leslie forget, when he ran down-stairs the day they buried him, the beauty of the great lady standing by the window to see the hearse depart, nor, when he came back again, how the curtain, heavy, Mid-Victorian, plush perhaps, was all crushed together where she had grasped it in her agony.

Isn’t this a nice clean place? Loo! What d’you like best in all the world?” The answer came almost inaudibly from the white puckered lips: “Pictures.” “That exactly what you’re going to have, every day — twice a day. Think of that. Shut your eyes and have a nice sleep, and when you wake the pictures will begin. Shut your eyes! And I’ll tell you a story. Nothing’s going to happen to you. See! I’m here.” He thought she had closed her eyes, but pain gripped her suddenly again; she began whimpering and then screamed. “God!” murmured Hilary. “Another touch, doctor, quick!” The doctor injected morphia. “Leave us alone again.” The doctor slipped away, and the child’s eyes came slowly back to Hilary’s smile. He laid his fingers on her small emaciated hand. “Now, Loo, listen!   “‘The Walrus and the Carpenter were walking hand in hand, They wept like anything to see such quantities of sand. “If seven maids with seven brooms could sweep for half a year, Do you suppose,” the Walrus said, “that they could get it clear?” “I doubt it,” said the Carpenter, and shed a bitter tear!’”   On and on went Hilary, reciting ‘The Mad Hatter’s Tea-party.’ And, while he murmured, the child’s eyes closed, the small hand lost warmth. He felt its cold penetrating his own hand and thought: ‘Now, God, if you are — give her pictures!

I have moments.

Among the new arrivals were two women, Mistress Forrest and her maid. Several months later, in the church at Jamestown, the maid, Ann Burras, was married to one of the settlers, John Laydon, a carpenter by trade. This marriage has been ranked as "the first recorded English marriage on the soil of the United States." Their child, Virginia, born the next year, was the first to be born at Jamestown.

There are beatings, murders, summary executions, mutinies; only the progress of the pestilence prevents complete anarchy. Men become too ill to kill, then too ill to work. A helmsman with a neck bubo is strapped to the helm; a ship’s carpenter with a bloody cough, to his bench. A rigger shaking with fever is lashed to the mast. Gradually each escaping vessel becomes a menagerie of grotesques. Everywhere there are delirious men who talk to the wind and stain their pants with bloody anal leakages; and weeping men who cry out for absent mothers and wives and children; and cursing men who blaspheme God, wave their fists at an indifferent sky, and burble blood when they cough. There are men who ooze pus from facial and body sores and stink to high heaven; lethargic men who stare listlessly into the cruel, gray sea; mad men who laugh hysterically and dig filthy fingernails into purple, mottled flesh; and dead men, whose bloated bodies roll back and forth across pitching decks until they hit a rail or mast and burst open like piñatas.

Experimentava um prazer maligno em desmoronar este gênero de bichos; a passagem instantânea do deslumbramento ao horror desfigurava-os, revelhando-lhes a caveira escamosa de crocodilos interplanetários. Tornamo-nos profissionais deste jogo da verdade, para o qual recolhêramos inspiração no They Live do John Carpenter, um dos muitos filmes que nos caçaram juntos. A princípio, declaravas que se tratava de uma obra menor, tão simpática quanto primária. Mas à medida que se alagavas na estrumeira da política, apanhavas o rigor exato da fita. De fato, ele vivem, e só com os especialíssimos óculos escuros alguns de nós conseguem vê-los. Outros, como tu, tentam mesmo eliminá-los, para que o mundo seja esse lugar humano que ainda não chegou a ser. O problema, queridíssima, é que os que mais tentam parecem destinados a finar-se num fósforo.

Jesus Christ was born in a small Jewish village 2,000 years ago. He was a carpenter until he was about 30 years old. Then he became a preacher and healer. He traveled less than 100 miles from his home. And his mission lasted no more than three years. He preached about God’s love and performed many miracles. He attracted a large group of followers. But the religious leaders were afraid of him. So they arrested him and nailed him to a cross.

Life goes on. The world spins out another day. The mystery of human life and hope goes on. And here and there, the luminous light that shone out from a carpenter in Nazareth glimmers and flickers in the darkness. And we hope again for what life might become. The soul waits.

Everyone works hard for colony. Including [Redacted]. But all your father sees is a boy with no element. Whereas I see a carpenter and a tracker. I see someone who notices contours on the beach, channels in the sand, weakness in the cabins. Relying on our elements has made us careless - your father most of all. I'm more than just my element; and if you had one, you would be, too. Don't forget that.

Everyone works hard for the colony. Including [Redacted]. But all your father sees is a boy with no element. Whereas I see a carpenter and a tracker. I see someone who notices contours on the beach, channels in the sand, weakness in the cabins. Relying on our elements has made us careless - your father most of all. I'm more than just my element; and if you had one, you would be, too. Don't forget that.

Paul McCartney makes lovely boutique tapes, resolute upon being as inconsequential as the Carpenters which in itself may be as much a reaction to John's opposite excesses as a simple case of vacuity. You could hardly call him burnt out--Band on the Run was, in its rather vapid way, a masterful album. Muzak's finest hour. Of course he is about as committed to the notion of subject matter as Hanna-Barbera, and his cuteness can be incredibly annoying at times.

Goalkeeper John Burridge is the oldest player ever to play in the Premier League turning out for Queens Park Rangers at Manchester City on 14 May 1995 at the ripe old age of 43 years and 162 days.

Just as carpenters need a variety of tools to build an attractive house or a piece of fine furniture, counselors require a variety of methods to help people rebuild tragedy-shattered lives, dysfunctional relationships, or destructive religious beliefs and values.

In Pagan and Christian Creeds, Carpenter recounts, "The saviour Mithra, too, was born of a Virgin, as we have had occasion to notice before; and on Mithraist monuments the mother suckling her child is not an uncommon figure." Carpenter's assertion is backed up by John Remsburg in The Christ (ch. 7), in which he reports that an image found in the Roman catacombs depicts the babe Mithra "seated in the lap of his virgin mother," with the gift-bearing Magi genuflecting in front of them.

Edward Carpenter looked at civilization as a kind of disease we have to pass through.48 This Decadence can be overcome. Confronting the nature of the whole is the inescapable challenge.

It takes a fantastic will to unbelief to suppose that Jesus never really ‘happened’, and more to suppose that he did not say the things recorded of him – so incapable of being ‘invented’ by anyone in the world at that time: such as ‘before Abraham came to be I am’ (John viii). ‘He that hath seen me hath seen the Father’ (John ix); or the promulgation of the Blessed Sacrament in John v: ‘He that eateth my flesh and drinketh my blood hath eternal life’. We must therefore either believe in Him and in what he said and take the consequences; or reject him and take the consequences. Letter 250 To Michael Tolkien

Accepting that the Gospels are problematic sources, we can still sketch Jesus's life and teachings. The evidence puts him among the Jewish peasantry of first-century Palestine. He was born ca. 4 BCE, more likely in or around Nazareth than in Bethlehem, given both widespread doubts about the historicity of Matthew's and Luke's Nativity narratives and recognition of their apologetic aims. He came from a family of modest means, spoke Aramaic, and worked as a carpenter or builder. At about age thirty, he was baptized by an itinerant preacher named John, after which he spent one (or more) years in the Galilee, gaining disciples and sometimes teaching in synagogues. By all accounts he moved easily among and displayed great compassion for people at society's margins. He fomented a major disturbance in Jerusalem, for which he was executed. Some of what Jesus taught was already familiar—the Golden Rule (Matt. 7:12) parallels a saying of the Jewish sage Hillel, his elder contemporary—but much represented a distinctive message about "the kingdom of God," a highly disputed term that many researchers understand as a place and time to come in which God will reign supreme. Heavenly or earthly, future or present, the kingdom would be ushered in by the "Son of Man," an apocalyptic figure whom Jesus may—or may not—have identified as himself. The kingdom's advent is imminent and would occasion a catastrophe, leading to a universal judgment of each person's fitness to enter it that would radically remake the social order. Mark 1:15 offers a concise precis: "The time is fulfilled, and the kingdom of God has come, repent, and believe the good news.

Os limites do capitalismo não são fixadas em de uma vez por todas, mas definidos (e redefinidos) de maneira pragmática e improvisada. Isso faz do capitalismo algo muito parecido com A Coisa no filme homônimo de John Carpenter: uma entidade monstruosa e infinitamente plástica, capaz de metabolizar e absorver qualquer coisa com a qual entre em contato.

Alf was a jack-of-all-trades, carpenter, tinsmith, blacksmith, electrician, plasterer, scissors grinder, and cobbler. Alf could do anything, and as a result he was a financial failure although he worked all the time.

for Dunaway, constantly kneeling or sprawling to take photographs, her legs, especially her thighs, are far more important to her performance than her eyes; her flesh gives off heat. Tommy Lee Jones is the police lieutenant who represents old-fashioned morality, and when the neurotically vulnerable Laura, who has become telepathic about violence, falls in love with him, they’re a very creepy pair. With the help of the editor, Michael Kahn, Kershner glides over the gaps in the very uneven script (by John Carpenter and David Z. Goodman, with an assist from Julian Barry). The cast includes Raul Julia, Rose Gregorio, Meg Mundy, and Bill Boggs (as himself). Columbia. color (See When the Lights Go Down.)

Now it’s on all the TVs in the bar. The announcers are saying the FBI determined Analise Compton was kidnapped by two people, Donovan Creed and Callie Carpenter, who were holding her at Creed’s Virginia estate. We watch in horror as our photos are superimposed over the firefight taking place in the background. Callie and I sneak out of the bar and rush to her car.

ship built by English settlers in the New World. In 1607, at the mouth of the Kennebec River in Maine, the Plymouth Company erected a short-lived fishing settlement. A London shipwright named Digby organized some settlers to construct a small vessel with which to return them home to England, as they were homesick and disenchanted with the New England winters. The small craft was named, characteristically, the Virginia. She was evidently a two-master and weighed about thirty tons, and she transported furs, salted cod, and tobacco for twenty years between various ports along the Maine coast, Plymouth, Jamestown, and England. She is believed to have wrecked somewhere along the coast of Ireland.6 By the middle of the seventeenth century, shipbuilding was firmly established as an independent industry in New England. Maine, with its long coastline and abundant forests, eventually overtook even Massachusetts as the shipbuilding capital of North America. Its most western town, Kittery, hovered above the Piscataqua. For many years the towns of Kittery and Portsmouth, and upriver enclaves like Exeter, Newmarket, Durham, Dover, and South Berwick, rivaled Bath and Brunswick, Maine, as shipbuilding centers, with numerous shipyards, blacksmith shops, sawmills, and wharves. Portsmouth's deep harbor, proximity to upriver lumber, scarcity of fog, and seven feet of tide made it an ideal location for building large vessels. During colonial times, the master carpenters of England were so concerned about competition they eventually petitioned Parliament to discourage shipbuilding in Portsmouth.7 One of the early Piscataqua shipwrights was Robert Cutts, who used African American slaves to build fishing smacks at Crooked Lane in Kittery in the 1650s. Another was William Pepperell, who moved from the Isle of Shoals to Kittery in 1680, where he amassed a fortune in the shipbuilding, fishing, and lumber trades. John Bray built ships in front of

Few records exist to establish a definitive date as to when the first ships were built in the Piscataqua region. Fishing vessels were probably constructed as early as 1623, when the first fishermen settled in the area. Many undoubtedly boasted a skilled shipwright who taught the fishermen how to build “great shallops”as well as lesser craft. In 1631 a man named Edward Godfrie directed the fisheries at Pannaway. His operation included six large shallops, five fishing boats, and thirteen skiffs, the shallops essentially open boats that included several pairs of oars, a mast, and lug sail, and which later sported enclosed decks.5 Records do survive of the very first ship built by English settlers in the New World. In 1607, at the mouth of the Kennebec River in Maine, the Plymouth Company erected a short-lived fishing settlement. A London shipwright named Digby organized some settlers to construct a small vessel with which to return them home to England, as they were homesick and disenchanted with the New England winters. The small craft was named, characteristically, the Virginia. She was evidently a two-master and weighed about thirty tons, and she transported furs, salted cod, and tobacco for twenty years between various ports along the Maine coast, Plymouth, Jamestown, and England. She is believed to have wrecked somewhere along the coast of Ireland.6 By the middle of the seventeenth century, shipbuilding was firmly established as an independent industry in New England. Maine, with its long coastline and abundant forests, eventually overtook even Massachusetts as the shipbuilding capital of North America. Its most western town, Kittery, hovered above the Piscataqua. For many years the towns of Kittery and Portsmouth, and upriver enclaves like Exeter, Newmarket, Durham, Dover, and South Berwick, rivaled Bath and Brunswick, Maine, as shipbuilding centers, with numerous shipyards, blacksmith shops, sawmills, and wharves. Portsmouth's deep harbor, proximity to upriver lumber, scarcity of fog, and seven feet of tide made it an ideal location for building large vessels. During colonial times, the master carpenters of England were so concerned about competition they eventually petitioned Parliament to discourage shipbuilding in Portsmouth.7 One of the early Piscataqua shipwrights was Robert Cutts, who used African American slaves to build fishing smacks at Crooked Lane in Kittery in the 1650s. Another was William Pepperell, who moved from the Isle of Shoals to Kittery in 1680, where he amassed a fortune in the shipbuilding, fishing, and lumber trades. John Bray built ships in front of the Pepperell mansion as early as 1660, and Samuel Winkley owned a yard that lasted for three generations.8 In 1690, the first warship in America was launched from a small island in the Piscataqua River, situated halfway between Kittery and Portsmouth. The island's name was Rising Castle, and it was the launching pad for a 637-ton frigate called the Falkland. The Falkland bore fifty-four guns, and she sailed until 1768 as a regular line-of-battle ship. The selection of Piscataqua as the site of English naval ship construction may have been instigated by the Earl of Bellomont, who wrote that the harbor would grow wealthy if it supplemented its export of ship masts with “the building of great ships for H.M. Navy.”9 The earl's words underscore the fact that, prior to the American Revolution, Piscataqua's largest source of maritime revenue came from the masts and spars it supplied to Her Majesty's ships. The white oak and white pine used for these building blocks grew to heights of two hundred feet and weighed upward of twenty tons. England depended on this lumber during the Dutch Wars of the

Let the trees be consulted before you take any action every time you breathe in thank a tree let treeroots crack parking lots at the world bank headquarters let loggers be druids specially trained and rewarded to sacrifice trees at auspicious times let carpenters be master artisans let lumber be treasured like gold let chainsaws be played like saxophones let soldiers on maneuvers plant trees give police and criminals a shovel and a thousand seedlings let businessmen carry pocketfuls of acorns let newlyweds honeymoon in the woods walk don’t drive stop reading newspapers stop writing poetry squat under a tree and tell stories JOHN WRIGHT

Like Trump, Nixon never gave up on his narrative. He never took responsibility for drugging Martha or for anything else to do with Watergate. In fact, in the years after his resignation he blamed her for Watergate! “If it hadn’t been for Martha, there’d be no Watergate because John wasn’t mindin’ that store,” Nixon told British journalist David Frost in a series of TV interviews that aired in 1977. “You see, John’s problem was not Watergate,” Nixon said. “It was Martha. And it’s one of the personal tragedies of our time.” Even though his presidency was dead and Martha Mitchell was, too, Nixon never stopped gaslighting her.

In America, the American Federation of Labor, which included most of organized labor, specialized in organizing only craft unions. That is, carpenters, plumbers, masons, painters, machinists, etc., were organized in unions representing these separate crafts. They constituted only a small part of the labor force. The vast majority of workers were unskilled and were employed in factories or single industries and were unorganized. There were three large industrial unions—the United Mine Workers of John L. Lewis, the International Ladies Garment Workers Union of David Dubinsky and the Amalgamated Clothing Workers of Sidney Hillman.